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The Yorkshire Concert._Sung by Mr. Emery, at Covent Garden Theatre.
The Yorkshire Concert._Sung by Mr. Emery, at Covent Garden Theatre.
Published 12th April, 1805, by Laurie and Whittle, No.53, Fleet Street, London.
Engraving. 222 x 247mm (8¾ x 9¾").
A footman in livery stands, one hand in his coat-pocket, the other pointing behind him at country people in gala dress seated round a table on which has a punch-bowl. Three musicians play on a platform (1.). The footman, 'a Yorkshire man just come to town', describes the glories and humours of a 'rout' given by the grocer's wife, 'Madam Fig', at home. An ass brays, and a man falls into a tub. The guests sing.
BM Satires 10502.
[Ref: 52245]   £190.00   (£228.00 incl.VAT)
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Yorkshire Grand Musical Festival.
Yorkshire Grand Musical Festival.
[Illegible text.]
York Published by Hy Cave Sep.r 23 1823.
Pen lithograph, very rare; 373 x 279mm. 14¾ x 11". Laid on separate sheet.
Inside York Minister, with the grand organ and orchestra seen in the background under the great tower. The cathedral full of spectators to mark the first Yorkshire Musical Festival in 1823. Matthew Cambidge (1764-1844) succeeded his father as organist of York Minster and played an active part in the musical life of York. He organized huge music festivals given at York in 1823, 1825, and later.
[Ref: 26167]   £130.00   (£156.00 incl.VAT)
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The Yorkshire Irishman, or Adventures of a Potatoe Merchant.
The Yorkshire Irishman, or Adventures of a Potatoe Merchant. Written by Mr. G. Nicks & Sung by Mr. Emery.
Publish'd Aug.t 20 1805, by Laurie & Whittle, 53 Fleet Street, London.
Coloured etching. 200 x 260mm (8 x 10¼"). Laid on card at sides.
A song sheet: an Irishman selling potatoes in Covent Garden Market sings the story of how he came to be there. The song is from Thomas Dibdin's entertainment 'The Sphinx', performed 1797-8. John Emery (1777-1822) was a singer who was also a skilled painter: between 1801 and 1817 he exhibited 19 paintings (seascape and equestrian subjects) at the RA. Little is known of G. Nicks other than he composed songs for music halls.
BM Satires 10508.
[Ref: 64210]   £320.00  
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The Yorshire Jockey-or The Material of a Fox Hunters Head.
The Yorshire Jockey-or The Material of a Fox Hunters Head. Note *Refusing Timber, is a sporting phrase for a five bard Gale.
Williams scul.t.
[Thomas Tegg.]
Hand-coloured etching. Plate: 240 x 350mm (9½ x 13¾"), with very large margins.
A comic scene in which a horse dealer and a prospective customer discuss a horse being led around the yard by a groom.
BM Satire 12649.
[Ref: 46613]   £280.00   (£336.00 incl.VAT)
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Yorkshire Musical Festival.
Yorkshire Musical Festival. Grand Fancy Dress Ball, Friday, 26.th September, 1828. [In ink:] a Guinea.
Etched ticket. 133 x 95mm. 5¼ x 3¾".
A ticket to the grand fancy dress ball to mark the end of the third Yorkshire Musical Festival, which was held on 23rd, 24th, 25th, and 26th of September 1828. The programme consisted of a Grand Selection of Sacred Music held in York Minster.
[Ref: 22274]   £140.00   (£168.00 incl.VAT)
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Table of Computed Distances of the Towns of Yorkshire from the Metropolis, and From Each Other.
Table of Computed Distances of the Towns of Yorkshire from the Metropolis, and From Each Other. Compiled fo the History, Directory, and Gazetteer of Yorkshire. _ Published by Edward Baines, Leeds.
Leeds: Printed by Edward Baines [n.d., c.1822.]
Letterpress with wood engraved border. Sheet 430 x 530mm (17 x 21), paper watermarked 'H S 1816'. Damage, mainly to left borders but affecting text lower left corner, original folds.
