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[Warwick Castle.] 24.
[Warwick Castle.] 24. [The Castle as it now stands is chiefly a fournteenth century building. The strategic position of Warwick was realised long before the present building was erected, and earthworks may be seen of the fort completed by Ethelgleda, a daughter of Alfred the Great. The Castle has been rebuilt on more than one occasion, and the building as it stands to-day is largely as it was left by Sir Fulke Greville, a direct ancester of the Earl of Warwick. On the right is Beauchamp's Tower, or Guy's Tower, 120 ft. high, which as built by Thomas de Beauchamp, Earl of Warwick. On the left is Caesar's Tower, built a few years earlier. The buildings include the great hall, state rooms and domestic buildings. The hall and the passages around contain fine collections of arms and armous, and in the state rooms are many pictures and works of art, some of considerable value. Sir Walter Scott, viewing the Castle in 1828, called it "the noblest sight in England. The finest monument of ancient and chivalrous splendour that yet remains to us uninjured by time."]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 258 x 286mm. 10¼ x 11¼".
[Ref: 14612]   £40.00   (£48.00 incl.VAT)
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Warwick Castle from the Lodge Hill.
Warwick Castle from the Lodge Hill. To the Right Honourable George Greville Earl of Warwick &c. &c. This and the following Views of his Ancient and Magnificent Castle, are Humbly Inscribed, by his Lordships most Obedient and most Humble Servant Paul Sandby R. A.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint, printed in sepia, 18th century watermark; 335 x 475mm (13¼ x 18¾"), with very large margins. Repaired tear in margin, creasing.
The first plate of four views of Warwick by Paul Sandby (1725 - 1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55982]   £360.00  
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The Siege of Warwick Castle,
The Siege of Warwick Castle, or The Battle between the Fellows & Licenciates.
[Oxford Magazine, n.d., August 1768.
Engraving. 115 x 185mm (4½ x 7¼"). Hole on plate mark patched.
A satire on an invasion of the College of Physicians at Warwick Lane in London, when 'Licenciates' (doctors not educated at English universities, usually because they were non-conformist) broken in to harass the fellows. However here the fellows are the government, lead by a skeletal 'Death', and the licenciates are Scots led by Lord Bute in a jester's hat and jack-boots. Weapons include a huge syringe and a urinal. One of the fellows says 'They pretend to cure the Kings Evil'.
BM Satires 4173.
[Ref: 45053]   £140.00   (£168.00 incl.VAT)
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The Entrance of Warwick Castle from the Lower Court.
The Entrance of Warwick Castle from the Lower Court.
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"), with very large margins. Long printer's crease in image on left.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55983]   £360.00  
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Part of Warwick Castle from the S.E.
Part of Warwick Castle from the S.E.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia, 18th century watermark; 320 x 375mm (12½ x 14¾"), with very large margins.. Creasing.
A view of Warwick Castle, looking up at the walls from the banks of the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55984]   £330.00  
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Caesars Tower and Part of Warwick Castle from the Island.
Caesars Tower and Part of Warwick Castle from the Island.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia. 320 x 375mm (12½ x 14¾"), with large margins..
A view of Warwick Castle, looking up at the walls from an island in the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55985]   £550.00  
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The Entrance of Warwick Castle from the Lower Court.
The Entrance of Warwick Castle from the Lower Court.
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"). A very fine impression. Trimmed to plate, repaired tears off image.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
[Ref: 61483]   £420.00  
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[Guy's Cliffe, Warwick.] 14.
[Guy's Cliffe, Warwick.] 14. [The road from Warwick to Kenilworth passes the Avenue of Guy's Cliffe. The story of Guy, Earl of Warwick, is one of the most popular romances of chivalry. Guy, it is said, left England to fight in Palestine, and returned to perform great feats of valour. Afterwards, instead of accepting the King's favour and returning to his wife, he became a hermit in a cave, and the place became known as Guy's Cliffe. From his cave he walked regularly to Warwick Castle to receive alms from his wife, who was unaware of his identity. Tradition says that he sent for his wife on the point of death, and was buried in the cave. The story may have little claim to the authentice, but the cave is undoubtedly an old one, as is shown by the saxon inscription.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 284 x 259mm. 11¼ x 10¼".
