A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Georgius Buchananus. Aetat: LXXVI.
R: Blokhuysen Fecit.
[n.d., c.1710.]
Rare. Engraved frontispiece/dedication, sheet 210 x 165mm. 8¼ x 6½". Trimmed to plate.
Bust in an alcove of George Buchanan (1506 - 1582), Scottish historian, scholar and poet; 16 lines of tribute in Latin by the author Pieter Shrijver to pedestal below, profiles of Mary Queen of Scots and James VI right and left. Educated at the Universities of St Andrews and Paris, Buchanan taught in Paris until his return to Scotland in 1536. Condemned as a heretic, he was imprisoned in the castle of St Andrews before escaping into exile in France in 1539. He held professorships at Bordeaux and Paris, and later at Coimbra, Portugal, where he was put on trial for heresy in 1550-01. He returned to Scotland in 1561 and tutored Mary, Queen of Scots. Initially loyal to the Queen, he later testified against her at her trial for the assassination of her husband, Lord Darnley. He became principal of St Leonard's College in St Andrews in 1566. His most substantial work, Rerum Scoticarum Historia (lower left of bust), a history of Scotland, was published in Latin in 1582.
[Ref: 13155] £140.00 (£168.00 incl.VAT)
R: Blokhuysen Fecit.
[n.d., c.1710.]
Rare. Engraved frontispiece/dedication, sheet 210 x 165mm. 8¼ x 6½". Trimmed to plate.
Bust in an alcove of George Buchanan (1506 - 1582), Scottish historian, scholar and poet; 16 lines of tribute in Latin by the author Pieter Shrijver to pedestal below, profiles of Mary Queen of Scots and James VI right and left. Educated at the Universities of St Andrews and Paris, Buchanan taught in Paris until his return to Scotland in 1536. Condemned as a heretic, he was imprisoned in the castle of St Andrews before escaping into exile in France in 1539. He held professorships at Bordeaux and Paris, and later at Coimbra, Portugal, where he was put on trial for heresy in 1550-01. He returned to Scotland in 1561 and tutored Mary, Queen of Scots. Initially loyal to the Queen, he later testified against her at her trial for the assassination of her husband, Lord Darnley. He became principal of St Leonard's College in St Andrews in 1566. His most substantial work, Rerum Scoticarum Historia (lower left of bust), a history of Scotland, was published in Latin in 1582.
[Ref: 13155] £140.00 (£168.00 incl.VAT)
Georgius Buchananus: Aeta: suae 76.
Esme de Boulonois fecit.
[n.d. c.1682.]
Engraving. 188 x 140mm. 7½ x 5½".
Published in Isaac Bullart's 'Académie des Sciences et des Arts'. George Buchanan (1506-1582) was a Scottish historian and humanist scholar. He was part of the monarchomach movement, which consisted of Huguenot theorists who opposed absolute monarchy. Monarchomachs were people who opposed absolutism, believing that sovereignty belonged to the people, but the irony here was that "the people" for monarchomachs in fact only meant to refer to the bourgeoisie and nobility, never the popular masses. Buchanan was a key figure in developing the monarchomach theories in Scotland. Similar to Erasmus, Buchanan had the same ideas about the Catholic church, and was persecuted like all Lutherans in 1539, however he managed to effect his escape, and fled to London and then onto Paris. It was here where faced with further persecution, he accepted an invitation by Andre de Gouveia to take on the post of professor of Latin at the College of Guienne at Bordeaux.
[Ref: 17104] £50.00 (£60.00 incl.VAT)
Esme de Boulonois fecit.
[n.d. c.1682.]
Engraving. 188 x 140mm. 7½ x 5½".
Published in Isaac Bullart's 'Académie des Sciences et des Arts'. George Buchanan (1506-1582) was a Scottish historian and humanist scholar. He was part of the monarchomach movement, which consisted of Huguenot theorists who opposed absolute monarchy. Monarchomachs were people who opposed absolutism, believing that sovereignty belonged to the people, but the irony here was that "the people" for monarchomachs in fact only meant to refer to the bourgeoisie and nobility, never the popular masses. Buchanan was a key figure in developing the monarchomach theories in Scotland. Similar to Erasmus, Buchanan had the same ideas about the Catholic church, and was persecuted like all Lutherans in 1539, however he managed to effect his escape, and fled to London and then onto Paris. It was here where faced with further persecution, he accepted an invitation by Andre de Gouveia to take on the post of professor of Latin at the College of Guienne at Bordeaux.
[Ref: 17104] £50.00 (£60.00 incl.VAT)
Georgius Buchanus.
R. Blokhÿsen Fecit.
[n.d., c.1750.]
Engraving, rare. Collectors mark of George Usslaub. Plate: 215 x 165mm (8½ x 6½''). Trimmed.
A portrait bust of Scottish historian and humanist scholar George Buchanan (1506-1582).
[Ref: 48686] £180.00 (£216.00 incl.VAT)
R. Blokhÿsen Fecit.
[n.d., c.1750.]
Engraving, rare. Collectors mark of George Usslaub. Plate: 215 x 165mm (8½ x 6½''). Trimmed.
A portrait bust of Scottish historian and humanist scholar George Buchanan (1506-1582).
[Ref: 48686] £180.00 (£216.00 incl.VAT)
Georgius Buchananus Aeta Suae 76. Scotia fi Vatern hunc gelidam produxit ad arcton, Credo equidem gelidj percaluere polj.
I CH f.
[n.d. c.1669.]
Engraving. 120 x 89mm. 4¾ x 3½".
George Buchanan (1506-1582) was a Scottish historian and humanist scholar. He was part of the monarchomach movement, which consisted of Huguenot theorists who opposed absolute monarchy. Monarchomachs were people who opposed absolutism, believing that sovereignty belonged to the people, but the irony here was that "the people" for monarchomachs in fact only meant to refer to the bourgeoisie and nobility, never the popular masses. Buchanan was a key figure in developing the monarchomach theories in Scotland. Similar to Erasmus, Buchanan had the same ideas about the Catholic church, and was persecuted like all Lutherans in 1539, however he managed to effect his escape, and fled to London and then onto Paris. It was here where faced with further persecution, he accepted an invitation by Andre de Gouveia to take on the post of professor of Latin at the College of Guienne at Bordeaux. Portrait from: 'Bibliotheca Chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines' by Jean Jacques Boissard. The work with 100 portraits was first published under the title 'Icones virorum illustrium' in 1597-98.
[Ref: 24622] £120.00 (£144.00 incl.VAT)
I CH f.
[n.d. c.1669.]
Engraving. 120 x 89mm. 4¾ x 3½".
George Buchanan (1506-1582) was a Scottish historian and humanist scholar. He was part of the monarchomach movement, which consisted of Huguenot theorists who opposed absolute monarchy. Monarchomachs were people who opposed absolutism, believing that sovereignty belonged to the people, but the irony here was that "the people" for monarchomachs in fact only meant to refer to the bourgeoisie and nobility, never the popular masses. Buchanan was a key figure in developing the monarchomach theories in Scotland. Similar to Erasmus, Buchanan had the same ideas about the Catholic church, and was persecuted like all Lutherans in 1539, however he managed to effect his escape, and fled to London and then onto Paris. It was here where faced with further persecution, he accepted an invitation by Andre de Gouveia to take on the post of professor of Latin at the College of Guienne at Bordeaux. Portrait from: 'Bibliotheca Chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines' by Jean Jacques Boissard. The work with 100 portraits was first published under the title 'Icones virorum illustrium' in 1597-98.
