A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Vue du Presido S.n Francisco.
Lith de Langlumé r de l'Abbaye N4. Lith par V. Adam.
[n.d., c.1822.]
Lithograph. Sheet: 420 x 260mm (16½ x 10¼"), with large margins.
A view of the military fortress at San Francisco, showing Native Americans with packs on their backs being driven by mounted men. A plate from Louis Choris's 'Voyage Pictoresque Autour du Monde...' 1822, illustrating Choris's travels throughout America, Africa and Europe.
[Ref: 44587] £380.00
Lith de Langlumé r de l'Abbaye N4. Lith par V. Adam.
[n.d., c.1822.]
Lithograph. Sheet: 420 x 260mm (16½ x 10¼"), with large margins.
A view of the military fortress at San Francisco, showing Native Americans with packs on their backs being driven by mounted men. A plate from Louis Choris's 'Voyage Pictoresque Autour du Monde...' 1822, illustrating Choris's travels throughout America, Africa and Europe.
[Ref: 44587] £380.00
San Francisco. Strasse in St. Francisco mit einem Dampf-Omnibus. [on publisher's label.]
[title label on verso:] Ed Hildebrandt. Chromofacsimilirt von R. Steinbock nach der Aquarelle aus der Sammlung "die Reise um die Erde".
[title label on verso:] Verlag von R. Wagner, Berlin, Zimmerstr. 92/93. [n.d. c.1865.]
Chromolithograph. 455 x 560mm. 18 x 22", laid on card as issued. Board soiled.
A view up California Street, towards Nob Hill, one of the original 'Seven Hills' of the city. past Montgomery Street. On the right are the Parrott Building and St. Mary's, to the left Grace Church. In the foreground is a steam-powered trolley car, a decade before the introduction of the first cable system. Edward Hildebrandt (1818-1869) went on a world tour in the 1860s with stops that included the United States. A folio of his works from his round-the-world voyage were published as chromolithographs in 1864 in Berlin under the title 'Reise um die Erde' (Journey around the Earth). His original watercolours were exhibited in London in 1866 and Crystal Palace in 1868, just a year before his death in Berlin.
[Ref: 22311] £380.00
[title label on verso:] Ed Hildebrandt. Chromofacsimilirt von R. Steinbock nach der Aquarelle aus der Sammlung "die Reise um die Erde".
[title label on verso:] Verlag von R. Wagner, Berlin, Zimmerstr. 92/93. [n.d. c.1865.]
Chromolithograph. 455 x 560mm. 18 x 22", laid on card as issued. Board soiled.
A view up California Street, towards Nob Hill, one of the original 'Seven Hills' of the city. past Montgomery Street. On the right are the Parrott Building and St. Mary's, to the left Grace Church. In the foreground is a steam-powered trolley car, a decade before the introduction of the first cable system. Edward Hildebrandt (1818-1869) went on a world tour in the 1860s with stops that included the United States. A folio of his works from his round-the-world voyage were published as chromolithographs in 1864 in Berlin under the title 'Reise um die Erde' (Journey around the Earth). His original watercolours were exhibited in London in 1866 and Crystal Palace in 1868, just a year before his death in Berlin.
[Ref: 22311] £380.00
San Francisco.
E. Hildebrandt. Chromofacsimile
[n.d. c.1865.]
Chromolithograph. 270 x 380mm. 10¾ x 15" Trimmed to image as normal.
A view up California Street, towards Nob Hill, one of the original 'Seven Hills' of the city. past Montgomery Street. On the right are the Parrott Building and St. Mary's, to the left Grace Church. In the foreground is a steam-powered trolley car, a decade before the introduction of the first cable system. Edward Hildebrandt (1818-1869) went on a world tour in the 1860s with stops that included the United States. A folio of his works from his round-the-world voyage were published as chromolithographs in 1864 in Berlin under the title 'Reise um die Erde' (Journey around the Earth). His original watercolours were exhibited in London in 1866 and Crystal Palace in 1868, just a year before his death in Berlin.
[Ref: 56145] £280.00 (£336.00 incl.VAT)
E. Hildebrandt. Chromofacsimile
[n.d. c.1865.]
Chromolithograph. 270 x 380mm. 10¾ x 15" Trimmed to image as normal.
A view up California Street, towards Nob Hill, one of the original 'Seven Hills' of the city. past Montgomery Street. On the right are the Parrott Building and St. Mary's, to the left Grace Church. In the foreground is a steam-powered trolley car, a decade before the introduction of the first cable system. Edward Hildebrandt (1818-1869) went on a world tour in the 1860s with stops that included the United States. A folio of his works from his round-the-world voyage were published as chromolithographs in 1864 in Berlin under the title 'Reise um die Erde' (Journey around the Earth). His original watercolours were exhibited in London in 1866 and Crystal Palace in 1868, just a year before his death in Berlin.
[Ref: 56145] £280.00 (£336.00 incl.VAT)
Promerops or Bee-Eater of North California. No.37.
J.R. Prevost Iun.r del.t
Published as the Act directs Nov.r 1.st 1798 by G.G. & I. Robinson Pater Noster Row.
Engraving. Plate 341 x 246mm (13½ x 9¾"). Cut to platemark on left.
A California Thrasher, found in chaparral habitat in California and Baja California, Mexico. From La Perouse's Voyage.
[Ref: 29994] £95.00 (£114.00 incl.VAT)
J.R. Prevost Iun.r del.t
Published as the Act directs Nov.r 1.st 1798 by G.G. & I. Robinson Pater Noster Row.
Engraving. Plate 341 x 246mm (13½ x 9¾"). Cut to platemark on left.
A California Thrasher, found in chaparral habitat in California and Baja California, Mexico. From La Perouse's Voyage.
[Ref: 29994] £95.00 (£114.00 incl.VAT)
Californian Wedding.
Benezec del. Fitter sculp.
Published by John Trusler, Sept. 1. 1790.
Engraving, sheet 120 x 210mm (4¾ x 8¼"). Trimmed to platemark top and bottom. Light foxing.
A wedding ceremony of the indigenous peoples of California.
[Ref: 60066] £95.00 (£114.00 incl.VAT)
Benezec del. Fitter sculp.
Published by John Trusler, Sept. 1. 1790.
Engraving, sheet 120 x 210mm (4¾ x 8¼"). Trimmed to platemark top and bottom. Light foxing.
A wedding ceremony of the indigenous peoples of California.
[Ref: 60066] £95.00 (£114.00 incl.VAT)
Caligula Cæsar.
Titian del.t. J.Pass sc.
Engraved for the Encyclopedia Londinensis, 1826.
Colour printed stipple with engraving. 180 x 135mm, 7 x 5¾". Watermarked 1824.
Oval portrait of Gaius Julius Caesar Augustus Germanicus (AD 12-41), after Titian. Nephew and adopted grandson of emperor Tiberius, he was nicknamed Caligula (Little Boots) by his father Germanicus's troops. Apparently his reign started well but when he became authoritarian and cruel he was assassinated. The 'Encyclopedia Londonensis' was published from 1796 to 1829, compiled by John Wilkes, edited by John Jones.
