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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Reverend Father in God, Ralph Brownrig Lord B.p of Exeter, who dyed aged 67. Dec: 7 1659. So here's a Prelate, in whom Light, & Heate / Learning & Zeale, Meeknesse, & Courage met [...]
W. Faithorne Sculp [1661]
Engraving, sheet 220 x 145mm (8¾ x 5¾"). Trimmed; tipped into album sheet.
Ralph Brownrigg (1592-1659), bishop of Exeter. A noted Calvinist, Brownrigg held positions at St Catherine's College and Cambridge University before he lost them in 1645, when he was arrested for giving a sermon in which he was reported to have instructed Christians to put obedience to their sovereign before following Christian practice. The following year Brownrigg lost his episcopal office too, limiting his activities in his final years, although he achieved a posthumous reputation following the publication of his sermons, a 1661 volume of which this print was the frontspiece to. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.24
[Ref: 42241] £140.00 (£168.00 incl.VAT)
W. Faithorne Sculp [1661]
Engraving, sheet 220 x 145mm (8¾ x 5¾"). Trimmed; tipped into album sheet.
Ralph Brownrigg (1592-1659), bishop of Exeter. A noted Calvinist, Brownrigg held positions at St Catherine's College and Cambridge University before he lost them in 1645, when he was arrested for giving a sermon in which he was reported to have instructed Christians to put obedience to their sovereign before following Christian practice. The following year Brownrigg lost his episcopal office too, limiting his activities in his final years, although he achieved a posthumous reputation following the publication of his sermons, a 1661 volume of which this print was the frontspiece to. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.24
[Ref: 42241] £140.00 (£168.00 incl.VAT)
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Mrs. Brownrigg.
[Pub. 1810, by Nuttall, Fisher & Dixon, Liverpool.]
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate.
Elizabeth Brownrigg (1720 - 1767) was an 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 13 September 1767.
[Ref: 38039] £50.00 (£60.00 incl.VAT)
[Pub. 1810, by Nuttall, Fisher & Dixon, Liverpool.]
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate.
Elizabeth Brownrigg (1720 - 1767) was an 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 13 September 1767.
[Ref: 38039] £50.00 (£60.00 incl.VAT)
Mrs. Brownrigg.
J. Chapman sc.
Published Feb. 1801 [?] by James Cundee.
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Slight loss top right.
Elizabeth Brownrigg (1720 - 1767) was an 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 13 September 1767. A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and published by James Cundee, Ivy Lane, London.
[Ref: 38040] £45.00 (£54.00 incl.VAT)
J. Chapman sc.
Published Feb. 1801 [?] by James Cundee.
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Slight loss top right.
Elizabeth Brownrigg (1720 - 1767) was an 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 13 September 1767. A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and published by James Cundee, Ivy Lane, London.
[Ref: 38040] £45.00 (£54.00 incl.VAT)
Elizabeth Brownrigg, Executed Septr. 14th. 1767. for ye Murder. of Mary Clifford.
[n.d., c.1770.]
Engraving, image 170 x 112mm. Margin missing above and left.
Elizabeth Brownrigg d. 1767, murderess, was the wife of James Brownrigg, a house painter, who lived at Fleur de Luce Court, Fetter Lane. For some years she practised midwifery, and about 1765 was appointed by the overseers of St. Dunstan's in the West to act as midwife to the poor women of the parish workhouse. She had three apprentices, Mary Mitchell, Mary Jones, and Mary Clifford, all of whom she treated in a most inhuman manner. On 3 Aug. Clifford was found in a dying state, hidden in Brownrigg's premises, and died shortly after. James, the husband, was committed for trial. Elizabeth and her son John fled, but were apprehended on the 16th. Elizabeth was tried at the Old Bailey, before Mr. Justice Hewitt, on 12 Sept. 1767, found guilty, and received sentence. Her husband and son were acquitted. It appears that after practising all sorts of diabolical cruelties upon Clifford, the woman Brownrigg tied her up to a hook fixed in one of the beams in the kitchen, and flogged her no less than five times on 31 July. She was hanged at Tyburn on 14 Sept. 1767. Her skeleton was exposed in a niche at Surgeons' Hall in the Old Bailey, ‘that the heinousness of her cruelty might make the more lasting impression on the minds of the spectators' (Gent. Mag.). A well-known reference to her crime is made in some verses in the ‘Anti-Jacobin. For the Gentleman's Magazine.
[Ref: 7746] £45.00 (£54.00 incl.VAT)
[n.d., c.1770.]
Engraving, image 170 x 112mm. Margin missing above and left.
Elizabeth Brownrigg d. 1767, murderess, was the wife of James Brownrigg, a house painter, who lived at Fleur de Luce Court, Fetter Lane. For some years she practised midwifery, and about 1765 was appointed by the overseers of St. Dunstan's in the West to act as midwife to the poor women of the parish workhouse. She had three apprentices, Mary Mitchell, Mary Jones, and Mary Clifford, all of whom she treated in a most inhuman manner. On 3 Aug. Clifford was found in a dying state, hidden in Brownrigg's premises, and died shortly after. James, the husband, was committed for trial. Elizabeth and her son John fled, but were apprehended on the 16th. Elizabeth was tried at the Old Bailey, before Mr. Justice Hewitt, on 12 Sept. 1767, found guilty, and received sentence. Her husband and son were acquitted. It appears that after practising all sorts of diabolical cruelties upon Clifford, the woman Brownrigg tied her up to a hook fixed in one of the beams in the kitchen, and flogged her no less than five times on 31 July. She was hanged at Tyburn on 14 Sept. 1767. Her skeleton was exposed in a niche at Surgeons' Hall in the Old Bailey, ‘that the heinousness of her cruelty might make the more lasting impression on the minds of the spectators' (Gent. Mag.). A well-known reference to her crime is made in some verses in the ‘Anti-Jacobin. For the Gentleman's Magazine.
[Ref: 7746] £45.00 (£54.00 incl.VAT)
Mrs Elizabeth Brownrigg.
Published according to the Act of Parliament Septr. 17, 1767.
Very rare etching. 240 x 170mm (9½ x 6¾"). Trimmed into plate and backed onto album paper. Small stain top left.
Portrait of Elizabeth Brownrigg (c. 1720 - 1767), 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants, who died from cumulative injuries and associated infected wounds. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 14 September 1767.
[Ref: 64235] £260.00 (£312.00 incl.VAT)
Published according to the Act of Parliament Septr. 17, 1767.
Very rare etching. 240 x 170mm (9½ x 6¾"). Trimmed into plate and backed onto album paper. Small stain top left.
Portrait of Elizabeth Brownrigg (c. 1720 - 1767), 18th-century English murderer. Her victim, Mary Clifford, was one of her domestic servants, who died from cumulative injuries and associated infected wounds. As a result of witness testimony and medical evidence at her trial, Brownrigg was hanged at Tyburn on 14 September 1767.
[Ref: 64235] £260.00 (£312.00 incl.VAT)
Ozoro Esther.Tecla Mariam. Kefta Yasous. Pl.2.
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored.
Three portraits of Abyssinian figures, each half-length in ovals. Plate 2 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62953] £130.00 (£156.00 incl.VAT)
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored.
Three portraits of Abyssinian figures, each half-length in ovals. Plate 2 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62953] £130.00 (£156.00 incl.VAT)
Woodage Asahel. Abyssinian Lady of Quality. Pl.3.