[Ref: 24622] £120.00 (£144.00 incl.VAT)
A Buck and a Doe
[Paul Pry monogram] Esq Del
London, Published by Tho.s McLean 26 Haymarket, 1827
Etching with hand-colouring, platemark 265 x 375mm (10½ x 14¾"), with very large margins. Trimmed inside platemark; unidentified collector's stamp verso.
Two contrasting men, exemplifying different fashions and physiognomies. The printmaker William Heath (1794-1840) used the pseudonym Paul Pry (taken from the name of a character in John Poole's 1825 comedy, and used to describe a very inquisitive person) between 1827-9, and rather than signing his name he used the 'Paul Pry' monogram seen here, a small man holding a walking stick. However this figure began to be copied by other caricaturists (including Sharpshooter ) and so Heath reverted to his own name.
[Ref: 40370] £260.00 (£312.00 incl.VAT)
[Paul Pry monogram] Esq Del
London, Published by Tho.s McLean 26 Haymarket, 1827
Etching with hand-colouring, platemark 265 x 375mm (10½ x 14¾"), with very large margins. Trimmed inside platemark; unidentified collector's stamp verso.
Two contrasting men, exemplifying different fashions and physiognomies. The printmaker William Heath (1794-1840) used the pseudonym Paul Pry (taken from the name of a character in John Poole's 1825 comedy, and used to describe a very inquisitive person) between 1827-9, and rather than signing his name he used the 'Paul Pry' monogram seen here, a small man holding a walking stick. However this figure began to be copied by other caricaturists (including Sharpshooter ) and so Heath reverted to his own name.
[Ref: 40370] £260.00 (£312.00 incl.VAT)
A Buck and a Doe
[Paul Pry monogram] Esq Del
London, Published by Tho.s McLean 26 Haymarket, 1827
Hand-coloured etching. Sheet: 255 x 365mm (10 x 14¼''). Trimmed and tipped into album sheet.
Two contrasting men, exemplifying different fashions and physiognomies. The printmaker William Heath (1794-1840) used the pseudonym Paul Pry (taken from the name of a character in John Poole's 1825 comedy, and used to describe a very inquisitive person) between 1827-9, and rather than signing his name he used the 'Paul Pry' monogram seen here, a small man holding a walking stick. However this figure began to be copied by other caricaturists (including Sharpshooter ) and so Heath reverted to his own name.
[Ref: 50799] £230.00 (£276.00 incl.VAT)
[Paul Pry monogram] Esq Del
London, Published by Tho.s McLean 26 Haymarket, 1827
Hand-coloured etching. Sheet: 255 x 365mm (10 x 14¼''). Trimmed and tipped into album sheet.
Two contrasting men, exemplifying different fashions and physiognomies. The printmaker William Heath (1794-1840) used the pseudonym Paul Pry (taken from the name of a character in John Poole's 1825 comedy, and used to describe a very inquisitive person) between 1827-9, and rather than signing his name he used the 'Paul Pry' monogram seen here, a small man holding a walking stick. However this figure began to be copied by other caricaturists (including Sharpshooter ) and so Heath reverted to his own name.
[Ref: 50799] £230.00 (£276.00 incl.VAT)
![[Nathaniel Buck.]](jpegs/68360.jpg)
[Nathaniel Buck.]
[engraved by James McArdell]
[n.d., c.1765.] [But later]
Mezzotint, unfinished proof. 325 x 225mm (12¾" x 8¾).
A half-length portrait of engraver and topographical draughtsman, Nathaniel Buck (died after 1759), best known for 'Buck's Antiquities' (1712-53), and a series of large prospects of English cities, both with his brother Samuel. This plate was one of McArdell's last, being unfinished when he died in 1765. It was completed and published by Laurie & Whittle in 1794.
CS: 33, state iof ii. Whitman 113. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68360] £360.00
[engraved by James McArdell]
[n.d., c.1765.] [But later]
Mezzotint, unfinished proof. 325 x 225mm (12¾" x 8¾).
A half-length portrait of engraver and topographical draughtsman, Nathaniel Buck (died after 1759), best known for 'Buck's Antiquities' (1712-53), and a series of large prospects of English cities, both with his brother Samuel. This plate was one of McArdell's last, being unfinished when he died in 1765. It was completed and published by Laurie & Whittle in 1794.
CS: 33, state iof ii. Whitman 113. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68360] £360.00
Nathaniel Buck.
J. M.cArdell fec.t.
Published 12th May 1794 by Laurie & Whittle, Fleet Street, London.
Mezzotint. Sheet 315 x 225mm (12½ x 8¾"). Trimmed into plate at bottom, losing publication line, thread margins elsewhere.
Engraver and topographical draughtsman, publisher (with his brother Samuel) of 'Buck's Antiquities', 1712-53, and a series of large panoramas of English cities. This plate was one of McArdell's last, being unfinished when he died in 1765.
CS: 33, state ii of ii. Goodwin 113. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68361] £230.00 (£276.00 incl.VAT)
J. M.cArdell fec.t.
Published 12th May 1794 by Laurie & Whittle, Fleet Street, London.
Mezzotint. Sheet 315 x 225mm (12½ x 8¾"). Trimmed into plate at bottom, losing publication line, thread margins elsewhere.
Engraver and topographical draughtsman, publisher (with his brother Samuel) of 'Buck's Antiquities', 1712-53, and a series of large panoramas of English cities. This plate was one of McArdell's last, being unfinished when he died in 1765.
CS: 33, state ii of ii. Goodwin 113. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 68361] £230.00 (£276.00 incl.VAT)
![[John Smith, alias Buckhorse.]](jpegs/50610.jpg)
[John Smith, alias Buckhorse.]
[after Daniel Dodd.]
Published by J. McGowan, Great Windmill Street, 1825 [but 1826].
Stipple. 160 x 100mm (6¼ x 4"), with large margins.
Half-length portrait of John Smith, a.k.a. Buckhorse (boxer, fl.1720-50), adapted from the portrait by Daniel Dodd. He earned his nickname riding for the Duke of Queensberry, the inveterate gambler. In later life, for a few shillings Buckhorse would allow people to punch him in the head as hard as they could, so such a blow became known as a 'Buckhorse'. Probably as a result of these blows, a common expression of the period was 'as ugly as Buckhorse'. From John Badcock's 'The Fancy; or The True Sportsman's Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50610] £130.00 (£156.00 incl.VAT)
[after Daniel Dodd.]
Published by J. McGowan, Great Windmill Street, 1825 [but 1826].
Stipple. 160 x 100mm (6¼ x 4"), with large margins.
Half-length portrait of John Smith, a.k.a. Buckhorse (boxer, fl.1720-50), adapted from the portrait by Daniel Dodd. He earned his nickname riding for the Duke of Queensberry, the inveterate gambler. In later life, for a few shillings Buckhorse would allow people to punch him in the head as hard as they could, so such a blow became known as a 'Buckhorse'. Probably as a result of these blows, a common expression of the period was 'as ugly as Buckhorse'. From John Badcock's 'The Fancy; or The True Sportsman's Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50610] £130.00 (£156.00 incl.VAT)
Buckhorse.
