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[Captain Edward Wynyard.] Hampshire.
[Captain Edward Wynyard.] Hampshire.
Published by Vincent Brooks, Day & Son
Chromolithograph. Page size: 270 x 400mm Slightly faded.
Edward Wynyard was an all-round sportsman who earned an international football cap and could reportedly cut 'very beautiful figures on ice'. He was captain of the Hampshire Cricket Club and a Captain of the Welsh Regiment. His best scoring, which included three successive centuries,- a then unparalleled achievement in County matches,- was one of the incidents of that cricket season.
The Cricketers of Vanity Fair. March
[Ref: 27618]   £150.00   (£180.00 incl.VAT)
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Capt. E Wynyard.
Capt. E Wynyard.
A. Chevallier Tayler 1905 [facsimile signature.]
Gilbt. Whitehead & Co., Ltd., Lith. New Eltham, S.E.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing. Crease to text sheet.
Edward George Wynyard (1861-1936) the British army officer and English cricketer who played in 3 Tests from 1896 to 1906. He captained Hampshire County Cricket Club between 1896 and 1899. As an army officer he first saw service in the Burma Expedition 1885-87, winning the Distinguished Service Order and being promoted to Captain. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 26517]   £120.00   (£144.00 incl.VAT)
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Wyston Place.
Wyston Place. 9.
[Wenceslaus Hollar.]
[n.d. c.1643.]
Etching with very large margins. Plate 89 x 139mm (3½ x 5½"). Slightly foxed.
Landscape seen from a hill, with fields below and a country house in the background to the right. From 'Prosepctus aliquot locorum in diuersis Poruincys'.
Pennington 949: ii/ii.
[Ref: 30031]   £250.00   (£300.00 incl.VAT)
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Jaq. Sam. Wyttenbach.
Jaq. Sam. Wyttenbach. Ministre de l'Eglise du St: Esprit a Berne...
Lith. de Langlume.
[French, n.d., c.1822.]
Lithograph, rare, sheet 285 x 215mm. 11¼ x 8½". Horizontal fold crease; some minor staining.
Bust portrait of Jacob Samuel Wyttenbach (1748 - 1830), Swiss minister, theologian, and naturalist; author of books on the natural history of the Swiss Alps. The inscription tells us Wyttenbach was a member of the Royal Society in London.
[Ref: 21699]   £140.00   (£168.00 incl.VAT)
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[Wöbbelin] Theodore Koerner's Monument.
[Wöbbelin] Theodore Koerner's Monument.
N.º 81, of R. Ackermann's Repository of Arts &c. Pub. 1. Sept.r 1815. at 101 Strand, London.
Coloured aquatint, watermark 1815; Sheet 240 x 140mm (9½ x 5½"). Binding damage in left edge.
The tomb of German poet and soldier Carl Theodor Körner (1791-1813), killed fighting the French.
[Ref: 67200]   £90.00   (£108.00 incl.VAT)
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[Lion Tomb, Xanthus.]
[Lion Tomb, Xanthus.]
[Etched by Charles Oliver Murray after William James Müller.]
['The Portfolio', 1882.]
Etching, proof. 260 x 355mm (10¼ x 14"). Creasing on right.
A view of the ruins of the Lion Tomb in Xanthos, Turkey, with trees and goats. William James Müller (1812-45) visited Greece and Egypt 1838-9, then Turkey 1843-4 as part of the archaeological expedition of Sir Charles Fellows, during which the Xanthus Marbles were taken for the British Museum. The watercolour this print is based on is also in the BM (1878,1228.97).
[Ref: 59905]   £95.00   (£114.00 incl.VAT)
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[China.]
[China.] Pons volans in Provincia Xensi unico arcu à Monte ad Montem long: 400 cub: altitud: 500.
[Athanasius Kircher.]
[1667.]
Engraving. Plate: 200 x 310mm (8 x 12"). Trimmed and creased at bottom.
A view of a bridge in China from Athanasius Kircher's 'China monumentis..' 1667. Kircher was a German Jesuit scholar and polymath who wrote many great works on comparative religion and science.
