A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Major General; James Wolfe.
[n.d., c.1765.]
Engraving. 110 x 95mm (4¼ x 3¾"). Binding damge close to image on left.
General James Wolfe (1727-1759) led the British attack on Quebec that ended French rule in Canada in 1759.
[Ref: 53310] £50.00 (£60.00 incl.VAT)
[n.d., c.1765.]
Engraving. 110 x 95mm (4¼ x 3¾"). Binding damge close to image on left.
General James Wolfe (1727-1759) led the British attack on Quebec that ended French rule in Canada in 1759.
[Ref: 53310] £50.00 (£60.00 incl.VAT)
James Wolfe, Esqr. Commander in Chief of His Majesty's Forces in the Expedition to Quebec. For the London Mag.
Printed for R. Baldwin at the Rose in Pater Noster Row [n.d. c.1753.]
Copper engraving. 209 x 120mm.
James Wolfe (1727-1759) General; conqueror of Quebec. General James Wolfe led the British attack on Quebec which resulted in the fall of French Rule in Canada in 1759. Wofle regrettably died the day that victory was declared meaning that he didn't make it into the city.
[Ref: 15107] £60.00 (£72.00 incl.VAT)
Printed for R. Baldwin at the Rose in Pater Noster Row [n.d. c.1753.]
Copper engraving. 209 x 120mm.
James Wolfe (1727-1759) General; conqueror of Quebec. General James Wolfe led the British attack on Quebec which resulted in the fall of French Rule in Canada in 1759. Wofle regrettably died the day that victory was declared meaning that he didn't make it into the city.
[Ref: 15107] £60.00 (£72.00 incl.VAT)
The Death of General Wolfe on the 13th Sep.r, 1759 at Quebec.
Painted by Edw.d Penny Professor of Painting to ye Royal Academy. Engrav'd by Rich.d Houston.
London Printed for for Rob.t Sayer Map & Printseller No.53 in Fleet Street, Published as the Act directs 1st Jany. 1772.
Mezzotint, 18th century watermark. 500 x 430mm (19¾ x 17"). Tears and creases repaired. Small stain in image and into centre of title area. Repairs in sky. 3 repairs of loss at left side.
Scene depicting the death of General Wolfe (1727 -1759), British Army officer known for his training reforms and, as a major general, remembered chiefly for his victory in 1759 over the French at the Battle of the Plains of Abraham in Quebec. He is supported by an officer, with Surgeon Adair kneeling on his other side, mopping his brow and a third standing behind, gesturing towards another who comes running, gun in hand, from the field with news of the fall of Quebec.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65878] £490.00
Painted by Edw.d Penny Professor of Painting to ye Royal Academy. Engrav'd by Rich.d Houston.
London Printed for for Rob.t Sayer Map & Printseller No.53 in Fleet Street, Published as the Act directs 1st Jany. 1772.
Mezzotint, 18th century watermark. 500 x 430mm (19¾ x 17"). Tears and creases repaired. Small stain in image and into centre of title area. Repairs in sky. 3 repairs of loss at left side.
Scene depicting the death of General Wolfe (1727 -1759), British Army officer known for his training reforms and, as a major general, remembered chiefly for his victory in 1759 over the French at the Battle of the Plains of Abraham in Quebec. He is supported by an officer, with Surgeon Adair kneeling on his other side, mopping his brow and a third standing behind, gesturing towards another who comes running, gun in hand, from the field with news of the fall of Quebec.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65878] £490.00
Major General James Wolfe. Commander in Chief of His Majesty's Forces in the Expedition against Quebec.
H. Smith Esq.r pinx.t C. Spooner fecit.
Printed for John Bowles at the Black House in Cornhill London [n.d, c.1765).
Very rare mezzotint, plate 150 x 115mm (6 x 4½"), large margins. Some toning to the paper.
A portrait of General James Wolfe (1727 - 1759), half-length, in profile to the left against a background of clouds. He rests his left hand on his hip and his other arm extended slightly. Wearing a powdered tie-wig, a military frockcoat over a cuirass with a black stock, a ribbon tied about his left arm and his cuffs edged with gold lace. Wolfe was a British Army officer, remembered chiefly for his victory over the French at the Battle of Quebec in Canada in 1759. The son of a distinguished general, Lieutenant-General Edward Wolfe, he had received his first commission at a young age and saw extensive service in Europe where he fought during the War of the Austrian Succession. His service in Flanders and in Scotland, where he took part in the suppression of the Jacobite Rebellion, brought him to the attention of his superiors. Wolfe's part in the taking of Quebec in 1759 earned him posthumous fame and he became an icon of Britain's victory in the Seven Years War and subsequent territorial expansion.
CS 37. O'D 7.
[Ref: 56229] £360.00
H. Smith Esq.r pinx.t C. Spooner fecit.
Printed for John Bowles at the Black House in Cornhill London [n.d, c.1765).
Very rare mezzotint, plate 150 x 115mm (6 x 4½"), large margins. Some toning to the paper.
A portrait of General James Wolfe (1727 - 1759), half-length, in profile to the left against a background of clouds. He rests his left hand on his hip and his other arm extended slightly. Wearing a powdered tie-wig, a military frockcoat over a cuirass with a black stock, a ribbon tied about his left arm and his cuffs edged with gold lace. Wolfe was a British Army officer, remembered chiefly for his victory over the French at the Battle of Quebec in Canada in 1759. The son of a distinguished general, Lieutenant-General Edward Wolfe, he had received his first commission at a young age and saw extensive service in Europe where he fought during the War of the Austrian Succession. His service in Flanders and in Scotland, where he took part in the suppression of the Jacobite Rebellion, brought him to the attention of his superiors. Wolfe's part in the taking of Quebec in 1759 earned him posthumous fame and he became an icon of Britain's victory in the Seven Years War and subsequent territorial expansion.
CS 37. O'D 7.
[Ref: 56229] £360.00
General Wolfe.
Engrav'd from Mr. Isaac Gosset's Model by T. Miller.
[n.d. c.1780.]
Engraving. Plate 114 x 76mm. 4½ x 3".
