A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Benjamin West Esq.r President of the Royal Academy and Historical Painter to his Majesty.
Benj.m West Esq.r P.R.A. Pinx.t T. Holloway sculp.t
Published as the Act directs, by Tho.s Holloway, & the other Proprietors, April 25. 1798.
Engraving and etching. Plate 299 x 241mm. 11¾ x 9½". Slight printers crease.
Engraving after a self-portrait by Benjamin West; half-length seated slightly to right, looking to front, wearing short wig, plain coat with bright buttons and frill; curtain behind, pulled back to reveal Somerset House beyond at the right. The print was published as an illustration to the first English edition of Johann Caspar Lavater's 'Physiognomische Fragmente', Vol III, pl. 171, between pp.150-51. Benjamin West (1738-1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy in London, serving from 1792 to 1805 and again from 1806 until his death.
Ex Collection: R. Hobson of Hove.
[Ref: 25512] £220.00 (£264.00 incl.VAT)
Benj.m West Esq.r P.R.A. Pinx.t T. Holloway sculp.t
Published as the Act directs, by Tho.s Holloway, & the other Proprietors, April 25. 1798.
Engraving and etching. Plate 299 x 241mm. 11¾ x 9½". Slight printers crease.
Engraving after a self-portrait by Benjamin West; half-length seated slightly to right, looking to front, wearing short wig, plain coat with bright buttons and frill; curtain behind, pulled back to reveal Somerset House beyond at the right. The print was published as an illustration to the first English edition of Johann Caspar Lavater's 'Physiognomische Fragmente', Vol III, pl. 171, between pp.150-51. Benjamin West (1738-1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy in London, serving from 1792 to 1805 and again from 1806 until his death.
Ex Collection: R. Hobson of Hove.
[Ref: 25512] £220.00 (£264.00 incl.VAT)
B. West. Hist.ae Pictor.
P. Falconet del. 1768. D.P.Pariset Sculp.
Stipple. 178 x 127mm (7 x 5"). Cut.
Benjamin West (1738-1820), the American history painter born in Pennsylvania. In 1760 he went to Rome and was in London by 1763 where he remained and became President of the Royal Academy.
[Ref: 34760] £120.00 (£144.00 incl.VAT)
P. Falconet del. 1768. D.P.Pariset Sculp.
Stipple. 178 x 127mm (7 x 5"). Cut.
Benjamin West (1738-1820), the American history painter born in Pennsylvania. In 1760 he went to Rome and was in London by 1763 where he remained and became President of the Royal Academy.
[Ref: 34760] £120.00 (£144.00 incl.VAT)
Benjamin West, Esq.r President of the Royal Academy in London: Dedicated to the Directors of the British Institution by their ob. Serv.t William Johnstone White
W.J. Newton Pinx.t. C. Heath Sc.t
Published Jan.y 1st 1818 by W.J. White 14 Brownlow Street, Holborn, London
Engraving on india with large margins, platemark 380 x 290mm (15 x 11½").
Benjamin West (1738-1820) American painter of historical scenes, with Windsor Castle in the distance. In 1760 he became the first American painter to travel to Italy, spending three years there. West met George III's librarian Joseph Dalton in 1762, who gave him a royal commission to paint the lovers Cymon and Iphigenia. It was partly due to Dalton's encouragement that West arrived in London, where he was to spend the rest of his career. In 1768 West played an instrumental role with the king in obtaining patronage for a Royal Academy of Arts, joining other charter members in helping to elect Reynolds as its first president. Eventually, despite his American origins, West became historical painter to the king in 1772, surveyor of the king's pictures in 1791, and second president of the Royal Academy in 1792, after Reynolds's death.
[Ref: 36519] £140.00 (£168.00 incl.VAT)
W.J. Newton Pinx.t. C. Heath Sc.t
Published Jan.y 1st 1818 by W.J. White 14 Brownlow Street, Holborn, London
Engraving on india with large margins, platemark 380 x 290mm (15 x 11½").
Benjamin West (1738-1820) American painter of historical scenes, with Windsor Castle in the distance. In 1760 he became the first American painter to travel to Italy, spending three years there. West met George III's librarian Joseph Dalton in 1762, who gave him a royal commission to paint the lovers Cymon and Iphigenia. It was partly due to Dalton's encouragement that West arrived in London, where he was to spend the rest of his career. In 1768 West played an instrumental role with the king in obtaining patronage for a Royal Academy of Arts, joining other charter members in helping to elect Reynolds as its first president. Eventually, despite his American origins, West became historical painter to the king in 1772, surveyor of the king's pictures in 1791, and second president of the Royal Academy in 1792, after Reynolds's death.
[Ref: 36519] £140.00 (£168.00 incl.VAT)
To his Royal Highness The Prince Regent, Patron. The Governors and Members of the British Institution for Promoting the Fine Arts. The Portrait of Benjamin West, P.R.A. Is most respectfully Dedicated by their odedient humble servant Jame Fittler.
Engraved by J. Fittler A.R.A. from a Picture Painted by G.H. Harlow.
Publish'd as the Act Directs April 8 1817 by J. Fittler Upper Charlotte Street London.
Engraving. 380 x 520mm. Tears in margin c.1cm into plate, outside india.
American painter [1738 - 1820] who worked in England. Under the portrait is a vignette frieze: Pensylvania Nathus OC.X. MDCCXXXVIII.
[Ref: 3030] £230.00 (£276.00 incl.VAT)
Engraved by J. Fittler A.R.A. from a Picture Painted by G.H. Harlow.
Publish'd as the Act Directs April 8 1817 by J. Fittler Upper Charlotte Street London.
Engraving. 380 x 520mm. Tears in margin c.1cm into plate, outside india.
American painter [1738 - 1820] who worked in England. Under the portrait is a vignette frieze: Pensylvania Nathus OC.X. MDCCXXXVIII.
[Ref: 3030] £230.00 (£276.00 incl.VAT)
Benjamin West, Esq.r President of the Royal Academy.
Engraved by H. Meyer, from an original Picture by T. Lawrence, Esq. R.A. For the fourteenth Number of the British Gallery of Contemporary Portraits.
Published April 13. 1813, by T. Cadell & W. Davies, Strand, London.
Very fine stipple engraving, plate 375 x 320mm (14¾ x 12½"), with very large margins.
