Grosvenor Prints

Jeune Fille de Majorque. Espagne. Costes. Etrangers.
d’après Rodriguez 1790. Poldor. Pauquet.
Pauquet freres, editeurs. Impe. Prieur, Rue de l'Ourcine 94. 22me. Liv. No.44. Bureaux des modes et costumes historiques Rue d'Enfer, 83 et Rue Richelieu, 65.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15658] £85.00 (£102.00 incl.VAT)

Le Jeune Musicien. Cet instrument me procure du pain, luoique souvent je joue envain...
peint par G. Schalcken. Grave par G. Bodeneer.
[n.d., c.1700s.] Printed for Carington Bowles in St Pauls Church Yard, London.
Mezzotint. Plate 120 x 165mm (4¾ x 6½"), very large margins. Creasing in margins.
A young boy plays an instrument, holding it in his right hand and playing it with his left. He plays it to earn money for bread, though often plays in vain. Inscription with the title and four lines of verse written in French on the left and German on the right.
[Ref: 63086] £380.00

Jeune Suisse. Dessinée d'après Nature, par Lemire ainé,Professeur de Dessin à l'Ecole Royale Polytechnique.
Lemire ainé del. Massol sculp.
A Paris, chez Jean, Rue St. Jean de Beauvais, No.10. Déposée à la Direction Générale. [n.d. c.1830.]
Stipple partly printed in colour, Plate 483 x 318mm. 17¼ x 12½".
A young Swiss girl wearing a rolled-up style of hat, she wears a green and red scarf wrapped around and underneath her arms.
[Ref: 17503] £240.00 (£288.00 incl.VAT)

Les Jeux Olympiques à Olympie. (884). Grèce et Italie Pl.2
V. Adam [facsimile inside image.]
Imp. Lemercier, Paris. [n.d. c.1849.]
Lithograph. 361 x 266mm. 14¼ x 10½".
An olympic chariot race, the leader rushes past the turning pillar, with the second place chariot fast on his heels; a third chariot can be seen in the distance. A large crowd looks on at such a traditional olympic sport. A temple can be seen in the distance to the left of the pillar.
[Ref: 16842] £180.00 (£216.00 incl.VAT)

[A Jew.]
[After Rembrandt. Engraved by S.W.Reynolds.]
[n.d., c.1840.]
Very rare unfinished proof mezzotint. 505 x 350mm (20 x 13¾"). Upper margin taped into mount.
Portrait of a seated man, he is directed to the right but looks to the front. He wears a wide fur cap and both hands hold a stick to his right side.
W: 432. Charrington 151. Ex: Collection of The Hon. Christopher Lennox-Boyd & Reuss Collection.
[Ref: 66015] £320.00

[A Jew.] Juif.
J.B. B.Baron sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾"), with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47103] £650.00

The Jew's Daughter of Pergamus.
J. Brown. H. Cook.
Fisher, Son & Co. [n.d. c.1840.]
Steel engraving. 278 x 210mm. 11 x 8¼".
The daughter of one of the kings of Pergamum, the ancient Greek city in modern-day Turkey.
[Ref: 22636] £50.00 (£60.00 incl.VAT)

[The Jeweller] The Morning Rose, What Shall Poor Harpax Do! / He Came, he lov'd, enjoy'd the Nymph 'tis true, / All that he wish'd, he had,, but thinks at last, Tis mighty hard to pay for Pleasures past...
P. Mercier pinx. J. Faber fecit.
Printed for Rob.t Sayer, Jn.º and Rob.t Withy in Fleet Street, 1756.
Mezzotint, 18th century watermark. 275 x 325mm (10¾ x 12¾"). Trimmed to plate at bottom, narrow margins, repaired tears.
A young woman encourages her older admirer to pay for a pair of earrings held by a jeweller. He reluctantly reaches into his money-bag. Behind is a maid carrying a coffee pot and cups on a tray. Jewellery interest.
CS 411c, this later state not listed. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67361] £240.00 (£288.00 incl.VAT)