General James Wolfe (1727-1759), led the British attack on Quebec that ended French rule in Canada in 1759. He never entered the city as he died the following day from his battle wounds. The importance of the conquest and his death, in the hour of victory, made Wolfe the eighteenth-century's most moving hero, and named Conqueror of Quebec. From Issac Gosset's (1713-1799) plaster cast of a medal; held in the National Portrait Gallery.
NPG: D36113 [for medal].
[Ref: 24077] £80.00 (£96.00 incl.VAT)
Engrav'd from Mr. Isaac Gosset's Model by T. Miller.
[n.d. c.1780.]
Engraving. Plate 114 x 76mm. 4½ x 3".
General James Wolfe (1727-1759), led the British attack on Quebec that ended French rule in Canada in 1759. He never entered the city as he died the following day from his battle wounds. The importance of the conquest and his death, in the hour of victory, made Wolfe the eighteenth-century's most moving hero, and named Conqueror of Quebec. From Issac Gosset's (1713-1799) plaster cast of a medal; held in the National Portrait Gallery.
NPG: D36113 [for medal].
[Ref: 24077] £80.00 (£96.00 incl.VAT)
The Death of General Wolfe.
P.W. Webber 1782.
Pen and ink with watercolour wash over pencil, image 430 x 590mm. 17 x 23¼". Scuffed and stained, with fragile extremities.
General James Wolfe 1727–59), killed at the moment of his famous victory over the French at Quebec, which delivered Canada into the hands of the British. He is supported by three grenadiers as he succumbs to his fatal wounds, watched by nine other officers and a native American warrior. An interesting copy of an engraving after Benjamin West (1738 - 1820).
[Ref: 11336] £1,450.00
P.W. Webber 1782.
Pen and ink with watercolour wash over pencil, image 430 x 590mm. 17 x 23¼". Scuffed and stained, with fragile extremities.
General James Wolfe 1727–59), killed at the moment of his famous victory over the French at Quebec, which delivered Canada into the hands of the British. He is supported by three grenadiers as he succumbs to his fatal wounds, watched by nine other officers and a native American warrior. An interesting copy of an engraving after Benjamin West (1738 - 1820).
[Ref: 11336] £1,450.00
Theobald Wolfe, Esquire Nat: 10th Mar: 1710; Ob:t 22, Feb.y 1784. the Noblest Work of God. Pope. From a picture in the Collection of Joseph Henry Esq.r
R. Home Pinx.t 1781. F. Bartolozzi Sculp.t 1785.
R. Livesay Excudit.
Stipple. 266 x 209mm (10½ x 8¼"), with wide margins.
Theobald Wolfe (1710-1784) was kinsman of both the republican Theobald Wolfe Tone (d.1798) and of Arthur Wolfe, Lord Kilwarden (1783-1803).
[Ref: 24703] £160.00 (£192.00 incl.VAT)
R. Home Pinx.t 1781. F. Bartolozzi Sculp.t 1785.
R. Livesay Excudit.
Stipple. 266 x 209mm (10½ x 8¼"), with wide margins.
Theobald Wolfe (1710-1784) was kinsman of both the republican Theobald Wolfe Tone (d.1798) and of Arthur Wolfe, Lord Kilwarden (1783-1803).
[Ref: 24703] £160.00 (£192.00 incl.VAT)
Theobald Wolfe, Esquire. Nat. 10th. Mar: 1710; Ob.t 22.d Feb.y 1784. ''the Noblest Work of God. Pope. / From a picture in the Collection of Joseph Henry Esq.r.
R. Home Pinx.t 1781. F. Bartolozzi Sculp.t. 1785.
R. Livesay Excudit.
Stipple. Sheet: 270 x 195mm (10½ x 7¾"). Trimmed.
A portrait of Irish lawyer Theobald Wolfe (1710-1784) set within an oval; father of Wolfe Tone.
[Ref: 47260] £160.00 (£192.00 incl.VAT)
R. Home Pinx.t 1781. F. Bartolozzi Sculp.t. 1785.
R. Livesay Excudit.
Stipple. Sheet: 270 x 195mm (10½ x 7¾"). Trimmed.
A portrait of Irish lawyer Theobald Wolfe (1710-1784) set within an oval; father of Wolfe Tone.
[Ref: 47260] £160.00 (£192.00 incl.VAT)
![[Labourers in a landscape] 2](jpegs/41981.jpg)
[Labourers in a landscape] 2
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41981] £140.00 (£168.00 incl.VAT)
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41981] £140.00 (£168.00 incl.VAT)
![[Shepherds leading animals along a path in a landscape] 3](jpegs/41982.jpg)
[Shepherds leading animals along a path in a landscape] 3
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41982] £140.00 (£168.00 incl.VAT)
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41982] £140.00 (£168.00 incl.VAT)
![[Shepherds leading animals along a path in a landscape]](jpegs/41983.jpg)
[Shepherds leading animals along a path in a landscape]
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41983] £140.00 (£168.00 incl.VAT)
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41983] £140.00 (£168.00 incl.VAT)
The Rev.d Joseph Wolff. Missionary to Palestine & Persia.
Painted by E. Fancourt. Engraved by H. Meyer.
London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.
Scarce mezzotint on chine collé. 365 x 280mm (14¼ x 11"), with very large margins. Margins bit dusty.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The plate was begun by David Lucas; the published state was completed by Henry Meyer.
O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64761] £280.00 (£336.00 incl.VAT)
Painted by E. Fancourt. Engraved by H. Meyer.
London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.
Scarce mezzotint on chine collé. 365 x 280mm (14¼ x 11"), with very large margins. Margins bit dusty.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The plate was begun by David Lucas; the published state was completed by Henry Meyer.
O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64761] £280.00 (£336.00 incl.VAT)
[The Rev.d Joseph Wolff. Missionary to Palestine & Persia.]
[Painted by E. Fancourt.] Engraved by David Lucas
[London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.]
Mezzotint on india, fine proof before title and artist's inscription. 365 x 280mm (14¼ x 11") very large margins. Margins slightly soiled.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The published state was signed as engraver by Henry Meyer.
O'D i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64762] £260.00 (£312.00 incl.VAT)
[Painted by E. Fancourt.] Engraved by David Lucas
[London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.]
