A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Boys Skating. Garçons Patinant.
Painted by G.Morland. Engrav'd by E Scott.
London. Publish'd Dec.r 9th by J.R.Smith, King Street, Covent Garden.
Stipple, printed in sepia. 365 x 425mm. Horizontal crease through title area.
[Ref: 4283] £190.00 (£228.00 incl.VAT)
Painted by G.Morland. Engrav'd by E Scott.
London. Publish'd Dec.r 9th by J.R.Smith, King Street, Covent Garden.
Stipple, printed in sepia. 365 x 425mm. Horizontal crease through title area.
[Ref: 4283] £190.00 (£228.00 incl.VAT)
Childish Amusement.
Painted by G. Moreland. W. Dickinson Execudit.
London, Published June 10:th 1789 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 510 x 350mm (16 x 13¾"), with large margins. Paper lightly toned.
A rustic man in rustic dress asleep on a bench outside an inn with a tankard beside him. As he sleeps, three children amuse themselves by placing their hat on his head, tying his ankles together and tickling his nose with a piece of straw. A sign reads 'Burton Ale'.
[Ref: 60969] £320.00
Painted by G. Moreland. W. Dickinson Execudit.
London, Published June 10:th 1789 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 510 x 350mm (16 x 13¾"), with large margins. Paper lightly toned.
A rustic man in rustic dress asleep on a bench outside an inn with a tankard beside him. As he sleeps, three children amuse themselves by placing their hat on his head, tying his ankles together and tickling his nose with a piece of straw. A sign reads 'Burton Ale'.
[Ref: 60969] £320.00
Cocking Spaniels.
Morland pinx.t. R.t Laurie fecit.
Published 12.th May 1800. by R.t Laurie and J.s Whittle, 53 Fleet Street, London.
Very rare mezzotint, sheet 220 x 260mm (9 x 10¼"). Trimmed within plate an laid on album sheet.
Two spaniels approach from the right, sniffing through the undergrowth of a woodland setting.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69442] £260.00 (£312.00 incl.VAT)
Morland pinx.t. R.t Laurie fecit.
Published 12.th May 1800. by R.t Laurie and J.s Whittle, 53 Fleet Street, London.
Very rare mezzotint, sheet 220 x 260mm (9 x 10¼"). Trimmed within plate an laid on album sheet.
Two spaniels approach from the right, sniffing through the undergrowth of a woodland setting.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69442] £260.00 (£312.00 incl.VAT)
![[Pair] Plate 1. The Contented Waterman / Plate 2. Jack in the Bilboes.](jpegs/28093.jpg)
[Pair] Plate 1. The Contented Waterman / Plate 2. Jack in the Bilboes. [Plate 1.] From Mr. Dibdin's celebrated Song, call'd My Poll & my partner Joe. My pot was smug, well fill'd my keg, My grunter in the sty. / [Plate 2.] From Mr. Dibdin's celebrated Song, call'd My Poll & my partner Joe. Till woe is me so lubberly, The press gang came and pressed me.
Painted by G. Morland. Engraved by W. Ward.
Published as the Act directs, Sept. 8. 1806, by James Linnell, No. 2 Streatham Str. Charlotte Str. Bloomsbury.
Pair of mezzotints, very fine colour with large margins & rare; printed in colour. Plate size: 460 x 410mm, 18 x 16" each. Unexamined out of frame.
Plate 1. Subject from Charles Dibdin's 'the Waterman'; a family outside a small house on the waterfront, with a view of the river to left, and a small boat tethered alongside, the waterman standing leaning on the back of a chair upon the seat of which his young daugther leans playing with a doll, his wife seated sewing at left with dog at feet, a young man seated to right, drinking, beside a pig in its sty. Plate 2. A pressgang seizing a waterman on the morning of his wedding day.
Frankau: 71 II of II; 169 II of II.
[Ref: 28093] £950.00 view all images for this item
Painted by G. Morland. Engraved by W. Ward.
Published as the Act directs, Sept. 8. 1806, by James Linnell, No. 2 Streatham Str. Charlotte Str. Bloomsbury.
Pair of mezzotints, very fine colour with large margins & rare; printed in colour. Plate size: 460 x 410mm, 18 x 16" each. Unexamined out of frame.
Plate 1. Subject from Charles Dibdin's 'the Waterman'; a family outside a small house on the waterfront, with a view of the river to left, and a small boat tethered alongside, the waterman standing leaning on the back of a chair upon the seat of which his young daugther leans playing with a doll, his wife seated sewing at left with dog at feet, a young man seated to right, drinking, beside a pig in its sty. Plate 2. A pressgang seizing a waterman on the morning of his wedding day.
Frankau: 71 II of II; 169 II of II.
[Ref: 28093] £950.00 view all images for this item
Credulous Innocence. In baleful whispers see the temper tries. To fill the Maid with prospects fine and gay, Her Lewd invention deals out pleasant lies to lead believing innocence astray.
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Mezzotint. 506 x 355mm. 20 x 14", with wide margins.
A young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm, a child carrying a basket of straw, bundle and water bottle standing beside her, looking towards the viewer, holding onto her mother's skirt.
CS: p.1646 [listed].
[Ref: 26960] £320.00
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Mezzotint. 506 x 355mm. 20 x 14", with wide margins.
A young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm, a child carrying a basket of straw, bundle and water bottle standing beside her, looking towards the viewer, holding onto her mother's skirt.
CS: p.1646 [listed].
[Ref: 26960] £320.00
![Credulous Innocence. [&] Seduction.](jpegs/36981.jpg)
Credulous Innocence. [&] Seduction.
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Pair of mezzotints. 506 x 355mm. (20 x 14"). Damage to upper area.
A pair of scenes set in rustic settings: a young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm; and a young woman wearing a mob cap, shawl and apron, sitting at the door of a thatched cottage, her left arm hooked over the back of her chair, reading a letter. There is a basket upside down beside her, and a bird drinking from a plate on the ground next to it. A young man is seen bribing a second woman behind a tree next to the cottage to the right.
Chaloner Smith: p.1646 [listed]. Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection Sotheby's 13/11/97.
[Ref: 36981] £590.00 view all images for this item
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Pair of mezzotints. 506 x 355mm. (20 x 14"). Damage to upper area.
A pair of scenes set in rustic settings: a young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm; and a young woman wearing a mob cap, shawl and apron, sitting at the door of a thatched cottage, her left arm hooked over the back of her chair, reading a letter. There is a basket upside down beside her, and a bird drinking from a plate on the ground next to it. A young man is seen bribing a second woman behind a tree next to the cottage to the right.
Chaloner Smith: p.1646 [listed]. Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection Sotheby's 13/11/97.
