A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Prince William offering his sword to the Dean, at the Altar, the Knights Standing under their Banners.
J. Highmore del: J. Pine Sculpt.
[n.d., c.1770.]
Etching and engraving, 445 x 610mm. 17¾ x 24". Vertical centrefold as issued. Small chips and tears into image from extremities.
Ceremony of installation of knights of the Order of the Bath inside Westminster Abbey. A young Prince William, Duke of Cumberland (1721 – 1765), a younger son of George II, kneels before the altar. The knights stand in plumed hats in rows at either side under their banners, a huge crowd of spectators beyond the altar. The Most Honourable Order of the Bath is an order of chivalry founded by George I on 18 May 1725. The name derives from the medieval ceremony for creating a knight, which involved bathing (as a symbol of purification) as one of its elements. Recipients of the Order are now usually senior military officers or senior civil servants. The Order of the Bath is the fourth-most senior of the British Orders of Chivalry, after The Most Noble Order of the Garter, The Most Ancient and Most Noble Order of the Thistle, and The Most Illustrious Order of St Patrick. Numbered 'III' upper left, this is a plate to 'The procession and ceremonies observed at the time of the Installation of the Knights Companion of the Order of the Bath', London; J. Pine, first published 1730. John Pine (1690 - 1756), engraver, publisher, print and mapseller, was Bluemantle pursuivant at the College of Arms and engraver to the king's signet and stamp office. Very scarce.
[Ref: 9099] £360.00
J. Highmore del: J. Pine Sculpt.
[n.d., c.1770.]
Etching and engraving, 445 x 610mm. 17¾ x 24". Vertical centrefold as issued. Small chips and tears into image from extremities.
Ceremony of installation of knights of the Order of the Bath inside Westminster Abbey. A young Prince William, Duke of Cumberland (1721 – 1765), a younger son of George II, kneels before the altar. The knights stand in plumed hats in rows at either side under their banners, a huge crowd of spectators beyond the altar. The Most Honourable Order of the Bath is an order of chivalry founded by George I on 18 May 1725. The name derives from the medieval ceremony for creating a knight, which involved bathing (as a symbol of purification) as one of its elements. Recipients of the Order are now usually senior military officers or senior civil servants. The Order of the Bath is the fourth-most senior of the British Orders of Chivalry, after The Most Noble Order of the Garter, The Most Ancient and Most Noble Order of the Thistle, and The Most Illustrious Order of St Patrick. Numbered 'III' upper left, this is a plate to 'The procession and ceremonies observed at the time of the Installation of the Knights Companion of the Order of the Bath', London; J. Pine, first published 1730. John Pine (1690 - 1756), engraver, publisher, print and mapseller, was Bluemantle pursuivant at the College of Arms and engraver to the king's signet and stamp office. Very scarce.
[Ref: 9099] £360.00
William and Margaret From the celebrated ballad in Piercies Reliques of Antient English Poetry Vol 3 XVI.
Painted by J. Wright Engraved by J. R. Smith Mezzotinto Engraver to His Royal Highness the Prince of Wales.
London Published June 1. 1802, by R. Ackermann at his Repository of Arts No. 101 Strand
Coloured mezzotint, 455 x 555mm; 19¼ x 24½". Laid on card, tears in upper margin
Margaret's ghost appears to William. After the painting by Joseph Wright of Derby, exhibited 1785 and engraved by J.R. Smith that year. An impression refreshed with colour in the state republished by Ackermann.
Clayton P26, final state; D'Oench 257
[Ref: 8581] £650.00
Painted by J. Wright Engraved by J. R. Smith Mezzotinto Engraver to His Royal Highness the Prince of Wales.
London Published June 1. 1802, by R. Ackermann at his Repository of Arts No. 101 Strand
Coloured mezzotint, 455 x 555mm; 19¼ x 24½". Laid on card, tears in upper margin
Margaret's ghost appears to William. After the painting by Joseph Wright of Derby, exhibited 1785 and engraved by J.R. Smith that year. An impression refreshed with colour in the state republished by Ackermann.
Clayton P26, final state; D'Oench 257
[Ref: 8581] £650.00
Margaret's Tomb. Her bloom was like the springing flower. [...] And every charm is fled.
Henry Bunbury, Esq. del.t. F. Bartolozzi R.A. sculp.t.
London Publish'd May 10, 1799, by Tho.s Macklin, Poets Gallery, Fleet Street.
Fine stipple, printed in colours and hand finished. 430 x 505mm (17 x 20"), on Whatman paper, with very large margins. Inscription weakly inked in places. Bit of foxing in title.
An illustration to David Mallet's poem 'William and Margaret', c.1724, depicting three young women in a churchyard, with an old man leaning on a tombstone. From Macklin's 'One hundred pictures/Prints illustrative of the most celebrated British Poets'.
De Vesme: 1446. II.
[Ref: 55213] £280.00 (£336.00 incl.VAT)
Henry Bunbury, Esq. del.t. F. Bartolozzi R.A. sculp.t.
London Publish'd May 10, 1799, by Tho.s Macklin, Poets Gallery, Fleet Street.
Fine stipple, printed in colours and hand finished. 430 x 505mm (17 x 20"), on Whatman paper, with very large margins. Inscription weakly inked in places. Bit of foxing in title.
An illustration to David Mallet's poem 'William and Margaret', c.1724, depicting three young women in a churchyard, with an old man leaning on a tombstone. From Macklin's 'One hundred pictures/Prints illustrative of the most celebrated British Poets'.
De Vesme: 1446. II.
[Ref: 55213] £280.00 (£336.00 incl.VAT)
William and Margaret. Twas at the silent solemn hour when night and morning meet. In glided Margarets grimly ghost and stood and William's feet.
Painted by J. Wright. Engraved by J. R. Smith. Mezzotint Engraver to His Royal Highness the Prince of Wales.
London Publish'd April 12th - 1785 by J. R. Smith No. 31. King Street, Covent Garden.
Mezzotint with large margins. Part printed in colour. Platemark: 450 x 545mm (17¾ x 21½").
The ghost of Margaret stands on the left, wrapped in a sheet, holding up her left hand to frighten the man who deserted her, who sits up, terrfied, in his four-poster bed, raising the sheets above his head with his right arm. From the celebrated ballad in 'Piercies Reliques of Antient English Poetry Vol. 3 XVI', (1765) by Thomas Percy, Bishop of Dromore (1729 - 1811), the first of the great ballad collections, which was responsible for the ballad revival in English poetry that was a significant part of the Romantic movement.
Ex collection of Christopher Lennox-Boyd. State II of III. Frankau: 377; D' Oench: 257 I of II; Clayton 1990: pg 26.
[Ref: 36644] £520.00
Painted by J. Wright. Engraved by J. R. Smith. Mezzotint Engraver to His Royal Highness the Prince of Wales.
London Publish'd April 12th - 1785 by J. R. Smith No. 31. King Street, Covent Garden.
Mezzotint with large margins. Part printed in colour. Platemark: 450 x 545mm (17¾ x 21½").
