Grosvenor Prints

[Shepherds leading animals along a path in a landscape]
Jeremias Wolff excud. Aug. Vinde: [c.1700]
Etching, platemark 210 x 205mm (8¼ x 8"). Trimmed to platemark.
One of a set of landscape etchings in roundels published by Jeremias Wolff (1663-1724) of Augsburg.
[Ref: 41983] £140.00 (£168.00 incl.VAT)

[The Rev.d Joseph Wolff. Missionary to Palestine & Persia.]
[Painted by E. Fancourt.] Engraved by David Lucas
[London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.]
Mezzotint on india, fine proof before title and artist's inscription. 365 x 280mm (14¼ x 11") very large margins. Margins slightly soiled.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The published state was signed as engraver by Henry Meyer.
O'D i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64762] £260.00 (£312.00 incl.VAT)

The Rev.d Joseph Wolff. Missionary to Palestine & Persia.
Painted by E. Fancourt. Engraved by H. Meyer.
London. Published Nov.r 1. 1827, by J. Hudson, 85, Cheapside.
Scarce mezzotint on chine collé. 365 x 280mm (14¼ x 11"), with very large margins. Margins bit dusty.
Half-length portrait of Joseph Wolff (1795-1862), a Messianic Jewish missionary from Weilersbach in Germany. After joining the Church of England, he undertook travels throughout Asia and East Africa. He believed that the Second Coming of Jesus would occur in 1847: when the date passed he was asked why he chose that date, and he replied 'because I was a great ass'. The plate was begun by David Lucas; the published state was completed by Henry Meyer.
O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64761] £280.00 (£336.00 incl.VAT)

[Wolfhounds.]
Henry Wilkinson.
Etching signed by the artist. 245 x 345mm (9¾ x 13½"). Limited edition: 31/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47905] £170.00 (£204.00 incl.VAT)

George Hyde Wollaston
Painted by T. Phillips, Esq.r R.A. Engraved by W.m Ward, Engraver to His Majesty
1831 [pencil inscription in title area]
Mezzotint with very large margins, platemark 455 x 300mm (18 x 11¾"). Foxing to margins and title area. Private plate.
George Hyde Wollaston (1765-1841), merchant and banker, son of the natural philosopher Francis John Hyde Wollaston. Wollaston lived on Clapham Common, where his neighbours included another natural philosopher, Henry Cavendish (1731-1810). His daughter Henrietta married the army officer Sir George Pollock, well-known for his part in the Afghan campaign of 1842. Engraved by William Ward, one of the most prominent mezzotint engravers of his generation, after the portrait by Thomas Phillips (1770-1845), whose over 700 portraits record the leading personalities of his time.
Ex: Collection of the Late Hon. C. Lennox-Boyd; Not in CS or Frankau; O'D 1 (only likeness of sitter).
[Ref: 34926] £260.00 (£312.00 incl.VAT)

Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I. Faber fecit.
Printed for Tho: Bowles in St. Pauls Church Yard, & John Bowles at the black Horse in Cornhill. [n.d., c.1745.]
Mezzotint. 355 x 255mm (14 x 10''), 18th century watermark, with large margins.
A portrait of philosophical writer William Wollaston (1659-1724) who wrote 'The Religion of Nature Delineated' 1722. From the series 'Philosophers of England'.
CS 121.I.
[Ref: 50385] £260.00 (£312.00 incl.VAT)

Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I.Faber fecit.
Printed for Ca: Bowles in St.Pauls Church Yard, London.
Mezzotint with very large margins, platemark 362 x 257mm (14¼ x 10").
William Wollaston (1659-1724), moral philosopher. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. His major work was 'The Religion of Nature Delineated' (1724). In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers. These were engraved and issued as a set of five 'philosophers of England' (Wollaston, Isaac Newton, Robert Boyle, John Locke and Samuel Clarke) with a view of the Hermitage prefixed.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 125 iii/iii; for an earlier impression of this print see ref. 2368; for the bust of Locke see ref. 32333.
[Ref: 34116] £320.00

