A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Allegory of William III and Mary II.]](jpegs/44163.jpg)
[Allegory of William III and Mary II.]
[n.d., c.1740.]
Engraving. 125 x 205mm (5 x 8"). Trimmed from a larger sheet.
William III and Mary II sitting on thrones with allegorical figures including Liberty and Plenty to the left, the pope being banished in a cloud of smoke to the right. From 'The History of England' (by Rapin & Tindal?).
[Ref: 44163] £65.00 (£78.00 incl.VAT)
[n.d., c.1740.]
Engraving. 125 x 205mm (5 x 8"). Trimmed from a larger sheet.
William III and Mary II sitting on thrones with allegorical figures including Liberty and Plenty to the left, the pope being banished in a cloud of smoke to the right. From 'The History of England' (by Rapin & Tindal?).
[Ref: 44163] £65.00 (£78.00 incl.VAT)
![[Coronation of William III and Mary II at Westminster Abbey]](jpegs/42590.jpg)
[Coronation of William III and Mary II at Westminster Abbey] H. Mai. Willem III en Maria Gekroont tot Koning en Koningin van Engelant [...]
[Anon. Dutch, c.1689]
Etching, scarce; sheet 360 x 595mm (14¼ x 23½"). Creases.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689, with their portraits top left and top right. The Archbishop of Canterbury, William Sancroft, refused to sanction the removal of James II so the coronation was performed by the Bishop of London, Henry Compton.
[Ref: 42590] £580.00
[Anon. Dutch, c.1689]
Etching, scarce; sheet 360 x 595mm (14¼ x 23½"). Creases.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689, with their portraits top left and top right. The Archbishop of Canterbury, William Sancroft, refused to sanction the removal of James II so the coronation was performed by the Bishop of London, Henry Compton.
[Ref: 42590] £580.00
Der konigl: kronungs-Actus Wiliilmi III und Mariae in England, zu Londen.
[Merian, Theatrum Europaeum, 1698.]
Engraving, scarce. Plate 311 x 368mm. 12¼ x 14½". Very damaged and laid, paper loss on left.
William III (1650-1702) married Mary Stuart in 1677 and jointly ruled with her until her death in 1694. The period of their joint reign is referred to as "William and Mary". Here a depiction of the coronation of William III and Mary II. From 'Theatrum Europaeum", 1698.
[Ref: 23304] £120.00 (£144.00 incl.VAT)
[Merian, Theatrum Europaeum, 1698.]
Engraving, scarce. Plate 311 x 368mm. 12¼ x 14½". Very damaged and laid, paper loss on left.
William III (1650-1702) married Mary Stuart in 1677 and jointly ruled with her until her death in 1694. The period of their joint reign is referred to as "William and Mary". Here a depiction of the coronation of William III and Mary II. From 'Theatrum Europaeum", 1698.
[Ref: 23304] £120.00 (£144.00 incl.VAT)
![[William III & Mary II] Wilhelmus. Henr. D.G. Mag. Brit. Franc. Et. Hib. Rex. &c.](jpegs/65333.jpg)
[William III & Mary II] Wilhelmus. Henr. D.G. Mag. Brit. Franc. Et. Hib. Rex. &c. [&] Maria. D.G. Mag. Brit. Franc. Et. Hib. Regina. &c.
G. Valck fec. et exc.
Cum Privile. Ordi. Hollan. et West-Fri. [n.d., c.1690.]
Pair of mezzotints. 345 x 255mm (13½ x 10") & 350 x 255mm (13¾ x 10"). Both trimmed to plate, William laid on album paper.
A pair of portraits published shortly after the Glorious Revolution of 1688, both with verse by Lambert Bidloo underneath. William wears his crown, wig, lace cravat and the collar of the Order of St George; Mary wears her crown, pearl necklace and ermine-lined robes.
CS 5a & 7a, second state with the addition of crown and George. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65333] £490.00 view all images for this item
G. Valck fec. et exc.
Cum Privile. Ordi. Hollan. et West-Fri. [n.d., c.1690.]
Pair of mezzotints. 345 x 255mm (13½ x 10") & 350 x 255mm (13¾ x 10"). Both trimmed to plate, William laid on album paper.
A pair of portraits published shortly after the Glorious Revolution of 1688, both with verse by Lambert Bidloo underneath. William wears his crown, wig, lace cravat and the collar of the Order of St George; Mary wears her crown, pearl necklace and ermine-lined robes.
CS 5a & 7a, second state with the addition of crown and George. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65333] £490.00 view all images for this item
The Great Seal of King William III & Queen Mary
J. Mynde sc. [c.1730]
Engraving, platemark 325 x 200mm (12¾ x 8").
The seal of King William III and Queen Mary, who ruled England following the 'Glorious Revolution' of 1688 which ended the short reign of Mary's father, James II, with a view of London in background.
[Ref: 43084] £140.00 (£168.00 incl.VAT)
J. Mynde sc. [c.1730]
Engraving, platemark 325 x 200mm (12¾ x 8").
The seal of King William III and Queen Mary, who ruled England following the 'Glorious Revolution' of 1688 which ended the short reign of Mary's father, James II, with a view of London in background.
[Ref: 43084] £140.00 (£168.00 incl.VAT)
![[The Grote Markt in the Hague, with triumphal arch in honour of William III]](jpegs/42403.jpg)
[The Grote Markt in the Hague, with triumphal arch in honour of William III] Eerepoort opde Market.
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42403] £240.00 (£288.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42403] £240.00 (£288.00 incl.VAT)
S.K.H Gehet zu Schiff in Engelland uber Zufahren.
[Frankfurt, heir of Matthaus Merian, c.1690.]
Engraving. Sheet 310 x 375mm (12¼ x 14¾"). Trimmed to printed border, laid on canvas, paper toned.
William of Orange landing at Torbay to a rapturous welcome, the Dutch fleet filling the bay. Published in the ''Theatrum Europaeum''.
[Ref: 55464] £350.00
[Frankfurt, heir of Matthaus Merian, c.1690.]
Engraving. Sheet 310 x 375mm (12¼ x 14¾"). Trimmed to printed border, laid on canvas, paper toned.
William of Orange landing at Torbay to a rapturous welcome, the Dutch fleet filling the bay. Published in the ''Theatrum Europaeum''.
[Ref: 55464] £350.00
![[Coronation of William III and Mary II, 1689]](jpegs/42801.jpg)
[Coronation of William III and Mary II, 1689] Ceremonien en Plechtigheden gebruikt in de Krooning van Willem Henrik, Prins van Oranje, en Marie Stuart [...]
[published by Carel Allard, c.1700]
Etching, sheet 245 x 295mm (9¾ x 11½"). Tipped into album sheet. Trimmed to border
The rapidly-arranged coronation of William III and Mary II, held on 11 April 1689 at Westminster Abbey and conducted by the Bishop of London, Henry Compton. The Archbishop of Canterbury, William Sancroft who would normally have performed the ceremony, refused to sanction the replacement of James II as king. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42801] £290.00 (£348.00 incl.VAT)
[published by Carel Allard, c.1700]
Etching, sheet 245 x 295mm (9¾ x 11½"). Tipped into album sheet. Trimmed to border
The rapidly-arranged coronation of William III and Mary II, held on 11 April 1689 at Westminster Abbey and conducted by the Bishop of London, Henry Compton. The Archbishop of Canterbury, William Sancroft who would normally have performed the ceremony, refused to sanction the replacement of James II as king. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42801] £290.00 (£348.00 incl.VAT)
![[Coronation of William III and Mary II]](jpegs/42868.jpg)
[Coronation of William III and Mary II] Der konigl: kronungs-Actus Wiliilmi III und Mariae in England, zu Londen.
[Merian, Theatrum Europaeum, 1698.]
Etching, rare; platemark 305 x 365mm (12 x 14¼"). Central fold as normal. Trimmed.