[Ref: 46122]   £120.00   (£144.00 incl.VAT)
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The Bridge from Mountaine to Mountaine in the Province of Xensi Called the flying Bridg 400 Cub: long 500 high.
The Bridge from Mountaine to Mountaine in the Province of Xensi Called the flying Bridg 400 Cub: long 500 high.
[Francis Place?]
[London: John Ogilby, 1669.]
Etching, 17th century watermark. 215 x 305mm (8½ x 12"), with very large margins. Time stained.
Although the 'flying bridge' at Shensi described by Athanasius Kircher, a Jesuit priest, is believed to have been a bamboo suspension bridge, this view shows a conventional stone bridge over a a waterfall. An etching probably by Francis Place, who worked with Wenceslaus Hollar on John Ogilby's 'An Embassy from the East-India Company of the United Provinces', the first English edition of Johan Nieuhof's account of the embassy. However this state, with lettering lower right, was included in Ogilby's edition of Arnoldus Montanus's 'Asia'.
[Ref: 55451]   £130.00   (£156.00 incl.VAT)
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Attack of the Kaffirs on the Troops under the Command of L.t Col. Fordyce of the 74th Highlanders,
Attack of the Kaffirs on the Troops under the Command of L.t Col. Fordyce of the 74th Highlanders, while forcing their way through the Kroomie Forest on the 8th of September 1851. Dedicated by permission to Major Gen.l Henry Somerset, C.B. & K.H. Commanding the 1st Division of the forces at the Cape of Good Hope.
Painted by H.y Martens from a sketch by Mr Baines. Engraved by J. Harris.
London, Published Nov.r 1st 1852, by Rudolph Ackermann, at his Eclipse Sporting Gallery, 191, Regent Street.
Aquatint with hand colour. Sheet 515 x 685mm (20¼ x 27"). Trimmed to plate, bottom right corner snipped.
A scene from the Eighth Xhosa War (1850-3), with a column of soldiers attacked by Xhosa spearmen in a narrow ravine. Lieut. Colonel John Fordyce had realised that the regiment's usual scarlet tunics were not suited to African warfare, so issued his men with the olive canvas jackets shown here. He was killed at Waterkloof a month later. The war is now best known for the wreck of HMS Birkenhead in 1852. The new recruits, many destined for the 74th, stood in rank as the women and children escaped in lifeboats, commemorated in the ''Birkenhead drill'' of Rudyard Kipling's poem.
[Ref: 52071]   £550.00  
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The Xmas Academics. A Combination Game of Whist.
The Xmas Academics. A Combination Game of Whist.
HWBunbury del. 1772. J. Bretherton f.
Publish'd as the Act directs 20.th Jan.y 1773. By J. Bretherton N.º 134. New Bond Street.
Hand coloured etching, 270 x 400mm (10½ x 15¾"), large margins. Paper slightly toned.
Cambridge dons play whist in a Combination Room, grimacing at each other. A spectator signals the cards held by one player to his opponent. An old woman serves wine.
BM Satires 4728. Ricky Jay Collection.
[Ref: 65889]   £240.00   (£288.00 incl.VAT)
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The Xmas Academics. A Combination Game of Whist.
The Xmas Academics. A Combination Game of Whist.
HWBunbury del. 1772. J. Bretherton f.
Publish'd as the Act directs 20.th Jan.y 1773. By J. Bretherton N.º 134. New Bond Street.
Etching. Sheet 265 x 395mm (10½ x 15½"). Trimmed within plate, nicks in edges, small hole, slight crease in centre.
Cambridge dons play whist in a Combination Room, grimacing at each other. A spectator signals the cards held by one player to his opponent. An old woman serves wine.
BM Satires 4728.
[Ref: 61786]   £180.00   (£216.00 incl.VAT)
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The Xmas Rose. The Adventures of Tom Thum's
The Xmas Rose. The Adventures of Tom Thum's
By E.A. Mason 1886.
James Clarke & Co., 13 & 14 Fleet St EC.
Photo lithograph. Sheet 350 x 470mm (13¾ x 18½"). Small tear to edges.
Eight vignette illustrations, including Tom Thumb leaning on a mushroom, anthropomorphic mice and three of a Welsh woman.