Guillaume Wollaston, ne en 1659, mort en 1724. [&] Allégorie de Wollaston.
JCF[rançois] fecit C.P.R.
[Paris: Brunet, c.1760.]
Two plates, crayon manner, printed in red and brown ink respectively, bound at right edge in 4to, 295 x 220mm. 11½ x 8¾".
Portrait of William Wollaston (1659 - 1724), English philosophical writer; together with an allegorical female figure, standing next to an altar, left arm pointing upwards, right hand supporting a large book. Wollaston is remembered today for one book, which he completed only two years before his death: The Religion of Nature Delineated (1st ed. 1722; 2nd ed. 1724). By Jean Charles François (1717 - 1769), inventor the crayon manner technique of etching in 1757. For Alexandre Savérien's 'Histoire des Philosophes modernes', published in eight 4to volumes from 1760-1767. 79 plates (and eight frontispieces) were engraved for the book.
[Ref: 22195] £260.00 (£312.00 incl.VAT)

[William Wollaston] M.r W. Wollaston.
Vertue sculpsit.
[London: James & John Knapton, c.1731.]
Engraving. 220 x 170mm (8¾ x 6¾"). Very small repaired wormhole.
A half-length portrait in oval of philosophical writer William Wollaston (1659-1724), used as the frontispiece to his 'The Religion of Nature Delineated'.
[Ref: 67862] £130.00 (£156.00 incl.VAT)

Mr. William Wollaston. Done after the Marble Bust, in Her Majesty's Hermitage in the Royal Garden at Richmond.
I.Faber fecit.
Printed for Tho: Bowles in St.Pauls Church Yard, & John Bowles & Son, at the Black Horse, Cornhil. [n.d. c.1750]
Mezzotint. 362 x 257mm.
William Wollaston born March 26, 1659, Coton Clanford, Staffordshire, Eng. died Oct. 29, 1724, London. British Rationalist philosopher and moralist whose ethical doctrines influenced subsequent philosophy as well as that of his own time. After studies at the University of Cambridge, Wollaston became a schoolteacher in Birmingham (1682) and soon afterward was ordained a priest. In 1730 Queen Caroline commissioned a garden Hermitage with a series of marble busts by the English sculptor Michael Rysbrack to celebrate scientists and thinkers like Newton, Boyle, , Locke and the clergymen Samuel Clarke and William Wollaston.
CS: 125.
[Ref: 2368] £180.00 (£216.00 incl.VAT)

To His Royal Highness Prince Augustus Frederick Duke of Sussex, K.G. & T.G.C.H. &c. &c. &c. &c. This Portrait of the late William Hyde Wollaston, M.D. F.R.S. &c. &c. &c. is with H.R.H.'s most gracious permission most respectfully inscribed By His Royal Highness's most dutiful & obedient Servant Will.m Skelton.
Painted by John Jackson, R.A. Engraved by Will.m Skelton.
Published Nov.r 18.th 1830 by W. Skelton, 1 Stafford Place, Pimlico.
Engraving, rare, on chine collé. Plate: 355 x 275mm (14 x 11''), with very large margins. Foxing on margins.
A seated portrait of English chemist and physicist William Hyde Wollaston (1766-1828) who discovered palladium and rhodium.
[Ref: 48255] £260.00 (£312.00 incl.VAT)

Wollaston. Sir Edward Codrinton with Fr.s Chantrey s respects. [facsimile script].
From a sketch (made with the Camera Lucida) by Chantrey. Drawn on Stone by R.J. Lane. C.Graf Lith to her Majesty.
[n.d., c.. 1828.]
Lithograph on india, with title on the backing sheet. Printed area 265 x 160mm (10½ x 6¼"). Edges chipped.
William Hyde Wollaston (1766-1828), English chemist and physicist famous for discovering the elements palladium and rhodium.
[Ref: 43405] £140.00 (£168.00 incl.VAT)