[after Daniel Dodd.]
[n.d, c.1760.]
A very scarce mezzotint, proof before letters. 355 x 250mm (14 x 10").
John Smith, alias Buckhorse, boxer, fl.1720-50. 'Memoirs of the Noted Buckhorse' is the earliest known autobiography of an English boxer.
CS: ENA 142; NPG D9151. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1834] £480.00
[after Daniel Dodd.]
[n.d, c.1760.]
A very scarce mezzotint, proof before letters. 355 x 250mm (14 x 10").
John Smith, alias Buckhorse, boxer, fl.1720-50. 'Memoirs of the Noted Buckhorse' is the earliest known autobiography of an English boxer.
CS: ENA 142; NPG D9151. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1834] £480.00
The North View of Buckingham. To the Worshipful the Bailif & Burgesses of the above Borough & County Town, This Plate is humbly Dedicated by their humble Servant, George Bickham. 89.
Drawn on Maid Morton Hill & Engrav'd by G. Bickham.
Sold by C. Dicey & Co, in Aldermary Church Yard London [n.d., c. 1780].
Engraving. Sheet 260 x 365mm (10¼ x 14¼"). Trimmed within plate. Slight central crease.
A view of Buckingham, engraved by Bickham c.1750 and re-issued by Cluer Dicey, who is best known as the last publisher of John Speed's county maps of 1611.
[Ref: 54738] £260.00 (£312.00 incl.VAT)
Drawn on Maid Morton Hill & Engrav'd by G. Bickham.
Sold by C. Dicey & Co, in Aldermary Church Yard London [n.d., c. 1780].
Engraving. Sheet 260 x 365mm (10¼ x 14¼"). Trimmed within plate. Slight central crease.
A view of Buckingham, engraved by Bickham c.1750 and re-issued by Cluer Dicey, who is best known as the last publisher of John Speed's county maps of 1611.
[Ref: 54738] £260.00 (£312.00 incl.VAT)
The Brave Capt.n Tyrrell, in the Buckingham of 66 guns, 472 Men, Defeating the Florisant, 74 Gun, 700 Men, Aigrette, 38 Guns, 350 Men, Atalante, 28 Guns, 350 Men, three French Ships of War, on the 3 of Nov.r 1758, that were Convoying Dutch Ships with Provisions to Martininico. London, Engrav'd for Harrison's edition of Rapin.
Swain Pinx.t [but Richard Paton]. Goldar Sculp.t.
Publish'd as the Act directs, July 28 1786.
Engraving. 220 x 330mm (8¾ x 13"), with very large margins. Trimmed intto plate at top, repaired tear through title at top.
A sea battle in the West Indies, fought during the Seven Years' War (1756-63), with a single British ship taking on and defeating three French vessels. Richard Tyrell (1716?-1766, later Rear-Admiral) spent most of his naval career in the West Indies. Resigning his commission in 1766 he died of fever on his return to England and was buried at sea. A memorial was erected in Westminster Abbey. Although the painter is named as Swaine, it is in fact Richard Paton. This is a smaller version of the engraving by Canot published in 1750
[Ref: 45636] £130.00 (£156.00 incl.VAT)
Swain Pinx.t [but Richard Paton]. Goldar Sculp.t.
Publish'd as the Act directs, July 28 1786.
Engraving. 220 x 330mm (8¾ x 13"), with very large margins. Trimmed intto plate at top, repaired tear through title at top.
A sea battle in the West Indies, fought during the Seven Years' War (1756-63), with a single British ship taking on and defeating three French vessels. Richard Tyrell (1716?-1766, later Rear-Admiral) spent most of his naval career in the West Indies. Resigning his commission in 1766 he died of fever on his return to England and was buried at sea. A memorial was erected in Westminster Abbey. Although the painter is named as Swaine, it is in fact Richard Paton. This is a smaller version of the engraving by Canot published in 1750
[Ref: 45636] £130.00 (£156.00 incl.VAT)
![[Buckingham House in St Iames Park]](jpegs/38463.jpg)
[Buckingham House in St Iames Park]
[Sutton Nicholls sculp]
[c.1728]
Engraving, sheet 300 x 470mm (11¾ x 18½"). Trimmed inside platemark, losing text and coat of arms; creasing; border drawn by hand at edges; label with ms identifying location pasted verso. Very rare and scarce.
Buckingham House in Westminster, London, built in 1703 as a townhouse for the Duke of Buckingham. It was acquired by George III in 1761 as a private residence for Queen Charlotte. During the 19th century considerable alterations and enlargements were made to the residence by George IV, and in 1837 it became the official royal residence of Queen Victoria, now known as Buckingham Palace. Early view of the residence, engraved by Sutton Nicholls. While the plate is best-known for its appearance in the famous 1754 volume of Stowe's Survey of London, it had been sold individually by the publisher John Bowles since 1728.
For uncut later impression see ref. 26386.
[Ref: 38463] £450.00
[Sutton Nicholls sculp]
[c.1728]
Engraving, sheet 300 x 470mm (11¾ x 18½"). Trimmed inside platemark, losing text and coat of arms; creasing; border drawn by hand at edges; label with ms identifying location pasted verso. Very rare and scarce.
Buckingham House in Westminster, London, built in 1703 as a townhouse for the Duke of Buckingham. It was acquired by George III in 1761 as a private residence for Queen Charlotte. During the 19th century considerable alterations and enlargements were made to the residence by George IV, and in 1837 it became the official royal residence of Queen Victoria, now known as Buckingham Palace. Early view of the residence, engraved by Sutton Nicholls. While the plate is best-known for its appearance in the famous 1754 volume of Stowe's Survey of London, it had been sold individually by the publisher John Bowles since 1728.
For uncut later impression see ref. 26386.
[Ref: 38463] £450.00
Queen's Palace, St. James's Park.
Rowlandson & Pugin delt. et sculpt. Bluck, aquat.
London Pub. 1st. May 1809, at R. Ackermann’s Repository of Arts 101, Strand.
Fine hand coloured aquatint, plate 230 x 275mm (9 x 10¾"), with large margins.
Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 65.' upper right.
Abbey, Scenery: 212, 65.
[Ref: 58326] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Bluck, aquat.
London Pub. 1st. May 1809, at R. Ackermann’s Repository of Arts 101, Strand.
Fine hand coloured aquatint, plate 230 x 275mm (9 x 10¾"), with large margins.
Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 65.' upper right.
Abbey, Scenery: 212, 65.
[Ref: 58326] £260.00 (£312.00 incl.VAT)
The New Extended Front Of Buckingham Palace.
Drawn by J Marchant. Engraved by H. Adlard.
[n.d., c.1865.]
Steel engraving on india. 255 x 440mm (10 x 17¼"), with very large margins.
A view of the East Front of Buckingham Palace, facing St James's Park, designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Above the image is the crest of the Stationers' Company. The view was originally published as the Stationers' Almanack c.1850, but this example appears to be from a later compilation.
[Ref: 43281] £260.00 (£312.00 incl.VAT)
Drawn by J Marchant. Engraved by H. Adlard.
[n.d., c.1865.]
Steel engraving on india. 255 x 440mm (10 x 17¼"), with very large margins.
A view of the East Front of Buckingham Palace, facing St James's Park, designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Above the image is the crest of the Stationers' Company. The view was originally published as the Stationers' Almanack c.1850, but this example appears to be from a later compilation.