Benjamin West (1738-1820) American painter of historical scenes. In 1760 he became the first American painter to travel to Italy, spending three years there. West met George III's librarian Joseph Dalton in 1762, who gave him a royal commission to paint the lovers Cymon and Iphigenia. It was partly due to Dalton's encouragement that West arrived in London, where he was to spend the rest of his career. In 1768 West played an instrumental role with the king in obtaining patronage for a Royal Academy of Arts, joining other charter members in helping to elect Reynolds as its first president. Eventually, despite his American origins, West became historical painter to the king in 1772, surveyor of the king's pictures in 1791, and second president of the Royal Academy in 1792, after Reynolds's death.
[Ref: 63019] £260.00 (£312.00 incl.VAT)
Engraved by H. Meyer, from an original Picture by T. Lawrence, Esq. R.A. For the fourteenth Number of the British Gallery of Contemporary Portraits.
Published April 13. 1813, by T. Cadell & W. Davies, Strand, London.
Very fine stipple engraving, plate 375 x 320mm (14¾ x 12½"), with very large margins.
Benjamin West (1738-1820) American painter of historical scenes. In 1760 he became the first American painter to travel to Italy, spending three years there. West met George III's librarian Joseph Dalton in 1762, who gave him a royal commission to paint the lovers Cymon and Iphigenia. It was partly due to Dalton's encouragement that West arrived in London, where he was to spend the rest of his career. In 1768 West played an instrumental role with the king in obtaining patronage for a Royal Academy of Arts, joining other charter members in helping to elect Reynolds as its first president. Eventually, despite his American origins, West became historical painter to the king in 1772, surveyor of the king's pictures in 1791, and second president of the Royal Academy in 1792, after Reynolds's death.
[Ref: 63019] £260.00 (£312.00 incl.VAT)
Mr. West and Family. To her Imperial Majesty of all the Russia's; This Plate is respectfully Dedicated by her most Dutiful and Obedient humble Servants M.B.
Painted by Benj.n West Historical Painter to his Majesty. Engraved by Bover.
London Printed for Robert Sayer. Fleet Street.
Rare engraving. Plate: 250 x 290mm (9¾ x 11½''), with large margins. Creasing.
A scene in a room where the artist Benjamin West stands behind the chairs of his father and brother-in-law, on a chair on the right sits West's wife Elizabeth holding their young son, their elder son stands to the side.
[Ref: 49903] £280.00 (£336.00 incl.VAT)
Painted by Benj.n West Historical Painter to his Majesty. Engraved by Bover.
London Printed for Robert Sayer. Fleet Street.
Rare engraving. Plate: 250 x 290mm (9¾ x 11½''), with large margins. Creasing.
A scene in a room where the artist Benjamin West stands behind the chairs of his father and brother-in-law, on a chair on the right sits West's wife Elizabeth holding their young son, their elder son stands to the side.
[Ref: 49903] £280.00 (£336.00 incl.VAT)
Benjamin West Esq.r President of the Royal Academy and Historical Painter to His Majesty. From a Miniature of the same size in his Possession.
A.Robertson Pinx.t. G. Dawe Sculp.t
Published May 10 1804. by A. Robertson No 16 Cecil Street, Strand.
Mezzotint with large margins and collector's mark, 245 x 340mm 9½ x 1`3½inches.
CS: 13 I of II. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14760] £260.00 (£312.00 incl.VAT)
A.Robertson Pinx.t. G. Dawe Sculp.t
Published May 10 1804. by A. Robertson No 16 Cecil Street, Strand.
Mezzotint with large margins and collector's mark, 245 x 340mm 9½ x 1`3½inches.
CS: 13 I of II. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14760] £260.00 (£312.00 incl.VAT)
Iohn West. Earl of Delawar From an Original Drawing in the Collection of R. Bull Esqr.
Pubd. July 12 1800, by S. Harding. 127 Pall Mall.
Stipple engraving with etching, 190 x 140mm. Laid on album papge.
John West, first Earl De La Warr (1693 - 1766). In shooting dress with pointer by his side.
[Ref: 7398] £65.00 (£78.00 incl.VAT)
Pubd. July 12 1800, by S. Harding. 127 Pall Mall.
Stipple engraving with etching, 190 x 140mm. Laid on album papge.
John West, first Earl De La Warr (1693 - 1766). In shooting dress with pointer by his side.
[Ref: 7398] £65.00 (£78.00 incl.VAT)
Joseph West of Welbourn Yorkshire.
Painted, Engraved & Published Jany 1. 1798 by S.W. Reynolds, Malton, Yorkshire.
Mezzotint, 325 x 225mm. 12¾ x 9".
Joseph West of Welbourne, physician, in an armchair behind a table with papers, inkstand and pen, and small bottle. He holds spectacles in his right hand. Small vignette on the theme of the Good Samaritan in a roundel below portrait. After Samuel William Reynolds I (c.1774 - 1835), a rare portrait.
Whitman: 294 only state. Not in Wellcome.
[Ref: 12445] £260.00 (£312.00 incl.VAT)
Painted, Engraved & Published Jany 1. 1798 by S.W. Reynolds, Malton, Yorkshire.
Mezzotint, 325 x 225mm. 12¾ x 9".
Joseph West of Welbourne, physician, in an armchair behind a table with papers, inkstand and pen, and small bottle. He holds spectacles in his right hand. Small vignette on the theme of the Good Samaritan in a roundel below portrait. After Samuel William Reynolds I (c.1774 - 1835), a rare portrait.
Whitman: 294 only state. Not in Wellcome.
[Ref: 12445] £260.00 (£312.00 incl.VAT)
![La Séparation douloureuse. [&] La Visite du Pasteur.](jpegs/30041.jpg)
La Séparation douloureuse. [&] La Visite du Pasteur.
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
A pair of stipples printed in colour with small margins. Plate 387 x 427mm (15¼ x 16¾"). Some repairs.
Women weeping and upset as the young and older man set off on their travels; three goats in the foreground. [&] A visit from the pastor: three women with children outside a cottage are greeted by the minister; a church seen in the background, and a young man seen hiding inside the cottage.
[Ref: 30041] £420.00 view all images for this item
A. Westall pinx.t A.e Cardon sculp.t
Publié à Paris en Juin 1807. Chez Bance ainé, rue St. Denis.
A pair of stipples printed in colour with small margins. Plate 387 x 427mm (15¼ x 16¾"). Some repairs.
Women weeping and upset as the young and older man set off on their travels; three goats in the foreground. [&] A visit from the pastor: three women with children outside a cottage are greeted by the minister; a church seen in the background, and a young man seen hiding inside the cottage.
[Ref: 30041] £420.00 view all images for this item
Westbourne Farm, Middx. The residence of Mrs. Siddons.
Drawn by P. Galindo Esq. Engraved by I. Hassell.