Mezzotint on india, fine proof before title and artist's inscription. 365 x 280mm (14¼ x 11") very large margins. Margins slightly soiled.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The published state was signed as engraver by Henry Meyer.
O'D i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64762] £260.00 (£312.00 incl.VAT)
![[Wolfhounds.]](jpegs/47905.jpg)
[Wolfhounds.]
Henry Wilkinson.
Etching signed by the artist. 245 x 345mm (9¾ x 13½"). Limited edition: 31/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47905] £170.00 (£204.00 incl.VAT)
Henry Wilkinson.
Etching signed by the artist. 245 x 345mm (9¾ x 13½"). Limited edition: 31/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47905] £170.00 (£204.00 incl.VAT)
George Hyde Wollaston
Painted by T. Phillips, Esq.r R.A. Engraved by W.m Ward, Engraver to His Majesty
1831 [pencil inscription in title area]
Mezzotint with very large margins, platemark 455 x 300mm (18 x 11¾"). Foxing to margins and title area. Private plate.
George Hyde Wollaston (1765-1841), merchant and banker, son of the natural philosopher Francis John Hyde Wollaston. Wollaston lived on Clapham Common, where his neighbours included another natural philosopher, Henry Cavendish (1731-1810). His daughter Henrietta married the army officer Sir George Pollock, well-known for his part in the Afghan campaign of 1842. Engraved by William Ward, one of the most prominent mezzotint engravers of his generation, after the portrait by Thomas Phillips (1770-1845), whose over 700 portraits record the leading personalities of his time.
Ex: Collection of the Late Hon. C. Lennox-Boyd; Not in CS or Frankau; O'D 1 (only likeness of sitter).
[Ref: 34926] £260.00 (£312.00 incl.VAT)
Painted by T. Phillips, Esq.r R.A. Engraved by W.m Ward, Engraver to His Majesty
1831 [pencil inscription in title area]
Mezzotint with very large margins, platemark 455 x 300mm (18 x 11¾"). Foxing to margins and title area. Private plate.
George Hyde Wollaston (1765-1841), merchant and banker, son of the natural philosopher Francis John Hyde Wollaston. Wollaston lived on Clapham Common, where his neighbours included another natural philosopher, Henry Cavendish (1731-1810). His daughter Henrietta married the army officer Sir George Pollock, well-known for his part in the Afghan campaign of 1842. Engraved by William Ward, one of the most prominent mezzotint engravers of his generation, after the portrait by Thomas Phillips (1770-1845), whose over 700 portraits record the leading personalities of his time.
Ex: Collection of the Late Hon. C. Lennox-Boyd; Not in CS or Frankau; O'D 1 (only likeness of sitter).
[Ref: 34926] £260.00 (£312.00 incl.VAT)
Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I. Faber fecit.
Printed for Tho: Bowles in St. Pauls Church Yard, & John Bowles at the black Horse in Cornhill. [n.d., c.1745.]
Mezzotint. 355 x 255mm (14 x 10''), 18th century watermark, with large margins.
A portrait of philosophical writer William Wollaston (1659-1724) who wrote 'The Religion of Nature Delineated' 1722. From the series 'Philosophers of England'.
CS 121.I.
[Ref: 50385] £260.00 (£312.00 incl.VAT)
I. Faber fecit.
Printed for Tho: Bowles in St. Pauls Church Yard, & John Bowles at the black Horse in Cornhill. [n.d., c.1745.]
Mezzotint. 355 x 255mm (14 x 10''), 18th century watermark, with large margins.
A portrait of philosophical writer William Wollaston (1659-1724) who wrote 'The Religion of Nature Delineated' 1722. From the series 'Philosophers of England'.
CS 121.I.
[Ref: 50385] £260.00 (£312.00 incl.VAT)
Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I.Faber fecit.
Printed for Ca: Bowles in St.Pauls Church Yard, London.
Mezzotint with very large margins, platemark 362 x 257mm (14¼ x 10").
William Wollaston (1659-1724), moral philosopher. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. His major work was 'The Religion of Nature Delineated' (1724). In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers. These were engraved and issued as a set of five 'philosophers of England' (Wollaston, Isaac Newton, Robert Boyle, John Locke and Samuel Clarke) with a view of the Hermitage prefixed.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 125 iii/iii; for an earlier impression of this print see ref. 2368; for the bust of Locke see ref. 32333.
[Ref: 34116] £320.00
I.Faber fecit.
Printed for Ca: Bowles in St.Pauls Church Yard, London.
Mezzotint with very large margins, platemark 362 x 257mm (14¼ x 10").
William Wollaston (1659-1724), moral philosopher. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. His major work was 'The Religion of Nature Delineated' (1724). In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers. These were engraved and issued as a set of five 'philosophers of England' (Wollaston, Isaac Newton, Robert Boyle, John Locke and Samuel Clarke) with a view of the Hermitage prefixed.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 125 iii/iii; for an earlier impression of this print see ref. 2368; for the bust of Locke see ref. 32333.
[Ref: 34116] £320.00
![Guillaume Wollaston, ne en 1659, mort en 1724. [&] Allégorie de Wollaston.](jpegs/22195.jpg)
Guillaume Wollaston, ne en 1659, mort en 1724. [&] Allégorie de Wollaston.
JCF[rançois] fecit C.P.R.
[Paris: Brunet, c.1760.]
Two plates, crayon manner, printed in red and brown ink respectively, bound at right edge in 4to, 295 x 220mm. 11½ x 8¾".
Portrait of William Wollaston (1659 - 1724), English philosophical writer; together with an allegorical female figure, standing next to an altar, left arm pointing upwards, right hand supporting a large book. Wollaston is remembered today for one book, which he completed only two years before his death: The Religion of Nature Delineated (1st ed. 1722; 2nd ed. 1724). By Jean Charles François (1717 - 1769), inventor the crayon manner technique of etching in 1757. For Alexandre Savérien's 'Histoire des Philosophes modernes', published in eight 4to volumes from 1760-1767. 79 plates (and eight frontispieces) were engraved for the book.
[Ref: 22195] £260.00 (£312.00 incl.VAT)
JCF[rançois] fecit C.P.R.
[Paris: Brunet, c.1760.]