[Ref: 18549] £80.00 (£96.00 incl.VAT)
Titian del.t. J.Pass sc.
Engraved for the Encyclopedia Londinensis, 1826.
Colour printed stipple with engraving. 180 x 135mm, 7 x 5¾". Watermarked 1824.
Oval portrait of Gaius Julius Caesar Augustus Germanicus (AD 12-41), after Titian. Nephew and adopted grandson of emperor Tiberius, he was nicknamed Caligula (Little Boots) by his father Germanicus's troops. Apparently his reign started well but when he became authoritarian and cruel he was assassinated. The 'Encyclopedia Londonensis' was published from 1796 to 1829, compiled by John Wilkes, edited by John Jones.
[Ref: 18549] £80.00 (£96.00 incl.VAT)
Caligula. IV. Je ne prise rien tant que l'impudence.
F.L.D. Ciartres excudit Cum privegio Regis Christianiss.
Copper engraving. 280 x 200mm, 11 x 8".
Caligula, the fourth Roman emperor, by François Langlois (1589-1647), called Ciartres.
[Ref: 19844] £140.00 (£168.00 incl.VAT)
F.L.D. Ciartres excudit Cum privegio Regis Christianiss.
Copper engraving. 280 x 200mm, 11 x 8".
Caligula, the fourth Roman emperor, by François Langlois (1589-1647), called Ciartres.
[Ref: 19844] £140.00 (£168.00 incl.VAT)
Call Again Tomorrow. Sung by Mr. Smith, at Sadler's Wells. 16
[by George Cruikshank?]
Printed and published by R. Harrild, 20, Great Eastcheap [n.d., c.1820).
Coloured etching, set in letterpress. Sheet 275 x 215mm (10¾ x 8½"), very large margins. Some creasing.
A debtor telling his creditor through a window to come back tomorrow, while thinking of ways to raise money without working. A song from the ''Magic Minstrel'', libretto by C. Dibden, music by Mr. Reeve, and sung by Mr Smith at the Aquatic Theatre, Sadlers' Wells.
[Ref: 58395] £220.00 (£264.00 incl.VAT)
[by George Cruikshank?]
Printed and published by R. Harrild, 20, Great Eastcheap [n.d., c.1820).
Coloured etching, set in letterpress. Sheet 275 x 215mm (10¾ x 8½"), very large margins. Some creasing.
A debtor telling his creditor through a window to come back tomorrow, while thinking of ways to raise money without working. A song from the ''Magic Minstrel'', libretto by C. Dibden, music by Mr. Reeve, and sung by Mr Smith at the Aquatic Theatre, Sadlers' Wells.
[Ref: 58395] £220.00 (£264.00 incl.VAT)
A. W. Callcott, Esq. R.A.
Painted and Engraved by J Linnell.
London Published March. 1st.1832 By J Linnell. Porchester Terrace Bayswater.
Mezzotint. Plate 407 x 278mm.
Sir Augustus Wall Callcott (1779-1844) Painter, student of John Hoppner although he focused on Landscapes. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3909] £280.00 (£336.00 incl.VAT)
Painted and Engraved by J Linnell.
London Published March. 1st.1832 By J Linnell. Porchester Terrace Bayswater.
Mezzotint. Plate 407 x 278mm.
Sir Augustus Wall Callcott (1779-1844) Painter, student of John Hoppner although he focused on Landscapes. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840’s and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3909] £280.00 (£336.00 incl.VAT)
![[The Union Canal] No 2. View in Callendar Park, Situate in the County of Sterling, the Seat of William Forbes, Esq.r.](jpegs/56692.jpg)
[The Union Canal] No 2. View in Callendar Park, Situate in the County of Sterling, the Seat of William Forbes, Esq.r. Taken from the same point as No. 1 shewing part of the Track of the injurious deviation from the Parliamentary Line of the Edinburgh and Glasgow Union Canal, as proposed by the Canal Company.
Drawn by Alex.r Nasmyth. Engraved by F.C. Lewis, Engraver to H.R.H. the late Princess Charlotte & H.S.H. the Prince Leopold.
[n.d., c.1820.]
Rare coloured aquatint. 350 x 730mm (13¾ x 28¾") very large margins. Laid on board.
A view of Callendar House in Falkirk, with an artist's impression of how the Union Canal was going to affect the aesthetics of the estate. The Edinburgh and Glasgow Union Canal was a contour canal (running at the same level, with viaducts to cross valleys, so avoiding the use of locks), and the original plan had it running around a hill overlooking the house. The owner, William Forbes, a merchant who specialised in Royal Navy contracts, made an objection, forcing the company to built a 696-yard tunnel through Prospect Hill to the west.
[Ref: 56692] £320.00
Drawn by Alex.r Nasmyth. Engraved by F.C. Lewis, Engraver to H.R.H. the late Princess Charlotte & H.S.H. the Prince Leopold.
[n.d., c.1820.]
Rare coloured aquatint. 350 x 730mm (13¾ x 28¾") very large margins. Laid on board.
A view of Callendar House in Falkirk, with an artist's impression of how the Union Canal was going to affect the aesthetics of the estate. The Edinburgh and Glasgow Union Canal was a contour canal (running at the same level, with viaducts to cross valleys, so avoiding the use of locks), and the original plan had it running around a hill overlooking the house. The owner, William Forbes, a merchant who specialised in Royal Navy contracts, made an objection, forcing the company to built a 696-yard tunnel through Prospect Hill to the west.
[Ref: 56692] £320.00
Henry Callender Esq., The Society of Golfers at Blackheath.
[Painted by Lemuel Francis Abbott] William Henderson [signed in pencil].
Vicars Brothers, 12 Old Bond Street, London W.: September 1, 1916.
Mezzotint, printed in colours. 540 x 355mm (21¼ x 14"). Slight foxing.
Henry Callender was a prominent English golfer in the late 18th Century. He was painted here by the famous portrait artist LF Abbott, wearing the ‘Field Marshal's’ uniform of the Blackheath Society of Golfers. The two golf clubs illustrated are said to be still in the possession of the Royal Blackheath Golf Club.
[Ref: 5] £850.00
[Painted by Lemuel Francis Abbott] William Henderson [signed in pencil].
Vicars Brothers, 12 Old Bond Street, London W.: September 1, 1916.
Mezzotint, printed in colours. 540 x 355mm (21¼ x 14"). Slight foxing.
Henry Callender was a prominent English golfer in the late 18th Century. He was painted here by the famous portrait artist LF Abbott, wearing the ‘Field Marshal's’ uniform of the Blackheath Society of Golfers. The two golf clubs illustrated are said to be still in the possession of the Royal Blackheath Golf Club.
[Ref: 5] £850.00
Henry Callender Esq.re. To The Society of Golfers, at Blackheath, This Plate, is with just respect, Dedicated by their most humble Servant, W.m Ward. Proof.