[n.d., c.1820.]
Aquatint. Sheet size: 165 x 210mm (6½ x 8¼").
A view of the grounds and house at Westbourne Farm, Middlesex, occupied by Mrs. Siddons, the great actress, from 1805-1817, and by comedians Charles James Mathews and Mrs. Mathews (Madame Vestris) from 1845-1848. It was located where the Westway, Harrow Road and the Regent's Canal now converge.
[Ref: 39364] £130.00 (£156.00 incl.VAT)
Drawn by P. Galindo Esq. Engraved by I. Hassell.
[n.d., c.1820.]
Aquatint. Sheet size: 165 x 210mm (6½ x 8¼").
A view of the grounds and house at Westbourne Farm, Middlesex, occupied by Mrs. Siddons, the great actress, from 1805-1817, and by comedians Charles James Mathews and Mrs. Mathews (Madame Vestris) from 1845-1848. It was located where the Westway, Harrow Road and the Regent's Canal now converge.
[Ref: 39364] £130.00 (£156.00 incl.VAT)
Western Australia.
Alex. J. Scalley Del.
The Picturesque Atlas Publishing Company, Limited, Sydney & Melbourne. [n.d., 1886-8.]
Colour-printed wood engraving (chromoxylograph). Printed area 610 x 370mm (24 x 14½"). Centre fold as issued. Large margins.
A map of Western Australia, divided into districts and with an inset of Perth. On the reverse is an index and a vignette wood engraving of two men sawing a log. It was published in the 'Picturesque Atlas of Australasia, a periodical issued between 1886-88, timed for the celebration of the centenary of the arrival of the First Fleet in 1888. This was the largest publication project attempted in the Australian colonies, with 50,000 subscribers, roughly 1.3 of the population.
Codell: Imperial Co-histories, p. 219-220.
[Ref: 39131] £140.00
Alex. J. Scalley Del.
The Picturesque Atlas Publishing Company, Limited, Sydney & Melbourne. [n.d., 1886-8.]
Colour-printed wood engraving (chromoxylograph). Printed area 610 x 370mm (24 x 14½"). Centre fold as issued. Large margins.
A map of Western Australia, divided into districts and with an inset of Perth. On the reverse is an index and a vignette wood engraving of two men sawing a log. It was published in the 'Picturesque Atlas of Australasia, a periodical issued between 1886-88, timed for the celebration of the centenary of the arrival of the First Fleet in 1888. This was the largest publication project attempted in the Australian colonies, with 50,000 subscribers, roughly 1.3 of the population.
Codell: Imperial Co-histories, p. 219-220.
[Ref: 39131] £140.00
Western Exchange, Old Bond Street, For the Encouragement of British Manufacturers, Artists and Dealers, and for Receiving general Property for Sale on Commission. Established Jan.y 1.st 1817.
G. Smith Del.t.
[Published April 5.th 1817 by G. Smith, Western Exchange, Old Bond Street, London.]
Scarce etching, working proof before aquatint and publication line. Sheet 295 x 400mm (11½ x 15¾"). Trimmed into image, tears taped.
The interior of the Western Exchange (also known as the Bond Street Bazaar) which occupied a passage between between Nº 10 Old Bond Street to the back of No 14 in what later became the Burlington Arcade. It was destroyed by fire in 1836.
[Ref: 64315] £280.00 (£336.00 incl.VAT)
G. Smith Del.t.
[Published April 5.th 1817 by G. Smith, Western Exchange, Old Bond Street, London.]
Scarce etching, working proof before aquatint and publication line. Sheet 295 x 400mm (11½ x 15¾"). Trimmed into image, tears taped.
The interior of the Western Exchange (also known as the Bond Street Bazaar) which occupied a passage between between Nº 10 Old Bond Street to the back of No 14 in what later became the Burlington Arcade. It was destroyed by fire in 1836.
[Ref: 64315] £280.00 (£336.00 incl.VAT)
Charles Callis Western Esq.re. M.P. for the County of Essex. 1830.
Drawn on Stone by R.J. Lane A.R.A. from a Miniature by F. Ford.
Printed by C. Hullmandel.
Lithograph on india, title on backing paper. Printed area 230 x 145mm (9 x 5¾").
Charles Callis Western (1767-1844), Baron Western, MP for Essex.
[Ref: 50671] £140.00 (£168.00 incl.VAT)
Drawn on Stone by R.J. Lane A.R.A. from a Miniature by F. Ford.
Printed by C. Hullmandel.
Lithograph on india, title on backing paper. Printed area 230 x 145mm (9 x 5¾").
Charles Callis Western (1767-1844), Baron Western, MP for Essex.
[Ref: 50671] £140.00 (£168.00 incl.VAT)
Sophia Western.
Published Oct.r 1. 1790 by J. Read, Coventry Court, Hay Market.
Rare stipple. 255 x 200mm (10 x 8"). Two repaired tears entering unprinted part of plate, stains near inscription and narrow margins.
A rare oval portrait of Sophia Western, the love interest in Henry Fieldings's novel 'Tom Jones', seated at a table, letter in hand.
[Ref: 54179] £140.00 (£168.00 incl.VAT)
Published Oct.r 1. 1790 by J. Read, Coventry Court, Hay Market.
Rare stipple. 255 x 200mm (10 x 8"). Two repaired tears entering unprinted part of plate, stains near inscription and narrow margins.
A rare oval portrait of Sophia Western, the love interest in Henry Fieldings's novel 'Tom Jones', seated at a table, letter in hand.
[Ref: 54179] £140.00 (£168.00 incl.VAT)
Sophia Western.
Painted by J. Hoppner. J.B. Martin Sculp.
[n.d., c.1785.]
Stipple with large margins, printed in brown. 200 x 125mm (8 x 5"). Repaired tear in margin. Rare
An oval portrait of Sophia Western, the love interest in Henry Fielding's novel 'Tom Jones'.
[Ref: 31886] £140.00 (£168.00 incl.VAT)
Painted by J. Hoppner. J.B. Martin Sculp.
[n.d., c.1785.]
Stipple with large margins, printed in brown. 200 x 125mm (8 x 5"). Repaired tear in margin. Rare
An oval portrait of Sophia Western, the love interest in Henry Fielding's novel 'Tom Jones'.
[Ref: 31886] £140.00 (£168.00 incl.VAT)
![T. B. Western [facsimile signature.]](jpegs/57867.jpg)
T. B. Western [facsimile signature.]
T. H. Maguire. 1851. [etched in plate]
M & N Hanhart Imp.t.