The table of distance lists 74 places in Yorkshire and London. Other tables lists the stops on the mail routes from York to Edinburgh and London, the route from London to Paris via Dover, and the dates of the 'Fixed and 'Mouveable Fairs of the County and Ainsty of York'. Baines was editor of the Leeds Mercury newspaper. His 'History, Directory & Gazetteer of the County of York. With Select Lists of the Merchants & Traders of London, and the Principal Commercial and Manufacturing Towns of England, and a Variety of Other Commercial Information' was first published in 1822, with a second edition the following year.
[Ref: 60902]   £320.00  
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Eboracenis Comitatis (cuius Incolæ olim Brigantes apellabantur) pars Orientalis, vulgo East Riding.
Eboracenis Comitatis (cuius Incolæ olim Brigantes apellabantur) pars Orientalis, vulgo East Riding.
Christophorus Saxo' descrip: Gulielmus Hole sculpsit.
[London, 1610.]
Engraved map. 200 x 250mm (8 x 9¾"). With 7p. text extract from Camden's 'Britannia', within paper wrappers. Very large margins. Uncut.
A map of the East Riding of Yorkshire, engraved by William Hole after the first printed map of the county by Christopher Saxton. First published in 1607, this is an example of the first state, before a plate number was added. The text gives a short history and description of the Riding.
[Ref: 37613]   £240.00  
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Eboracenis Comitatis pars Septentrionalis, vulgo North Riding.
Eboracenis Comitatis pars Septentrionalis, vulgo North Riding.
Christophorus Saxon descrip: Gulielmus Hole sculpsit.
[London, 1610.]
Engraved map. 200 x 345mm (8 x 13½"). With 7p. text extract from Camden's 'Britannia', within stapled paper wrappers. Very large margins. Uncut.
A map of the North Riding of Yorkshire, engraved by William Hole after the first printed map of the county by Christopher Saxton. First published in 1607, this is an example of the first state, before a plate number was added. The text gives a short history and description of the Riding.
[Ref: 37614]   £240.00   view all images for this item
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A Yorkshire Mans Coat of Arms.
A Yorkshire Mans Coat of Arms.
[Published by Thomas Tegg, n.d. c.1820.] No 111 Cheapside London.
Coloured etching. 345 x 250mm (13½ x 9¾"). Hole in right edge. Repaired tear top left.
An unflattering satire on Yorkshire men: the features of the armorial include a fly, flea, magpie and a hanging gammon, with a rampant jockey on the left.
Not in BM.
[Ref: 64178]   £420.00  
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[Surrender of Cornwallis at Yorktown, Virginia, 19 October 1781]
[Surrender of Cornwallis at Yorktown, Virginia, 19 October 1781] Reddition de l'Armée du Lord Cornwallis. 8000 Anglais, soldats et matelots, investis a York en Virginie [...]
Dessiné par le Barbier Peintre du Roi Gravé par Godefroy de l'Academie Imperiale et Royale de Vienne, & c.
A Paris chez M.r Godefroy, rue des Francs-bourgeois Porte St Michel et chez Mr. Ponce Graveur de M.g le Comte d'Artois, rue Hiacinthe A.P.D.R.
Engraving, platemark 180 x 210mm (7 x 8¼"). Slight repaired damage at top. Trimmed to platemark.
The surrender of Charles Cornwallis at Yorktown, Virginia, which effectively ended the American War of Independence 1781. Cornwallis was headed north to try and link up with the Sir Henry Clinton and his army but was isolated by a large Franco-American fleet in the Siege of Yorktown.
[Ref: 40362]   £160.00   (£192.00 incl.VAT)
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You're Another!
You're Another!
Standidge & Lemon, Litho. 77. Cornhill. [n.d., c.1835.]
Lithograph. Printed area: 210 x 200mm (8¼ x 8"), with very large margins.
A comic scene showing two monkeys having a discussion.
Provenance: Edge Hill, Cheshire
[Ref: 46800]   £95.00   (£114.00 incl.VAT)
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You're another!