Two plates, crayon manner, printed in red and brown ink respectively, bound at right edge in 4to, 295 x 220mm. 11½ x 8¾".
Portrait of William Wollaston (1659 - 1724), English philosophical writer; together with an allegorical female figure, standing next to an altar, left arm pointing upwards, right hand supporting a large book. Wollaston is remembered today for one book, which he completed only two years before his death: The Religion of Nature Delineated (1st ed. 1722; 2nd ed. 1724). By Jean Charles François (1717 - 1769), inventor the crayon manner technique of etching in 1757. For Alexandre Savérien's 'Histoire des Philosophes modernes', published in eight 4to volumes from 1760-1767. 79 plates (and eight frontispieces) were engraved for the book.
[Ref: 22195] £260.00 (£312.00 incl.VAT)
![[William Wollaston] M.r W. Wollaston.](jpegs/67862.jpg)
[William Wollaston] M.r W. Wollaston.
Vertue sculpsit.
[London: James & John Knapton, c.1731.]
Engraving. 220 x 170mm (8¾ x 6¾"). Very small repaired wormhole.
A half-length portrait in oval of philosophical writer William Wollaston (1659-1724), used as the frontispiece to his 'The Religion of Nature Delineated'.
[Ref: 67862] £130.00 (£156.00 incl.VAT)
Vertue sculpsit.
[London: James & John Knapton, c.1731.]
Engraving. 220 x 170mm (8¾ x 6¾"). Very small repaired wormhole.
A half-length portrait in oval of philosophical writer William Wollaston (1659-1724), used as the frontispiece to his 'The Religion of Nature Delineated'.
[Ref: 67862] £130.00 (£156.00 incl.VAT)
Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I.Faber fecit.
Printed for Tho: Bowles in St.Pauls Church Yard, & John Bowles & Son, at the Black Horse, Cornhil. [n.d. c.1750]
Mezzotint. 362 x 257mm.
William Wollaston born March 26, 1659, Coton Clanford, Staffordshire, Eng. died Oct. 29, 1724, London. British Rationalist philosopher and moralist whose ethical doctrines influenced subsequent philosophy as well as that of his own time. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers like Newton, Boyle, , Locke and the clergymen Samuel Clarke and William Wollaston.
CS: 125.
[Ref: 2368] £180.00 (£216.00 incl.VAT)
I.Faber fecit.
Printed for Tho: Bowles in St.Pauls Church Yard, & John Bowles & Son, at the Black Horse, Cornhil. [n.d. c.1750]
Mezzotint. 362 x 257mm.
William Wollaston born March 26, 1659, Coton Clanford, Staffordshire, Eng. died Oct. 29, 1724, London. British Rationalist philosopher and moralist whose ethical doctrines influenced subsequent philosophy as well as that of his own time. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers like Newton, Boyle, , Locke and the clergymen Samuel Clarke and William Wollaston.
CS: 125.
[Ref: 2368] £180.00 (£216.00 incl.VAT)
To His Royal Highness Prince Augustus Frederick Duke of Sussex, K.G. & T.G.C.H. &c. &c. &c. &c. This Portrait of the late William Hyde Wollaston, M.D. F.R.S. &c. &c. &c. is with H.R.H.'s most gracious permission most respectfully inscribed By His Royal Highness's most dutiful & obedient Servant Will.m Skelton.
Painted by John Jackson, R.A. Engraved by Will.m Skelton.
Published Nov.r 18.th 1830 by W. Skelton, 1 Stafford Place, Pimlico.
Engraving, rare, on chine collé. Plate: 355 x 275mm (14 x 11''), with very large margins. Foxing on margins.
A seated portrait of English chemist and physicist William Hyde Wollaston (1766-1828) who discovered palladium and rhodium.
[Ref: 48255] £260.00 (£312.00 incl.VAT)
Painted by John Jackson, R.A. Engraved by Will.m Skelton.
Published Nov.r 18.th 1830 by W. Skelton, 1 Stafford Place, Pimlico.
Engraving, rare, on chine collé. Plate: 355 x 275mm (14 x 11''), with very large margins. Foxing on margins.
A seated portrait of English chemist and physicist William Hyde Wollaston (1766-1828) who discovered palladium and rhodium.
[Ref: 48255] £260.00 (£312.00 incl.VAT)
Wollaston. Sir Edward Codrinton with Fr.s Chantrey s respects. [facsimile script].
From a sketch (made with the Camera Lucida) by Chantrey. Drawn on Stone by R.J. Lane. C.Graf Lith to her Majesty.
[n.d., c.. 1828.]
Lithograph on india, with title on the backing sheet. Printed area 265 x 160mm (10½ x 6¼"). Edges chipped.
William Hyde Wollaston (1766-1828), English chemist and physicist famous for discovering the elements palladium and rhodium.
[Ref: 43405] £140.00 (£168.00 incl.VAT)
From a sketch (made with the Camera Lucida) by Chantrey. Drawn on Stone by R.J. Lane. C.Graf Lith to her Majesty.
[n.d., c.. 1828.]
Lithograph on india, with title on the backing sheet. Printed area 265 x 160mm (10½ x 6¼"). Edges chipped.
William Hyde Wollaston (1766-1828), English chemist and physicist famous for discovering the elements palladium and rhodium.
[Ref: 43405] £140.00 (£168.00 incl.VAT)
Map of the Countries Inhabited by the Wolofs. To face Page.1. Vol.II.
Pub.d at R. Ackermann's 1822.
Engraving. 202 x 159mm. 8 x 6¼". Soiling and crease to upper left corner; some tiny holes.
A map indicating the Wolof concentration in Senegal, with overlaps into Gambia and Mauritania. The Wolof community belonged to the medieval West African state of the Wolof Empire that ruled between 1350 and 1890. Their demise was at the hands of the French colonial forces in the 1870s, whih also maked the beginning of the formation of Senegal as a unified state. By the end of the 15th century, the Wolof states of Jolof, Kayor, Baol and Walo had become united in a federation with Jolof as the metropolitan power. The position of king was held by the Burba Wolof and the rulers of the other component states owed loyalty to him while being allowed local sovereignty in internal state matters. Saloum and Sine were later brought within the union. Before they became involved in trading with the Portuguese merchants on the coast, the Wolof people enjoyed the benefits of long established trading and cultural ties with the Western Sudanese empires and had also benefited from trading with Futa Toro and the Berbers from North Africa. Through these early trading links and organisation the Wolof states grew wealthy and had formidable strength.