Lithograph on octagonal chine collé. Sheet: 560 x 425mm (22 x 16¾"), very large margins. Ipswich Museum crest stamp. Some foxing and toning along the right edge.
A three-quarter length seated portrait of Sir Thomas Burch Western (1795-1873), looking away from the viewer to the left. Western was an English Liberal Party politician and represented the North division of Essex as an MP.
W3166-1
[Ref: 57867] £75.00 (£90.00 incl.VAT)
T. H. Maguire. 1851. [etched in plate]
M & N Hanhart Imp.t.
Lithograph on octagonal chine collé. Sheet: 560 x 425mm (22 x 16¾"), very large margins. Ipswich Museum crest stamp. Some foxing and toning along the right edge.
A three-quarter length seated portrait of Sir Thomas Burch Western (1795-1873), looking away from the viewer to the left. Western was an English Liberal Party politician and represented the North division of Essex as an MP.
W3166-1
[Ref: 57867] £75.00 (£90.00 incl.VAT)
![[Westie.]](jpegs/9711.jpg)
[Westie.]
Henry Wilkinson.
Etching signed by the aritist. 165 x 222mm (6½" x 8¾"). Limited edition 4/150.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9711] £190.00 (£228.00 incl.VAT)
Henry Wilkinson.
Etching signed by the aritist. 165 x 222mm (6½" x 8¾"). Limited edition 4/150.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9711] £190.00 (£228.00 incl.VAT)
![Westminster [pencil.]](jpegs/49231.jpg)
Westminster [pencil.] Original Aquatint by G.R. Hildyard. Engraved and Printed in Colour by the Artist. (Limited Edition)
G.R. Hildyard [pencil.]
[n.d., c.1930.]
Aquatint, printed in colour, signed by the artist. 145 x 190mm (5¾ x7½"). Mint.
A misty view of the riverside at Westminster, including Big Ben's clock tower.
[Ref: 49231] £75.00 (£90.00 incl.VAT)
G.R. Hildyard [pencil.]
[n.d., c.1930.]
Aquatint, printed in colour, signed by the artist. 145 x 190mm (5¾ x7½"). Mint.
A misty view of the riverside at Westminster, including Big Ben's clock tower.
[Ref: 49231] £75.00 (£90.00 incl.VAT)
![[Westminster Abbey.]](jpegs/51006.jpg)
[Westminster Abbey.]
Drawn Etch'd & Published by J.Taylor 48 Belvedere Place.
Rare hand-coloured etching. Sheet: 210 x 330mm (8¼ x 13''). Trimmed within plate, title missing.
A scene outside Westminster Abbey showing a crowd gathered around a man standing on a stool ringing a bell, behind them three masters of Westminster school stand in conversation.
[Ref: 51006] £260.00 (£312.00 incl.VAT)
Drawn Etch'd & Published by J.Taylor 48 Belvedere Place.
Rare hand-coloured etching. Sheet: 210 x 330mm (8¼ x 13''). Trimmed within plate, title missing.
A scene outside Westminster Abbey showing a crowd gathered around a man standing on a stool ringing a bell, behind them three masters of Westminster school stand in conversation.
[Ref: 51006] £260.00 (£312.00 incl.VAT)
![Westminster [pencil].](jpegs/31771.jpg)
Westminster [pencil].
Frank Harding [signed in pencil].
[n.d. c.1940.]
Etching with very large margins. 160 x 335mm (6¼ x 13¼"), on J. Whatman hand-made paper. Glue stains on reverse at edges of margins.
View upstream along the Thames towards Westminster, with the Houses of Parliament, Westminster Abbey and Westminster Bridge.
[Ref: 31771] £320.00
Frank Harding [signed in pencil].
[n.d. c.1940.]
Etching with very large margins. 160 x 335mm (6¼ x 13¼"), on J. Whatman hand-made paper. Glue stains on reverse at edges of margins.
View upstream along the Thames towards Westminster, with the Houses of Parliament, Westminster Abbey and Westminster Bridge.
[Ref: 31771] £320.00
![[Westminster sheet from Buck's panorama of London]](jpegs/63937.jpg)
[Westminster sheet from Buck's panorama of London]
This drawing, taken (from M,,r Scheve's Sugar House, opposite to York House) & Engraved by S. & N. Buck, is publish'd according to Act of Parliam.t Sep 11.th 1749. N,,º 1. Garden Court, Middle Temple, London.
Engraving. Sheet 310 x 655mm (12¼ x 25¾"). Trimmed witin plate, into image on right, to printed border on left, creases, laid on album paper.
The left sheet from a five-plate prospect of London, showing Westminster Bridge nearing completion, the Houses of Parliament and Westminster Abbey. The complete prospect extens to the Tower of London.
[Ref: 63937] £380.00
This drawing, taken (from M,,r Scheve's Sugar House, opposite to York House) & Engraved by S. & N. Buck, is publish'd according to Act of Parliam.t Sep 11.th 1749. N,,º 1. Garden Court, Middle Temple, London.
Engraving. Sheet 310 x 655mm (12¼ x 25¾"). Trimmed witin plate, into image on right, to printed border on left, creases, laid on album paper.
The left sheet from a five-plate prospect of London, showing Westminster Bridge nearing completion, the Houses of Parliament and Westminster Abbey. The complete prospect extens to the Tower of London.
[Ref: 63937] £380.00
Westminster.
Claude H. Rowbotham [signed in pencil].
[n.d., c.1900.]
Etching, printed in colour with some hand colour. Plate: 225 x 150mm, (9 x 6"), with good margins. Damage in bottom right corner.
A view of the Houses of Parliament from the Southbank. Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent.
[Ref: 40061] £130.00 (£156.00 incl.VAT)
Claude H. Rowbotham [signed in pencil].
[n.d., c.1900.]
Etching, printed in colour with some hand colour. Plate: 225 x 150mm, (9 x 6"), with good margins. Damage in bottom right corner.
A view of the Houses of Parliament from the Southbank. Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent.
[Ref: 40061] £130.00 (£156.00 incl.VAT)
Westminster.
Claude H. Rowbotham (Signed in pencil)
[n.d., c.1900]
Etching and aquatint printed in colours, 228 x 155mm.
Depicts the Houses of Parliament from the Southbank. Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 27236] £240.00 (£288.00 incl.VAT)
Claude H. Rowbotham (Signed in pencil)
[n.d., c.1900]
Etching and aquatint printed in colours, 228 x 155mm.
Depicts the Houses of Parliament from the Southbank. Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 27236] £240.00 (£288.00 incl.VAT)
A New and Accurate Plan of the City of Westminster The Dutchy of Lancaster and Placed Adjacent.