[Ref: 36981] £590.00 view all images for this item
![Delia in the Country. [&] Delia in Town.](jpegs/20551.jpg)
Delia in the Country. [&] Delia in Town. At length from Town the peerless Maid ... A Blessing Cities cannot give. [&] With beauteous Form and sparkling Eyes ... The Seat of Innocence and Love.
Painted by G. Morland. Engraved by J.R. Smith.
London publish'd February 12th. 1788, by J.R. Smith No 31, King Street Covent Garden..
Pair of stipples printed in brown ink, ovals, 300 x 260mm. 11¾ x 10¼". Presented in attractive gilt frames, F.B. Daniell labels to versos. Slight toning to 'Delia in Town'; overall fine impressions, platemarks visible.
A rural and urban young lady, the first seated under a tree, in a wide-brimmed hat and lace shawl, reading a book held up in her left hand; the second seated, to left, smiling towards the viewer from beneath a large-brimmed hat with tall plumes, her hands joined and resting on the round table in front of her. Eight lines of verse below titles. After George Morland (1762/3 - 1804).
Frankau 109, II & 110, II. D'Oench 294 & 295.
[Ref: 20551] £950.00 view all images for this item
Painted by G. Morland. Engraved by J.R. Smith.
London publish'd February 12th. 1788, by J.R. Smith No 31, King Street Covent Garden..
Pair of stipples printed in brown ink, ovals, 300 x 260mm. 11¾ x 10¼". Presented in attractive gilt frames, F.B. Daniell labels to versos. Slight toning to 'Delia in Town'; overall fine impressions, platemarks visible.
A rural and urban young lady, the first seated under a tree, in a wide-brimmed hat and lace shawl, reading a book held up in her left hand; the second seated, to left, smiling towards the viewer from beneath a large-brimmed hat with tall plumes, her hands joined and resting on the round table in front of her. Eight lines of verse below titles. After George Morland (1762/3 - 1804).
Frankau 109, II & 110, II. D'Oench 294 & 295.
[Ref: 20551] £950.00 view all images for this item
La Chasse du Canard. [Duck hunting].
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Decembre 1791 par Antoine Suntach.
Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Large margins. Small holes in margins.
A man sitting beside water with a duck in his hands, his rifle resting against tree at left and his dogs at right, one looking up hungrily at the bird. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
[Ref: 33234] £260.00 (£312.00 incl.VAT)
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Decembre 1791 par Antoine Suntach.
Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Large margins. Small holes in margins.
A man sitting beside water with a duck in his hands, his rifle resting against tree at left and his dogs at right, one looking up hungrily at the bird. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
[Ref: 33234] £260.00 (£312.00 incl.VAT)
Morland's Emblematical Palette. Engraved from the original painted for the Society founded by him, called Knights of the Palette, & attached to the ceiling of their Assembly Room, under which each Candidate drank his wine to the Founder's health, & became a member. "Spite of detraction, long envied Name. "Shall grace the annels of Immortal fame." "Vide Collins's Life of G.Morland".
London Published Jan 1 1806 by J.Linnell, Streatham Street, Bloomsbury. Engraved by S.W.Reynolds.
Mezzotint, printed in colours. 348 x 397mm. Trimmed to plate.
A painter's palette, with a tobacco box, two pipes and a wine glass.
Whitman: 410. Ex: collection of the the Honorable Christopher Lennox-Boyd.
[Ref: 6806] £690.00
London Published Jan 1 1806 by J.Linnell, Streatham Street, Bloomsbury. Engraved by S.W.Reynolds.
Mezzotint, printed in colours. 348 x 397mm. Trimmed to plate.
A painter's palette, with a tobacco box, two pipes and a wine glass.
Whitman: 410. Ex: collection of the the Honorable Christopher Lennox-Boyd.
[Ref: 6806] £690.00
The Farewell.
Morland Jun.r Pinx.t. Knight Sculp.t.
[n.d., c.1786.]
Colour-printed stipple. Sheet: 305 x 305mm (12 x 12"). Trimmed to printed image and laid on French mount board. Title in ink.
A scene in which a young woman waves goodbye to a ship setting sail from a rowing boat. The print was originally called 'Susan's Farewell' when published. American & Australian interest. See 46914.
[Ref: 46707] £240.00 (£288.00 incl.VAT)
Morland Jun.r Pinx.t. Knight Sculp.t.
[n.d., c.1786.]
Colour-printed stipple. Sheet: 305 x 305mm (12 x 12"). Trimmed to printed image and laid on French mount board. Title in ink.
A scene in which a young woman waves goodbye to a ship setting sail from a rowing boat. The print was originally called 'Susan's Farewell' when published. American & Australian interest. See 46914.
[Ref: 46707] £240.00 (£288.00 incl.VAT)
The Farmers Visit to his married Daughter in Town.
Morland pinx. W. Bond sculp.
London Publish'd May 1.st 1780 by W. Dickinson, Engraver, Bond Street.
Hand-coloured stipple, printed in colour. 395 x 342mm. 15½ x 13½". Cut inside platemark.
A young woman passing papers to her father at which he looks with dismay, seated at right with glass in hand, her husband sitting beside him at a table, their daughter playing with a dead hare in the left foreground, watched by a dog sitting under the farmer's chair.
[Ref: 28160] £320.00
Morland pinx. W. Bond sculp.
London Publish'd May 1.st 1780 by W. Dickinson, Engraver, Bond Street.
Hand-coloured stipple, printed in colour. 395 x 342mm. 15½ x 13½". Cut inside platemark.
A young woman passing papers to her father at which he looks with dismay, seated at right with glass in hand, her husband sitting beside him at a table, their daughter playing with a dead hare in the left foreground, watched by a dog sitting under the farmer's chair.
[Ref: 28160] £320.00
![[Fighting Dogs.]](jpegs/4288.jpg)
[Fighting Dogs.]
G.Morland.
[Published Jany 1. 1800 by John P Thompson, Gt Newport Street, London.]
Coloured soft ground etching, 1809 watermark in paper. Printed area 380 x 430mm. Minor tears in margins affecting the publication line.
[Ref: 4288] £180.00 (£216.00 incl.VAT)
G.Morland.
[Published Jany 1. 1800 by John P Thompson, Gt Newport Street, London.]
Coloured soft ground etching, 1809 watermark in paper. Printed area 380 x 430mm. Minor tears in margins affecting the publication line.
[Ref: 4288] £180.00 (£216.00 incl.VAT)
The Fleecy Charge. Now Shepherds; to your helpless charge be kind ...
G. Moreland Pinx.t. G. Shepheard Sculp.t.
London, Publish'd June 7th. 1796, by Tho.s Macklin, Poets Gallery, Fleet Street.
Mezzotint with etching, printed in brown, with hand colour. Sheet 390 x 455mm (15¼ x 18"). Trimmed within plate on three sides, some colour bleed at sides.