[Ref: 59774]   £65.00   (£78.00 incl.VAT)
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Sunshine + Cloud B/4.
Sunshine + Cloud B/4.
Stuart E. Wade 13/4.
[n.d., c.1920.]
Signed etching. 235 x 170mm (9¼ x 6¾"), with large margins. Good condition.
View of a yacht sailing.
[Ref: 54030]   £130.00   (£156.00 incl.VAT)
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To the Rt. Honble. Lord Willoughby de Eresby, this print of The Lugger Yacht 'New Moon', 220 Tons, is respectfully dedicated by His very obedient Servant, Wm Foster.
To the Rt. Honble. Lord Willoughby de Eresby, this print of The Lugger Yacht 'New Moon', 220 Tons, is respectfully dedicated by His very obedient Servant, Wm Foster.
T.G. Dutton Del. et Lith. Day & Son Lithrs. to the Queen.
London, Published by Wm. Foster, 114 Fenchurch St.
Tinted lithograph, image 300 x 460mm. 11¾ x 18".
Large yacht sailing to the left, other yachts in the background and seaside cliff with castle on the far right. After Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
[Ref: 11937]   £650.00  

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[A yacht and three warships in a storm.]
[A yacht and three warships in a storm.]
[W. Hollar inv: et fec: 1667.]
Etching, Sheet 115 x 270mm (4½ x 10½"). Trimmed to image, losing Hollar's signature, image continued with old watercolour. Creasing.
From 'Sea Storms', a set of four plates, originally published by Peter Stent in London. The image was extended to fit with other prints on a print screen.
Pennington 1273.
[Ref: 55340]   £190.00   (£228.00 incl.VAT)
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The Yacht 'Gertrude',  135 Tons, R.Y.S.
The Yacht 'Gertrude', 135 Tons, R.Y.S. To Cecil & Martyn Esq., this plate is with his permission respectfully dedicated by his obedient Servants, R. & A. Ackermann.
Drawn & Lithographed by T.G. Dutton. Vincent Brooks, Day & Son, Lith, London W.C.
London, Published Augt. 10th. 1868 by R.& A. Ackermann, 191, Regent Street.
Tinted lithograph with colour added by hand, image 365 x 600mm. 14½ x 23¾". Some small closed marginal tears.
An impressive ship of the Royal Yacht Squadron, other vessels and the white cliffs and Dover Castle in the distance. After Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
NMM: PAH8759.
[Ref: 12170]   £1,650.00  
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[A yacht race off the Isle of Wight.]
[A yacht race off the Isle of Wight.]
[n.d., c.1850.]
Tinted lithograph. Printed border 430 x 470mm (17 x 18½"). Edges chipped
A fine yachting image with the cliffs of the Isle of Wight bottom right.
[Ref: 52896]   £1,200.00  
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To the Right Hon.ble The Earl of Wilton.
To the Right Hon.ble The Earl of Wilton. This Print of His Schooner Yacht Xarifa, (157 Tons.) is respectfully dedicated by His Lordships obedient humble Servant N. M. Condy.
G. Hawkins lith N M Condy del.t. Day & Haghe lith.rs to the Queen.
London Edw.d Ramsden 12 Inch Lane Cornhill, Ackermann & C.o Strand, Plymouth, Edmund Fry [n.d. c.1850].
Lithograph, sheet 300 x 425mm (12 x 16¾"), large margins on 3 sides. Slight crease outside image bottom left.
A seascape featuring the yachts Xarifa (1835) and Kestrel (1830) of the Royal Yacht Squadron. Thomas Egerton, 2nd Earl of Wilton, (1799–1882), was a British nobleman and Tory politician. He was a founding member of the Royal Mersey Yacht Club in 1844 and was Commodore of the Royal Yacht Squadron from 1849 to 1881.
See also reference 37252.
[Ref: 61505]   £320.00  
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[Racing yacht in high seas.]
[Racing yacht in high seas.]
C. Napier Hemy [pencil signature].
Published by the Berlin Photographic Company, Berlin - London W. 133 New Bond Street - New York 14 East 23rd Street. [n.d., c.1903.]
Photogravure on india, signed by the artist. 520 x 800mm, 20½ x 31½mm.