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored in margin.
Two portraits of Abyssinian figures, each half-length in ovals. Plate 3 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62955] £130.00 (£156.00 incl.VAT)
Heath sc. [after Thomas Stothard]
London, Published Oc.tr 1.st 1804, by Longman & C.o.
Stipple, plate 295 x 230mm (11½ x 9"). Small margins. Has been restored in margin.
Two portraits of Abyssinian figures, each half-length in ovals. Plate 3 to the second addition of James Bruce's 'Travels to discover the source of the Nile.'
[Ref: 62955] £130.00 (£156.00 incl.VAT)
Robertus Cottonus Bruceus. Aesculapius hic Librorum aerugo, Vetustas Pero quem nulla potest Britonum consumere chartas.
T. Cross sculpsit. [After Cornelius Johnson.]
[n.d. c.1651.]
Etching. 140 x 90mm. 5½ x 3½". Cut. Laid on 18th century scrap sheet.
Portrait of Sir Robert Bruce Cotton; nearly half length, slightly to the right; in falling ruff; bearded, with hair to his ears. Frontispiece to his 'An answer to Such Motives', 1651. Sir Robert Bruce Cotton (1571-1631) was a collector, particularly of manuscripts and charters; this collection was known as the Cottonian Library and given to the nation by grandson Sir John Cotton. It formed the core of what is now the British Library, but a small number of objects and paintings remain within the registered collection of the British Museum. Cotton was an English antiquarian and Member of Parliament, founder of the important Cotton Library. He was elected to Parliament as member of Old Sarum (1624), Thetford (1625) and Castle Rising (1628).
Ex Collection: R. Hobson of Hove.
[Ref: 25349] £130.00 (£156.00 incl.VAT)
T. Cross sculpsit. [After Cornelius Johnson.]
[n.d. c.1651.]
Etching. 140 x 90mm. 5½ x 3½". Cut. Laid on 18th century scrap sheet.
Portrait of Sir Robert Bruce Cotton; nearly half length, slightly to the right; in falling ruff; bearded, with hair to his ears. Frontispiece to his 'An answer to Such Motives', 1651. Sir Robert Bruce Cotton (1571-1631) was a collector, particularly of manuscripts and charters; this collection was known as the Cottonian Library and given to the nation by grandson Sir John Cotton. It formed the core of what is now the British Library, but a small number of objects and paintings remain within the registered collection of the British Museum. Cotton was an English antiquarian and Member of Parliament, founder of the important Cotton Library. He was elected to Parliament as member of Old Sarum (1624), Thetford (1625) and Castle Rising (1628).
Ex Collection: R. Hobson of Hove.
[Ref: 25349] £130.00 (£156.00 incl.VAT)
The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.
Painted by F Grant, R.A. Engraved by James Faed.
London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.
Mezzotint. 795 x 505mm (31¼ x 20"). Tear entering plate at bottom. Small margins.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 65907] £320.00
Painted by F Grant, R.A. Engraved by James Faed.
London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.
Mezzotint. 795 x 505mm (31¼ x 20"). Tear entering plate at bottom. Small margins.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 65907] £320.00
![[The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.]](jpegs/65909.jpg)
[The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.]
[Painted by F Grant, R.A. Engraved by James Faed.]
[London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.]
Mezzotint, proof before letters, printed on chine collé. 795 x 505mm (31¼ x 20"). Printseller's Association blindstamp, limited edition of 125 in proof state. Trimmed to chine collé top and bottom, edges chipped, spotted and stained. Unidentified collector's stamp on reverse.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state i of iii.
[Ref: 65909] £320.00
[Painted by F Grant, R.A. Engraved by James Faed.]
[London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.]
Mezzotint, proof before letters, printed on chine collé. 795 x 505mm (31¼ x 20"). Printseller's Association blindstamp, limited edition of 125 in proof state. Trimmed to chine collé top and bottom, edges chipped, spotted and stained. Unidentified collector's stamp on reverse.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state i of iii.
[Ref: 65909] £320.00
![[The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.] Truly Yours Elgin & Kincardine [facsimile signature]](jpegs/65910.jpg)
[The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.] Truly Yours Elgin & Kincardine [facsimile signature]
[Painted by F Grant, R.A. Engraved by James Faed.]
[London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.]
Mezzotint, proof before title, 795 x 505mm (31¼ x 20"). Printseller's Association blindstamp, limited edition of 125 in proof state. Tears entering unprinted area of plate, edges chipped and soiled.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 65910] £220.00 (£264.00 incl.VAT)
[Painted by F Grant, R.A. Engraved by James Faed.]
[London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.]
Mezzotint, proof before title, 795 x 505mm (31¼ x 20"). Printseller's Association blindstamp, limited edition of 125 in proof state. Tears entering unprinted area of plate, edges chipped and soiled.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 65910] £220.00 (£264.00 incl.VAT)
The Right Hon.ble The Earl of Elgin and Kincardine, K.T., G.C.B.
Painted by F Grant, R.A. Engraved by James Faed.
London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.
Mezzotint, 795 x 505mm (31¼ x 20"). A few small stains. Small margins.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 65932] £360.00
Painted by F Grant, R.A. Engraved by James Faed.
London, Published June 7.th 1864, by Henry Graves & C.º the Proprietors, Publishers to the Queen_6 Pall Mall.
Mezzotint, 795 x 505mm (31¼ x 20"). A few small stains. Small margins.
Full-length portrait of colonial administrator and diplomat James Bruce (1811-63), 8th Earl of Elgin and 12th Earl of Kincardine. He was the Governor General of the Province of Canada, a High Commissioner in charge of opening trade links with the Chinese and Japanese, and Viceroy of India.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 65932] £360.00
![[India] [James Bruce.]](jpegs/66979.jpg)
[India] [James Bruce.] [8th Earl of Elgin and 12th Earl of Kincardine.]
[n.d., c.1860.]
Stipple engraving on chine paper. Sheet 280 x 205mm (11 x 8").
Portrait of James Bruce, 8th Earl of Elgin and 12th Earl of Kincardine (1811 -1863), British colonial administrator and diplomat. He served as Governor of Jamaica (1842 - 1846), Governor General of the Province of Canada (1847 - 1854), and Viceroy of India (1862 - 1863).
[Ref: 66979] £140.00 (£168.00 incl.VAT)
[n.d., c.1860.]
Stipple engraving on chine paper. Sheet 280 x 205mm (11 x 8").
Portrait of James Bruce, 8th Earl of Elgin and 12th Earl of Kincardine (1811 -1863), British colonial administrator and diplomat. He served as Governor of Jamaica (1842 - 1846), Governor General of the Province of Canada (1847 - 1854), and Viceroy of India (1862 - 1863).
[Ref: 66979] £140.00 (£168.00 incl.VAT)
Giacomo Bruce.
Bramati dis. Rados inc.
[Italian, c.1820.]
Aquatint. 220 x 155mm, 9¾ x 6".
Portrait of the Scottish explorer James Bruce (1730-94), famed for his expeditions to Africa in which he discovered the source of the Blue Nile in Ethiopia.
[Ref: 11573] £140.00 (£168.00 incl.VAT)
Bramati dis. Rados inc.
[Italian, c.1820.]
Aquatint. 220 x 155mm, 9¾ x 6".