The coronation, at Westminster Abbey, of William III (1650-1702) and Mary II, in 1689. From 'Theatrum Europaeum", 1698.
[Ref: 42868] £350.00
[Merian, Theatrum Europaeum, 1698.]
Etching, rare; platemark 305 x 365mm (12 x 14¼"). Central fold as normal. Trimmed.
The coronation, at Westminster Abbey, of William III (1650-1702) and Mary II, in 1689. From 'Theatrum Europaeum", 1698.
[Ref: 42868] £350.00
![[Coronation of William III and Mary II at Westminster Abbey]](jpegs/42588.jpg)
[Coronation of William III and Mary II at Westminster Abbey] de Krooning van haare Majesteyten Willem de III en Maria de II tot Koning en Koninginne van groot Brittanie [...]
[Anon. Dutch, c.1689.]
Etching, sheet 175 x 280mm (7 x 11"). Trimmed; folded through centre.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689. The Archbishop of Canterbury, William Sancroft, refused to sanction the removal of James II so the coronation was performed by the Bishop of London, Henry Compton.
[Ref: 42588] £190.00 (£228.00 incl.VAT)
[Anon. Dutch, c.1689.]
Etching, sheet 175 x 280mm (7 x 11"). Trimmed; folded through centre.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689. The Archbishop of Canterbury, William Sancroft, refused to sanction the removal of James II so the coronation was performed by the Bishop of London, Henry Compton.
[Ref: 42588] £190.00 (£228.00 incl.VAT)
![[Arrival of William III in the Hague, 1691]](jpegs/42806.jpg)
[Arrival of William III in the Hague, 1691] Intreede van William de III Koning van Groot Britanje, in s'Gravenhage, de 5 Februari 1691 [parallel text in French]
J. Luiken
Apud Carolum Allard cum Priv. ord. Holl. et Westvrisiae. [in image lower right]
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Procession led by William III during his visit to the Hague in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). In the background is a huge triumphal arch erected for the occasion. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For a view of the arch, from the same publication see ref. 42804.
[Ref: 42806] £260.00 (£312.00 incl.VAT)
J. Luiken
Apud Carolum Allard cum Priv. ord. Holl. et Westvrisiae. [in image lower right]
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Procession led by William III during his visit to the Hague in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). In the background is a huge triumphal arch erected for the occasion. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For a view of the arch, from the same publication see ref. 42804.
[Ref: 42806] £260.00 (£312.00 incl.VAT)
Afbeeldinge van de Zee Tocht uyt Hellevoetsluys ent geluckig Landen aen de Zuyt cust van Engelant. Door S.K.H.de Heer Prins van Orangie, op den 15 November Ano. 1688. [View of the Sea Voyage from Hellevoetsluis and the fortunate landing on the south coast of England by his royal highness the Prince of Orange, on the 15 November Anno 1688.]
[Published by J. Tangena.]
Etching. Plate: 375 x 500mm (14¾ x 19¾"). A good impression with small margins, traces of a vertical fold.
Two scenes showing William III's arrival in England to take the crown from James II in 1688. The departure from the Netherlands is shown below, with the arrival at Dartmouth Castle above.
FM 2716. Ex Collection James Watt Jr.
[Ref: 43161] £1,450.00
[Published by J. Tangena.]
Etching. Plate: 375 x 500mm (14¾ x 19¾"). A good impression with small margins, traces of a vertical fold.
Two scenes showing William III's arrival in England to take the crown from James II in 1688. The departure from the Netherlands is shown below, with the arrival at Dartmouth Castle above.
FM 2716. Ex Collection James Watt Jr.
[Ref: 43161] £1,450.00
![[Triumphal Arch erected for William III in the Hague]](jpegs/42803.jpg)
[Triumphal Arch erected for William III in the Hague] Eere Poort op de Plaatz, opgerecht voor Z:K:M: van Groot Britanje, 1691 [parallel text in Dutch]
Apud Carolum Allard cum Priv. ord. Holl et Westvrisiae.
Etching, sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Huge triumphal arch erected in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42803] £260.00 (£312.00 incl.VAT)
Apud Carolum Allard cum Priv. ord. Holl et Westvrisiae.
Etching, sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Huge triumphal arch erected in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42803] £260.00 (£312.00 incl.VAT)
![[William IV, Prince of Orange]](jpegs/40864.jpg)
[William IV, Prince of Orange] Willem Karel Hendrik Friso, Prins van Oranje, Ersstadhouder der Vere enigde Nederlanden, enz enz enz
JB.. H. Pothoven ad vivum del. 1751 J. Houbraken Sculpsit
J.bs Haffman en P. Meyer Excud.
A fine engraving, platemark 370 x 235mm (14½ x 9¼"). Small margins.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands. From a series of twenty-one engravings by Jacob Houbraken and Pieter Tanjé of Dutch stadholders and their families, each in a decorative oval placed on a pedestal, designed by Hendrik van Pothoven
[Ref: 40864] £160.00 (£192.00 incl.VAT)
JB.. H. Pothoven ad vivum del. 1751 J. Houbraken Sculpsit
J.bs Haffman en P. Meyer Excud.
A fine engraving, platemark 370 x 235mm (14½ x 9¼"). Small margins.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands. From a series of twenty-one engravings by Jacob Houbraken and Pieter Tanjé of Dutch stadholders and their families, each in a decorative oval placed on a pedestal, designed by Hendrik van Pothoven
[Ref: 40864] £160.00 (£192.00 incl.VAT)
![[William IV] [His Royal Highness Prince William Henry. Serving as Midshipman on board His Majesty's Ship Prince George.]](jpegs/36361.jpg)
[William IV] [His Royal Highness Prince William Henry. Serving as Midshipman on board His Majesty's Ship Prince George.]
B. West Pinxt. F. Bartolozzi Sculp.t. P Sandby Aquat.t.
Publish'd as the Act Directs Jan.y 15 1782 by A. Poggi No.4 Orchard Street, Portman Square.
Etching and aquatint in sepia, rare; sheet 565 x 445mm (22¼ x 18¼"). Trimmed inside platemark; creases and tears, some professionally repaired.
King William IV (1765-1837) when a prince. Prince William was sent into the Royal Navy at the age of thirteen, 'chiefly to prevent him from falling under the influence of his eldest brother, George' (Oxford DNB). He joined the (ironically named) 98-gun ship 'Prince George' in 1779 as a midshipman, an event commemorated here. After a portrait (c.1781) by Benjamin West, the American artist later to become President of the Royal Academy. The print was made by Francesco Bartolozzi and Paul Sandby, both printmakers with strong connections to the Hanoverian monarchy.
De Vesme 926 ii/iii.
[Ref: 36361] £420.00
B. West Pinxt. F. Bartolozzi Sculp.t. P Sandby Aquat.t.
Publish'd as the Act Directs Jan.y 15 1782 by A. Poggi No.4 Orchard Street, Portman Square.
Etching and aquatint in sepia, rare; sheet 565 x 445mm (22¼ x 18¼"). Trimmed inside platemark; creases and tears, some professionally repaired.
King William IV (1765-1837) when a prince. Prince William was sent into the Royal Navy at the age of thirteen, 'chiefly to prevent him from falling under the influence of his eldest brother, George' (Oxford DNB). He joined the (ironically named) 98-gun ship 'Prince George' in 1779 as a midshipman, an event commemorated here. After a portrait (c.1781) by Benjamin West, the American artist later to become President of the Royal Academy. The print was made by Francesco Bartolozzi and Paul Sandby, both printmakers with strong connections to the Hanoverian monarchy.
De Vesme 926 ii/iii.
[Ref: 36361] £420.00
![[William IV & Wellington] When Two Ride upon One Horse One must ride behind.](jpegs/30532.jpg)
[William IV & Wellington] When Two Ride upon One Horse One must ride behind.
H. Heath fec.t
Published [c.July] 1830 by S.W. Fores 41 Piccadilly London.