Charles Napier Hemy was the leading maritime painter of his generation. He was appointed Official Painter to the Royal Yacht Squadron and was a prolific exhibitor at the Royal Academy showing one hundred and fifty-five paintings during his lifetime. He settled in Falmouth in 1881, and produced the majority of his finest works here. He built a floating studio and made countless studies of wave formations. Sir Frank Brangwyn RA wrote: ‘His knowledge of the sea was superb. As a draughtsman of wave forms he stands alone.’
[Ref: 10129]   £620.00  
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[Yachting.]
[Yachting.]
[E v. B?]
[n.d., c.1930.]
Etching. Plate: 245 x 320mm (9¾ x 12''), with very large margins. Mint.
A view of two yachts at sea.
[Ref: 49341]   £180.00   (£216.00 incl.VAT)
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''Jockeying for the Start''
''Jockeying for the Start'' Original Etching by W. Stewart Collie (Limited Edition).
W. Stewart Collie [pencil].
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint etching, signed by the artist. 150 x 275mm (6 x 11") very large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
Showing two yachts racing and a club's motor yacht.
[Ref: 49170]   £230.00   (£276.00 incl.VAT)
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Sylph. E. Codd. Esq.r 14. Tons. [&] Daisy. W. Smith. Esq.r. 19 Tons. [&] Rob Roy. M. Martin. Esq.r. 16. Tons. [&] Lady Louisa. Thos. Smith. Esq.r. 13. Tons.
Sylph. E. Codd. Esq.r 14. Tons. [&] Daisy. W. Smith. Esq.r. 19 Tons. [&] Rob Roy. M. Martin. Esq.r. 16. Tons. [&] Lady Louisa. Thos. Smith. Esq.r. 13. Tons.
[n.d., c.1840.]
Scarce set of 4 hand-coloured etchings. Sheet: 205 x 250mm (8 x 10''). Trimmed within plate.
A set of extremely fine, hand-coloured, decorative etchings of yachts.
[Ref: 50304]   £600.00  
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Fishing in theYaick.
Fishing in theYaick.
Beswick del. How sculpsit.
Published as the Act directs by Dr. J. Trsuler Oct.r.1788.
Engraving. 190 x 130mm (7½ x 5"). Trimmed to platemark.
View of figures fishing in the River Yaick now called River Ural. The Ural flows down from the Ural Mountains out to the Caspian sea. Illustration from Dr John Trusler's 'The Habitable World Described' (c1788-1806).
[Ref: 32135]   £90.00   (£108.00 incl.VAT)
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Yankee Courtship or a Hint to Jonathan. Nº IX.
Yankee Courtship or a Hint to Jonathan. Nº IX. Let me alon can't yer Jonathan? / Let yer alone, why I aint a touching yer am I? / No! but aint you goint to?
S.L.M.
[n.d., c. 1840.]
Coloured lithograph. 250 x 175mm (9¾ x 7"). Album paper pasted over left edge, spotting.
A woman flirts with a long-haired man, his wide-brimmed hat upside-down on the floor. American connections.
[Ref: 61316]   £140.00   (£168.00 incl.VAT)
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View of Yannina.
View of Yannina.
From the Original, taken on the spot, by Theophilus Richards Jun.r Esq.r I. Clark sculp.t
Published by L. Relfe, 13, Cornhill, London. 1823.
Aquatint with large margins. Plate 185 x 565m. 7¼ x 22¼". Fold down middle as normal.
A view of Yannina, in the Epirus region of northwestern Greece. It is located on a plateau on the Western side of Lake Ioannin, facing the gray limestone mass of Mount Mitsikeli.
[Ref: 26124]   £220.00   (£264.00 incl.VAT)
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Mrs Yarborough.
Mrs Yarborough.
G. Kneller Pinxit. [engraved by Isaac Beckett.]
J. Smith ex: [n.d., c.1700].
Fine mezzotint, 330 x 250mm (13 x 9¾"), on 18th century watermarked paper. Thread margins.
A three-quarter portrait of a woman in a low dress, a dog at her side, an ornamental garden landscape through a window. Chaloner Smith identifies the sitter as Henrietta Maria Yarborough, daughter of Sir Thomas Yarborough. The title of 'Mrs' would refute this.