[Ref: 43281] £260.00 (£312.00 incl.VAT)
A Perspective View of Buckingham House in St James's Park.
J. Maurer de. et sc. London 1753.
Coloured engraving. 175 x 290mm (7 x 11½"), very large margins.
A view of the original Buckingham House, built 1703, before the 1850 addition of the East front, the public face of what is now Buckingham Palace.
[Ref: 56331] £190.00 (£228.00 incl.VAT)
J. Maurer de. et sc. London 1753.
Coloured engraving. 175 x 290mm (7 x 11½"), very large margins.
A view of the original Buckingham House, built 1703, before the 1850 addition of the East front, the public face of what is now Buckingham Palace.
[Ref: 56331] £190.00 (£228.00 incl.VAT)
The Queen's Palace, from Green Park, in 1836.
Drawn by T. Maisey. On Stone by W. Gauci. Printed by W. Gauci, 9 North Cres.t Bedf.d Sq.
[n.d., 1836-40.]
Tinted lithograph. Printed area 405 x 270mm (16 x 10½"). Repaird tear entering inscription area, margins creased.
Buckingham Palace from a lost pond in Green Park, with the Marble Arch still in position as the gatehouse, prior to the construction of the East Wing (1847-50). From 'Landscape and Architecture in a Series of Picturesque Views'
[Ref: 39301] £320.00
Drawn by T. Maisey. On Stone by W. Gauci. Printed by W. Gauci, 9 North Cres.t Bedf.d Sq.
[n.d., 1836-40.]
Tinted lithograph. Printed area 405 x 270mm (16 x 10½"). Repaird tear entering inscription area, margins creased.
Buckingham Palace from a lost pond in Green Park, with the Marble Arch still in position as the gatehouse, prior to the construction of the East Wing (1847-50). From 'Landscape and Architecture in a Series of Picturesque Views'
[Ref: 39301] £320.00
Queen's Palace, St. James's Park.
Rowlandson & Pugin delt. et sculpt. Bluck, aquat.
London Pub. 1st. May 1809, at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 65.' upper right.
Abbey, Scenery: 212, 65.
[Ref: 9879] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Bluck, aquat.
London Pub. 1st. May 1809, at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 65.' upper right.
Abbey, Scenery: 212, 65.
[Ref: 9879] £260.00 (£312.00 incl.VAT)
Buckingham Palace.
Drawn, Printed & Published at G.J. Cox's Litho: Establishment, Royal Polytechnic Institution, 309, Regent St. London. [n.d. c.1840.]
Lithograph on india. 159 x 221mm. 6¼ x 8¾".
Buckingham Palace which was the principal royal residence of Queen Victoria. Seen here still with the Marble Arch, which served as the ceremonial entrance to the Palace precints. It was moved to make way for the east wing, built in 1847, which enclosed the quadrangle.
[Ref: 23762] £65.00 (£78.00 incl.VAT)
Drawn, Printed & Published at G.J. Cox's Litho: Establishment, Royal Polytechnic Institution, 309, Regent St. London. [n.d. c.1840.]
Lithograph on india. 159 x 221mm. 6¼ x 8¾".
Buckingham Palace which was the principal royal residence of Queen Victoria. Seen here still with the Marble Arch, which served as the ceremonial entrance to the Palace precints. It was moved to make way for the east wing, built in 1847, which enclosed the quadrangle.
[Ref: 23762] £65.00 (£78.00 incl.VAT)
![[Buckingham Palace].](jpegs/2899.jpg)
[Buckingham Palace].
Axel H. Haig [signed in pencil]. 'AH' 1901 [etched in plate].
Cpyright 1901, Published by H. Virtue and Company Limited, London.
Etching. Image 250 x 175mm (9¾ x 7"). Time staining from window of old mount.
A view of the palace from the lake at the rear.
[Ref: 2899] £160.00 (£192.00 incl.VAT)
Axel H. Haig [signed in pencil]. 'AH' 1901 [etched in plate].
Cpyright 1901, Published by H. Virtue and Company Limited, London.
Etching. Image 250 x 175mm (9¾ x 7"). Time staining from window of old mount.
A view of the palace from the lake at the rear.
[Ref: 2899] £160.00 (£192.00 incl.VAT)
![Buckingham Palace [pencil, lower left.]](jpegs/10689.jpg)
Buckingham Palace [pencil, lower left.]
JHWiley [signed in pencil lower right.]
[n.d., c.1910.]
Soft ground etching, 155 x 205mm. 6 x 8". Some mount staining.
Buckingham Palace, with a guardsman and figures in the foreground.
[Ref: 10689] £70.00 (£84.00 incl.VAT)
JHWiley [signed in pencil lower right.]
[n.d., c.1910.]
Soft ground etching, 155 x 205mm. 6 x 8". Some mount staining.
Buckingham Palace, with a guardsman and figures in the foreground.
[Ref: 10689] £70.00 (£84.00 incl.VAT)
Buckingham Palace.
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 385 x 495mm (15 x 19½"). Foxing. Repaired tears to edges.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68804] £360.00
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 385 x 495mm (15 x 19½"). Foxing. Repaired tears to edges.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68804] £360.00
The Queen's Palace.
Published Dec.r 15. 1800 by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½"). Crease top margin that just goes into the image.
View of Buckingham Palace from St James's Park; elegantly dressed figures in foreground, a large tree on the left, a carriage on the right; illustration to Malton's 'Picturesque Tour'.
[Ref: 59006] £220.00 (£264.00 incl.VAT)
Published Dec.r 15. 1800 by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½"). Crease top margin that just goes into the image.
View of Buckingham Palace from St James's Park; elegantly dressed figures in foreground, a large tree on the left, a carriage on the right; illustration to Malton's 'Picturesque Tour'.
[Ref: 59006] £220.00 (£264.00 incl.VAT)
New Palace, St. James's Park.
Engraved by Wallis from a Drawing by A. Pugin.
Published Nov.r 20, 1827 by J. Robins & Sons.
Engraving. Plate 249 x 444mm. 9¾ x 17½". Trimmed close to the plate.
Buckingham Palace after the palace was rebuilt by John Nash during the reign of George IV with the idea of a new French neo-classical facade, as was preferred by the King.
[Ref: 19262] £230.00 (£276.00 incl.VAT)
Engraved by Wallis from a Drawing by A. Pugin.
Published Nov.r 20, 1827 by J. Robins & Sons.
Engraving. Plate 249 x 444mm. 9¾ x 17½". Trimmed close to the plate.
Buckingham Palace after the palace was rebuilt by John Nash during the reign of George IV with the idea of a new French neo-classical facade, as was preferred by the King.
[Ref: 19262] £230.00 (£276.00 incl.VAT)
A View of the East Front of the Queens Palace, St James's Park.
James Miller del. T. Miller sculp.
Publish'd as the Act directs Feby. 15 1783 by T. Miller No.72 Long Acre.
Copper engraving, rare early issue. Image 355 x 535mm, 14 x 21". Extremities frayed and chipped; lacking upper margin. Damaged but very rare.
Scarce view of the east front of Buckingham House, Westminster, with figures strolling in the Park, dressed in the fashions of the day. This building formed the core of today's Buckingham Palace, a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence. It was known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. James Miller (fl.1773 - 1814). The plate was reissued by Thomas Simpson in 1796.