The ghost of Margaret stands on the left, wrapped in a sheet, holding up her left hand to frighten the man who deserted her, who sits up, terrfied, in his four-poster bed, raising the sheets above his head with his right arm. From the celebrated ballad in 'Piercies Reliques of Antient English Poetry Vol. 3 XVI', (1765) by Thomas Percy, Bishop of Dromore (1729 - 1811), the first of the great ballad collections, which was responsible for the ballad revival in English poetry that was a significant part of the Romantic movement.
Ex collection of Christopher Lennox-Boyd. State II of III. Frankau: 377; D' Oench: 257 I of II; Clayton 1990: pg 26.
[Ref: 36644] £520.00
![[Coronation of William & Mary] Der Königl. Krönungs-Actus Wilhelm III und Maria in England, zu London.](jpegs/54670.jpg)
[Coronation of William & Mary] Der Königl. Krönungs-Actus Wilhelm III und Maria in England, zu London.
Frankfurt: Heirs of Matthäus Merian, 1689.
Etching. 310 x 375mm (12¼ x 14¾"). Narrow margins, repaired tears.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689.
[Ref: 54670] £320.00
Frankfurt: Heirs of Matthäus Merian, 1689.
Etching. 310 x 375mm (12¼ x 14¾"). Narrow margins, repaired tears.
The coronation of William III and Mary II at Westminster Abbey on 11 April 1689.
[Ref: 54670] £320.00
His Royal Highness William Augustus Duke of Cumberland, &c, &c, &c.
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"), with wide margins.
Handsome portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765) as a boy; facing and looking towards front, left hand on hip, right hand tucked inside his coat, smiling at the viewer. He wears a wig with a bow at the nape, a sash hanging diagonally from the left shoulder and a star on his breast; cocked hat on a table in front of him, and a statue of a classical warrior in a landscape in the left background. Third son of George II and a life-long soldier, the Duke was described by Horace Walpole as 'proud and unforgiving, fond of war for its own sake'. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname 'Butcher Cumberland'. By John Faber the Younger (c.1695 - 1756).
Chaloner Smith: 99.
[Ref: 18323] £320.00
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"), with wide margins.
Handsome portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765) as a boy; facing and looking towards front, left hand on hip, right hand tucked inside his coat, smiling at the viewer. He wears a wig with a bow at the nape, a sash hanging diagonally from the left shoulder and a star on his breast; cocked hat on a table in front of him, and a statue of a classical warrior in a landscape in the left background. Third son of George II and a life-long soldier, the Duke was described by Horace Walpole as 'proud and unforgiving, fond of war for its own sake'. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname 'Butcher Cumberland'. By John Faber the Younger (c.1695 - 1756).
Chaloner Smith: 99.
[Ref: 18323] £320.00
His Royal Highness William Augustus Duke of Cumberland, &c, &c, &c.
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"). Narrow margins, glue stains in corners, laid on album sheet at corners.
A three-quarter portrait of Prince William Augustus (1721-65), Duke of Cumberland, as a boy, standing with his right hand tucked inside his coat. He wears a wig with a bow at the nape, sash and star, his cocked hat on a table. A statue of a classical warrior in a landscape in the left background.
Chaloner Smith: 99. Ex: collection of The Hon. Christopher Lennox-Boyd & Belton House Collection.
[Ref: 68649] £230.00 (£276.00 incl.VAT)
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"). Narrow margins, glue stains in corners, laid on album sheet at corners.
A three-quarter portrait of Prince William Augustus (1721-65), Duke of Cumberland, as a boy, standing with his right hand tucked inside his coat. He wears a wig with a bow at the nape, sash and star, his cocked hat on a table. A statue of a classical warrior in a landscape in the left background.
Chaloner Smith: 99. Ex: collection of The Hon. Christopher Lennox-Boyd & Belton House Collection.
[Ref: 68649] £230.00 (£276.00 incl.VAT)
His Royal Highness William Augustus Duke of Cumberland, Knight of the most Honble: order of the Bath &c.
J. Highmore ad Vivum Pinxt. J. Smith Fecit 1729.
Sold by J. Smith at the Lyon & Crown in Russell Street Covent Garden.
Mezzotint, 350 x 250mm (13¾ x 10"). Small margins, laid on paper at edges.
William Augustus, Duke of Cumberland (1721-1765); General and third son of George II. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname of 'Butcher of Culloden'.
CS74 III of III. Modern; published in Boydell's Catalogue. Ex: Collection of The Hon. C. Lennox-Boyd. NPG: D11644.
[Ref: 68702] £180.00 (£216.00 incl.VAT)
J. Highmore ad Vivum Pinxt. J. Smith Fecit 1729.
Sold by J. Smith at the Lyon & Crown in Russell Street Covent Garden.
Mezzotint, 350 x 250mm (13¾ x 10"). Small margins, laid on paper at edges.
William Augustus, Duke of Cumberland (1721-1765); General and third son of George II. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname of 'Butcher of Culloden'.
CS74 III of III. Modern; published in Boydell's Catalogue. Ex: Collection of The Hon. C. Lennox-Boyd. NPG: D11644.
[Ref: 68702] £180.00 (£216.00 incl.VAT)
His Royal Highness William Augustus Duke of Cumberland &c.
D.M. [David Morier] Pinx.t. J. Faber Fecit 1753.
Mezzotint sheet 320 x 220mm (12½ x 8¾"). Trimmed and laid on album paper.
Prince William Augustus, Duke of Cumberland (1721 - 1765), in armour. The second state was issued with his date of death added.
Chaloner Smith 105, state ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64697] £160.00 (£192.00 incl.VAT)
D.M. [David Morier] Pinx.t. J. Faber Fecit 1753.
Mezzotint sheet 320 x 220mm (12½ x 8¾"). Trimmed and laid on album paper.
Prince William Augustus, Duke of Cumberland (1721 - 1765), in armour. The second state was issued with his date of death added.
Chaloner Smith 105, state ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64697] £160.00 (£192.00 incl.VAT)
His Royal Highness William Augustus Duke of Cumberland, &c, &c, &c.
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"), with large margins. Crack in top plate mark, crease.
A three-quarter portrait of Prince William Augustus (1721-65), Duke of Cumberland, as a boy, standing with his right hand tucked inside his coat. He wears a wig with a bow at the nape, sash and star, his cocked hat on a table. A statue of a classical warrior in a landscape in the left background.
Chaloner Smith: 99. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68648] £260.00 (£312.00 incl.VAT)
I. Faber ad Vivum Delin.t et Fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 350 x 255mm (13¾ x 10"), with large margins. Crack in top plate mark, crease.
A three-quarter portrait of Prince William Augustus (1721-65), Duke of Cumberland, as a boy, standing with his right hand tucked inside his coat. He wears a wig with a bow at the nape, sash and star, his cocked hat on a table. A statue of a classical warrior in a landscape in the left background.
Chaloner Smith: 99. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68648] £260.00 (£312.00 incl.VAT)
His Royal Highness William Duke of Cumberland &c. Born, April 1721 and Died, Oct.r 1765, Aged 45.
D.M. Pinx.t. J. Faber Fecit 1753.
Mezzotint, print 325 x 225mm (12¾ x 8¾"). Trimmed and glued to album sheet. Scuffed on the right side, crease in inscription area.
