Grosvenor Prints

A Prospect of Newark from Hawton Way.
R: Hall delin: W: Hollar sculp: 1676.
Etching. Sheet 150 x 295mm. (6 x 11½"). Trimmed to plate and laid on album paper with five other etchings.
Prospect of Newark-on-Trent, Nottinghamshire, etched by Wenceslaus Hollar (1607-77) for Thoroton's ''Nottinghamshire''. The other prints include a view of Francis Bacon's Tomb by Hollar (Pennington 2273, state iv of v, c.1740), and four small Dutch portrait.
Pennington: 1047.
[Ref: 52268] £360.00

Newby Hall, Seat of the Right Honourable Lord Grantham.
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Published May 1st 1813 by R. Dunning, Ripon, Yorkshire.
Coloured aquatint, printed in brown and hand finished. 260 x 350mm (10¼ x 13¾") very large margins.
A view of the exterior of Newby Hall in North Yorkshire, as remodelled by William Weddell (1736-92), including interiors by Robert Adam, to house his collection of Roman antiquities. After his death owners included Lord Grantham, his nephew, and the 2nd Earl of Ripon. The present owners are matrilineal descendants of William Weddell. The hall was used as a location for ITV's production of Jane Austen's 'Mansfield Park' in 2007.
Not in Abbey.
[Ref: 59170] £280.00 (£336.00 incl.VAT)

View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead. Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T.M. Richardson.
T.M.Richardson pinxit. Engraved by Rob.t Havell & Son. 3 Chapel Str. Tottenham Court Road.
Published Feb.y 1819 by T. M. Richardson, Newcastle.
Coloured aquatint with washed borders. 670 x 470mm. Two tears effecting the washed margins. Reverse has worn areas from an old card backing.
Thomas Miles Richardson, (1784-1848) Having revealed a deep love of drawing he didn't follow this passion until after his fathers death when he accepted a position as Drawing Master at a Newcastle school. In 1813, after six years as both master of St Andrew's and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. In 1813, after six years as both master of St Andrew's and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. Richardson continued to live in Newcastle, and so dominate the local art scene. In 1822, his own house in Brunswick Place was used as the venue for the first fine art exhibition to be staged in the North of England. The success of the exhibition led to the foundation of first the Northumberland Institution for the Promotion of Fine Arts, and later the Northern Academy of Arts. In 1831, he also helped to launch the Northern Society of Painters in Water-Colours. A leading exhibiting member of these organisations, he made a particularly notable contribution to the Northern Academy in 1830 with four large paintings. Moot Hall, the Castle Keep, the neo-Gothic spire of St. Nicholas' church ar all visible in this view. Gateshead was a prosperous settlement in the Roman Times, and during the Industrial Revolution and Victorian Era it became one of the focal points for industries in the North East due to its easily accessible port.
[Ref: 4886] £800.00

[Eastern entrance to Newcastle.]
T.M. Richardson del.t S. Humble sculpt.
[n.d., c.1815.]
Engraving, 305 x 370mm. Proof before title. Uncut sheet.
The eastern entrance to Newcastle on Tyne, with a horse-drawn cart in the foreground.
[Ref: 8390] £220.00 (£264.00 incl.VAT)

West View of the High Level Bridge Now....Constructed at Newcastle. Length of Water Way......512 Feet. Between the Triumphal Arches..137 Feet 5 Inches. Span of the Arches.. 125 Feet. Extreme Height....131 Feet. High Water ot Level of Rails..112 Feet 6 Inches. High Water to Carriage Way .. 86 Feet.
From the Sunderland and Durham County Herald.]
[of Friday, March 19, 1847.
Wood engraving. 285 x 385mm (11¼ x 15¼"). Laid down on album sheet.
The High Level Bridge is a road and railway bridge over the River Tyne. It was designed by Robert Stephenson and built between 1847 and 1849 and was the first major example of a wrought iron tied arch or bow-string girder bridge.
[Ref: 18387] £120.00 (£144.00 incl.VAT)

[Four Views in Newcastle.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[Published 34, Harleyford Place, Kennington Common, n.d., c.1815.]
Set of four engraving, proofs before titles. printed on chine collé. Printed areas 225 x 315mm (9 x 12½"). Two plates trimmed within plate.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See Ref: 57636 for similar.
[Ref: 57646] £850.00 view all images for this item

[Four Views of Newcastle.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Set of four engraving, proofs before titles. Printed areas 225 x 315mm (9 x 12½"). Trimmed within plates.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See: Ref: 57646 for similar.
[Ref: 57636] £560.00 (£672.00 incl.VAT) view all images for this item