B. Cole Sculpsit.
[1756.]
Hand-coloured engraved map. Plate: 240 x 375mm (9½ x 14¾''). Marking.
A map of Westminster which shows street names, notable buildings and outer lying villages such as Marylebone, Tottenham Court.
[Ref: 48576] £95.00
B. Cole Sculpsit.
[1756.]
Hand-coloured engraved map. Plate: 240 x 375mm (9½ x 14¾''). Marking.
A map of Westminster which shows street names, notable buildings and outer lying villages such as Marylebone, Tottenham Court.
[Ref: 48576] £95.00
View of the Projected Improvements in Westminster To the right hon.ble The Speaker of the House of Commons & the select Committee for the Westminster Improvements This is dedicated by their obliged Servant William Bardwell.
Directed by Rigby Wason Esq.r MP. T. Allom lithog. Designed by W. Bardwell, Architect, 13 Park S.t Westminster.
Printed by C. Hullmandel. Published Aug.st 21.st 1832 by M.rs Porter, Stationer to His Majesty Pall Mall.
Very rare & scarce lithograph. 365 x 465mm (14½ x 18¼"). Laid on board. Central crease and staining in the corners.
A birdseye view of Westminster, with St. Jame's Park, Buckingham Palace and Green park in the upper right background.
[Ref: 56541] £380.00
Directed by Rigby Wason Esq.r MP. T. Allom lithog. Designed by W. Bardwell, Architect, 13 Park S.t Westminster.
Printed by C. Hullmandel. Published Aug.st 21.st 1832 by M.rs Porter, Stationer to His Majesty Pall Mall.
Very rare & scarce lithograph. 365 x 465mm (14½ x 18¼"). Laid on board. Central crease and staining in the corners.
A birdseye view of Westminster, with St. Jame's Park, Buckingham Palace and Green park in the upper right background.
[Ref: 56541] £380.00
Westminster Hall and Abbey, as seen from Westminster Bridge.
J. Gendall Del.t. D. Havell sculp.t.
London, Published Jan.y 1, 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Rare & fine aquatint, printed in colours and hand finished. Framed, visible area 405 x 510mm (16 x 20"). Repaired tear in top edge, unexamined out of frame.
A view of Westminster before the fire of 1834 and construction of the current Houses of Parliament. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57366] £1,230.00
J. Gendall Del.t. D. Havell sculp.t.
London, Published Jan.y 1, 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Rare & fine aquatint, printed in colours and hand finished. Framed, visible area 405 x 510mm (16 x 20"). Repaired tear in top edge, unexamined out of frame.
A view of Westminster before the fire of 1834 and construction of the current Houses of Parliament. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57366] £1,230.00
The South East Prospect of Westminster, from Somerset House to Westminster Bridge. Veue de Westminster vers le Sud East...
Drawn by T.B. & TM. T.Bowles sculp.
London Printed for Bowles & Carver, 69 S.t Pauls Church Yard & Robert Wilkinson in Cornhill. [n.d., c.1800.]
Framed engraving with fine hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Small tear in plate at top, just touching the image. Unexamined out of frame.
A view of Westminster from the east, with Somerset House on the right.
[Ref: 61273] £320.00
Drawn by T.B. & TM. T.Bowles sculp.
London Printed for Bowles & Carver, 69 S.t Pauls Church Yard & Robert Wilkinson in Cornhill. [n.d., c.1800.]
Framed engraving with fine hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Small tear in plate at top, just touching the image. Unexamined out of frame.
A view of Westminster from the east, with Somerset House on the right.
[Ref: 61273] £320.00
Westminster from Waterloo Bridge.
[Drawn by Thomas Shotter Boys.]
[London, T.S. Boys, 1842.]
Very fine and rare hand-coloured lithograph from the First Issue. 175 x 460mm, 6¾ x 18". Trimmed and laid on card, as issued.
View of Westminster from Waterloo Bridge with empty barges in the foreground. To the left are Walker's Shot Manufactory and Red Lion Brewery in Belvedere Road, Lambeth. Westminster Abbey stands out on the horizon. Published in the first issue of Thomas Shotter Boys's 'Original Views of London As It Is', .
Abbey 239, "A book of considerable importance".
[Ref: 16582] £520.00
[Drawn by Thomas Shotter Boys.]
[London, T.S. Boys, 1842.]
Very fine and rare hand-coloured lithograph from the First Issue. 175 x 460mm, 6¾ x 18". Trimmed and laid on card, as issued.
View of Westminster from Waterloo Bridge with empty barges in the foreground. To the left are Walker's Shot Manufactory and Red Lion Brewery in Belvedere Road, Lambeth. Westminster Abbey stands out on the horizon. Published in the first issue of Thomas Shotter Boys's 'Original Views of London As It Is', .
Abbey 239, "A book of considerable importance".
[Ref: 16582] £520.00
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North side of the Palace of Westminster, Clock Tower, New Palace Yard, Westminster Hall.
Walter W. Burgess. R.E. Del et Sc: Signed in pencil below the image.
Copyright by Frederick Keppel New York Paris and London. [n.d. c.1900]
Etching and drypoint printed in brown ink on chine collé. 810 x 565mm 32 x 22 inches.
Born 1846, Burgess was an etcher, engraver, bookplate illustrator and architect, active in London 1874-1908. One of the finest etchers of the old tradition, influenced by Seymour Haden and represented in the Victoria & Albert Museum, British Museum. He exhibited at the Royal Academy. This unusally large scene is combining his talent for both landscape and architecture.
[Ref: 13729] £490.00
Walter W. Burgess. R.E. Del et Sc: Signed in pencil below the image.
Copyright by Frederick Keppel New York Paris and London. [n.d. c.1900]
Etching and drypoint printed in brown ink on chine collé. 810 x 565mm 32 x 22 inches.
Born 1846, Burgess was an etcher, engraver, bookplate illustrator and architect, active in London 1874-1908. One of the finest etchers of the old tradition, influenced by Seymour Haden and represented in the Victoria & Albert Museum, British Museum. He exhibited at the Royal Academy. This unusally large scene is combining his talent for both landscape and architecture.
[Ref: 13729] £490.00
Westminster from Waterloo Bridge.
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Tinted lithograph. 175 x 460mm (6¾ x 18"), very large margins.
View of Westminster from Waterloo Bridge with empty barges in the foreground. To the left are Walker's Shot Manufactory and Red Lion Brewery in Belvedere Road, Lambeth. Westminster Abbey stands out on the horizon. Published in Thomas Shotter Boys's 'Original Views of London As It Is', .
