A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Thomas Bugge. Kön: Dän: Just: Rath, Professor d. Mathematick u Astronomie an der K. Universität zu Kopenhagen, und bey der Königle. Marine. Mitglied mehrerer Akadem.d.Wissenschaften.
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 133 x 82mm (5¼ x 3¼").
Thomas Bugge (1740-1815) the Danish astronomer, mathematician and surveyor. He was appointed professor of mathematics and astronomy at the University of Copenhagen. He was very imporant in the development of economic surveying in Denmark and between 1765-77 he was given to the task to map these developments, which was part of the Royal Danish Academy's 80-year work on the mapping of Denmark in scale 1:120000. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al.
[Ref: 29732] £120.00 (£144.00 incl.VAT)
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 133 x 82mm (5¼ x 3¼").
Thomas Bugge (1740-1815) the Danish astronomer, mathematician and surveyor. He was appointed professor of mathematics and astronomy at the University of Copenhagen. He was very imporant in the development of economic surveying in Denmark and between 1765-77 he was given to the task to map these developments, which was part of the Royal Danish Academy's 80-year work on the mapping of Denmark in scale 1:120000. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al.
[Ref: 29732] £120.00 (£144.00 incl.VAT)
The Builder Macaroni. V5. 10.
Pubd as the act directs by MDarly 39 Strand Novr 1 1772.
Etching. Plate 178 x 128mm. 7 x 5".
An elderly man with cocked hat peering through a circular glass. From Volume 5 of 'Caricatures, Macaronies & Characters, published by M Darly'.
Ex Collection: Norman Blackburn. BM Satires: 4662.
[Ref: 21231] £140.00 (£168.00 incl.VAT)
Pubd as the act directs by MDarly 39 Strand Novr 1 1772.
Etching. Plate 178 x 128mm. 7 x 5".
An elderly man with cocked hat peering through a circular glass. From Volume 5 of 'Caricatures, Macaronies & Characters, published by M Darly'.
Ex Collection: Norman Blackburn. BM Satires: 4662.
[Ref: 21231] £140.00 (£168.00 incl.VAT)
![[Bukhara] The Daster Khanjee.](jpegs/56532.jpg)
[Bukhara] The Daster Khanjee.
Mirza Abdul Wahab del.t. Standidge & Co lith.
London: J.W. Parker, c.1845.]
Lithograph. Sheet 220 x 135mm (8¾ x 5¼").
A kneeling Bukharan, the keeper of the Daster Khan (Persian for a caravanserai), a plate from Rev. Joseph Wolff's ''Narrative of a mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly''. Wolff (1795-1862) was a German Jew who joined the Church of England, becoming a missionary. He went to Bukhara to find out what had happened to two British army officers, who had disappeared playing 'The Great Game' in Central Asia. He discovered they had been executed as spies and nearly met the same fate, only escaping because the Emir found Wolff's canonical robes so ridiculous. Wolff's opinion of Khanjee was low: in the précis to Chapter XIII is ''The Dastar Khanjee a Disgrace to Manhood''.
[Ref: 56532] £130.00 (£156.00 incl.VAT)
Mirza Abdul Wahab del.t. Standidge & Co lith.
London: J.W. Parker, c.1845.]
Lithograph. Sheet 220 x 135mm (8¾ x 5¼").
A kneeling Bukharan, the keeper of the Daster Khan (Persian for a caravanserai), a plate from Rev. Joseph Wolff's ''Narrative of a mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly''. Wolff (1795-1862) was a German Jew who joined the Church of England, becoming a missionary. He went to Bukhara to find out what had happened to two British army officers, who had disappeared playing 'The Great Game' in Central Asia. He discovered they had been executed as spies and nearly met the same fate, only escaping because the Emir found Wolff's canonical robes so ridiculous. Wolff's opinion of Khanjee was low: in the précis to Chapter XIII is ''The Dastar Khanjee a Disgrace to Manhood''.
[Ref: 56532] £130.00 (£156.00 incl.VAT)
![[Bukhara] Abdul Samut Khan, Nayeb of the Ameer of Bokhara.](jpegs/56533.jpg)
[Bukhara] Abdul Samut Khan, Nayeb of the Ameer of Bokhara.
G.T. Vigne del.t. Standidge & Co lith.
London: J.W. Parker, c.1845.]
Lithograph. Sheet 220 x 135mm (8¾ x 5¼").
A seated naib, a plate from Rev. Joseph Wolff's ''Narrative of a mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly''. Wolff (1795-1862) was a German Jew who joined the Church of England, becoming a missionary. He went to Bukhara to find out what had happened to two British army officers, who had disappeared playing 'The Great Game' in Central Asia. He discovered they had been executed as spies and nearly met the same fate, only escaping because the Emir found Wolff's canonical robes so ridiculous. Wolff stayed at the house of the naib, writing of his being 'extremely kind to me while I was recovering, under God's mercy, from severe fever and ague'.
[Ref: 56533] £130.00 (£156.00 incl.VAT)
G.T. Vigne del.t. Standidge & Co lith.
London: J.W. Parker, c.1845.]
Lithograph. Sheet 220 x 135mm (8¾ x 5¼").
A seated naib, a plate from Rev. Joseph Wolff's ''Narrative of a mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly''. Wolff (1795-1862) was a German Jew who joined the Church of England, becoming a missionary. He went to Bukhara to find out what had happened to two British army officers, who had disappeared playing 'The Great Game' in Central Asia. He discovered they had been executed as spies and nearly met the same fate, only escaping because the Emir found Wolff's canonical robes so ridiculous. Wolff stayed at the house of the naib, writing of his being 'extremely kind to me while I was recovering, under God's mercy, from severe fever and ague'.
[Ref: 56533] £130.00 (£156.00 incl.VAT)
Agatopoli_a Port in the Black Sea.
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. 140 x 203mm (5½ x 8").
A view of the harbour at Ahtopol in Bulgaria on the Black Sea. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
In the VAM.
[Ref: 31160] £75.00 (£90.00 incl.VAT)
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. 140 x 203mm (5½ x 8").
A view of the harbour at Ahtopol in Bulgaria on the Black Sea. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
In the VAM.
[Ref: 31160] £75.00 (£90.00 incl.VAT)
Bulgarien. Fischer Hütten bey Florentin.