The picture shows the balcony of the old mill which faces the Cliffe.
[Ref: 14553]   £30.00   (£36.00 incl.VAT)
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[Leycester Hospital, Warwick, Outer Porch.] 16.
[Leycester Hospital, Warwick, Outer Porch.] 16. [This Hospital owes its existence to Robert Dudley, Earl of Leicester, and dates from the reign of Henry VI. In 1511, the Earl of Warwick took the building over and founded the Hospital to accommodate twelve ex-soldiers or their descendents in succession, from the villages in the surrounding district. The men were provided with blue gowns, with Leicester's badge and a ragged staff, embroidered on the left sleeve. To-day the gowns are worn by the pensioners when they attend church. The Hospital, a very fine example of a timber framed building, stands in a terrace rising abruptly from the roadway to St. James' Chapel, which is built over the arch of the old West Gate. Overhanging the arch entrance gateway is a picturesque gabled storey with the insignia "The Bear and Ragged Staff."]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 286 x 255mm. 11¼ x 10".
[Ref: 14555]   £30.00   (£36.00 incl.VAT)
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[Leycester Hospital Quadrangle, Warwick.] 19.
[Leycester Hospital Quadrangle, Warwick.] 19. [The Quadrangle of the Leycester Hospital is surrounded by panelled Elizabethan buildings. Facing the entrance is the richly ornamented front of the Master's Lodge. On the right is a cloister-like corridor leading to some of the rooms of the pensioners; on the left is the old banqueting hall, now partitioned into small apartments for various domestic purposes. The roof is of well preserved Spanish chestnut, dating from 1830. The upper part of the hall where the minstrel gallery formerly stood is now cut offr and forms the drawing room of the Master's house. On the opposite side of the Quadrangle is the kitchen, which serves as a common room. On its walls is a fine collection of ancient swords and armour, and in it are contained numerous relics including an old chair said to be Saxon, a beautifully carved oak cabinet from Kenilworth Castle, a portion of tapestry from Cumnor Hall (near Oxford) worked by Amy Robsart, and the signature portion of Lord Leicester's will.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 285 x 255mm. 11¼ x 10".
[Ref: 14607]   £30.00   (£36.00 incl.VAT)
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The Warwick Vase, as it appears in the Green House erected for it, at Warwick Castle.
The Warwick Vase, as it appears in the Green House erected for it, at Warwick Castle. 2 Miles W from Leamington.
Drawn from Nature & on Stone by J. Brandard.
Leamington, Published by C. Elston, 12, Lower Union Parade. M&N Hanhart, Lith Printers. [n.d. c.1845.]
Lithograph on india. 258 x 318mm (10 x 12½").
A view of a large antique vase, standing on an inscribed pedestal among trees planted in pots and in the ground, with figures of a man and woman standing at its side to the left, and a man on crutches pointing at the vase. The Warwick Vase is an ancient Roman marble vase that was discovered at Hadrian's Villa in Tivoli c.1771 by Gavin Hamiton. It was sold to the British envoy at the court of Naples, Sir William Hamilton, who shipped the vase to his elder nephew, George Greville, 2nd Earl of Warwick, who commissioned a special greenhouse for it to preserve it from the British Climate.
[Ref: 20061]   £95.00   (£114.00 incl.VAT)
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At Warwick Castle
At Warwick Castle The Celebrated Warwick Vase in Marble. [&] Marble Vase from the Antique. [&] Antique Marble Vase.
Engraved by Henry Moses.
[London Published by W.B. Cookes, 9 Soho Square, Oct.r 13.th 1827.]
Three engravings on porcelain card. Sheets 140 x 200mm (5½ x 8''), 135 x 120mm (5¼ x 4¾") & 135 x 125mm (5¼ x 5"). Laid on scrap sheet, some discolouration.