Abbey 239, "A book of considerable importance".
[Ref: 39694] £300.00
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Tinted lithograph. 175 x 460mm (6¾ x 18"), very large margins.
View of Westminster from Waterloo Bridge with empty barges in the foreground. To the left are Walker's Shot Manufactory and Red Lion Brewery in Belvedere Road, Lambeth. Westminster Abbey stands out on the horizon. Published in Thomas Shotter Boys's 'Original Views of London As It Is', .
Abbey 239, "A book of considerable importance".
[Ref: 39694] £300.00
![Westminster [in pencil lower right.]](jpegs/8930.jpg)
Westminster [in pencil lower right.]
Grant Edwards [signed in pencil lower right.]
[n.d., c.1950.]
Coloured etching, 310 x 185mm. 12¼ x 7¼".
A view of 'Big Ben', the Clock Tower & Palace of Westminster.
[Ref: 8930] £75.00 (£90.00 incl.VAT)
Grant Edwards [signed in pencil lower right.]
[n.d., c.1950.]
Coloured etching, 310 x 185mm. 12¼ x 7¼".
A view of 'Big Ben', the Clock Tower & Palace of Westminster.
[Ref: 8930] £75.00 (£90.00 incl.VAT)
Westminster & Hungerford from Waterloo Bridge.
W. Parrott Del et Lithog.
[London: H. Brooks, n.d., c.1842.]
Tinted lithograph, scarce & rare. Printed area 210 x 405mm. 8¼ x 16".
A view looking up the Thames, with children fishing and swimming in the foreground. Westminster Abbey dominates the skyline. From 'London from the Thames' (12 plates, 1842) by William Parrott (1813-69).
Adams 198, 5.
[Ref: 27795] £330.00
W. Parrott Del et Lithog.
[London: H. Brooks, n.d., c.1842.]
Tinted lithograph, scarce & rare. Printed area 210 x 405mm. 8¼ x 16".
A view looking up the Thames, with children fishing and swimming in the foreground. Westminster Abbey dominates the skyline. From 'London from the Thames' (12 plates, 1842) by William Parrott (1813-69).
Adams 198, 5.
[Ref: 27795] £330.00
A North West View of Westminster Abbey and St. Margaret's Church. The present Structure of St Peter's W[*]stm. began to be built by K. Henry III. in 1245 carrie on by K. Henry VII. &c.
Printed for & Sold by Bowles & Carver. No 69. St Paul's Church Yard London. [n.d., c.1794.]
Finely coloured engraving. Sheet 260 x 400mm, 10¼ x 15¾". Trimmed to plate, laid on album paper, glue stains.
View of the Westminster Abbey, with St Margaret's Church behind on the left, also depicting street activity including a boy playing with a hoop, a sedan chair, a beggar and a street trader. Originally published c.1750 by John Bowles.
[Ref: 26414] £190.00 (£228.00 incl.VAT)
Printed for & Sold by Bowles & Carver. No 69. St Paul's Church Yard London. [n.d., c.1794.]
Finely coloured engraving. Sheet 260 x 400mm, 10¼ x 15¾". Trimmed to plate, laid on album paper, glue stains.
View of the Westminster Abbey, with St Margaret's Church behind on the left, also depicting street activity including a boy playing with a hoop, a sedan chair, a beggar and a street trader. Originally published c.1750 by John Bowles.
[Ref: 26414] £190.00 (£228.00 incl.VAT)
![[Westminster Abbey.]](jpegs/45733.jpg)
[Westminster Abbey.]
Fred. A. Farrell. [Signed in Pencil.]
[n.d., c.1925.]
Etching. Plate: 305 x 250mm (12 x 9¾"), with large margins.
A view of Westminster Abbey with Elizabeth Tower in the background. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 45733] £230.00 (£276.00 incl.VAT)
Fred. A. Farrell. [Signed in Pencil.]
[n.d., c.1925.]
Etching. Plate: 305 x 250mm (12 x 9¾"), with large margins.
A view of Westminster Abbey with Elizabeth Tower in the background. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 45733] £230.00 (£276.00 incl.VAT)
![[London. Westminster Abbey, West View. No.1]](jpegs/62211.jpg)
[London. Westminster Abbey, West View. No.1]
Arthur Spencer [pencil signature]
[F. & M. Ltd, Bedford. n.d. c.1920.]
Etching. 200 x 140mm (7¾ x 5½"). With title (as above) and description on separate letterpress label.
View of Westminster Abbey with the Westminster Scholars War Memorial, also known as the Crimea and Indian Mutiny Memorial, outside.
[Ref: 62211] £95.00 (£114.00 incl.VAT)
Arthur Spencer [pencil signature]
[F. & M. Ltd, Bedford. n.d. c.1920.]
Etching. 200 x 140mm (7¾ x 5½"). With title (as above) and description on separate letterpress label.
View of Westminster Abbey with the Westminster Scholars War Memorial, also known as the Crimea and Indian Mutiny Memorial, outside.
[Ref: 62211] £95.00 (£114.00 incl.VAT)
Westminster Abbey. Plate 93.
Rowlandson & Pugin del.t et sculp.t. Bluck aqua.t.
London, Pub. Dec.r.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint plate, J. Whatman 1808 watermark; 280 x 230mm (11 x 9"), with large margins.
The interior of Westminster Abbey, displaying some of the monuments. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62782] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Bluck aqua.t.
London, Pub. Dec.r.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint plate, J. Whatman 1808 watermark; 280 x 230mm (11 x 9"), with large margins.
The interior of Westminster Abbey, displaying some of the monuments. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62782] £130.00 (£156.00 incl.VAT)
![[Westminster Abbey] North Area.](jpegs/45642.jpg)
[Westminster Abbey] North Area.
T. Uwins del.t. J. Bluck sculp.t.
Publish'd 1 Sept.r 1812 for R. Ackermann's Westmin.r Abbey, at 101, Strand, London.
Coloured aquatint. 300 x 255mm (11¾ x 10"), large margins.
An illustration of the monuments in Westminster Abbey, dominated by the memorial to Major-General James Wolfe by Joseph Wilton.
[Ref: 45642] £95.00 (£114.00 incl.VAT)
T. Uwins del.t. J. Bluck sculp.t.
Publish'd 1 Sept.r 1812 for R. Ackermann's Westmin.r Abbey, at 101, Strand, London.
Coloured aquatint. 300 x 255mm (11¾ x 10"), large margins.
An illustration of the monuments in Westminster Abbey, dominated by the memorial to Major-General James Wolfe by Joseph Wilton.