[High Level Bridge] To George Hudson Esquire, M.P. This Print Representing a View of the High-Level-Bridge, Newcastle-on-Tyne, is with Permission, Respectfully Dedicated By his Most Obedient Humble Servant, John Christie.
Newcastle, Engraved & Published by John Christie, No 3 Nelson Street [n.d., c.1850].
Rare coloured steel engraving. Sheet 290 x 380mm (11½ x 15"). Trimmed within plate, laid on card. Repaired tear in title.
The High Level Bridge, over the Tyne between Newcastle upon Tyne and Gateshead, built by Robert Stephenson, completed 1849 and opened by Queen Victoria the following year. Still in use, it is now listed Grade I.
[Ref: 56771] £260.00 (£312.00 incl.VAT)

[The Assembly Rooms at Newcastle on Tyne.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Engraving, 305 x 370mm. Proof before title. Uncut sheet.
Open to both men and women, Assembly Rooms held concerts, balls and other entertainments for the upper classes. The Newcastle Assembly Rooms were built in 1776 in the city's historic Grainger Town district.
[Ref: 8395] £220.00 (£264.00 incl.VAT)

The Assembly Rooms at Newcastle on Tyne Dedicated by permission to Cuthbert Ellison, Esq.r M.P. for the Town, by his obliged obedient Servant, S. Humble.
T.M. Richardson Del.t. S. Humble Sculpt.
London, Pub. Aug. 21 1815 by S. Humble, 34 Horleyford Place, Kennington Common.
Engraving, 305 x 370mm. Uncut sheet.
Open to both men and women, Assembly Rooms held concerts, balls and other entertainments for the upper classes. The Newcastle Assembly Rooms were built in 1776 in the city's historic Grainger Town district.
[Ref: 8389] £220.00 (£264.00 incl.VAT)

[A Grand House, Newcastle.]
T.M. Richardson del.t S. Humble Scul.t
[n.d., c.1815.]
Proof before letters. 305 x 370mm (12 x 14½"). Uncut sheet.
A country house.
[Ref: 8612] £220.00 (£264.00 incl.VAT)

[Elswick Hall.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Engraving. Sheet 250 x 310mm (9¾ x 12¼"). Repaired tear, trimmed.
Elswick Hall. now Elswick Park, a ward of western Newcastle-upon Tyne.
[Ref: 19133] £95.00 (£114.00 incl.VAT)

[GreyFriars or Anderson Place] This House was Originally the Monastry of Grey Friers _ New Castle upon Tyne.
G. Sonander fecit.
[n.d., c.1790.]
Scarce aquatint, printed in sepia. 380 x 505mm (15 x 20"). Trimmed to plate.
A view of GreyFriars, founded 1237, bought by a merchant Robert Anderson after the Dissolution of the Monasteries. It was here that Charles I was held after he surrendered to the Scots Army in 1646, before being handed to Parliament. This view shows the building when owned by Newcastle builder George Anderson (between 1782 and his death in 1798), who converted it into three residences. In 1835 it was demolished by another Newcastle builder, Richard Grainger, during the construction of Grey Street. Newcastle-upon-Tyne.
From the Davidson album.
[Ref: 57778] £320.00

St. Nicholas' Church. Newcastle upon Tyne.
Painted by T.M. Richardson. Engraved by T. Hodgetts.
Published, Dec 15, 1828 by M.A. Richardson, Newcastle and by Moon, Boys & Greaves, Printsellers to His Majesty Pall Mall London. Proof [lower right].
Mezzotint with etching on india laid paper, 500 x 370mm. 19¾ x 14½". Two horizontal creases through image.
A very rare view in Newcastle. After Thomas Miles Richardson (1784 - 1848), locally published.
[Ref: 9176] £350.00