Half-length portrait of Prince William Augustus, Duke of Cumberland (1721-1765), in an oval. Looking towards the viewer, wearing his armour with a sash diagonally from the left shoulder. Prince William Augustus was the third son of King George II. He was known as 'butcher Cumberland' for his harsh suppression of the Jacobite Rebellion in 1746.
CS 105.II. State with 'Cumberland' printed in a different script.
[Ref: 58876] £190.00 (£228.00 incl.VAT)
D.M. Pinx.t. J. Faber Fecit 1753.
Mezzotint, print 325 x 225mm (12¾ x 8¾"). Trimmed and glued to album sheet. Scuffed on the right side, crease in inscription area.
Half-length portrait of Prince William Augustus, Duke of Cumberland (1721-1765), in an oval. Looking towards the viewer, wearing his armour with a sash diagonally from the left shoulder. Prince William Augustus was the third son of King George II. He was known as 'butcher Cumberland' for his harsh suppression of the Jacobite Rebellion in 1746.
CS 105.II. State with 'Cumberland' printed in a different script.
[Ref: 58876] £190.00 (£228.00 incl.VAT)
His Royal Highness Prince William Augustus Duke of Lancaster, and First Knight of the Bath.
J.Simon fec & excu.
[n.d., c. 1750. Published] by Tho.s. Taylor at ye Golden Lyon in Fleet Street.
Mezzotint. Sheet 350 x 245mm (13¾ x 9¾"). Trimmed into plate.
Portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765), the third and youngest son of George II of Great Britain and Ireland and his wife, Caroline of Ansbach. He was Duke of Cumberland from 1726. He is best remembered for his role in putting down the Jacobite Rising at the Battle of Culloden in 1746, which made him popular in certain parts of Britain.
CS 49. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67464] £220.00 (£264.00 incl.VAT)
J.Simon fec & excu.
[n.d., c. 1750. Published] by Tho.s. Taylor at ye Golden Lyon in Fleet Street.
Mezzotint. Sheet 350 x 245mm (13¾ x 9¾"). Trimmed into plate.
Portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765), the third and youngest son of George II of Great Britain and Ireland and his wife, Caroline of Ansbach. He was Duke of Cumberland from 1726. He is best remembered for his role in putting down the Jacobite Rising at the Battle of Culloden in 1746, which made him popular in certain parts of Britain.
CS 49. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67464] £220.00 (£264.00 incl.VAT)
His Royal Highness Prince William Augustus Duke of Lancaster, and First Knight of the Bath.
J.Simon fec & excu.
[n.d., c. 1750. Published] by Tho.s. Taylor at ye Golden Lyon in Fleet Street.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Crease on left. Small margins.
Portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765), the third and youngest son of George II of Great Britain and Ireland and his wife, Caroline of Ansbach. He was Duke of Cumberland from 1726. He is best remembered for his role in putting down the Jacobite Rising at the Battle of Culloden in 1746, which made him popular in certain parts of Britain.
CS 49. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67465] £220.00 (£264.00 incl.VAT)
J.Simon fec & excu.
[n.d., c. 1750. Published] by Tho.s. Taylor at ye Golden Lyon in Fleet Street.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Crease on left. Small margins.
Portrait of Prince William Augustus, Duke of Cumberland (1721 - 1765), the third and youngest son of George II of Great Britain and Ireland and his wife, Caroline of Ansbach. He was Duke of Cumberland from 1726. He is best remembered for his role in putting down the Jacobite Rising at the Battle of Culloden in 1746, which made him popular in certain parts of Britain.
CS 49. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67465] £220.00 (£264.00 incl.VAT)
![[Portrait of Prince William, Duke of Cumberland.]](jpegs/20233.jpg)
[Portrait of Prince William, Duke of Cumberland.]
[after David Morier]
[n.d., c.1770.]
Stipple, trimmed to image and set in an engraved oval frame, titled in ink mss. Outer plate 195 x 155mm (7¾ x 6").
A bust portrait Prince William Augustus (1721 - 1765), Duke of Cumberland, in armour. The third son of George II, he is best known as 'Butcher Cumberland' for his treatment of the Scots at the Battle of Culloden. After David Morier (1705?-1770).
[Ref: 20233] £130.00 (£156.00 incl.VAT)
[after David Morier]
[n.d., c.1770.]
Stipple, trimmed to image and set in an engraved oval frame, titled in ink mss. Outer plate 195 x 155mm (7¾ x 6").
A bust portrait Prince William Augustus (1721 - 1765), Duke of Cumberland, in armour. The third son of George II, he is best known as 'Butcher Cumberland' for his treatment of the Scots at the Battle of Culloden. After David Morier (1705?-1770).
[Ref: 20233] £130.00 (£156.00 incl.VAT)
Thos. William Coke Esq.r M.P. for Norfolk. To the Rt. Hon.ble the Earl of Albermarle. This Plate, from a Portrait in the possession of Marting Folkes Rishton Esq.r Is inscribed by his Lordship's most obed.t & humble Serv.t T. Barber.
Painted by T. Barber, Nottingham. Engraved by C. Turner, London.
Nottingham, Published June 24th. 1816, by C. Turner, 50, Warren St. Fitzroy Square, London.
Mezzotint. 503 x 355mm. 19¾ x 14". Trimmed. Repaired corner lower left. Crease into left-hand centre and upper right-hand corner.
Thomas William Coke, 1st Earl of Leicester of Holkham 1754-1842) was MP for Norfolk. He was a British politician and agricultural reformer. His use of advanced methods of animal husbandry at his estate put him at the forefront of the British Agricultural Revolution.
Ex Collection: Norman Blackburn.
[Ref: 19790] £160.00 (£192.00 incl.VAT)
Painted by T. Barber, Nottingham. Engraved by C. Turner, London.
Nottingham, Published June 24th. 1816, by C. Turner, 50, Warren St. Fitzroy Square, London.
Mezzotint. 503 x 355mm. 19¾ x 14". Trimmed. Repaired corner lower left. Crease into left-hand centre and upper right-hand corner.
Thomas William Coke, 1st Earl of Leicester of Holkham 1754-1842) was MP for Norfolk. He was a British politician and agricultural reformer. His use of advanced methods of animal husbandry at his estate put him at the forefront of the British Agricultural Revolution.
Ex Collection: Norman Blackburn.
[Ref: 19790] £160.00 (£192.00 incl.VAT)
His Royal Highness Will.m, Duke of Cumberland.
J. Reynolds. T. Watson fec.t.
London Printed for H. Parker opposite Birchin Lane Cornhill [n.d., c.1770].
Mezzotint. 155 x 115mm (6 x 4½") large margins
Half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform and sash.
[Ref: 57240] £240.00 (£288.00 incl.VAT)
J. Reynolds. T. Watson fec.t.
London Printed for H. Parker opposite Birchin Lane Cornhill [n.d., c.1770].
Mezzotint. 155 x 115mm (6 x 4½") large margins
Half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform and sash.
[Ref: 57240] £240.00 (£288.00 incl.VAT)
The Scourge of Rebellion. William Duke of Cumberland.
[n.d., c.1760.]