Erminy del. Lith: v: F. Wolf.
[n.d. c.1825.]
Lithograph, with large margins, uncut. 410 x 559mm. 16¼ x 22". Crease in lower left corner.
Fisher huts on the banks of the Danube in the village of Florentin, Bulgaria. Boats line the shore with one in the near foreground with two men fishing with nets; on the shore a cart being loaded with barrels of fish. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25176] £180.00 (£216.00 incl.VAT)
Erminy del. Lith: v: F. Wolf.
[n.d. c.1825.]
Lithograph, with large margins, uncut. 410 x 559mm. 16¼ x 22". Crease in lower left corner.
Fisher huts on the banks of the Danube in the village of Florentin, Bulgaria. Boats line the shore with one in the near foreground with two men fishing with nets; on the shore a cart being loaded with barrels of fish. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25176] £180.00 (£216.00 incl.VAT)
Bulgarien. Dorf und Ruinen von Florentin.
Erminy del. Lith: von F. Wolf.
[n.d. c.1830.]
Lithograph, with large margins. 400 x 566mm. 15¾ x 22¼". Crease in lower left corner, uncut.
The village and ruins at Florentin, Bulgaria on the River Danube. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25177] £220.00 (£264.00 incl.VAT)
Erminy del. Lith: von F. Wolf.
[n.d. c.1830.]
Lithograph, with large margins. 400 x 566mm. 15¾ x 22¼". Crease in lower left corner, uncut.
The village and ruins at Florentin, Bulgaria on the River Danube. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25177] £220.00 (£264.00 incl.VAT)
Bulgarien. Festung Nikopoli.
Ermini del. Litho v. A v Saar.
[n.d. c.1830.]
Lithograph, with lage margins. 393 x 552mm. 15½ x 21¾". Paper chip and tears to left-hand side. Crease in lower left corner, foxed, uncut.
Nikopol Fortress, Bulgaria on the bank of the River Danube; minarets seen behind. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25173] £190.00 (£228.00 incl.VAT)
Ermini del. Litho v. A v Saar.
[n.d. c.1830.]
Lithograph, with lage margins. 393 x 552mm. 15½ x 21¾". Paper chip and tears to left-hand side. Crease in lower left corner, foxed, uncut.
Nikopol Fortress, Bulgaria on the bank of the River Danube; minarets seen behind. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25173] £190.00 (£228.00 incl.VAT)
Bulgarien. Festung Ruschtschuk. 2te. Ansicht.
Erminy del. Litho v. A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 400 x 559mm. 15¾ x 22". Crease in lower left corner, uncut.
The ruins of the fortress at Rustchuk, Bulgaria, on the River Danube. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25178] £220.00 (£264.00 incl.VAT)
Erminy del. Litho v. A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 400 x 559mm. 15¾ x 22". Crease in lower left corner, uncut.
The ruins of the fortress at Rustchuk, Bulgaria, on the River Danube. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25178] £220.00 (£264.00 incl.VAT)
Bulgarien. Festung Ruschtschuk.
Erminy del. Lith v A v Saar.
[n.d. c.1830.]
Lithograph, rare, with large margins. 400 x 571mm. 15¾ x 22½". Crease in lower left corner. Uncut.
Probably Rustchuk , Bulgaria, with the fortress keep on the edge of the Danube; minarets and mosques in the town view. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25172] £220.00 (£264.00 incl.VAT)
Erminy del. Lith v A v Saar.
[n.d. c.1830.]
Lithograph, rare, with large margins. 400 x 571mm. 15¾ x 22½". Crease in lower left corner. Uncut.
Probably Rustchuk , Bulgaria, with the fortress keep on the edge of the Danube; minarets and mosques in the town view. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25172] £220.00 (£264.00 incl.VAT)
Bulgarien. Stadt und Ruinen von Sistov. 1te Ansicht.
Ermini del. Litho v A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 395 x 557mm. 15½ x 22". Crease in lower left corner. Uncut.
The town or Sistov with minaret on the banks of the Danube, stretched around the base and on the slopes of a hill summounted by the ruins of an ancient fort. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25174] £220.00 (£264.00 incl.VAT)
Ermini del. Litho v A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 395 x 557mm. 15½ x 22". Crease in lower left corner. Uncut.
The town or Sistov with minaret on the banks of the Danube, stretched around the base and on the slopes of a hill summounted by the ruins of an ancient fort. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25174] £220.00 (£264.00 incl.VAT)
Bulgarien. Stadt und Ruinen von Sistov. 2te Ansicht.
Ermini del. Litho v A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 395 x 558mm. 15½ x 22". Crease in lower left corner. Uncut.
The town or Sistov with minaret on the banks of the Danube, stretched around the base and on the slopes of a hill summounted by the ruins of an ancient fort; merchant vessels in the bay. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25175] £220.00 (£264.00 incl.VAT)
Ermini del. Litho v A v Saar.
[n.d. c.1830.]
Lithograph, with large margins. 395 x 558mm. 15½ x 22". Crease in lower left corner. Uncut.
The town or Sistov with minaret on the banks of the Danube, stretched around the base and on the slopes of a hill summounted by the ruins of an ancient fort; merchant vessels in the bay. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25175] £220.00 (£264.00 incl.VAT)
Widdin. 6. Donau-Gegenden.
N.d. Nat gez. v Capit Begenau lith v. Schwabe. Druck von A. Waldow sen. in Berlin.
Verlag u. Frigenth v. F Sala & Co. in Berlin. [n.d. c.1850.]
Coloured lithograph. Stamped: Sala & Co. Kunst-Verlag. Berlin. 247 x 330mm. 9¾ x 13".
Merchant ships in the foreground to Vidin, the port town on the Danube in northwestern Bulgaria; towers, mosques and minarets seen across the town.
[Ref: 25170] £120.00 (£144.00 incl.VAT)
N.d. Nat gez. v Capit Begenau lith v. Schwabe. Druck von A. Waldow sen. in Berlin.
Verlag u. Frigenth v. F Sala & Co. in Berlin. [n.d. c.1850.]
Coloured lithograph. Stamped: Sala & Co. Kunst-Verlag. Berlin. 247 x 330mm. 9¾ x 13".
Merchant ships in the foreground to Vidin, the port town on the Danube in northwestern Bulgaria; towers, mosques and minarets seen across the town.