[Ref: 26120] £75.00
Pub.d at R. Ackermann's 1822.
Engraving. 202 x 159mm. 8 x 6¼". Soiling and crease to upper left corner; some tiny holes.
A map indicating the Wolof concentration in Senegal, with overlaps into Gambia and Mauritania. The Wolof community belonged to the medieval West African state of the Wolof Empire that ruled between 1350 and 1890. Their demise was at the hands of the French colonial forces in the 1870s, whih also maked the beginning of the formation of Senegal as a unified state. By the end of the 15th century, the Wolof states of Jolof, Kayor, Baol and Walo had become united in a federation with Jolof as the metropolitan power. The position of king was held by the Burba Wolof and the rulers of the other component states owed loyalty to him while being allowed local sovereignty in internal state matters. Saloum and Sine were later brought within the union. Before they became involved in trading with the Portuguese merchants on the coast, the Wolof people enjoyed the benefits of long established trading and cultural ties with the Western Sudanese empires and had also benefited from trading with Futa Toro and the Berbers from North Africa. Through these early trading links and organisation the Wolof states grew wealthy and had formidable strength.
[Ref: 26120] £75.00
![The Birmingham New Member_ A Man of Mettle [/Metal] - or a Match for Ministers.](jpegs/44918.jpg)
The Birmingham New Member_ A Man of Mettle [/Metal] - or a Match for Ministers.
[Charles Williams]
Pub 1819 by T Tegg 111 Cheapside.
Hand-coloured engraving. Sheet 245 x 345mm (9¾ x 13½"), with 1818 watermark.
Birmingham brassfounders about to place a brazen head of Sir Charles Wolseley on an effigy. Wolsey had made an inflamatory speech at Stockton and was arrested for sedition. In his absence the Birmingham reformers elected him their 'Legislatorial attourney' and empowered him to represent their grievences in Parliament.
BM Satire 13251.
[Ref: 44918] £280.00 (£336.00 incl.VAT)
[Charles Williams]
Pub 1819 by T Tegg 111 Cheapside.
Hand-coloured engraving. Sheet 245 x 345mm (9¾ x 13½"), with 1818 watermark.
Birmingham brassfounders about to place a brazen head of Sir Charles Wolseley on an effigy. Wolsey had made an inflamatory speech at Stockton and was arrested for sedition. In his absence the Birmingham reformers elected him their 'Legislatorial attourney' and empowered him to represent their grievences in Parliament.
BM Satire 13251.
[Ref: 44918] £280.00 (£336.00 incl.VAT)
![[Thomas Wolsey.] Thomas Wolfeius.](jpegs/65133.jpg)
[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep: Eborac: & c. Fundr,, Coll. Adis Christi. A.D. 1525. Revdo,, Viro Gulielm Markham, L.L.L. etifitius Collegi Gustodi.
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint, fine impression. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65133] £140.00 (£168.00 incl.VAT)
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint, fine impression. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65133] £140.00 (£168.00 incl.VAT)
![[Thomas Wolsey.] Thomas Wolfeius.](jpegs/65134.jpg)
[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep. Eborac: &c.
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1730.]
Fine mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Backed onto album paper at corners. Image cut
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65134] £160.00 (£192.00 incl.VAT)
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1730.]
Fine mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Backed onto album paper at corners. Image cut
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65134] £160.00 (£192.00 incl.VAT)
![[Thomas Wolsey.] Thomas Wolfeius.](jpegs/65135.jpg)
[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep: Eborac: & c. Fundr,, Coll. Adis Christi. A.D. 1525. Revdo,, Viro Gulielm Markham, L.L.L. etifitius Collegi Gustodi.
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut into plate and backed onto album paper at corners.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65135] £80.00 (£96.00 incl.VAT)
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut into plate and backed onto album paper at corners.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65135] £80.00 (£96.00 incl.VAT)
Thomas Wolseius Card: & Archiep: Eborac: &c. Fundr Coll. Aedis Christi. A.D. 1525. Rev.do Vino Guilielm. Markham, L.L. Detistius Collegii Custodi, summa cum Humil. & Observan, D.D.D. H. Parker.
[n.d. c.1750.]
Mezzotint with small margins. Plate 260 x 202mm (10¼ x 8"). Laid on conservation paper.
Portrait of Cardinal Wolsey, three-quarter length, standing, holding a scroll; curtain and branch of a tree in background; coat of arms in lower margin. One of a series of forty-five plates of portraits of the founders of Oxford and Cambridge colleges, Royal Exchange, and Charterhouse. Cardinal Thomas Wolsey (c.17435-1530) the English political figure and cardinal of the Roman Catholic Church. He was made the King's almoner when Henry VIII took the throne in 1509. He gained a lot of power and freedom and was often depicted as an alter rex.
CS: 34, iv.
[Ref: 28679] £120.00 (£144.00 incl.VAT)
[n.d. c.1750.]
Mezzotint with small margins. Plate 260 x 202mm (10¼ x 8"). Laid on conservation paper.
Portrait of Cardinal Wolsey, three-quarter length, standing, holding a scroll; curtain and branch of a tree in background; coat of arms in lower margin. One of a series of forty-five plates of portraits of the founders of Oxford and Cambridge colleges, Royal Exchange, and Charterhouse. Cardinal Thomas Wolsey (c.17435-1530) the English political figure and cardinal of the Roman Catholic Church. He was made the King's almoner when Henry VIII took the throne in 1509. He gained a lot of power and freedom and was often depicted as an alter rex.
CS: 34, iv.
[Ref: 28679] £120.00 (£144.00 incl.VAT)
![[Thomas Wolsey.] Thomas Wolfeius.](jpegs/65132.jpg)
[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep. Eborac: &c.
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1712.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65132] £90.00 (£108.00 incl.VAT)
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1712.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65132] £90.00 (£108.00 incl.VAT)
Thomas Wolsey Cardinal ad Archbishop of York &c.