Mezzotint. Sheet 140 x 100mm. Trimmed within plate, laid on album paper.
William Augustus, Duke of Cumberland (1721-1765), third son of George II.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 174] £180.00 (£216.00 incl.VAT)
[n.d., c.1760.]
Mezzotint. Sheet 140 x 100mm. Trimmed within plate, laid on album paper.
William Augustus, Duke of Cumberland (1721-1765), third son of George II.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 174] £180.00 (£216.00 incl.VAT)
His Royal Highness William Duke of Cumberland. &c.
Bockman Delin. et fecit.
Sold by John Bowles at the Black Horse in Cornhill. [n.d. c.1760].
Laid on board. Some light staining and foxing.
Third son of George II. A life-long soldier, described by Horace Walpole as 'proud and unforgiving, fond of war for its own sake' [1721 - 1765]. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname of 'Butcher Cumberland'.
CS: 4, "apparently an after state" of CS 3.
[Ref: 693] £160.00 (£192.00 incl.VAT)
Bockman Delin. et fecit.
Sold by John Bowles at the Black Horse in Cornhill. [n.d. c.1760].
Laid on board. Some light staining and foxing.
Third son of George II. A life-long soldier, described by Horace Walpole as 'proud and unforgiving, fond of war for its own sake' [1721 - 1765]. His victory at Culloden in 1746 ended the Jacobite threat, but his severe treatment of the rebels earned him the nickname of 'Butcher Cumberland'.
CS: 4, "apparently an after state" of CS 3.
[Ref: 693] £160.00 (£192.00 incl.VAT)
His Royal Highness William Duke of Cumberland, ~ Done from an Original Painting in the Possession of the Honourable Lieut.t. General Onslow, To whom This Plate is most Humbly Dedicated, by His Honour's most Obedient Servant T.Burford.
Murray Pinxit. T.Burford Fecit 1747.
Mezzotint. 505 x 355mm. Trimmed to plate, remargined. Repaired tear.
Engraved the year after Culloden, the battle that won him the name 'Butcher' Cumberland.
CS: 4. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4347] £420.00
Murray Pinxit. T.Burford Fecit 1747.
Mezzotint. 505 x 355mm. Trimmed to plate, remargined. Repaired tear.
Engraved the year after Culloden, the battle that won him the name 'Butcher' Cumberland.
CS: 4. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4347] £420.00
A Certain Great Personage learning to Spell.
For the Oxford Mag.
[1770]
Engraving. Plate:165 x 105mm (6½ x 4''), with large margins.
A satirical scene showing William, Duke of Cumberland, sitting at a table, frustrated as he cannot master basic spelling.
BM Satire 4402.
[Ref: 48430] £60.00 (£72.00 incl.VAT)
For the Oxford Mag.
[1770]
Engraving. Plate:165 x 105mm (6½ x 4''), with large margins.
A satirical scene showing William, Duke of Cumberland, sitting at a table, frustrated as he cannot master basic spelling.
BM Satire 4402.
[Ref: 48430] £60.00 (£72.00 incl.VAT)
![[William Duke of Cumberland] 55. Gloria Mundi.](jpegs/53495.jpg)
[William Duke of Cumberland] 55. Gloria Mundi.
[London: Edwards & Darley, c.1760.]
Engraving. 100 x 75mm (4 x 3"), with large margins. Worm hole in top margin.
William, Duke of Cumberland (1721-65), standing in glory on top of the globe, one foot on Britain. However the Mediterranean is emphasised, a reminder of the French naval dominance in the region early in the Seven Years's War. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions.
BM Satires 3441.
[Ref: 53495] £95.00 (£114.00 incl.VAT)
[London: Edwards & Darley, c.1760.]
Engraving. 100 x 75mm (4 x 3"), with large margins. Worm hole in top margin.
William, Duke of Cumberland (1721-65), standing in glory on top of the globe, one foot on Britain. However the Mediterranean is emphasised, a reminder of the French naval dominance in the region early in the Seven Years's War. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions.
BM Satires 3441.
[Ref: 53495] £95.00 (£114.00 incl.VAT)
His Royal Highness Prince William, Duke of Cumberland &c. &c. &c.
[Engraved by John Faber II after Thomas Hudson.]
[n.d., c.1750.]
Mezzotint. 320 x 225mm (12½ x 8¾"). Trimmed into plate at bottom, narrow margins elsewhere. Messy.
Half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform, star and sash.
CS 130. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64489] £230.00 (£276.00 incl.VAT)
[Engraved by John Faber II after Thomas Hudson.]
[n.d., c.1750.]
Mezzotint. 320 x 225mm (12½ x 8¾"). Trimmed into plate at bottom, narrow margins elsewhere. Messy.
Half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform, star and sash.
CS 130. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64489] £230.00 (£276.00 incl.VAT)
His Royal Highness Prince William, Duke of Cumberland &c. &c. &c.
T. Hudson pinx.t J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square. [n.d., c.1750.]
Mezzotint. 325 x 225mm (12¾ x 8¾"), with narrow margins. Left margin chipped. Light staining in title area.
Oval half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform, star and sash.
CS 103. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64698] £180.00 (£216.00 incl.VAT)
T. Hudson pinx.t J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square. [n.d., c.1750.]
Mezzotint. 325 x 225mm (12¾ x 8¾"), with narrow margins. Left margin chipped. Light staining in title area.
Oval half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing uniform, star and sash.
CS 103. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64698] £180.00 (£216.00 incl.VAT)
His Royal Highness Prince William, Duke of Cumberland &c. &c. &c.
T. Hudson pinx.t J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square. [n.d., c.1750.]
Mezzotint. 325 x 225mm (12¾ x 8¾"), with large margins
Oval half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing a tricorn, uniform, star and sash.
CS 103. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64699] £260.00 (£312.00 incl.VAT)
T. Hudson pinx.t J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square. [n.d., c.1750.]
Mezzotint. 325 x 225mm (12¾ x 8¾"), with large margins
Oval half-length portrait of Prince William (1721-65), Duke of Cumberland and Strathearn, wearing a tricorn, uniform, star and sash.
CS 103. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64699] £260.00 (£312.00 incl.VAT)
His Royal Highness William Duke of Cumberland. Done from the Original at Leicefter Houfe. To His Grace Charles Duke of Richmond, Lenox and Aubigni, & c. &c. &c. This plate is Humbly Dedicated by His most obedient and Devoted Servant. John Faber.
Painted by Mr John Wootton, and Mr. Thomas Hudson, by J. Faber.
Rare mezzotint 505 x 305mm (19¾ x 14"). Trimmed and laid on backing sheet.
Equestrian portrait to left holding his sword outstretched, eyes to front, with a view of the battle of Dettingen in the background. Son of George II, The Duke of Cumberland commanded the allied forces during the War of Austrian Succession (1740-48). 'William Augustus, Duke of Cumberland, at the Battle of Dettingen' is the title of the painting done for Frederick, Prince of Wales by John Wootton [1682?-1764] and Thomas Hudson [1701-79] in 1744. This painting is in the Royal Collection.
CS:102.Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64701] £360.00
Painted by Mr John Wootton, and Mr. Thomas Hudson, by J. Faber.