Guildhall Library Record 20562. Crace XIII, 17.
[Ref: 23523] £220.00 (£264.00 incl.VAT)
James Miller del. T. Miller sculp.
Publish'd as the Act directs Feby. 15 1783 by T. Miller No.72 Long Acre.
Copper engraving, rare early issue. Image 355 x 535mm, 14 x 21". Extremities frayed and chipped; lacking upper margin. Damaged but very rare.
Scarce view of the east front of Buckingham House, Westminster, with figures strolling in the Park, dressed in the fashions of the day. This building formed the core of today's Buckingham Palace, a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence. It was known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. James Miller (fl.1773 - 1814). The plate was reissued by Thomas Simpson in 1796.
Guildhall Library Record 20562. Crace XIII, 17.
[Ref: 23523] £220.00 (£264.00 incl.VAT)
Buckingham Palace From St James's Park.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph. 250 x 480mm (9¾ x 19"), with very large margins.
Buckingham Palace, from the side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is'.
Abbey: 240.
[Ref: 40305] £420.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph. 250 x 480mm (9¾ x 19"), with very large margins.
Buckingham Palace, from the side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is'.
Abbey: 240.
[Ref: 40305] £420.00
Buckingham House in St James Park belonging to the Most Noble & Potent Prince Iohn Sheffield Baron of Botterwick, Earl of Mulgrave, Kn.t of ye most Noble Order of ye Garter, Gentleman of ye Bed-Chamber to K: Ch. 2d. Colonell of the Holland Regiment and Governour of Hull, Vice-Admirall of Yorkshire Northumberland & Bishoprick of Durham and Lord Chamberlain to K. Iames 2.d Created Marquess of Normanby by K. Will. & Qu: Mary, and one of their Ma.ties most Hon:ble Privy Councell, & by Qu: Anne Duke of ye County of Buckingham & of Normanby & Lord Privy Seal.
[London: David Mortier, n.d. c.1724.]
Engraving. 475 x 595mm (18¾ x 23½"), very large margins. Laid on board.
A view of Buckingham House as built by John Sheffield, 1st Duke of Buckingham and Normanby, in 1703. His illegitimate son, Sir Charles Sheffield, sold the house to George III for £21,000 in 1763 for use by Queen Charlotte. The east wing, today's public façade, was built in 1850.
[Ref: 56357] £450.00
[London: David Mortier, n.d. c.1724.]
Engraving. 475 x 595mm (18¾ x 23½"), very large margins. Laid on board.
A view of Buckingham House as built by John Sheffield, 1st Duke of Buckingham and Normanby, in 1703. His illegitimate son, Sir Charles Sheffield, sold the house to George III for £21,000 in 1763 for use by Queen Charlotte. The east wing, today's public façade, was built in 1850.
[Ref: 56357] £450.00
![[Buckingham Palace & Victoria Memorial.]](jpegs/61468.jpg)
[Buckingham Palace & Victoria Memorial.]
Fred. A. Farrell [signed in pencil].
[n.d. c.1925]
Etching, 175 x 430mm (7 x 17"), with very large margins. Blindstamps lower left. Very faint mountburn. Some foxing marks on right.
Buckingham Palace on the left, with the Queen's Gardens and Victora Memorial on the right. Etched by Fred Farrell (b.1882) Scottish printmaker and Official Artist with the 51st Highlanders 1914-1918.
[Ref: 61468] £320.00
Fred. A. Farrell [signed in pencil].
[n.d. c.1925]
Etching, 175 x 430mm (7 x 17"), with very large margins. Blindstamps lower left. Very faint mountburn. Some foxing marks on right.
Buckingham Palace on the left, with the Queen's Gardens and Victora Memorial on the right. Etched by Fred Farrell (b.1882) Scottish printmaker and Official Artist with the 51st Highlanders 1914-1918.
[Ref: 61468] £320.00
Rrepresentation of a Royal Concert, at Buckingham House.
Cruikshanks delin. Barlow sculp. [c.1790]
Engraving, platemark 120 x 155mm (4¾ x 6"), with accompanying letterpress. Trimmed to platemark top edge;
Published in the Carlton House Magazine or a similar periodical.
[Ref: 45718] £95.00 (£114.00 incl.VAT)
Cruikshanks delin. Barlow sculp. [c.1790]
Engraving, platemark 120 x 155mm (4¾ x 6"), with accompanying letterpress. Trimmed to platemark top edge;
Published in the Carlton House Magazine or a similar periodical.
[Ref: 45718] £95.00 (£114.00 incl.VAT)
The King's Libary Buckingham House. Plate II.
J. Stephanoff del.t R Reeves sculp.t.
Pub. Dec.r 1.1817, by W.H. Pyne, 9 Nassau Street, Soho.
Fine aquatint, plate 272 x 322mm (10¾ x 12¾"). On paper watermarked '1818. J Whatman Turkey Mills.'
A view of the King's Library in Buckingham House; books lining all the walls; and a large globe surmounted on the wall above the vast fireplace. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.48.
[Ref: 62688] £180.00 (£216.00 incl.VAT)
J. Stephanoff del.t R Reeves sculp.t.
Pub. Dec.r 1.1817, by W.H. Pyne, 9 Nassau Street, Soho.
Fine aquatint, plate 272 x 322mm (10¾ x 12¾"). On paper watermarked '1818. J Whatman Turkey Mills.'
A view of the King's Library in Buckingham House; books lining all the walls; and a large globe surmounted on the wall above the vast fireplace. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.48.
[Ref: 62688] £180.00 (£216.00 incl.VAT)
The King's Libary Buckingham House.
J.P. Stephanoff del.t J. Baily sculp.t
Pub. Dec.r 1.1817, by W.H. Pyne, 9 Nassau Street, Soho.
Aquatint with hand colour, large margins and very fine; paper watermarked:1816. Plate 272 x 322mm (10¾ x 12¾").
A view of the King's Library in Buckingham House; books lining all the walls; and a large globe surmounted on the wall above the vast fireplace. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.48.
[Ref: 30971] £180.00 (£216.00 incl.VAT)
J.P. Stephanoff del.t J. Baily sculp.t
Pub. Dec.r 1.1817, by W.H. Pyne, 9 Nassau Street, Soho.
Aquatint with hand colour, large margins and very fine; paper watermarked:1816. Plate 272 x 322mm (10¾ x 12¾").
A view of the King's Library in Buckingham House; books lining all the walls; and a large globe surmounted on the wall above the vast fireplace. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.48.
[Ref: 30971] £180.00 (£216.00 incl.VAT)
![J.S. Buckingham [facsimile signature].](jpegs/58263.jpg)
J.S. Buckingham [facsimile signature].
[after Edwin Dalton Smith.]
[n.d., c.1840.]
Stipple, printed on chine collé. 295 x 230mm (11½ x 9"), very large margins.
Half-length portrait of James Silk Buckingham (1786-1855), author, journalist and traveller. He founded the Calcutta Journal in 1818; criticisms of the East India Company led to his expulsion from India in 1823, although the East India Company later gave him a pension of £500 a year as compensation. After a watercolour and bodycolour on ivory, painted in 1835 by Edwin Dalton Smith (1800-83), now in the National Portrait Gallery.