The interior of a barn, with a man carrying in a bundle of hay in for his sheep, talking to another who stands by the doorway, through which a snow-covered tree can be seen. This seems to be a colouring guide: it is printed on a progress proof of Robert Freebairn's ''A View of the Bay of Naples, The City of Pozzuoli, the Elysian Fields, the Stygean Lake, and Cape of Miseno'', with the etched outline before the addition of aquatint, so not a commercial printing.
[Ref: 54260] £360.00 view all images for this item
G. Moreland Pinx.t. G. Shepheard Sculp.t.
London, Publish'd June 7th. 1796, by Tho.s Macklin, Poets Gallery, Fleet Street.
Mezzotint with etching, printed in brown, with hand colour. Sheet 390 x 455mm (15¼ x 18"). Trimmed within plate on three sides, some colour bleed at sides.
The interior of a barn, with a man carrying in a bundle of hay in for his sheep, talking to another who stands by the doorway, through which a snow-covered tree can be seen. This seems to be a colouring guide: it is printed on a progress proof of Robert Freebairn's ''A View of the Bay of Naples, The City of Pozzuoli, the Elysian Fields, the Stygean Lake, and Cape of Miseno'', with the etched outline before the addition of aquatint, so not a commercial printing.
[Ref: 54260] £360.00 view all images for this item
No. 2 Gathering Wood
Painted by G. Morland. Engrav'd by R.M. Meadows
Published Jan. 4 1816 by T. Palser Surrey side Westminster Bridge
Stipple, platemark 450 x 350mm (17¾ x 13¾"). Large margins.
Two children gathering wood. Originally published as a pair with 'Gathering Fruit'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Later edition of a print first published by J.R. Smith in 1795.
[Ref: 38618] £180.00 (£216.00 incl.VAT)
Painted by G. Morland. Engrav'd by R.M. Meadows
Published Jan. 4 1816 by T. Palser Surrey side Westminster Bridge
Stipple, platemark 450 x 350mm (17¾ x 13¾"). Large margins.
Two children gathering wood. Originally published as a pair with 'Gathering Fruit'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Later edition of a print first published by J.R. Smith in 1795.
[Ref: 38618] £180.00 (£216.00 incl.VAT)
Girl and Pigs.
Painted by G. Morland. Engraved by W.Ward.
London Published Feb.y 28 1802 by S.Morgan No 32. Clipstone Street Fitzroy Square.
Mezzotint. 380 x 455mm. Trimmed to plate at bottom
Frankau 134, state iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4291] £280.00 (£336.00 incl.VAT)
Painted by G. Morland. Engraved by W.Ward.
London Published Feb.y 28 1802 by S.Morgan No 32. Clipstone Street Fitzroy Square.
Mezzotint. 380 x 455mm. Trimmed to plate at bottom
Frankau 134, state iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4291] £280.00 (£336.00 incl.VAT)
To his esteemed Friend Joseph Tarver, of Briddlesford in the Isle of Wight, Esq.re This Print of 'The Death of the Hare' is affectionately dedicated by Thomas Sharpe of Yarmouth, Isle of Wight.
Lithograph with large margins, very scarce; printed area 210 x 180mm (8¼ x 7"). Slight foxing.
Amateur lithograph. The British Museum cites information suggesting that the image derives from a picture by George Morland.
See BM 1907,0515.82. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 35609] £140.00 (£168.00 incl.VAT)
Lithograph with large margins, very scarce; printed area 210 x 180mm (8¼ x 7"). Slight foxing.
Amateur lithograph. The British Museum cites information suggesting that the image derives from a picture by George Morland.
See BM 1907,0515.82. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 35609] £140.00 (£168.00 incl.VAT)
La Chasse du Lievre. [Hare hunting].
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Septembre 1791 par Antoine Suntach.
Stipple with very large margins. Platemark: 270 x 315mm (10 ½ x 12¼"). A fine impression.
A man is preparing his rifle to the left, as his dog smells a hare in the undergrowth at the lower right. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
Oettingen-Wallerstein Collection.
[Ref: 33221] £390.00
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Septembre 1791 par Antoine Suntach.
Stipple with very large margins. Platemark: 270 x 315mm (10 ½ x 12¼"). A fine impression.
A man is preparing his rifle to the left, as his dog smells a hare in the undergrowth at the lower right. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
Oettingen-Wallerstein Collection.
[Ref: 33221] £390.00
Hare Shooting.
G. Morland pinx.t London.
[n.d. c.1800.]
Mixed method engraving. 340 x 370mm. Repaired tear, just touching the title.
[Ref: 4292] £550.00
G. Morland pinx.t London.
[n.d. c.1800.]
Mixed method engraving. 340 x 370mm. Repaired tear, just touching the title.
[Ref: 4292] £550.00
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![[Pointer.]](jpegs/47469.jpg)
[Pointer.]
[George Morland.]
[Thomas Vivares.][n.d., c.1800.]
Soft-ground etching. Edmeads & Co 1809 watermark; Sheet: 280 x 370mm (11 x 14½"). Trimmed. Small hole bottom left.
A scene showing a pointer looking into a wood.
[Ref: 47469] £120.00 (£144.00 incl.VAT)
[George Morland.]
[Thomas Vivares.][n.d., c.1800.]
Soft-ground etching. Edmeads & Co 1809 watermark; Sheet: 280 x 370mm (11 x 14½"). Trimmed. Small hole bottom left.
A scene showing a pointer looking into a wood.
[Ref: 47469] £120.00 (£144.00 incl.VAT)
Plate. 2. Jack in the Bilboes, From M.r Dibdin's celebrated Song, call'd My Poll & my partner Joe. Till woe is me so lubberly, The press gang came and pressed me.
Painted by G.Morland. Engrav'd by W.Ward.
Pub. As the Act directs Sept 19: 1790 by P.Cornman, Great Newport Street.
A very rare mezzotint. 400 x 455mm. Platemark cracked losing margins at top and bottom left; paper age-toned.
A pressgang seizing a waterman on the morning of his wedding day.
Frankau 169; NMM PAH7342 . Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4293] £260.00 (£312.00 incl.VAT)
Painted by G.Morland. Engrav'd by W.Ward.
Pub. As the Act directs Sept 19: 1790 by P.Cornman, Great Newport Street.
A very rare mezzotint. 400 x 455mm. Platemark cracked losing margins at top and bottom left; paper age-toned.
A pressgang seizing a waterman on the morning of his wedding day.
Frankau 169; NMM PAH7342 . Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4293] £260.00 (£312.00 incl.VAT)
The Kennel. "of the right Honourable Adolphus v.d. Luhe Great Master of the huntsmen in the Service of the Duke of Mecklenburg Suerin." [Letterpress added below title at a later date.]
Design'd by G.Morland. Engrav'd by S.W.Reynolds.