[Ref: 25170] £120.00 (£144.00 incl.VAT)
Bulgarien. Festung Widdin 2ts Ansicht.
Erminy del. Lith. von F. Wolf.
[n.d. c.1830.]
Lithograph, rare, with large margins. 400 x 552mm. 15¾ x 21¾". Crease in lower left corner. Uncut.
A view of the Fortress at Vidin, Bulgaria on the Danube with a man seated on a rock holding a staff in the foreground, and a merchant vessel passing by full sail. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25171] £220.00 (£264.00 incl.VAT)
Erminy del. Lith. von F. Wolf.
[n.d. c.1830.]
Lithograph, rare, with large margins. 400 x 552mm. 15¾ x 21¾". Crease in lower left corner. Uncut.
A view of the Fortress at Vidin, Bulgaria on the Danube with a man seated on a rock holding a staff in the foreground, and a merchant vessel passing by full sail. From "Zwey hundert vier und sechzig Donau-Ansichten".
[Ref: 25171] £220.00 (£264.00 incl.VAT)
![Antonius Bulifonius [...]](jpegs/29662.jpg)
Antonius Bulifonius [...]
A. Maglier sc.
[Naples, c.1696.]
Engraving, rare. Sheet 125 x 70mm (5 x 2¾"). Trimmed within plate.
Antonio Bulifon (1649-1707), an French printer, editor and bookseller who set up his shop in Naples. This portrait was a frontispiece to Bishop Pompeo Sarnelli's 'Guida de' Forestieri per Pozzoli' which included a French translation by Bulifon.
[Ref: 29662] £160.00 (£192.00 incl.VAT)
A. Maglier sc.
[Naples, c.1696.]
Engraving, rare. Sheet 125 x 70mm (5 x 2¾"). Trimmed within plate.
Antonio Bulifon (1649-1707), an French printer, editor and bookseller who set up his shop in Naples. This portrait was a frontispiece to Bishop Pompeo Sarnelli's 'Guida de' Forestieri per Pozzoli' which included a French translation by Bulifon.
[Ref: 29662] £160.00 (£192.00 incl.VAT)
Hans Buling, a Mountebank of great Notoriety who frequently exhibited in Covent Garden. From a Delft Plate on the back of which are the inetials B.S. 1750.
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65893] £130.00 (£156.00 incl.VAT)
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65893] £130.00 (£156.00 incl.VAT)
Hans Buling, a Mountebank of great Notoriety who frequently exhibited in Covent Garden. From a Delft Plate on the back of which are the inetials B.S. 1750.
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins. Tipped into album sheet. Foxed.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65894] £130.00 (£156.00 incl.VAT)
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins. Tipped into album sheet. Foxed.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65894] £130.00 (£156.00 incl.VAT)
Taureau Pl. 2.
V. Adam. Lith. Benard.
à Londres chez Charles Thilt. chez Aubert E.eur du J.al la caricature Galerié vero dodat [n.d., 1832].
Lithograph. Sheet 250 x 350mm (9¾ x 13¾"), large margins.
A bull, from ''Etrennes aux Paysagistes Etudes d'Animaux Destinés à meubler les tableaux et dessins de paysages''.
[Ref: 55553] £95.00 (£114.00 incl.VAT)
V. Adam. Lith. Benard.
à Londres chez Charles Thilt. chez Aubert E.eur du J.al la caricature Galerié vero dodat [n.d., 1832].
Lithograph. Sheet 250 x 350mm (9¾ x 13¾"), large margins.
A bull, from ''Etrennes aux Paysagistes Etudes d'Animaux Destinés à meubler les tableaux et dessins de paysages''.
[Ref: 55553] £95.00 (£114.00 incl.VAT)
![[A bull.]](jpegs/48187.jpg)
[A bull.]
[Published by Lemercier in Paris?, c.1850.]
Lithograph with hand colour, finished with gum arabic. Sheet 500 x 635mm (19¾ x 25". Trimmed to image, some minor spotting.
A large plate of a bull standing in a field, other cows behind.
[Ref: 48187] £320.00
[Published by Lemercier in Paris?, c.1850.]
Lithograph with hand colour, finished with gum arabic. Sheet 500 x 635mm (19¾ x 25". Trimmed to image, some minor spotting.
A large plate of a bull standing in a field, other cows behind.
[Ref: 48187] £320.00
![[Taureau _ Bull _ Toro _ Stier.]](jpegs/43471.jpg)
[Taureau _ Bull _ Toro _ Stier.]
H. Lalaisse.
[London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris.] [n.d., c.1850.]
Lithograph, proof before letters. Sheet 255 x 340mm (10 x 13½").
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43471] £70.00 (£84.00 incl.VAT)
H. Lalaisse.
[London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris.] [n.d., c.1850.]
Lithograph, proof before letters. Sheet 255 x 340mm (10 x 13½").
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43471] £70.00 (£84.00 incl.VAT)
![[Bull.]](jpegs/43475.jpg)
[Bull.]
S. N. 1825.
Lithograph on india. 245 x 330mm (9¾ x 13") large margins. Tear in backing paper taped.
Profile of a bull, standing in a field, house behind.
[Ref: 43475] £150.00
S. N. 1825.
Lithograph on india. 245 x 330mm (9¾ x 13") large margins. Tear in backing paper taped.
Profile of a bull, standing in a field, house behind.
[Ref: 43475] £150.00
Taureau _ Bull _ Toro _ Stier.
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Sheet 255 x 340mm (10 x 13½"). Trimmed.
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43470] £70.00 (£84.00 incl.VAT)
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq frères. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Sheet 255 x 340mm (10 x 13½"). Trimmed.
A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'.
[Ref: 43470] £70.00 (£84.00 incl.VAT)
The Bull and Mouth.
Woodward Del. Rowlandson scul.
by Tho.s Tegg No.11 Cheapside.
Hand-coloured etching. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed within plate.
An elderly ugly and obese 'cit', seated full face in an arm-chair, yawns cavernously, with closed eyes. He wears a nightcap. His comely and meretricious-looking young wife holds up her fingers above his head, to signify the cuckolds horns, while she slips a letter into the hand of a handsome young military officer who stands in the doorway behind her, a finger on his nose.
BM Satire 11145.