Map of the Countries Inhabited by the Wolofs. To face Page.1. Vol.II.
Pub.d at R. Ackermann's 1822.
Engraving. 202 x 159mm. 8 x 6¼". Soiling and crease to upper left corner; some tiny holes.
A map indicating the Wolof concentration in Senegal, with overlaps into Gambia and Mauritania. The Wolof community belonged to the medieval West African state of the Wolof Empire that ruled between 1350 and 1890. Their demise was at the hands of the French colonial forces in the 1870s, whih also maked the beginning of the formation of Senegal as a unified state. By the end of the 15th century, the Wolof states of Jolof, Kayor, Baol and Walo had become united in a federation with Jolof as the metropolitan power. The position of king was held by the Burba Wolof and the rulers of the other component states owed loyalty to him while being allowed local sovereignty in internal state matters. Saloum and Sine were later brought within the union. Before they became involved in trading with the Portuguese merchants on the coast, the Wolof people enjoyed the benefits of long established trading and cultural ties with the Western Sudanese empires and had also benefited from trading with Futa Toro and the Berbers from North Africa. Through these early trading links and organisation the Wolof states grew wealthy and had formidable strength.
[Ref: 26120] £75.00

The Birmingham New Member_ A Man of Mettle [/Metal] - or a Match for Ministers.
[Charles Williams]
Pub 1819 by T Tegg 111 Cheapside.
Hand-coloured engraving. Sheet 245 x 345mm (9¾ x 13½"), with 1818 watermark.
Birmingham brassfounders about to place a brazen head of Sir Charles Wolseley on an effigy. Wolsey had made an inflamatory speech at Stockton and was arrested for sedition. In his absence the Birmingham reformers elected him their 'Legislatorial attourney' and empowered him to represent their grievences in Parliament.
BM Satire 13251.
[Ref: 44918] £280.00 (£336.00 incl.VAT)

[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep: Eborac: & c. Fundr,, Coll. Adis Christi. A.D. 1525. Revdo,, Viro Gulielm Markham, L.L.L. etifitius Collegi Gustodi.
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint, fine impression. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65133] £140.00 (£168.00 incl.VAT)

[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep. Eborac: &c.
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1730.]
Fine mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Backed onto album paper at corners. Image cut
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65134] £160.00 (£192.00 incl.VAT)

[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep: Eborac: & c. Fundr,, Coll. Adis Christi. A.D. 1525. Revdo,, Viro Gulielm Markham, L.L.L. etifitius Collegi Gustodi.
Summa cum Humil: & Observantia. D.D.D. H. Parker.
[n.d., c.1740.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut into plate and backed onto album paper at corners.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65135] £80.00 (£96.00 incl.VAT)

Thomas Wolseius Card: & Archiep: Eborac: &c. Fundr Coll. Aedis Christi. A.D. 1525. Rev.do Vino Guilielm. Markham, L.L. Detistius Collegii Custodi, summa cum Humil. & Observan, D.D.D. H. Parker.
[n.d. c.1750.]
Mezzotint with small margins. Plate 260 x 202mm (10¼ x 8"). Laid on conservation paper.
Portrait of Cardinal Wolsey, three-quarter length, standing, holding a scroll; curtain and branch of a tree in background; coat of arms in lower margin. One of a series of forty-five plates of portraits of the founders of Oxford and Cambridge colleges, Royal Exchange, and Charterhouse. Cardinal Thomas Wolsey (c.17435-1530) the English political figure and cardinal of the Roman Catholic Church. He was made the King's almoner when Henry VIII took the throne in 1509. He gained a lot of power and freedom and was often depicted as an alter rex.
CS: 34, iv.
[Ref: 28679] £120.00 (£144.00 incl.VAT)

Thomas Wolsey Cardinal ad Archbishop of York &c.
H. Holbein Pinxit. R. Sheppard Sculp.
[n.d. c.1740]
Engraving, a fine impression. Plate 342 x 215mm. 13½ x 8½". Slightly trimmed along right-hand edge.
Portrait; half length, in profile to the right, holding a scroll in one hand, gesturing with two fingers with the other; wearing cardinal's hat and robes, a window and curtain in background. Plate from Mechell's edition of Paul de Rapin-Thoyras, 'The History of England'. Cardinal Thomas Wolsey (c.1475-1530) almoner to King Henry VIII, and by 1514 he had become the controlling figure in virtually all matters of state and was extremely powerful within the Church. When he was made cardinal in 1515, it ultimately gave him precedence even over the Archbishop of Canterbury. One of his main legacies was his interest in architecture, in particular his home of Hampton Court Palace.
NPG: D8792.
[Ref: 27850] £140.00 (£168.00 incl.VAT)