[The Jeweller] The Morning Rose, What Shall Poor Harpax Do! / He Came, he lov'd, enjoy'd the Nymph 'tis true, / All that he wish'd, he had,, but thinks at last, Tis mighty hard to pay for Pleasures past...
P. Mercier pinx. J. Faber fecit 1744.
Publish'd according to Act of Parliament Mar: 25, 1744.
Mezzotint, fine impression, 18th century watermark. 275 x 325mm (10¾ x 12¾") very large margins. Crease in inscription area, wear in margins with tears taped, paper toned.
A young woman encourages her older admirer to pay for a pair of earrings held by a jeweller. He reluctantly reaches into his money-bag. Behind is a maid carrying a coffee pot and cups on a tray.
CS 411c. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67241] £360.00

The Jeweller.
[n.d., c.1810.]
Woodcut, with four sheets of letterpress. Sheet: 150 x 90mm (6 x 3½'').
A jeweller working at his bench, with text.
[Ref: 50498] £95.00 (£114.00 incl.VAT)

A Jeweller.
Pub. Jan. 1. 1806, by Tabart & Co.
Engraving. Plate: 70 x 115mm (2¾ x 4½").
A scene in a jeweller's workshop, a jeweller shown working at his work bench.
[Ref: 44647] £130.00 (£156.00 incl.VAT)

Edward Day, Manufacturer of Gold & Gilt Jewellery, Silver, Steel & Black Ornaments. Importer of Foreign Beads &c. No. 1 Bristol Street, Birmingham.
[n.d., c.1840.]
Engraved trade card. Sheet 80 x 115mm, 3¼ x 4½".
Trade card of a jeweller.
[Ref: 18252] £160.00 (£192.00 incl.VAT)

Jewellery. Plate 23. Vol. 5. Designed & Manufactured by J.H. Barlow.
No. 28 of R. Ackermann's Repository of Arts &c. Pub. April 1. 1811, at 101 Strand, London.
Aquatint. Plate 272 x 222mm. 10¾ x 8¾". Two horizontal creases. Slight staining. Paper loss lower right-hand corner.
Jewellery designs for a necklace, earrings, a head-piece and bracelets. Ackermann's Repository of Arts was an illustrated, British periodical published from 1809-1829 by Rudolph Ackermann. The formal title of the publication was "Respository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it did cover all of these fields. At the time, it was considered to be of great influence to the English taste in fashion, architecture, and literature.
[Ref: 19132] £65.00 (£78.00 incl.VAT)

Jewess.
Rembrandt pinx.t. C.Corbutt fecit.
[n.d., c.1760.] Printed for John Bowles, at the Black Horse in Cornhill.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), large margins.
Portrait of a young woman with long curling hair. An ornament with pearls and feathers is in her hair and she wears a pearl necklace and earrings.
Charrington 145. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65680] £320.00

Jewess.
Rembrandt pinx.t. C.Corbutt fecit.
[n.d., c.1760.] Printed for John Bowles, at the Black Horse in Cornhill. Price 7 5/6.
Mezzotint. 355 x 250mm (14 x 9¾"), with large margins. Creasing on right corner of image in margins. Printer's crease on left middle.
Portrait of a young woman with long curling hair. An ornament with pearls and feathers is in her hair and she wears a pearl necklace and earrings.
Charrington 145. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65683] £360.00

The Blessing.
Printed and Published by W. Davison Alnwick. [n.d., c.1815.]
Etching. Sheet 180 x 260mm (7¼ x 10¼).
A Jewish man sitting at a table with a cat drinking out of his bowl; picture of Calvary (Golgotha) hanging on the wall behind. William Davison of Alnwick (1780-1858), print publisher and pharmacist, produced a number of naive popular prints between 1812 and 1817, usually based on other prints.
[Ref: 54524] £130.00 (£156.00 incl.VAT)