CS: 100: ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65496]   £280.00   (£336.00 incl.VAT)
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Mrs Yarborough.
Mrs Yarborough.
G. Kneller Pinxit. [engraved by Isaac Beckett.]
J. Smith ex: [n.d., c.1700].
Mezzotint. 330 x 250mm (13 x 9¾"). Thread margins.
A three-quarter portrait of a woman in a low dress, a dog at her side, an ornamental garden landscape through a window. Chaloner Smith identifies the sitter as Henrietta Maria Yarborough, daughter of Sir Thomas Yarborough. The title of 'Mrs' would refute this.
CS: 100: ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65497]   £220.00   (£264.00 incl.VAT)
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W. Yardley [facsimile signature.]
W. Yardley [facsimile signature.]
[n.d., c.1880.]
Stipple engraving on india, with very large margins. 145 x 220mm (5¾ x 8¾").
William Yardley (1849-1900), who played first-class cricket for Kent 1868-78 and for Cambridge University 1869-72. In 1870 he scored the first century in the history of the University Match. Only WG Grace was reckoned a better batsmen among amateur players: when Yardley Grace were on the same side they used to have a small bet on who would record the higher score. Yardley was proud that in the Gentlemen v Players match at Lord's in 1871, he beat Grace's score in both innings.
[Ref: 33144]   £65.00   (£78.00 incl.VAT)
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The South-West Prospect of Yarmouth, in the County of Norfolk.
The South-West Prospect of Yarmouth, in the County of Norfolk.
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament January 7th 1741 Garden Court No.1 Middle Temple, London.
Engravings. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in title at top. Small margins.
A detailed prospect of Yarmouth showing the docks, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 48347]   £420.00  
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Yarmouth from the West.
Yarmouth from the West. Isle of Wight.
Drawn from Nature and on Stone by Geo.e Childs. Printed by Graf and Soret.
London, Publised by C. Tilt, 86, Fleet S.t [n.d., c.1850].
Fine & rare coloured lithograph on chine collé. 225 x 280mm (8¾ x 15"), large margins.
A view of Yarmouth from the west side of the river.
[Ref: 64347]   £180.00   (£216.00 incl.VAT)
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[The Yarra / Melbourne].
[The Yarra / Melbourne]. Genuine original etching limited edition by Fabian Swire (London Artist) / Series One Views of Victoria.
[n.d. after 1930].
Signed etching, with original label as issued. 85 x 125mm (3¼ x 5") with margins. Sheet laid at top in original mount. Slight printer's crease on left margin.
A view of the Yarra River, which flows from the Yarra Ranges and through Greater Melbourne, published as part of Fabian Swire's first series Views of Victoria.
[Ref: 54017]   £160.00   (£192.00 incl.VAT)
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W.m Yarrell [facsimile signature.]
W.m Yarrell [facsimile signature.]
T. H. Maguire. 1849. [etched in plate]
M & N Hanhart Lith. Printers.
Lithograph on octagonal chine collé. Sheet: 580 x 440mm (22¾ x 17¼"), very large margins. Ipswich Museum crest stamp. Some toning and small nicks around the edges.
A half length seated portrait of William Yarrell (1784-1856) from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Yarrell was a resepcted zoologist and his most acclaimed works 'The History of British Fishes' (1836) and 'A History of British Birds' (1843) were standard reference texts for a generation of British zoologists.
W3245
[Ref: 57863]   £180.00   (£216.00 incl.VAT)
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[Mary Ann Yates] Mrs. Yates.
[Mary Ann Yates] Mrs. Yates.
R. Dighton Pinx.t. R. Laurie Sculp.
Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn
Mezzotint. 155 x 115mm (6 x 4½"), uncut. Glued to backing sheet on left corner.
