A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
'Fallow Deer' Wedgwood, Etruria England.
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood, Esq.re F.R.S & S.A.
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Stipple. Sheet: 165 x 210mm (6½ x 8¼"). Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Stipple. Sheet: 165 x 210mm (6½ x 8¼"). Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
The Three Graces.
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Weep, Thaly Weep!
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Etching. 102 x 118mm. 4 x 4¾". Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Etching. 102 x 118mm. 4 x 4¾". Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
Weeping & Joy.
[John Collier as 'Tim Bobbin'.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Fine coloured stipple and etching. 160 x 210mm (6¼ x 8¼"), with large margins.
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See Ref: 49316
[Ref: 41826] £130.00 (£156.00 incl.VAT)
[John Collier as 'Tim Bobbin'.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Fine coloured stipple and etching. 160 x 210mm (6¼ x 8¼"), with large margins.
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See Ref: 49316
[Ref: 41826] £130.00 (£156.00 incl.VAT)
Weeping Willow.
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
T.Cecill sculp.
[n.d. 1632.]
Rare engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
T.Cecill sculp.
[n.d. 1632.]
Rare engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
I. Taylor sculp.
[n.d. 1800.]
Engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
I. Taylor sculp.
[n.d. 1800.]
Engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
Levi Weil the Jew Doctor, preventing Hyam Lazarus from Shooting Mrs Hutchins at Chelsea.
Dodd delin. Sherwin sculp.
[n.d., c.1780.]
Engraving. Sheet 190 x 115mm (7½ x 4½"). Small hole in upper centre of image. Trimmed into right side of plate.
A scene depicting a robbery in Chelsea Fields, perpetrated by a Jewish gang led by Doctor Levi Weil on 11th June 1771. Weil, who had a doctorate from the University of Leyden, had been practicing unsuccesfully in London, causing him to turn to crime. He formed a gang of Jews from Amsterdam and started forcing entry to houses and robbing them. They attacked the farm of Mrs Hutchings, a widow, shooting one of her labourers, who died the following day. A reward was offered and one of the gang's accomplices turned them in. Of the six defendants at the Old Bailey trial (Levi Weil, Asher Weil, Marcus Hartagh, Jacob Lazarus, Solomon Porter and Lazarus Harry), four were convicted of murder and robbery, Marcus Hartagh and Lazarus Harry acquitted for lack of evidence. While the four awaited execution they were attended by a rabbi, who did not pray with them; on the scaffold they sang a Hebrew hymn before they were dropped, on the 9th December 1771.
Jewish Museum London AR 2451.
[Ref: 68992] £140.00 (£168.00 incl.VAT)
Dodd delin. Sherwin sculp.
[n.d., c.1780.]
Engraving. Sheet 190 x 115mm (7½ x 4½"). Small hole in upper centre of image. Trimmed into right side of plate.
A scene depicting a robbery in Chelsea Fields, perpetrated by a Jewish gang led by Doctor Levi Weil on 11th June 1771. Weil, who had a doctorate from the University of Leyden, had been practicing unsuccesfully in London, causing him to turn to crime. He formed a gang of Jews from Amsterdam and started forcing entry to houses and robbing them. They attacked the farm of Mrs Hutchings, a widow, shooting one of her labourers, who died the following day. A reward was offered and one of the gang's accomplices turned them in. Of the six defendants at the Old Bailey trial (Levi Weil, Asher Weil, Marcus Hartagh, Jacob Lazarus, Solomon Porter and Lazarus Harry), four were convicted of murder and robbery, Marcus Hartagh and Lazarus Harry acquitted for lack of evidence. While the four awaited execution they were attended by a rabbi, who did not pray with them; on the scaffold they sang a Hebrew hymn before they were dropped, on the 9th December 1771.
Jewish Museum London AR 2451.
[Ref: 68992] £140.00 (£168.00 incl.VAT)
![[Weimaraner.]](jpegs/47929.jpg)
[Weimaraner.]
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 38/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 38/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
![[Johan Wilhelm Weinmann]](jpegs/58811.jpg)
[Johan Wilhelm Weinmann] Joannes Guilielmus Weinmannus Dicasterij Ratisbonensis Assessor et Pharmacopola, natus Gardelegiæ MDCLXXXIII. d. XIII Mart. ætat LIV.
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Mezzotint printed in blue. 320 x 200mm (12½ x 8"), large margins on 3 sides. Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Mezzotint printed in blue. 320 x 200mm (12½ x 8"), large margins on 3 sides. Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
Le Major Weiss. Tout dans son Livre, Weiss, me parait réuni... Par le Marquis de Chévigni.
[n.d., c.1800.]