Portrait of the Scottish explorer James Bruce (1730-94), famed for his expeditions to Africa in which he discovered the source of the Blue Nile in Ethiopia.
[Ref: 11573] £140.00 (£168.00 incl.VAT)
The Abyssinian Traveller.
Pub by MDarly Dec.r 9. 1775 (39 Strand).
Etching, 250 x 175mm, 9¾ x 7".
Satirical portrait of James Bruce (1730-94), Scottish explorer in Africa who traced the source of the Blue Nile in Ethiopia. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
BM Satires 5317.
[Ref: 14568] £420.00
Pub by MDarly Dec.r 9. 1775 (39 Strand).
Etching, 250 x 175mm, 9¾ x 7".
Satirical portrait of James Bruce (1730-94), Scottish explorer in Africa who traced the source of the Blue Nile in Ethiopia. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
BM Satires 5317.
[Ref: 14568] £420.00
The Right Hon.ble Robert late Earle of Ailesburg, L.d Chamberlaine of his Ma.ties Household &c.
P. Lely pinx.
[n.d., c.1700.]
Rare mezzotint. 290 x 200mm (11½ x 8"). Small margins.
Robert Bruce (1626-1685), 1st Earl of Ailesbury, in his peer's robes, holding wand and coronet. Chaloner Smith comments 'some portions of the work and the inscription (in which the title is engraved, "Ailesburg",) appear to be executed by a foreign hand, other portions resemble English work'. This plate is a copy of another rare mezzotint, engraved (again according to CS) by either John Smith or John Faber but unsigned.
See CS Smith 1.
[Ref: 51635] £280.00 (£336.00 incl.VAT)
P. Lely pinx.
[n.d., c.1700.]
Rare mezzotint. 290 x 200mm (11½ x 8"). Small margins.
Robert Bruce (1626-1685), 1st Earl of Ailesbury, in his peer's robes, holding wand and coronet. Chaloner Smith comments 'some portions of the work and the inscription (in which the title is engraved, "Ailesburg",) appear to be executed by a foreign hand, other portions resemble English work'. This plate is a copy of another rare mezzotint, engraved (again according to CS) by either John Smith or John Faber but unsigned.
See CS Smith 1.
[Ref: 51635] £280.00 (£336.00 incl.VAT)
![[Dorothy Brudenell] The Countess of Westmerland.](jpegs/65480.jpg)
[Dorothy Brudenell] The Countess of Westmerland.
[J Riley pinx:] I. Beckett fec.
J. Smith ex: [n.d., c.1685].
Fine mezzotint. 225 x 175mm (8¾ x 7"), large margins.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, state iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Christie Miller Collection in pencil "Townley" 1277.
[Ref: 65480] £260.00 (£312.00 incl.VAT)
[J Riley pinx:] I. Beckett fec.
J. Smith ex: [n.d., c.1685].
Fine mezzotint. 225 x 175mm (8¾ x 7"), large margins.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, state iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Christie Miller Collection in pencil "Townley" 1277.
[Ref: 65480] £260.00 (£312.00 incl.VAT)
![[Dorothy Brudenell] The Countess of Westmerland.](jpegs/65481.jpg)
[Dorothy Brudenell] The Countess of Westmerland.
[J Riley pinx:] I. Beckett fec.
[n.d., c.1685].
Mezzotint. 225 x 175mm (8¾ x 7"). Trimmed to plate, mounted in album paper at edges. Messy.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, unlisted state between ii of iii, without either Riley or Smith's names. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65481] £190.00 (£228.00 incl.VAT)
[J Riley pinx:] I. Beckett fec.
[n.d., c.1685].
Mezzotint. 225 x 175mm (8¾ x 7"). Trimmed to plate, mounted in album paper at edges. Messy.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, unlisted state between ii of iii, without either Riley or Smith's names. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65481] £190.00 (£228.00 incl.VAT)
![[Dorothy Brudenell] The Countess of Westmerland.](jpegs/65483.jpg)
[Dorothy Brudenell] The Countess of Westmerland.
J Riley pinx: I. Beckett fec.
[n.d., c.1685].
Mezzotint. 225 x 175mm (8¾ x 7"). Trimmed to plate, mounted in album paper at edges.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, state ii of iii, 'Two known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65483] £190.00 (£228.00 incl.VAT)
J Riley pinx: I. Beckett fec.
[n.d., c.1685].
Mezzotint. 225 x 175mm (8¾ x 7"). Trimmed to plate, mounted in album paper at edges.
A half-length portrait of Dorothy Brudenell (1650-1740), daughter of the 2nd Earl of Cardigan, wife of Charles Fane, 3rd Earl of Westmorland.
CS 96, state ii of iii, 'Two known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65483] £190.00 (£228.00 incl.VAT)
The Right Hon.ble James Brudenell, Earl of Cardigan, &c.&c.&c. Constable & Governor of Windsor Castle & Keeper of the Privy Purse to the King. From the Original Picture in the Possession of Anthony Storer Esq.r
Painted by Romney. Engraved by J. Grozer.
Published as the Act directs Sep. 1792 by I. Grozer No.3 Castle Street Leicester Square.
Mezzotint with small margins and collector's mark. Plate 380 x 278mm (15 x 11"). Fine impression.
James Brudenell, 5th Earl of Cardigan (1725-1811), the British politician and courtier. He served as Member of Parliament for Shaftesbury, Hastings, Great Bedwyn and Marlborough. He served as Deputy Cofferer of the Household, Master of the Robes to the Prince of Wales, George III, Constable and Governor of Windsor Castle, and Keeper of the Privy Purse.
Ex Collection: Earl of Bute. Horne: 14.
[Ref: 29123] £260.00 (£312.00 incl.VAT)
Painted by Romney. Engraved by J. Grozer.
Published as the Act directs Sep. 1792 by I. Grozer No.3 Castle Street Leicester Square.
Mezzotint with small margins and collector's mark. Plate 380 x 278mm (15 x 11"). Fine impression.
James Brudenell, 5th Earl of Cardigan (1725-1811), the British politician and courtier. He served as Member of Parliament for Shaftesbury, Hastings, Great Bedwyn and Marlborough. He served as Deputy Cofferer of the Household, Master of the Robes to the Prince of Wales, George III, Constable and Governor of Windsor Castle, and Keeper of the Privy Purse.
Ex Collection: Earl of Bute. Horne: 14.
[Ref: 29123] £260.00 (£312.00 incl.VAT)
![[James Thomas Brudenell, 7th Earl of Cardigan] His Lordship.](jpegs/56514.jpg)
[James Thomas Brudenell, 7th Earl of Cardigan] His Lordship. (A Sketch in the Phoenix.)
[after Henry Hope Crealock.]
Lithographed, Printed and Published by Dickinson Brothers, 114, Bond Street [n.d., c.1856].
Fine & rare tinted lithograph with hand colour. Printed area 280 x 360mm (11 x 14¼"), with large margins. A little damage to edges.
A slightly caricatured portrait of Cardigan, sword drawn, on a charger, probably 'Ronald', which he rode at the 'Charge of the Light Brigade'. Behind is his bugler. Henry Hope Crealock (1831-91), a captain in the 90th Light Infantry during the Crimean War, was an accomplished draughtsman, who also sketched during the Indian Mutiny, Opium Wars in China and the Zulu campaign (for the Illustrated London News). He retired from the army as a Lieutenant-General. Irish interest.