[Ref: 50748] £280.00 (£336.00 incl.VAT)
Woodward Del. Rowlandson scul.
by Tho.s Tegg No.11 Cheapside.
Hand-coloured etching. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed within plate.
An elderly ugly and obese 'cit', seated full face in an arm-chair, yawns cavernously, with closed eyes. He wears a nightcap. His comely and meretricious-looking young wife holds up her fingers above his head, to signify the cuckolds horns, while she slips a letter into the hand of a handsome young military officer who stands in the doorway behind her, a finger on his nose.
BM Satire 11145.
[Ref: 50748] £280.00 (£336.00 incl.VAT)
G. Bull Baiting. Cocking. H. Intermediate Uprights to increase or decrease the Height of New Invented Borders for Rooms &c.
R.B. Davis del.t Merke sculp.t
London. Pub.d 12 May 1810 by C. Random D.B. at his Sporting Gallery 65 Pall Mall.
Coloured aquatint. Plate 152 x 494mm. 6 x 19½". Trimmed to the plate along upper and side edges.
Images of a bull and dog in upper-half, as a representation of bull baiting; and cocks fighting in lower-half.
[Ref: 24305] £220.00 (£264.00 incl.VAT)
R.B. Davis del.t Merke sculp.t
London. Pub.d 12 May 1810 by C. Random D.B. at his Sporting Gallery 65 Pall Mall.
Coloured aquatint. Plate 152 x 494mm. 6 x 19½". Trimmed to the plate along upper and side edges.
Images of a bull and dog in upper-half, as a representation of bull baiting; and cocks fighting in lower-half.
[Ref: 24305] £220.00 (£264.00 incl.VAT)
The Bull Dog.
Howitt del.
[n.d., c.1800.]
Etching with aquatint, rare. Plate: 140 x 210mm (5½ x 8¼"). Trimmed to plate.
A portrait of a Bull Dog, chained to a kennel approaching a passing dog.
[Ref: 46072] £80.00 (£96.00 incl.VAT)
Howitt del.
[n.d., c.1800.]
Etching with aquatint, rare. Plate: 140 x 210mm (5½ x 8¼"). Trimmed to plate.
A portrait of a Bull Dog, chained to a kennel approaching a passing dog.
[Ref: 46072] £80.00 (£96.00 incl.VAT)
John Bull playing a Rubber. The Chronologist. No. 4.
London Sold by J.L. Marks [n.d., 1832.]
Rare etching. Sheet 155 x 195mm (6 x 7¾"). Trimmed within plate, laid on thick paper.
John Bull playing skittles, using a 'Reform Ball' to knock over the pins with the faces of Tory politicians. William IV watches in anxious dismay, saying 'I'll bet a Crown Jonney you don't knock 'em down in two throws'. Already down are Wellington, Cumberland, Londonderry, Peel and others; still standing are Wetherell and Eldon.
BM Satires 17079.
[Ref: 51735] £120.00 (£144.00 incl.VAT)
London Sold by J.L. Marks [n.d., 1832.]
Rare etching. Sheet 155 x 195mm (6 x 7¾"). Trimmed within plate, laid on thick paper.
John Bull playing skittles, using a 'Reform Ball' to knock over the pins with the faces of Tory politicians. William IV watches in anxious dismay, saying 'I'll bet a Crown Jonney you don't knock 'em down in two throws'. Already down are Wellington, Cumberland, Londonderry, Peel and others; still standing are Wetherell and Eldon.
BM Satires 17079.
[Ref: 51735] £120.00 (£144.00 incl.VAT)
The Bull in Jeopardy; or, The Curs triumphant.
A Sharpshooter fec.
Pub. Oct. 19 1829 by S. Gans 15 Southampton Street Strand.
Hand-coloured etching. 240 x 362mm (9½ x 14¼") Cut. Remains of album sheet verso.
A large bull, with the head of John Bull, is held down with difficulty by Wellington, Peel, and O'Connell who strain at a thick rope inscribed 'Catholic Bill', which encircles the bull's horns and head and is drawn through a staple so that its head is almost on the ground. The furious animal tries to get at four dogs with human heads who menace a turkey with the turbaned head of the Sultan. The largest cur, with [N]'icolas' on its collar, savages the bird which is on its back. The others are 'Miguel'; a puny dog clipped in the French manner, evidently Charles X, and one in a cocked hat who is probably Francis I. All watch the bull apprehensively. Wellington and Peel, the latter in a battered top-hat, wear long gaiters and short jackets, O'Connell wears a barrister's wig and an apron over breeches; he grasps the end of the rope and looks over his shoulder at the bull with fierce satisfaction.
BM Satires 15888.
[Ref: 52314] £230.00 (£276.00 incl.VAT)
A Sharpshooter fec.
Pub. Oct. 19 1829 by S. Gans 15 Southampton Street Strand.
Hand-coloured etching. 240 x 362mm (9½ x 14¼") Cut. Remains of album sheet verso.
A large bull, with the head of John Bull, is held down with difficulty by Wellington, Peel, and O'Connell who strain at a thick rope inscribed 'Catholic Bill', which encircles the bull's horns and head and is drawn through a staple so that its head is almost on the ground. The furious animal tries to get at four dogs with human heads who menace a turkey with the turbaned head of the Sultan. The largest cur, with [N]'icolas' on its collar, savages the bird which is on its back. The others are 'Miguel'; a puny dog clipped in the French manner, evidently Charles X, and one in a cocked hat who is probably Francis I. All watch the bull apprehensively. Wellington and Peel, the latter in a battered top-hat, wear long gaiters and short jackets, O'Connell wears a barrister's wig and an apron over breeches; he grasps the end of the rope and looks over his shoulder at the bull with fierce satisfaction.
BM Satires 15888.
[Ref: 52314] £230.00 (£276.00 incl.VAT)
![[Bull Terriers.]](jpegs/59717.jpg)
[Bull Terriers.]
Henry Wilkinson.
Coloured etching signed by the artist. 250 x 300mm (9¾ x 11¾"), with very large margins. Limited edition: 76/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59717] £220.00 (£264.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist. 250 x 300mm (9¾ x 11¾"), with very large margins. Limited edition: 76/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59717] £220.00 (£264.00 incl.VAT)
Crab.
Alken del.t. I.Clark sculp.t.
[London: Thomas McLean, c.1820.]