Rare mezzotint 505 x 305mm (19¾ x 14"). Trimmed and laid on backing sheet.
Equestrian portrait to left holding his sword outstretched, eyes to front, with a view of the battle of Dettingen in the background. Son of George II, The Duke of Cumberland commanded the allied forces during the War of Austrian Succession (1740-48). 'William Augustus, Duke of Cumberland, at the Battle of Dettingen' is the title of the painting done for Frederick, Prince of Wales by John Wootton [1682?-1764] and Thomas Hudson [1701-79] in 1744. This painting is in the Royal Collection.
CS:102.Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64701] £360.00
![[William Duke of Gloucester] A Young Duke in his Robes.](jpegs/68832.jpg)
[William Duke of Gloucester] A Young Duke in his Robes.
[T. Murray pinx. I:Smith fe: et ex:]
[London, c.1700.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), large margins. Old ink mss. in bottom margin. Margins time-stained.
A full-length portrait of William (1689-1700), Duke of Gloucester, wearing the robes of the Garter, with chain and George. To the left is his page Benjamin Bathurst (1692-1767). William was the son of Anne and Frederick of Denmark, their only child to survive infancy but dying before she became queen. Bathurst served as an MP for 54 years but left no record of him ever speaking in the house. Originally published in 1697 by John Smith as 'His Highness William Duke of Glocester & Mr Benj: Bathhurst'. For this third state of three, probably published after William's early death, the printing plate has been slightly trimmed and the original title replaced.
CS: Smith 115, iii of iii.
[Ref: 68832] £260.00 (£312.00 incl.VAT)
[T. Murray pinx. I:Smith fe: et ex:]
[London, c.1700.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), large margins. Old ink mss. in bottom margin. Margins time-stained.
A full-length portrait of William (1689-1700), Duke of Gloucester, wearing the robes of the Garter, with chain and George. To the left is his page Benjamin Bathurst (1692-1767). William was the son of Anne and Frederick of Denmark, their only child to survive infancy but dying before she became queen. Bathurst served as an MP for 54 years but left no record of him ever speaking in the house. Originally published in 1697 by John Smith as 'His Highness William Duke of Glocester & Mr Benj: Bathhurst'. For this third state of three, probably published after William's early death, the printing plate has been slightly trimmed and the original title replaced.
CS: Smith 115, iii of iii.
[Ref: 68832] £260.00 (£312.00 incl.VAT)
His Royal Highness William Duke of Gloscester.
G. Kneller Eques pinx. I. Smith fec: et ex.
Sold by C. Browne at ye Globe by St. Pauls Church [c.1710].
Mezzotint. 200 x 150mm (8 x 6"). Thread margins, publication line weakly inked.
A half-length portrait of Prince William Duke of Gloucester (1689-1700), son of Princess Anne and George of Denmark. He was viewed as a Protestant champion and his birth seemed to cement the Protestant succession as established in the 'Glorious Revolution'. He died at the age of 11, before Anne came to the throne, so the Protestant line of the House of Stuart lost its only chance at continuation. So as not to revert to a Catholic state, Parliament chose to pass the Act of Settlement 1701, which settled the throne of England on Sophia, Electress of Hanover, granddaugther of James I, and her Protestant heirs.
CS: 114, unrecorded state between I of II.
[Ref: 45541] £290.00 (£348.00 incl.VAT)
G. Kneller Eques pinx. I. Smith fec: et ex.
Sold by C. Browne at ye Globe by St. Pauls Church [c.1710].
Mezzotint. 200 x 150mm (8 x 6"). Thread margins, publication line weakly inked.
A half-length portrait of Prince William Duke of Gloucester (1689-1700), son of Princess Anne and George of Denmark. He was viewed as a Protestant champion and his birth seemed to cement the Protestant succession as established in the 'Glorious Revolution'. He died at the age of 11, before Anne came to the throne, so the Protestant line of the House of Stuart lost its only chance at continuation. So as not to revert to a Catholic state, Parliament chose to pass the Act of Settlement 1701, which settled the throne of England on Sophia, Electress of Hanover, granddaugther of James I, and her Protestant heirs.
CS: 114, unrecorded state between I of II.
[Ref: 45541] £290.00 (£348.00 incl.VAT)
![[Prince William, Duke of Gloucester]](jpegs/38632.jpg)
[Prince William, Duke of Gloucester] Ostendunt terris quem tantum fata Supremis / Hunc saltem accumulem donis, et fungar inani Munere.
M. V. Gucht Sculp [c.1700]
Engraving, sheet 180 x 110mm (7 x 4¼"). Cut inside platemark.
Prince William, Duke of Gloucester (1689-1700), eldest son of Queen Anne and Prince George. William had been ill in his early years, and died from suspected smallpox shortly after his eleventh birthday. His death led to a succession crisis which settled the British throne on the Electress Sophia of Hanover and her Protestant heirs.
[Ref: 38632] £50.00 (£60.00 incl.VAT)
M. V. Gucht Sculp [c.1700]
Engraving, sheet 180 x 110mm (7 x 4¼"). Cut inside platemark.
Prince William, Duke of Gloucester (1689-1700), eldest son of Queen Anne and Prince George. William had been ill in his early years, and died from suspected smallpox shortly after his eleventh birthday. His death led to a succession crisis which settled the British throne on the Electress Sophia of Hanover and her Protestant heirs.
[Ref: 38632] £50.00 (£60.00 incl.VAT)
His Royal Highness William Duke of Gloscester.
G. Kneller Eques pinx. I. Smith fec:
[John Boydell, c.1760.]
Mezzotint. 200 x 150mm (8 x 6"). Small margins.
A half-length portrait of Prince William Duke of Gloucester (1689-1700), son of Princess Anne and George of Denmark. He was viewed as a Protestant champion and his birth seemed to cement the Protestant succession as established in the 'Glorious Revolution'. He died at the age of 11, before Anne came to the throne, so the Protestant line of the House of Stuart lost its only chance if continuation. So as not to revert to a Catholic state, Parliament chose to pass the Act of Settlement 1701, which settled the throne of England on Sophia, Electress of Hanover, granddaugther of James I, and her Protestant heirs.
CS: 114, state ii of ii, ''Boydell Catalogue''.
[Ref: 62649] £160.00 (£192.00 incl.VAT)
G. Kneller Eques pinx. I. Smith fec:
[John Boydell, c.1760.]
Mezzotint. 200 x 150mm (8 x 6"). Small margins.
A half-length portrait of Prince William Duke of Gloucester (1689-1700), son of Princess Anne and George of Denmark. He was viewed as a Protestant champion and his birth seemed to cement the Protestant succession as established in the 'Glorious Revolution'. He died at the age of 11, before Anne came to the throne, so the Protestant line of the House of Stuart lost its only chance if continuation. So as not to revert to a Catholic state, Parliament chose to pass the Act of Settlement 1701, which settled the throne of England on Sophia, Electress of Hanover, granddaugther of James I, and her Protestant heirs.
CS: 114, state ii of ii, ''Boydell Catalogue''.