[Ref: 45642] £95.00 (£114.00 incl.VAT)
Deans Yard
Publish'd Jan: 30. 1793. by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the south front of the Jerusalem Chamber, Westminster Abbey behind, from Deans Yard; illustration to Malton's 'Picturesque Tour'.
[Ref: 59000] £220.00 (£264.00 incl.VAT)
Publish'd Jan: 30. 1793. by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the south front of the Jerusalem Chamber, Westminster Abbey behind, from Deans Yard; illustration to Malton's 'Picturesque Tour'.
[Ref: 59000] £220.00 (£264.00 incl.VAT)
Henry VII. Chapel.
Publish'd Aug: 21.st 1793. [T. Malton.]
Fine coloured aquatint with etching, sheet 395 x 310mm (15½ x 12¼"). Tape marks.
Interior of the Henry VII Chapel in Westminster Abbey; looking through an arch into the main space of the chapel, with fan vaulting; a man gestures up towards the impressive architecture addressing a group of figures; illustration in Malton's 'Picturesque Tour'.
[Ref: 59013] £140.00 (£168.00 incl.VAT)
Publish'd Aug: 21.st 1793. [T. Malton.]
Fine coloured aquatint with etching, sheet 395 x 310mm (15½ x 12¼"). Tape marks.
Interior of the Henry VII Chapel in Westminster Abbey; looking through an arch into the main space of the chapel, with fan vaulting; a man gestures up towards the impressive architecture addressing a group of figures; illustration in Malton's 'Picturesque Tour'.
[Ref: 59013] £140.00 (£168.00 incl.VAT)
A North West View of Westminster Abbey and St. Margaret's Church. Vue de l'Abbaie de Westminster et de l'Eglise de Ste. Marguerite. The present Structure of St Peter's W[*]stm. began to be built by K. Henry III. in 1245 carrie on by K. Henry VII. &c.
Printed for & Sold by Bowles & Carver. No 69. St Paul's Church Yard London. [n.d., c.1794.]
Finely coloured engraving. Sheet 265 x 400mm (10½ x 15¾"). Trimmed to plate amd laid on album paper. Some staining and surface dirt.
View of the Westminster Abbey, with St Margaret's Church behind on the left, also depicting street activity including a boy playing with a hoop, a sedan chair, a beggar and a street trader. Originally published c.1750 by John Bowles.
[Ref: 60479] £260.00 (£312.00 incl.VAT)
Printed for & Sold by Bowles & Carver. No 69. St Paul's Church Yard London. [n.d., c.1794.]
Finely coloured engraving. Sheet 265 x 400mm (10½ x 15¾"). Trimmed to plate amd laid on album paper. Some staining and surface dirt.
View of the Westminster Abbey, with St Margaret's Church behind on the left, also depicting street activity including a boy playing with a hoop, a sedan chair, a beggar and a street trader. Originally published c.1750 by John Bowles.
[Ref: 60479] £260.00 (£312.00 incl.VAT)
![[Westminster Abbey] Westmonasteriensis Eccleiæ (quondã Conventualis,) facies occidentalis.](jpegs/61218.jpg)
[Westminster Abbey] Westmonasteriensis Eccleiæ (quondã Conventualis,) facies occidentalis.
Wenceslaus Hollar Eq: Bohem,
[n.d., 1655.]
Etching, fine early impression; 250 x 170mm (9¾ x 6¾"), with large margins.
An elevation of the western front of Wesminster Abbey. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042, state ii of iv.
[Ref: 61218] £140.00 (£168.00 incl.VAT)
Wenceslaus Hollar Eq: Bohem,
[n.d., 1655.]
Etching, fine early impression; 250 x 170mm (9¾ x 6¾"), with large margins.
An elevation of the western front of Wesminster Abbey. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042, state ii of iv.
[Ref: 61218] £140.00 (£168.00 incl.VAT)
![[Westminster Abbey] Westmonasteriensis Eccleiæ conv: facies aquilonalis.](jpegs/61219.jpg)
[Westminster Abbey] Westmonasteriensis Eccleiæ conv: facies aquilonalis.
W. Hollar fecit 1654.
[n.d., 1655.]
Etching. 220 x 330mm (8¾ x 13"). Creasing on right edge. Slight central crease as normal. Small margins.
An elevation of the northern side of Westminster Abbey, dedicated to William Bromley. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1041, first state of iv.
[Ref: 61219] £140.00 (£168.00 incl.VAT)
W. Hollar fecit 1654.
[n.d., 1655.]
Etching. 220 x 330mm (8¾ x 13"). Creasing on right edge. Slight central crease as normal. Small margins.
An elevation of the northern side of Westminster Abbey, dedicated to William Bromley. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1041, first state of iv.
[Ref: 61219] £140.00 (£168.00 incl.VAT)
![[Westminster Abbey] Westmonasteriensis Ecclesiæ conv: facies australis.](jpegs/61220.jpg)
[Westminster Abbey] Westmonasteriensis Ecclesiæ conv: facies australis.
D. King delin et sculp.
[n.d., 1655.]
Etching on 17th century watermarked paper. 175 x 310mm (7 x 12¼"), with large margins. Slight central crease as normal.
An elevation of the south side of Westminster Abbey, drawn and engraved by Daniel King. According to Pennington, the title, dedication cartouche and King's signature are all by Wenceslas Hollar. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042b, first state of iv.
[Ref: 61220] £160.00 (£192.00 incl.VAT)
D. King delin et sculp.
[n.d., 1655.]
Etching on 17th century watermarked paper. 175 x 310mm (7 x 12¼"), with large margins. Slight central crease as normal.
An elevation of the south side of Westminster Abbey, drawn and engraved by Daniel King. According to Pennington, the title, dedication cartouche and King's signature are all by Wenceslas Hollar. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042b, first state of iv.
[Ref: 61220] £160.00 (£192.00 incl.VAT)
A South View of Westminster Abby & S.t Margarets Church. Vue de l'Abbaie de Wesminster, & de l'Eglise de S.te Marguerite.
J. Bowles Delin et Sculp.
London Printed for Bowles & Carver 69 St Pauls Church Yard Rob.t Wilkinson N.º 58 in Cornhill and Laurie & Whittle 53 Fleet Street.
Engraving with fine hand colour, J. Whatman 1809 watermark. 265 x 400mm (10½ x 15¾"), with large margins.
A view of the exteriors of Westminster Abbey & St Margaret's Church.
[Ref: 64329] £320.00
J. Bowles Delin et Sculp.
London Printed for Bowles & Carver 69 St Pauls Church Yard Rob.t Wilkinson N.º 58 in Cornhill and Laurie & Whittle 53 Fleet Street.