[Ref: 56514] £360.00
[after Henry Hope Crealock.]
Lithographed, Printed and Published by Dickinson Brothers, 114, Bond Street [n.d., c.1856].
Fine & rare tinted lithograph with hand colour. Printed area 280 x 360mm (11 x 14¼"), with large margins. A little damage to edges.
A slightly caricatured portrait of Cardigan, sword drawn, on a charger, probably 'Ronald', which he rode at the 'Charge of the Light Brigade'. Behind is his bugler. Henry Hope Crealock (1831-91), a captain in the 90th Light Infantry during the Crimean War, was an accomplished draughtsman, who also sketched during the Indian Mutiny, Opium Wars in China and the Zulu campaign (for the Illustrated London News). He retired from the army as a Lieutenant-General. Irish interest.
[Ref: 56514] £360.00
Cathedral of St Sauveur, Bruges.
J Chalmers Park [signed in pencil.]
[n.d. c.1920.]
Drypoint etching. Publisher's stamp. 330 x 215mm (13 x 8½").
Bruges, Belgium; view of Sint-Salvator Cathedral, which from the 10th to the 19th century was only a common parish church until it was granted cathedral status. James Chalmers Park (1858-1938) of Yorkshire.
[Ref: 20086] £60.00 (£72.00 incl.VAT)
J Chalmers Park [signed in pencil.]
[n.d. c.1920.]
Drypoint etching. Publisher's stamp. 330 x 215mm (13 x 8½").
Bruges, Belgium; view of Sint-Salvator Cathedral, which from the 10th to the 19th century was only a common parish church until it was granted cathedral status. James Chalmers Park (1858-1938) of Yorkshire.
[Ref: 20086] £60.00 (£72.00 incl.VAT)
![[Surrender of Ten Towns.]](jpegs/42526.jpg)
[Surrender of Ten Towns.] Siegreiche Länder und Stätt Ernde...
Georg Phil. Rugendas del. Abraham Drentwett Ornam: del. Ioh: August: Corvinus Sculpsit.
Cum Gratia et Privileg: Sac: Caes: Maj. Ieremias Wolff excudit Aug. Vind. [n.d., c.1720.]
Engraving. Sheet: 390 x 425mm (15¼ x 16¾"). Some light staining. Trimmed to platemark. Creasing hardly visible from front.
Ten decorative scenes showing the surrender of ten towns, including Bruges and Brussels who surrendered to the Great Alliance in 1706 following their victory at the Battle of Ramillies in May. The central scene shows the handing over of the keys to the city of Brussels to the Duke of Marlborough, nine smaller vignettes all set in a highly decorative border show the other nine towns. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42526] £320.00
Georg Phil. Rugendas del. Abraham Drentwett Ornam: del. Ioh: August: Corvinus Sculpsit.
Cum Gratia et Privileg: Sac: Caes: Maj. Ieremias Wolff excudit Aug. Vind. [n.d., c.1720.]
Engraving. Sheet: 390 x 425mm (15¼ x 16¾"). Some light staining. Trimmed to platemark. Creasing hardly visible from front.
Ten decorative scenes showing the surrender of ten towns, including Bruges and Brussels who surrendered to the Great Alliance in 1706 following their victory at the Battle of Ramillies in May. The central scene shows the handing over of the keys to the city of Brussels to the Duke of Marlborough, nine smaller vignettes all set in a highly decorative border show the other nine towns. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42526] £320.00
Bruges one of the Principal Cities of Flanders.
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Original binding folds, trimmed at top, as issued.
A plan of Bruges during the War of the Spanish Succession. The city was taken from the Austrians in 1706, retaken by the French in 1707 and again by the Allies in 1708. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28248] £260.00
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Original binding folds, trimmed at top, as issued.
A plan of Bruges during the War of the Spanish Succession. The city was taken from the Austrians in 1706, retaken by the French in 1707 and again by the Allies in 1708. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28248] £260.00
Hans Moritz Graf von Brühl. Auf Martins Kirchen Churg. Sächs. wirkl. Geh. Rath, Kammerherr und Gesandter zu London. Ritter des weissen Adler Ordens. Verschied. Konigl. Academ. und gelehrt. Gesellsch. Mitglief. Geboren zu Dresden d.20 Decbr: 1736.
C Westermayr sculp R.A. Northcote pinx.
[n.d. c.1796.]
Stipple. Plate 140 x 85mm. 5½ x 3¼".
Hans Moritz Graf von Brühl (1736-1809), the German diplomat and astronomer, and resident for much of his life in London. In 1764 he was appointed ambassador extraordinary to the court of St James's. During his time in London he promoted astronomy and was intimate with William Herschel, and transmitted news of discoveries abroad through Johann Elert Bode's "Jahrbuch". From 1788 he belonged to the Saxon privy council, and was a knight of the White Eagle.
NPG: D14874.
[Ref: 25981] £60.00 (£72.00 incl.VAT)
C Westermayr sculp R.A. Northcote pinx.
[n.d. c.1796.]
Stipple. Plate 140 x 85mm. 5½ x 3¼".
Hans Moritz Graf von Brühl (1736-1809), the German diplomat and astronomer, and resident for much of his life in London. In 1764 he was appointed ambassador extraordinary to the court of St James's. During his time in London he promoted astronomy and was intimate with William Herschel, and transmitted news of discoveries abroad through Johann Elert Bode's "Jahrbuch". From 1788 he belonged to the Saxon privy council, and was a knight of the White Eagle.
NPG: D14874.
[Ref: 25981] £60.00 (£72.00 incl.VAT)
His Excellency Count Brühl, Minister from the Elector of Saxony to the King of Great Britain.
Painted by J.Northcote R.A. Engraved by S.W.Reynolds & W.Ainnis.
London, Published by S.W.Reynolds, 1803.
A very fine mezzotint, marked "1st Fifty". 500 x 350mm.
John Maurice, Compte de Brühl (1736-1809, ambassador to England he was an amateur engraver and author of several astronomy works.
Whitman: 40. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4428] £650.00
Painted by J.Northcote R.A. Engraved by S.W.Reynolds & W.Ainnis.
London, Published by S.W.Reynolds, 1803.
A very fine mezzotint, marked "1st Fifty". 500 x 350mm.
John Maurice, Compte de Brühl (1736-1809, ambassador to England he was an amateur engraver and author of several astronomy works.
Whitman: 40. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4428] £650.00
His Excellency Count Brühl, Minister from the Elector of Saxony to the King of Great Britain
Painted by J. Northcote R.A. Engraved by S.W. Reynolds & W. Aniss
London, Published by S.W. Reynolds, 1803
Mezzotint, platemark 500 x 355mm (19¾ x 14"), with very large margins. Marked '1st fifty' lower left.
Hans Moritz Graf von Brühl (1736-1809), the German diplomat and astronomer, and resident for much of his life in London. In 1764 he was appointed ambassador extraordinary to the court of St James's. During his time in London he promoted astronomy and was intimate with William Herschel, and transmitted news of discoveries abroad through Johann Elert Bode's "Jahrbuch". From 1788 he belonged to the Saxon privy council, and was a knight of the White Eagle. Fine engraving after a portrait by James Northcote (1746 - 1831), painter and author. A pupil and biographer of Sir Joshua Reynolds, Northcote was known for his dignified portraits in the tradition of his master, but also produced grandiose history paintings, many for Boydell's Shakespeare Gallery.