Hand-coloured etching. Plate 249 x 362mm (9¾ x 14¼"). Cut to platemark.
Satire on the relationship between Wellington and William IV, soon after the accession to the throne of the latter. William, who rides following a sign to Holland House (a centre of Whig influence), holds a 'Plan Bridge over Canal for Public', Wellington sits insecurely behind the saddle. Both are in civilian dress. Wellington left office within six months of the publication of this print.
BM Satires: 16184..
[Ref: 30532] £280.00 (£336.00 incl.VAT)
H. Heath fec.t
Published [c.July] 1830 by S.W. Fores 41 Piccadilly London.
Hand-coloured etching. Plate 249 x 362mm (9¾ x 14¼"). Cut to platemark.
Satire on the relationship between Wellington and William IV, soon after the accession to the throne of the latter. William, who rides following a sign to Holland House (a centre of Whig influence), holds a 'Plan Bridge over Canal for Public', Wellington sits insecurely behind the saddle. Both are in civilian dress. Wellington left office within six months of the publication of this print.
BM Satires: 16184..
[Ref: 30532] £280.00 (£336.00 incl.VAT)
![[William IV] His Royal Highness the Duke of Clarence.](jpegs/66644.jpg)
[William IV] His Royal Highness the Duke of Clarence. Engraved from the Original Picture Painted for the town of Liverpool, by M. A,,r Shee, Esq.r R.A. & Dedicated to the Mayor, Corporation, & Merchants of the said Town., By their most Obed.t Servant Ja.s Ward.
Engraved by Ja.s Ward Painter to His R.H. the Prince of Wales;
and Published April 2. 1801, by Mess.rs Wards & C.º N.º6, Newman Street, London.
Mezzotint, open letter proof. 655 x 460mm (25¾ x 18"), with large margins. Publication line weakly inked, hole bottom centre patched, creased.
Full-length portrait of the future William IV (1765-1837), standing frontally with his head turned to the right, holding a scroll in his left hand and wearing the robes of the Garter. To the left, a table is covered with books and papers; behind him stands a pillar, while a view over rooftops extends to the right
CS 10 ii of iii. Frankau 17, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66644] £490.00
Engraved by Ja.s Ward Painter to His R.H. the Prince of Wales;
and Published April 2. 1801, by Mess.rs Wards & C.º N.º6, Newman Street, London.
Mezzotint, open letter proof. 655 x 460mm (25¾ x 18"), with large margins. Publication line weakly inked, hole bottom centre patched, creased.
Full-length portrait of the future William IV (1765-1837), standing frontally with his head turned to the right, holding a scroll in his left hand and wearing the robes of the Garter. To the left, a table is covered with books and papers; behind him stands a pillar, while a view over rooftops extends to the right
CS 10 ii of iii. Frankau 17, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66644] £490.00
The King and his Ministers in Council. To Her most excellent Majesty, Adelaide, Queen of England, This Print is dedicated by Her most Loyal, Respectful, and Obedient Subject, John Knight.
On Stone by Bouvier. Printed by R.C. Moody & Co.
London. Printed for John Knight, 51 Paternoster Row. [n.d., c.1832.]
Lithograph on chine collé. 235 x 270mm (9¼ x 10½"). A few small nicks and scratches.
Portrait of William IV and his ministers, including Broughton, Grey, Holland, Russell and Lansdowne, around a table on which are papers relating to Parliamentary reform. William gave the Royal Assent to the Reform Bill on 7 June 1832.
[Ref: 40624] £140.00 (£168.00 incl.VAT)
On Stone by Bouvier. Printed by R.C. Moody & Co.
London. Printed for John Knight, 51 Paternoster Row. [n.d., c.1832.]
Lithograph on chine collé. 235 x 270mm (9¼ x 10½"). A few small nicks and scratches.
Portrait of William IV and his ministers, including Broughton, Grey, Holland, Russell and Lansdowne, around a table on which are papers relating to Parliamentary reform. William gave the Royal Assent to the Reform Bill on 7 June 1832.
[Ref: 40624] £140.00 (£168.00 incl.VAT)
The King. As His Majesty appeared in the City (incog.) a few days after the intended Grand Civic Feast Nov.r 9th. 1830.
A Reminiscence by G. Casabouri.
London Pub.d by T. North. 162 Fleet St. [n.d. c.1830.]
A rare lithograph on india. Sheet 280 x 216mm. 11 x 8½".
William IV (1765-1837) walking incognito in London, with Temple Bar in the background. William IV was King of the United Kingdom of Great Britain and Ireland and of Hanover from 1830 until his death. He was the last king and penultimate monarch of Britain's House of Hanover.
In the National Library of Australia.
[Ref: 24444] £95.00 (£114.00 incl.VAT)
A Reminiscence by G. Casabouri.
London Pub.d by T. North. 162 Fleet St. [n.d. c.1830.]
A rare lithograph on india. Sheet 280 x 216mm. 11 x 8½".
William IV (1765-1837) walking incognito in London, with Temple Bar in the background. William IV was King of the United Kingdom of Great Britain and Ireland and of Hanover from 1830 until his death. He was the last king and penultimate monarch of Britain's House of Hanover.
In the National Library of Australia.
[Ref: 24444] £95.00 (£114.00 incl.VAT)
![[William IV] The Admiral in St. Petersburgh; or Poor Will foil'd again.](jpegs/46481.jpg)
[William IV] The Admiral in St. Petersburgh; or Poor Will foil'd again.
G. Cruik. del.
[n.d., 1813.]
Hand-coloured etching. Sheet: 200 x 240mm (8 x 9½"). Trimmed, losing letterpress verse, marking.
William, Duke of Clarence (later William IV), in admiral's uniform with sword, kneels on both knees, arms extended, at the feet of a young woman who walks away. He is in profile to the left, caricatured, with words issuing from his coarse protruding lips: "O listen, listen to the voice of Love." The lady (called Grand Duchess Anna (Pavlovna) of Russia in the text but actually Catherine of Oldenburgh, the widowed sister of Tsar Alexander I) looks scornfully over her shoulder, pointing to a treasure-chest (left) filled with bags. Having lived a dissolute youth the Duke was deep in debt so had derserted his long-time consort Mrs Jordan and was on the lookout for a rich wife.
BM Satire 12020.
[Ref: 46481] £140.00 (£168.00 incl.VAT)
G. Cruik. del.
[n.d., 1813.]
Hand-coloured etching. Sheet: 200 x 240mm (8 x 9½"). Trimmed, losing letterpress verse, marking.
William, Duke of Clarence (later William IV), in admiral's uniform with sword, kneels on both knees, arms extended, at the feet of a young woman who walks away. He is in profile to the left, caricatured, with words issuing from his coarse protruding lips: "O listen, listen to the voice of Love." The lady (called Grand Duchess Anna (Pavlovna) of Russia in the text but actually Catherine of Oldenburgh, the widowed sister of Tsar Alexander I) looks scornfully over her shoulder, pointing to a treasure-chest (left) filled with bags. Having lived a dissolute youth the Duke was deep in debt so had derserted his long-time consort Mrs Jordan and was on the lookout for a rich wife.
BM Satire 12020.
[Ref: 46481] £140.00 (£168.00 incl.VAT)
His Majesty, William the Fourth. Presented gratis with the Court Jornal, Sept.r 10th 1831. [&] The Ramains of our late most Gracious Sovereign William IV Lying in State at Windsor Castle. Died. June 20th 1837. Reigned 6 Yeras & 11 Months.
[Portrait] Printed by R. Martin.
[1831 & 1837.]
Lithographic portrait on chine collé, sheet 285 x 220mm (11¼ x 8¾") & lithograph, sheet 165 x 210mm (6½ x 8¼"). Lithograph laid on album paper.
Two prints: a portrait of William IV in his coronation robes; and a view of the honour guard around his coffin during his lying in state.
[Ref: 61542] £160.00 (£192.00 incl.VAT) view all images for this item
[Portrait] Printed by R. Martin.