[Thomas Wolsey.] Thomas Wolfeius. Card: & Archiep. Eborac: &c.
H.Holbein Pinxit. J.Faber Fecit.
[n.d., c.1712.]
Mezzotint. Sheet 260 x 195mm (10¼ x 7¾"). Cut to platemark.
Portrait of Thomas Wolsey (1473 - 1530), English statesman and Catholic cardinal. When Henry VIII became King of England in 1509, Wolsey became the King's almoner. Wolsey founded Cardinal College, Oxford in 1525, although it was later suppressed. In 1532, it was refounded as King Henry VIII's College and, later, as Christ Church.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65132] £90.00 (£108.00 incl.VAT)

[Cardinal Wolsey]
Anon. [After Holbein]
[c. 1750]
Etching 68 x 94mm. 2¾ x 3¾inches. On verso in old script: "Cardinal Wolsey - Given to me by Mr. Ashby Fellow of St.John's College Canbr. Dec:1769 W. Cole". Mounted into an album page.
Facing to right in Biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
[Ref: 13737] £220.00 (£264.00 incl.VAT)

[Cardinal Wolsey.]
[After Hans Holbein]
[n.d. c.1750.]
Mezzotint 90 x 120mm, 3½ x 4½inches. Mounted into an album page.
Facing to right in biretta and robe with buttons down front. Wolsey was a cardinal and statesman, Henry VIII's lord chancellor and one of the last churchmen to play a dominant role in English political life. Wolsey's unparalleled position of trust with the King began to break down in the late 1520s but before he fell from favour Henry VIII stripped him of all his assets in the south of England, including the Archbishop's town house, York Place. Of the Cardinal's possessions York Place was the most important to the King, because the old royal palace at Westminster had been largely destroyed by fire in 1512 and Henry had been staying at Lambeth Palace as a substitute. The acquisition of York Place, renamed Whitehall, meant that the monarchy once more had an appropriate residence in Westminster. A drawing by Andrew Benjamin Lens [BM:Prints & Drawings.Regi. No.Gg,1.410] recorded as after Holbein is the same subject as ref: 13736 & 13737.
BM:P&D:1853,0112.1628.
[Ref: 13736] £260.00 (£312.00 incl.VAT)

Wolstenhome's British Field Sports, Now Publishing by Subscription, by Richard Reeve, Engraver & Publisher, No 7, Vere Street, New Bond Street, London; Being Pictures by the Above Master, Consisting of Fox Hunting, Stag Hunting, Hare Hunting, Coursing, and Shooting.
London: Printed by Nichols, Earl's-court, Leicester-square [n.d., 1806].
Letterpress prospectus. Sheet 220 x 140mm (8¾ x 5½"). Binding stitch holes, a few spots.
A prospectus for Dean Wolstenholme's four-aquatint sets. According to the text, 'Fox Hunting' and 'Stag Hunting' had already been published (1806).
[Ref: 58557] £75.00 (£90.00 incl.VAT)

The Grand Stand. Wolverhampton Race Course.
R. Noyes. Printed by C. Hullmandel.
[n.d., c.1830.]
Very rare lithograph, on india. 280 x 400mm (11 x 15¾"). Margins damaged.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 44466] £220.00 (£264.00 incl.VAT)

The Grand Stand. Wolverhampton Race Course.
R. Noyes. Printed by C. Hull[mandel].
[n.d., c.1830.]
Very rare lithograph. Sheet: 260 x 340mm (10¼ x 13½"). Trimmed within printed area.
A view of the Wolverhampton Race Course at the old ground in West Park. The racecourse was established in 1825 and the grand stand was built in 1827, from after plans by Mr Vulliamy. The racecourse was eventually moved to its current site in Dunstall Park in the 1880s. St. Peters Church can be seen in the distance. After Robert Noyes (1780-1843).
[Ref: 39502] £180.00 (£216.00 incl.VAT)