[A Jewish Woman of Gibraltar in fiesta dress]
J.F. Lewis 1835.
Tinted lithograph with original hand-colouring 360 x 275mm (14¼ x 10¾"). Trimmed and glued onto backing card as issued in the 1st deluxe state. Slightly cockled. Some slight foxing.
A young woman seated cross-legged on a carpet, wearing a mantilla over her head, jewellery, and ornately decorated bodice with broad sleeves; two ballustraded windows of a house seen in background. According to the ink mss on the back this is 'From Lewis' sketches of Spain , Spanish Characters made 1833-4 the sketch in the posession og G. Woodzoffe Esq.'
[Ref: 55023] £520.00

[A Jewish couturier who takes her wares to the houses of young Turkish women who are not permitted to go out.] Femme Juive Courtiere qui porte ses Marchandises aux Jeunes Dames Turques qui ne peuvent sortir.
J.B. P. Simmoneau fil sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾"), with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47104] £650.00

[A Jewish Woman Dressed for a Ceremony.] Femme Juive, en habit de cèrèmonie.
J.B. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾"), with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47105] £650.00

Jewish woman of Smyrna, at home.
[n.d., c.1830.]
Coloured lithograph. Printed area 140 x 105mm (5½ x 4¼"). Tear taped, surface scraping in margins, spotting.
[Ref: 66684] £260.00 (£312.00 incl.VAT)

Orlando Jewitt. Wood Engraver.
By Harry Carter.
London. Oxford University Press. 1962.
8vo, green cloth gilt and illust. d/w; pp. 48, profusely illustrated.
An account of the work of Orlando Jewitt (1799-1869).
[Ref: 59930] £15.00

Jezzar Pacha Condemning a Criminal.
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. Edw.d Orme Excu.t.
Sold & Published Feb.y 14. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. J. Whatman 1801 watermark; Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A scene showing an Ottoman court in which Jazzar Pasha, who served as Ottoman Governor of Sidon from 1776-1804, condemns the criminal who kneels before him. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46228] £160.00 (£192.00 incl.VAT)

S.t John's Church, Jhelum, S.E. View.
Major Harley Maxwell E.I.C Engineers. W. Gauci, Lith. M&N Hanhart, Imp.t.
[n.d., c.1860.]
Chromolithograph. Very rare. Sheet: 320 x 220mm, (12½ x 8½")
A view of St. John's Church in the Jhelum cantonment in Pakistan. The church was built in 1860 to commemorate the 35 soldiers from the 24th Regiment of Foot who died during the Indian Rebellion of 1857.
[Ref: 39470] £130.00 (£156.00 incl.VAT)

Gigeri, een Koopryk Dorp in Barbarye...
Pet. Schenk.
Amst. C.P. [n.d., c.1702.]
Fine engraving, 215 x 270mm. 8½ x 10½". Waterstain to margin upper right.
A panorama of the coast at Jijel (formerly known as Djidjelli, Gigeri or Gigery) in northeastern Algeria, from the Mediterranean Sea. Three ships feature. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 9753] £180.00 (£216.00 incl.VAT)

"Joan & Mary."
D. Lewis Graves. '31. [pencil signature.]
Etching. Limited edition: 17/30. 272 x 235mm. 10¾ x 9¼".
Two ballerinas on stage under the spotlights.
[Ref: 19198] £130.00 (£156.00 incl.VAT)

[St. Joan of Arc.] The Maid of Orleans.
[n.d., c.1800.]
Lithograph with fine original hand-colour. Sheet 320 x 205mm (12½ x 8").
Depiction of Joan of Arc (c. 1412-1431), revered as the “Maid of Orléans,” who was instrumental in the relief of the city in 1429. Captured at Compiègne in 1430, she was transferred to English custody, subjected to trial, and condemned to death by burning. In later years, she was formally declared innocent and subsequently canonized within the Roman Catholic tradition.
[Ref: 69015] £95.00 (£114.00 incl.VAT)