See 4428 for similar.
[Ref: 43761] £360.00
Painted by J. Northcote R.A. Engraved by S.W. Reynolds & W. Aniss
London, Published by S.W. Reynolds, 1803
Mezzotint, platemark 500 x 355mm (19¾ x 14"), with very large margins. Marked '1st fifty' lower left.
Hans Moritz Graf von Brühl (1736-1809), the German diplomat and astronomer, and resident for much of his life in London. In 1764 he was appointed ambassador extraordinary to the court of St James's. During his time in London he promoted astronomy and was intimate with William Herschel, and transmitted news of discoveries abroad through Johann Elert Bode's "Jahrbuch". From 1788 he belonged to the Saxon privy council, and was a knight of the White Eagle. Fine engraving after a portrait by James Northcote (1746 - 1831), painter and author. A pupil and biographer of Sir Joshua Reynolds, Northcote was known for his dignified portraits in the tradition of his master, but also produced grandiose history paintings, many for Boydell's Shakespeare Gallery.
See 4428 for similar.
[Ref: 43761] £360.00
The Bruiseing Milliner or Mother Brownrig y.e 11.d. A true story Oct.r 12.th 1784. With Jerry Sneaks Nose tied to the Apron string.
Published Accoring to Act of Parl.mt.
Etching, 18th century watermark. Plate: 250 x 200mm (9¾ x 8"). Marking, small margins, bit messy.
A scene in a milliner's shop in which a woman beats the hand of a small child, the title refers to 'Mother Brownrig' or Elizabeth Brownrigg who was executed in 1767 for the murder of one of her domestic servants. Jerry Sneak was a henpecked husband in a play by Mr Foote and became a synonym for henpecked husbands in general.
[Ref: 44262] £240.00 (£288.00 incl.VAT)
Published Accoring to Act of Parl.mt.
Etching, 18th century watermark. Plate: 250 x 200mm (9¾ x 8"). Marking, small margins, bit messy.
A scene in a milliner's shop in which a woman beats the hand of a small child, the title refers to 'Mother Brownrig' or Elizabeth Brownrigg who was executed in 1767 for the murder of one of her domestic servants. Jerry Sneak was a henpecked husband in a play by Mr Foote and became a synonym for henpecked husbands in general.
[Ref: 44262] £240.00 (£288.00 incl.VAT)
The bruising Apothecary - paratus operi -
Pub by MDarly 39 Strand Sep. 1. 1774.
Etching, 240 x 175mm. 9½ x 7".
An apothecary standing clenching his fist and holding a wig; probably a portrait. A medical interest caricature, from an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. This print gave its title to 'The Bruising Apothecary: images of pharmacy and medicine in caricature', the catalogue of the Royal Pharmaceutical Society's collection of caricatures.
BM Satires: undescribed.
[Ref: 14514] £260.00 (£312.00 incl.VAT)
Pub by MDarly 39 Strand Sep. 1. 1774.
Etching, 240 x 175mm. 9½ x 7".
An apothecary standing clenching his fist and holding a wig; probably a portrait. A medical interest caricature, from an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. This print gave its title to 'The Bruising Apothecary: images of pharmacy and medicine in caricature', the catalogue of the Royal Pharmaceutical Society's collection of caricatures.
BM Satires: undescribed.
[Ref: 14514] £260.00 (£312.00 incl.VAT)
The Bruising Match by Hemskerck. Le Combat a Coup de Pogno par Hemskerck.
Printed for John Bowles at ye Black Horse in Cornhill [n.d., c.1750].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Trimmed to plate
Two men brawl in a yard, probably outside a Dutch inn, with another man holding back onlookers. Signs of erasure in the inscription area suggest an earlier, unknown state. The BM & Lennox-Boyd suggest the engraver was Isaac Becket.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64831] £450.00
Printed for John Bowles at ye Black Horse in Cornhill [n.d., c.1750].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Trimmed to plate
Two men brawl in a yard, probably outside a Dutch inn, with another man holding back onlookers. Signs of erasure in the inscription area suggest an earlier, unknown state. The BM & Lennox-Boyd suggest the engraver was Isaac Becket.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64831] £450.00
Revolution of the 18th Brumaire.
I.R. Cruikshank Del.t. Pole Sc.t.
[n.d., c.1820.]
Engraving. Sheet 115 x 175mm (4½ x 7"). Trimmed and mounted in album paper.
Scene of Napoleon's coup against the Council of 500 on the 19th Brumaire (the second day of the 'Coup of 18 Brumaire', 900 November 1799.
[Ref: 36021] £45.00 (£54.00 incl.VAT)
I.R. Cruikshank Del.t. Pole Sc.t.
[n.d., c.1820.]
Engraving. Sheet 115 x 175mm (4½ x 7"). Trimmed and mounted in album paper.
Scene of Napoleon's coup against the Council of 500 on the 19th Brumaire (the second day of the 'Coup of 18 Brumaire', 900 November 1799.
[Ref: 36021] £45.00 (£54.00 incl.VAT)
Brune, General & Chef des Armées Francoise et Batave dans la Republique Batave dans la République Batave.
Peint d'après nature par C.H.Hodges et Gravé par le meme.
Amsterdam, chez C.H. Hodges, sur le Keisersgragt & E. Maaskamp, dans le Kalverstraat. a Paris, chez A. Hulk, Rue Jacques, entre les rues du Platre et des Noyers, No. 22.
Very rare mezzotint. 470 x 340mm (18½ x 13½"), large margins. Faint spotting.
Guillaume Marie-Anne Brune (1764-1815), 1st Count Brune. A political journalist, he joined the National Guard on the outbreak of the French Revolution in 1789. In 1793 he was appointed brigadier general, serving under Napoleon in the Italian campaign of 1796. In 1798 he commanded the army that occupied Switzerland and established the Helvetis Republic. The following year, he successfully defended Amsterdam during the Anglo-Russian invasion of Holland, when this portrait was painted. After Waterloo he was shot and killed by an angry Royalist mob in Avignon and his body thrown into the Rhone, although it was later recovered by his family and given a proper burial. The artist, Charles Howard Hodges (1764-1837) was a pupil of John Raphael Smith. He moved to The Hague in 1794 and to Amsterdam in 1797, where this plate was published and where he spent the rest of his life.
[Ref: 59422] £360.00
Peint d'après nature par C.H.Hodges et Gravé par le meme.
Amsterdam, chez C.H. Hodges, sur le Keisersgragt & E. Maaskamp, dans le Kalverstraat. a Paris, chez A. Hulk, Rue Jacques, entre les rues du Platre et des Noyers, No. 22.
Very rare mezzotint. 470 x 340mm (18½ x 13½"), large margins. Faint spotting.
Guillaume Marie-Anne Brune (1764-1815), 1st Count Brune. A political journalist, he joined the National Guard on the outbreak of the French Revolution in 1789. In 1793 he was appointed brigadier general, serving under Napoleon in the Italian campaign of 1796. In 1798 he commanded the army that occupied Switzerland and established the Helvetis Republic. The following year, he successfully defended Amsterdam during the Anglo-Russian invasion of Holland, when this portrait was painted. After Waterloo he was shot and killed by an angry Royalist mob in Avignon and his body thrown into the Rhone, although it was later recovered by his family and given a proper burial. The artist, Charles Howard Hodges (1764-1837) was a pupil of John Raphael Smith. He moved to The Hague in 1794 and to Amsterdam in 1797, where this plate was published and where he spent the rest of his life.