[1831 & 1837.]
Lithographic portrait on chine collé, sheet 285 x 220mm (11¼ x 8¾") & lithograph, sheet 165 x 210mm (6½ x 8¼"). Lithograph laid on album paper.
Two prints: a portrait of William IV in his coronation robes; and a view of the honour guard around his coffin during his lying in state.
[Ref: 61542] £160.00 (£192.00 incl.VAT) view all images for this item
![[William IV] His Royal Highness the Duke of Clarence.](jpegs/60177.jpg)
[William IV] His Royal Highness the Duke of Clarence.
Published 12th. May, 1794, by Laurie & Whittle, 53 Fleet Street London.
Scarce mezzotint with etching. 330 x 255mm (13 x 10"). Trimmed to plate at sides, tear taped.
Full length portrait of Prince William Henry (1765-1837, later William IV) as a naval officer, standing at the deck, guns and sword in hand. At 13 William joined the Navy as a midshipman and was present at the Battle of Cape St Vincent two years later. He was promoted to lieutenant in 1785, captain in 1786, and commanded a frigate and became vice-admiral in 1788. His active serve ended in 1790, the year after George III created him Duke of Clarence and St Andrews in 1789, and four years before this print was published.
Not in CS. Ex Collection of the Hon. Christopher Lennox-Boyd
[Ref: 60177] £180.00 (£216.00 incl.VAT)
Published 12th. May, 1794, by Laurie & Whittle, 53 Fleet Street London.
Scarce mezzotint with etching. 330 x 255mm (13 x 10"). Trimmed to plate at sides, tear taped.
Full length portrait of Prince William Henry (1765-1837, later William IV) as a naval officer, standing at the deck, guns and sword in hand. At 13 William joined the Navy as a midshipman and was present at the Battle of Cape St Vincent two years later. He was promoted to lieutenant in 1785, captain in 1786, and commanded a frigate and became vice-admiral in 1788. His active serve ended in 1790, the year after George III created him Duke of Clarence and St Andrews in 1789, and four years before this print was published.
Not in CS. Ex Collection of the Hon. Christopher Lennox-Boyd
[Ref: 60177] £180.00 (£216.00 incl.VAT)
His Highness William Prince of Orange & Nassau, &c, &c, &c Done from the Original Painting w.ch His Highness Presented to y.e Right Hon.ble Philip Earl of Chesterfield, &c. To whom this plate is most Humbly Dedicated by his Lordships most Obedient Sersant John Faber.
P. van Dijk pinx 1732. I. Faber fecit 1733.
[n.d. c.1733]
Mezzotint, print 355 x 250mm (14 x 9¾"). Trimmed within plate and glued to album sheet. 'Sersant' mistake seems to have been corrected in ink (?).
Half-length portrait of William IV (1711-1751) in an oval frame with his arms thrown out, head turned to right and glanced towards the viewer, wearing a dark coat with decoration at the cuffs, neck and waist, breastplate and long curls.
CS 269.
[Ref: 58800] £190.00 (£228.00 incl.VAT)
P. van Dijk pinx 1732. I. Faber fecit 1733.
[n.d. c.1733]
Mezzotint, print 355 x 250mm (14 x 9¾"). Trimmed within plate and glued to album sheet. 'Sersant' mistake seems to have been corrected in ink (?).
Half-length portrait of William IV (1711-1751) in an oval frame with his arms thrown out, head turned to right and glanced towards the viewer, wearing a dark coat with decoration at the cuffs, neck and waist, breastplate and long curls.
CS 269.
[Ref: 58800] £190.00 (£228.00 incl.VAT)
![[William IV when Duke of Clarence] Nauticus.](jpegs/64180.jpg)
[William IV when Duke of Clarence] Nauticus. ''Those Lips were made for Kissing Ladies!''.
[by James Gillray.]
London - Pub.d Oct.r 11the 1791. by H. Humphrey, No 18 Old Bond Street.
Etching. 185 x 160mm (7¼ x 6¼"). Thread margins, notch in right edge.
A caricature portrait of William, Duke of Clarence, smiling with bulbous lips, hair is shaggy and uncurled under a large round hat, wearing his naval uniform with star. It was published the year he started his long affair with actress Mrs Jordan.
BM Satires 7964.
[Ref: 64180] £180.00 (£216.00 incl.VAT)
[by James Gillray.]
London - Pub.d Oct.r 11the 1791. by H. Humphrey, No 18 Old Bond Street.
Etching. 185 x 160mm (7¼ x 6¼"). Thread margins, notch in right edge.
A caricature portrait of William, Duke of Clarence, smiling with bulbous lips, hair is shaggy and uncurled under a large round hat, wearing his naval uniform with star. It was published the year he started his long affair with actress Mrs Jordan.
BM Satires 7964.
[Ref: 64180] £180.00 (£216.00 incl.VAT)
His Most Gracious Majesty William IV. King of Great Britain, Ireland & Hanover.
Painted by Sir M.A. Shee P.R.A. Engraved by C. Turner A.R.A.
London, Published November 4th 1836 by Fr. Graves & Co. late Coplnaghi & Co. 23, Cockspur Street, Charing Cross.
Mezzotint. 380 x 285mm (15 x 11¼"), with wide margins. Scuff to upper printed area. Some damage to left platemark.
A portrait of William IV, King of the United Kingdom (1765 - 1837), with head turned to look towards left; wearing the robes of the Garter over an ornate waistcoat.
Ex collection of the Hon. Christopher Lennox-Boyd. Whitman - C. Turner 616 II/II.
[Ref: 37702] £240.00 (£288.00 incl.VAT)
Painted by Sir M.A. Shee P.R.A. Engraved by C. Turner A.R.A.
London, Published November 4th 1836 by Fr. Graves & Co. late Coplnaghi & Co. 23, Cockspur Street, Charing Cross.
Mezzotint. 380 x 285mm (15 x 11¼"), with wide margins. Scuff to upper printed area. Some damage to left platemark.
A portrait of William IV, King of the United Kingdom (1765 - 1837), with head turned to look towards left; wearing the robes of the Garter over an ornate waistcoat.
Ex collection of the Hon. Christopher Lennox-Boyd. Whitman - C. Turner 616 II/II.
[Ref: 37702] £240.00 (£288.00 incl.VAT)
![[William IV] His Royal Highness the Duke of Clarence.](jpegs/66643.jpg)
[William IV] His Royal Highness the Duke of Clarence. Engraved from the Original Picture Painted for the town of Liverpool, by M. A,,r Shee, Esq.r R.A. & Dedicated to the Mayor, Corporation, & Merchants of the said Town., By their most Obed.t Servant Ja.s Ward.
Engraved by Ja.s Ward Painter to His R.H. the Prince of Wales;
and Published April 2. 1801, by Mess.rs Wards & C.º N.º6, Newman Street, London.
Fine mezzotint. 655 x 460mm (25¾ x 18"), with large margins. Staining in bottom margin.
Full-length portrait of the future William IV (1765-1837), standing frontally with his head turned to the right, holding a scroll in his left hand and wearing the robes of the Garter. To the left, a table is covered with books and papers; behind him stands a pillar, while a view over rooftops extends to the right
CS 10 iii of iii. Frankau 17, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66643] £450.00
Engraved by Ja.s Ward Painter to His R.H. the Prince of Wales;
and Published April 2. 1801, by Mess.rs Wards & C.º N.º6, Newman Street, London.
Fine mezzotint. 655 x 460mm (25¾ x 18"), with large margins. Staining in bottom margin.
Full-length portrait of the future William IV (1765-1837), standing frontally with his head turned to the right, holding a scroll in his left hand and wearing the robes of the Garter. To the left, a table is covered with books and papers; behind him stands a pillar, while a view over rooftops extends to the right
CS 10 iii of iii. Frankau 17, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66643] £450.00
The King and His Ministers in Council. To Her most excellent Majesty, Adelaide, Queen of England. This Print is dedicated by her most Loyal, Respectful, and Obedient Subject, John Knight.