Engraving. Sheet 145 x 90mm, 5¾ x 3½". Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
[n.d., c.1800.]
Engraving. Sheet 145 x 90mm, 5¾ x 3½". Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
Weissenfeld een Hartoglyke Stad aen de rivier de Saal, drie 'uren van Leipzich. Weissenfeldia, 'urbs nobilis, distans tria milliaria a Lipsia sedes Du'cis.
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Engraving, with large margins. Plate 215 x 268mm. 8½ x 10½".
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Engraving, with large margins. Plate 215 x 268mm. 8½ x 10½".
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Justice Welch From an Original Sketch by Hogarth in the Collection of Sam.l Ireland 1781 The portrait was began & finished within an hour by which a Considerable bet was Won
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
Le Retour Desiré. Dédié A Son Excellence Monsieur le Comte f'harcourt.
J.E. Schenau Pinx. Cl. Duflos sculp.
A Paris chez l'Auteur, rue Galande chez Mr Fauchereau Chaplier Par son très Obeissant Serviteur Claude Duflos [n.d., c.1770.]
Etching. 510 x 370mm (20 x 14½"). Very large margins.
'The Welcome Return': a soldier enters his home to be greeted by his children and dog. His wife breaks off suckling her baby to reach for him.
[Ref: 38106] £280.00 (£336.00 incl.VAT)
J.E. Schenau Pinx. Cl. Duflos sculp.
A Paris chez l'Auteur, rue Galande chez Mr Fauchereau Chaplier Par son très Obeissant Serviteur Claude Duflos [n.d., c.1770.]
Etching. 510 x 370mm (20 x 14½"). Very large margins.
'The Welcome Return': a soldier enters his home to be greeted by his children and dog. His wife breaks off suckling her baby to reach for him.
[Ref: 38106] £280.00 (£336.00 incl.VAT)
A Welcome Visitor at Christmas. For the History of this Jovial Personage See the "Book of Christmas".
W. Spooner 250 Regent Street. [n.d., c.1837.]
Hand coloured etching, 230 x 320mm (9 x 12½").
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
W. Spooner 250 Regent Street. [n.d., c.1837.]
Hand coloured etching, 230 x 320mm (9 x 12½").
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
![[Thomas Weld] Bishop Weld.](jpegs/66474.jpg)
[Thomas Weld] Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby. Proof
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66474] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66474] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] Bishop Weld.](jpegs/66475.jpg)
[Thomas Weld] Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby. Proof
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66475] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66475] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66476.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title, printed on chine collé. 355 x 255mm (14 x 10"), large margins. Crack in platemark on right.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66476] £140.00 (£168.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title, printed on chine collé. 355 x 255mm (14 x 10"), large margins. Crack in platemark on right.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66476] £140.00 (£168.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66477.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title. 355 x 255mm (14 x 10"), large margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66477] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title. 355 x 255mm (14 x 10"), large margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66477] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66478.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Mezzotint, proof before title. 355 x 255mm (14 x 10"). Small margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66478] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Mezzotint, proof before title. 355 x 255mm (14 x 10"). Small margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66478] £180.00 (£216.00 incl.VAT)
La Battalla De Baylen y Rendicion de el General Dupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Pieza Historica y Militar para el Piano Forte, accompanamineto de Violin y Bazo Dedicada a la Lunta Suprema de Sevilla. Los Generales Castoanos y Teding sus Valietes Officales y Soldados y a to dos los Patriotas Espanoles por Peter Weldon.
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Well! I Can't Help It. 400.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint. 155 x 110mm (6 x 4½"), with large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint. 155 x 110mm (6 x 4½"), with large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint with hand-colouring, sheet 150 x 115mm (6 x 4½"). Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint with hand-colouring, sheet 150 x 115mm (6 x 4½"). Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Mezzotint. 155 x 115mm (6¼ x 4½"), large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Mezzotint. 155 x 115mm (6¼ x 4½"), large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] The Man Wot Drives the Sovereign.](jpegs/32016.jpg)
[Arthur Wellesley, Duke of Wellington] The Man Wot Drives the Sovereign.
[Paul Pry] Esq.
Pub April 1829 by T. McLean 26 Haymarket.
Hand-coloured etching. Sheet size: 345 x 235mm (13½ x 9¼"), watermarked 'J. Whatman 1828'. Trimmed.
Wellington stands in profile to the right, with his gloved left hand touching the broad brim of his hat. He is dressed as the driver of a mail-coach, holding his whip and a paper resembling the 'Gazette', headed 'Bill', representing the Catholic Relief Act of 1829. The Act was the culmination of the process of Catholic Emancipation throughout Britain, drawing support from the Duke of Wellington, as well as from the Whigs and liberal Tories.
BM Satires 15731.