[St. Joan of Arc.] [La Pucelle d'Orleans. Fortitudine sua restituit Rein.]
[By Noel Le Mire after a painting in the Hôtel de Ville in Orléans.]
[n.d., c.1774.]
Etching, proof before letters. Sheet 125 x 75mm (5 x 3"). Trimmed and backed onto album paper.
Portrait of Joan of Arc (c. 1412-1431), known as the “Maid of Orléans,” who played a pivotal role in lifting the siege of the town in 1429. She was captured at Compiègne in 1430 and subsequently handed over to the English, whereupon she was tried, convicted, and executed by burning at the stake. She was later exonerated posthumously and canonized as a saint of the Roman Catholic Church.
See also [Ref: 55764].
[Ref: 69016] £180.00 (£216.00 incl.VAT)

Ionna Puella Restuaratrix Rerum Gallicarum. Johanna de Maecht van Orleans, Behoutster der Saken van vrancvyck.
Rare engraving, 180 x 130mm (7 x 5"). Trimmed to image and laid on album paper. Toning.
A head and shoulders portrait of Joan of Arc (1412-1431), right profile and framed in an oval. Joan of Arc, sometime nick-named 'the Maid of Orleans' was a heroic figure during France's Hundred Years War. She was executed for continuing to dress in 'male' clothing and was eventually canonised 1920.
[Ref: 53814] £75.00 (£90.00 incl.VAT)

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Jeanne d'Arc, blessée à la gorge
Bosio peintre. Imp Lithogr: de G. Engelmann rue Cassette Nº 18 a Paris.
[n.d., c.1820.]
Lithograph. Sheet 330 x 385mm (13 x 15¼"). Some surface soiling.
A stylised scene of Joan of Arc leading the French army at the Siege of Orleans, wounded in the throat.
[Ref: 63135] £260.00 (£312.00 incl.VAT)

Tableaux des Français. Siege de Orléans En 1429.
Borel in. de. C. Marchand Sculpsit.
[n.d., c.1780.]
Engraving. Sheet 290 x 340mm (11½ x 13¼"). Trimmed within plate, laid on album paper with portrait of Joan of Arc. Slight creasing top left.
A scene of Joan of Arc in armour leading an assault on the walls of Orleans, with an engraved text underneath..
[Ref: 55764] £140.00 (£168.00 incl.VAT)

[Joan of Arc] Puella Aureliaca sub Carolo 7o
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark; each 470 x 350mm (18½ x 13¾"), with very large margins. Slight loss near right leg. Staining bottom right on edge of margins.
Joan of Arc (c.1412-31), the 'maid of Orléans' who helped to relieve the town in 1429. Captured at Compiègne in 1430, she was handed over to the English, tried and found guilty, and burnt at the stake. She was posthumously pronounced innocent and canonized as a Roman Catholic saint. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne (although only four of the original paintings survive). The final 'illustrious figure' was Richelieu himself.
[Ref: 39885] £450.00

Jeanne D'Arc Surnommee la Purcelle d'Orleans, Tiree de la Gallerie du Cardinal de Richelieu.
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 275 x 167mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1991] £70.00 (£84.00 incl.VAT)