Mary Ann Yates (née Graham) (1728-1787), actress and theatre manager. She made her debut with Garrick's Drury Lane company in 1754 and in 1756 married another member of the company, the recently-widowed comedian Richard Yates (1706?-1796). She remained a regular member of Garrick's company until 1767, when she switched her allegiances to the rival Covent Garden Theatre, allegedly for financial reasons (although Yates denied this). She then broke with Covent Garden, less for financial reasons than the company's reluctance to retain Richard Yates, and in 1773 she took over management, with novelist and playwright Frances Brooke, of the King's Theatre, then London's home of opera. Around this time Richard Yates took over a playhouse in Birmingham, where Mary Ann sometimes performed. Having improved the fortunes of the King's Theatre, Yates returned to Drury Lane and sold her share in the King's Theatre. London's leading tragedienne of the period, Yates was admired by the public, with notable admirers including Horace Walpole and William Godwin. From a set of small mezzotint portraits of actresses and singers, published by the printseller William Richardson in 1780, apparently to follow up a similar set of actor portraits published the previous year. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; CS 1 iii/iii; for Yates and Garrick, see ref. 20918.
[Ref: 36686]   £260.00   (£312.00 incl.VAT)
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[Mary Ann Yates] Mrs. Yates.
[Mary Ann Yates] Mrs. Yates.
R. Dighton Pinx.t. R. Laurie Sculp.
Pub.d as the Act Directs March 1st 1780 by W. Richardson No. 68 High Holborn.
Mezzotint. 155 x 115mm (6 x 4½"), a good impression with very large margins. Slight foxing.
Mary Ann Yates (née Graham) (1728-1787), actress and theatre manager. She made her debut with Garrick's Drury Lane company in 1754 and in 1756 married another member of the company, the recently-widowed comedian Richard Yates (1706?-1796). She remained a regular member of Garrick's company until 1767, when she switched her allegiances to the rival Covent Garden Theatre, allegedly for financial reasons (although Yates denied this). She then broke with Covent Garden, less for financial reasons than the company's reluctance to retain Richard Yates, and in 1773 she took over management, with novelist and playwright Frances Brooke, of the King's Theatre, then London's home of opera. Around this time Richard Yates took over a playhouse in Birmingham, where Mary Ann sometimes performed. Having improved the fortunes of the King's Theatre, Yates returned to Drury Lane and sold her share in the King's Theatre. London's leading tragedienne of the period, Yates was admired by the public, with notable admirers including Horace Walpole and William Godwin. From a set of small mezzotint portraits of actresses and singers, published by the printseller William Richardson in 1780, apparently to follow up a similar set of actor portraits published the previous year. Engraved after a painting by draughtsman and singer Robert Dighton (1751-1814) by the mezzotint engraver and printseller Robert Laurie (1755?-1836). Music, instruments and mask (representing theatre) in title area.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; CS 1 ii/iii; for Yates and Garrick, see ref. 20918.
[Ref: 36687]   £260.00   (£312.00 incl.VAT)
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[Mary Anne Yates] Ill Pensoroso.
[Mary Anne Yates] Ill Pensoroso.
G.Romney pinx.t Rob.t. Dunkarton fecit.
London, Printed for Rob.t Sayer N.º 53 in Fleet Street, as the Act directs 1st Oct.r. 1771.
Mezzotint. 610 x 380mm (23¾ x 15"). Some time-staining and foxing. Faint creasing. Laid onto linen.
Portrait of a woman, believed to be Mary Ann Yates, (1728-87, née Graham), English tragic actress. She married Richard Yates (c. 1706-96), a well-known comedian of the time. Dressed in classical robes, the woman stands, looking upwards.
Horne 137 III of III. Ex: Collection of The Hon. C. Lennox-Boyd. CS 42.
[Ref: 64664]   £360.00  
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Lee View of a Yawl Yacht.
Lee View of a Yawl Yacht. No.5.
[Drawn on stone by J. Rogers.]
Printed by Rowney & Forster. Published by T. McLean. 26, Haymarket [n.d., c.1824].
Rare lithograph. Sheet 305 x 435mm (12 x 17"), with large margins.
[Ref: 55042]   £260.00   (£312.00 incl.VAT)
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I am Tir'd of Reading! [&] So Am I of Working!
I am Tir'd of Reading! [&] So Am I of Working!
[A. Courcell Fecit.]
[Printed & Sold by W. Belch, 258 High St, Borough, London.]