You're another!
Sold by J. Knight, Sweetings Alley, Cornhill. Standidge & Lemon, Litho, 77 Cornhill, London.
Pen lithograph 241 x 191mm. 9½ x 7½". Trimmed into plate at bottom.
Two monkeys arguing dressed like people.
[Ref: 16044]   £110.00   (£132.00 incl.VAT)
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Young Anglers.
Young Anglers.
Drawn & Etched by J.M.W. Turner. Engraved by R. Dunkarton.
Published June 1811 by J.M.W. Turner Queen Ann Street West.
Etching with mezzotint, 1st state. Plate: 210 x 290mm (8¼ x 11½"), with large margins.
Three boys on the bank of a stream, with fishing tackle and a watering-can; on the opposite bank another angler beside a pollard-tree and a house in the distance. It is suggested the scene is Marylebone Fields, now part of Regent's Park.
[Ref: 47750]   £320.00  
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Juvenile Companions. No. 8. The Young Anglers.
Juvenile Companions. No. 8. The Young Anglers.
W. Clerk. Lith 202, High Holborn.
Published at Hodgeson's Wholesale Print Warehouse. 111, Fleet St. [n.d., c.1840.]
Coloured lithograph. Printed area 205 x 160mm, 8 x 6¼".
A boy with a stick rod standing by a stream, his younger sibling seated behind, holding a fish.
[Ref: 24673]   £120.00   (£144.00 incl.VAT)
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The Young Anglers.
The Young Anglers.
Drawn from Nature and on Stone by the Rev.d T. Kilby. Printed by T.H. Skelton, Southampton.
[n.d., c.1850.]
Tinted lithograph on india with very large margins. Printed area 310 x 255mm (12 x 10"). Foxing.
The Reverend Thomas Kilby (1794-1868) is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 35812]   £90.00   (£108.00 incl.VAT)
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The Young Aspirant.
The Young Aspirant.
M. Gauci lith. Printed by Engelmann, and Co.
London, Published by W. Spooner No. 259, Regent Street. [n.d. c.1830.]
Lithograph, fine. 484 x 353mm. 19 x 14".
A girl holding a fan.
[Ref: 14733]   £90.00   (£108.00 incl.VAT)
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[The Young Ballad Singers]
[The Young Ballad Singers]
[Painted by J. Rising. Engraved by J. Jones Engraver Extraordinary to His R.H. the Prince of Wales & Principal Engraver to His R.H. the Duke of York.]
[London Publish'd as the Act directs June [*]179[*] by J. Jones No 75 Great Portland Street.]
Fine mezzotint. 510 x 355mm (20 x 14"), with large margins. Part of the publication line erased on plate.
Two children selling ballads on a street corner, singing the same ballads that they are offering for sale. First state published by Jones, before title added. It was later republished by Robert Cribb. Rare print after John Rising (1753-1817), portrait and subject painter and also an accomplished restorer and skilled copyist.
L.2178. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 52823]   £520.00  
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[The Young Ballad Singers]
[The Young Ballad Singers]
Painted by J. Rising. Engraved by J. Jones Engraver Extraordinary to His R.H. the Prince of Wales & Principal Engraver to His R.H. the Duke of York.
[London Publish'd as the Act directs June [*]179[*] by J. Jones No 75 Great Portland Street.]
Very fine mezzotint printed in colour, sheet 495x 380mm (19½ x 15"). Trimmed within plate losing publication line. Laid on archival paper.
Two children selling ballads on a street corner, singing the same ballads that they are offering for sale. First state published by Jones, before title added. It was later republished by Robert Cribb. Rare & very decorative print after John Rising (1753-1817), portrait and subject painter and also an accomplished restorer and skilled copyist.
L.2178.
[Ref: 66021]   £790.00  
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[A young boy with spaniel.]
[A young boy with spaniel.]
W Vaillant fec: et Exc.
[n.d., c.1670.]