The Warwick Vase is a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now in Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 60934]   £240.00   (£288.00 incl.VAT)
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The Warwick Vase, as it appears in the Green House erected for it, at Warwick Castle.
The Warwick Vase, as it appears in the Green House erected for it, at Warwick Castle.
Drawn from Nature & on Stone by J. Brandard.
[Leamington, Published by C. Elston, 12, Lower Union Parade. M&N Hanhart, Lith Printers.][n.d. c.1845.]
Lithograph. Sheet: 185 x 230mm (7¼ x 9''). Creasing
A view of a large antique vase, standing on an inscribed pedestal among trees planted in pots and in the ground, with figures of a man and woman standing at its side to the left, and a man on crutches pointing at the vase. The Warwick Vase is an ancient Roman marble vase that was discovered at Hadrian's Villa in Tivoli c.1771 by Gavin Hamiton. It was sold to the British envoy at the court of Naples, Sir William Hamilton, who shipped the vase to his elder nephew, George Greville, 2nd Earl of Warwick, who commissioned a special greenhouse for it to preserve it from the British Climate.
[Ref: 50280]   £75.00   (£90.00 incl.VAT)
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At Warwick Castle
At Warwick Castle The Celebrated Warwick Vase in Marble, Height 4 fett 10 inches, exclusively of the Plinth._Greated diameter of the Lip 6 feet 3 inches.
Engraved by Henry Moses.
London Published by W.B. Cookes, 9 Soho Square, Oct.r 13.th 1827.
Engraving on porcelain card. Sheet: 155 x 200mm (6 x 8'').
The Warwick Vase is a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 50486]   £140.00   (£168.00 incl.VAT)
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The Warwick Vase.
The Warwick Vase.
Drawn on stone by W. Rider. Printed by Rowney & Forster.
Published by John Merridew, Warwick. [n.d., c.1825.]
Lithograph, rare. Printed area 330 x 230mm (13 x 9")
The famous Warwick Vase, a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now in Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 43348]   £230.00   (£276.00 incl.VAT)
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The Warwick Vase.
The Warwick Vase. This Grand Specimen of Grecian Art in White Marble exectuted 350 Years before Christ, was dug out of the Ruins of Adrian's Villa at Tivoli. It was sent to England in 1774 and placed in the beautiful Grounds of Warwick Castle.
London, Published Oct.r 1835 by W.B. Cooke, 27, Charlotte Street, Bloomsbury.
Etching. 150 x 205mm (6 x 8"). Small margins.
The Warwick Vase is a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 38836]   £120.00   (£144.00 incl.VAT)
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[Warwick West Gate.] 15.
[Warwick West Gate.] 15. [The West Gate of Warwick stands in the High Street close to Lord Leycester's Hospital. It is a strongly vaulted building, and formed part of the town fortification. It was erected by Thomas de Beauchamp, Earl of Warwick, in the reign of Richard II. The iron stanchions of the gate are still to be seen in the walls, and also the badge of the Dudleys-"The Bear and Ragged Staff"-with the motto "Droit et Loyal" between the initials R.L.-Robert Leicester. The tower, from which beautiful views of the Shakespearean villages may be obtained, has an unusually shaped clock face. The building stands next to the old front of the Hospital, and is one of the most picturesque sights of Warwick.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 280 x 260mm. 11 x 10¼"
[Ref: 14554]   £30.00   (£36.00 incl.VAT)
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La Blanchiseuse
La Blanchiseuse
Ruysdaal P. Duret f.
à Amsterdam chez P. Fouquet Junior, à Paris chez Basan Graveur [c.1750]
Fine engraving, platemark 380 x 300mm (15 x 11¾"), with very large margins.
'The washerwoman': woman washing a shirt by a river, with fisherman on right. After Jacob van Ruysdael (1628/9-1682), the leading Dutch landscape artist of the later 17th century.
[Ref: 40298]   £240.00   (£288.00 incl.VAT)
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The Washerwomen.
The Washerwomen. De la collection de C. Leviez.
Pillement inv.t et delin. P.C. Canot sculp.t.