[Baffled.]
HD 1908 in plate, signed in pencil. Limited to 300 signed proofs.
Copyright 1908 by Messrs Arthur Tooth & Sons, Publishers 175 & 176 New Bond Street London, 41 Boulevard des Capucines Paris, 299 Fifth Avenue, New York, & Messrs Stiefbold & Co. Berlin.
Etching on vellum. 520 x 740mm (20½ x 29").
Wolves on a rocky outcrop, after Herbert Dicksee, R.E. (1862-1942).
PSA: Vol.II. AP.300.
[Ref: 22353] £620.00

[Grotesque woman.]
[by Thomas Worlidge?]
[n.d., c.1750]
Etching with small margins, platemark 75 x 60mm (3 x 2½") Glued to backing sheet at top.
Head and shoulders of a woman in Dutch manner, attributed to Thomas Worlidge by a previous owner.
Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32569] £130.00 (£156.00 incl.VAT)

Woman.
R. Hicks Sculp.
Publish'd by Nuttall, Fisher & Dixon, Liverpool Jan. 1813
Stipple printed in blue, sheet 125 x 205mm. Crease lower left. Cut at top.
Allegorical figure of a woman sitting on a dolphin, published in Liverpool.
[Ref: 42076] £130.00 (£156.00 incl.VAT)

What You Will - Ce Qui Vous Plaira.
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066] £180.00 (£216.00 incl.VAT)

No.32.
J.J. Haid et filius excud: Aug. Vind: J.
Mezzotint. Plate 218 x 162mm. 8½ x 6½".
A young woman with bonnet. A flower is attached to the lapel at the top of the corset.
[Ref: 12982] £140.00 (£168.00 incl.VAT)

[A woman reading a letter.]
[after Henry William Bunbury]
[Published 4th June 1786 by Wickstead, 30 Henrietta S.t Covent Garden] [in old ink mss.].
Stipple, proof before letters. 220 x 145mm (8¾ x 5¾"), with very large margins. Some damp staining on left.
An oval portrait of a woman, leaning against the back of a chair reading a letter.
BM 1877,0512.534, no mention of a publisher.
[Ref: 61357] £160.00 (£192.00 incl.VAT)

[R A Glenberrie.][ink mss]
[n.d., c.1800.]
Proof before letters. Stipple. Sheet 230 x 165mm (9 x 6½").
Portrait of a woman sat amongst a woodland landscape. In her right hand she holds a book.
[Ref: 65270] £130.00 (£156.00 incl.VAT)

[Woman in Renaissance Dress.] Draclum Phoebi jactant ad sidera Delphi...
v. Prenner del et incid.
[n.d., c.1730.]
Engraving. Sheet: 225 x 165mm (9 x 6½''). Trimmed and laid on album sheet at corners. Decorative border missing.
A portrait of a woman from Anton Joseph Prenner's 'Theatrum Artis Pictoriae', a series of engravings of the paintings in the Gallery of Paintings in Vienna.
[Ref: 48019] £70.00 (£84.00 incl.VAT)

[Unidentified Woman.]
JW [old ink mss., James Ward?].
[n.d., c.1800.]
Very rare mezzotint, proof before letters. 475 x 355mm (18¾ x 14"), with large margins watermarked '[I] C de R IM-HOF. Gr. K Re'. Tear in margin repaired.
A woman with pearls in her hair. The watermark is that of Johann Christoph de Rudolph Im-Hof, Basle, Switzerland. The Tate has a J.M.W. Turner sketchbook by that maker, dating from 1802.
[Ref: 55066] £320.00

[Portrait of an unknown woman.]
WHollar fec 1646.
Etching. 105 x 100mm (4¼ x 4"). Thread margins. Slight foxing.
A head and shoulders portrait of a woman in a black dress, wearing pearl necklace and a shoulder wrap with scalloped lace border joined with a jewel at the front. Her hair is parted in the middle in two tresses tied in two bows falling over her shoulders. From an unnumbered series of thirty-seven women's heads in roundels, apparently an open-ended sequences of etchings.
Pennington 1912, state i of iv.
[Ref: 60348] £320.00