[Ref: 62649] £160.00 (£192.00 incl.VAT)
His Royal Highness Prince William of Gloucester, of Trinity-College, Cambridge. From a Miniature of the same size Painted by W. Grimaldi, A.R. Miniature and Enamel Painter to their Royal Highness's the Duke and Duchess of York.
George Romney Esq.r Pinx.t Engraved by I. Jones Engraver Extraordinary to His R.H. the Prince of Wales, and Principal Engraver to His R.H. the Duke of York.
Pub.d as the Act directs, May 1.st 1793, by W. Grimaldi. No.7. King Street, St James's, and sold by I:Jones, No.47 Great Portland Street, Portland Place.
Stipple, etching and engraving with small margins and collector's mark. Plate 252 x 202mm (10 x 8"). Crease in centre left.
Portrait, three-quarter length in an oval, directed to left, head turned to look away to right, in a uniform coat with rich embroidery, loose wavy hair to shoulders, left arm across his waist, drawing opposite hem of coat towards him; with royal arms below and crown descending from clouds above. Prince William Frederick, 2nd Duke of Gloucester and Edinburgh (1776-1834), great-grandson of King George II and nephew and son-in-law of King George III. In 1816 he married the Princess Mary, his cousin and fourth daughter of George III.
Ex Collection: Earl of Bute. Horne: 34.
[Ref: 29132] £90.00 (£108.00 incl.VAT)
George Romney Esq.r Pinx.t Engraved by I. Jones Engraver Extraordinary to His R.H. the Prince of Wales, and Principal Engraver to His R.H. the Duke of York.
Pub.d as the Act directs, May 1.st 1793, by W. Grimaldi. No.7. King Street, St James's, and sold by I:Jones, No.47 Great Portland Street, Portland Place.
Stipple, etching and engraving with small margins and collector's mark. Plate 252 x 202mm (10 x 8"). Crease in centre left.
Portrait, three-quarter length in an oval, directed to left, head turned to look away to right, in a uniform coat with rich embroidery, loose wavy hair to shoulders, left arm across his waist, drawing opposite hem of coat towards him; with royal arms below and crown descending from clouds above. Prince William Frederick, 2nd Duke of Gloucester and Edinburgh (1776-1834), great-grandson of King George II and nephew and son-in-law of King George III. In 1816 he married the Princess Mary, his cousin and fourth daughter of George III.
Ex Collection: Earl of Bute. Horne: 34.
[Ref: 29132] £90.00 (£108.00 incl.VAT)
His Royal Highness William Frederick Duke of Gloucester and Edinburgh, &c. &c. &c. Proof.
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Late Majesty, Queen Charlotte. Engraved by Will.m Say Engraver to H.R.H. the Duke of Gloucester, 9 Mortimer Street, Cavendish Square.
London, Published Jan.y 2.nd 1826, for the Proprietor by J. Watson, Vere Street.
Mezzotint. 555 x 405mm (21¾ x 16"), large margins.
Three-quarter portrait of Prince William Frederick (1776-1834), Duke of Gloucester and Edinburgh, wearing long robe, sash, chain of office and St George medal.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67765] £320.00
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Late Majesty, Queen Charlotte. Engraved by Will.m Say Engraver to H.R.H. the Duke of Gloucester, 9 Mortimer Street, Cavendish Square.
London, Published Jan.y 2.nd 1826, for the Proprietor by J. Watson, Vere Street.
Mezzotint. 555 x 405mm (21¾ x 16"), large margins.
Three-quarter portrait of Prince William Frederick (1776-1834), Duke of Gloucester and Edinburgh, wearing long robe, sash, chain of office and St George medal.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67765] £320.00
![[Prince William of Gloucester] Patern-Staff.](jpegs/43267.jpg)
[Prince William of Gloucester] Patern-Staff. Weymouth, 1797.
[by James Gillray.]
Pub.d Nov.r 9th 1797 by H. Humphrey. 27 St James's Street.
Etching. 250 x 170mm (9¾ x 6¾"), with very large margins.
A rear view of a small, thin officer, wearing a bicorn hat, face obscured, believed to be William Frederick, 2nd Duke of Gloucester (1776-1834), Field Marshal. Gillray produced three satires relating to George III's summer holiday in Weymouth in 1797, when cavalry and infantry camps were erected nearby.
BM 9070.
[Ref: 43267] £160.00 (£192.00 incl.VAT)
[by James Gillray.]
Pub.d Nov.r 9th 1797 by H. Humphrey. 27 St James's Street.
Etching. 250 x 170mm (9¾ x 6¾"), with very large margins.
A rear view of a small, thin officer, wearing a bicorn hat, face obscured, believed to be William Frederick, 2nd Duke of Gloucester (1776-1834), Field Marshal. Gillray produced three satires relating to George III's summer holiday in Weymouth in 1797, when cavalry and infantry camps were erected nearby.
BM 9070.
[Ref: 43267] £160.00 (£192.00 incl.VAT)
![[Portraits of their Highnesses William Frederick, William George Frederick, & Frederica Louisa Wilhelmina, Princes and Princesses of Orange and Nassau.]](jpegs/67168.jpg)
[Portraits of their Highnesses William Frederick, William George Frederick, & Frederica Louisa Wilhelmina, Princes and Princesses of Orange and Nassau.] From a Picture in the possession of Her Royal Highness the Princess of Orange and Nassau, &c &c.
Painted by Tischbein, Portrait Painter to his Serene Highness the Prince of Waldeck &c &c &c. Engraved by J.R.Smith Mezzotinto Engraver to His Royal Highness the Prince of Wales &c &c.
London, Publish'd July 1 1790 by A.G. de Poggi.
Mezzotint, scratched letter proof before title. 530 x 650mm. Paper toned, holes repaired, margins chipped with loss. Bit messy.
The children of William V of Orange, the last Stadtholder of the Dutch Republic, with Willem Frederik and Frederica standing together, holding a letter, and William George Frederick sitting at a desk, on which is a Dutch sea atlas. A celestial globe stands behind. A scarce item. Willem Frederik proclaimed himself the first King of the Netherlands in 1815 but abdicated in 1840.
CS: 124, state ii of iii. Frankau 260; D'Oench 306. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 67168] £450.00
Painted by Tischbein, Portrait Painter to his Serene Highness the Prince of Waldeck &c &c &c. Engraved by J.R.Smith Mezzotinto Engraver to His Royal Highness the Prince of Wales &c &c.
London, Publish'd July 1 1790 by A.G. de Poggi.
Mezzotint, scratched letter proof before title. 530 x 650mm. Paper toned, holes repaired, margins chipped with loss. Bit messy.
The children of William V of Orange, the last Stadtholder of the Dutch Republic, with Willem Frederik and Frederica standing together, holding a letter, and William George Frederick sitting at a desk, on which is a Dutch sea atlas. A celestial globe stands behind. A scarce item. Willem Frederik proclaimed himself the first King of the Netherlands in 1815 but abdicated in 1840.
CS: 124, state ii of iii. Frankau 260; D'Oench 306. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 67168] £450.00
His Royal Highness Prince William Frederick.
Painted by Sir W.m Beechey R.A. Engraved by T. Hardy.
Published July 1 1802 by T. Hardy, 92 Norton Street.