Mezzotint. 290 x 345mm (11½ x 13½"). Framed. Small margins, small chip in bottom edge, slight crease. Unexamined out of frame.
A full length portrait of a young boy in the long skirts fashionable at the time, holding a stick, a dog on the table beside him. A pencil annotation on the frame suggests this is Charles II.
BM 1868,0612.1133, "young boy"; Hollstein 212.
[Ref: 62577]   £360.00  
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[Young boy's head]
[Young boy's head]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 50 x 35mm (2 x 1¼"). Large margins; good impression.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '106' added lower right to correspond with the catalogue of his prints she produced.
State ii/iii; W106; D30.
[Ref: 32911]   £120.00   (£144.00 incl.VAT)
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[A Young Man's Head]
[A Young Man's Head]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; uncut; cream laid paper; good impression.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '103' added lower right to correspond with the catalogue of his prints she produced.
State iii/iii; W100; D233.
[Ref: 32910]   £140.00   (£168.00 incl.VAT)
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[Young Couple Beneath a Tree.]
[Young Couple Beneath a Tree.]
G. Fitzgerald. Jun.r Etch.g Club.
London, Published December 1st 1861, by Day & Son, Lith. to the Queen.
Etching. Plate: 125 x 180mm (5 x 7''), with large margins.
A scene showing a young couple lying beneath a tree a city can be seen in the distance. Etched by Gerald Fitzgerald (1821-1886).
[Ref: 47965]   £45.00   (£54.00 incl.VAT)
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Mr. Carters Chesnut Horse Young Driver as Running a Heat.
Mr. Carters Chesnut Horse Young Driver as Running a Heat. 63.
[n.d. c.1760.]
Copper engraving. Plate 140 x 177mm. 5½ x 7". Uncut.
[Ref: 21714]   £75.00   (£90.00 incl.VAT)
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The Young English Squire.
The Young English Squire.
Bouvier del.t. W. Kohler lithog. 22, Denmark St., Soho.
London. Published by William Spooner, 377, Strand.
Coloured lithograph with very fine colour. Sheet 370 x 260mm (14½ x 10¼"). Some spotting.
A portrait of a hunter, with shotgun, powder flask and dog.
[Ref: 62329]   £140.00   (£168.00 incl.VAT)
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The Young Englishmen.
The Young Englishmen.
Colibert inv.t et Sculp.t [c.1790]
Stipple printed in brown, sheet 160 x 185mm (6¼ x 7¼"). Trimmed inside platemark.
Children dressed up as adults. Stipple by Nicholas Colibert. [1750-1806].
[Ref: 45697]   £140.00   (£168.00 incl.VAT)
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Habit of a Young Gentleman of Brabant, in 1588.
Habit of a Young Gentleman of Brabant, in 1588. Jeune Gentilhomme Brabancon. 146.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a man, whole-length standing, holding a lute. Brabant is in Belgium. Plate 146 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62856]   £140.00   (£168.00 incl.VAT)
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[Devotion.]
[Devotion.]
Francis S Walker pinx et sc [in pencil.]
[London, Published February 1.st 1891, by Stephen T. Gooden, 57, Pall Mall, London, S.W.]
Mezzotint, proof before all letters, with printseller's association stamp; limited 200. Plate 342 x 254mm. 13½ x 10".
A young girl with chin-length wavy blond hair, shown half-length facing front, looking up solemly, hands clasped and resting on a book open on a lectern in front of her, wearing a broad-brimmed hat tied under her chin with a bow to the right.
[Ref: 28019]   £120.00   (£144.00 incl.VAT)
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Habit of a Young Lady at Archangel in 1768.
Habit of a Young Lady at Archangel in 1768. Femme d'Arcangel. 83.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 250 x 200mm (9¾ x 8"). Large margins. Staining in the left of the upper margin and left margin.
Portrait of a young Russian lady of Archangel stepping towards the viewer. She is looking to right, gesturing with her left hand, and wearing a hat and fur coat. Plate 83 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62889]   £140.00   (£168.00 incl.VAT)
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Habit of a Young Lady in Moscow in 1768.