View of the Port and Town of Newcastle upon Tyne, from the Rope Walk Gateshead. Dedicated with Permission to the Right Worshipful the Mayor & Corporation of that Ancient Town by Their obliged and Obedient Servant. T. M.Richardson.
T.M.Richardson pinxit. Engraved by Robt. Havell & Son. 3 Chapel Str. Tottenham Court Road.
Published Feby. 1819 by T. M. Richardson, Newscastle.
Coloured aquatint with washed borders. 670 x 470mm, 26½ x 18½". Framed. Unexamined out of frame.
Thomas Miles Richardson, (1784-1848) Having revealed a deep love of drawing he didn't follow this passion until after his fathers death when he accepted a position as Drawing Master at a Newcastle school. In 1813, after six years as both master of St Andrew’s and a private drawing master, he resigned his school position to devote his life to painting. Initially his work attracted little local interest, and he found it difficult to make a living as an artist. However, from 1814, he began to gain a wide reputation as a result of his exhibiting works in London, at the Royal Academy and the British Institution. Richardson continued to live in Newcastle, and so dominated the local art scene. In 1822, his own house in Brunswick Place was used as the venue for the first fine art exhibition to be staged in the North of England. The success of the exhibition led to the foundation of first the Northumberland Institution for the Promotion of Fine Arts, and later the Northern Academy of Arts. In 1831, he also helped to launch the Northern Society of Painters in Water-Colours. A leading exhibiting member of these organisations, he made a particularly notable contribution to the Northern Academy in 1830 with four large paintings. Moot Hall, the Castle Keep, the neo-Gothic spire of St. Nicholas' church ar all visible in this view. Gateshead was a prosperous settlement in the Roman Times, and during the Industrial Revolution and Victorian Era it became one of the focal points for industries in the North East due to its easily accessible port.
[Ref: 28107] £650.00

Newcastle Sur La Tyne. Newcastle upon Tyne. 34.
Dessiné et lith par J. Arnout. Imp. Lemercier, Paris.
Paris, Bulla Frères & Jouy éditeurs. Berlin, F.d Ebner, 196 Friedrichsstrasse. London, E. Gambart & Co. 25 Berners St. Oxf. St. New-York. Emile Seitz, 413 Broadway. [n.d. c.1850.]
Tinted lithograph with very large margins. 400 x 570mm (15¾ x 22½"). Some foxing off image. Uncut.
View across the Tyne towards Newcastle. A merchant with a laden carriage crosses the bridge, where the new Swing Bridge stands today; to the left stands the High Level Bridge of 1781, with the old castle keep towering in the background. Steamer and other vessels on the river.
[Ref: 29988] £260.00 (£312.00 incl.VAT)

View of Newcastle, upon Tyne, in Northumberland.
London: Published as the Act directs, by Alexr. Hogg, at the Kings Arms, No.16, Paternoster Row. [n.d., c.1795.]
Engraving, sheet 240 x 330mm (9½ x 13"). Trimmed to lower platemark.
A view of the river Tyne and the city of Newcastle. From 'The New and Complete English Traveller' published by Alexander Hogg (1784 - 1794; fl).
[Ref: 56067] £60.00 (£72.00 incl.VAT)

St Nicholas Church. Newcastle upon Tyne.
Painted by T.M. Richardson. Engraved by T. Hodgetts.
Published Dec.15.1828 by M.A. Richardson, Newcastle, and by Moon, Boys & Graves, Printsellers to His Majesty. Pall Mall, London.
Mezzotint and etching with very large margins, rare. Plate 495 x 374mm. 19½ x 14¾". Laid on card.
View of the church, looking diagonally from the left foreground towards the church tower, which is surmounted by an open crown turret and four pinnacles; townsfolk in the street, including a man talking to another sitting in a horse-drawn cart, and a woman who leans out of an upper window holding a large basket-cage.
[Ref: 27568] £280.00 (£336.00 incl.VAT)

View near Newport_Isle of Wight. [&] Part of the Village of Carrisbrook_Isle of Wight.
London Pubd. Dec.r 10.1796 by F. Jukes Howland Street.
A pair of hand-coloured aquatints, very rare. Plate 272 x 324mm. 10¾ x 12¾".
A beautiful pair of aquatints. Newport: a man driving a flock of sheep across a bridge over a broad river; houses rising up above the trees near a hill in the background. Carisbrooke: view of a village with a square church tower rising above trees and cottages; other houses obscured by trees on the right with a man and woman gathering water from the pool in the left foreground.
[Ref: 19773] £750.00 view all images for this item

Newport, Isle of Wight, from Barton Vicarage, 1869 [pencil on verso].
[1869.]
Watercolour. Sheet 190 x 480mm (7½ x 19").
A panoramic view of the town.
[Ref: 60922] £190.00 (£228.00 incl.VAT)