[Ref: 59422] £360.00
Sir I. Brunel.
[n.d., c.1850.]
Engraving. Plate: 230 x 140mm (9 x 5½"). Crease in bottom right corner.
Two portraits of mechanical and civil engineer Isambard Kingdom Brunel (1806-1859), on the top is depicted a profile bust of while below Brunel is shown raising his well-known tall hat.
[Ref: 46826] £70.00 (£84.00 incl.VAT)
[n.d., c.1850.]
Engraving. Plate: 230 x 140mm (9 x 5½"). Crease in bottom right corner.
Two portraits of mechanical and civil engineer Isambard Kingdom Brunel (1806-1859), on the top is depicted a profile bust of while below Brunel is shown raising his well-known tall hat.
[Ref: 46826] £70.00 (£84.00 incl.VAT)
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Chas. Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint on chine collé. 505 x 355mm (19¾ x 14").
Sir Marc Isambard Brunel (1769-1849), civil engineer, at a table with mechanical drawings and a model of an engine His method for production of rigging blocks for the navy at the Portsmouth Block Mills was the first genuine industrial production line. He is remembered for being chief engineer on the Thames Tunnel and as father of Isambard Kingdom Brunel, but also served as chief engineer in New York, and designed Liverpool's first floating landing stage (1826). Engraved after the portrait of 1812-13 by James Northcote (National Portrait Gallery).
Whitman 77 iii/iii; Ex: Collection of the Late Hon. C. Lennox-Boyd. For an earlier state, see ref. 4429.
[Ref: 34839] £360.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint on chine collé. 505 x 355mm (19¾ x 14").
Sir Marc Isambard Brunel (1769-1849), civil engineer, at a table with mechanical drawings and a model of an engine His method for production of rigging blocks for the navy at the Portsmouth Block Mills was the first genuine industrial production line. He is remembered for being chief engineer on the Thames Tunnel and as father of Isambard Kingdom Brunel, but also served as chief engineer in New York, and designed Liverpool's first floating landing stage (1826). Engraved after the portrait of 1812-13 by James Northcote (National Portrait Gallery).
Whitman 77 iii/iii; Ex: Collection of the Late Hon. C. Lennox-Boyd. For an earlier state, see ref. 4429.
[Ref: 34839] £360.00
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Whose public works will best attest his fame While private worth adds value to his name. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Cha.s Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. With label "Pass the Bearer to the Shield" in ink Brunel's signature 1840; 505 x 355mm (19¾ x 14"), with large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65236] £580.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. With label "Pass the Bearer to the Shield" in ink Brunel's signature 1840; 505 x 355mm (19¾ x 14"), with large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65236] £580.00
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Whose public works will best attest his fame While private worth adds value to his name. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Cha.s Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. 505 x 355mm (19¾ x 14").
Sir Marc Isambard Brunel, 1769-1849, civil engineer. His method for production of rigging blocks for the navy at the Portsmouth Block Mills was the first genuine industrial production line. His two most most notable achievements are the Thames Tunnel and fathering Isambard Kingdom Brunel.
Whitman 77. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4429] £680.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. 505 x 355mm (19¾ x 14").
Sir Marc Isambard Brunel, 1769-1849, civil engineer. His method for production of rigging blocks for the navy at the Portsmouth Block Mills was the first genuine industrial production line. His two most most notable achievements are the Thames Tunnel and fathering Isambard Kingdom Brunel.
Whitman 77. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4429] £680.00
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Whose public works will best attest his fame While private worth adds value to his name. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Cha.s Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. 505 x 355mm (19¾ x 14"), very large margins. Repaired tear in right margin centre edge.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings, engraved from a painting now in the National Portrait Gallery (NPG 978). His most most notable achievement was the Thames Tunnel.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65237] £480.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. 505 x 355mm (19¾ x 14"), very large margins. Repaired tear in right margin centre edge.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings, engraved from a painting now in the National Portrait Gallery (NPG 978). His most most notable achievement was the Thames Tunnel.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65237] £480.00
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Whose public works will best attest his fame While private worth adds value to his name. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Cha.s Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. 505 x 355mm (19¾ x 14"), very large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings, engraved from a painting now in the National Portrait Gallery (NPG 978).
Whitman 77, state ii of iii. See Science Museum MS/0346/09 for ticket. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65238] £620.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. 505 x 355mm (19¾ x 14"), very large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings, engraved from a painting now in the National Portrait Gallery (NPG 978).
Whitman 77, state ii of iii. See Science Museum MS/0346/09 for ticket. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65238] £620.00
![[Sir Mark Isambard Brunel] Mc Is Brunel [signature facsimile].](jpegs/47313.jpg)
[Sir Mark Isambard Brunel] Mc Is Brunel [signature facsimile].
Painted by S. Drummond A.R.A. Engraved by J. Carter.
London. Published October 7th 1846. by Fred. Gwynne (late Colnaghi & Co.) Printseller and Publisher to the Royal Family, 23 Cockspur Street, Charing Cross.
Mezzotint on india. 545 x 405mm (21½ x 16") very large margins Tears in margins, lower right.
Portrait of Sir Marc Isambard Brunel [1769 - 1849], civil engineer, engraved from the portrait by Drummond (London, National Portrait Gallery). Brunel is surrounded by objects alluding to his profession and achievements, including a miner's lamp, cotton-winding machine and a model of a lighthouse. On the right is the Thames Tunnel: the portrait was painted c.1835, half-way through its construction. This mezzotint was published in 1846, three years after the tunnel was opened to the public. By this time Brunel's career was over, having been almost totally paralysed on his right side by a stroke in 1845.
For proof state see ref. 47314.
[Ref: 47313] £390.00
Painted by S. Drummond A.R.A. Engraved by J. Carter.
London. Published October 7th 1846. by Fred. Gwynne (late Colnaghi & Co.) Printseller and Publisher to the Royal Family, 23 Cockspur Street, Charing Cross.
Mezzotint on india. 545 x 405mm (21½ x 16") very large margins Tears in margins, lower right.
Portrait of Sir Marc Isambard Brunel [1769 - 1849], civil engineer, engraved from the portrait by Drummond (London, National Portrait Gallery). Brunel is surrounded by objects alluding to his profession and achievements, including a miner's lamp, cotton-winding machine and a model of a lighthouse. On the right is the Thames Tunnel: the portrait was painted c.1835, half-way through its construction. This mezzotint was published in 1846, three years after the tunnel was opened to the public. By this time Brunel's career was over, having been almost totally paralysed on his right side by a stroke in 1845.
For proof state see ref. 47314.
[Ref: 47313] £390.00
![[Sir Marc Isambard Brunel.]](jpegs/47314.jpg)
[Sir Marc Isambard Brunel.]
Painted by S. Drummond A.R.A. Engraved by J. Carter.
London. Published October 7th 1846. by Fred. Gwynne (late Colnaghi & Co.) Printseller and Publisher to the Royal Family, 23 Cockspur Street, Charing Cross.
Proof mezzotint on india, with Brunel's pencil signature on a pasted label under a typed lable. 545 x 405mm (21½ x 16").