Engraving with fine hand colour, J. Whatman 1809 watermark. 265 x 400mm (10½ x 15¾"), with large margins.
A view of the exteriors of Westminster Abbey & St Margaret's Church.
[Ref: 64329] £320.00
![[Henry VII Lady Chapel.]](jpegs/66784.jpg)
[Henry VII Lady Chapel.] [Westminster Abbey.]
[C.Wild del..]
[Published by R.Jennings, 2 Poultry, 1828.]
Very fine handcoloured aquatint. Sheet 375 x 275mm (14¾ x 10¾"). Trimmed and backed onto card.
An interior view of the Lady chapel, Westminster Abbey, paid for by the will of King Henry VII. The construction for the chapel begun in 1503 but not completed until 1516, nearly six years after his death.
[Ref: 66784] £260.00 (£312.00 incl.VAT)
[C.Wild del..]
[Published by R.Jennings, 2 Poultry, 1828.]
Very fine handcoloured aquatint. Sheet 375 x 275mm (14¾ x 10¾"). Trimmed and backed onto card.
An interior view of the Lady chapel, Westminster Abbey, paid for by the will of King Henry VII. The construction for the chapel begun in 1503 but not completed until 1516, nearly six years after his death.
[Ref: 66784] £260.00 (£312.00 incl.VAT)
Westminster Abbey, Hospital, &c.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added fine hand-colour. Sheet 370 x 530mm, (14½ x 20¾"). Right bottom corner margin missing.
The front of Westminster Abbey, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68926] £420.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added fine hand-colour. Sheet 370 x 530mm, (14½ x 20¾"). Right bottom corner margin missing.
The front of Westminster Abbey, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68926] £420.00
View of the magnificent Box erected for their Majesties, in Westminster Abbey, under the Direction of M.r James Wyatt, at the Commemoration of Handel.
J. Dixon del. W. & J. Walker sculp.t.
[Publish'd by J.Sewell 30 June, 1784]
Rare engraving, sheet 380 x 270mm (15 x 10¾"). Trimmed within plate losing publication line. Tipped into album sheet at edges. Foxing on album sheet.
From a series illustrating Handel's memorial in 1784. View of the nave of Westminster abbey with huge crowds of spectators, dominated by the box at the end, with tiered seating and window behind.
[Ref: 61645] £130.00 (£156.00 incl.VAT)
J. Dixon del. W. & J. Walker sculp.t.
[Publish'd by J.Sewell 30 June, 1784]
Rare engraving, sheet 380 x 270mm (15 x 10¾"). Trimmed within plate losing publication line. Tipped into album sheet at edges. Foxing on album sheet.
From a series illustrating Handel's memorial in 1784. View of the nave of Westminster abbey with huge crowds of spectators, dominated by the box at the end, with tiered seating and window behind.
[Ref: 61645] £130.00 (£156.00 incl.VAT)
![[Westminster Abbey] To the Reverend The Dean and Chapter of Westminster;](jpegs/53096.jpg)
[Westminster Abbey] To the Reverend The Dean and Chapter of Westminster; This North East View of the Abbey Church of Saint Peter, Westminster, and Henry the Seventh's Chapel, is by Permission, most humbly dedicated by their much obliged and devoted Servant John Buckler.
Drawn & Etched by J. Buckler. Engraved by R. Reeve.
Published November. 1809, by J. Buckler, Bermondsey, Surrey.
Aquatint. 505mm x 670mm (19¾ x 26½"), paper watermarked 'J Whatman 1809', with large margins. Tears in edges.
Westminster Abbey showing the rose window and pointed, arched doorway in the north porch, the two gothic towers of the west end and the elaborate, decorative chapel at the east end. In 1800 John Buckler (1770-1851), an estate manager and bailiff for Magdalene College, Oxford, began working on a series of engravings of all the cathedrals in the country.
[Ref: 53096] £380.00
Drawn & Etched by J. Buckler. Engraved by R. Reeve.
Published November. 1809, by J. Buckler, Bermondsey, Surrey.
Aquatint. 505mm x 670mm (19¾ x 26½"), paper watermarked 'J Whatman 1809', with large margins. Tears in edges.
Westminster Abbey showing the rose window and pointed, arched doorway in the north porch, the two gothic towers of the west end and the elaborate, decorative chapel at the east end. In 1800 John Buckler (1770-1851), an estate manager and bailiff for Magdalene College, Oxford, began working on a series of engravings of all the cathedrals in the country.
[Ref: 53096] £380.00
Westminster Abbey. Six Etching With Selections.
[John Sloan.]
[A. Edward Newton, 1891.]
Oblong 8vo, disbound; etched frontispiece and twelve plates (six views and six verses with vignettes, titles for the plates), as called for, printed in sepia, each sheet 195 x 265mm (7¾ x 10½"), tissue guards. Lacking cardboard covers, first two plates separated from binding block, holes for original ribbon in left margin, frontis. spotted, occasional spotting elsewhere.
A rare complete set of 13 etchings of Westminster Abbey by the American etcher John Sloan (1871-1951). Sloan was commissioned by A. Edward Newton (1864-1940), later a well-known book collector. As Sloan never left America, he based his illustrations on photogravures by English artist Alfred Dawson (1843-1931). The set was issued in cardboard covers with a gilt illustration of the exterior of the abbey and hand-painted flowers, lacking here.
Philadelphia Museum of Art: 1953-105-1--13. Morse 11-23. Member of the Ashcan School.
[Ref: 62179] £650.00 view all images for this item
[John Sloan.]
[A. Edward Newton, 1891.]
Oblong 8vo, disbound; etched frontispiece and twelve plates (six views and six verses with vignettes, titles for the plates), as called for, printed in sepia, each sheet 195 x 265mm (7¾ x 10½"), tissue guards. Lacking cardboard covers, first two plates separated from binding block, holes for original ribbon in left margin, frontis. spotted, occasional spotting elsewhere.
A rare complete set of 13 etchings of Westminster Abbey by the American etcher John Sloan (1871-1951). Sloan was commissioned by A. Edward Newton (1864-1940), later a well-known book collector. As Sloan never left America, he based his illustrations on photogravures by English artist Alfred Dawson (1843-1931). The set was issued in cardboard covers with a gilt illustration of the exterior of the abbey and hand-painted flowers, lacking here.
Philadelphia Museum of Art: 1953-105-1--13. Morse 11-23. Member of the Ashcan School.
[Ref: 62179] £650.00 view all images for this item