Newstead Abbey, the Seat of the late Lord Byron; now the Property and Residence and Residence of Lieut: Col Thomas Wildman to whom the Plate is (with permission) most respectfully dedicated by his obliged and humble Servant, M. Webster.
On stone by W.Gauci, from a Drawing by M. Webster. Printed by C. Hullmandel.
Published Aug.t 1835, by M. Webster, Derby.
Rare lithograph on india. 160 x 220mm (6¼ x 8¾").
A very atmospheric view of Newstead Abbey in Nottinghamshire. When Byron inherited the estate it had been greatly run-down (on purpose) by Byron's great-uncle, William Byron, 5th Baron Byron, meaning the cost of maintaining it was a constant millstone to the poet. In debt, Byron first attempted to sell Newstead in 1812 but, after several false starts, it was only in 1818 that Wildman bought it. The Abbey is now owned by Nottingham City Council and houses a museum containing Byron memorabilia. In the garden is the memorial to Boatswain, Byron's beloved Newfoundland dog, who died of rabies in 1808, inspiring 'Epitaph to a Dog'
[Ref: 41908] £140.00 (£168.00 incl.VAT)

A scene between Niton & the Sand Rock Spring, Isle of Wight.
[M.S.]
[n.d., c.1830.]
Lithograph, rare Sheet: 275 x 380mm (11 x 15") large margins.
A scene near Niton on the southern edge of the Isle of Wight.
[Ref: 47243] £130.00 (£156.00 incl.VAT)

Niton, Isle of Wight.
M.S. 1827.
Lithograph, rare. Sheet: 275 x 380mm (11 x 15") large margins. Tear in top edge into image.
A view of Niton on the southern edge of the Isle of Wight showing the church and two men walking along the track to the town.
[Ref: 47244] £180.00 (£216.00 incl.VAT)

St Albans Court in Kent. The Seat of William Hammond Esq.r
Drawn by J.G. Wood. Engraved by W. Green.
[London, Published Feby.1.1800, by J.no Geo. Wood, No. 7, Beaumont Street.]
A very rare and fine coloured aquatint. Plate 394 x 438mm. 15½ x 17¼".
St Albans Court, Nonnington, Kent, was the country mansion of William Oxenden Hammond.
Abbey Scenery: 173: 17.
[Ref: 18505] £350.00

A Norfolk Pastoral [pencil, lower margin.]
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706] £160.00 (£192.00 incl.VAT)

Norfolk. Railways. 21.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00

Normanby Hall, Yorkshire. The Seat of George Ward Jackson Esqre.
E.F. Pearson del. et lithog. 1852.
Printed by Hullmandel & Walton.
Very rare tinted lithograph, sheet 290 x 400mm (11½ x 15¾"). Sheet trimmed. Two repaired tears to edge of image.
Normanby Hall, North Yorkshire, not far from Middlesborough.
[Ref: 9953] £180.00 (£216.00 incl.VAT)

Lord Henry Seymours Castle.
Drawn & Engraved by Will.m Daniell.
Published by Wm. Daniell, Cleveland Street Fitzroy Sqaure, London, Augt. 1, 1823.
Hand-coloured aquatint and etching, on card as issued. Plate 229 x 300mm. 9 x 11¾".
View of Norris Castle in East Cowes from the hillside, with two women kneeling at a basket and wheelbarrow at centre foreground, and a woman bending down behind at left. There is a spade lying on the ground, another leaning against a tree next to baskets at far left; peacocks at right, and figures walking on a path to the castle in middle ground. Boats are seen on the river in the background at left. The castle was designed by James Wyatt for Lord Henry Seymour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21491] £140.00 (£168.00 incl.VAT)

North Midland Railway. View of the Bridge over the River Amber & Turnpike Road near Amber Gate
From Nature & on Stone by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 280 x 380mm (11 x 15").
The Grade II listed bridge across the River Amber in South Wingfield, Derbyshire, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37222] £320.00

North Midland Railway. View of the New St. Bridge &c. in Belper, looking South. Built by Joseph Turner of Wingfield.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 270 x 355mm (10½ x 14").
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37219] £280.00 (£336.00 incl.VAT)

North Midland Railway. View through the Belper Cutting looking North
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 290 x 400mm (11½ x 15¾").
The Belper cutting, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. Massive stone retaining walls were required to make the cutting, spanned by several parallel bridges. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37221] £380.00

North Midland Railway. Bridge over the River Derwent and the Matlock Road. Near Amber Gate.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 290 x 425mm (11½ x 16¾").
The recently Grade II* listed Derwent Viaduct, built in 1836-40 to the designs of George and Robert Stephenson. The viaduct was one of several significant engineering achievements required as part of the North Midland Railway from Derby to Leeds. From a series of lithographs publicising those significant structures.
[Ref: 37217] £280.00 (£336.00 incl.VAT)