Portrait of Sir Marc Isambard Brunel [1769 - 1849], civil engineer, engraved from the portrait by Drummond (London, National Portrait Gallery). Brunel is surrounded by objects alluding to his profession and achievements, including a miner's lamp, cotton-winding machine and a model of a lighthouse. On the right is the Thames Tunnel: the portrait was painted c.1835, half-way through its construction. This mezzotint was published in 1846, three years after the tunnel was opened to the public. By this time Brunel's career was over, having been almost totally paralysed on his right side by a stroke in 1845.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 47314] £550.00
Painted by S. Drummond A.R.A. Engraved by J. Carter.
London. Published October 7th 1846. by Fred. Gwynne (late Colnaghi & Co.) Printseller and Publisher to the Royal Family, 23 Cockspur Street, Charing Cross.
Proof mezzotint on india, with Brunel's pencil signature on a pasted label under a typed lable. 545 x 405mm (21½ x 16").
Portrait of Sir Marc Isambard Brunel [1769 - 1849], civil engineer, engraved from the portrait by Drummond (London, National Portrait Gallery). Brunel is surrounded by objects alluding to his profession and achievements, including a miner's lamp, cotton-winding machine and a model of a lighthouse. On the right is the Thames Tunnel: the portrait was painted c.1835, half-way through its construction. This mezzotint was published in 1846, three years after the tunnel was opened to the public. By this time Brunel's career was over, having been almost totally paralysed on his right side by a stroke in 1845.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 47314] £550.00
Filippo di Ser Brunellesco Lapi Nobile Fiorentino Insigne Architetto. nato nel MCCCLXXVII morto il di 15/ Ap~le MCDXLVI. Dedicato al merito sign.re dell Ill:mo e Rev:mo Sig:re Marchese Gabbriello Riccardi Patrizio, e Suddecano Fiorentino. Presso da un Quadro in Tavola dell'Imperial Galleria di Firenze.
Franc.o Sacconi del: F: Allegrini inci: 1765.
Engraving. 300 x 200mm (11¾ x 7¾"), with very large margins. Old ink numeral in margin.
Filippo Brunelleschi (1377-1446), Florentine designer and architect of the Renaissance, recognised as the first modern engineer, planner and sole construction supervisor. His dome for Santa Maria del Fiore, Florence's cathedral, is the largest brick dome in the world.
[Ref: 40513] £180.00 (£216.00 incl.VAT)
Franc.o Sacconi del: F: Allegrini inci: 1765.
Engraving. 300 x 200mm (11¾ x 7¾"), with very large margins. Old ink numeral in margin.
Filippo Brunelleschi (1377-1446), Florentine designer and architect of the Renaissance, recognised as the first modern engineer, planner and sole construction supervisor. His dome for Santa Maria del Fiore, Florence's cathedral, is the largest brick dome in the world.
[Ref: 40513] £180.00 (£216.00 incl.VAT)
![[A woman confronted by a ghostly samurai]](jpegs/51808.jpg)
[A woman confronted by a ghostly samurai]
Max Brunning [pencil signature].
[German, n.d., c.1935.]
Rare etching, printed in colours, on chine collé. 255 x 190mm (10 x 7½"), very large margins.
A young woman in her scanty night attire raises her candle to see a snarling samurai, his katana unsheathed, towering above her. Max Brunning (1888-1968) published mainly erotica, but also a portraits of Adolf Hitler and a pair of a Hitler Youth boy & Bund Deutsche Mädel girl.
[Ref: 51808] £260.00 (£312.00 incl.VAT)
Max Brunning [pencil signature].
[German, n.d., c.1935.]
Rare etching, printed in colours, on chine collé. 255 x 190mm (10 x 7½"), very large margins.
A young woman in her scanty night attire raises her candle to see a snarling samurai, his katana unsheathed, towering above her. Max Brunning (1888-1968) published mainly erotica, but also a portraits of Adolf Hitler and a pair of a Hitler Youth boy & Bund Deutsche Mädel girl.
[Ref: 51808] £260.00 (£312.00 incl.VAT)
The Baron Brunnow, Russian Minister and Envoy Plenipotentiary at the Court of St James.
Engraved by D.J. Pound from a Photograph by Mayall.
[n.d., c.1859.]
Stipple. Sheet 305 x 215mm (12 x 8½"). Trimmed.
Philipp Graf von Brunnow (1797-1875), Russian ambassador in London (1840-54, including the start of the Crimean War), Frankfurt (1855), Berlin (1856), and again London (1858-74). This portrait, from a photograph by John Jabez Edwin Mayall, was taken for a carte-de-visite; this print was published for the 'Illustrated News of the World'.
[Ref: 33298] £80.00 (£96.00 incl.VAT)
Engraved by D.J. Pound from a Photograph by Mayall.
[n.d., c.1859.]
Stipple. Sheet 305 x 215mm (12 x 8½"). Trimmed.
Philipp Graf von Brunnow (1797-1875), Russian ambassador in London (1840-54, including the start of the Crimean War), Frankfurt (1855), Berlin (1856), and again London (1858-74). This portrait, from a photograph by John Jabez Edwin Mayall, was taken for a carte-de-visite; this print was published for the 'Illustrated News of the World'.
[Ref: 33298] £80.00 (£96.00 incl.VAT)
Paul Iacob Bruns. Geb. d.18.t Jul. 1743.
[n.d c.1780.]
Stipple. Plate 128 x 83mm. 5 x 3¼".
Paul Jakob Bruns (1743-1814) was a German Lutheran theologian, orientalist, literary historian, librarian and professor at the University of Helmstedt and Halle. In addition to the field of Old Testament textual critiques, Bruns published numerous works on topics of geography, law and general literary history.
[Ref: 26011] £60.00 (£72.00 incl.VAT)
[n.d c.1780.]
Stipple. Plate 128 x 83mm. 5 x 3¼".
Paul Jakob Bruns (1743-1814) was a German Lutheran theologian, orientalist, literary historian, librarian and professor at the University of Helmstedt and Halle. In addition to the field of Old Testament textual critiques, Bruns published numerous works on topics of geography, law and general literary history.
[Ref: 26011] £60.00 (£72.00 incl.VAT)
Portraits de Brunswick. Il n'est pass aussi terrible qu'il veut le paraître. Ah! c'est bien lui ... je le reconnois.
à paris chéz Martinet [n.d., 1806].
Coloured etching. 175 x 260mm (7 x 10¼"). Slight surface soiling.
A pair of contrasting caricature portraits of Charles William Ferdinand (1735-1806), Duke of Brunswick-Lüneburg, a general in the Prussian army. In the first he is depicted as a lion, in uniform with an unsheathed sword, holding the Brunswick Manifesto of 1792, in which he threatened dire consequences if the French royal family were harmed. In the second he is a donkey begging the French cockeral for mercy, referring to the Prussian defeat at the Battle of Jena–Auerstedt on 14 October 1806. Mortally wounded at the battle, the Duke died a month later.
BM 1868,0808.7497.
[Ref: 64123] £320.00
à paris chéz Martinet [n.d., 1806].
Coloured etching. 175 x 260mm (7 x 10¼"). Slight surface soiling.
A pair of contrasting caricature portraits of Charles William Ferdinand (1735-1806), Duke of Brunswick-Lüneburg, a general in the Prussian army. In the first he is depicted as a lion, in uniform with an unsheathed sword, holding the Brunswick Manifesto of 1792, in which he threatened dire consequences if the French royal family were harmed. In the second he is a donkey begging the French cockeral for mercy, referring to the Prussian defeat at the Battle of Jena–Auerstedt on 14 October 1806. Mortally wounded at the battle, the Duke died a month later.