Published according to Act of Parliament Sep.r 30, 1757. London, Sold at the Golden Head, Little Chapple Street, Soho.
Etching. 200 x 295mm (8 x 11¾"), very large margins.
Women standing in a wooden platform above a bay.
Gordon Smith: 47. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60321]   £130.00   (£156.00 incl.VAT)
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Capitol of the United States, Washington.
Capitol of the United States, Washington. [Two insets:] Washington selecting the site for the Capitol. Washington making his last speech in the Senate Chamber.
J & F. Tallis, London, Edinburgh & Dublin. [n.d. c.1850.]
Engraving. 184 x 280mm. 7¼ x 11". Slightly cut along lower edge.
A view of the United States Capitol, the meeting place of the United States Congress, the legislature of the federal government of the United States.
[Ref: 25837]   £45.00   (£54.00 incl.VAT)

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[Four plans for the redevelopment of Washington, DC.]
[Four plans for the redevelopment of Washington, DC.] Plan submitted for the alteration of the Streets and Av. Around the Capitol... [&][ Plat of Triangular Reservation on Pennsylvania Avenue between 20th & 21st Streets West. {&] Plat & dimensioms of Circle on Pennsylvania Avenue at Intersection of PA. Avenue, New Hampshire Avenue, New Hampshire Avenue, K. Street North, 23.d Street West [Washington Cicle Park]; [&] Plat of proposed Carriage road, and other improvements South of President's House...
Submitted by B.B. French, Commissioner of Public Buildings. Lith by A.Hoen & Co., Baltimore.
[n.d., c.1854.]
4 lithographic maps. Largest printed area 280 x 210mm, 11 x 8¼". Blind stamp of the Manchester Free Library on all sheets. Slight toning.
Benjamin Brown French, Commissioner of Public Buildings in Washington, D.C., was responsible for the rebuilding work after the devastating fire that engulfed the Capitol in 1851, burning 25,000 volumes in the Congressional Library. Prepared for the 33rd Congess of the United States.
[Ref: 26827]   £190.00   view all images for this item
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General Washington.
General Washington. Parson's Genuine Edition of Hume's England.
Engraved for J. Parsons, Paternoster Row, May 1795.
Stipple. Plate: 100 x 160mm (4 x 6¼"), with very large margins.
A half-length portrait in an oval of George Washington (1731-1799), the first President of the United States and Commander-in-Chief of the Continental Army during the American Revolution.
[Ref: 42601]   £95.00   (£114.00 incl.VAT)
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Gen.l George Washington.
Gen.l George Washington.
[London: Fielding & Walker, 1778.]
Scarce engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed within plate for binding.
A half-length portrait of George Washington in uniform, within a decorative architectural frame. From William Russell's 'The History of America, from its Discovery by Columbus to the Conclusion of the Late War'. The title refers to the French-Indian War, when Washington was made a brevet brigadier general during the Forbes Expedition to capture Fort Duquesne.
[Ref: 57717]   £140.00   (£168.00 incl.VAT)
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G. Washington [facsimile signature].
G. Washington [facsimile signature].
Painted and Engraved by W.m E. Marshall, from the Original Cast from Life by Houdon, 1785.
Copyright 1878 by Oscar Marshall 245 Broadway, New York.
Lithograph with hand colour. Printed area 550 x 360mm (21¾ x 14¼"), very large margins.
A head and shoulders portrait of George Washington, said to be based on the statue of George Washington by the French sculptor Jean-Antoine Houdon (1741-1828), but more similar to the portrait by Gilbert Stuart.
[Ref: 59228]   £260.00   (£312.00 incl.VAT)
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Washington.
Washington.
[after Gilbert Stuart]
Published by Wm. Smith 702. So. Third St. Phil:a [n.d., c.1870].
Tinted lithograph. Printed area 540 x 400mm (21¼ x 15¾"), with large margins. Tears in edges, some slight spotting.