Habit of a Young Lady in Moscow in 1768. Fille Moscovitte dans son Habit simple. 82.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a young Russian lady directed to the left, both arms are bent, and her hands are nearly touching. She is wearing a hat and a buttoned dress. Plate 82 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62882]   £140.00   (£168.00 incl.VAT)
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Habit of a Young Lady of Argentiera, an Island in the Archipelago in 1700.
Habit of a Young Lady of Argentiera, an Island in the Archipelago in 1700. Fille de L'Argentiere Isle de l'Archipel. 48.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Sheet 345 x 240mm (13½ x 9½"). Large margins. Small colour mark on bottom right of plate. Slight staining down left margin.
A full-length portrait of a young Greek lady from the Island of Argentiera (Kimolos) in the Cycladies standing to left with her head turned and tilted to right, she is spinning wool. Plate 48 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62839]   £160.00   (£192.00 incl.VAT)
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Entrée et Conduite d'un Jeune Homme dans le Monde.
Entrée et Conduite d'un Jeune Homme dans le Monde.
a Paris chez Humblot rue St Jacques à l'Enfant Jesus 1742.
Rare etching. Sheet 245 x 320mm (9½ x 12½"). Trimmed into plate, edges worn, mounted on old card. Damaged.
An expensively-dressed young man on a fine horse is confronted by a group of riders representing the temptations of life. They are labelled: 'L'Opera'; 'Comedie Francaise'; 'Comedie Italiene'; 'M.elle Catin', a pretty woman from a French farce; 'Trippaillet Traiteur', a caterer; 'M.r Rognet Tailleur', a taylor; and 'Mad. la Resource', another figure from a farce.
[Ref: 51266]   £280.00   (£336.00 incl.VAT)
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[Portrait of a young man, so-called portrait of Rembrandt.]
[Portrait of a young man, so-called portrait of Rembrandt.]
[Thomas Worlidge.]
[n.d., c.1770.]
Etching, unlettered state on laid paper, sheet 210 x 160mm. 8¼ x 6¼". Trimmed within plate.
Bust portrait turned to right to face the viewer, a heavy round collar and chain around his neck, thick dark hair. By Thomas Worlidge Senior (1700 - 1766), probably a later state, with evidence of re-working to the sitter's face. After a painting in a private collection, probably an eighteenth century copy of a painting formerly attributed Rembrandt (1606 - 1669). Collector's stamp to verso.
[Ref: 17158]   £130.00   (£156.00 incl.VAT)
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The Young Mendicant.
The Young Mendicant.
Josiah Boydell Pinxit. Val: Green, engraver to his Majesty Fecit.
Published March 1st, 1776 by John Boydell engraver in Cheapside London.
Mezzotint with small margins. Platemark: 265 x 195mm. (10½ x 7¾"). Trimmed to platemark; rubbed. Glued to 18th century sheet with borders.
The young mendicant, a little girl, half-length in a mock oval frame, wearing a cloak and a bonnet tied under her chin, three-quarter to left, looking solemnly towards the viewer. After Josiah Boydell (1752 - 1817). Engraved by Valentine Green (1739 - 1813), one of the finest of British mezzotinters.
From the Oettingen-Wallerstein Collection. Whitman 192.
[Ref: 28426]   £160.00   (£192.00 incl.VAT)
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The Young Moralist.
The Young Moralist. So lovely, young & yet so good, How blest those Parents are, To see the seed of Virtue bud, Which they had planned there.
G. Romney pinx.t T. Nugent, sculp.t
Published 14.th Feb.y 1797, by Laurie & Whittle, 53, Fleet Street, London, Fleet Street, London.
Coloured stipple, with Collector's Mark. 235 x 178mm (9¼ x 7"). Trimmed, cut along lower edge.
A girl sitting whole-length to left on rocks, holding an open book in her left hand and looking to front with smiling expression.
Ex Collection: Earl of Bute. See Ref: 29151 for uncoloured copy, and Ref: 29152 for proof.