H. Holbein Pinxit. R. Sheppard Sculp.
[n.d. c.1740]
Engraving, a fine impression. Plate 342 x 215mm. 13½ x 8½". Slightly trimmed along right-hand edge.
Portrait; half length, in profile to the right, holding a scroll in one hand, gesturing with two fingers with the other; wearing cardinal's hat and robes, a window and curtain in background. Plate from Mechell's edition of Paul de Rapin-Thoyras, 'The History of England'. Cardinal Thomas Wolsey (c.1475-1530) almoner to King Henry VIII, and by 1514 he had become the controlling figure in virtually all matters of state and was extremely powerful within the Church. When he was made cardinal in 1515, it ultimately gave him precedence even over the Archbishop of Canterbury. One of his main legacies was his interest in architecture, in particular his home of Hampton Court Palace.
NPG: D8792.
[Ref: 27850] £140.00 (£168.00 incl.VAT)
H. Holbein Pinxit. R. Sheppard Sculp.
[n.d. c.1740]
Engraving, a fine impression. Plate 342 x 215mm. 13½ x 8½". Slightly trimmed along right-hand edge.
Portrait; half length, in profile to the right, holding a scroll in one hand, gesturing with two fingers with the other; wearing cardinal's hat and robes, a window and curtain in background. Plate from Mechell's edition of Paul de Rapin-Thoyras, 'The History of England'. Cardinal Thomas Wolsey (c.1475-1530) almoner to King Henry VIII, and by 1514 he had become the controlling figure in virtually all matters of state and was extremely powerful within the Church. When he was made cardinal in 1515, it ultimately gave him precedence even over the Archbishop of Canterbury. One of his main legacies was his interest in architecture, in particular his home of Hampton Court Palace.
NPG: D8792.
[Ref: 27850] £140.00 (£168.00 incl.VAT)
![[Cardinal Wolsey]](jpegs/13737.jpg)
[Cardinal Wolsey]
Anon. [After Holbein]
[c. 1750]
Etching 68 x 94mm. 2¾ x 3¾inches. On verso in old script: "Cardinal Wolsey - Given to me by Mr. Ashby Fellow of St.John's College Canbr. Dec:1769 W. Cole". Mounted into an album page.
Facing to right in Biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
[Ref: 13737] £220.00 (£264.00 incl.VAT)
Anon. [After Holbein]
[c. 1750]
Etching 68 x 94mm. 2¾ x 3¾inches. On verso in old script: "Cardinal Wolsey - Given to me by Mr. Ashby Fellow of St.John's College Canbr. Dec:1769 W. Cole". Mounted into an album page.
Facing to right in Biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
[Ref: 13737] £220.00 (£264.00 incl.VAT)
![[Cardinal Wolsey.]](jpegs/13736.jpg)
[Cardinal Wolsey.]
[After Hans Holbein]
[n.d. c.1750.]
Mezzotint 90 x 120mm, 3½ x 4½inches. Mounted into an album page.
Facing to right in biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
BM:P&D:1853,0112.1628.
[Ref: 13736] £260.00 (£312.00 incl.VAT)
[After Hans Holbein]
[n.d. c.1750.]
Mezzotint 90 x 120mm, 3½ x 4½inches. Mounted into an album page.
Facing to right in biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
BM:P&D:1853,0112.1628.
[Ref: 13736] £260.00 (£312.00 incl.VAT)
Wolstenhome's British Field Sports, Now Publishing by Subscription, by Richard Reeve, Engraver & Publisher, No 7, Vere Street, New Bond Street, London; Being Pictures by the Above Master, Consisting of Fox Hunting, Stag Hunting, Hare Hunting, Coursing, and Shooting.
London: Printed by Nichols, Earl's-court, Leicester-square [n.d., 1806].
Letterpress prospectus. Sheet 220 x 140mm (8¾ x 5½"). Binding stitch holes, a few spots.
A prospectus for Dean Wolstenholme's four-aquatint sets. According to the text, 'Fox Hunting' and 'Stag Hunting' had already been published (1806).
[Ref: 58557] £75.00 (£90.00 incl.VAT)
London: Printed by Nichols, Earl's-court, Leicester-square [n.d., 1806].
Letterpress prospectus. Sheet 220 x 140mm (8¾ x 5½"). Binding stitch holes, a few spots.
A prospectus for Dean Wolstenholme's four-aquatint sets. According to the text, 'Fox Hunting' and 'Stag Hunting' had already been published (1806).
[Ref: 58557] £75.00 (£90.00 incl.VAT)
The Grand Stand. Wolverhampton Race Course.
R. Noyes. Printed by C. Hullmandel.
[n.d., c.1830.]
Very rare lithograph, on india. 280 x 400mm (11 x 15¾"). Margins damaged.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 44466] £220.00 (£264.00 incl.VAT)
R. Noyes. Printed by C. Hullmandel.
[n.d., c.1830.]
Very rare lithograph, on india. 280 x 400mm (11 x 15¾"). Margins damaged.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 44466] £220.00 (£264.00 incl.VAT)
The Grand Stand. Wolverhampton Race Course.
R. Noyes. Printed by C. Hull[mandel].
[n.d., c.1830.]
Very rare lithograph. Sheet: 260 x 340mm (10¼ x 13½"). Trimmed within printed area.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 39502] £180.00 (£216.00 incl.VAT)
R. Noyes. Printed by C. Hull[mandel].
[n.d., c.1830.]
Very rare lithograph. Sheet: 260 x 340mm (10¼ x 13½"). Trimmed within printed area.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 39502] £180.00 (£216.00 incl.VAT)
![[Baffled.]](jpegs/22353.jpg)
[Baffled.]
HD 1908 in plate, signed in pencil. Limited to 300 signed proofs.
Copyright 1908 by Messrs Arthur Tooth & Sons, Publishers 175 & 176 New Bond Street London, 41 Boulevard des Capucines Paris, 299 Fifth Avenue, New York, & Messrs Stiefbold & Co. Berlin.
Etching on vellum. 520 x 740mm (20½ x 29").
Wolves on a rocky outcrop, after Herbert Dicksee, R.E. (1862-1942).
PSA: Vol.II. AP.300.