A head and shoulders portrait of George Washington within an oval, after the portrait by Gilbert Stuart. Originally a frame maker, William Smith ran a print shop in Philadelphia from c.1860 to c.1891, specialising in lithographic portraits and historical scenes. He moved to 702 South Third Street in 1863.
[Ref: 59226]   £260.00   (£312.00 incl.VAT)
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George Washington, Commander in Chief of the American Army.
George Washington, Commander in Chief of the American Army. Engraved for the Universal Magazine.
Printed for J. Hinton, at the Kings Arms, in Paternoster Row. [n.d. c.1780.]
Engraving. 180 x 105mm (7 x 4¼"). Foxed.
Head and shoulders portrait in oval of George Washington (1732-99), Commander-in-Chief of the Continental Army from 1775 to 1783.
[Ref: 66429]   £90.00   (£108.00 incl.VAT)
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General Washington.
General Washington. Parson's Genuine Edition of Hume's England.
[J.Parsons, Paternoster Row.][n.d., c.1793.]
Stipple. 140 x 85mm (5½ x 3¼''). Staining on right in title.
A profile portrait, set in an oval of American military commander and politician George Washington (1732-1799), who is considered one of the founding fathers of the United States of America and served as the first President from 1789-1797.
[Ref: 50916]   £130.00   (£156.00 incl.VAT)
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Washington.
Washington.
[L. Rado sinc]
[n.d.,c.1800.]
Rare stipple engraving. Sheet 175 x 120mm (7 x 4¾"). Trimmed. Time stained.
Portrait of George Washington (1732 - 1799), American Founding Father, politician, military officer, and farmer who served as the first president of the United States from 1789 to 1797. Appointed by the Second Continental Congress as commander of the Continental Army in 1775, Washington led Patriot forces to victory in the American Revolutionary War and then served as president of the Constitutional Convention in 1787, which drafted the current Constitution of the United States. Washington has thus become commonly known as the "Father of his Country".
[Ref: 64117]   £75.00   (£90.00 incl.VAT)
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Washington.
Washington.
De Maurizio dis. Milano Lit. Corbetta.
[n.d., c.1850.]
Sepia tinted lithograph, sheet 440 x 305mm. 17¼ x 12". Sheet trimmed.
George Washington (1732 - 1799), printed in Milan, Italy, based on the 1796 portrait by Gilbert Stuart (1755 - 1828).
[Ref: 9929]   £140.00   (£168.00 incl.VAT)
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George Washington.
George Washington. From the Original Painting by Stuart.
[n.d. c.1850.]
Coloured steel engraving. 280 x 220mm (11 x 8¾"). Trimmed into plate at sides.
Oval head and shoulders portrait of George Washington (1732-1799) after Charles Gilbert Stuart.
[Ref: 60928]   £65.00   (£78.00 incl.VAT)
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General Washington.
General Washington.
Engraved for the Encyclopedia Londonensis, 1828.
Stipple, watermark 1828, 160 x 110mm (6¼ x 4¼"), with very large margins.
Oval head and shoulders portrait of George Washington (1732-1799) in uniform, after Charles Gilbert Stuart.
[Ref: 62181]   £130.00   (£156.00 incl.VAT)
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Geo. Washington.
Geo. Washington.
W. Grainger Sculp.t.
[Published as the Act directs Oct. 25, 1794 by H. D. Symonds Paternoster Row.]
Engraving. Sheet size: 210 x 130mm (8¼ x 5"), with small margins.
A bust portrait of American president George Washington (1732 - 1799). At the time of the portrait, Washington was President of the United States and as such is depicted in civilian dress.
[Ref: 35632]   £120.00   (£144.00 incl.VAT)
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Geo. Washington.
Geo. Washington.
[Grainger Sculp.t.]
[Published as the Act directs July 1. 1794 by H. D. Symonds Paternoster Row.]
Engraving. Sheet 180 x 105mm (7 x 4¼"). Trimmed, losing inscriptions, laid on album paper.
Portrait of George Washington as president, wearing a black coat and a jabot. Below the portrait is an unfurled scroll with a vague map on it, probably representing the site of the new capital. To the left of the scroll is a liberty pole and cap with a oak branch curling around it; to the right is a sword and set of scales.