[Ref: 29150]   £260.00   (£312.00 incl.VAT)
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The Young Moralist.
The Young Moralist. So lovely, young & yet so good, How blest those Parents are, To see the seed of Virtue bud, Which they had planned there.
G. Romney pinx.t T. Nugent, sculp.t
Published 14.th Feb.y 1797, by Laurie & Whittle, 53, Fleet Street, London, Fleet Street, London.
Stipple, in brown ink. 240 x 202mm (9½ x 8"). Trimmed to platemark.
A girl sitting whole-length to left on rocks, holding an open book in her left hand and looking to front with smiling expression.
Ex Collection: Earl of Bute. See Ref: 29150 for coloured copy, and Ref: 29152 for proof.
[Ref: 29151]   £240.00   (£288.00 incl.VAT)
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[The Young Moralist.
[The Young Moralist. So lovely, young & yet so good, How blest those Parents are, To see the seed of Virtue bud, Which they had planned there.]
[G. Romney pinx.t T. Nugent, sculp.t,]
[Published 14.th Feb.y 1797, by Laurie & Whittle, 53, Fleet Street, London, Fleet Street, London.]
Stipple, proof before all letters. 240 x 196mm (9½ x 7¾"). Foxing, faint crease. Trimmed.
A girl sitting whole-length to left on rocks, holding an open book in her left hand and looking to front with smiling expression.
Ex Collection: Earl of Bute. See Ref: 29150 for coloured copy, and Ref: 29151 for uncoloured copy.
[Ref: 29152]   £290.00   (£348.00 incl.VAT)
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The Young Musicians
The Young Musicians From the Original Picture of the same size, Painted by Scalcken, in the Collection of John Darker Esq.r
Scalcken Pinx.t. Joh. Godfrid Haid fecit
Published by J. Boydell Engraver in Cheapside London 1764.
Mezzotint, platemark 435 x 280mm (17 x 11"). Thread margins; false margins added; creases and tear at bottom; rubbed; 'JC Smith 824' verso.
Genre subject after Dutch artist Godfried Schalken, engraved by Johann Gottfried Haid (1714-1776), one of a German family of artists. In the early 1760s Haid worked in London for the influential publisher John Boydell, engraving pictures by artists also including Rembrandt and Reynolds. He later founded a school of mezzotint engraving in Vienna. This impression from the collection of John Chaloner Smith (1827-95), author of an authoritative four-volume catalogue of British mezzotint portraits.
Le Blanc 41; Ex: collection of John Chaloner Smith, and subsequently the Late Hon. C. Lennox-Boyd.
[Ref: 34661]   £380.00  
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The Young Nurse & Quiet Child  [&]  The Angry Boy & Tired Dog.
The Young Nurse & Quiet Child [&] The Angry Boy & Tired Dog.
[G. Moreland pinxt. G. Graham sculpt.]
[London: Thomas Palser, 1813.]
Pair of stipples, trimmed to image and title. Images each c.210 x 160mm, 8¼ x 6¼".
A young girl sitting in a nursery, rocking her doll's crib in front of a fireplace, a doll's house in the left foreground. A boy in a landscape whips his dog, which cowers on the ground in front of a toy wagon which it is supposed to pull. After George Morland (1762/3 - 1804).
[Ref: 13946]   £140.00   (£168.00 incl.VAT) view all images for this item
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The Young Photographer.
The Young Photographer.
Copyright:-John G. Murdoch. 41, Castle Street, Holborn. [n.d. c.1870.]
Chromolithograph, rare. 655 x 520mm. 25¾ x 20½". Laid on board.
Inside a country cottage parlour an elderly woman sits in a chair, a young girl offers her hand up whilst holding the side of a camera, which her brother stands behind ready to take a photograph. A windmill can be seen through the open door out to the meadow and countryside; a cat sits by the woman's feet.
[Ref: 25997]   £320.00  
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The Young Politicians. 112
The Young Politicians. 112
[after Abraham Bloemaert.]