Painted by L.F. Abbott. Engraved by W.m Ward. Engraver to their H.R. the Prince Regent & Duke of York.
Pub.d July 16, 1812, by W. Ward, 24, Buckingham Place, Fitzroy Square.
Scarce proof of the original mezzotint. 650 x 420mm (25½ x 16½"), with very large margins. Framed. Unexamined out of frame.
A full-length portrait of Henry Callender, Captain General of the Royal Blackheath Golf Club, wearing the ‘Field Marshal's' uniform of the club. The two golf clubs illustrated are said to be still in the possession of the Royal Blackheath Golf Club. This painting, by the famous portrait artist Lemuel Francis F Abbott (c.1760-1803) is one of the most famous golfing images.
Frankau 45.
[Ref: 58579] £2,000.00
Painted by L.F. Abbott. Engraved by W.m Ward. Engraver to their H.R. the Prince Regent & Duke of York.
Pub.d July 16, 1812, by W. Ward, 24, Buckingham Place, Fitzroy Square.
Scarce proof of the original mezzotint. 650 x 420mm (25½ x 16½"), with very large margins. Framed. Unexamined out of frame.
A full-length portrait of Henry Callender, Captain General of the Royal Blackheath Golf Club, wearing the ‘Field Marshal's' uniform of the club. The two golf clubs illustrated are said to be still in the possession of the Royal Blackheath Golf Club. This painting, by the famous portrait artist Lemuel Francis F Abbott (c.1760-1803) is one of the most famous golfing images.
Frankau 45.
[Ref: 58579] £2,000.00
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Corso di Calligrafia.
Giacomo Bonanni inc.
[Italian, 1834.]
Rare engraving. 260 x 370mm (10¼ x 14½"), with wide margins.
A plate illustrating the finer points of calligraphy, with a central portrait of Antonio Sella Romano sitting at a writing desk, surrounded by diagrams of nibs, how to hold a pen and an eagle made up of cursive lines. A decorative title page emgraved by Bonanni for Romano's 'Corso di calligrafia : calligrafia di Antonio Sella Romano che comprende le norme principali per eseguire con facilità'.
[Ref: 52707] £320.00
Giacomo Bonanni inc.
[Italian, 1834.]
Rare engraving. 260 x 370mm (10¼ x 14½"), with wide margins.
A plate illustrating the finer points of calligraphy, with a central portrait of Antonio Sella Romano sitting at a writing desk, surrounded by diagrams of nibs, how to hold a pen and an eagle made up of cursive lines. A decorative title page emgraved by Bonanni for Romano's 'Corso di calligrafia : calligrafia di Antonio Sella Romano che comprende le norme principali per eseguire con facilità'.
[Ref: 52707] £320.00
Callirhoe.
J. B. Cipriani inv.t. et del. F. Bartolozzi sculp.
Stipple. Sheet: 130 x 155mm (5 x 6"). Trimmed within plate and publication line.
A half-length portrait of Callirhoe, a protagonist from Chariton's novel of the same name, set in 400 BC Syracuse, in which the supernaturally beautiful Callirhoe marries Chaereas. However, Chaereas' jealousy causes a chain of unfortunate events leading to years of separation. Evidence of Chariton's novel only appears in a 13th Century manuscript and the story was not published until the 18th Century.
de V: 376 II of II.
[Ref: 36856] £140.00 (£168.00 incl.VAT)
J. B. Cipriani inv.t. et del. F. Bartolozzi sculp.
Stipple. Sheet: 130 x 155mm (5 x 6"). Trimmed within plate and publication line.
A half-length portrait of Callirhoe, a protagonist from Chariton's novel of the same name, set in 400 BC Syracuse, in which the supernaturally beautiful Callirhoe marries Chaereas. However, Chaereas' jealousy causes a chain of unfortunate events leading to years of separation. Evidence of Chariton's novel only appears in a 13th Century manuscript and the story was not published until the 18th Century.
de V: 376 II of II.
[Ref: 36856] £140.00 (£168.00 incl.VAT)
Jacob Calot. Kupfferstecher aus Lothringen. A.1629.
[n.d. c.1700.]
Etching and engraving, very large margins. Plate 152 x 103mm (6 x 4"). Toning down left-hand side of sheet.
Jacques Callot (1592-1635), the French etcher and engraver. His technical innovations established important procedures for subsequent etchers, and his work influenced many major masters, including Rembrandt and Watteau.
[Ref: 31245] £130.00 (£156.00 incl.VAT)
[n.d. c.1700.]
Etching and engraving, very large margins. Plate 152 x 103mm (6 x 4"). Toning down left-hand side of sheet.
Jacques Callot (1592-1635), the French etcher and engraver. His technical innovations established important procedures for subsequent etchers, and his work influenced many major masters, including Rembrandt and Watteau.
[Ref: 31245] £130.00 (£156.00 incl.VAT)
Jacobo. Calottus Nobilis Lotharingus Calcographus.
[Michel Lasne.]
[n.d., c.1750s.]
Engraving, unfinished proof?, sheet 155 x 105mm. 6 x 4¼". Trimmed within plate.
Portrait of painter and engraver Jacques Callot (1592 - 1635) in oval frame forming a creature's head in the upper part, a coat of arms with stars below. With unlettered cartouche below portrait. A copy in reverse of a plate engraved by Michel Lasne (1596 - 1667) after his own design in 1626.
[Ref: 11992] £160.00 (£192.00 incl.VAT)
[Michel Lasne.]
[n.d., c.1750s.]
Engraving, unfinished proof?, sheet 155 x 105mm. 6 x 4¼". Trimmed within plate.
Portrait of painter and engraver Jacques Callot (1592 - 1635) in oval frame forming a creature's head in the upper part, a coat of arms with stars below. With unlettered cartouche below portrait. A copy in reverse of a plate engraved by Michel Lasne (1596 - 1667) after his own design in 1626.
[Ref: 11992] £160.00 (£192.00 incl.VAT)
Iacq. Callot. Gentilhome lorainios….le 27me de mars. '113' annotated in ink.
Masne delin. Asoemans Sculpsit. I. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm.
Jacques Callot [1592 – 1635] French etcher and engraver. In 1612 he went to Florence where he learned to etch and where he developed and introduced the use of a hard varnish ground that allowed both greater flexibility and finesse. His technical innovations established important procedures for subsequent etchers, and his work influenced many major masters, including Rembrandt and Watteau. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4208] £60.00 (£72.00 incl.VAT)
Masne delin. Asoemans Sculpsit. I. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm.
Jacques Callot [1592 – 1635] French etcher and engraver. In 1612 he went to Florence where he learned to etch and where he developed and introduced the use of a hard varnish ground that allowed both greater flexibility and finesse. His technical innovations established important procedures for subsequent etchers, and his work influenced many major masters, including Rembrandt and Watteau. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4208] £60.00 (£72.00 incl.VAT)
A Calm.
Brooking Pinx.t. Jn.o Boydell Sculp.