[Ref: 22353] £620.00
HD 1908 in plate, signed in pencil. Limited to 300 signed proofs.
Copyright 1908 by Messrs Arthur Tooth & Sons, Publishers 175 & 176 New Bond Street London, 41 Boulevard des Capucines Paris, 299 Fifth Avenue, New York, & Messrs Stiefbold & Co. Berlin.
Etching on vellum. 520 x 740mm (20½ x 29").
Wolves on a rocky outcrop, after Herbert Dicksee, R.E. (1862-1942).
PSA: Vol.II. AP.300.
[Ref: 22353] £620.00
Woman.
R. Hicks Sculp.
Publish'd by Nuttall, Fisher & Dixon, Liverpool Jan. 1813
Stipple printed in blue, sheet 125 x 205mm. Crease lower left. Cut at top.
Allegorical figure of a woman sitting on a dolphin, published in Liverpool.
[Ref: 42076] £130.00 (£156.00 incl.VAT)
R. Hicks Sculp.
Publish'd by Nuttall, Fisher & Dixon, Liverpool Jan. 1813
Stipple printed in blue, sheet 125 x 205mm. Crease lower left. Cut at top.
Allegorical figure of a woman sitting on a dolphin, published in Liverpool.
[Ref: 42076] £130.00 (£156.00 incl.VAT)
![[Grotesque woman.]](jpegs/32569.jpg)
[Grotesque woman.]
[by Thomas Worlidge?]
[n.d., c.1750]
Etching with small margins, platemark 75 x 60mm (3 x 2½") Glued to backing sheet at top.
Head and shoulders of a woman in Dutch manner, attributed to Thomas Worlidge by a previous owner.
Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32569] £130.00 (£156.00 incl.VAT)
[by Thomas Worlidge?]
[n.d., c.1750]
Etching with small margins, platemark 75 x 60mm (3 x 2½") Glued to backing sheet at top.
Head and shoulders of a woman in Dutch manner, attributed to Thomas Worlidge by a previous owner.
Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32569] £130.00 (£156.00 incl.VAT)
What You Will - Ce Qui Vous Plaira.
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066] £180.00 (£216.00 incl.VAT)
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066] £180.00 (£216.00 incl.VAT)
No.32.
J.J. Haid et filius excud: Aug. Vind: J.
Mezzotint. Plate 218 x 162mm. 8½ x 6½".
A young woman with bonnet. A flower is attached to the lapel at the top of the corset.
[Ref: 12982] £140.00 (£168.00 incl.VAT)
J.J. Haid et filius excud: Aug. Vind: J.
Mezzotint. Plate 218 x 162mm. 8½ x 6½".
A young woman with bonnet. A flower is attached to the lapel at the top of the corset.
[Ref: 12982] £140.00 (£168.00 incl.VAT)
![[A woman reading a letter.]](jpegs/61357.jpg)
[A woman reading a letter.]
[after Henry William Bunbury]
[Published 4th June 1786 by Wickstead, 30 Henrietta S.t Covent Garden] [in old ink mss.].
Stipple, proof before letters. 220 x 145mm (8¾ x 5¾"), with very large margins. Some damp staining on left.
An oval portrait of a woman, leaning against the back of a chair reading a letter.
BM 1877,0512.534, no mention of a publisher.
[Ref: 61357] £160.00 (£192.00 incl.VAT)
[after Henry William Bunbury]
[Published 4th June 1786 by Wickstead, 30 Henrietta S.t Covent Garden] [in old ink mss.].
Stipple, proof before letters. 220 x 145mm (8¾ x 5¾"), with very large margins. Some damp staining on left.
An oval portrait of a woman, leaning against the back of a chair reading a letter.
BM 1877,0512.534, no mention of a publisher.
[Ref: 61357] £160.00 (£192.00 incl.VAT)
![[R A Glenberrie.][ink mss]](jpegs/65270.jpg)
[R A Glenberrie.][ink mss]
[n.d., c.1800.]
Proof before letters. Stipple. Sheet 230 x 165mm (9 x 6½").
Portrait of a woman sat amongst a woodland landscape. In her right hand she holds a book.
[Ref: 65270] £130.00 (£156.00 incl.VAT)
[n.d., c.1800.]
Proof before letters. Stipple. Sheet 230 x 165mm (9 x 6½").
Portrait of a woman sat amongst a woodland landscape. In her right hand she holds a book.
[Ref: 65270] £130.00 (£156.00 incl.VAT)
![[Woman in Renaissance Dress.]](jpegs/48019.jpg)
[Woman in Renaissance Dress.] Draclum Phoebi jactant ad sidera Delphi...
v. Prenner del et incid.
[n.d., c.1730.]
Engraving. Sheet: 225 x 165mm (9 x 6½''). Trimmed and laid on album sheet at corners. Decorative border missing.
A portrait of a woman from Anton Joseph Prenner's 'Theatrum Artis Pictoriae', a series of engravings of the paintings in the Gallery of Paintings in Vienna.
[Ref: 48019] £70.00 (£84.00 incl.VAT)
v. Prenner del et incid.
[n.d., c.1730.]
Engraving. Sheet: 225 x 165mm (9 x 6½''). Trimmed and laid on album sheet at corners. Decorative border missing.
A portrait of a woman from Anton Joseph Prenner's 'Theatrum Artis Pictoriae', a series of engravings of the paintings in the Gallery of Paintings in Vienna.
[Ref: 48019] £70.00 (£84.00 incl.VAT)
![[Woman in ruff and jewelled hat]](jpegs/63543.jpg)
[Woman in ruff and jewelled hat]
[Engraved by Luca Ciamberlano after Agostino Carracci.]
[Rome: Pietro Stefanoni, c.1620.]
Engraving. Sheet 180 x 120mm (7 x 4¾"). Trimmed witihn plate, repairs to old folds, small loss top left.
National Gallery of Art 1977.66.1.16.
[Ref: 63543] £140.00 (£168.00 incl.VAT)
[Engraved by Luca Ciamberlano after Agostino Carracci.]
[Rome: Pietro Stefanoni, c.1620.]
Engraving. Sheet 180 x 120mm (7 x 4¾"). Trimmed witihn plate, repairs to old folds, small loss top left.
National Gallery of Art 1977.66.1.16.