Printed for Carington Bowles, No. 69 in St Pauls Church Yard London. [n.d., c.1762.]
Mezzotint, platemark 145 x 115mm (5¾ x 4½"). Trimmed to plate. Small tear top left
Two boys consult No. 45 of 'The North Briton' (the political weekly founded in 1762 to attack the ministry of George III's Scottish favourite, Lord Bute). This issue of the magazine is particularly famous as it spawned a number of court cases and led to '45' becoming a popular slogan for liberty in the 18th century. In this issue, Wilkes criticized a speech made by George III following the Treaty of Paris which ended the Seven Years' War. After Wilkes was arrested and the paper seized, he challenged the decision and won his case. His courtroom speeches started the 'Wilkes and Liberty' cry. This print in fact derives from a 17th century composition by Abraham Bloemaert of two boys singing from a songsheet!
[Ref: 63705]   £180.00   (£216.00 incl.VAT)
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The Young Recruit.
The Young Recruit. To Sir Robert Johnson Eden Bart. of Windleston This Print is by permission respectfully dedicated in token of gratitude by his greatly obliged and very humble Servant William Cribb.
Painted By J. Thom Of Edinburgh 1814. Engraved By A. Duncan No.8 Upper Ashby Street.
London, Published May 27th. 1825 by W. Cribb 34 King Street, Covent Garden.
Etching and engraving, 395 x 460mm. 15½ x 19". Light foxing, crease through lower right corner of plate.
A genre domestic scene in the interior of a Scottish crofter's house. A young boy stands to attention in front of his father in the manner of a soldier. A terrier looks on.
[Ref: 9253]   £180.00   (£216.00 incl.VAT)
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[The Young Shepherdess.]
[The Young Shepherdess.]
[In Pencil: J. Grozer delin.]
[n.d. c.1784.]
Fine mezzotint, proof before letters. 445 x 356mm (17½ x 14").
A young shepherdess sitting on a fence within a wood, her head resting on her left hand, her crook leaning against her left shoulder; a lamb standing to nibble at leaves beside her at right, two others on the ground.
CS: 26. Hamilton: p.157: i/ii.
[Ref: 24373]   £460.00  
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[Young Shepherds]
[Young Shepherds] Le petit donneur d'avis. / Pourquoi donc effrayer la jeune Célimene? / Tu viens, dis-tu, de voir un grand Loup dans la plaine? [...]
C. Eisen Inv. P.F. Tardieu Sculp [c.1760]
A Paris chés Buldet rue de Gesvres au Grand Coeur.
Fine engraving, sheet 385 x 270mm (15 x 10½"). Trimmed to platemark; glued to album sheet at corners.
Two shepherds, one altering the other to the presence of a wolf nearby. Verses below comparing the cruelty of love to the danger posed by the wolf. Engraved after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45065]   £520.00  
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Dressing the Young Squire_who is Obstropolous.
Dressing the Young Squire_who is Obstropolous. The fine cambric cap on his head try'd to place, And keep his fat fingers from tearing the lace.
Published May 1821, by Tho.s McLean, Hay Market.
Hand-coloured aquatint. Plate: 170 x 230mm (6¾ x 9''). Marking and staining. Small margins.
A scene in a nursery showing three women trying to dress a wriggly baby.
[Ref: 50295]   £65.00   (£78.00 incl.VAT)
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[Trade Card of John Young]
[Trade Card of John Young] Jn.o Young. Engraver in Mezzotinto, To His Royal Highness The Prince of Wales, N.o7, Cockspur Street, Hay Market; Respectfully infomrs the Nobility & Gentry that he has for Sale, (besides his own Publications) a great Variety of Prints, of the finest Impressions, many of them framed in the most neat and elegant Manner...
[n.d. c.1791]
Very rare engraving 80 x 130mm (3¼ x 5"), with large margins. Some abrasions, surface dirt and foxing.