BM 1868,0808.7497.
[Ref: 64123] £320.00
![[Glorious First of June] To the Memory of the Brave Cap.t John Harvey, the Officers and Crew who fell in the Action,](jpegs/57473.jpg)
[Glorious First of June] To the Memory of the Brave Cap.t John Harvey, the Officers and Crew who fell in the Action, and to the Surviving Officers and Crew of His Majesty's Ship the Brunswick, This Print Representing the Brunswick after breaking the Enemy's Line, as second astern to Admiral Earl Howe on the first of June 1794 Grappled to, and engaging Le Vengeur with her starboard guns, and totally dismasting L'Achille in an attempt to board on the larboard Quarter is Respectfully inscribed by Nicholas Pocock.
Painted by Nicholas Pocock. Engraved by R.Pollard.
London. Published Feb.y 16th 1796 by Nich.s Pocock, Great George Street, Westminster.
Coloured aquatint. 480 x 650mm (19 x 25½"), on Whatman paper with very large margins. Tear touching bottom plate mark taped. Paper cockled and lightly toned.
A large and fine Battle scene with excellent colour. The 'Battle of the Glorious First of June', fought between the Royal Navy under Admiral Earl Howe and a French fleet of 26 ships of the line under Rear-Admiral Villaret-Joyeuse, protecting a convoy of grain ships from America bound for a desperate France. Although the British won the exchange, the grain convoy escaped intact.
Parker: 102 T
[Ref: 57473] £720.00
Painted by Nicholas Pocock. Engraved by R.Pollard.
London. Published Feb.y 16th 1796 by Nich.s Pocock, Great George Street, Westminster.
Coloured aquatint. 480 x 650mm (19 x 25½"), on Whatman paper with very large margins. Tear touching bottom plate mark taped. Paper cockled and lightly toned.
A large and fine Battle scene with excellent colour. The 'Battle of the Glorious First of June', fought between the Royal Navy under Admiral Earl Howe and a French fleet of 26 ships of the line under Rear-Admiral Villaret-Joyeuse, protecting a convoy of grain ships from America bound for a desperate France. Although the British won the exchange, the grain convoy escaped intact.
Parker: 102 T
[Ref: 57473] £720.00
His most Serene Highness Charles Hereditary Prince of Brunswick & Lunenburg. Done from the Original in the Possession of Gen,,l Conway
J.G. Ziesenis pinx.t Hanover. J. Mc.Ardell fecit.
Publish'd by J.M.cArdell according to Act of Parliament Jan.y 20.th 1764, and Sold at the Corner of Henrietta Street, Covent Garden.
Mezzotint. 515 x 360mm (20¼ x 14¼"). Thread margins with nicks in edges, mounted on album paper.
Charles II, Duke of Brunswick-Luneberg (1735-1806), nephew of Friedrich II of Prussia. In 1764 he married Augusta, daughter of Frederick, Prince of Wales, and in 1780 succeeded his father as Duke of Brunswick. His 'Brunswick manifesto' threatening France and ordering the restoring of monarchy (25 July 1792), led to the fall of the Tuileries and the imprisonment of the royal family. Later that year Charles led the Austro-Prussian army against the French revolutionaries but lost at Valmy. He died in battle at Auerstedt in 1806. Engraved after the portrait by Johann Georg Ziesenis (1716-1776), Danish painter who became court artist to George II in Hannover in 1760.
CS 32, ii of ii. Goodwin 111, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68373] £420.00
J.G. Ziesenis pinx.t Hanover. J. Mc.Ardell fecit.
Publish'd by J.M.cArdell according to Act of Parliament Jan.y 20.th 1764, and Sold at the Corner of Henrietta Street, Covent Garden.
Mezzotint. 515 x 360mm (20¼ x 14¼"). Thread margins with nicks in edges, mounted on album paper.
Charles II, Duke of Brunswick-Luneberg (1735-1806), nephew of Friedrich II of Prussia. In 1764 he married Augusta, daughter of Frederick, Prince of Wales, and in 1780 succeeded his father as Duke of Brunswick. His 'Brunswick manifesto' threatening France and ordering the restoring of monarchy (25 July 1792), led to the fall of the Tuileries and the imprisonment of the royal family. Later that year Charles led the Austro-Prussian army against the French revolutionaries but lost at Valmy. He died in battle at Auerstedt in 1806. Engraved after the portrait by Johann Georg Ziesenis (1716-1776), Danish painter who became court artist to George II in Hannover in 1760.
CS 32, ii of ii. Goodwin 111, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68373] £420.00
![[Ferdinand Albrecht, Duke of Brunswick-Bevern.]](jpegs/35758.jpg)
[Ferdinand Albrecht, Duke of Brunswick-Bevern.]
[Adreas Paul Multz.]
[n.d., c.1680.]
Mezzotint, very rare with German Collector's Mark verso. 390 x 530mm (15¼ x 21"). Trimmed. Damage to edges.
Three quarter length portrait of Ferdinand Albrecht, Duke of Brunswick (1636-1697) with text by Johann Christoph Arnschwanger below.
Ex: Collection the Hon. Christopher Lennox-Boyd.
[Ref: 35758] £260.00 (£312.00 incl.VAT)
[Adreas Paul Multz.]
[n.d., c.1680.]
Mezzotint, very rare with German Collector's Mark verso. 390 x 530mm (15¼ x 21"). Trimmed. Damage to edges.
Three quarter length portrait of Ferdinand Albrecht, Duke of Brunswick (1636-1697) with text by Johann Christoph Arnschwanger below.
Ex: Collection the Hon. Christopher Lennox-Boyd.
[Ref: 35758] £260.00 (£312.00 incl.VAT)
Carolus George Augustus, Erfprins van Brunswyk Wolfenbuttel .&.&.&.
[engraved by Charles Howard Hodges, c.1800]
Mezzotint with very large margins, rare; platemark 430 x 310mm (17 x 12¼"). Creasing.
Prince Charles George Augustus of Brunswick-Wolfenbüttel (1766-1806), son of Princess Augusta Charlotte, Duchess of Brunswick-Wolfenbüttel.
Ex collection of the late Hon. C. Lennox-Boyd; Lugt L.1272 Not in CS.
[Ref: 34032] £220.00 (£264.00 incl.VAT)
[engraved by Charles Howard Hodges, c.1800]
Mezzotint with very large margins, rare; platemark 430 x 310mm (17 x 12¼"). Creasing.
Prince Charles George Augustus of Brunswick-Wolfenbüttel (1766-1806), son of Princess Augusta Charlotte, Duchess of Brunswick-Wolfenbüttel.
Ex collection of the late Hon. C. Lennox-Boyd; Lugt L.1272 Not in CS.
[Ref: 34032] £220.00 (£264.00 incl.VAT)
Marchande de balais de Cuir, des balais des houissoirs, des plumeaux. No. 71.
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph. Printed area 300 x 140mm (11¾ x 5½").
A woman selling brushes and dusters, which are arranged like a peacock's fan from her backback. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33219] £60.00 (£72.00 incl.VAT)
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph. Printed area 300 x 140mm (11¾ x 5½").
A woman selling brushes and dusters, which are arranged like a peacock's fan from her backback. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33219] £60.00 (£72.00 incl.VAT)