Pair of coloured aquatints with fine hand colour. 180 x 140mm (7 x 5½"). Trimmed to printed borders and around title, losing other inscriptions.
A couple yawning and stretching.
[Ref: 57259]   £140.00   (£168.00 incl.VAT)
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Yeh. From the original sketch by Major Crealock. D. O [?] 2th G.
Yeh. From the original sketch by Major Crealock. D. O [?] 2th G. " No habit of looking at Yeh..."
[after Lieutenant-General Henry Hope Crealock]
1858.
Pen and ink drawing sheet on scrapbook page; 225 x 170mm (9 x 6¾"). Small abrasion on face. Slightly messy.
A portrait of Ye Mingchen (1807-1859) known as Commissioner Yeh, a Canton official who fought British influence in the aftermath of the First Opium War and who was involved in the beginning of the Second. An extract from the letter of the Yiuces [?] China Confinement. Lieutenant-General Henry Hope Crealock (1831–91) was a captain in the 90th Light Infantry during the Crimean War, was an accomplished draughtsman, who also sketched during the Indian Mutiny, Opium Wars in China and the Zulu campaign (for the Illustrated London News).
[Ref: 61460]   £350.00  
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Dress of the women in the back parts of yemen.
Dress of the women in the back parts of yemen.
[Engraved by Daniel Lizars after Carsten Niebuhr.]
[Edinburgh, 1792.]
Rare engraving. Sheet 160 x 105mm (6¼ x 4¼"). Trimmed close to image and around title.
A view from 'Travels through Arabia' by Carsten Niebuhr (1733-1815), translated into English by Robert Heron. The German explorer is renowned for his travels through the Arabian peninsula as a member of an expedition of which he was the only survivor.
[Ref: 37804]   £50.00   (£60.00 incl.VAT)
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Prospect among the Coffee Mountains of Yemen.
Prospect among the Coffee Mountains of Yemen.
[Engraved by Daniel Lizars after Carsten Niebuhr.]
[Edinburgh, 1792.]
Rare engraving. Sheet 100 x 145mm (4 x 5¾"). Trimmed close to image and around title.
A view from 'Travels through Arabia' by Carsten Niebuhr (1733-1815), translated into English by Robert Heron. The German explorer is renowned for his travels through the Arabian peninsula as a member of an expedition of which he was the only survivor.
[Ref: 37803]   £50.00   (£60.00 incl.VAT)
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Brympton in Somersetshire
Brympton in Somersetshire
[Pieter Van der Aa after Johannes Kip, 1707]
Engraving, platemark 130 x 165mm (5 x 6½"). Very large margins. Rare unfolded state. Collector's stamp of Robert Johannes Meyer verso.
The historic manor house of Brympton d'Evercy near Yeovil in Somerset. At the time this print was made the house was probably in the possession of the Sydenham family. It is now used for hospitality, weddings and filming. Plate from James Beverell's Les Delices de la Grande Bretagne et de L'Irlande. Formerly in the collection of Robert Johannes Meyer (1882-1976), Hamburg lawyer and print collector.
L.4536
[Ref: 38505]   £75.00   (£90.00 incl.VAT)
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Baron Yaramb.
Baron Yaramb.
[n.d., c.1820].
Engraving. Size: 84 x 60mm. (3¼ x 2¼"). Trimmed to right edge.
The decorative 'Carte de visite' of Baron Yeramb, maybe on Entrance. The bearer's name is surrounded by crossed swords, trumpets and a Maltese cross below.
[Ref: 31531]   £70.00   (£84.00 incl.VAT)
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An old Yew, Anckerwycke near Staines, Seat of G.S. Harcourt Esq.r.
An old Yew, Anckerwycke near Staines, Seat of G.S. Harcourt Esq.r.
H.W. Burgess del.t. Printed by C. Hullmandel.
[London: J. Dickinson, 1827.]
Lithograph on chine collé. 350 x 415mm (13½ x 16¼") with very large margins.
The Ankerwycke Yew, believed to be between 1,400 and 2,500 years old. Situated on the opposite side of the Thames to Runnymede, the tree is said to be the last surviving witness to the signing of the Magna Carta. Plate 43 of 'Eidodendron: Views of the General Character and Appearance of Trees Foreign and Indigenous Connected with Picturesque Scenery'. Henry William Burgess (c.1792-1839) became landscape painter to the Duke of Clarence (later William IV) in 1826.