[Ref: 51391]   £70.00   (£84.00 incl.VAT)
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The Wasp and Avon.
The Wasp and Avon.
[Abel Bowen.]
[Published by George Clark. 1840.]
Engraving. 133 x 215mm. 5¼ x 8½".
The single ship action between HMS Avon and USS Wasp, fought during the War of 1812. The Wasp forced the Avon to surrender, but she could not be taken as a prize, as other British brig-sloops appeared and prepared to engage. The Avon sank shortly after the battle. From Bowen's "Naval Monument".
[Ref: 23808]   £60.00   (£72.00 incl.VAT)
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Wasp and Frolic.
Wasp and Frolic.
[Boston: Published by Barber Badger. 1816.]
Wood engraving. 128 x 215mm. 5 x 8½".
During the War of 1812, whilst on the Delaware River, USS Wasp and HMS Frolic engaged to do battle, but Frolic was crippled and was captured by the Americans. From "The Naval Temple: Containing A Complete History of the Battles Fought by the Navy of the United States".
[Ref: 23825]   £60.00   (£72.00 incl.VAT)
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The Wasp and Reindeer.
The Wasp and Reindeer.
[Abel Bowen.]
[Published by George Clark. 1840.]
Wood engraving. 133 x 215mm. 5¼ x 8½". Few stains.
The battle between HMS Reindeer and USS Wasp was one of the hardest-fought naval actions of the War of 1812. The Wasp forced the Reindeer to surrender after far more than half its crew, including Captain William Manners, were killed or wounded. The Reindeer was too badly damaged to be salvaged so the Americans set her on fire. From Bowen's "Naval Monument".
[Ref: 23807]   £60.00   (£72.00 incl.VAT)
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[The Wastepaper World is Burned in the Fire.]
[The Wastepaper World is Burned in the Fire.] Des kladpapieren waerelds vuur in as verkeerd.
[Anon.]
[1720.]
Engraving, 18th century watermark. Plate: 310 x 390mm (12 x 15¼'') very large margins. Crease as normal.
A Dutch satirical print showing figures watching a large globe which shows the world burning. Four vignettes show the dangers of excess.
[Ref: 48484]   £260.00   (£312.00 incl.VAT)
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Souvenir and Programme of the Demonstration against Wastrelism in Trafalgar Square.
Souvenir and Programme of the Demonstration against Wastrelism in Trafalgar Square. [28th February, 1907.]
Wood engraving on crepe paper, border printed in colours. Sheet 380 x 380mm (15 x 15"). Dated in ink on reverse, lettering showing through.
A central vignette of Trafalgar Square is surrounded by a border of flags. The route started at Islington Cattle Market then passed via London Wall, over London Bridge to Borough and back north to Trafalgar Square.
[Ref: 37523]   £220.00   (£264.00 incl.VAT)
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The lively Portraiture of Mrs Mary Griffith.
The lively Portraiture of Mrs Mary Griffith.
G.Glover.
[n.d., c.1700.]
Engraving. 105 x 70mm (4 x 2¾"). Trimmed and backed onto album paper.
Portrait of Mrs Mary Griffith, holding in her right hand a pocket watch.
[Ref: 67631]   £90.00   (£108.00 incl.VAT)
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Watch Maker.
Watch Maker.
[n.d., c.1800.]
Engraving. Sheet: 150 x 90mm (6 x 3½''). Foxing.
A watch maker working in his workshop.
[Ref: 50491]   £120.00   (£144.00 incl.VAT)
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Watch Maker.
Watch Maker.
[c. 1810.]
Engraving. Sheet: 85 x 125mm (3¼ x 5").
The interior of a watch maker's workshop with a watch maker working at his bench.
[Ref: 44649]   £130.00   (£156.00 incl.VAT)
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[Watch Paper.] J.s Scott Watch & Clock Maker, Biggar.
[Watch Paper.] J.s Scott Watch & Clock Maker, Biggar.