Jeanne d'Autriche Grande Duchesse de Toscane. [&] Francois de Medicis Grand Duc de Toscane.
Rubens pinxit. I.M. Nattier delineavit. G. Edelinck eques effigiem Sc.
Avec Privilege du Roy. A Paris chez le Sr. Nattier peintre de l'Academie Royale rue Frementeau. [n.d., c.1710.]
Pair of engravings with small margins. Platemark: 505 x 290mm. (20 x 11½") each. Small hole, creases and repairs on the Duchesse's face.
A pair of portraits after Peter Paul Rubens of the Grand Duke and Duchess of Tuscany. Johanna of Austria, mother of Marie de Médicis, Queen and Regent of France (1573 - 1642). The Grand Duchess standing in front of a draped curtain, wearing a brocaded dress and pearl jewellery. Her marriage to Francesco I de Medici, Grand Duke of Tuscany, took place on 18 December 1565 in Florence. Francesco I de Medici, Grand Duke of Tuscany (1541 - 1587), father of Marie de Médicis, Queen and Regent of France (1573 - 1642). The Grand Duke stands on a balcony, wearing breeches and ermine-trimmed cape, with cross of the Order of St Stephen. His left hand rests on a cane, with a draped curtain behind. Plates 2 and 3 from a series of twenty-four portraits 'La Gallerie du Palais du Luxembourg', by Gérard Edelinck (1640 - 1707) after Peter Paul Rubens (1577 - 1640). The paintings now hang in Paris, in the Musée du Louvre.
[Ref: 33880] £300.00 view all images for this item

Dom Jaime IV. Duque De Braganca.
Carolus Antonius Leoni Florentinus delin. M. Aubert sculp.
[n.d. c.1730].
Engraving. 215 x 315mm. Paper generally browned. Staining from old tape at top and bottom, mostly in margins. Top right corner replaced.
John (Joao) IV of Portugal (1604-1656), king of Portugal from 1640. His daughter, Catherine of Braganza, married Charles II of England in 1662.
Ex. Collection of the Royal House of Savoy and Italy.
[Ref: 2515] £90.00 (£108.00 incl.VAT)

[João Manuel, Prince of Portugal & Joanna of Austria] Emanuel Princeps Portugaliæ. Johannis Regis Felius. Joanna Filia Caroli V Cæsaris Emanuuelis Principis Portugalliæ Coniunx..
PAVE [monogram of Pieter van der Heyden].
Cock Excud. [n.d., c.1556.]
Two scarce engraved portraits on one plate. 195 x 355mm (7¾ x 14"), very large margins. Trimmed to image on right, into plate on left, laid on card at edges, some spotting. Evidence of a crack in the printed plate top left.
A pair of portraits of Dom João Manuel (1537-54), Hereditary Prince of Portugal , and his wife, Joanna of Austria (1535-73), who was the daughter of João's paternal aunt Isabella of Portugal and of his maternal uncle, Emperor Charles V. Their son Sebastian became king of Portugal in 1557. From a series of 39 'Portraits of European Rulers', engraved by van der Heyden, Frans Huys and Jan Collaert. The British Museum's description of the series notes 'Most of these portraits are engraved two on a plate, but the pairs have almost always been cut apart'.
See BM 1854,0614.203 for the description of the series. Ex collection of Sir William Stirling Maxwell.
[Ref: 63109] £260.00 (£312.00 incl.VAT)

[Job praying for his three friends.]
[Engraved by Georg Lemberger.]
[Wittenburg, c.1550?]
Woodcut. Sheet 120 x 140mm (4¾ x 5½"). Trimmed to printed border, laid on album paper.
Job praying for his three friends, Eliphaz, Bildad and Zophar. ''The series of Old Testament illustrations appears to have been first published in the Low German Bible printed by Michael Lotter in Magdeburg, 1536. Others were added in following editions (see Dodgson, II, p. 366).The majority of the BM impressions are from a High German Bible apparently printed by Lufft, probably the 1550 edition'' (BM 1848,0304.8).
BM 1848,0304.109.
[Ref: 49773] £140.00 (£168.00 incl.VAT)