[Ref: 32016] £160.00 (£192.00 incl.VAT)
[Paul Pry] Esq.
Pub April 1829 by T. McLean 26 Haymarket.
Hand-coloured etching. Sheet size: 345 x 235mm (13½ x 9¼"), watermarked 'J. Whatman 1828'. Trimmed.
Wellington stands in profile to the right, with his gloved left hand touching the broad brim of his hat. He is dressed as the driver of a mail-coach, holding his whip and a paper resembling the 'Gazette', headed 'Bill', representing the Catholic Relief Act of 1829. The Act was the culmination of the process of Catholic Emancipation throughout Britain, drawing support from the Duke of Wellington, as well as from the Whigs and liberal Tories.
BM Satires 15731.
[Ref: 32016] £160.00 (£192.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] This Statue of Roman Cement_has been erected at the cost of the 40s Freeholders- The Noblest Roman of the All.](jpegs/58272.jpg)
[Arthur Wellesley, Duke of Wellington] This Statue of Roman Cement_has been erected at the cost of the 40s Freeholders- The Noblest Roman of the All.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub April by T McLean 26 Haymarket. [n.d. c.1830.]
Hand-coloured etching. Sheet 355 x 250mm (14 x 9¾"). Trimmed within plate. Time stained.
Caricature of the Duke of Wellington, referring to the Bill to disenfranchise the forty shilling Irish freeholders which accompanied the Catholic Emancipation Relief Act, raising fivefold the economic qualifications for voting. The Bill passed with little opposition but not without protest. Wellington as a statue in Roman armour, holding against his right hip a document inscribed 'Emancipation'. He wears a wreath of battered ears of corn (suggesting the straw crown of the lunatic as well as the Corn Bill), and faces an aggressive raven with the head of Eldon. Other menacing birds fly near. From the pedestal, as a background to the Duke's legs, projects a trophy of flags topped by French imperial eagles, with spear, bayonet, &c.
BM Satires: 15722.
[Ref: 58272] £260.00 (£312.00 incl.VAT)
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub April by T McLean 26 Haymarket. [n.d. c.1830.]
Hand-coloured etching. Sheet 355 x 250mm (14 x 9¾"). Trimmed within plate. Time stained.
Caricature of the Duke of Wellington, referring to the Bill to disenfranchise the forty shilling Irish freeholders which accompanied the Catholic Emancipation Relief Act, raising fivefold the economic qualifications for voting. The Bill passed with little opposition but not without protest. Wellington as a statue in Roman armour, holding against his right hip a document inscribed 'Emancipation'. He wears a wreath of battered ears of corn (suggesting the straw crown of the lunatic as well as the Corn Bill), and faces an aggressive raven with the head of Eldon. Other menacing birds fly near. From the pedestal, as a background to the Duke's legs, projects a trophy of flags topped by French imperial eagles, with spear, bayonet, &c.
BM Satires: 15722.
[Ref: 58272] £260.00 (£312.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] A Draught of the Old Well](jpegs/41905.jpg)
[Arthur Wellesley, Duke of Wellington] A Draught of the Old Well _ Ah help, in this extremest need,__If water-gods are deities indeed__vide Dryden. Cheltenham - see the conquering Hero comes!!!
(Paul Pry) Esq. It is a very moving sight.
Pub by T McLean 26 Haymarket where Political & other caricatures are daily Pub. [n.d., 1828.]
Hand-coloured etching. 260 x 375mm (10¼ x 14¾"), with very large margins watermarked 1827.
Caricature produced at the time of Wellington's visit to Cheltenham for his health, after which he returned feeling much better. Very thin, he walks in discomfort holding a bunch of papers docketed Lord High Adm[iral]. His complexion is mud-coloured (as in some other prints of this date) to show his ill-health.
BM Satires: 15548.
[Ref: 41905] £220.00 (£264.00 incl.VAT)
(Paul Pry) Esq. It is a very moving sight.
Pub by T McLean 26 Haymarket where Political & other caricatures are daily Pub. [n.d., 1828.]
Hand-coloured etching. 260 x 375mm (10¼ x 14¾"), with very large margins watermarked 1827.
Caricature produced at the time of Wellington's visit to Cheltenham for his health, after which he returned feeling much better. Very thin, he walks in discomfort holding a bunch of papers docketed Lord High Adm[iral]. His complexion is mud-coloured (as in some other prints of this date) to show his ill-health.
BM Satires: 15548.
[Ref: 41905] £220.00 (£264.00 incl.VAT)
![[The Most Noble Arthur Marquis of Wellington. K.B. &c.]](jpegs/18917.jpg)
[The Most Noble Arthur Marquis of Wellington. K.B. &c.]