Drawn on Stone by O'Connor. R. Martin Lithog. 124, High Holborn.
London, Printed for John Knight, 51, Paternoster Row [n.d., c.1832].
Scarce lithograph on chine collé. 240 x 270mm (9½ x 10¾"). Slight crease in background, backing paper with pinholes at top, very slight foxing at sides.
William IV seated at a table, discussing the Reform Bill with his ministers, who are named under the image. They are (clockwise from left) Lord Brougham, The King, Earl Grey, Lord Holland, Lord Goderich, Lord Durham, Lord John Russell, the Marquis of Lansdowne, Sir Thomas Denman (standing addressing assembly), T.S. Rice Esq. and the Duke of Devonshire.
[Ref: 57818] £290.00 (£348.00 incl.VAT)
Drawn on Stone by O'Connor. R. Martin Lithog. 124, High Holborn.
London, Printed for John Knight, 51, Paternoster Row [n.d., c.1832].
Scarce lithograph on chine collé. 240 x 270mm (9½ x 10¾"). Slight crease in background, backing paper with pinholes at top, very slight foxing at sides.
William IV seated at a table, discussing the Reform Bill with his ministers, who are named under the image. They are (clockwise from left) Lord Brougham, The King, Earl Grey, Lord Holland, Lord Goderich, Lord Durham, Lord John Russell, the Marquis of Lansdowne, Sir Thomas Denman (standing addressing assembly), T.S. Rice Esq. and the Duke of Devonshire.
[Ref: 57818] £290.00 (£348.00 incl.VAT)
The King and his Ministers in Council. To Her most excellent Majesty, Adelaide, Queen of England, This Print is dedicated by Her most Loyal, Respectful, and Obedient Subject, John Knight.
Drawn on Stone by O'Conner. R. Martin, Lithog. 124, High Holborn.
London. Printed for John Knight, 51 Paternoster Row. [n.d., c.1832.]
Fine coloured lithograph on chine collé. 235 x 270mm (9¼ x 10½"). Chine collé abraded in inscription, hole in backing card.
Scarce portrait of William IV and his ministers, including Broughton, Grey, Holland, Russell and Lansdowne, around a table on which are papers relating to Parliamentary reform. William gave the Royal Assent to the Reform Bill on 7 June 1832.
[Ref: 52032] £160.00 (£192.00 incl.VAT)
Drawn on Stone by O'Conner. R. Martin, Lithog. 124, High Holborn.
London. Printed for John Knight, 51 Paternoster Row. [n.d., c.1832.]
Fine coloured lithograph on chine collé. 235 x 270mm (9¼ x 10½"). Chine collé abraded in inscription, hole in backing card.
Scarce portrait of William IV and his ministers, including Broughton, Grey, Holland, Russell and Lansdowne, around a table on which are papers relating to Parliamentary reform. William gave the Royal Assent to the Reform Bill on 7 June 1832.
[Ref: 52032] £160.00 (£192.00 incl.VAT)
![[William IV as Duke of Clarence] Another Mistake!!! Poor Billy. That some little cherub that sits aloft, will look out a good birth for poor Bill.](jpegs/59489.jpg)
[William IV as Duke of Clarence] Another Mistake!!! Poor Billy. That some little cherub that sits aloft, will look out a good birth for poor Bill.
[Monogram of Paul Pry, a.k.a. William Heath.]
Pub. by T. McLean 26 Haymarket where political and other Caricatures are daily Pub the largest collection in London [n.d., c.1828].
Etching with fine hand colour. Sheet 360 x 245mm (14¼ x 9¾"). Trimmed within plate, tear in title taped, small spot on printed border.
A satirical portrait of the Duke of Clarence (1765-1837) shown as a sailor trudging along with his belongings in a nap sack, moaning about sailing with a 'land lubber'. In 1828 the Prime Minister, the Duke of Wellington, requested William's resignation as Lord High Admiral for sailing a squadron away for ten days without telling anyone where they were going.
BM Satire 15547.
[Ref: 59489] £180.00 (£216.00 incl.VAT)
[Monogram of Paul Pry, a.k.a. William Heath.]
Pub. by T. McLean 26 Haymarket where political and other Caricatures are daily Pub the largest collection in London [n.d., c.1828].
Etching with fine hand colour. Sheet 360 x 245mm (14¼ x 9¾"). Trimmed within plate, tear in title taped, small spot on printed border.
A satirical portrait of the Duke of Clarence (1765-1837) shown as a sailor trudging along with his belongings in a nap sack, moaning about sailing with a 'land lubber'. In 1828 the Prime Minister, the Duke of Wellington, requested William's resignation as Lord High Admiral for sailing a squadron away for ten days without telling anyone where they were going.
BM Satire 15547.
[Ref: 59489] £180.00 (£216.00 incl.VAT)
![[William IV when Duke of Clarence] Nauticus.](jpegs/43899.jpg)
[William IV when Duke of Clarence] Nauticus. ''Those Lips were made for Kissing Ladies!''.
[by James Gillray.]
London - Pub.d Oct.r 11the 1791. by H. Humphrey, No 18 Old Bond Street.
Coloured etching. 185 x 160mm (7¼ x 6¼"). Mounted in album paper.
A caricature portrait of William, Duke of Clarence, smiling with bulbous lips, hair is shaggy and uncurled under a large round hat, wearing his naval uniform with star. It was published the year he started his long affair with actress Mrs Jordan.
BM Satires 7964.
[Ref: 43899] £420.00
[by James Gillray.]
London - Pub.d Oct.r 11the 1791. by H. Humphrey, No 18 Old Bond Street.
Coloured etching. 185 x 160mm (7¼ x 6¼"). Mounted in album paper.
A caricature portrait of William, Duke of Clarence, smiling with bulbous lips, hair is shaggy and uncurled under a large round hat, wearing his naval uniform with star. It was published the year he started his long affair with actress Mrs Jordan.
BM Satires 7964.
[Ref: 43899] £420.00
His Royal Highness the Duke of Clarence.
Sr. W.m. Beechey del. Cheesman Sc.
London Published by E. Harding 19 May 1806.
Stipple. Plate 280 x 222mm. 11 x 8¾".
William IV (1765-1837) as Duke of Clarence. In 1789, George III created him Duke of Clarence and St Andrews and Earl of Munster. He ascended to the throne in 1830 as King of Great Britain and Ireland and of Hanover.
[Ref: 22675] £95.00 (£114.00 incl.VAT)
Sr. W.m. Beechey del. Cheesman Sc.
London Published by E. Harding 19 May 1806.
Stipple. Plate 280 x 222mm. 11 x 8¾".
William IV (1765-1837) as Duke of Clarence. In 1789, George III created him Duke of Clarence and St Andrews and Earl of Munster. He ascended to the throne in 1830 as King of Great Britain and Ireland and of Hanover.
[Ref: 22675] £95.00 (£114.00 incl.VAT)
![[William IV] The Tree of Reform in full bearing.](jpegs/48410.jpg)
[William IV] The Tree of Reform in full bearing. The King, Duke of Sussex, L.d Brougham, L.d Grey, L.d Althorpe, L.d Jn.o Russell, L.d Holland, Sir F. Burdett, L.d Plunkett. Mr O. Connell.
H.H. [Henry Heath.]
Published by S.W. Fores, 41, Piccadilly, Nov.r 1832.
Lithograph. Printed area 400 x 255mm (15¾ x 10"). Damage in lower left corner.
In foliage of the tree of 'Constitutional Liberty' are the profiles of William IV and his ministers.
Not in BM Satire.
[Ref: 48410] £240.00 (£288.00 incl.VAT)
H.H. [Henry Heath.]
Published by S.W. Fores, 41, Piccadilly, Nov.r 1832.
Lithograph. Printed area 400 x 255mm (15¾ x 10"). Damage in lower left corner.