Coloured aquatint. 195 x 250mm (11½ x 13¾"), watermarked 'J Whatman 1822', with wide margins.
Portrait of a bull terrier.
[Ref: 61523] £180.00 (£216.00 incl.VAT)
Alken del.t. I.Clark sculp.t.
[London: Thomas McLean, c.1820.]
Coloured aquatint. 195 x 250mm (11½ x 13¾"), watermarked 'J Whatman 1822', with wide margins.
Portrait of a bull terrier.
[Ref: 61523] £180.00 (£216.00 incl.VAT)
![[Studies of Staffordshire Bull Terriers.]](jpegs/9079.jpg)
[Studies of Staffordshire Bull Terriers.]
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London's many police courts.
[Ref: 9079] £230.00 (£276.00 incl.VAT)
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London's many police courts.
[Ref: 9079] £230.00 (£276.00 incl.VAT)
The State Waggoner, and John Bull. Or_ The Waggon too much for the Donkeys.
J.s Gillray det & fec.
Published March 14th 1804 by H.Humphrey, 27 St James's Street, London.
Coloured etching 350 x 250mm (13¾ x 9¾ "). Frame measures 475 x 380mm (18¾ x 15"). Slightly time stained. Bottom right hand corner missing. Unexamined out of frame.
A satirical scene depicting the British government as a broken-down wagon labeled “British State Waggon 1804” stuck in a muddy ditch and pulled ineffectively by eight asses. Prime Minister Henry Addington is shown helplessly pleading for help from John Bull, the embodiment of the British public, who stands confidently armed as a volunteer. John Bull mocks Addington for relying on poor cattle and points to a group of powerful but idle political horses with human heads, representing prominent political figures like Fox, Pitt, Sheridan, Grenville, and others. These figures are portrayed as either affectionately distracted, asleep, or feuding. Meanwhile, the overloaded wagon carries a corrupt and mismanaged state burden: taxes, pensions, sinecures, secret funds, and a leaky treasury.
BM Satire 10232.
[Ref: 66032] £250.00 (£300.00 incl.VAT)
J.s Gillray det & fec.
Published March 14th 1804 by H.Humphrey, 27 St James's Street, London.
Coloured etching 350 x 250mm (13¾ x 9¾ "). Frame measures 475 x 380mm (18¾ x 15"). Slightly time stained. Bottom right hand corner missing. Unexamined out of frame.
A satirical scene depicting the British government as a broken-down wagon labeled “British State Waggon 1804” stuck in a muddy ditch and pulled ineffectively by eight asses. Prime Minister Henry Addington is shown helplessly pleading for help from John Bull, the embodiment of the British public, who stands confidently armed as a volunteer. John Bull mocks Addington for relying on poor cattle and points to a group of powerful but idle political horses with human heads, representing prominent political figures like Fox, Pitt, Sheridan, Grenville, and others. These figures are portrayed as either affectionately distracted, asleep, or feuding. Meanwhile, the overloaded wagon carries a corrupt and mismanaged state burden: taxes, pensions, sinecures, secret funds, and a leaky treasury.
BM Satire 10232.
[Ref: 66032] £250.00 (£300.00 incl.VAT)
John Bull Mus. Dcot. Cantab. Instaur. Oxon. MDXCII. from an Original Paintng in the Music School Oxford. by J.W. Childe.
Illman sculp.
[n.d., c.1820.]
Stipple. Sheet 220 x 135mm (8¾ x 5¼"). Trimmed within plate, surface soiling.
John Bull (c. 1563-1628), composer, organist, virginalist and organ builder, drawn by Childe after a portrait painted by an unknown artist in 1589, when Bull was aged 27. A favourite of Elizabeth, Bull was appointed Gresham Professors of Music, but had to flee England when incurring the displeasure of James I, settling in Antwerp. The original portrait is now in the Faculty of Music and Bate Collection of Musical Instruments, University of Oxford.
[Ref: 59857] £130.00 (£156.00 incl.VAT)
Illman sculp.
[n.d., c.1820.]
Stipple. Sheet 220 x 135mm (8¾ x 5¼"). Trimmed within plate, surface soiling.
John Bull (c. 1563-1628), composer, organist, virginalist and organ builder, drawn by Childe after a portrait painted by an unknown artist in 1589, when Bull was aged 27. A favourite of Elizabeth, Bull was appointed Gresham Professors of Music, but had to flee England when incurring the displeasure of James I, settling in Antwerp. The original portrait is now in the Faculty of Music and Bate Collection of Musical Instruments, University of Oxford.
[Ref: 59857] £130.00 (£156.00 incl.VAT)
![[Bulldog & Pigeon.]](jpegs/59713.jpg)
[Bulldog & Pigeon.]
Henry Wilkinson.
Coloured etching signed by the artist. 240 x 300mm (9½ x 11¾"), with very large margins. Limited edition: 15/150. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59713] £180.00 (£216.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist. 240 x 300mm (9½ x 11¾"), with very large margins. Limited edition: 15/150. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59713] £180.00 (£216.00 incl.VAT)
![[Bulldogs.]](jpegs/59712.jpg)
[Bulldogs.]
Henry Wilkinson.
Coloured etching signed by the artist. 250 x 350mm (9¾ x 13¾"), with very large margins. Limited edition: 125/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59712] £180.00 (£216.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist. 250 x 350mm (9¾ x 13¾"), with very large margins. Limited edition: 125/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59712] £180.00 (£216.00 incl.VAT)
England's Pride. "Champion Pressgang". K.G.S.B. 1226 E.
Arthur Wardle 1902 [in image lower left.]
Published by F. Mansell at 1 Orleston Road, Holloway, London N. 7th. February 1903. Copyright registered.
Photogravure on india. Plate 470 x 552mm. 18½ x 21¾".
The first of four from a series on prominent Bulldogs from the last century. Inscribed lower left in pencil: To Captn. G.A. Armytage with the Publisher's regards F. Mansell. 14/05/03". Arthur Wardle (1860-1949), one of the widely known dog painters of the 19th and 20th centuries.
See Ref: 21079 for framed and coloured, dated 1924.
[Ref: 26630] £450.00
Arthur Wardle 1902 [in image lower left.]
Published by F. Mansell at 1 Orleston Road, Holloway, London N. 7th. February 1903. Copyright registered.