Publish'd according to Act of Parliam.t & sold by J. Boydell Engraver, at the Unicorn the corner of Queen Street Cheapside London 1754.
Engraving, 270 x 420mm (10¾ x 16½"). Trimmed to image at top, watercolour silhouette on reverse.
A seascape after Charles Brooking (1723-59) a martime artist known for his attention to detail. The National Maritime Museum Greenwich, holds 23 of his oils.
[Ref: 45282] £140.00 (£168.00 incl.VAT)
Brooking Pinx.t. Jn.o Boydell Sculp.
Publish'd according to Act of Parliam.t & sold by J. Boydell Engraver, at the Unicorn the corner of Queen Street Cheapside London 1754.
Engraving, 270 x 420mm (10¾ x 16½"). Trimmed to image at top, watercolour silhouette on reverse.
A seascape after Charles Brooking (1723-59) a martime artist known for his attention to detail. The National Maritime Museum Greenwich, holds 23 of his oils.
[Ref: 45282] £140.00 (£168.00 incl.VAT)
A Calm. Calme. Twelve Sea Pieces neatly Engraved from Monamy and Vanderveld.
Monamy Pinxt. J. Caldwal Sculp.
Printed for Robt. Sayer Map & Printseller at the Golden Buck in Fleet Street. [n.d., c.1800.]
Etching, wove paper watermarked 'I Taylor', 180 x 275mm. 7 x 10¾". Lower right margin chipped.
A fleet of ships under sail on a flat-calm sea. From a series; titles in English and French. Numbered '1' upper right and 'No.21' upper left. After Peter Monamy (1681 - 1749). London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
NMM PAI7836.
[Ref: 19950] £140.00 (£168.00 incl.VAT)
Monamy Pinxt. J. Caldwal Sculp.
Printed for Robt. Sayer Map & Printseller at the Golden Buck in Fleet Street. [n.d., c.1800.]
Etching, wove paper watermarked 'I Taylor', 180 x 275mm. 7 x 10¾". Lower right margin chipped.
A fleet of ships under sail on a flat-calm sea. From a series; titles in English and French. Numbered '1' upper right and 'No.21' upper left. After Peter Monamy (1681 - 1749). London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
NMM PAI7836.
[Ref: 19950] £140.00 (£168.00 incl.VAT)
A Calm.
Printed & Sold by W. Belch, 258, High Street, Borough, London [n.d., c.1825].
Hand-coloured wood engraving, sheet 200 x 325mm. 8 x 12¾". Creasing to left edge of plate.
Different kinds of shipping in a harbour; figures and cargo to foreground lower left. From a set of popular prints. Plate numbered '5' upper right.
[Ref: 21975] £130.00 (£156.00 incl.VAT)
Printed & Sold by W. Belch, 258, High Street, Borough, London [n.d., c.1825].
Hand-coloured wood engraving, sheet 200 x 325mm. 8 x 12¾". Creasing to left edge of plate.
Different kinds of shipping in a harbour; figures and cargo to foreground lower left. From a set of popular prints. Plate numbered '5' upper right.
[Ref: 21975] £130.00 (£156.00 incl.VAT)
A Calm.
Brooking Pinx. Jn.o Boydell Sculp. Publish'd according to the Act of Parliam.t & Sold by J. Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London 1754.
London, 1754.
Very fine hand coloured engraving, 18th century watermark. 290 x 420mm (11½ x 16½"), large margins. Excellent condition.
A seascape of ships near a harbour.
[Ref: 55567] £360.00
Brooking Pinx. Jn.o Boydell Sculp. Publish'd according to the Act of Parliam.t & Sold by J. Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London 1754.
London, 1754.
Very fine hand coloured engraving, 18th century watermark. 290 x 420mm (11½ x 16½"), large margins. Excellent condition.
A seascape of ships near a harbour.
[Ref: 55567] £360.00
![Calm. [&] Storm.](jpegs/23430.jpg)
Calm. [&] Storm.
Chatelain invet. et delin.
Printed for Robt. Sayer, Printseller in Fleet Street [originally c.1750, these later impressions on 19th century paper].
Pair of etchings on wove paper, 'Calm' with watermark '1822(?)', each 195 x 255mm. 7¾ x 10". 'Calm' with (printers?) crease through title into lower part of image.
Two landscapes, the serene and peaceful 'Calm' (featuring a gentleman reading a book in centre foreground) contrasting with the windswept scene with two pedestrians struggling at left, and a fallen tree at right. Both compositions show buildings across water in distance. First plate numbered '18' upper left. Jean Baptiste Chatelain (French/British, 1710 - 1758) was a topographical draughtsman and printmaker working in London.
[Ref: 23430] £220.00 (£264.00 incl.VAT) view all images for this item
Chatelain invet. et delin.
Printed for Robt. Sayer, Printseller in Fleet Street [originally c.1750, these later impressions on 19th century paper].
Pair of etchings on wove paper, 'Calm' with watermark '1822(?)', each 195 x 255mm. 7¾ x 10". 'Calm' with (printers?) crease through title into lower part of image.
Two landscapes, the serene and peaceful 'Calm' (featuring a gentleman reading a book in centre foreground) contrasting with the windswept scene with two pedestrians struggling at left, and a fallen tree at right. Both compositions show buildings across water in distance. First plate numbered '18' upper left. Jean Baptiste Chatelain (French/British, 1710 - 1758) was a topographical draughtsman and printmaker working in London.
[Ref: 23430] £220.00 (£264.00 incl.VAT) view all images for this item
The Daughters of Charles B. Calmady Esq.r.
From a Sketch by Sir Tho.s Lawrence P.R.A. Fred.k C. Lewis Sculp.t.
Published March 1825 by Hurst, Robinson & C.o Cheapside & 6 Pall Mall.
Stipple. Plate: 280 x 355mm (11 x 14") very large margins. Some foxing.
A double portrait of Laura Anne Calmady and Emily Calmady daughters of amateur cricketer Charles Biggs Calmady (1791-1855).
[Ref: 41809] £130.00 (£156.00 incl.VAT)
From a Sketch by Sir Tho.s Lawrence P.R.A. Fred.k C. Lewis Sculp.t.
Published March 1825 by Hurst, Robinson & C.o Cheapside & 6 Pall Mall.
Stipple. Plate: 280 x 355mm (11 x 14") very large margins. Some foxing.
A double portrait of Laura Anne Calmady and Emily Calmady daughters of amateur cricketer Charles Biggs Calmady (1791-1855).
[Ref: 41809] £130.00 (£156.00 incl.VAT)
A Calme. Calme.
P. Monamy Pinx.t Swaine Delin.t Parr Sculp.
Published 12.th May 1794, by Laurie & Whittle. 53, Fleet Street, London.
Coloured engraving. Plate 300 x 400mm. 11¾ x 15¾". Tatty margins, stain in title, creases and repairs.