Mezzotint. 500 x 355mm (19¾ x 14"). Trimmed into plate at bottom, split in platemark taped, tear reaching plate on right taped, paper toned and stained.
Three quarter portrait of Prince William Frederick, Duke of Gloucester (1776-1834), in uniform, holding a map.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66523] £280.00 (£336.00 incl.VAT)
Painted by Sir W.m Beechey R.A. Engraved by T. Hardy.
Published July 1 1802 by T. Hardy, 92 Norton Street.
Mezzotint. 500 x 355mm (19¾ x 14"). Trimmed into plate at bottom, split in platemark taped, tear reaching plate on right taped, paper toned and stained.
Three quarter portrait of Prince William Frederick, Duke of Gloucester (1776-1834), in uniform, holding a map.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66523] £280.00 (£336.00 incl.VAT)
A View of Gloucester. Duke of Gloucester.
Drawn Etch.d. by Richard Dighton, April 1821.
Pub.d. by T M.c.Lean Haymarket.
Hand coloured aquatint. Plate: 160 x 300mm (6¼ x 12").
Full length portrait in profile of Prince William Frederick, Duke of Gloucester (1776-1834), great grandson of George II. The Duke of Gloucester wears a long dark coat and holds a cane in his right hand.
[Ref: 34195] £140.00 (£168.00 incl.VAT)
Drawn Etch.d. by Richard Dighton, April 1821.
Pub.d. by T M.c.Lean Haymarket.
Hand coloured aquatint. Plate: 160 x 300mm (6¼ x 12").
Full length portrait in profile of Prince William Frederick, Duke of Gloucester (1776-1834), great grandson of George II. The Duke of Gloucester wears a long dark coat and holds a cane in his right hand.
[Ref: 34195] £140.00 (£168.00 incl.VAT)
Guillaume Le Conquerant, Roy d'Angleterre.
Tire des Antiquites du Pere Montfaucon.
A Paris chez Duflos le Jeune. [n.d. c.1780]
Engraving with hand colour. 276 x 166mm.
William the Conqueror. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1975] £50.00 (£60.00 incl.VAT)
Tire des Antiquites du Pere Montfaucon.
A Paris chez Duflos le Jeune. [n.d. c.1780]
Engraving with hand colour. 276 x 166mm.
William the Conqueror. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1975] £50.00 (£60.00 incl.VAT)
Wilhelm Koenig von Württemberg.
C. Heideloff pinx: F. Fleischmann sc:
Stuttgart, in der G. Ebnerschen Kunsthandlung. [n.d. c.1824.]
Hand-coloured stipple and etching, fine; 197 x 132mm (7¾ x 5¼").
Wilhelm I of Württemberg (1781-1864), the second King of Württemberg from 1816 until his death.
Provenance: Elizabeth Anne Hippisley of Ston Easton.
[Ref: 29450] £120.00 (£144.00 incl.VAT)
C. Heideloff pinx: F. Fleischmann sc:
Stuttgart, in der G. Ebnerschen Kunsthandlung. [n.d. c.1824.]
Hand-coloured stipple and etching, fine; 197 x 132mm (7¾ x 5¼").
Wilhelm I of Württemberg (1781-1864), the second King of Württemberg from 1816 until his death.
Provenance: Elizabeth Anne Hippisley of Ston Easton.
[Ref: 29450] £120.00 (£144.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65244.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange. Proof.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins Slight crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65244] £160.00 (£192.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins Slight crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65244] £160.00 (£192.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65245.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange. Proof.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65245] £220.00 (£264.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65245] £220.00 (£264.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65246.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Laid on canvas.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65246] £160.00 (£192.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Laid on canvas.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65246] £160.00 (£192.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65247.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Fine mezzotint, printed in brown. 355 x 235mm (14 x 9¼").
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65247] £260.00 (£312.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Fine mezzotint, printed in brown. 355 x 235mm (14 x 9¼").
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65247] £260.00 (£312.00 incl.VAT)
Gulielmus Nassavius Nat. Princeps Auriacus etc. et Maria C.I. M.B. Reg Filia primogenita Conjux. Ob Haga 1650, Ætat XXIV.
A. Vandyke pinx.
[London: George Vertue, c.1731.]
Mezzotint, ink mark of J.B. at top. 185 x 130mm (7¼ x 5"). Trimmed to plate at bottom, tear in left edge taped.
A rare and fine portrait of William II, prince of Orange, as a young child. In 1641 he married Princess Mary, daughter of Charles I of England; their son became William III of England after the Glorious Revolution of 1688.
John Barnard Lugt 1419
[Ref: 67629] £160.00 (£192.00 incl.VAT)
A. Vandyke pinx.
[London: George Vertue, c.1731.]
Mezzotint, ink mark of J.B. at top. 185 x 130mm (7¼ x 5"). Trimmed to plate at bottom, tear in left edge taped.
A rare and fine portrait of William II, prince of Orange, as a young child. In 1641 he married Princess Mary, daughter of Charles I of England; their son became William III of England after the Glorious Revolution of 1688.
John Barnard Lugt 1419
[Ref: 67629] £160.00 (£192.00 incl.VAT)
William Prince of Orange Father of King William the Third. From a Painting by Terburg in the Collection of Sir Joshua Van Neck Bar.t.
Engrav'd by Capt.n Baillie.
Publish'd Sep.r 20, 1771 [but John Boydell, c.1800].
Etching with drypoint. 280 x 250mm (11 x 9¾"), on wove paper, large margins. Paper toned and foxing.
Etching after the Dutch Golden Age painter, Gerard ter Borch (1617–81), it was painted around 1672 when the Prince visited Deventer, Netherlands. The portrait shows the Prince as a young man, depicted in riding gear and was engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A collection of Baillie's prints was issued by Boydell in 1792 and 1803; this example has a gilt fore-edge, indictating it had been bound.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68469] £160.00 (£192.00 incl.VAT)
Engrav'd by Capt.n Baillie.
Publish'd Sep.r 20, 1771 [but John Boydell, c.1800].
Etching with drypoint. 280 x 250mm (11 x 9¾"), on wove paper, large margins. Paper toned and foxing.
Etching after the Dutch Golden Age painter, Gerard ter Borch (1617–81), it was painted around 1672 when the Prince visited Deventer, Netherlands. The portrait shows the Prince as a young man, depicted in riding gear and was engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A collection of Baillie's prints was issued by Boydell in 1792 and 1803; this example has a gilt fore-edge, indictating it had been bound.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68469] £160.00 (£192.00 incl.VAT)
![[Netherlands] In his Majestys Collection, at the Royal Palace, Windsor. William II of Nassau Stadtholder of the United States of Holland.](jpegs/16056.jpg)
[Netherlands] In his Majestys Collection, at the Royal Palace, Windsor. William II of Nassau Stadtholder of the United States of Holland. Was born 1626 & died in 1650...[short biography follows.]
Gerard Hnthurst Pinxit. Josiah Boydell delint. L. Sailliar Sculpsit.
Publish'd Octr. 1st 1781 by John Boydell Engraver in Cheapside London.
Rare stipple and etching, 585 x 395mm (23 x 15½").