London. Published April 20th 1796 by S.W.Reynolds, No.6. Rolls Buildings, Fetter Lane.
Mezzotint, printed in colours. Fine colour printing. Signed in the plate "G. Morland Del." 325 x 375mm. Very fine, unexamined out of frame.
Samuel William Reynolds [1774 - 1835] Produced his first mezzotints in 1794 as a pupil of C. H. Hodges and also John Raphael Smith where he more than likely met George Morland and had the opportunity to engrave the 'Kennel' in 1796. Being among the earliest works by this engraver it is regarded as one of his finest plates.
Whitman:401a. This impression has added letterpress suggesting the dogs belong to the Friedrich Franz Duke of Mecklenburg-Schwerin. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4296] £650.00
Design'd by G.Morland. Engrav'd by S.W.Reynolds.
London. Published April 20th 1796 by S.W.Reynolds, No.6. Rolls Buildings, Fetter Lane.
Mezzotint, printed in colours. Fine colour printing. Signed in the plate "G. Morland Del." 325 x 375mm. Very fine, unexamined out of frame.
Samuel William Reynolds [1774 - 1835] Produced his first mezzotints in 1794 as a pupil of C. H. Hodges and also John Raphael Smith where he more than likely met George Morland and had the opportunity to engrave the 'Kennel' in 1796. Being among the earliest works by this engraver it is regarded as one of his finest plates.
Whitman:401a. This impression has added letterpress suggesting the dogs belong to the Friedrich Franz Duke of Mecklenburg-Schwerin. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4296] £650.00
No. 4 The Labourer's Luncheon.
Painted by G. Morland. Engraved by C. Josi.
Published Jan. 1 1816 by T. Palser Surrey side Westminster Bridge.
Stipple. 450 x 350mm (17¾ x 13¾"), with wide margins. Slight mark on dog.
Two children gathering wood. Originally published as a pair with 'The peasant's repast'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. He painted large numbers of rustic and smuggling scenes, and regularly spent time in the company of gypsies. Later edition of a print first published by J.R. Smith in 1797.
[Ref: 38619] £180.00 (£216.00 incl.VAT)
Painted by G. Morland. Engraved by C. Josi.
Published Jan. 1 1816 by T. Palser Surrey side Westminster Bridge.
Stipple. 450 x 350mm (17¾ x 13¾"), with wide margins. Slight mark on dog.
Two children gathering wood. Originally published as a pair with 'The peasant's repast'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. He painted large numbers of rustic and smuggling scenes, and regularly spent time in the company of gypsies. Later edition of a print first published by J.R. Smith in 1797.
[Ref: 38619] £180.00 (£216.00 incl.VAT)
![[The Progress of Seduction.]](jpegs/35800.jpg)
[The Progress of Seduction.]
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Set of 6 etchings, complete, stitched on left edge. Each plate 280 x 320mm (11 x 12½") Very large margins, uncut. Wear to edges.
"The Progress of Seduction" complete set of six scenes of the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789. See Ref: 36865 for complete set.
Ex: Collection of Hon. Christopher Lennox-Boyd. D' Oench 300 copies; Frankau: 214-19
[Ref: 35800] £980.00 view all images for this item
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Set of 6 etchings, complete, stitched on left edge. Each plate 280 x 320mm (11 x 12½") Very large margins, uncut. Wear to edges.
"The Progress of Seduction" complete set of six scenes of the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789. See Ref: 36865 for complete set.
Ex: Collection of Hon. Christopher Lennox-Boyd. D' Oench 300 copies; Frankau: 214-19
[Ref: 35800] £980.00 view all images for this item
![[The Progress of Seduction]](jpegs/36865.jpg)
[The Progress of Seduction]
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Five out of six etchings (lacking plate 3) with large margins. Each plate 280 x 320mm (11 x 12½"). Spotting.
Five out of six scenes from The Progress of Seduction showing the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789.
D' Oench: 300 copies. Frankau: 214-19
[Ref: 36865] £690.00 view all images for this item
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Five out of six etchings (lacking plate 3) with large margins. Each plate 280 x 320mm (11 x 12½"). Spotting.
Five out of six scenes from The Progress of Seduction showing the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789.
D' Oench: 300 copies. Frankau: 214-19
[Ref: 36865] £690.00 view all images for this item
![[Laetitia / The Virtuous Parent.]](jpegs/12366.jpg)
[Laetitia / The Virtuous Parent.]
[George Morland.] E Leslie Haynes [pencil signature.]
London Published 1908 by Henry Graves & Co. Ltd, 6 Pall Mall S.W. Printed by A. Salmon, Paris.
Mezzotint on india laid paper, proof before title, 440 x 350mm. 17¼ x 13¾".
A young woman wearing a wide brimmed hat with a plume in the centre of a simple interior, where her mother sits on the left, holding up a handkerchief as she laments her daughter who offers a present to her father. The father sits to right, looking away unhappily and throwing out his arms in refusal of the offering; on the wall behind are pictures of 'Virginia' and 'Good Samaritan'. Originally plate 3 to a set of six, 'Laetitia', after George Morland (1762/3 - 1804). Printseller's Association blindstamp lower left.
Printseller's Association: pg.146.
[Ref: 12366] £65.00 (£78.00 incl.VAT)
[George Morland.] E Leslie Haynes [pencil signature.]
London Published 1908 by Henry Graves & Co. Ltd, 6 Pall Mall S.W. Printed by A. Salmon, Paris.
Mezzotint on india laid paper, proof before title, 440 x 350mm. 17¼ x 13¾".
A young woman wearing a wide brimmed hat with a plume in the centre of a simple interior, where her mother sits on the left, holding up a handkerchief as she laments her daughter who offers a present to her father. The father sits to right, looking away unhappily and throwing out his arms in refusal of the offering; on the wall behind are pictures of 'Virginia' and 'Good Samaritan'. Originally plate 3 to a set of six, 'Laetitia', after George Morland (1762/3 - 1804). Printseller's Association blindstamp lower left.
Printseller's Association: pg.146.
[Ref: 12366] £65.00 (£78.00 incl.VAT)
See the Tale of Louisa, in Poems & Essays by the late Miss Bowlder of Bath. / Louisa. While thus with agonizing Sighs They view'd the fatal place, Louisa's mild, yet stedfast Eyes Were fix'd on Henrys face.
Painted by G. Morland. Engrav'd by T. Gaugain.
[London Pub.d April 10th. 1789 by J.R. Smith, No.31, King Street Covt. Garden.]
Stipple. 508 x 387mm. 20 x 15¼". Trimmed into the plate along bottom edge.
Four figures on a shore, a young sailor and old woman at right and a man at right all sitting looking with distress to left, a young woman standing in the centre, holding the hand of the older man and looking with compassion towards the sailor.