Ships at anchor in a still-water bay, crews in dinghies row, the fleet leader fires a cannon to the right; fishermen in the near foreground, after Peter Monamy (1681-1749). London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
[Ref: 24709] £220.00 (£264.00 incl.VAT)
P. Monamy Pinx.t Swaine Delin.t Parr Sculp.
Published 12.th May 1794, by Laurie & Whittle. 53, Fleet Street, London.
Coloured engraving. Plate 300 x 400mm. 11¾ x 15¾". Tatty margins, stain in title, creases and repairs.
Ships at anchor in a still-water bay, crews in dinghies row, the fleet leader fires a cannon to the right; fishermen in the near foreground, after Peter Monamy (1681-1749). London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
[Ref: 24709] £220.00 (£264.00 incl.VAT)
Monsieur de Calonne, Ministre d'état sous Louis XVI.
M.de Le Brun pinx. De Bré[a Sculp.t].
Publié à Londres en Decembre 1802 par W. Richardson [No.31] Strand.
Mezzotint, sheet 435 x 325mm (17 x 12¾"). Trimmed to plate. Repaired tears. Loss to text. Right corner amateurly restored.
Portrait of Charles Alexandre de Calonne (1734-1802), nearly full-length, seated in an armchair, turned left while facing forward, holding a letter marked “Au Roi” in his right hand. Calonne, titled Count of Hannonville in 1759, was a French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French Revolution.
CS 1 II. IFF 4. Ex: collection of The Hon. Christopher.
[Ref: 68556] £190.00 (£228.00 incl.VAT)
M.de Le Brun pinx. De Bré[a Sculp.t].
Publié à Londres en Decembre 1802 par W. Richardson [No.31] Strand.
Mezzotint, sheet 435 x 325mm (17 x 12¾"). Trimmed to plate. Repaired tears. Loss to text. Right corner amateurly restored.
Portrait of Charles Alexandre de Calonne (1734-1802), nearly full-length, seated in an armchair, turned left while facing forward, holding a letter marked “Au Roi” in his right hand. Calonne, titled Count of Hannonville in 1759, was a French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French Revolution.
CS 1 II. IFF 4. Ex: collection of The Hon. Christopher.
[Ref: 68556] £190.00 (£228.00 incl.VAT)
Calton Hill, Edinburgh.
Original Etching by Frank H. Mason, R.B.A. Edition linited to 175 impressions. Plate to be destroyed.
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint, signed in pencil by the artist. 230 x 140mm (9 x 5½"), large margins, publisher's blind stamps. In original mount with printed label with title as above, with publisher's 'Minerva's Head' & 'A B C' logo. Mint.
A view of Calton Hill from Waterloo Place, showing the Dugald Stewart Monument, the National Monument and the Nelson Monument. By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49157] £75.00 (£90.00 incl.VAT)
Original Etching by Frank H. Mason, R.B.A. Edition linited to 175 impressions. Plate to be destroyed.
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint, signed in pencil by the artist. 230 x 140mm (9 x 5½"), large margins, publisher's blind stamps. In original mount with printed label with title as above, with publisher's 'Minerva's Head' & 'A B C' logo. Mint.
A view of Calton Hill from Waterloo Place, showing the Dugald Stewart Monument, the National Monument and the Nelson Monument. By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49157] £75.00 (£90.00 incl.VAT)
Botzen vom Calvarienberge.
[Anon, c.1830.]
Line engraving, sheet 165 x 215mm (6½ x 8½"). Trimmed around image and title.
Calvarienberg in Italy.
[Ref: 33758] £60.00 (£72.00 incl.VAT)
[Anon, c.1830.]
Line engraving, sheet 165 x 215mm (6½ x 8½"). Trimmed around image and title.
Calvarienberg in Italy.
[Ref: 33758] £60.00 (£72.00 incl.VAT)
The true Effigies of the Members of the Calves Head Club, held on the 30.th of January 1734. in Suffolk Street in ye County of Middlesex. The Healths were To the Pious memory of Oliver Cromwell, Damn.n to the Race of ye Stuarts [...]
[n.d., c.1735.]
Scarce etching, Sheet 205 x 155mm (8 x 6"). Trimmed into plate, laid on album paper. Slight crease top left.
Satire on young Whig supporters and their supposedly republican tendencies. A scene outside the Golden Eagle in Suffolk Street, near Charing Cross, with a mob around a bonfire. In the windows above are seven young gentlemen, one holding a calf's head and another, who is masked, brandishing an axe. The original Calve's Head Club was said to be a republican secret society meeting in the 1690s. A dinner of young aristocrats was held on 30 January 1735, aping the earlier club, led to disorder when the mob found out what was occuring.
BM Satires 2144.
[Ref: 61309] £380.00
[n.d., c.1735.]
Scarce etching, Sheet 205 x 155mm (8 x 6"). Trimmed into plate, laid on album paper. Slight crease top left.
Satire on young Whig supporters and their supposedly republican tendencies. A scene outside the Golden Eagle in Suffolk Street, near Charing Cross, with a mob around a bonfire. In the windows above are seven young gentlemen, one holding a calf's head and another, who is masked, brandishing an axe. The original Calve's Head Club was said to be a republican secret society meeting in the 1690s. A dinner of young aristocrats was held on 30 January 1735, aping the earlier club, led to disorder when the mob found out what was occuring.
BM Satires 2144.
[Ref: 61309] £380.00
Etienne Calvel, de Toulouse.
Dess au Physionotrace et gravé par Quenedey rue des petits Champs No.1284 a Paris
Etching and aquatint with large margins, platemark 130 x 90mm (5 x 3¾"). Good impression.
French author Etienne Calvel, made by Edme Quénedey (1756 - 1830), a miniature painter and engraver, who made much use of the physionotrace. This was a mechanised drawing instrument that could reproduce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey's portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 - c.1810 there were only two studios in Paris which produced a relatively small number of physionotrace engravings. Consequently very few of these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of photography.
[Ref: 35222] £180.00 (£216.00 incl.VAT)
Dess au Physionotrace et gravé par Quenedey rue des petits Champs No.1284 a Paris
Etching and aquatint with large margins, platemark 130 x 90mm (5 x 3¾"). Good impression.
French author Etienne Calvel, made by Edme Quénedey (1756 - 1830), a miniature painter and engraver, who made much use of the physionotrace. This was a mechanised drawing instrument that could reproduce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey's portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 - c.1810 there were only two studios in Paris which produced a relatively small number of physionotrace engravings. Consequently very few of these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of photography.
[Ref: 35222] £180.00 (£216.00 incl.VAT)
Effigies Illustrissimi Div Caecily Calvery Baronis Baltemore de Baltemor in Regno Hiberniae; Absoluti Div et Proprietary Proviniciarum Terrae=Mariae et Avaloniae in America etc.a Anno Dni. 1657. Aetatis 51.
Abra: 'Blotling Sculp.
[n.d. c.1657.]
Fine copper engraving. Plate 272 x 171mm. 10¾ x 6¾".