[Ref: 63543] £140.00 (£168.00 incl.VAT)
![[Unidentified Woman.]](jpegs/55066.jpg)
[Unidentified Woman.]
JW [old ink mss., James Ward?].
[n.d., c.1800.]
Very rare mezzotint, proof before letters. 475 x 355mm (18¾ x 14"), with large margins watermarked '[I] C de R IM-HOF. Gr. K Re'. Tear in margin repaired.
A woman with pearls in her hair. The watermark is that of Johann Christoph de Rudolph Im-Hof, Basle, Switzerland. The Tate has a J.M.W. Turner sketchbook by that maker, dating from 1802.
[Ref: 55066] £320.00
JW [old ink mss., James Ward?].
[n.d., c.1800.]
Very rare mezzotint, proof before letters. 475 x 355mm (18¾ x 14"), with large margins watermarked '[I] C de R IM-HOF. Gr. K Re'. Tear in margin repaired.
A woman with pearls in her hair. The watermark is that of Johann Christoph de Rudolph Im-Hof, Basle, Switzerland. The Tate has a J.M.W. Turner sketchbook by that maker, dating from 1802.
[Ref: 55066] £320.00
![[Portrait of an unknown woman.]](jpegs/60348.jpg)
[Portrait of an unknown woman.]
WHollar fec 1646.
Etching. 105 x 100mm (4¼ x 4"). Thread margins. Slight foxing.
A head and shoulders portrait of a woman in a black dress, wearing pearl necklace and a shoulder wrap with scalloped lace border joined with a jewel at the front. Her hair is parted in the middle in two tresses tied in two bows falling over her shoulders. From an unnumbered series of thirty-seven women's heads in roundels, apparently an open-ended sequences of etchings.
Pennington 1912, state i of iv.
[Ref: 60348] £320.00
WHollar fec 1646.
Etching. 105 x 100mm (4¼ x 4"). Thread margins. Slight foxing.
A head and shoulders portrait of a woman in a black dress, wearing pearl necklace and a shoulder wrap with scalloped lace border joined with a jewel at the front. Her hair is parted in the middle in two tresses tied in two bows falling over her shoulders. From an unnumbered series of thirty-seven women's heads in roundels, apparently an open-ended sequences of etchings.
Pennington 1912, state i of iv.
[Ref: 60348] £320.00
![[Woman with Bird]](jpegs/35109.jpg)
[Woman with Bird]
Boucher inv. del. Demarteau l'Ainé sculp.
A Paris chéz Demarteau, Avec Privilége.
Stipple. Plate: 215 x 300mm (8½ x 12"). Trimmed on left edge, damage to other margins.
Scene in which a woman catches a bird on her finger in order to put it in a cage resting on a table. An alarmed cat sits on a chair.
[Ref: 35109] £160.00 (£192.00 incl.VAT)
Boucher inv. del. Demarteau l'Ainé sculp.
A Paris chéz Demarteau, Avec Privilége.
Stipple. Plate: 215 x 300mm (8½ x 12"). Trimmed on left edge, damage to other margins.
Scene in which a woman catches a bird on her finger in order to put it in a cage resting on a table. An alarmed cat sits on a chair.
[Ref: 35109] £160.00 (£192.00 incl.VAT)
Grandeur de la Pierre. du Cabinet de Roi.
Eliz. Cheron L.H. delin. C. Simonneau maj. sculp.
Avec Privil. du Roi. [n.d. c.1740.]
Engraving. Plate 197 x 140mm. 7¾ x 5½". Large margins.
From a Medal; a crowned woman seated on a chair looking up at a small winged cherub seated on a pillar. Possibly plate 41 from "Pierres Antiques Gravées Tirées des Principaux Cabinets de la France".
[Ref: 25085] £70.00 (£84.00 incl.VAT)
Eliz. Cheron L.H. delin. C. Simonneau maj. sculp.
Avec Privil. du Roi. [n.d. c.1740.]
Engraving. Plate 197 x 140mm. 7¾ x 5½". Large margins.
From a Medal; a crowned woman seated on a chair looking up at a small winged cherub seated on a pillar. Possibly plate 41 from "Pierres Antiques Gravées Tirées des Principaux Cabinets de la France".
[Ref: 25085] £70.00 (£84.00 incl.VAT)
![[Woman with Children and Cow.]](jpegs/47579.jpg)
[Woman with Children and Cow.]
Apud V. N. Franciscu.s Maria Canalem Venetis Auctore Zuccarelli. Ex Calcgraphia I. Wagner Ven.is C.P.E.S.
[n.d., c.1762.]
Scarce engraving. Sheet: 460 x 330mm (18 x 13"). Trimmed.
A pastoral scene in which a woman gives two children milk from her cow. From the series 'Twelve Landscapes on Hills'.
[Ref: 47579] £360.00
Apud V. N. Franciscu.s Maria Canalem Venetis Auctore Zuccarelli. Ex Calcgraphia I. Wagner Ven.is C.P.E.S.
[n.d., c.1762.]
Scarce engraving. Sheet: 460 x 330mm (18 x 13"). Trimmed.
A pastoral scene in which a woman gives two children milk from her cow. From the series 'Twelve Landscapes on Hills'.
[Ref: 47579] £360.00
![[A woman and cupid.]](jpegs/10012.jpg)
[A woman and cupid.]
J.H. Benwell Delin. Engraved by C: Knight.
[n.d., c.1790.]
Hand coloured stipple with etching, sheet 170 x 135mm. 6¾ x 5¼". Trimmed within plate. Soiled.
Cupid has loosed an arrow that seems about to penetrate the heart of a seated woman, who thinks about her love. After John Hodges Benwell (1764 - 1785).
[Ref: 10012] £120.00 (£144.00 incl.VAT)
J.H. Benwell Delin. Engraved by C: Knight.
[n.d., c.1790.]
Hand coloured stipple with etching, sheet 170 x 135mm. 6¾ x 5¼". Trimmed within plate. Soiled.
Cupid has loosed an arrow that seems about to penetrate the heart of a seated woman, who thinks about her love. After John Hodges Benwell (1764 - 1785).
[Ref: 10012] £120.00 (£144.00 incl.VAT)