Impressive portrait of William II, Prince of Orange (1626 - 1650) as a boy, standing in a landscape, turned to right and looking at the viewer, holding a long sword, and wearing feathered hat and lace collar; a battalion of soldiers stands beyond to right. In 1641 William married Princess Mary, daughter of Charles I of England. In 1647 he succeeded his father, Frederick Henry, as Prince of Orange. His son became William III of England. Coat of arms below image. After Gerard van Honthorst (1590 - 1656), with dimensions of the painting given.
[Ref: 16056] £290.00 (£348.00 incl.VAT)
Gerard Hnthurst Pinxit. Josiah Boydell delint. L. Sailliar Sculpsit.
Publish'd Octr. 1st 1781 by John Boydell Engraver in Cheapside London.
Rare stipple and etching, 585 x 395mm (23 x 15½").
Impressive portrait of William II, Prince of Orange (1626 - 1650) as a boy, standing in a landscape, turned to right and looking at the viewer, holding a long sword, and wearing feathered hat and lace collar; a battalion of soldiers stands beyond to right. In 1641 William married Princess Mary, daughter of Charles I of England. In 1647 he succeeded his father, Frederick Henry, as Prince of Orange. His son became William III of England. Coat of arms below image. After Gerard van Honthorst (1590 - 1656), with dimensions of the painting given.
[Ref: 16056] £290.00 (£348.00 incl.VAT)
![[William II, Prince of Orange]](jpegs/46411.jpg)
[William II, Prince of Orange] Guilielmus Nassavius, Nat. Princeps Auriacus etc.
G. Hondthorst Pinxit. I. Suiderhoef Sculp.
P. Soutman Inven. Effigiavit et Excud. Cum Privil [n.d., c.1645]
Etching. Collector's mark bottom right; 450 x 365mm (17¾ x 14½"). Narrow margins, large repaired tear, right edge frayed. Damaged.
Head and shoulders portrait of William II, Prince of Orange (1626 - 1650) as a boy, taken from the full-length painting by Gerard van Honthorst from c.1640 now in the Royal Collection, Windsor Castle.
[Ref: 46411] £190.00 (£228.00 incl.VAT)
G. Hondthorst Pinxit. I. Suiderhoef Sculp.
P. Soutman Inven. Effigiavit et Excud. Cum Privil [n.d., c.1645]
Etching. Collector's mark bottom right; 450 x 365mm (17¾ x 14½"). Narrow margins, large repaired tear, right edge frayed. Damaged.
Head and shoulders portrait of William II, Prince of Orange (1626 - 1650) as a boy, taken from the full-length painting by Gerard van Honthorst from c.1640 now in the Royal Collection, Windsor Castle.
[Ref: 46411] £190.00 (£228.00 incl.VAT)
![[William III] Guilielmus Henricus D.G. Princeps Auriacus.](jpegs/16764.jpg)
[William III] Guilielmus Henricus D.G. Princeps Auriacus.
A. Blooteling fec.et.ex.
[n.d. c.1680s.]
Mezzotint. 100 x 70mm (4 x 2¾"). Trimmed close to the platemark and laid on separate album sheet.
Half-length portrait of William III (1650-1702) as Prince of Orange, with long hair, cravat and armour.
BM: 1874,0808.1119.
[Ref: 16764] £280.00 (£336.00 incl.VAT)
A. Blooteling fec.et.ex.
[n.d. c.1680s.]
Mezzotint. 100 x 70mm (4 x 2¾"). Trimmed close to the platemark and laid on separate album sheet.
Half-length portrait of William III (1650-1702) as Prince of Orange, with long hair, cravat and armour.
BM: 1874,0808.1119.
[Ref: 16764] £280.00 (£336.00 incl.VAT)
Gulielmus III D.G. Angliae Scotiae Franciae et Hiberniae Rex.
P.a.gunst Sculpsit et excudit.
[n.d. c.1689.]
Engraving. Plate 336 x 222mm. 13¾ x 8¾". Small tears and one crease not visible from front.
William III (1650-1702), was a sovereign Prince of Orange by birth. From 1689 he reigned as William III over England and Ireland, and as William II over Scotland.
[Ref: 17128] £230.00 (£276.00 incl.VAT)
P.a.gunst Sculpsit et excudit.
[n.d. c.1689.]
Engraving. Plate 336 x 222mm. 13¾ x 8¾". Small tears and one crease not visible from front.
William III (1650-1702), was a sovereign Prince of Orange by birth. From 1689 he reigned as William III over England and Ireland, and as William II over Scotland.
[Ref: 17128] £230.00 (£276.00 incl.VAT)
Guillaume III Roy de Angleterre.
G. Valck. Excud. Cum Previl: Ord: Holl: et West-Frisiae. [n.d., c1690.]
Fine mezzotint. Sheet 180 x 260mm (7 x 10¼"). Trimmed to image and mounted in album paper.
Full-length portrait, England's crown and sceptre on a table at his side.
[Ref: 42700] £280.00 (£336.00 incl.VAT)
G. Valck. Excud. Cum Previl: Ord: Holl: et West-Frisiae. [n.d., c1690.]
Fine mezzotint. Sheet 180 x 260mm (7 x 10¼"). Trimmed to image and mounted in album paper.
Full-length portrait, England's crown and sceptre on a table at his side.
[Ref: 42700] £280.00 (£336.00 incl.VAT)
Guillaume III.
Adr.n vander Werff pinx. Vermeulen sculpt.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving. 360 x 235mm (14¼ x 9¼"), with large margins on right. Stitch marks close to left plate mark, staining to edges; small margins on 3 sides.
Oval portrait surrounded by allegorical figures. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 44992] £160.00 (£192.00 incl.VAT)
Adr.n vander Werff pinx. Vermeulen sculpt.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving. 360 x 235mm (14¼ x 9¼"), with large margins on right. Stitch marks close to left plate mark, staining to edges; small margins on 3 sides.
Oval portrait surrounded by allegorical figures. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 44992] £160.00 (£192.00 incl.VAT)
![[William III] Guilielmus Henricus D:G: Prins van Orange &c.](jpegs/64796.jpg)
[William III] Guilielmus Henricus D:G: Prins van Orange &c.
P. Lelÿ Pinxt. A. Blooteling Fecit et ex: 1678.
Mezzotint, watermarked paper. Sheet 350 x 255mm (13¾ x 10"). Narrow margins, laid on album paper.
Half-length portrait in oval of William III (1650-1702) as Prince of Orange, with long hair, cravat and armour.
Ex: Collection of The Hon. Christopher Lennox-Boyd.Wessely 46
[Ref: 64796] £280.00 (£336.00 incl.VAT)
P. Lelÿ Pinxt. A. Blooteling Fecit et ex: 1678.
Mezzotint, watermarked paper. Sheet 350 x 255mm (13¾ x 10"). Narrow margins, laid on album paper.
Half-length portrait in oval of William III (1650-1702) as Prince of Orange, with long hair, cravat and armour.
Ex: Collection of The Hon. Christopher Lennox-Boyd.Wessely 46
[Ref: 64796] £280.00 (£336.00 incl.VAT)