Cecil Calvert (1606-1675), 2nd Baron Baltimore, was an English peer and the first Proprietor and Proprietary Governor of the Province of Maryland, and ninth Proprietary Governor of the Colony of Newfoundland.
See NPG: D13820.
[Ref: 24078] £260.00 (£312.00 incl.VAT)
Abra: 'Blotling Sculp.
[n.d. c.1657.]
Fine copper engraving. Plate 272 x 171mm. 10¾ x 6¾".
Cecil Calvert (1606-1675), 2nd Baron Baltimore, was an English peer and the first Proprietor and Proprietary Governor of the Province of Maryland, and ninth Proprietary Governor of the Colony of Newfoundland.
See NPG: D13820.
[Ref: 24078] £260.00 (£312.00 incl.VAT)
Frederick Ld. Baltimore. From an Original Painting.
J.Miller.Sct.
[n.d. c.1800]
Line engraving. Plate 159 x 110mm.
Frederick Calvert was born February 6, 1731 in Epsom, Surrey, England. He was the son of Charles and Mary Jansen Calvert, and was Maryland's sixth and last Lord Baltimore. Frederick's father, Charles Calvert, fifth Lord Baltimore, died on April 24, 1751. Frederick had two sisters, Louisa and Caroline. Upon his father's death, Frederick inherited the proprietorship of Maryland, making him the sixth Lord Baltimore, and immense wealth and considerable political connections. His wealth included an income of about ten thousand pounds sterling a month, derived from collected rents and taxes, large shares of stock of the Bank of England, and his resident estate at Woodcote Park, in Surrey. It was through this wealth that enabled Frederick to live a life of high style and leisure.
[Ref: 4250] £110.00 (£132.00 incl.VAT)
J.Miller.Sct.
[n.d. c.1800]
Line engraving. Plate 159 x 110mm.
Frederick Calvert was born February 6, 1731 in Epsom, Surrey, England. He was the son of Charles and Mary Jansen Calvert, and was Maryland's sixth and last Lord Baltimore. Frederick's father, Charles Calvert, fifth Lord Baltimore, died on April 24, 1751. Frederick had two sisters, Louisa and Caroline. Upon his father's death, Frederick inherited the proprietorship of Maryland, making him the sixth Lord Baltimore, and immense wealth and considerable political connections. His wealth included an income of about ten thousand pounds sterling a month, derived from collected rents and taxes, large shares of stock of the Bank of England, and his resident estate at Woodcote Park, in Surrey. It was through this wealth that enabled Frederick to live a life of high style and leisure.
[Ref: 4250] £110.00 (£132.00 incl.VAT)
Calvin.
Holbein. F: Piloty del.
[n.d., c.1840.]
Tinted lithograph. Sheet: 430 x 300mm (17 x 12"). Trimmed to border.
A portrait of French theologian and pastor Jean Calvin (1509-1564) who preached during the Protestant Reformation, he was the principal figure in the development of Calvanism.
[Ref: 46852] £160.00 (£192.00 incl.VAT)
Holbein. F: Piloty del.
[n.d., c.1840.]
Tinted lithograph. Sheet: 430 x 300mm (17 x 12"). Trimmed to border.
A portrait of French theologian and pastor Jean Calvin (1509-1564) who preached during the Protestant Reformation, he was the principal figure in the development of Calvanism.
[Ref: 46852] £160.00 (£192.00 incl.VAT)
Joannes Calvinus, Noviodunensis Theologus.
P. Schen fe: et en. c. Privil.
[n.d. c.1700]
Very rare mezzotint, 140 x 95mm (5½ x 3¾") Trimmed to platemark.
Half-length portrait of Jean (John) Calvin (1509-64) theologian of the French reformation, in an oval frame, with full beard and wearing cap, fur-lined coat and reading a book.
[Ref: 65770] £260.00 (£312.00 incl.VAT)
P. Schen fe: et en. c. Privil.
[n.d. c.1700]
Very rare mezzotint, 140 x 95mm (5½ x 3¾") Trimmed to platemark.
Half-length portrait of Jean (John) Calvin (1509-64) theologian of the French reformation, in an oval frame, with full beard and wearing cap, fur-lined coat and reading a book.
[Ref: 65770] £260.00 (£312.00 incl.VAT)
Johannes Calvinus.
Strasburg zu finden beÿ Johan Tscherning Auf S. Tomas Pla.
[n.d., c.1700.]
Engraving, 17th century watermark. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed into printed border, mounted in album paper at sides.
Profile portrait of theologian Jean (John) Calvin (1509-64), before a bookcase containing instruments. Engraved by Johann Tscherning (fl. 1684-1729).
[Ref: 62924] £160.00 (£192.00 incl.VAT)
Strasburg zu finden beÿ Johan Tscherning Auf S. Tomas Pla.
[n.d., c.1700.]
Engraving, 17th century watermark. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed into printed border, mounted in album paper at sides.
Profile portrait of theologian Jean (John) Calvin (1509-64), before a bookcase containing instruments. Engraved by Johann Tscherning (fl. 1684-1729).
[Ref: 62924] £160.00 (£192.00 incl.VAT)
Johannes Calvinus. Natus X Jul: Ao 1509. Denatus XXVII May Ao 1564.
Printed for H. Parker & E. Bakewell in Cornhill London.
Mezzotint. Plate: 200 x 265mm (8 x 10½"), with very large margins.
Jean (John) Calvin (1509 - 1564), theologian of the French reformation, in an oval frame, with full beard and wearing cap and fur-lined coat. Calvin was a tireless polemic and apologetic writer who generated much controversy. He also exchanged cordial and supportive letters with many reformers, including Philipp Melanchthon and Heinrich Bullinger. In addition to the Institutes, he wrote commentaries on most books of the Bible, as well as theological treatises and confessional documents. He regularly preached sermons throughout the week in Geneva. Calvin was influenced by the Augustinian tradition, which led him to expound the doctrine of predestination and the absolute sovereignty of God in salvation of the human soul from death and eternal damnation. Calvin's writing and preachings provided the seeds for the branch of theology that bears his name. The Reformed and Presbyterian churches, which look to Calvin as a chief expositor of their beliefs, have spread throughout the world. By John Faber the Elder (c.1660 - 1721), for a set of 21 plates of Protestant reformers.
[Ref: 39802] £130.00 (£156.00 incl.VAT)
Printed for H. Parker & E. Bakewell in Cornhill London.
Mezzotint. Plate: 200 x 265mm (8 x 10½"), with very large margins.
Jean (John) Calvin (1509 - 1564), theologian of the French reformation, in an oval frame, with full beard and wearing cap and fur-lined coat. Calvin was a tireless polemic and apologetic writer who generated much controversy. He also exchanged cordial and supportive letters with many reformers, including Philipp Melanchthon and Heinrich Bullinger. In addition to the Institutes, he wrote commentaries on most books of the Bible, as well as theological treatises and confessional documents. He regularly preached sermons throughout the week in Geneva. Calvin was influenced by the Augustinian tradition, which led him to expound the doctrine of predestination and the absolute sovereignty of God in salvation of the human soul from death and eternal damnation. Calvin's writing and preachings provided the seeds for the branch of theology that bears his name. The Reformed and Presbyterian churches, which look to Calvin as a chief expositor of their beliefs, have spread throughout the world. By John Faber the Elder (c.1660 - 1721), for a set of 21 plates of Protestant reformers.