[Pelegrina pinxt. E. Bocquet Sculpt.]
[London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No.32 Cornhill, & no where else in London.]
Stipple on india. Rare proof before all letters. Plate 248 x 197mm. 9¾ x 7¾".
Portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform
[Ref: 18917] £110.00 (£132.00 incl.VAT)
[Pelegrina pinxt. E. Bocquet Sculpt.]
[London. Pub. June 4. 1813, & may be had at Mess. Fricker & Henderson's Plate Glass Warehouse No. 80 New Bond Street, near Oxford Street, & at Mr. Asperne's No.32 Cornhill, & no where else in London.]
Stipple on india. Rare proof before all letters. Plate 248 x 197mm. 9¾ x 7¾".
Portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform
[Ref: 18917] £110.00 (£132.00 incl.VAT)
![Wellington [facsimile signature.]](jpegs/17948.jpg)
Wellington [facsimile signature.] Woburn Abbey July 28 1841 London.
A. Maurin [within image, lower right]. Imp. Lemercier, Benard et Cie [within image, lower left].
Published by A.H. & C.E. Baily Printsellers to her Majesty. No 1 Freemans Court & 83 Cornhill.
Lithograph on india. 475 x 387mm. 18¾ x 15¼".
This portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), Field Marshal and Prime Minister in later years. He sits in contemplation, surrounded by military memorabilia.
In the BM.
[Ref: 17948] £140.00 (£168.00 incl.VAT)
A. Maurin [within image, lower right]. Imp. Lemercier, Benard et Cie [within image, lower left].
Published by A.H. & C.E. Baily Printsellers to her Majesty. No 1 Freemans Court & 83 Cornhill.
Lithograph on india. 475 x 387mm. 18¾ x 15¼".
This portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), Field Marshal and Prime Minister in later years. He sits in contemplation, surrounded by military memorabilia.
In the BM.
[Ref: 17948] £140.00 (£168.00 incl.VAT)
Wellington. War. Peace. Royal Album No.14.
Alfred Carlile, Lithographer. London.
[n.d. c.1845.]
Lithograph. 266 x 209mm. 10½ x 8¼". Slight creasing to lower left.
Medallion portrait of Field Marshal Arthur Wellesley, Duke of Wellington (1769-1852), within a decorative border with scenes of him on his horse in battle, with a depiction of Eirene (Irene), a personification of peace and one of the Horæ.
[Ref: 27762] £110.00 (£132.00 incl.VAT)
Alfred Carlile, Lithographer. London.
[n.d. c.1845.]
Lithograph. 266 x 209mm. 10½ x 8¼". Slight creasing to lower left.
Medallion portrait of Field Marshal Arthur Wellesley, Duke of Wellington (1769-1852), within a decorative border with scenes of him on his horse in battle, with a depiction of Eirene (Irene), a personification of peace and one of the Horæ.
[Ref: 27762] £110.00 (£132.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] The Mute-Ability of Affairs!!!_](jpegs/30505.jpg)
[Arthur Wellesley, Duke of Wellington] The Mute-Ability of Affairs!!!_ "His honor Is nothing but mutation, ay, and that From one bad thing to worse._Vide Shakespeare. Undertaker in Chief & Cabinet maker to His M___y.
[Paul Pry] Esqr Del et Scul.
Pub by T. McLean 26 Haymarket. [c. January 1828]
Hand-coloured etching with large margins; paper watermarked: J Whatman Turkey Mill 1825. Plate 372 x 260mm (14¾ x 10¼").
Wellington, dressed in black as a mute at a funeral. The title and Shakespeare quotation allude to the Duke's agreement to form an administration ('Cabinet maker') despite making an earlier speech suggesting he would not do so. Wellington was Prime Minister from 1828-1830.
BM Satires: 15501.
[Ref: 30505] £240.00 (£288.00 incl.VAT)
[Paul Pry] Esqr Del et Scul.
Pub by T. McLean 26 Haymarket. [c. January 1828]
Hand-coloured etching with large margins; paper watermarked: J Whatman Turkey Mill 1825. Plate 372 x 260mm (14¾ x 10¼").
Wellington, dressed in black as a mute at a funeral. The title and Shakespeare quotation allude to the Duke's agreement to form an administration ('Cabinet maker') despite making an earlier speech suggesting he would not do so. Wellington was Prime Minister from 1828-1830.
BM Satires: 15501.
[Ref: 30505] £240.00 (£288.00 incl.VAT)
The Duke of Wellington.
[London: Thomas Kelly, c.1816.]
Coloured etching. Sheet 220 x 180mm (8¾ x 7"), watermarked 'J Whatman 1814'. Trimmed within plate, mounted in album paper.