In foliage of the tree of 'Constitutional Liberty' are the profiles of William IV and his ministers.
Not in BM Satire.
[Ref: 48410] £240.00 (£288.00 incl.VAT)
![[William IV] You Never Ketches Me a Woyaging No More. I've Had a Nuf Of It.](jpegs/50811.jpg)
[William IV] You Never Ketches Me a Woyaging No More. I've Had a Nuf Of It. Sketches of Character No.4.
[William Heath] Esq.
Pub by T McLean 26 Haymarket where political and other Caricatures are daily Pub_ [n.d. c.1829.]
Hand-coloured etching. Sheet: 340 x 235mm (13¼ x 9''). Trimmed to printed border.
A caricature of William IV before his accession, when he was Lord High Admiral. George IV and Wellington requested his resignation in 1828 after he took a fleet to sea without telling anyone where they were going.
[Ref: 50811] £160.00 (£192.00 incl.VAT)
[William Heath] Esq.
Pub by T McLean 26 Haymarket where political and other Caricatures are daily Pub_ [n.d. c.1829.]
Hand-coloured etching. Sheet: 340 x 235mm (13¼ x 9''). Trimmed to printed border.
A caricature of William IV before his accession, when he was Lord High Admiral. George IV and Wellington requested his resignation in 1828 after he took a fleet to sea without telling anyone where they were going.
[Ref: 50811] £160.00 (£192.00 incl.VAT)
[William IV] The First Nautical Sovereign Coach. Just Started, __pro bono publico.
H. Heath.
Published 1830 by S.W.Jones 41 Piccadilly.
Coloured engraving 250 x 385mm. Trimmed to plate.
William IV drives a mail-coach carying Adelaide The human heads on the are Grey and Brougham. Wellington and Peel are the footmen, Mellville, Aberdeen, Ellenborough, Scarlett, and Lyndhurst shout at the coach for place in the change of Ministry.
[Ref: 3133] £260.00 (£312.00 incl.VAT)
H. Heath.
Published 1830 by S.W.Jones 41 Piccadilly.
Coloured engraving 250 x 385mm. Trimmed to plate.
William IV drives a mail-coach carying Adelaide The human heads on the are Grey and Brougham. Wellington and Peel are the footmen, Mellville, Aberdeen, Ellenborough, Scarlett, and Lyndhurst shout at the coach for place in the change of Ministry.
[Ref: 3133] £260.00 (£312.00 incl.VAT)
![[William IV] The New Landlords First Orders - open the park for the people quick I say - Shakespeare.](jpegs/61163.jpg)
[William IV] The New Landlords First Orders - open the park for the people quick I say - Shakespeare.
W Heath.
Pub by T McLean 26 Haymarket July 15 1830.
Coloured etching. Framed, sight size 255 x 365mm (10 x 14½"). Framed over platemark, unexamined out of frame. Time staining.
A satire on the new king's order that passage be opened from Waterloo Place to St James's Park. William, in admiral's uniform (referencing his earlier position of Lord High Admiral) instructs two workmen (Peel and Wellington) to create the passage ('you must pull hem rails down again I'm not going to shut out my tenants'). By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 16167.
[Ref: 61163] £220.00 (£264.00 incl.VAT)
W Heath.
Pub by T McLean 26 Haymarket July 15 1830.
Coloured etching. Framed, sight size 255 x 365mm (10 x 14½"). Framed over platemark, unexamined out of frame. Time staining.
A satire on the new king's order that passage be opened from Waterloo Place to St James's Park. William, in admiral's uniform (referencing his earlier position of Lord High Admiral) instructs two workmen (Peel and Wellington) to create the passage ('you must pull hem rails down again I'm not going to shut out my tenants'). By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 16167.
[Ref: 61163] £220.00 (£264.00 incl.VAT)
![[William IV as Lord High Admiral.] William [facsimile signature.]](jpegs/56561.jpg)
[William IV as Lord High Admiral.] William [facsimile signature.]
[n.d., c.1827.]
Lithograph. Sheet 255 x 185mm (10 x 7¼").
William IV in naval costume, standing on a deck, one hand resting on a cannon, the other holding a telescope. A pennant with 'Rule Britannia' flutters behind.
[Ref: 56561] £95.00 (£114.00 incl.VAT)
[n.d., c.1827.]
Lithograph. Sheet 255 x 185mm (10 x 7¼").
William IV in naval costume, standing on a deck, one hand resting on a cannon, the other holding a telescope. A pennant with 'Rule Britannia' flutters behind.
[Ref: 56561] £95.00 (£114.00 incl.VAT)
![[William IV] The King.](jpegs/55636.jpg)
[William IV] The King. From an Original Drawing of J. Jenkins. Proof.
Printed by C. Hullmandel.
London, Published Dec.r 10th 1830, by S. Gans, 15, Southampton St, Covent Garden.
Fine lithograph on chine collé, on printed card as issued. Printed area 320 x 205mm (12½ x 8"), very large margins.
Sketched portrait of William IV looking over his shoulder.
[Ref: 55636] £180.00 (£216.00 incl.VAT)
Printed by C. Hullmandel.
London, Published Dec.r 10th 1830, by S. Gans, 15, Southampton St, Covent Garden.
Fine lithograph on chine collé, on printed card as issued. Printed area 320 x 205mm (12½ x 8"), very large margins.
Sketched portrait of William IV looking over his shoulder.
[Ref: 55636] £180.00 (£216.00 incl.VAT)
![[Charter segment from the reign of William IV.]](jpegs/27847.jpg)
[Charter segment from the reign of William IV.]
[n.d., c.1830.]
Lithograph on vellum with rubrication. Sheet 180 x 170mm, 7 x 6¾". Excised from a larger sheet, mounted on album paper.
Oval portrait of William IV surrounded by a garland of rose and thistle. His reign lasted 1830-36.
See Ref: 27840, 27843 & 27846
[Ref: 27847] £220.00 (£264.00 incl.VAT)
[n.d., c.1830.]
Lithograph on vellum with rubrication. Sheet 180 x 170mm, 7 x 6¾". Excised from a larger sheet, mounted on album paper.
Oval portrait of William IV surrounded by a garland of rose and thistle. His reign lasted 1830-36.
See Ref: 27840, 27843 & 27846
[Ref: 27847] £220.00 (£264.00 incl.VAT)
![King William The 4th. [&] Queen Adelaide.](jpegs/25434.jpg)
King William The 4th. [&] Queen Adelaide.
Pub. March, 22. 1831, by O. Hodgson, 10, Cloth Fair. No.1.
A pair of hand-coloured mixed-method prints. 190 x 126mm. 7½ x 5". Cut, some creasing and toning.
King William IV (1765-1837) the last king and penultimate monarch of Britain's House of Hanover. In 1818, at Kew Palace, William married Princess Adelaide of Saxe-Meiningen (1792-1849) who stood as queen consort of the United Kingdom.
Ex Collection: R. Hobson of Hove.
[Ref: 25434] £95.00 (£114.00 incl.VAT)
Pub. March, 22. 1831, by O. Hodgson, 10, Cloth Fair. No.1.
A pair of hand-coloured mixed-method prints. 190 x 126mm. 7½ x 5". Cut, some creasing and toning.
King William IV (1765-1837) the last king and penultimate monarch of Britain's House of Hanover. In 1818, at Kew Palace, William married Princess Adelaide of Saxe-Meiningen (1792-1849) who stood as queen consort of the United Kingdom.
Ex Collection: R. Hobson of Hove.
[Ref: 25434] £95.00 (£114.00 incl.VAT)
![[William IV as Lord High Admiral & the Duke of Wellington] The Navy! [&] The Army!](jpegs/58712.jpg)
[William IV as Lord High Admiral & the Duke of Wellington] The Navy! [&] The Army!
Painted by M.W. Sharpe. Engraved by W. Say, Engraver to T.R.H. The Duke & Duchess of Gloucester, 9, Mortimer Street.