[Ref: 58263] £140.00 (£168.00 incl.VAT)
[after Edwin Dalton Smith.]
[n.d., c.1840.]
Stipple, printed on chine collé. 295 x 230mm (11½ x 9"), very large margins.
Half-length portrait of James Silk Buckingham (1786-1855), author, journalist and traveller. He founded the Calcutta Journal in 1818; criticisms of the East India Company led to his expulsion from India in 1823, although the East India Company later gave him a pension of £500 a year as compensation. After a watercolour and bodycolour on ivory, painted in 1835 by Edwin Dalton Smith (1800-83), now in the National Portrait Gallery.
[Ref: 58263] £140.00 (£168.00 incl.VAT)
![Inside of a Cottage in Buckinghamshire. [&] Outside of a Cottage in Buckinghamshire.](jpegs/43480.jpg)
Inside of a Cottage in Buckinghamshire. [&] Outside of a Cottage in Buckinghamshire.
Designed by Edw.d Orme for his Essays on Transparencies. Engraved by C. Knight & H. Merke.
Published Jan.y 1, 1807 by Edw.d Orme, Bond Street, London.
Pair of aquatints, printed in blue and brown. Sheets 260 x 365mm (10¼ x 14½"). Trimmed within plates.
Two rustic scenes from 'An Essay on Transparent Prints and Transparencies in General' by Edward Orme, designed to be treated with varnish to give a translucent effect. 'Inside' the family sit by a fire, a child in a primitive 'baby bouncer', an open door looking out to a moonlit pigsty. 'Outside' a young girl stitches while receiving a suitor, a turkey looking on.
[Ref: 43480] £280.00 (£336.00 incl.VAT)
Designed by Edw.d Orme for his Essays on Transparencies. Engraved by C. Knight & H. Merke.
Published Jan.y 1, 1807 by Edw.d Orme, Bond Street, London.
Pair of aquatints, printed in blue and brown. Sheets 260 x 365mm (10¼ x 14½"). Trimmed within plates.
Two rustic scenes from 'An Essay on Transparent Prints and Transparencies in General' by Edward Orme, designed to be treated with varnish to give a translucent effect. 'Inside' the family sit by a fire, a child in a primitive 'baby bouncer', an open door looking out to a moonlit pigsty. 'Outside' a young girl stitches while receiving a suitor, a turkey looking on.
[Ref: 43480] £280.00 (£336.00 incl.VAT)
Cottage in the Village of Buckland-in-the-Moor, Devon.
E.A. Martin, delin.
Hackett, lithog. Exeter [c.1830]
Rare lithograph, printed area 190 x 290mm (7½ x 11½"); very large margins. Repaired tear to left margin.
Unusual rural scene with family playing outside a cottage by a stream. On the other side of the stream a man, accompanied by his dog, brings back wood. Buckland-in-the-Moor is a village situated in Dartmoor, in Devon.
Ex: Collection Hon Christopher Lennox-Boyd.
[Ref: 40644] £140.00 (£168.00 incl.VAT)
E.A. Martin, delin.
Hackett, lithog. Exeter [c.1830]
Rare lithograph, printed area 190 x 290mm (7½ x 11½"); very large margins. Repaired tear to left margin.
Unusual rural scene with family playing outside a cottage by a stream. On the other side of the stream a man, accompanied by his dog, brings back wood. Buckland-in-the-Moor is a village situated in Dartmoor, in Devon.
Ex: Collection Hon Christopher Lennox-Boyd.
[Ref: 40644] £140.00 (£168.00 incl.VAT)
Buckleys' New York Quadrille. by Chas. Cooke. This Quadrille is founded on the most popular Copyright airs of the Celebrated Buckleys' Serenaders. Pr. 4/ Duet 4/ Septett 3/6 Orchestra 5/
Concanen & Lee lith. Ent. Sta Hall.
London: Hopwood & Crew, 42, New Bond St W. Stannard & Dixon Imp. [n.d. c.1875.]
Coloured-lithograph. 343 x 254mm. 13½ x 10". Tatty around edges.
Sheet music cover for "Buckley's New York Quadrille" composed by Charles Coote. A bird's-eye view of Manhattan with a romanticised view of Central Park in the foreground.
[Ref: 20692] £65.00 (£78.00 incl.VAT)
Concanen & Lee lith. Ent. Sta Hall.
London: Hopwood & Crew, 42, New Bond St W. Stannard & Dixon Imp. [n.d. c.1875.]
Coloured-lithograph. 343 x 254mm. 13½ x 10". Tatty around edges.
Sheet music cover for "Buckley's New York Quadrille" composed by Charles Coote. A bird's-eye view of Manhattan with a romanticised view of Central Park in the foreground.
[Ref: 20692] £65.00 (£78.00 incl.VAT)
![[A Tug of War - Army v. Navy.] [&] [Wrestling.]](jpegs/35661.jpg)
[A Tug of War - Army v. Navy.] [&] [Wrestling.]
E. Buckman [etched in plate and signed in pencil.]
London, Published April 2 1886 by Arthur Lucas, 31 New Bond St. [&] London, Published June 30 1886 by Arthur Lucas, 31 New Bond St.
A pair of signed presentation proof etchings with large margins. Limited to 225. Printsellers assosiation blind stamps in lower left corners. Platemark: 210 x 720mm (8¼ x 28¼") each. Small repaired spot in left margin of 'A Tug of War'.
A tug of war between the navy and the army, which is represented by one of the Scottish regiments, with the team all wearing kilts. [&] Two gentlemen wrestling in a field, watched by numerous spectators, includin an elderly gentleman with his dog, to the left, and a group of figures under a tree to the right. This pair are from a series of 'British Sports and Games' by Edwin Buckman, with the other in the series titled 'Football' (Rugby). Each print is signed in pencil in the lower left corner, with a dedication reading, 'To W. H. May. Kindest Regards 1886'.
[Ref: 35661] £590.00 view all images for this item
E. Buckman [etched in plate and signed in pencil.]
London, Published April 2 1886 by Arthur Lucas, 31 New Bond St. [&] London, Published June 30 1886 by Arthur Lucas, 31 New Bond St.
A pair of signed presentation proof etchings with large margins. Limited to 225. Printsellers assosiation blind stamps in lower left corners. Platemark: 210 x 720mm (8¼ x 28¼") each. Small repaired spot in left margin of 'A Tug of War'.
A tug of war between the navy and the army, which is represented by one of the Scottish regiments, with the team all wearing kilts. [&] Two gentlemen wrestling in a field, watched by numerous spectators, includin an elderly gentleman with his dog, to the left, and a group of figures under a tree to the right. This pair are from a series of 'British Sports and Games' by Edwin Buckman, with the other in the series titled 'Football' (Rugby). Each print is signed in pencil in the lower left corner, with a dedication reading, 'To W. H. May. Kindest Regards 1886'.
[Ref: 35661] £590.00 view all images for this item
![[Budapest.]](jpegs/63551.jpg)
[Budapest.]
J. Conrad [pencil]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 130 x 190mm (5¼ x 7½"), very large margins.
A view of Budapest showing the Danube with the Erzsébet Bridge on the right and Buda Castle on the left. From the series 'Budapest' by Hungarian artist Julius (Gyula) Conrad (1877-1959).