Trade card of John Young (1755–1825). Studying under John Raphael Smith, Young became a skilled mezzotint engraver, producing around eighty portraits after artists like Hoppner, Lawrence, and Zoffany, along with subject pieces after Morland and others. His best-known work is The Prize Fight between Broughton and Stevenson, after Mortimer. Appointed mezzotint engraver to the Prince of Wales in 1789, he later became Keeper of the British Institution in 1813, a role he held until his death in 1825. He also served as honorary secretary to two major artists' benevolent funds.
[Ref: 65940]   £260.00   (£312.00 incl.VAT)

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[Young Turks?]
[Young Turks?]
SB 1904.
[France?, 1904.]
Unique Ink and watercolour. Sheet 440 x 350mm (17¼ x 13¾"). Chips in edges.
Faintly satirical portraits of six Turks, all wearing traditional fezzes. One sits on an ink pot titles 'Encre de la Toute Petite Vertu' ('ink of all small vertue'). 'The First Congress of Ottoman Opposition' had been held in Paris two years earlier, at which were 47 'Young Turk' delegates, with the second three years later. These men are probably members of the opposition-in-exile, although we have been unable identify them.
[Ref: 39219]   £540.00  
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A Young British Volunteer.
A Young British Volunteer.
Publish'd Aug.1 1. 1804, by Laurie & Whittle, 53 Fleet Street, London
Stipple, sheet 250 x 205mm (9¾ x 8"). Trimmed to plate.
One of many prints of children in naval or military uniform during the Napoleonic Wars.
[Ref: 43370]   £130.00   (£156.00 incl.VAT)
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[The Young Waltonians - Stratford Mill.]
[The Young Waltonians - Stratford Mill.]
Brunet Debaines [pencil signature.]
London, Published May 25th 1883 by P. & D. Colnaghi & Co., 13 & 14 Pall Mall East.
Etching, signed by the engraver. 385 x 510mm, 15 x 20". Crease within platemark.
Alfred-Louis Brunet-Debaines (1845-1939), French painter & printmaker. From 1884 to 1897 he lived in Britain, and in 1878-9 and 1887-8 his views of London, Oxford and Edinburgh appeared in portfolio. Based on Constable's oil exhibited at the Royal Academy in 1820, titled 'Landcape', showing young anglers around Stratford Mill on the Stour, about two miles west of East Bergholt, looking south toward Gun Hill. The old papermill was replaced about 1850 by a macaroni factory!
[Ref: 10042]   £220.00   (£264.00 incl.VAT)
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The Young Waltonians.
The Young Waltonians. Dedicated to every Lover of Angling...
Painted by John Constable, R.A. Engraved by David Lucas, 27 Westbourne St.t Pimlico.
[First published 1840, but later impression.]
Mezzotint. Sheet 380 x 490mm (15 x 19¼"). Trimmed within plate, losing part of dedication and publication line? Repaired tear in top edge, top left corner cracked.
Engraved after John Constable's painting, 'Stratford Mill', one of a series of works by Constable depicting scenes on the River Stour in Suffolk. After Constable's death, the painting acquired its now more familiar title, 'The Young Waltonians', a reference to Izaak Walton, author of 'The Compleat Angler'.
Ref: Shirley 38 II of II
[Ref: 60936]   £85.00   (£102.00 incl.VAT)
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[The Young Waltonians.]
[The Young Waltonians.]
[Painted by John Constable, R.A. Engraved by David Lucas, 27 Westbourne St.t Pimlico.]
[n.d., c.1840.]
Mezzotint on chine collé, proof before letters. 450 x 510mm (17¾ x 20") very large margins. Some spotting.
Engraved after John Constable's painting, 'Stratford Mill', one of a series of works by Constable depicting scenes on the River Stour in Suffolk. After Constable's death in 1837, the painting acquired its now more familiar title, 'The Young Waltonians', a reference to Izaak Walton, author of 'The Compleat Angler'.
Shirley 38 I of II. Provenance: Ex Collection Hon. C Lennox-Boyd.
[Ref: 60938]   £480.00  
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