London, Published April 23 1828, by Wm.Sams Book & Printseller to the Royal Family, 1, St James's Street.
Very scarce pair of mezzotints. Each 495 x 390mm (19½ x 15¼"). Small margins.
A pair of portraits of the heads of the armed services. 'The Navy' depicts William, Duke of Clarence, during his short term as Lord High Admiral (1827-8, a post he was sacked from two years before becoming William IV). He stands aboard, raising his tricorn, using a capstan as a drinks table. 'The Army' is a portrait of Arthur Wellesley, 1st Duke of Wellington as Commander in Chief of the British Army. He stands in uniform and chain of office, standing beside a table and toasting a glass to the viewer. A view of London from Apsley House, his London residence at Hyde Park Corner, can be seen through the window on the left. This print was also published with the title 'Health! And Long Life To The King!' with the same publication date. After Michael William Sharp (1776/7-1840).
[Ref: 58712] £790.00 view all images for this item
Painted by M.W. Sharpe. Engraved by W. Say, Engraver to T.R.H. The Duke & Duchess of Gloucester, 9, Mortimer Street.
London, Published April 23 1828, by Wm.Sams Book & Printseller to the Royal Family, 1, St James's Street.
Very scarce pair of mezzotints. Each 495 x 390mm (19½ x 15¼"). Small margins.
A pair of portraits of the heads of the armed services. 'The Navy' depicts William, Duke of Clarence, during his short term as Lord High Admiral (1827-8, a post he was sacked from two years before becoming William IV). He stands aboard, raising his tricorn, using a capstan as a drinks table. 'The Army' is a portrait of Arthur Wellesley, 1st Duke of Wellington as Commander in Chief of the British Army. He stands in uniform and chain of office, standing beside a table and toasting a glass to the viewer. A view of London from Apsley House, his London residence at Hyde Park Corner, can be seen through the window on the left. This print was also published with the title 'Health! And Long Life To The King!' with the same publication date. After Michael William Sharp (1776/7-1840).
[Ref: 58712] £790.00 view all images for this item
Their Serene & Royal Highnesses William & Ann Prince & Princess of Orange & Nassau &c. &c. &c. Done from ye Original Painting which their Highnesses presented to ye Right Honble Algernon Seymour Earl of Hartford &c. To whom this PLATE is most humbly Dedicated by his Lordships most obedient servant John Faber.
Philip van dyk pinx.t. J. Faber fecit.
[n.d., c.1734.]
Mezzotint. Sheet size: 355 x 425mm Cut to image on 3 sides. Repaired tear.
A double portrait of William IV, Prince of Orange and Nassau (1711 - 1751) and Anne, Princess Royal (1709 - 1759), three-quarter length, within a lavish architectural setting, with a curtain behind. The princess is seated to front at left, with the prince standing beside her on the right, looking to her, with dog at the bottom right.
CS: 267. Ex: Collection of the Hon. C. Lennox-Boyd.
[Ref: 35767] £360.00
Philip van dyk pinx.t. J. Faber fecit.
[n.d., c.1734.]
Mezzotint. Sheet size: 355 x 425mm Cut to image on 3 sides. Repaired tear.
A double portrait of William IV, Prince of Orange and Nassau (1711 - 1751) and Anne, Princess Royal (1709 - 1759), three-quarter length, within a lavish architectural setting, with a curtain behind. The princess is seated to front at left, with the prince standing beside her on the right, looking to her, with dog at the bottom right.
CS: 267. Ex: Collection of the Hon. C. Lennox-Boyd.
[Ref: 35767] £360.00
![[William & Anne, Prince and Princess of Orange and Nassau]](jpegs/41194.jpg)
[William & Anne, Prince and Princess of Orange and Nassau] Willhelmus et Anna, Princeps et Principissa Aurelianensi Nassoviensis.
Philip van dyk pinx Gabriel Bodenehr sc et exc a.v.
[n.d., c.1734.]
Mezzotint, scarce, platemark 280 x 415mm (11 x 16¼"), with very large margins. Slight crease through middle; unidentified collector's stamp verso.
Double portrait of William IV, Prince of Orange and Nassau (1711 - 1751) and Anne, Princess Royal (1709 - 1759), three-quarter length, within a lavish architectural setting, with a curtain behind. The same portrait by Philip van Dijk was also engraved by John Faber in London (for which see ref. 35767). The collector's stamp verso is unidentified, although the corresponding Fondation Custodia entry lists several instances where the same stamp has been found.
L.2732.
[Ref: 41194] £360.00
Philip van dyk pinx Gabriel Bodenehr sc et exc a.v.
[n.d., c.1734.]
Mezzotint, scarce, platemark 280 x 415mm (11 x 16¼"), with very large margins. Slight crease through middle; unidentified collector's stamp verso.
Double portrait of William IV, Prince of Orange and Nassau (1711 - 1751) and Anne, Princess Royal (1709 - 1759), three-quarter length, within a lavish architectural setting, with a curtain behind. The same portrait by Philip van Dijk was also engraved by John Faber in London (for which see ref. 35767). The collector's stamp verso is unidentified, although the corresponding Fondation Custodia entry lists several instances where the same stamp has been found.
L.2732.
[Ref: 41194] £360.00
![[William IV] The evil Counsellor.](jpegs/30661.jpg)
[William IV] The evil Counsellor.
HB [John Doyle.]
[I.B. Brookes.] [n.d. c.1831.]
Lithograph. 254 x 345mm (10 x 13½").
Satire on the creation of Peers: William IV sits with both hands on the crown. Brougham, the 'evil Counsellor' in the guise of the devil, leans over his shoulder to whisper 'you can make a New Batch ofthe young Fitz's...' (referring to the Earl of Munster and the other FitzClarences). Outside Cumberland and Eldon discuss the King, Eldon saying 'mind he'll play with that thing [his crown] until he lets it fall'.
BM Satires: 16936.
[Ref: 30661] £80.00 (£96.00 incl.VAT)
HB [John Doyle.]
[I.B. Brookes.] [n.d. c.1831.]
Lithograph. 254 x 345mm (10 x 13½").
Satire on the creation of Peers: William IV sits with both hands on the crown. Brougham, the 'evil Counsellor' in the guise of the devil, leans over his shoulder to whisper 'you can make a New Batch ofthe young Fitz's...' (referring to the Earl of Munster and the other FitzClarences). Outside Cumberland and Eldon discuss the King, Eldon saying 'mind he'll play with that thing [his crown] until he lets it fall'.
BM Satires: 16936.
[Ref: 30661] £80.00 (£96.00 incl.VAT)
![[William IV] The Jolly Waterman and his Fare!!!](jpegs/30480.jpg)
[William IV] The Jolly Waterman and his Fare!!!
William Heath.
Pub June 11 1830 by T. McLean 26 Haymarket London.
Hand-coloured etching with large margins on 3 sides. Plate 260 x 372mm (10¼ x 14¾"). Stain to right by Wellington. Cut to plate at top.
Satire, published weeks before George IV's death, focussing on the Duke of Wellington's hostility towards the Duke of Clarence (subsequently William IV) and supposed autocratic intentions. Clarence rows a Thames wherry (oars inscribed 'William 4') towards the 'Crown Stairs' which Wellington guards, insisting 'come keep off- you are not coming in here'. Clarence's "Fare" is his Duchess, Adelaide, who holds the rudder-lines.
BM Satires: 16137.
[Ref: 30480] £260.00 (£312.00 incl.VAT)
William Heath.
Pub June 11 1830 by T. McLean 26 Haymarket London.
Hand-coloured etching with large margins on 3 sides. Plate 260 x 372mm (10¼ x 14¾"). Stain to right by Wellington. Cut to plate at top.
Satire, published weeks before George IV's death, focussing on the Duke of Wellington's hostility towards the Duke of Clarence (subsequently William IV) and supposed autocratic intentions. Clarence rows a Thames wherry (oars inscribed 'William 4') towards the 'Crown Stairs' which Wellington guards, insisting 'come keep off- you are not coming in here'. Clarence's "Fare" is his Duchess, Adelaide, who holds the rudder-lines.