A portrait of the Duke on horseback in his field marshal's uniform, baton in hand.
[Ref: 37060] £85.00 (£102.00 incl.VAT)
[London: Thomas Kelly, c.1816.]
Coloured etching. Sheet 220 x 180mm (8¾ x 7"), watermarked 'J Whatman 1814'. Trimmed within plate, mounted in album paper.
A portrait of the Duke on horseback in his field marshal's uniform, baton in hand.
[Ref: 37060] £85.00 (£102.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] Take Up Your Bed and Walk!!!](jpegs/55937.jpg)
[Arthur Wellesley, Duke of Wellington] Take Up Your Bed and Walk!!! During the Duke's Temporary sojourn at Walmer Castle he invariable reposes on the Camp bedstead which form'd his Grace's couch throught the Peninsular Campaigns - the highly prized article of furniture being regularly convey'd from Downing Street to Walmer Castle when ever the Duke, visits the latter place_vide Morning Herald_
William Heath.
Pub Oct 1st 1829 by T. McLean 26 Haymarket Sole publisher of WH Etchings.
Coloured etching. 375 x 260mm (14¾ x 10¼"). Laid on card.
Wellington as a coal porter, carrying his military campbed balanced on his head. Half-way through his first term as Prime Minister, Wellington was already unpopular. He had been appointed Lord Warden of the Cinque Ports in January 1829, shortly after being made PM, mainly because he wanted to use Walmer Castle as a country residence. This caricature suggests he should leave government and retire there.
BM Satires: 15867.
[Ref: 55937] £190.00 (£228.00 incl.VAT)
William Heath.
Pub Oct 1st 1829 by T. McLean 26 Haymarket Sole publisher of WH Etchings.
Coloured etching. 375 x 260mm (14¾ x 10¼"). Laid on card.
Wellington as a coal porter, carrying his military campbed balanced on his head. Half-way through his first term as Prime Minister, Wellington was already unpopular. He had been appointed Lord Warden of the Cinque Ports in January 1829, shortly after being made PM, mainly because he wanted to use Walmer Castle as a country residence. This caricature suggests he should leave government and retire there.
BM Satires: 15867.
[Ref: 55937] £190.00 (£228.00 incl.VAT)
The Marquis of Wellington, K.G. Field Marshall. Onorate l'altissimo Campione, Dedicated with Permission to the R.t. Hon.ble. Lady Anne Culling Smith.
A. Aglio etch.d. Engraved by H. S. Minasi from a picture by A. Aglio. The por.t. improved from the Bust by P. Turnerelli Sculptor to her Majesty. Stadler Aqua.t.
H. S. Minasi 16 Broad Street Golden Squ.e. & to be had of Mess.rs. Colnaghi & Co. [n.d., c.1813.]
Scarce aquatint with hand colour. 420 x 310mm (16½ x 12"), with large margins Staining on left margin.
Equestrian portrait of Wellington in uniform, pointing into the distance, with several cavalrymen, some with drawn swords.
[Ref: 32152] £420.00
A. Aglio etch.d. Engraved by H. S. Minasi from a picture by A. Aglio. The por.t. improved from the Bust by P. Turnerelli Sculptor to her Majesty. Stadler Aqua.t.
H. S. Minasi 16 Broad Street Golden Squ.e. & to be had of Mess.rs. Colnaghi & Co. [n.d., c.1813.]
Scarce aquatint with hand colour. 420 x 310mm (16½ x 12"), with large margins Staining on left margin.
Equestrian portrait of Wellington in uniform, pointing into the distance, with several cavalrymen, some with drawn swords.
[Ref: 32152] £420.00
Herzog von Wellington.
Nach dem Leben von Fleischman London July, 1814
Nuernberg, bei Friedrich Campe.
Stipple with large margins, platemark 185 x 130mm (7¼ x 5").
A profile portrait of Arthur Wellesley, 1st Duke of Wellington, in uniform, by Johann Andrea Fleischmann, Nuremberg engraver who also worked in London.
[Ref: 32464] £85.00 (£102.00 incl.VAT)
Nach dem Leben von Fleischman London July, 1814
Nuernberg, bei Friedrich Campe.
Stipple with large margins, platemark 185 x 130mm (7¼ x 5").
A profile portrait of Arthur Wellesley, 1st Duke of Wellington, in uniform, by Johann Andrea Fleischmann, Nuremberg engraver who also worked in London.
[Ref: 32464] £85.00 (£102.00 incl.VAT)
Lord Wellington, Généralissime des Troupes Britanniques.
Benoist sc.
à Paris chez Basset rue St. Jacques No. 64 / Déposé &c...
Stipple engraving, platemark 170 x 115mm (6¾ x 4½"). Faint crease on left.
French portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform.
[Ref: 32466] £75.00 (£90.00 incl.VAT)
Benoist sc.
à Paris chez Basset rue St. Jacques No. 64 / Déposé &c...
Stipple engraving, platemark 170 x 115mm (6¾ x 4½"). Faint crease on left.
French portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, in uniform.
[Ref: 32466] £75.00 (£90.00 incl.VAT)
Wellington
W.L. Walton delt. Vincent Brooks, Lith.
Printed at 421 Oxford St.
Tinted lithograph with large margins, fine & very rare. Printed area 430 x 320mm (17 x 12½").
Portrait of Arthur Wellesley, 1st Duke of Wellington, in uniform with the 'Order of the Golden Fleece' at his collar. The Order, founded by Philip III, Duke of Burgundy in 1430 'to honor and exalt the noble order of knighthood', was later inherited by the Hapsburgs and split between the Spanish and Austrian branches. During the Peninsular War, when France was occupying Spain, the order was presented to Napoleon and his brother Joseph but these were revoked by King Ferdinand on the restoration of Bourbon rule in 1813. However the king confirmed the award made by the acting government of Spain to Wellington in 1812, with the approval of Pope Pius VII, making the Duke the first Protestant recipient.
[Ref: 35267] £260.00 (£312.00 incl.VAT)
W.L. Walton delt. Vincent Brooks, Lith.
Printed at 421 Oxford St.
Tinted lithograph with large margins, fine & very rare. Printed area 430 x 320mm (17 x 12½").
Portrait of Arthur Wellesley, 1st Duke of Wellington, in uniform with the 'Order of the Golden Fleece' at his collar. The Order, founded by Philip III, Duke of Burgundy in 1430 'to honor and exalt the noble order of knighthood', was later inherited by the Hapsburgs and split between the Spanish and Austrian branches. During the Peninsular War, when France was occupying Spain, the order was presented to Napoleon and his brother Joseph but these were revoked by King Ferdinand on the restoration of Bourbon rule in 1813. However the king confirmed the award made by the acting government of Spain to Wellington in 1812, with the approval of Pope Pius VII, making the Duke the first Protestant recipient.
[Ref: 35267] £260.00 (£312.00 incl.VAT)
Key Plate to Mr. Knight's Picture of The Heroes of Waterloo._ Assembled at Apsley House.
Day & Haghe Lith.rs to the [...]
Published by Henry Graves & Comp.y 6 Pall Mall where Subscribers Names to the Engraving will be received. Prints £4.4.0. Proofs £8.8.0 Before Letters £12.12.0
Lithograph, scarce, sheet 255 x 420mm (10 x 16½"). Damaged.
Keyplate identifying thirty-two figures depicted in John Prescott Knight's group portrait of thirty of the British officers who served at Waterloo, gathered in the duke of Wellington's residence Apsley House. Among the sitters are the Earl of Strafford, Sir John Waters, Sir Robert Gardiner, Lord Fitzroy Somerset (later Lord Raglan), Sir Henry Herdinge, the Marquess of Anglesey and the Duke of Richmond. On the walls are portraits of Napoleon and George IV in highland dress.
Ex: Collection of the Hon. C. Lennox-Boyd; for the accompanying print see ref.36758.
[Ref: 47628] £160.00 (£192.00 incl.VAT)
Day & Haghe Lith.rs to the [...]
Published by Henry Graves & Comp.y 6 Pall Mall where Subscribers Names to the Engraving will be received. Prints £4.4.0. Proofs £8.8.0 Before Letters £12.12.0
Lithograph, scarce, sheet 255 x 420mm (10 x 16½"). Damaged.
Keyplate identifying thirty-two figures depicted in John Prescott Knight's group portrait of thirty of the British officers who served at Waterloo, gathered in the duke of Wellington's residence Apsley House. Among the sitters are the Earl of Strafford, Sir John Waters, Sir Robert Gardiner, Lord Fitzroy Somerset (later Lord Raglan), Sir Henry Herdinge, the Marquess of Anglesey and the Duke of Richmond. On the walls are portraits of Napoleon and George IV in highland dress.
Ex: Collection of the Hon. C. Lennox-Boyd; for the accompanying print see ref.36758.
[Ref: 47628] £160.00 (£192.00 incl.VAT)
To the British Nation This Plate of The Waterloo Heroes Assembled at Apsley House, On the Memorable 18th of June, Is respectfully dedicated by the Publishers.
Painted by J.P. Kennedy R.A. Engraved by Charles G. Lewis.
London: Published by James Sheldon, 31, Ely Place. [n.d., c.1845.]