[Ref: 19118] £220.00 (£264.00 incl.VAT)
Painted by G. Morland. Engrav'd by T. Gaugain.
[London Pub.d April 10th. 1789 by J.R. Smith, No.31, King Street Covt. Garden.]
Stipple. 508 x 387mm. 20 x 15¼". Trimmed into the plate along bottom edge.
Four figures on a shore, a young sailor and old woman at right and a man at right all sitting looking with distress to left, a young woman standing in the centre, holding the hand of the older man and looking with compassion towards the sailor.
[Ref: 19118] £220.00 (£264.00 incl.VAT)
![Louisa. My Life! my joy! my only love! A voice at distance cries: That voice her inmost soul could move The starts with wild surprise. [and in French]. [&] While thus with agonizing Sighs They view'd the fatal place, Louisa's mild, yet stedfast Eyes Were](jpegs/29034.jpg)
Louisa. My Life! my joy! my only love! A voice at distance cries: That voice her inmost soul could move The starts with wild surprise. [and in French]. [&] While thus with agonizing Sighs They view'd the fatal place, Louisa's mild, yet stedfast Eyes Were fix'd en Henrys face. [and in French.]
Painted by G. Morland. Engrav'd by Aug. Legrand.
a Paris chez Augustin Legrand, rue St. Julien-le-Pauvre No.3. [n.d. c.1780.]
A pair of coloured stipples. 482 x 348mm (19 x 13¾"). Repairs on second image.
A young woman standing on the shore, looking over her right shoulder with dispair as a boat is shipwrecked in stormy waters behind at left, an old veiled woman sitting behind at right, her face obscured by Louisa's hand, point to right. [&] Four figures on a shore, a young sailor and old woman at right and a man at right all sitting looking with distress to left, a young woman standing in the centre, holding the hand of the older man and looking with compassion towards the sailor.
See Ref: 4298 for the same pair but engraved by Gaugain.
[Ref: 29034] £420.00 view all images for this item
Painted by G. Morland. Engrav'd by Aug. Legrand.
a Paris chez Augustin Legrand, rue St. Julien-le-Pauvre No.3. [n.d. c.1780.]
A pair of coloured stipples. 482 x 348mm (19 x 13¾"). Repairs on second image.
A young woman standing on the shore, looking over her right shoulder with dispair as a boat is shipwrecked in stormy waters behind at left, an old veiled woman sitting behind at right, her face obscured by Louisa's hand, point to right. [&] Four figures on a shore, a young sailor and old woman at right and a man at right all sitting looking with distress to left, a young woman standing in the centre, holding the hand of the older man and looking with compassion towards the sailor.
See Ref: 4298 for the same pair but engraved by Gaugain.
[Ref: 29034] £420.00 view all images for this item
See the Tale of Louisa, in Poems & Essays by the late Miss Bowlder of Bath. / Louisa While thus with agonizing Sighs They view'd the fatal place, Louisa's mild, yet steadfast Eyes Were fix'd on Henrys face. Louisa My life! my joy! my only love! A voice at distance cries: That voice her inmost soul could move She starts with wild surprise.
Painted by G.Morland. Engrav'd by T.Gaugin.
London Pubd. April 10th. 1789 by J.R..Smith, No. 31, King Street Covt. Garden.
Pair of stipple engravings, printed in dark sepia. Each plate 495 x 380mm. A minor crease on each plate.
[Ref: 4298] £420.00 view all images for this item
Painted by G.Morland. Engrav'd by T.Gaugin.
London Pubd. April 10th. 1789 by J.R..Smith, No. 31, King Street Covt. Garden.
Pair of stipple engravings, printed in dark sepia. Each plate 495 x 380mm. A minor crease on each plate.
[Ref: 4298] £420.00 view all images for this item
![The Lucky Sportsman. [&] The Weary Sportsman.](jpegs/28185.jpg)
The Lucky Sportsman. [&] The Weary Sportsman.
G. Morland Pinx.t F.D. Soiron sculp.t [&] Wheatley Pinx.t F.D. Soiron Sculp.t
London Pub.d Feb.y 1793 by B. Tabart No.13 Great Newport Street. [&] London Pub.d by I. Rayment No.2 Bride Court Fleet Street.
A pair of hand-coloured stipples. 362 x 291mm (14¼ x 11½"). Cut inside platemark.
In a wood, a man standing at right leaning on his rifle with dog beside him encounters a woman sitting cradling a baby at right, her daughter sitting beside her; [&] At home, a man reclines in his chair with a woman behind carrying a platter and a second woman serving him a drink; on the table lies a hare and two hounds by his feet.
Siltzer: p.190 [&] -.
[Ref: 28185] £280.00 (£336.00 incl.VAT) view all images for this item
G. Morland Pinx.t F.D. Soiron sculp.t [&] Wheatley Pinx.t F.D. Soiron Sculp.t
London Pub.d Feb.y 1793 by B. Tabart No.13 Great Newport Street. [&] London Pub.d by I. Rayment No.2 Bride Court Fleet Street.
A pair of hand-coloured stipples. 362 x 291mm (14¼ x 11½"). Cut inside platemark.
In a wood, a man standing at right leaning on his rifle with dog beside him encounters a woman sitting cradling a baby at right, her daughter sitting beside her; [&] At home, a man reclines in his chair with a woman behind carrying a platter and a second woman serving him a drink; on the table lies a hare and two hounds by his feet.
Siltzer: p.190 [&] -.
[Ref: 28185] £280.00 (£336.00 incl.VAT) view all images for this item
![The Miseries of Idleness. [&] The Comforts of Industry.](jpegs/26522.jpg)
The Miseries of Idleness. [&] The Comforts of Industry.
[Painted by G. Morland. Engrav'd by H. Hudson.] [&]
[London Publish'd Jany 20, 1790 by J.R. Smith No. 31 King Street Covent Garden.]
Pair of very rare mezzotints. Image 375 x 310mm (14¾ x 12¼"). Cut to image and around title; 'comforts' lad on album sheet. Some creasing.
A bare interior with a man sitting smoking at a table with a tankard at his elbow, his wife sitting listlessly with bowed head beside him, a little girl pawing at her skirts, a baby turning on a straw bed, its clothes in disarray, and a little boy gnawing on a bone in front of the table, next to a barrel, a dog jumping up at him, with tattered clothes forming curtains around a bed behind them; [&] Cottage interior with a man wearing a round-brimmed hat decorated with straw, returning home, holding his son's hand, and dropping some coins into his wife's apron, as she sits to right holding a sleeping baby, while a little girl sits on the floor with a doll, raising her arms to greet her brother.
CS: 11.
[Ref: 26522] £240.00 (£288.00 incl.VAT) view all images for this item
[Painted by G. Morland. Engrav'd by H. Hudson.] [&]
[London Publish'd Jany 20, 1790 by J.R. Smith No. 31 King Street Covent Garden.]