[Woman in ruff and jewelled hat]
[Engraved by Luca Ciamberlano after Agostino Carracci.]
[Rome: Pietro Stefanoni, c.1620.]
Engraving. Sheet 180 x 120mm (7 x 4¾"). Trimmed witihn plate, repairs to old folds, small loss top left.
National Gallery of Art 1977.66.1.16.
[Ref: 63543] £140.00 (£168.00 incl.VAT)

[Woman with Bird]
Boucher inv. del. Demarteau l'Ainé sculp.
A Paris chéz Demarteau, Avec Privilége.
Stipple. Plate: 215 x 300mm (8½ x 12"). Trimmed on left edge, damage to other margins.
Scene in which a woman catches a bird on her finger in order to put it in a cage resting on a table. An alarmed cat sits on a chair.
[Ref: 35109] £160.00 (£192.00 incl.VAT)

Grandeur de la Pierre. du Cabinet de Roi.
Eliz. Cheron L.H. delin. C. Simonneau maj. sculp.
Avec Privil. du Roi. [n.d. c.1740.]
Engraving. Plate 197 x 140mm. 7¾ x 5½". Large margins.
From a Medal; a crowned woman seated on a chair looking up at a small winged cherub seated on a pillar. Possibly plate 41 from "Pierres Antiques Gravées Tirées des Principaux Cabinets de la France".
[Ref: 25085] £70.00 (£84.00 incl.VAT)

[Woman with Children and Cow.]
Apud V. N. Franciscu.s Maria Canalem Venetis Auctore Zuccarelli. Ex Calcgraphia I. Wagner Ven.is C.P.E.S.
[n.d., c.1762.]
Scarce engraving. Sheet: 460 x 330mm (18 x 13"). Trimmed.
A pastoral scene in which a woman gives two children milk from her cow. From the series 'Twelve Landscapes on Hills'.
[Ref: 47579] £360.00

[A woman and cupid.]
J.H. Benwell Delin. Engraved by C: Knight.
[n.d., c.1790.]
Hand coloured stipple with etching, sheet 170 x 135mm. 6¾ x 5¼". Trimmed within plate. Soiled.
Cupid has loosed an arrow that seems about to penetrate the heart of a seated woman, who thinks about her love. After John Hodges Benwell (1764 - 1785).
[Ref: 10012] £120.00 (£144.00 incl.VAT)

[Woman and Daughter.] [In pencil under image:] Never published intended as an illustration to a work by Lady Anna Ellice. With Mr. Holmes's very respectful compliments.
[After James Holmes]
[n.d. c.1830.]
Stipple and etching on chine colle rare, with very large margins, proof before letters. Plate 209 x 151mm (8¼ x 6").
A woman sat in a garden scene holding a guitar, a young girl sat to the right holding a flower; a table with a basket of flowers to right and a castle seen in the distance across a river. Attributed to Lady Hannah Ellice (1785-1832), wife of Edward Ellice, and daughter to Charles, 1st Earl of Grey.
[Ref: 34639] £80.00 (£96.00 incl.VAT)

[Woman and Horse.]
[After] Heywood Hardy. Walter Cox [in pencil].
[n.d., c.1880.]
Mixed method. Signed by engraver & artist. Sheet 390 x 275mm (15¼ x 10¾"). Trimmed and backed onto album paper. Small margins. Blind stamped 'Artist London Proof.'
A young woman dressed for riding, her hair tied at the nape of her neck, stands in profile facing left. She pats a horse and offers it an apple, while a terrier jumps up at her knees and a hound watches from the foreground. Heywood Hardy (1842 - 1933) was a painter and watercolourist of animals and sporting subjects.
[Ref: 66729] £280.00 (£336.00 incl.VAT)