Photogravure on india. Plate 470 x 552mm. 18½ x 21¾".
The first of four from a series on prominent Bulldogs from the last century. Inscribed lower left in pencil: To Captn. G.A. Armytage with the Publisher's regards F. Mansell. 14/05/03". Arthur Wardle (1860-1949), one of the widely known dog painters of the 19th and 20th centuries.
See Ref: 21079 for framed and coloured, dated 1924.
[Ref: 26630] £450.00
![[Bulldog]](jpegs/5772.jpg)
[Bulldog]
Stuart. [Signed in Pencil]
[n.d. c. 1930] - no.6/12 in left corner
Etching. 175 x 225mm
[Ref: 5772] £260.00 (£312.00 incl.VAT)
Stuart. [Signed in Pencil]
[n.d. c. 1930] - no.6/12 in left corner
Etching. 175 x 225mm
[Ref: 5772] £260.00 (£312.00 incl.VAT)
![[Dreadnought]](jpegs/2235.jpg)
[Dreadnought]
Maud Earl
1909. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street, London.
Photogravure, limited edition signed by the artist. 260 x 360mm. Remarque. Artists Proof.
Bulldog. The Fine Art Trade Journal (October, 1909): A Famous BULLDOG, Nuthurst Lad, sat as Model to Miss EARL'S Latest Picture. Winner of 70 Prizes. His Sire was Nuthurst Doctor, who won 26 Championships.
[Ref: 2235] £480.00
Maud Earl
1909. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street, London.
Photogravure, limited edition signed by the artist. 260 x 360mm. Remarque. Artists Proof.
Bulldog. The Fine Art Trade Journal (October, 1909): A Famous BULLDOG, Nuthurst Lad, sat as Model to Miss EARL'S Latest Picture. Winner of 70 Prizes. His Sire was Nuthurst Doctor, who won 26 Championships.
[Ref: 2235] £480.00
![[Bulldog] British Pluck.](jpegs/47808.jpg)
[Bulldog] British Pluck.
Tom Revelery, Wantage, Photo. Walter L. Colls sc.
Published by Walter L. Colls, 137 Castelnau, Barnes, Copyright registered.
Photogravure. 225 x 640mm (9 x 25¼"), with very large margins. Laid on board.
A very scarce photogravure showing five bulldog heads, taken from photographs. Walter Lebbeus Colls (1860-1942), an amateur photographer himself (a vice-president of the West London Photographic Society 1889), specialised in reproducing photographs, based at a small local press near Hammersmith Bridge.
[Ref: 47808] £480.00
Tom Revelery, Wantage, Photo. Walter L. Colls sc.
Published by Walter L. Colls, 137 Castelnau, Barnes, Copyright registered.
Photogravure. 225 x 640mm (9 x 25¼"), with very large margins. Laid on board.
A very scarce photogravure showing five bulldog heads, taken from photographs. Walter Lebbeus Colls (1860-1942), an amateur photographer himself (a vice-president of the West London Photographic Society 1889), specialised in reproducing photographs, based at a small local press near Hammersmith Bridge.
[Ref: 47808] £480.00
![[Bulldog between Two Cats.]](jpegs/25756.jpg)
[Bulldog between Two Cats.]
Lilian Cheviot [pencil signature].
Copyrighted 1889, and Published by H.L. Riemshcneider, 36, Great Portland Street, London W.
Photogravure, signed in pencil. Plate 380 x 470mm. 15 x 18½".
A bulldog grumpily sat between two smiling cats. Lilian Cheviot (c. 1876 - 1936) was an English painter who flourished from 1894 to 1924.
[Ref: 25756] £240.00 (£288.00 incl.VAT)
Lilian Cheviot [pencil signature].
Copyrighted 1889, and Published by H.L. Riemshcneider, 36, Great Portland Street, London W.
Photogravure, signed in pencil. Plate 380 x 470mm. 15 x 18½".
A bulldog grumpily sat between two smiling cats. Lilian Cheviot (c. 1876 - 1936) was an English painter who flourished from 1894 to 1924.
[Ref: 25756] £240.00 (£288.00 incl.VAT)
![[Bulldog Head.]](jpegs/146.jpg)
[Bulldog Head.] Pl.4.
[n.d. c.1800.]
Soft ground etching. 240 x 350mm.
With a heavy collar.
[Ref: 146] £220.00 (£264.00 incl.VAT)
[n.d. c.1800.]
Soft ground etching. 240 x 350mm.
With a heavy collar.
[Ref: 146] £220.00 (£264.00 incl.VAT)
Lucy, A Celebrated Bull Bitch by Blockey, out of old Patch. Bred by Mr. Howard. Now the Property of Mr. Bond.
Painted by Smith. Engraved by Pyall.
Published Novr. 1834, by S. Knight, Sweetings Alley, Cornhill.
Aquatint, 320 x 355mm. 12½ x 14". Slight foxing; closed tear to upper margin.
Not in Siltzer.
[Ref: 25790] £250.00 (£300.00 incl.VAT)
Painted by Smith. Engraved by Pyall.
Published Novr. 1834, by S. Knight, Sweetings Alley, Cornhill.
Aquatint, 320 x 355mm. 12½ x 14". Slight foxing; closed tear to upper margin.
Not in Siltzer.
[Ref: 25790] £250.00 (£300.00 incl.VAT)
The Three Graces.
Painted by L.Darcy. Etched by W.A.Cox.
Published by Richard Powell, 6 Grove Ltd, Brixton, London, S.W.
Etching, 230 x 450mm.
Three bulldogs, with a remarque of a bulldog tearing at a trouser leg.
[Ref: 1564] £320.00
Painted by L.Darcy. Etched by W.A.Cox.
Published by Richard Powell, 6 Grove Ltd, Brixton, London, S.W.
Etching, 230 x 450mm.
Three bulldogs, with a remarque of a bulldog tearing at a trouser leg.
[Ref: 1564] £320.00
![[Bulldogs] To Henry Boynton Esq, This Plate of Wasp, Child & Billy,](jpegs/64880.jpg)
[Bulldogs] To Henry Boynton Esq, This Plate of Wasp, Child & Billy, is respectfully dedicated (with Permission) by His most obedient humble Servants, Random & Sneath.