[The Hebrus and L'Etoile off Cape La Hogue, March 27th 1814. L’Etoile striking her Colours to the Hebrus after a close & obstinate engagement of two hours and a quarter. To the Right Honourable the Earl St Vincent G.C.B. this plate is respectfully inscribed.]
Painted by N. Pocock, Esq.r. Engraved by R. Havell.
London, Publish'd Oct 19 1815 by Thomas Rickards, near Catherine Street.
Coloured aquatint. Sheet 385 x 535mm (15¼ x 23"). Trimmed within plate, losing title at bottom.
Étoile, a French 44-gun frigate, was part of a squadron engaged in commercial railing off the Azores in 1814 during the last weeks of the War of the Sixth Coalition. Returning to France the Squadron was engaged off Brittany by the Royal Navy in the Battle of Joburg. Hebrus chased Étoile for 15 hours and 120 miles, finally bringing her to action in the Bay of La Hogue, just after midnight on the 27th March. A fight lasting over two hours ensued, the ships becalmed and firing at each other from nearly the same spot. The French fired high, doing great damage to Hebrus's rigging; Hebrus from the start fired into Étoile's hull. Eventually Philibert struck, after having lost 40 men killed and 71 wounded. Hebrus had 13 men killed and 25 wounded.
[Ref: 57681] £280.00 (£336.00 incl.VAT)

Jocelyn [facsimile signature.]
D'Orsay fecit May 1839- [signed in plate.]
[London: J. Mitchell, c.1839.]
Lithograph on india paper, india 195 x 165mm. 7¾ x 6½". Margins trimmed.
Portrait of Robert Jocelyn, 4th Viscount Jocelyn (1816 - 1854), soldier and politician. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.644, 2.
[Ref: 21888] £70.00 (£84.00 incl.VAT)

[Robert Jocelyn, Viscount.]
Painted by F. Grant Esq.r R.A. Engraved by Herbert Davis
London. Published by Henry Graves & Comp.y Jan.y 1. 1857, Printsellers to the Queen__6 Pall Mall.
Mezzotint, 710 x 450mm. 28 x 17¾". Tear into plate bottom, staining outside image on left.
Rare full-length portrait of Robert Jocelyn, Viscount (1816-54), with facsimile inscription and Printsellers Association blindstamp bottom right, before letters 75, Presentation 25, Autograph Proofs 175 as in this state.
[Ref: 12280] £320.00

[Stubbs.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 330 x 170mm (13 x 6¾"). Some creases, Small holes on four corners. Slightly foxed.
A horse racing caricature of a jockey by Nap, signed recto and titled verso. Most likely William Arthur Stubbs (1891-1952) an amateur before the war he turned professional in January 1918 and his first paid ride was a winner.
[Ref: 60669] £280.00 (£336.00 incl.VAT)

[F. Wootton in Mr R. Wootton Colours.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 320 x 170mm (12½ x 6¾"). Trimmed, slightly foxed.
A horse racing caricature of jockey Frank Wotton (1893-1986) by Nap, signed recto and titled verso.
[Ref: 60671] £280.00 (£336.00 incl.VAT)

[Mr Bart Lievier in his own colours.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 320 x 170mm (12½ x 6¾"). Slightly foxed.
A horse racing caricature of a jockey by Nap, signed recto and titled verso.
[Ref: 60672] £280.00 (£336.00 incl.VAT)

[W. Griggs.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 320 x 160mm (12½ x 6¼"). Small holes on four corners.
A horse racing caricature of a jockey (either William or Walter Griggs) by Nap, signed recto and titled verso.
[Ref: 60673] £280.00 (£336.00 incl.VAT)

[The late W.T. Evan. J. Loates colours.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 330 x 170mm (13 x 6¾").
A horse racing caricature of jockey William Thomas Evans (1913-68) wearing the colours of jockey John Loates (1846-68) by Nap, signed recto and titled verso.
[Ref: 60677] £280.00 (£336.00 incl.VAT)

[K. Cannon.]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 320 x 160mm (12½ x 6¼").
A horse racing caricature of classic-winning British jockey Kempton Cannon (1879–1951) by Nap, signed recto and titled verso.
[Ref: 60678] £280.00 (£336.00 incl.VAT)