[Ref: 63551] £75.00 (£90.00 incl.VAT)
J. Conrad [pencil]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 130 x 190mm (5¼ x 7½"), very large margins.
A view of Budapest showing the Danube with the Erzsébet Bridge on the right and Buda Castle on the left. From the series 'Budapest' by Hungarian artist Julius (Gyula) Conrad (1877-1959).
[Ref: 63551] £75.00 (£90.00 incl.VAT)
![[Széchenyi Chain Bridge, Budapest] Pest.](jpegs/60487.jpg)
[Széchenyi Chain Bridge, Budapest] Pest.
Nach der Natur gez v. J. Alt. Gedr. b. J. Rauh. Lith. v. Sandmann.
Verlags _Eigenthum v. Josef Bermann in Wein. Vervielfältgung ausschliefslich vorbehalten [nd., c.1850].
Rare lithograph with hand colour. Sheet 320 x 450mm (12½x 17¾"), large margins. Slight mount burn.
A view of the Széchenyi Chain Bridge, which opened in 1849 as the first permanent bridge linking Buda with Pest. Designed by English engineer William Tierney Clark, it is a larger scaled version of his suspension bridge over the Thames at Marlow.
[Ref: 60487] £490.00
Nach der Natur gez v. J. Alt. Gedr. b. J. Rauh. Lith. v. Sandmann.
Verlags _Eigenthum v. Josef Bermann in Wein. Vervielfältgung ausschliefslich vorbehalten [nd., c.1850].
Rare lithograph with hand colour. Sheet 320 x 450mm (12½x 17¾"), large margins. Slight mount burn.
A view of the Széchenyi Chain Bridge, which opened in 1849 as the first permanent bridge linking Buda with Pest. Designed by English engineer William Tierney Clark, it is a larger scaled version of his suspension bridge over the Thames at Marlow.
[Ref: 60487] £490.00
![[Király Turkish baths, Budapest.]](jpegs/64437.jpg)
[Király Turkish baths, Budapest.]
J.B. F v: E: [Johann Bernhard Fischer von Erlach] del.
Cum P.S.C.M. [1721.]
Engraving. 300 x 430mm (11¾ x 17").
A floorplan, cross-section and exterior view of the Király Turkish baths, built between 1566-72 by the Ottoman occupiers of Budapest and still extant. Plate from the 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer von Erlach, the first comparative architecture of all periods and nations.
[Ref: 64437] £160.00 (£192.00 incl.VAT)
J.B. F v: E: [Johann Bernhard Fischer von Erlach] del.
Cum P.S.C.M. [1721.]
Engraving. 300 x 430mm (11¾ x 17").
A floorplan, cross-section and exterior view of the Király Turkish baths, built between 1566-72 by the Ottoman occupiers of Budapest and still extant. Plate from the 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer von Erlach, the first comparative architecture of all periods and nations.
[Ref: 64437] £160.00 (£192.00 incl.VAT)
![[Pair of budgerigars.]](jpegs/51069.jpg)
[Pair of budgerigars.]
A. Bouviers.
[n.d., c.1845.]
Hand-coloured lithograph. Sheet: 300 x 225mm (12 x 9''). Trimmed and laid on album sheet.
A print showing a pair of budgies surrounded by foliage.
[Ref: 51069] £230.00 (£276.00 incl.VAT)
A. Bouviers.
[n.d., c.1845.]
Hand-coloured lithograph. Sheet: 300 x 225mm (12 x 9''). Trimmed and laid on album sheet.
A print showing a pair of budgies surrounded by foliage.
[Ref: 51069] £230.00 (£276.00 incl.VAT)
African Buffalo in Papyrus.
A Radclyffe Dugmore [pencil signature].
[n.d. c.1910]
Etching, signed by artist. 205 x 250mm (8 x 9¾"), with large margins. Laid on paper. Creased.
A buffalo amongst papyrus reeds, with two more buffalo in the background, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54761] £280.00 (£336.00 incl.VAT)
A Radclyffe Dugmore [pencil signature].
[n.d. c.1910]
Etching, signed by artist. 205 x 250mm (8 x 9¾"), with large margins. Laid on paper. Creased.
A buffalo amongst papyrus reeds, with two more buffalo in the background, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54761] £280.00 (£336.00 incl.VAT)
![[African Buffalo in Papyrus].](jpegs/54858.jpg)
[African Buffalo in Papyrus].
1/50. A Radclyffe Dugmore [pencil signature].
[n.d. c.1910]
Etching on india, signed by artist. 200 x 250mm (8 x 9¾"). Some cockling of india. Some staining in left margin. Left margin trimmed.
A buffalo amongst papyrus reeds, with two more buffalo in the background, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54858] £280.00 (£336.00 incl.VAT)
1/50. A Radclyffe Dugmore [pencil signature].
[n.d. c.1910]
Etching on india, signed by artist. 200 x 250mm (8 x 9¾"). Some cockling of india. Some staining in left margin. Left margin trimmed.
A buffalo amongst papyrus reeds, with two more buffalo in the background, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54858] £280.00 (£336.00 incl.VAT)
A Buffalo Cow. Height of Shoulder 4ft. 9in...Bone fore Leg 0f. 9in.
London Pub: July 20, 1805 by G. Garrard, Agricultural Museum, 28, George St.t Hanover Squ.r
Hand-coloured engraving, with large margins, very fine first issue. Plate 375 x 468mm. 14¾ x 18½". Creasing into plate, including lower left and upper right.
A buffalo cow, based on the water buffalo species, with horns that extend backwards and they have a tuft on their forehead. These are the original coloured prints issued at 5 shillings each George Garrard (1760-1826) the animal painter and sculptor.
Boalch The Rothamsted Collection.
[Ref: 27443] £320.00
London Pub: July 20, 1805 by G. Garrard, Agricultural Museum, 28, George St.t Hanover Squ.r
Hand-coloured engraving, with large margins, very fine first issue. Plate 375 x 468mm. 14¾ x 18½". Creasing into plate, including lower left and upper right.
A buffalo cow, based on the water buffalo species, with horns that extend backwards and they have a tuft on their forehead. These are the original coloured prints issued at 5 shillings each George Garrard (1760-1826) the animal painter and sculptor.
Boalch The Rothamsted Collection.
[Ref: 27443] £320.00
Buffalo Hunting on the W. Prairies.
[1848]
Lithograph with hand-colouring and gum arabic, rare, printed area 215 x 310mm (8½ x 12¼"). Paper tone; originally printed on sheet with 'Forcing a passage through the burning prairie'.
Plate from 'Sketches in North America and the Oregon Territory' by Captain Henry James Warre (1848). Warre (1819-98), aide-de-camp to the Commander-in-Chief of the forces in British North America, made the sketches for the book in 1845-6 while undertaking a secret military reconnaissance tour of what is now Oregon and Washington, assessing the strategic value of the region. The land dispute between America and Britain which occasioned the mission was resolved by the Treaty of Oregon in 1846.
Abbey 656.16
[Ref: 43413] £380.00
[1848]
Lithograph with hand-colouring and gum arabic, rare, printed area 215 x 310mm (8½ x 12¼"). Paper tone; originally printed on sheet with 'Forcing a passage through the burning prairie'.