Painted by H.B. Chalon, Animal Painter to their R.H.s the Prince of Wales & the Duke & Duchess of York. Engraved by W. Ward Engraver (Extraordinary to his H.R.H. the Prince of Wales) & Duke of York
London Pub.d 15 May 1809 by Random & Sneath, Sporting Gallery, 5 Hart Str.t Bloomsbury Square.
Mezzotint with very fine printed colour. 505 x 605mm (19¾ x 23¾"). Trimmed to plate top and bottom.
A boy leans over a fence into a pen holding three bulldogs, holding out his hat.
Ex: Collection of The Hon. Christopher Lennox-Boyd, state with lettering strengthened. Frankau 314. Sitltzer p.93
[Ref: 64880] £680.00
Painted by H.B. Chalon, Animal Painter to their R.H.s the Prince of Wales & the Duke & Duchess of York. Engraved by W. Ward Engraver (Extraordinary to his H.R.H. the Prince of Wales) & Duke of York
London Pub.d 15 May 1809 by Random & Sneath, Sporting Gallery, 5 Hart Str.t Bloomsbury Square.
Mezzotint with very fine printed colour. 505 x 605mm (19¾ x 23¾"). Trimmed to plate top and bottom.
A boy leans over a fence into a pen holding three bulldogs, holding out his hat.
Ex: Collection of The Hon. Christopher Lennox-Boyd, state with lettering strengthened. Frankau 314. Sitltzer p.93
[Ref: 64880] £680.00
![[James Buller] Clerk of His Majesty's Most Honourable Privy Council, in Ordinary.](jpegs/60450.jpg)
[James Buller] Clerk of His Majesty's Most Honourable Privy Council, in Ordinary. 19th. July 1821.
P. Stephanoff, del.t. Eng.d by S. Reynolds & E. Scriven, Eng.r to the King.
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Stipple and aquatint, printed in colours and hand finished. 455 x 355mm (18 x 14"), with very large margins.
A full length portrait of James Buller (1772-1830), dressed for the coronation of George IV. He was MP for West Looe at the 1802 & 1806 general elections, before leaving Parliament and serving as the Clerk in Ordinary to the Privy Council from January 1812 until his death in 1830. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI". Nayler only published two of the five proposed parts (1823 & 1827); it was completed by George Henry Bohn and issued in 1837.
[Ref: 60450] £240.00 (£288.00 incl.VAT)
P. Stephanoff, del.t. Eng.d by S. Reynolds & E. Scriven, Eng.r to the King.
London, Published as the Act directs Jan.y 1824 by Sir George Nayler, Garter.
Stipple and aquatint, printed in colours and hand finished. 455 x 355mm (18 x 14"), with very large margins.
A full length portrait of James Buller (1772-1830), dressed for the coronation of George IV. He was MP for West Looe at the 1802 & 1806 general elections, before leaving Parliament and serving as the Clerk in Ordinary to the Privy Council from January 1812 until his death in 1830. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI". Nayler only published two of the five proposed parts (1823 & 1827); it was completed by George Henry Bohn and issued in 1837.
[Ref: 60450] £240.00 (£288.00 incl.VAT)
![[Bullfight.]](jpegs/16451.jpg)
[Bullfight.]
[n.d. c.1860.]
Lithograph, very scarce. 330 x 622mm. 13 x 24½". Crease, vertical fold down centre. Small tear in bottom edge.
A bullring in Spain. A bull charges towards a picador, who on his horse aims his lance directly at the neck of the bull. A banderillero standing next to the bull plunges a small flag into his neck; another banderillero is running around the rear of the horse. Over to the far left stands the matador with his drape over his arm.
[Ref: 16451] £280.00 (£336.00 incl.VAT)
[n.d. c.1860.]
Lithograph, very scarce. 330 x 622mm. 13 x 24½". Crease, vertical fold down centre. Small tear in bottom edge.
A bullring in Spain. A bull charges towards a picador, who on his horse aims his lance directly at the neck of the bull. A banderillero standing next to the bull plunges a small flag into his neck; another banderillero is running around the rear of the horse. Over to the far left stands the matador with his drape over his arm.
[Ref: 16451] £280.00 (£336.00 incl.VAT)
![[Set of 18 Bullfighting Scenes.] España corrida de toros...](jpegs/42623.jpg)
[Set of 18 Bullfighting Scenes.] España corrida de toros...
[Jose Vallejo.]
[n.d., c.1860.]
Set of 18 tinted lithographs. Sheet: 200 x 145mm (8 x 5¾"). Glue stains in corners.
A complete set of 18 bullfighting scenes showing the events in the ring from the herding of the bulls to the ring to the removal of the bull from the ring.
[Ref: 42623] £700.00 view all images for this item
[Jose Vallejo.]
[n.d., c.1860.]
Set of 18 tinted lithographs. Sheet: 200 x 145mm (8 x 5¾"). Glue stains in corners.
A complete set of 18 bullfighting scenes showing the events in the ring from the herding of the bulls to the ring to the removal of the bull from the ring.
[Ref: 42623] £700.00 view all images for this item
Bullingdon on a Summer's Afternoon.
Published by J. Ryman, High St. Oxford. [n.d. c.1840.]
Coloured lithograph. 341 x 458mm (13 x 18"). Tear into upper margin and in title; damaged.
A sporting scene featuring a cricket match and horse race. The Bullingdon Club was founded over 200 years ago, and by 1875 it was considered "an old Oxford institution, with many good traditions". Originally it was a hunting and cricket club. In 1805 cricket at Oxford University "was confined to the old Bullingdon Club, which was expensive and exclusive". This foundational sporting purpose is attested to in the Club's crest. Printed locally by James Ryman (1840 - 1856; fl.), print publisher.
See Ref: 8527 for heightened with white and added colour version.
[Ref: 31241] £140.00 (£168.00 incl.VAT)
Published by J. Ryman, High St. Oxford. [n.d. c.1840.]
Coloured lithograph. 341 x 458mm (13 x 18"). Tear into upper margin and in title; damaged.
A sporting scene featuring a cricket match and horse race. The Bullingdon Club was founded over 200 years ago, and by 1875 it was considered "an old Oxford institution, with many good traditions". Originally it was a hunting and cricket club. In 1805 cricket at Oxford University "was confined to the old Bullingdon Club, which was expensive and exclusive". This foundational sporting purpose is attested to in the Club's crest. Printed locally by James Ryman (1840 - 1856; fl.), print publisher.