[Ref: 51282]   £190.00   (£228.00 incl.VAT)
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Japan. Yokohama. [No. 20. Strasse in Jokohama.]
Japan. Yokohama. [No. 20. Strasse in Jokohama.]
E. Hildebrandt. [Chromofacsimilirt von R.Steinbock nach der Aquarelle aus der.Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4)
Chromolithograph. Image size: 260 x 380mm (10¼ x 15"). Laid on card as issued.
A view in Yokohama, Japan, from a collection of chromolithographs after Hildebrandt's watercolours, published as 'die Reise um die Erde'. Edward Hildebrandt (1819-1869), travelled in the Americas in the 1840s and the Far East in the 1860s.
[Ref: 40036]   £280.00   (£336.00 incl.VAT)
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Yorick Club Annual Dinner.
Yorick Club Annual Dinner. February 24 1924 A.C.R. Carter in the Chair.
[Louis Whirter.]
Etching. Plate: 215 x 125mm (8½ x 5'').
An invitation to the 1924 annual dinner held by the Yorick Club of Massachusetts. The social club was formed in 1882 and went bankrupt in 1979. On the floor there is a Christie's catalogue.
[Ref: 49129]   £70.00   (£84.00 incl.VAT)
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St. Williams College, York.
St. Williams College, York.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 75 x 100mm (3 x 4''), very large margins. Mint.
A view of St Williams College, a medieval building built to house the priests travelling to visit York Minster. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49332]   £60.00   (£72.00 incl.VAT)
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York.
York. Engraved for the Yorkshire Directory.
Alfred Smith Land Surveyor, Little Preston, near Leeds. Neele & Son sculp. 352 Strand.
Published by Edward Baines, Leeds, 1822.
Engraved map. Printed area 335 x 290mm (13¼ x 11½"). Splits in folds with loss, laid on backing paper. Bit messy.
Detailed plan of York, with a vignette view of the New Ouse Bridge, designed by Peter Atkinson the younger, completed in 1821.
[Ref: 56100]   £190.00  
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[York Minster on the River Foss.]
[York Minster on the River Foss.]
[Engraved by Thomas Lupton after William Girtin.] J.M.W. T. [faint etching, lower left].
[n.d., 1824.]
Mezzotint on steel, proof before letters. 195 x 275mm (7¾ x 10¾"), with uncut margins.
A view of York Minster from the River Foss, from ''The Rivers of England'', on which Girtin collaborated with J.M.W. Turner, which is believed to be the first series of mezzotint landscapes engraved on steel. According to Rawlinson: ''Turner is believed to have ''touched'' the Girtin plates out of regard for the memory of his early friend. The etched initials ''J.M.W.T.'' appear on a Proof of Girtin's York Minster found in Turner's house and now belonging to Mr. Harold Mellor''.
Rawlinson p.364, note 1.
[Ref: 67659]   £160.00   (£192.00 incl.VAT)
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A west view of the ruins of St. Mary's Abbey, York
A west view of the ruins of St. Mary's Abbey, York Least that time, which has now near demolished, should utterly eradicate and destroy all traces of this once magnificent Monastery, John Twistleton, of Rawcliffe Esq.r contributes this plate. 1736
W.H. Toms delin et sculp.t
Rare etching, platemark 305 x 380mm (12 x 15")very large margins. Vertical folds.
[Ref: 45174]   £180.00   (£216.00 incl.VAT)
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[Scrap sheets with the engraved title and 63 plates from 'Views in York, Wood Engravings Printed by John Hill, Marygate, 1838.]
[Scrap sheets with the engraved title and 63 plates from 'Views in York, Wood Engravings Printed by John Hill, Marygate, 1838.]
[York, 1838.]
26 scrap book pages, each 410 x 260mm (16 x 10½"), with many other scraps, both prints and letterpress.
A collection of 64 wood engravings from the extremely scarce series 'Eighty Three Views in York'.
[Ref: 62249]   £400.00   view all images for this item
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