Mezzotint with stipple. 645 x 970mm. Repaired tear top left, left bottom corner damaged, trimmed just into plate at bottom.
A group portrait of thirty of the British officers who served at Waterloo, gathered in Apsley House, Hyde Park Corner, London residence of the Duke of Wellington. Among the sitters with the Duke are the Earl of Strafford, Sir John Waters, Sir Robert Gardiner, Lord Fitzroy Somerset (later Lord Raglan), Sir Henry Herdinge, the Marquess of Anglesey and the Duke of Richmond. On the walls are portraits of Napoleon and George IV in highland dress. A companion piece to the 'Peninsula Heroes'.
[Ref: 36758] £420.00
Painted by J.P. Kennedy R.A. Engraved by Charles G. Lewis.
London: Published by James Sheldon, 31, Ely Place. [n.d., c.1845.]
Mezzotint with stipple. 645 x 970mm. Repaired tear top left, left bottom corner damaged, trimmed just into plate at bottom.
A group portrait of thirty of the British officers who served at Waterloo, gathered in Apsley House, Hyde Park Corner, London residence of the Duke of Wellington. Among the sitters with the Duke are the Earl of Strafford, Sir John Waters, Sir Robert Gardiner, Lord Fitzroy Somerset (later Lord Raglan), Sir Henry Herdinge, the Marquess of Anglesey and the Duke of Richmond. On the walls are portraits of Napoleon and George IV in highland dress. A companion piece to the 'Peninsula Heroes'.
[Ref: 36758] £420.00
The Last Return from Duty. Field Marshal The Duke of Wellington, K.G. leaving the Horse Guards Aug.t 20th 1852.
Painted by James W. Glass. Engraved by James Faed.
London Published Sept.r 3rd 1855 by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East, Publishers to Her Majesty.
Coloured mezzotint. Image 580 x 865mm (22¾ x 34"), laid on backing sheet with printed title. Cut to image with title in script.
A large image of the first Duke of Wellington on horseback, returning the salute of a pair of Chelsea pensioners. Wellington had retired from political life in 1846 although he kept his seat in the Lords, as well as the role of Chief Ranger and Keeper of Hyde Park and St. James's Park. He died less than a month after this event.
[Ref: 36818] £420.00
Painted by James W. Glass. Engraved by James Faed.
London Published Sept.r 3rd 1855 by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East, Publishers to Her Majesty.
Coloured mezzotint. Image 580 x 865mm (22¾ x 34"), laid on backing sheet with printed title. Cut to image with title in script.
A large image of the first Duke of Wellington on horseback, returning the salute of a pair of Chelsea pensioners. Wellington had retired from political life in 1846 although he kept his seat in the Lords, as well as the role of Chief Ranger and Keeper of Hyde Park and St. James's Park. He died less than a month after this event.
[Ref: 36818] £420.00
![[Arthur Wellesley, Duke of Wellington] Oh What a Falling Off Was There-Fully Accoutred the Hero Lay.](jpegs/37332.jpg)
[Arthur Wellesley, Duke of Wellington] Oh What a Falling Off Was There-Fully Accoutred the Hero Lay.
[Paul Pry Esq.]
Pub May 29 1829 by T McLean 26 Haymarket- Sole Publisher of P. Pry Caricature.
Hand-coloured etching. Sheet: 360 x 250mm (14 x 9¾"). Trimmed within plate. Mounted within album sheet. Central vertical crease. Description on verso.
Wellington, in full uniform falls off his horse into a puddle of mud. On the 28th of May 1829 Wellington, whilst at a review in Hyde Park fell from his horse and was cheered by the crowd.
BM Satires 15773
[Ref: 37332] £160.00 (£192.00 incl.VAT)
[Paul Pry Esq.]
Pub May 29 1829 by T McLean 26 Haymarket- Sole Publisher of P. Pry Caricature.
Hand-coloured etching. Sheet: 360 x 250mm (14 x 9¾"). Trimmed within plate. Mounted within album sheet. Central vertical crease. Description on verso.
Wellington, in full uniform falls off his horse into a puddle of mud. On the 28th of May 1829 Wellington, whilst at a review in Hyde Park fell from his horse and was cheered by the crowd.
BM Satires 15773
[Ref: 37332] £160.00 (£192.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington & Henry Brougham] A Curious Figure that Kicks all Manner of Ways.](jpegs/58474.jpg)
[Arthur Wellesley, Duke of Wellington & Henry Brougham] A Curious Figure that Kicks all Manner of Ways. HB Sketches no 764.
HB [John Doyle] Printed at 70 St Martin's Lane.
Published by T. McLean, 26, Haymarket, March, 1843.
Tinted lithograph. Sheet 365 x 275mm (14¼ x 10¾"), large margins. Tear entering printed border at top repaired, some spotting.