[Ref: 39802] £130.00 (£156.00 incl.VAT)
The Oath of Calypso. After in Obedience to the Gods, She Consents to the departure of Ulysses from her Island.
Angelica Kauffman pinx.t. Smith fecit.
Published 12th May 1794 by Laurie & Whittle, No. 53 in Fleet Street, London.
Coloured mezzotint. 355 x 255mm. Scratch in image to left of "Calypso's" shoulder.
Angelica (Maria Anna Catharina) Kauffmann [Swiss neoclassical painter, 1741-1807].
D'Oench 106; CLB state ii of ii; not is CS or Whitman. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 3542] £220.00 (£264.00 incl.VAT)
Angelica Kauffman pinx.t. Smith fecit.
Published 12th May 1794 by Laurie & Whittle, No. 53 in Fleet Street, London.
Coloured mezzotint. 355 x 255mm. Scratch in image to left of "Calypso's" shoulder.
Angelica (Maria Anna Catharina) Kauffmann [Swiss neoclassical painter, 1741-1807].
D'Oench 106; CLB state ii of ii; not is CS or Whitman. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 3542] £220.00 (£264.00 incl.VAT)
![[The First Interview of Telemachus with Calypso.]](jpegs/67115.jpg)
[The First Interview of Telemachus with Calypso.]
Printed by B. West 1772. Etch'd by W. Woollett, 1783.
Etching & engraving, unfinished working proof with scratched letters. Sheet 490 x 610mm (19¼ x 24"). Trimmed within plate, some surface wear. Ink mss in inscription area.
A scene on a shoreline, with Calypso and her nymphs (some dancing) greet Telemachus, the son of Odysseus, and his tutor Mentor, who have left a floundering ship. This is an impression of a plate left unfinished by Woollett at his death in 1785. An ink inscription also credits John Elmes (1762-1808), Woollett's apprentice. Alexander (Dictionary of British & Irish Engravers) writes that the plate was finally completed forty years later, by Middiman and J.H. Robinson.
BM S,1.13, for same state. Fagan: XCII probably 1st state of vi.
[Ref: 67115] £380.00
Printed by B. West 1772. Etch'd by W. Woollett, 1783.
Etching & engraving, unfinished working proof with scratched letters. Sheet 490 x 610mm (19¼ x 24"). Trimmed within plate, some surface wear. Ink mss in inscription area.
A scene on a shoreline, with Calypso and her nymphs (some dancing) greet Telemachus, the son of Odysseus, and his tutor Mentor, who have left a floundering ship. This is an impression of a plate left unfinished by Woollett at his death in 1785. An ink inscription also credits John Elmes (1762-1808), Woollett's apprentice. Alexander (Dictionary of British & Irish Engravers) writes that the plate was finally completed forty years later, by Middiman and J.H. Robinson.
BM S,1.13, for same state. Fagan: XCII probably 1st state of vi.
[Ref: 67115] £380.00
Veduta dell'Eremo di Camaldoli.
Ant. Terreni dis. e inc.
Aquatint. Plate: 360 x 255mm (14 x 10"), with large margins.
A view of the Camaldoli Hermitage in Tuscany.
[Ref: 42505] £160.00 (£192.00 incl.VAT)
Ant. Terreni dis. e inc.
Aquatint. Plate: 360 x 255mm (14 x 10"), with large margins.
A view of the Camaldoli Hermitage in Tuscany.
[Ref: 42505] £160.00 (£192.00 incl.VAT)
![[Camberwell.] London. Sheet CIII.](jpegs/11001.jpg)
[Camberwell.] London. Sheet CIII. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen. A litle wear.
A large-scale plan (1/2500) of Camberwell, with Peckham and Denmark Hill. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 11001] £160.00
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen. A litle wear.
A large-scale plan (1/2500) of Camberwell, with Peckham and Denmark Hill. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 11001] £160.00
![[Camberwell Grammar School] To M.r Tho.s Jephson at Camberwell,](jpegs/63936.jpg)
[Camberwell Grammar School] To M.r Tho.s Jephson at Camberwell, This Print is dedicated by his Scholars as a grateful Tribute of their Rememberance.
J. Drummond Erskine Esq.r del.t. W. Bromley sculp.t.
[London, Published Nov.r 20th 1795, by Tho.s Macklin, Poets Gallery, Fleet St.]
Scarce engraving. Sheet 395 x 460mm (15½ x 18"). Trimmed within plate, losing publication line, lacking top right corner, repaired tears, laid on album paper.
A view of the pupils of the Camberwell Grammar School at play, with hoops, spinning tops and marbles.
[Ref: 63936] £260.00 (£312.00 incl.VAT)
J. Drummond Erskine Esq.r del.t. W. Bromley sculp.t.
[London, Published Nov.r 20th 1795, by Tho.s Macklin, Poets Gallery, Fleet St.]
Scarce engraving. Sheet 395 x 460mm (15½ x 18"). Trimmed within plate, losing publication line, lacking top right corner, repaired tears, laid on album paper.
A view of the pupils of the Camberwell Grammar School at play, with hoops, spinning tops and marbles.
[Ref: 63936] £260.00 (£312.00 incl.VAT)
The Camblet Macaroni.
Pub. accord. to Act. Decr. 2. 1772. by MDarly 39 Strand.
Etching, 175 x 125mm. 7 x 5".
Full-face portrait of a young man standing with hands on hips, legs astride. He is not dressed in the macaroni manner, but wears a round cap of camblet, beneath which his own hair appears; he wears a plain coat and neck cloth, with a striped waistcoat. Camblet or Camlet was a rich woven fabric of Asiatic origin believed to have been made of camel's hair or angora wool. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V5' upper left and '3' upper right.
BM Satires: 5040.
[Ref: 14316] £160.00 (£192.00 incl.VAT)
Pub. accord. to Act. Decr. 2. 1772. by MDarly 39 Strand.
Etching, 175 x 125mm. 7 x 5".
Full-face portrait of a young man standing with hands on hips, legs astride. He is not dressed in the macaroni manner, but wears a round cap of camblet, beneath which his own hair appears; he wears a plain coat and neck cloth, with a striped waistcoat. Camblet or Camlet was a rich woven fabric of Asiatic origin believed to have been made of camel's hair or angora wool. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V5' upper left and '3' upper right.
BM Satires: 5040.
[Ref: 14316] £160.00 (£192.00 incl.VAT)
The North-West Prospect of the University and Town of Cambridge.
[after Samuel and Nathaniel Buck.]