Pair of very rare mezzotints. Image 375 x 310mm (14¾ x 12¼"). Cut to image and around title; 'comforts' lad on album sheet. Some creasing.
A bare interior with a man sitting smoking at a table with a tankard at his elbow, his wife sitting listlessly with bowed head beside him, a little girl pawing at her skirts, a baby turning on a straw bed, its clothes in disarray, and a little boy gnawing on a bone in front of the table, next to a barrel, a dog jumping up at him, with tattered clothes forming curtains around a bed behind them; [&] Cottage interior with a man wearing a round-brimmed hat decorated with straw, returning home, holding his son's hand, and dropping some coins into his wife's apron, as she sits to right holding a sleeping baby, while a little girl sits on the floor with a doll, raising her arms to greet her brother.
CS: 11.
[Ref: 26522] £240.00 (£288.00 incl.VAT) view all images for this item
![The Miseries of Idleness. [&] The Comforts of Industry.](jpegs/36980.jpg)
The Miseries of Idleness. [&] The Comforts of Industry.
Painted by G. Morland. Engrav'd by H. Hudson.
London Publish'd Jany 20, 1790 by J.R. Smith No. 31 King Street Covent Garden.
Pair of very rare & fine mezzotints, with large margins. Platemark: 335 x 375mm (13¼ x 14¾") each.
A bare interior with a man sitting smoking at a table with a tankard at his elbow, his wife sitting with her head bowed beside him, a little girl pawing at her skirts, a baby turning on a straw bed, its clothes in disarray, and a little boy gnawing on a bone in front of the table, next to a barrel, with a dog jumping up at him. Tattered clothes form curtains around a bed behind them. [&] A cottage interior with a man wearing a round-brimmed hat decorated with straw, returning home, holding his son's hand, and dropping some coins into his wife's apron, as she sits to right holding a sleeping baby, while a little girl sits on the floor with a doll, raising her arms to greet her brother.
Chaloner Smith: 11. Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection, Sotheby's 13/11/97.
[Ref: 36980] £620.00 view all images for this item
Painted by G. Morland. Engrav'd by H. Hudson.
London Publish'd Jany 20, 1790 by J.R. Smith No. 31 King Street Covent Garden.
Pair of very rare & fine mezzotints, with large margins. Platemark: 335 x 375mm (13¼ x 14¾") each.
A bare interior with a man sitting smoking at a table with a tankard at his elbow, his wife sitting with her head bowed beside him, a little girl pawing at her skirts, a baby turning on a straw bed, its clothes in disarray, and a little boy gnawing on a bone in front of the table, next to a barrel, with a dog jumping up at him. Tattered clothes form curtains around a bed behind them. [&] A cottage interior with a man wearing a round-brimmed hat decorated with straw, returning home, holding his son's hand, and dropping some coins into his wife's apron, as she sits to right holding a sleeping baby, while a little girl sits on the floor with a doll, raising her arms to greet her brother.
Chaloner Smith: 11. Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection, Sotheby's 13/11/97.
[Ref: 36980] £620.00 view all images for this item
![Children Fishing. [&] Children Gathering Black-Berries.](jpegs/69641.jpg)
Children Fishing. [&] Children Gathering Black-Berries.
Paintd by G. Moreland. Engraved by P. Dawe.
London, Published Dec.r 20;th 1788, by W:Dickinson Engraver, Bond Street.
Pair of mezzotints. 505 x 355mm (19¾ x 14") & 505 x 350mm (19¾ x 13¾"). Small margins..
Fine examples of two scenes depicting five young children in a rustic setting.
Ex: collections of Oettingen-Wallerstein & The Hon. Christopher Lennox-Boyd.
[Ref: 69641] £460.00 view all images for this item
Paintd by G. Moreland. Engraved by P. Dawe.
London, Published Dec.r 20;th 1788, by W:Dickinson Engraver, Bond Street.
Pair of mezzotints. 505 x 355mm (19¾ x 14") & 505 x 350mm (19¾ x 13¾"). Small margins..
Fine examples of two scenes depicting five young children in a rustic setting.
Ex: collections of Oettingen-Wallerstein & The Hon. Christopher Lennox-Boyd.
[Ref: 69641] £460.00 view all images for this item
![Children Fishing. [&] Children Gathering Black-Berries.](jpegs/69642.jpg)
Children Fishing. [&] Children Gathering Black-Berries.
Paintd by G. Moreland. Engraved by P. Dawe.
London, Published Dec.r 20;th 1788, by W:Dickinson Engraver, Bond Street.
Pair of mezzotints, printed in colours and hand finished. 505 x 355mm (19¾ x 14") & 505 x 350mm (19¾ x 13¾"). 'Black-Berries' trimmed to plate at bottom; both with splits in platemarks repaired. Small margins.
Two scenes depicting five young children in a rustic setting.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69642] £680.00 view all images for this item
Paintd by G. Moreland. Engraved by P. Dawe.
London, Published Dec.r 20;th 1788, by W:Dickinson Engraver, Bond Street.
Pair of mezzotints, printed in colours and hand finished. 505 x 355mm (19¾ x 14") & 505 x 350mm (19¾ x 13¾"). 'Black-Berries' trimmed to plate at bottom; both with splits in platemarks repaired. Small margins.
Two scenes depicting five young children in a rustic setting.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69642] £680.00 view all images for this item
A View From Nature.
Painted by G Morland. H Schutz Sculp.
London Pub.d May 1. 1798 at R. Ackermanns Gallery. 101 Strand.
Rare engraving with fine hand colour, plate 295 x 355mm (11½ x 14"), large margins. Some surface dirt and creasing. Bit dusty.
A rustic scene; featuring a few houses settled round a church. People go about their business including a woman hauling washed clothes from the river to put on the line and a man walking with a stick and a dog. After George Morland (1762/3 - 1804), painter, especially of scenes of English rural life and picturesque landscapes.
[Ref: 61185] £140.00 (£168.00 incl.VAT)
Painted by G Morland. H Schutz Sculp.
London Pub.d May 1. 1798 at R. Ackermanns Gallery. 101 Strand.
Rare engraving with fine hand colour, plate 295 x 355mm (11½ x 14"), large margins. Some surface dirt and creasing. Bit dusty.
A rustic scene; featuring a few houses settled round a church. People go about their business including a woman hauling washed clothes from the river to put on the line and a man walking with a stick and a dog. After George Morland (1762/3 - 1804), painter, especially of scenes of English rural life and picturesque landscapes.
[Ref: 61185] £140.00 (£168.00 incl.VAT)
![[Self portrait by George Morland.]](jpegs/21393.jpg)
[Self portrait by George Morland.]