The Duke of Wellington operates a cardboard figure of Lord Brougham, with jointed arms and legs.
[Ref: 58474] £140.00 (£168.00 incl.VAT)
HB [John Doyle] Printed at 70 St Martin's Lane.
Published by T. McLean, 26, Haymarket, March, 1843.
Tinted lithograph. Sheet 365 x 275mm (14¼ x 10¾"), large margins. Tear entering printed border at top repaired, some spotting.
The Duke of Wellington operates a cardboard figure of Lord Brougham, with jointed arms and legs.
[Ref: 58474] £140.00 (£168.00 incl.VAT)
The Most Noble Field Marshal the Marquis Wellington, K.G. &c, &c. Commander in Chief of the Allied Armies of England, Spain and Portugal, now invading France. 1814.
Done from the life in Spain by Carlo Amatucci. Freeman sculp.t.
published & Sold March 1. 1814, by Edw.d Orme. Publisher to his Majesty, & H.R.H. the Prince Regent, Bond Street, corner of Brook Street, London.
Stipple. Open lettered proof impresson. Platemark: 200 x 130mm (8 x 5"). Very large margins. Small ink spot.
A bust portrait of Arthur Wellesley, (1769-1852), 1st Duke of Wellington, in profile to the left, wearing military uniform, with stars and the order of Golden Fleece. Within an oval, after a medallion wax relief c. 1813. Wellesey was an Anglo-Irish soldier and statesman, a native of Ireland belonging to the Protestant Ascendancy, and one of the leading military and political figures of 19th century Britain. His defeat of Napoleon at Waterloo in 1815 put him in the top rank of Britain's military heroes.
[Ref: 37457] £140.00 (£168.00 incl.VAT)
Done from the life in Spain by Carlo Amatucci. Freeman sculp.t.
published & Sold March 1. 1814, by Edw.d Orme. Publisher to his Majesty, & H.R.H. the Prince Regent, Bond Street, corner of Brook Street, London.
Stipple. Open lettered proof impresson. Platemark: 200 x 130mm (8 x 5"). Very large margins. Small ink spot.
A bust portrait of Arthur Wellesley, (1769-1852), 1st Duke of Wellington, in profile to the left, wearing military uniform, with stars and the order of Golden Fleece. Within an oval, after a medallion wax relief c. 1813. Wellesey was an Anglo-Irish soldier and statesman, a native of Ireland belonging to the Protestant Ascendancy, and one of the leading military and political figures of 19th century Britain. His defeat of Napoleon at Waterloo in 1815 put him in the top rank of Britain's military heroes.
[Ref: 37457] £140.00 (£168.00 incl.VAT)
Arthur, Herzog von Wellington. Fieldmarschall.
P.P. Prudhon pin. 1814. Aug. Dalbon Sc.
Augsburg bei T.V. Poll.
Stipple, rare. Platemark: 255 x 180mm (10 x 7"). Large margins, printer's crease to right edge of sheet.
A German-published portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, within an oval, with floral borders below and a wreath above.
[Ref: 37458] £140.00 (£168.00 incl.VAT)
P.P. Prudhon pin. 1814. Aug. Dalbon Sc.
Augsburg bei T.V. Poll.
Stipple, rare. Platemark: 255 x 180mm (10 x 7"). Large margins, printer's crease to right edge of sheet.
A German-published portrait of Arthur Wellesley (1769-1852), 1st Duke of Wellington, within an oval, with floral borders below and a wreath above.
[Ref: 37458] £140.00 (£168.00 incl.VAT)
Le Duc de Wellington.
Gravé par Isabey. 1817. Gravé par Mécou.
[a Paris rue de trois freres No 7.]
Stipple. Sheet 215 x 120mm (8½ x4¾"), with the ink stamp of Jean Baptiste Isabey. Trimmed within plate, losing publication line.
Portrait bust of Wellington in uniform with cross and star, Order of the Golden Fleece suspended from a ribbon around his neck. Isabey used this ink stamp on authorised prints after his paintings.
Lugt 1478.
[Ref: 60725] £60.00 (£72.00 incl.VAT)
Gravé par Isabey. 1817. Gravé par Mécou.
[a Paris rue de trois freres No 7.]
Stipple. Sheet 215 x 120mm (8½ x4¾"), with the ink stamp of Jean Baptiste Isabey. Trimmed within plate, losing publication line.
Portrait bust of Wellington in uniform with cross and star, Order of the Golden Fleece suspended from a ribbon around his neck. Isabey used this ink stamp on authorised prints after his paintings.
Lugt 1478.
[Ref: 60725] £60.00 (£72.00 incl.VAT)