North Midland Railway. Bridge over the Derwent at Swainsley Wood
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 265 x 410mm (10½ x 16"). Dusty on right side.
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37220] £220.00 (£264.00 incl.VAT)

North Road Viaduct, Durham. Supplement to the Durham Chronicle.
J.W.B. del. E. Landells sc.
Duham, Friday 2, 1857.
Rare letterpress newspaper with two wood engravings. Sheet 655 x 490mm (25¾ x 19¼"). Folded, album sheet pasted to one quarter.
A newspaper account of the opening of the North Road Viaduct on the North-Eastern Railway in 1857. The wood engravings are a view of the viaduct with a locomotive in transit, with Durham Cathedral behind. It is now Grade II* listed.
[Ref: 56772] £190.00

A View of Northfleet, in the County of Kent. ~ Vue du Northfleet, dans le Comté de Kent.
Jn. Boydell Delin & Sculp.
Publish'd According to Act of Parliament & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street, Cheapside, London. 1752. ~
Engraving 417 x 255mm.
[Ref: 848] £270.00 (£324.00 incl.VAT)

A View of Northfleet, in the County of Kent.
Printed for Carington Bowles, Map & Printseller, No.69 in St. Pauls Church Yard, London. __ Published 2d. March, 1773.
Engraving, 175 x 275mm (7 x 10¾"). Tipped into album page.
View of the River Thames near Northfleet in Kent, with boats and ships on the water. Numbered '6' upper right.
[Ref: 9159] £120.00 (£144.00 incl.VAT)

A View of Northfleet, in the County of Kent.
Printed for Carington Bowles, Map & Printseller, No.69 in S.t Pauls Church Yard, London. Publish'd 2.d March, 1773.
Engraving. Sheet:175 x 275mm (7 x 10¾"). Trimmed.
A view of Northfleet on the river Thames.
[Ref: 45939] £130.00 (£156.00 incl.VAT)

A View of Northfleet, in the County of Kent. Vüe du Northfleet, dans le Comté du Kent. No.20.
I.no Boydell Delin. & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London. 1752.
Engraving, paper watermarked with very large margins. Plate 255 x 420mm (10 x 16½").
A view of Northfleet, Kent along the River Thames, adjacent to Gravesend; ships sailing in a strong tail wind. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.20.
[Ref: 29313] £300.00

A View of Northfleet, in the County of Kent. Vüe du Northfleet, dans le Comté du Kent. No.20.
I.no Boydell Delin. & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London. 1752.
Hand coloured engraving on watermarked paper. Platemark: 255 x 420mm (10 x 16½"). Small margins.
A view of Northfleet, Kent along the River Thames, adjacent to Gravesend, with ships sailing to the right. From 'A Collection of One Hundred Views In England and Wales'. John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.20.
[Ref: 38705] £260.00 (£312.00 incl.VAT)

[Northington Grange] Perspective View of the Interior of a Conservatory, Erected at The Grange, Hants. Thomas Clark, Metallic Hothouse Manufacturer, Lionel Street, Birmingham.
W. Finley Del.t. T. Garner Sc.t.
[n.d., c.1825.]
Engraving. 220 x 270mm (8¾ x 10¾"), with very large margins.
The interior of an orangery conservatory built for Alexander Baring by Jones & Clark (today Henry Hope & Sons Ltd), commissioned 1824. Although the cast-iron interior was prefabricated (a revolutionary concept at the time), the exterior has a four-columned Ionic portico. The columns shown here were hollow, allowing the collection of rainwater. In 1890 Francis Baring (the 5th Lord Ashburton) converted the orangery into a picture gallery which doubled as a ballroom.
[Ref: 59621] £260.00 (£312.00 incl.VAT)

Berwick upon Tweed.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1821'. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of Berwick from a hill, with sheep and figures on the hillside in the foreground at left, and castle walls stretching to the River Tweed behind. The 'Royal Border Bridge' across the river can be seen in the middle ground. Berwick-upon-Tweed, in the county of Northumberland is the northernmost town in England, was for more than 400 years central to the historic border war between the Kingdoms of England and Scotland, and several times possession of Berwick changed hands between the two kingdoms. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36270] £180.00 (£216.00 incl.VAT)