See Ref: 8527 for heightened with white and added colour version.
[Ref: 31241] £140.00 (£168.00 incl.VAT)
![Bullock's Museum, Piccadilly. Plate 9. Vol. XIV. [&] Bullock's Museum, 22, Piccadilly.](jpegs/52426.jpg)
Bullock's Museum, Piccadilly. Plate 9. Vol. XIV. [&] Bullock's Museum, 22, Piccadilly.
No.80 of R. Ackermann's Repository of Arts &c. Pub. Aug.t. 1. 1815 at 101 Strand, London. [n.d. c.1816.]
A pair: hand-coloured etching and aquatint on J. Whatman watermarked paper. 140 x 235mm (5½ x 9¼") [&] coloured engraving. 171 x 260mm (6¾ x 10¼").
View from the street of Bullock's Museum in Piccadilly; two figures enter the museum, others on the street, a horse-drawn carriage waits outside; and an interior view of exhibits. William Bullock was a showman, collector and naturalist. In 1809 he moved his growing collection from Liverpool to London. He began at 22 Piccadilly, then moved down the street to a larger building styled as an Egyptian temple. The ‘Egyptian Hall' contained around 32,000 objects of natural history, ethnography and archaeology. Bullock wanted to appeal to both the ‘scientific naturalist' and the general visitor. He arranged his specimens according to Linnaean classification and included information on animals' habitats, feeding and behaviours.
[Ref: 52426] £130.00 (£156.00 incl.VAT)
No.80 of R. Ackermann's Repository of Arts &c. Pub. Aug.t. 1. 1815 at 101 Strand, London. [n.d. c.1816.]
A pair: hand-coloured etching and aquatint on J. Whatman watermarked paper. 140 x 235mm (5½ x 9¼") [&] coloured engraving. 171 x 260mm (6¾ x 10¼").
View from the street of Bullock's Museum in Piccadilly; two figures enter the museum, others on the street, a horse-drawn carriage waits outside; and an interior view of exhibits. William Bullock was a showman, collector and naturalist. In 1809 he moved his growing collection from Liverpool to London. He began at 22 Piccadilly, then moved down the street to a larger building styled as an Egyptian temple. The ‘Egyptian Hall' contained around 32,000 objects of natural history, ethnography and archaeology. Bullock wanted to appeal to both the ‘scientific naturalist' and the general visitor. He arranged his specimens according to Linnaean classification and included information on animals' habitats, feeding and behaviours.
[Ref: 52426] £130.00 (£156.00 incl.VAT)
Bullock's Museum. 22, Piccadilly.
No.18, of R. Ackermann's Repository of Arts &c. Pub. June 1 1810 at 101 Strand; London.
Hand coloured engraving. 150 x 245mm (6 x 9¾"). Offset from text.
The interior of Bullock's Museum, also known as the London Museum and the Egyptian Hall (or Museum), centred on a display of stuffed animals including an elephant, zebra and polar bear. William Bullock (c.1773-1849), a traveller, naturalist, and antiquarian, established the museum in 1812. Built at a cost of £16,000, it contained 15,000 items, collected according to the guidebook 'during seventeen years of arduous research at a cost of £30,000'. Admission was l shilling or 1 guinea for an annual ticket. Over the years special exhibits included Napoleon's carriage, 'the superb Feather, Cloak, and and Helmet, presented by the king of Owyhee to, and worn [by] our Unfortunate Circumnavigator [Captain James Cook] a few days before he fell', Giovanni Battista Belzoni's finds in Egypt, and and James Ward's gigantic painting 'Allegory of Waterloo'. Thomas Shotter Boys' view of Piccadilly for 'London As It Is' shows the exterior of the Egyptian Hall during the exhibition of George Catlin's 'North American Indian Portfolio'.
[Ref: 61419] £95.00 (£114.00 incl.VAT)
No.18, of R. Ackermann's Repository of Arts &c. Pub. June 1 1810 at 101 Strand; London.
Hand coloured engraving. 150 x 245mm (6 x 9¾"). Offset from text.
The interior of Bullock's Museum, also known as the London Museum and the Egyptian Hall (or Museum), centred on a display of stuffed animals including an elephant, zebra and polar bear. William Bullock (c.1773-1849), a traveller, naturalist, and antiquarian, established the museum in 1812. Built at a cost of £16,000, it contained 15,000 items, collected according to the guidebook 'during seventeen years of arduous research at a cost of £30,000'. Admission was l shilling or 1 guinea for an annual ticket. Over the years special exhibits included Napoleon's carriage, 'the superb Feather, Cloak, and and Helmet, presented by the king of Owyhee to, and worn [by] our Unfortunate Circumnavigator [Captain James Cook] a few days before he fell', Giovanni Battista Belzoni's finds in Egypt, and and James Ward's gigantic painting 'Allegory of Waterloo'. Thomas Shotter Boys' view of Piccadilly for 'London As It Is' shows the exterior of the Egyptian Hall during the exhibition of George Catlin's 'North American Indian Portfolio'.
[Ref: 61419] £95.00 (£114.00 incl.VAT)
The Valley of Porto-Cruz, from the Portella Madeira
Drawn from Nature by J.B. On Stone by W. Gauci
Printed by Engelmann Graf Coindet & Co. [1827]
Lithograph, printed area 255 x 305mm (10 x 12") large margins. Scuff marks.
Porto da Cruz, in the north-east of Madeira, viewed from the lookout of Portela and showing the Penha da Águia. Plate from 'Views in the Madeiras executed on Stone' (1827) by the Rev James Bulwer (1794-1879), amateur watercolourist and antiquary.
Not in Abbey
[Ref: 43168] £140.00 (£168.00 incl.VAT)
Drawn from Nature by J.B. On Stone by W. Gauci
Printed by Engelmann Graf Coindet & Co. [1827]
Lithograph, printed area 255 x 305mm (10 x 12") large margins. Scuff marks.
Porto da Cruz, in the north-east of Madeira, viewed from the lookout of Portela and showing the Penha da Águia. Plate from 'Views in the Madeiras executed on Stone' (1827) by the Rev James Bulwer (1794-1879), amateur watercolourist and antiquary.
Not in Abbey
[Ref: 43168] £140.00 (£168.00 incl.VAT)