[n.d., c.1806]
Crayon manner with stippled face. Sheet 265 x 205mm, 10½ x 8". Trimmed, lacking any inscription but platemark visible on all sides.
Self-portait of the artist George Morland (1762/63 - 1804), copied from the frontispiece to Blagdon's 'Authentic Memoirs of the late George Morland' and cropping the figure of Morland from what was originally a much larger composition including the 'Bell Inn' on the left.
see Abbey Life, 208.1 for source image.
[Ref: 21393] £120.00 (£144.00 incl.VAT)
[n.d., c.1806]
Crayon manner with stippled face. Sheet 265 x 205mm, 10½ x 8". Trimmed, lacking any inscription but platemark visible on all sides.
Self-portait of the artist George Morland (1762/63 - 1804), copied from the frontispiece to Blagdon's 'Authentic Memoirs of the late George Morland' and cropping the figure of Morland from what was originally a much larger composition including the 'Bell Inn' on the left.
see Abbey Life, 208.1 for source image.
[Ref: 21393] £120.00 (£144.00 incl.VAT)
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La Partie de Pêche.
A Paris chez Augustin le Grand rue St. Julien le Pauvre No.3. [n.d. c.1790.]
Coloured stipple, rare. 387 x 487mm. 15¼ x 19¼".
The Fishing Party; three young men and two women fishing in a punt with rods and nets, accompanied by a black page boy.
[Ref: 25725] £330.00
A Paris chez Augustin le Grand rue St. Julien le Pauvre No.3. [n.d. c.1790.]
Coloured stipple, rare. 387 x 487mm. 15¼ x 19¼".
The Fishing Party; three young men and two women fishing in a punt with rods and nets, accompanied by a black page boy.
[Ref: 25725] £330.00
![[Pointers.]](jpegs/47456.jpg)
[Pointers.]
G. M.d.
T. Vivares. [n.d., c.1810.]
Coloured soft-ground etching. Sheet: 205 x 280mm (8 x 11"). Trimmed.
A scene showing two pointers walking in a woodland. After George Morland.
[Ref: 47456] £65.00 (£78.00 incl.VAT)
G. M.d.
T. Vivares. [n.d., c.1810.]
Coloured soft-ground etching. Sheet: 205 x 280mm (8 x 11"). Trimmed.
A scene showing two pointers walking in a woodland. After George Morland.
[Ref: 47456] £65.00 (£78.00 incl.VAT)
Fanny Hill & Pheobe. Women of Pleasure.
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Cut to image on all sides. Tipped into backing sheet.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37406] £450.00
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Cut to image on all sides. Tipped into backing sheet.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37406] £450.00
Fanny Hill, Louisa, and the Nosegay Boy. Woman of Pleasure.
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet. Light staining.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37408] £450.00
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet. Light staining.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37408] £450.00
Hariet ravish'd in the Summer House. Woman of Pleasure.
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet. Light staining to sheet.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37404] £450.00
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet. Light staining to sheet.
An illustration supposedly of John Cleland's 'Fanny Hill: Memoirs of a Woman of Pleasure'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37404] £450.00
St. Preux and Eloisa. I feel - I feel you are a thousand times more dear to me than ever. O my charming Mistress! my Wife! my Sister! my Friend! By what name shall I express what I feel? Eloisa Vol 1. Page: 85.
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet.
An illustration supposedly of Jean-Jacques Rousseau's 'Julie, or the New Heloise'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37405] £450.00
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet.
An illustration supposedly of Jean-Jacques Rousseau's 'Julie, or the New Heloise'. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37405] £450.00
Mrs. Homespun & Sedley. Pupil of Pleasure.
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet.
An illustration supposedly of Samuel Jackson's Pupil of Pleasure. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37403] £450.00
[W. Ward and J.R. Smith(?) after G. Morland.]
[n.d., c.1790.]
Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing sheet.
An illustration supposedly of Samuel Jackson's Pupil of Pleasure. Radically different from George Morland's (1763-1804) more familiar rustic genre, landscapes and elegant portraits of decorous young ladies, this plate graphically depicts sexual intercourse. It is from a series of rude illustrations of popular novels almost certainly engraved by William Ward (1766-1826) and John Raphael Smith (1752-1812), with whom Morland enjoyed a fruitful business partnership. The plates are (naturally) unsigned. For a set of eleven from this series see item ref: 28133.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 37403] £450.00
The Press Gang.
[after George Morland.]
[n.d., c.1840.]
Lithograph. Sheet 215 x 280mm (8½ x 11"). Trimmed to image.
A copy of George Morland's 'Jack in the Bilboes', originally engraved by William Ward, illustrating Charles Dibdin's 'the Waterman', showing the Waterman pressed on his wedding day.
See 28093 for the original mezzotint.
[Ref: 42443] £140.00 (£168.00 incl.VAT)
[after George Morland.]
[n.d., c.1840.]
Lithograph. Sheet 215 x 280mm (8½ x 11"). Trimmed to image.
A copy of George Morland's 'Jack in the Bilboes', originally engraved by William Ward, illustrating Charles Dibdin's 'the Waterman', showing the Waterman pressed on his wedding day.
See 28093 for the original mezzotint.
[Ref: 42443] £140.00 (£168.00 incl.VAT)
Rabbits.
Painted by G. Morland. Engraved by W.m Ward Engraver to H.R.H. the Duke of York.
London Published Sept.r. 1806, by James Linnell, 2, Streatham Street, Charlotte Street, Bloomsbury.
Rare mezzotint. 330 x 370mm (13 x 14½"). Slight creasing at top right. Small margins.
Two rabbits, one black, the other white, on straw with a carrot.
Frankau: 234.
[Ref: 62742] £260.00 (£312.00 incl.VAT)
Painted by G. Morland. Engraved by W.m Ward Engraver to H.R.H. the Duke of York.
London Published Sept.r. 1806, by James Linnell, 2, Streatham Street, Charlotte Street, Bloomsbury.
Rare mezzotint. 330 x 370mm (13 x 14½"). Slight creasing at top right. Small margins.
Two rabbits, one black, the other white, on straw with a carrot.
Frankau: 234.
[Ref: 62742] £260.00 (£312.00 incl.VAT)
Rustic Ease.
Painted by G. Morland. Engraved by J. Young Engraver to his R.H. the Prince of Wales.
London, March 15th 1800. Published by J. Young No 58 Upper Charlotte Street, Fitzroy Square.
Mezzotint. 390 x 450mm (15¼ x 17¾"). Very large margins.
A woman supporting a toddler, talking to a man who lies on the ground, a dog beside them and an old woman watching from her seat just inside the door of a thatched cottage
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 38203] £180.00 (£216.00 incl.VAT)
Painted by G. Morland. Engraved by J. Young Engraver to his R.H. the Prince of Wales.