Plate from 'Sketches in North America and the Oregon Territory' by Captain Henry James Warre (1848). Warre (1819-98), aide-de-camp to the Commander-in-Chief of the forces in British North America, made the sketches for the book in 1845-6 while undertaking a secret military reconnaissance tour of what is now Oregon and Washington, assessing the strategic value of the region. The land dispute between America and Britain which occasioned the mission was resolved by the Treaty of Oregon in 1846.
Abbey 656.16
[Ref: 43413] £380.00
![[Hunting Buffaloes.]](jpegs/45630.jpg)
[Hunting Buffaloes.]
[after Felix O.C. Darley.]
[n.d., c.1869.]
Steel engraving on india, proof before letters, rare; 215 x 290mm (8½ x 11½"). Soiled & foxed.
A buffalo hunt on the Western Plains, with a European rider shooting a buffalo with a pistol. Felix Octavius Carr Darley (1822-88), regarded as the first American illustrator of note. His works include the illustrations for Washington Irving's 'Rip van Winkle' and 'Sleepy Hollow', as well as works by Dickens and James Fenimore Cooper.
[Ref: 45630] £240.00 (£288.00 incl.VAT)
[after Felix O.C. Darley.]
[n.d., c.1869.]
Steel engraving on india, proof before letters, rare; 215 x 290mm (8½ x 11½"). Soiled & foxed.
A buffalo hunt on the Western Plains, with a European rider shooting a buffalo with a pistol. Felix Octavius Carr Darley (1822-88), regarded as the first American illustrator of note. His works include the illustrations for Washington Irving's 'Rip van Winkle' and 'Sleepy Hollow', as well as works by Dickens and James Fenimore Cooper.
[Ref: 45630] £240.00 (£288.00 incl.VAT)
George .Louis Le Clerc, Count de Buffon, Indendant du du Jardin royal des Plantes, de l'Académie Francoise, de l'Academie royale des Sciences, de la Société de Londres & d'Edenbourg, de l'Académie royale de Berlin, de S.t Petersbourg &t.
Drouais pinx. 1761. J. Houbraken Sc. 1774.
Stipple. 295 x 220mm (11¾ x 8¾"). Small margins.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval, engraved after François-Hubert Drouais, the usual portrait used as the frontispiece for Buffon's 'Histoire Naturelle'. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death.
[Ref: 64370] £280.00 (£336.00 incl.VAT)
Drouais pinx. 1761. J. Houbraken Sc. 1774.
Stipple. 295 x 220mm (11¾ x 8¾"). Small margins.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval, engraved after François-Hubert Drouais, the usual portrait used as the frontispiece for Buffon's 'Histoire Naturelle'. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death.
[Ref: 64370] £280.00 (£336.00 incl.VAT)
G.L. Le Clerc Count de Buffon. Author of Natural History.
Meyron del. [after François-Hubert Drouais] Romney sculp.t.
London, Published by Tho.s Kelly, Paternoster Row, 1821.
Stipple and engraving. 255 x 190mm (10 x 7½") Small margins.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval; underneath is a vignette landscape featuring animals including an elephant, lion and camel, with a volcano. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death. Engraved after François-Hubert Drouais, this was a frontispiece to one of the volumes of an English edition.
Wellcome: 475-13
[Ref: 48915] £95.00 (£114.00 incl.VAT)
Meyron del. [after François-Hubert Drouais] Romney sculp.t.
London, Published by Tho.s Kelly, Paternoster Row, 1821.
Stipple and engraving. 255 x 190mm (10 x 7½") Small margins.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval; underneath is a vignette landscape featuring animals including an elephant, lion and camel, with a volcano. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death. Engraved after François-Hubert Drouais, this was a frontispiece to one of the volumes of an English edition.
Wellcome: 475-13
[Ref: 48915] £95.00 (£114.00 incl.VAT)
George Louis Le Clerc, Count de Buffon. Intendant du Jardin du Roy, et des Académies Franç.se et des Sçiences, et de celles de Londres, Edimbourg et de Berlin.
Drouais Pinxit 1761. C. Baron Sculp. et M.r Drouais, direxit.
[n.d., c.1800.]
Engraving. 230 x 185mm (9 x 7¼") Small margins on 3 sides.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death. Engraved after François-Hubert Drouais, this was a frontispiece to one of the volumes.
Wellcome: 475-1
[Ref: 48916] £140.00 (£168.00 incl.VAT)
Drouais Pinxit 1761. C. Baron Sculp. et M.r Drouais, direxit.
[n.d., c.1800.]
Engraving. 230 x 185mm (9 x 7¼") Small margins on 3 sides.
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 - 1788), French naturalist, in an oval. Buffon published thirty-five quarto volumes of his Histoire Naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death. Engraved after François-Hubert Drouais, this was a frontispiece to one of the volumes.
Wellcome: 475-1
[Ref: 48916] £140.00 (£168.00 incl.VAT)
G.L. Le Clerc Count De Buffon. Author of Natural History.
London, Published by Thos. Kelly, Paternoster Row, 1828.
Stipple and engraving, 220 x 175mm. 8¾ x 7".
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 – 1788), French naturalist, in an oval surrounded by a wreath; a vignette landscape featuring an elephant, tiger or leopard and camel, with volcano to background, below. Buffon was also a mathematician, cosmologist, and encyclopaedic author. His works influenced the next two generations of naturalists, including Jean-Baptiste Lamarck and Georges Cuvier. Buffon published thirty-five quarto volumes of his Histoire naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death.
Wellcome: 475-14.
[Ref: 14023] £65.00 (£78.00 incl.VAT)
London, Published by Thos. Kelly, Paternoster Row, 1828.
Stipple and engraving, 220 x 175mm. 8¾ x 7".
Portrait bust of Georges-Louis Leclerc, Comte de Buffon (1707 – 1788), French naturalist, in an oval surrounded by a wreath; a vignette landscape featuring an elephant, tiger or leopard and camel, with volcano to background, below. Buffon was also a mathematician, cosmologist, and encyclopaedic author. His works influenced the next two generations of naturalists, including Jean-Baptiste Lamarck and Georges Cuvier. Buffon published thirty-five quarto volumes of his Histoire naturelle during his lifetime; one additional volume based on his notes was published in 1789 after his death.
Wellcome: 475-14.
[Ref: 14023] £65.00 (£78.00 incl.VAT)
The Effigis of Francis Bugg of Mildenhall the 60th Year of His Age 1700. I magnifie mine Office, If by any means...
F. H. van Hove. sculp.
[R. Janeway & J. Robinson 1700.]
Engraving. Sheet: 140 x 85mm (5½ x 3¼''). Trimmed and laid on album sheet.
A portrait of Francis Bugg (1740-1727) which served as frontispiece to 'The Pilgrim's Progress from Quakerism to Christianity' 1700. Francis Bugg became a Quaker while a young man but converted back to Christianity and wrote several books arguing against Quakerism.
[Ref: 49062] £140.00 (£168.00 incl.VAT)
F. H. van Hove. sculp.
[R. Janeway & J. Robinson 1700.]
Engraving. Sheet: 140 x 85mm (5½ x 3¼''). Trimmed and laid on album sheet.
A portrait of Francis Bugg (1740-1727) which served as frontispiece to 'The Pilgrim's Progress from Quakerism to Christianity' 1700. Francis Bugg became a Quaker while a young man but converted back to Christianity and wrote several books arguing against Quakerism.
[Ref: 49062] £140.00 (£168.00 incl.VAT)