[Portrait of a Woman with a Parasol.]
Engraved by P. Roberts, and J.C. Stadler.
[n.d., c.1810.]
Colour printed aquatint. Rare. Plate: 230 x 310mm (9 x 12"). Marks in plate. Trimmed within plate on lower edge. Small margins on 3 sides.
A full-length portrait of a young woman who holds a parasol and a fan, set within the park of a large house which can be seen in the distance.
[Ref: 39500] £280.00 (£336.00 incl.VAT)

[Woman with a Parrot.]
f.v. Mieris pinx. N. Strixner del.
[n.d. c.1819.]
Rare lithograph. Sheet 323 x 275mm (12¾ x 10¾").
An interior with a young woman seated on an arm-chair, feeding a parrot which is perched on a stick to left. From "Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck".
[Ref: 30428] £190.00 (£228.00 incl.VAT)

[Femme et 2 Génies.]
[F. Bartolozzi sculp.]
[n.d. c.1780.]
Etching and engraving. Collector's mark on verso. 147 x 152mm. 5¾ x 6".
An allegorical woman seated on a cloud with two winged child-spirits; one examining an enamel and the other some coins. A female bust to the right. From book Cul-de-large of Vol 2.
De Vesme: 1743. Lugt: 1736 [unidentified]. Cul de Lange Vol II.
[Ref: 20603] £140.00 (£168.00 incl.VAT)

[The woman caught in adultery.] Drawn by Mr. Hussey from the Original Picture of Agostino Carracci, in the Zampieri Palace at Bologna, and presented By him to the Earl of Northumberland in the Year 1737. Now in His Majesty's Collection.
F. Bartolozzi Londini Sculp.
[n.d., c.1765.]
Engraving. Platemark: 375 x 440mm (14¾ x 17¼"); very large margins. Very small worn area to right side.
Christ standing on a dais in the temple, his apostles around him, a man sitting on the steps near His feet; Christ raises His right hand and looks at a woman, who stands on the right with her hands bound, while Pharisees standing behind to right accuse her, one pointing at a passage in the Torah. After Agostino Carracci (1557 - 1602), intermediary draughtsman is Giles Hussey (1710 - 1788).
[Ref: 39359] £260.00 (£312.00 incl.VAT)

This Plate is dedicated to the Honorable Thomas Wale, by his most Obliged and Devoted Servant F. Bartolozzi.
G.B. Cipriani inv. F. Bartolozzi sculp. 1771.
Stipple printed in red, framed. Visible image area 292 x 247mm. 11½ x 9¾".
A woman standing looking down towards the ground; on her head she wears a cloth turban which falls down to her shoulders, in their hands she holds a small pot.
See De Vesme: 1299.
[Ref: 22937] £260.00 (£312.00 incl.VAT)

[A woman hunter riding side-saddle.]
[n.d., c.1840.]
Rare lithograph, partial hand colour. 110 x 150mm (4¼ x 6").
[Ref: 51941] £70.00 (£84.00 incl.VAT)

Habit of a Woman in Fez, in Africa. Africaine de Fez.90.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A portrait of a black woman, whole-length standing, looking to the right, and touching her headpiece with her right hand. She is wearing a dress shorter at the front with trousers, holding the dress with her left hand. Plate 90 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62850] £230.00 (£276.00 incl.VAT)

[Woman with giant fur hat]
Joh Melchoir Roos pinxit. Joh. Georg Seiller. Heb. Scanphusian fecit. A: 1689.
Very scarce mezzotint, sheet 355 x 265mm (14 x 10½"). On 17th century watermarked paper. Trimmed within plate at bottom . Thread margins on three sides.
Woman wearing a large cape secured with a chain she gathers the excess in her arms with flowers. She wears jewellry of pearls and an enormous fur hat. Possibly Regina Maria Pömer (née Behaim) (1646–1669), wife of Gabriel Pömer, who is depicted in at least two prints wearing similar giant fur headgear. Or perhaps Madame Braun; a sitter in another mezzotint portrait by Johann Georg Seiller after a painting by Johann Melchior Roos, which forms a pair with a print of her husband Captain Braun.
See BM 1902.1011.7808.
[Ref: 63091] £480.00

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