London, March 15th 1800. Published by J. Young No 58 Upper Charlotte Street, Fitzroy Square.
Mezzotint. 390 x 450mm (15¼ x 17¾"). Very large margins.
A woman supporting a toddler, talking to a man who lies on the ground, a dog beside them and an old woman watching from her seat just inside the door of a thatched cottage
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 38203] £180.00 (£216.00 incl.VAT)
The Rustic Hovel.
Painted by G. Morland. Engraved by E. Bell.
Sold & Published Jan.y 1. 1804 by Edw.d. Orme, His Majesty's Printseller, 59 New Bond Street, London.
Mezzotint, printed in colours. 380 x 460mm, 15 x 18". Tear in bottom margin.
Two men, two donkeys and a dog in a barn. Comp. to "The Cottage Sty."
In Dawe.
[Ref: 13832] £360.00
Painted by G. Morland. Engraved by E. Bell.
Sold & Published Jan.y 1. 1804 by Edw.d. Orme, His Majesty's Printseller, 59 New Bond Street, London.
Mezzotint, printed in colours. 380 x 460mm, 15 x 18". Tear in bottom margin.
Two men, two donkeys and a dog in a barn. Comp. to "The Cottage Sty."
In Dawe.
[Ref: 13832] £360.00
![The Angry Farmer. Le Fermier en Colere. [&] Boys Skating. Garcons Patinant.](jpegs/29060.jpg)
The Angry Farmer. Le Fermier en Colere. [&] Boys Skating. Garcons Patinant.
Painted by G. Morland. Publish'd by A. Suntach.
Publish'd Mars 15.th 1793 by Antoine Suntach.
Pair of stipple engraving, rare, small margins. Plate 361 x 420mm (14¼ x 16½"). Repaired surface damage and repaired holes outside image 'Boys Skating'.
Two from a series on 'The Seasons': a farmer raising a stick ready to beat his son, his daughter tries to stop him by holding on, another kneels begging him, and another boy stands on the other side of the stile; and a family at the side of a frozen lake, the boys tying on their skates. Published by Antoine Suntach, one of numerous Parisian publishers who supplied copies of English stipples in response to continental 'anglomania'.
T. Clayton, 'The English Print', pp.274-5.
[Ref: 29060] £450.00 view all images for this item
Painted by G. Morland. Publish'd by A. Suntach.
Publish'd Mars 15.th 1793 by Antoine Suntach.
Pair of stipple engraving, rare, small margins. Plate 361 x 420mm (14¼ x 16½"). Repaired surface damage and repaired holes outside image 'Boys Skating'.
Two from a series on 'The Seasons': a farmer raising a stick ready to beat his son, his daughter tries to stop him by holding on, another kneels begging him, and another boy stands on the other side of the stile; and a family at the side of a frozen lake, the boys tying on their skates. Published by Antoine Suntach, one of numerous Parisian publishers who supplied copies of English stipples in response to continental 'anglomania'.
T. Clayton, 'The English Print', pp.274-5.
[Ref: 29060] £450.00 view all images for this item
Seduction.
Painted by G. Morland. Engrav'd by J. Young.
London. Pub. Nov.r 5. 1788 by Ja.s Birchall No. 473, Strand.
Mezzotint with large margins. Platemark: 500 x 355mm (19¾ x 14"). Light foxing. A few scratches to printed area.
A young woman wearing a mob cap, shawl and apron, sitting at the door of a thatched cottage, her left arm hooked over the back of her chair, reading a letter. There is a basket upside down beside her, and a bird drinking from a plate on the ground next to it. A young man is seen bribing a second woman behind a tree next to the cottage to the right. A companion print to item ref: 36981, 'Credulous Innocence'.
Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection, Sotheby's 13/11/97.
[Ref: 36990] £360.00
Painted by G. Morland. Engrav'd by J. Young.
London. Pub. Nov.r 5. 1788 by Ja.s Birchall No. 473, Strand.
Mezzotint with large margins. Platemark: 500 x 355mm (19¾ x 14"). Light foxing. A few scratches to printed area.
A young woman wearing a mob cap, shawl and apron, sitting at the door of a thatched cottage, her left arm hooked over the back of her chair, reading a letter. There is a basket upside down beside her, and a bird drinking from a plate on the ground next to it. A young man is seen bribing a second woman behind a tree next to the cottage to the right. A companion print to item ref: 36981, 'Credulous Innocence'.
Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection, Sotheby's 13/11/97.
[Ref: 36990] £360.00
Setters.
Painted by G. Morland. Engraved by W.m Ward, Engraved to H.R.H. the Duke of York.
London, Published June 15.th 1806 by James Linnell 2 Streatham Street, Charlotte Street, Bloomsbury. Proof.
Coloured mezzotint. Plate 380 x 439mm. 15 x 17¼".
Three English Setter dogs sniffing out scent along woodland path. Scene in a wood; three setters on the scent of game. One pauses, smelling; another follows, head lowered; a third, slightly at back, behind broken rail, waits. Stream in foreground, reeds, low-growing bushes.
CS: undescribed. Frankau: 256, ii/ii.
[Ref: 24019] £280.00 (£336.00 incl.VAT)
Painted by G. Morland. Engraved by W.m Ward, Engraved to H.R.H. the Duke of York.
London, Published June 15.th 1806 by James Linnell 2 Streatham Street, Charlotte Street, Bloomsbury. Proof.
Coloured mezzotint. Plate 380 x 439mm. 15 x 17¼".
Three English Setter dogs sniffing out scent along woodland path. Scene in a wood; three setters on the scent of game. One pauses, smelling; another follows, head lowered; a third, slightly at back, behind broken rail, waits. Stream in foreground, reeds, low-growing bushes.
CS: undescribed. Frankau: 256, ii/ii.
[Ref: 24019] £280.00 (£336.00 incl.VAT)
La Chasse De La Becassine. [Snipe Shooting].
Peinte par G. Morland. Dirigee par A. Suntach.
Publieé les 15 Aout 1792 par Antoine Suntach.
Stipple with large margins. Platemark: 270 x 315mm (10 ½ x 12¼").
Winter scene with a man aiming a rifle to right to shoot a bird out of the sky, his dog, below at left watching the prey. Two other men can be seen with their guns on the snow in the background. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
Oettingen-Wallerstein Collection. See 33225
[Ref: 33230] £380.00
Peinte par G. Morland. Dirigee par A. Suntach.
Publieé les 15 Aout 1792 par Antoine Suntach.
Stipple with large margins. Platemark: 270 x 315mm (10 ½ x 12¼").
Winter scene with a man aiming a rifle to right to shoot a bird out of the sky, his dog, below at left watching the prey. Two other men can be seen with their guns on the snow in the background. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
Oettingen-Wallerstein Collection. See 33225
[Ref: 33230] £380.00