Joconde
Ch. Eisen inv. Noel Le Mire Sculp
A Paris chés Basan Graveur rue du Foin [c.1770]
Engraving, platemark 135 x 80mm (5¼ x 3") very large margins.
One of a set of book illustrations after designs by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45081] £70.00 (£84.00 incl.VAT)

"Sollie." (S.B. Joel.) Vanity Fair Supplement.
[Facsimile:] H.C.G.
Hentschel-Colourtype, London. [n.d. c.1910.]
Chromolithograph, with accompanying text. 381 x 254mm (15 x 10").
Solomon Barnato Joel (1865-1931), South African financier and mining, brewing and railway magnate. Along with his brothers Jack and Woolf, he was taken under the wing of Barney Barnato and made a fortune from the Barnato Diamond Mining Company. Within ten years, he had become a millionaire, primarily by buying seemingly worked-out diamond mines in South Africa. On Barney Barnato's death in 1897, Joel became head of the family business, Barnato Brothers. Despite having a keen interest in diamonds, he played a greater role in the gold industry. He established the Van Ryn Deep in 1902, the Government Gold Mining Areas (Modderfontein) in 1910 and the New State Areas in 1918. He acquired control of Langlaagte Estate and Gold Mining Company and Randfontein Estates Gold Mining Company from J.B. Robinson and became a director of the Diamond Syndicate.
[Ref: 30741] £140.00 (£168.00 incl.VAT)

[Woman from Rogeia Island, Papua New Guinea] Papua-Frau von Rogia (Heath-Insel) China-Strasse, Neu-Guinea.
Verlag von A. Asher & Co. in Berlin Lith. Anst. von C.L. Keller in Berlin S [c.1887]
Lithograph with hand-colouring, printed area 325 x 210mm (12¾ x 8¼"). Rare.
Plate from 'Tätowiren, Narbenzeichnen und Körperbemalen; ein Beitrag zur vergleichenden Ethnologie' ('Tattoing, scarring and body painting: a contribution to comparative ethnology') by the German ethnographer Wilhelm Joest (1852-97). His collections are preserved in the Rautenstrauch-Joest Museum in Cologne, Germany.
[Ref: 41162] £130.00 (£156.00 incl.VAT)

[Native of Banaba Island] Eingeborener von Banaba (Gilbert-Inseln)
Verlag von A. Asher & Co. in Berlin Lith. Anst. von C.L. Keller in Berlin S [c.1887]
Lithograph with hand-colouring, printed area 325 x 210mm (12¾ x 8¼"). Rare.
Man from Banaba Island in the Pacific Ocean, part of the Gilbert Islands (which became independent as the Republic of Kiribati in 1979). Plate from 'Tätowiren, Narbenzeichnen und Körperbemalen; ein Beitrag zur vergleichenden Ethnologie' ('Tattoing, scarring and body painting: a contribution to comparative ethnology') by the German ethnographer Wilhelm Joest (1852-97). His collections are preserved in the Rautenstrauch-Joest Museum in Cologne, Germany.
[Ref: 41163] £130.00 (£156.00 incl.VAT)

Jeanne d'Autriche Grande Duchesse de Toscane...[etc.]
Rubens pinxit. I.M. Nattier delineavit. G. Edelinck eques effigiem Sc.
Avec Privilege du Roy. A Paris chez le Sr. Nattier peintre de l'Academie Royale rue Frementeau. [n.d., c.1710.]
Engraving, 505 x 290mm. 20 x 11½". A fine impression.
Johanna of Austria, mother of Marie de Médicis, Queen and Regent of France (1573 - 1642); the Grand Duchess standing in front of a draped curtain, wearing a brocaded dress and pearl jewellery. Plate 3 from a series of twenty-four portraits 'La Gallerie du Palais du Luxembourg', by Gérard Edelinck (1640 - 1707) after Peter Paul Rubens (1577 - 1640); the painting now in Paris, in the Musée du Louvre.
[Ref: 13576] £180.00 (£216.00 incl.VAT)

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