London Mag. [1775]
Engraving. Sheet 205 x 350mm (8 x 13¾"). Trimmed within plate, one corner snipped, partially mounted in album paper.
A view of Cambridge with a 31-point key and the University arms underneath, adapted from the large prospect by Samuel and Nathaniel Buck. About this time the publisher Robert Sayer bought the Buck copper plates, re-publishing them in 1778.
[Ref: 62527] £160.00 (£192.00 incl.VAT)
[after Samuel and Nathaniel Buck.]
London Mag. [1775]
Engraving. Sheet 205 x 350mm (8 x 13¾"). Trimmed within plate, one corner snipped, partially mounted in album paper.
A view of Cambridge with a 31-point key and the University arms underneath, adapted from the large prospect by Samuel and Nathaniel Buck. About this time the publisher Robert Sayer bought the Buck copper plates, re-publishing them in 1778.
[Ref: 62527] £160.00 (£192.00 incl.VAT)
![[Christ's College, Cambridge.]](jpegs/19360.jpg)
[Christ's College, Cambridge.] Christ Coll. [pencil, lower left.]
Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1931 Copyright [in plate.]
Etching printed in colours, 235 x 185mm. 9¼ x 7¼".
Two gardeners mowing the lawn in foreground. Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923).
[Ref: 19360] £70.00 (£84.00 incl.VAT)
Fred Millar sc et Imp. [pencil signature.]
Fred Millar Sc. 1931 Copyright [in plate.]
Etching printed in colours, 235 x 185mm. 9¼ x 7¼".
Two gardeners mowing the lawn in foreground. Fine Art Trade Guild blindstamp lower left. Fred Millar (exh. 1915 - 1923).
[Ref: 19360] £70.00 (£84.00 incl.VAT)
Cambridge.
W.H.C. del:
[n.d., c.1818.]
Very rare pen lithograph on thick green rag paper, sheet 285 x 465mm. 11¼ x 18¼". Some faint, mostly marginal spotting; small hole to lower right margin.
Broad prospect of Cambridge and its immediate environs.
[Ref: 20277] £160.00 (£192.00 incl.VAT)
W.H.C. del:
[n.d., c.1818.]
Very rare pen lithograph on thick green rag paper, sheet 285 x 465mm. 11¼ x 18¼". Some faint, mostly marginal spotting; small hole to lower right margin.
Broad prospect of Cambridge and its immediate environs.
[Ref: 20277] £160.00 (£192.00 incl.VAT)
Eques Cantab.
[after Henry Bunbury.]
[n.d., c.1769.]
Etching with drypoint. 105 x 165mm (4¼ x 6½"). Album stains at corners. Small margins.
A Cambridge student with a macaroni queue holding out his driving whip as if it is a lance, riding a defecating horse. King's College Chapel can be seen in the distance.
BM Satire 4724.
[Ref: 54592] £90.00 (£108.00 incl.VAT)
[after Henry Bunbury.]
[n.d., c.1769.]
Etching with drypoint. 105 x 165mm (4¼ x 6½"). Album stains at corners. Small margins.
A Cambridge student with a macaroni queue holding out his driving whip as if it is a lance, riding a defecating horse. King's College Chapel can be seen in the distance.
BM Satire 4724.
[Ref: 54592] £90.00 (£108.00 incl.VAT)
The North-West Prospect of the University and Town of Cambridge.
[after Samuel and Nathaniel Buck.]
London Mag. [1775]
Engraving. Sheet 205 x 350mm (8 x 13¾"). Trimmed. Creasing as usual. Small hole bottom.
A view of Cambridge with a 31-point key and the University arms underneath, adapted from the large prospect by Samuel and Nathaniel Buck. About this time the publisher Robert Sayer bought the Buck copper plates, re-publishing them in 1778.
[Ref: 67417] £220.00 (£264.00 incl.VAT)
[after Samuel and Nathaniel Buck.]
London Mag. [1775]
Engraving. Sheet 205 x 350mm (8 x 13¾"). Trimmed. Creasing as usual. Small hole bottom.
A view of Cambridge with a 31-point key and the University arms underneath, adapted from the large prospect by Samuel and Nathaniel Buck. About this time the publisher Robert Sayer bought the Buck copper plates, re-publishing them in 1778.
[Ref: 67417] £220.00 (£264.00 incl.VAT)
Prospectus Cantabrigiae Orientalis. The Prospect of Cambridge from the East.
Dav: Loggan delin: et sculp: cum Privil S.R.M.
[Cambridge, 1690.]
Engraving, very fine impression. 165 x 460mm (6½ x 18"). Trimmed into plate at bottom.
A view of Cambridge with a 19-point key in Latin and English, from David Loggan's 'Cantabrigia illustrata'. In the foreground are the riders of a hunt and a shepherd and flock.
[Ref: 67416] £420.00
Dav: Loggan delin: et sculp: cum Privil S.R.M.
[Cambridge, 1690.]
Engraving, very fine impression. 165 x 460mm (6½ x 18"). Trimmed into plate at bottom.
A view of Cambridge with a 19-point key in Latin and English, from David Loggan's 'Cantabrigia illustrata'. In the foreground are the riders of a hunt and a shepherd and flock.
[Ref: 67416] £420.00
The New Building at Cambridge in Perspective. A. The Royal Library. B. The Consistory and Registers Office. C. The Senate House.
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Senate House in Cambridge, the other buildings in the view were never actually completed, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45353] £140.00 (£168.00 incl.VAT)
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Senate House in Cambridge, the other buildings in the view were never actually completed, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45353] £140.00 (£168.00 incl.VAT)
Prospectus Cantabrigiæ Occidentalis. A Prospect of Cambridge from the West
[Engraved by Johannes Kip.]
[London: c.1710.]
Engraving. 480 x 620mm (19 x 24¼"). Central crease as normal, repaired tear.
A fine distant view of Cambridge, with harvesters in the foreground.
[Ref: 49018] £550.00
[Engraved by Johannes Kip.]
[London: c.1710.]
Engraving. 480 x 620mm (19 x 24¼"). Central crease as normal, repaired tear.
A fine distant view of Cambridge, with harvesters in the foreground.
[Ref: 49018] £550.00
Cambridge.
Drawn by R. B. Harraden Jun.r. Etched by Letitia Byrne.
Published Jan.y 20 1809 by R. Harraden & Son, Cambridge, and by R. Cribb & Son, 288, Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view from afar of Cambridge University. In the foreground there are a flock of sheep, a man riding horseback and students walking.
[Ref: 62990] £130.00 (£156.00 incl.VAT)
Drawn by R. B. Harraden Jun.r. Etched by Letitia Byrne.
Published Jan.y 20 1809 by R. Harraden & Son, Cambridge, and by R. Cribb & Son, 288, Holborn, London.
Etching, sheet 175 x 245mm (7 x 9¾"). Trimmed to platemark.
Exterior view from afar of Cambridge University. In the foreground there are a flock of sheep, a man riding horseback and students walking.
[Ref: 62990] £130.00 (£156.00 incl.VAT)