[Five Views of Northwick Park.]
Hon.ble Anne Rushout del.t. M. Dubourg sculp.t.
Published by Edw.d Orme, Bond Street London, 1815.
Set of five aquatints, 2 with J. Whatman watermark 1811; scarce. Plates: 250 x 350mm (9¾ x 13¾"), with very large margins. Uncut.
Five views of Northwick Park by the Hon. Anne Rushout (1768-1849) who lived at Northwick Park, her father's house, until 1817 when she inherited Wanstead Grove.
[Ref: 47509] £450.00 view all images for this item

Norton Hall.
[n.d., c.1830.]
Lithograph on chine collé on printed backing paper. Printed area 395 x 300mm (15¼ x 11¾"), with large margins. Some soiling of original backing paper, tear in right edge.
Norton Hall, Northamptonshire, with deer in the foreground. The house was destroyed in 1952.
[Ref: 60942] £130.00 (£156.00 incl.VAT)

The Old George Inn, Norton St Philip, near Bath. An original etching by E. Sharland. Signed Impression. Restricted Edition of 250 Proofs. Plate destroyed.
E. Sharland [pencil].
[n.d., c.1930].
Etching. 180 x 260mm (7 x 10¼"), with publisher's monogram blind stamp, very large margins. In original mount with printed title label (as above). Mount stain.
The George Inn in Norton St Philip, a a Grade I listed building built in the 14th or 15th century, one of the claimants to being Britain’s oldest tavern. During the Monmouth Rebellion in 1685, James Scott, 1st Duke of Monmouth stayed at the inn before the Battle of Sedgemoor then, after his defeat, Judge Jefferies used it as a courtroom, ordering 12 executions on the village common as part of the Bloody Assizes.
[Ref: 49254] £75.00 (£90.00 incl.VAT)

View of Norwich.
Published by Charles Muskett, Norwich, 1849.
Etching on india. 100 x 160mm, 4 x 6". India lifting, Tear in margin.
[Ref: 11654] £60.00 (£72.00 incl.VAT)

The North East Prospect of the City of Norwich.
[after Thomas Kirkpatrick.]
[n.d., c.1760.]
Coloured engraving. 205 x 330mm (8 x 13"), with an 18th century watermark. Narrow margins, small tear.
A reduced version of Kirkpatrick's two-sheet prospect of Norwich of 1723, with a 36-point key.
[Ref: 56026] £240.00 (£288.00 incl.VAT)

[Norwich] A View of Bishops Bridge from the Ferry. [&] A View of the Cathedral from Hardys Grove.
R. Ladbrooke delin. S. Alken Jun.r fecit.
Norwich Published by R. Ladbrooke Jan.y 1st 1806.
Pair of rare aquatints. Plate 360 x 480mm (14¼ x 19"), with large margins, & sheet 360 x 485mm (14¼ x 19"). 'Hardy's Grove' trimmed within plate, repairs off image on left.
Two views of Norwich. Bishop Bridge from the banks of the River Wensum, built in 1340 and stlll in use, making it one of the oldest active bridges in England. Also a view looking down on Norwich Cathedral from a field above the city. Robert Ladbrooke (1768-1842), a painter and drawing master at Norwich, founded the Norwich Society of Artists in 1803 with John Crome and James Sillett.
[Ref: 49818] £460.00 view all images for this item

Norwich Castle. South Front in Length 95 feet, West Front in Length 90 feet, Height to top of Battlement 69 feet [...]
Drawn by D. Hodgson. On Stone by M. Gauci.
Published by John Stacy, Old Haymarket Norwich & Charles Tilt, 86 Fleet Street London. Printed by Graf & Soret [c/1840]
Lithograph, printed area 235 x 270mm (9¼ x 10½") very large margins. Uncut.
Busy view of Norwich Castle, with horse-and-carts in foreground. Lithograph after a drawing by David Hodgson (1798-1864), Norwich printmaker and painter of architecture and landscapes.
[Ref: 45865] £180.00 (£216.00 incl.VAT)

The Great Hall of the Polytechnic Exhibition, Norwich. Subscribers Proof.
Norwich: Published January 21, 1841, by Joseph Dallinger Sen.r Engraver, &c. 16, Davey Place.
Engraving on india, rare, platemark 260 x 310mm (10¼ x 12¼"). Very large margins.
View of the central gallery of the 1840 Polytechnic Exhibition in Norwich, including machinery (the publisher of this print Joseph Dallinger is represented), flags, and miniature trains and boats.
[Ref: 45866] £160.00 (£192.00 incl.VAT)

Norwich Market.
Published by Charles Muskett, Norwich, 1849.
Etching. 100 x 160mm, 4 x 6".
[Ref: 11655] £60.00 (£72.00 incl.VAT)

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