BM Satires: 16137.
[Ref: 30480] £260.00 (£312.00 incl.VAT)
![[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.](jpegs/30461.jpg)
[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching. 235 x 330mm (9¼ x 13"). Cut.
Satire on Lady Conyngham's departure from Windsor following the death of George IV, and William IV's accession to the throne. William ushers Conyngham away- she (and her husband) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 30461] £220.00 (£264.00 incl.VAT)
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching. 235 x 330mm (9¼ x 13"). Cut.
Satire on Lady Conyngham's departure from Windsor following the death of George IV, and William IV's accession to the throne. William ushers Conyngham away- she (and her husband) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 30461] £220.00 (£264.00 incl.VAT)
![[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.](jpegs/69875.jpg)
[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching. 235 x 330mm (9¼ x 13"). Trimmed to coloured border. Light crease left corner, slightly faded.
Satire on Lady Conyngham's departure from Windsor following the death of George IV, and William IV's accession to the throne. William ushers Conyngham away- she (and her husband) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 69875] £240.00 (£288.00 incl.VAT)
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching. 235 x 330mm (9¼ x 13"). Trimmed to coloured border. Light crease left corner, slightly faded.
Satire on Lady Conyngham's departure from Windsor following the death of George IV, and William IV's accession to the throne. William ushers Conyngham away- she (and her husband) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 69875] £240.00 (£288.00 incl.VAT)
![[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.](jpegs/66870.jpg)
[William IV] The new Master of the Crown Inn discharging Betty the head Chambermaid.
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching, sheet 220 x 320mm (8¾ x 12½"). On paper watermarked, 'J Whatman Turkey Mill.' Trimmed within plate.
Satire on Lady Conyngham's (1769-1861) departure from Windsor following the death of George IV, and William IV's (1765-1837) accession to the throne. William ushers Conyngham away- she (and her husband (1766-1832)) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 66870] £180.00 (£216.00 incl.VAT)
H. Heath fect.
Published 1830, by S.W. Fores, Picadilly.
Hand-coloured etching, sheet 220 x 320mm (8¾ x 12½"). On paper watermarked, 'J Whatman Turkey Mill.' Trimmed within plate.
Satire on Lady Conyngham's (1769-1861) departure from Windsor following the death of George IV, and William IV's (1765-1837) accession to the throne. William ushers Conyngham away- she (and her husband (1766-1832)) carry a huge amount of money and valuables (she was believed to have plundered Windsor following George's death).
BM Satires: 16178.
[Ref: 66870] £180.00 (£216.00 incl.VAT)
![[His Serene Highness William Charles Henry Friso Prince of Orange, and Nassau, Stadtholder, Admiral, & Captain General, of ye Seven Provinces, &c.&c.&c.]](jpegs/68665.jpg)
[His Serene Highness William Charles Henry Friso Prince of Orange, and Nassau, Stadtholder, Admiral, & Captain General, of ye Seven Provinces, &c.&c.&c.]
[probably by John Smith]
[Printed for & Sold by M. Overton opposite Fetter Lane end in Fleetstreet.]
Scarce mezzotint. Sheet 315 x 250mm (12½ x 9¾"). Trimmed into image, losing inscription area, laid on album paper, ink collector's stamp lower right of image and on reverse.
An equestrian portrait of William IV of Orange (1711-51), before a battlefield. It is based on Godfrey Kneller's portrait of Frederick de Schomberg as engraved by John Smith, with the same horse and background, but without the black pageboy. Because of the similarity of the plates there was some confusion as to states, with Chaloner Smith listing an example as a possible first state of his Smith 227 as well as ENA 75. Russell writes that this plate was originally Schomberg but was changed to portray William III, the Duke of Marlborough, William IV and, finally Marshall Keith.
CS ENA 75, i of ii (and see 227); Russell 227, second plate, state iv of v. Ex: collections of The Hon. Christopher Lennox-Boyd & the Marquess of Sligo (Lugt 2353a).
[Ref: 68665] £260.00 (£312.00 incl.VAT)
[probably by John Smith]
[Printed for & Sold by M. Overton opposite Fetter Lane end in Fleetstreet.]
Scarce mezzotint. Sheet 315 x 250mm (12½ x 9¾"). Trimmed into image, losing inscription area, laid on album paper, ink collector's stamp lower right of image and on reverse.
An equestrian portrait of William IV of Orange (1711-51), before a battlefield. It is based on Godfrey Kneller's portrait of Frederick de Schomberg as engraved by John Smith, with the same horse and background, but without the black pageboy. Because of the similarity of the plates there was some confusion as to states, with Chaloner Smith listing an example as a possible first state of his Smith 227 as well as ENA 75. Russell writes that this plate was originally Schomberg but was changed to portray William III, the Duke of Marlborough, William IV and, finally Marshall Keith.
CS ENA 75, i of ii (and see 227); Russell 227, second plate, state iv of v. Ex: collections of The Hon. Christopher Lennox-Boyd & the Marquess of Sligo (Lugt 2353a).
[Ref: 68665] £260.00 (£312.00 incl.VAT)
His Serene Highness Will.m Charles Henry Friso Prince of Orange & of Nassau &c. Stadholder, Admiral, & Captain General of the United Provinces.
Peint par P. V. Dyk.
Printed for T. Bowles in St Pauls Church Yard, & J. Bowles at ye Black Horse in Cornhill [n.d., c.1750.]
Fine mezzotint. 355 x 255mm (14 x 10"). Narrow margins on three sides, old ink mss. in bottom margin.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands, husband of the Anne, Princess Royal, daughter of George II. After a portrait by Philip van Dijk (1680-1753), who painted William several times. This print was first published with verses in Dutch below, and the text subsequently replaced with one in English.
CS 270 ii/ii, but suggesting it could be a different plate. Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 69692] £240.00 (£288.00 incl.VAT)
Peint par P. V. Dyk.
Printed for T. Bowles in St Pauls Church Yard, & J. Bowles at ye Black Horse in Cornhill [n.d., c.1750.]
Fine mezzotint. 355 x 255mm (14 x 10"). Narrow margins on three sides, old ink mss. in bottom margin.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands, husband of the Anne, Princess Royal, daughter of George II. After a portrait by Philip van Dijk (1680-1753), who painted William several times. This print was first published with verses in Dutch below, and the text subsequently replaced with one in English.
CS 270 ii/ii, but suggesting it could be a different plate. Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 69692] £240.00 (£288.00 incl.VAT)
![[William IV of Orange] Zyne Doorluchtig Hoogheit Willem Carel Hendril Friso Prince van Orange en Nassau &c.](jpegs/69693.jpg)
[William IV of Orange] Zyne Doorluchtig Hoogheit Willem Carel Hendril Friso Prince van Orange en Nassau &c.
P. Van Dyk pinx. J. Faber Fecit Londini. 1735.
Fine mezzotint. 355 x 255mm (14 x 10"). Trimmed into plate at bottom, narrow margins elsewhere, small glue smear centre, laid on album paper at edges.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands, husband of the Anne, Princess Royal, daughter of George II. After a portrait by Philip van Dijk (1680-1753), who painted William several times.
CS Faber 270 i of ii. Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 69693] £260.00 (£312.00 incl.VAT)
P. Van Dyk pinx. J. Faber Fecit Londini. 1735.
Fine mezzotint. 355 x 255mm (14 x 10"). Trimmed into plate at bottom, narrow margins elsewhere, small glue smear centre, laid on album paper at edges.
William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadtholder of the Netherlands, husband of the Anne, Princess Royal, daughter of George II. After a portrait by Philip van Dijk (1680-1753), who painted William several times.
CS Faber 270 i of ii. Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 69693] £260.00 (£312.00 incl.VAT)