Kirkwood & Son Imp. Edinburgh. [n.d., c.1800.]
Engraved watch paper. 45 x 45mm (1¾ x 1¾'').
An ornamental watch paper, showing a young woman in classical dress pointing at a scroll inscribed with the watchmaker's name and address.
See Ref: 5992, 58221
[Ref: 48864]   £160.00   (£192.00 incl.VAT)
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Watch Maker.
Watch Maker.
[n.d. c.1820.]
Hand-coloured engraving. 102 x 63mm. 4 x 2½". Cut and laid on album scrap.
Watch-making is an employment so well known as to require no description, but it is usually combined, particularly in the country with that of clock-making. A man sat at his workbench cutting small fascias for a watch, grandfather and other clocks are seen. From "The Book of Trades or Library of Useful Arts".
[Ref: 25534]   £140.00   (£168.00 incl.VAT)
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A Watch-Paper for Antiquaries.
A Watch-Paper for Antiquaries. This whimsical device is the representation of curious Key Stone in Chichester Cathedral...
April 24, 1809. Drawn and Engraved by King Drawing Master Chichester, of whom may be had Two Prints done by him from the historical paintings in the Cathedral.
Rare etching. 90 x 65mm (3½ x 2½").
A circular key stone with six faces, each sharing their eyes with the face to the left and right. By Thomas Aylward King (1775-1845), an artist and engraver of Chichester.
See Ref: 58677 & 58675
[Ref: 58221]   £260.00   (£312.00 incl.VAT)
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[Watch & Clock Makers] T. Wilson, Watch & Clock Maker, Barnard Castle.
[Watch & Clock Makers] T. Wilson, Watch & Clock Maker, Barnard Castle. [&] T. Softly, Watch & Clock Maker, Jweller, Silversmith & Ironmonger, Barnard Castle.
[n.d., c.1870.]
Two rare engraved watch-papers. Each c. 55mm (2½") diameter, mounted together on album paper. Trimmed, some damage.
Thomas Softly was active from 1868-76.
[Ref: 62283]   £260.00   (£312.00 incl.VAT)
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War. Attack of Fortified Places. Watch Work.
War. Attack of Fortified Places. Watch Work.
A.Bell Prin. Wal. sculptor fecit.
[n.d., c.1790.]
Engaving. 240 x 190mm, 9½ x 7½".
A page from an encyclopedia, illustrating the defences of a citadel on the Rhine, and the inner workings of a watch in eleven figures.
[Ref: 22324]   £40.00   (£48.00 incl.VAT)
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The Watchman's Address. To his Worthy Masters and Mistresses, For Christmas, 1825.
The Watchman's Address. To his Worthy Masters and Mistresses, For Christmas, 1825. Masters, awhile let patience reign, And listen to my simple strain; For once a year, though loath to do it, Custom compels me to turn poet, And tell to all my friends and neighbours My hardships and my nightly labours...Through Eighteen hundred twenty-four You found me punctual as before; And now we on the bounds arrive Of Eighteen hundred twenty-five, I know you’ll kindly say of me, "He’s filled his office worthily".
Baxter, Printer, Oxford.
[n.d. c.1830.]
Letterpress, very rare. 274 x 215mm (10¾ x 8½"). Creasing and paper toning.
A poem of gratitude from a night-watchman written for the people of the town (possibly Oxford, where it was printed), in 1825.
[Ref: 29017]   £180.00   (£216.00 incl.VAT)
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Cox Watch & Clock Maker Silversmith Jeweller & Engraver M.t Harboro. Mourning & Wedding Rings.
Cox Watch & Clock Maker Silversmith Jeweller & Engraver M.t Harboro. Mourning & Wedding Rings.
[n.d., c.1800.]
Scarce engraved watchpaper advertisement. Verso in ink "Mr. Hobbs 43709". Circular, diameter 5cm (2"). Some damage.
An advert for a jeweller and clockmaker of Market Harborough, Leicestershire.
[Ref: 60769]   £190.00   (£228.00 incl.VAT)
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[Untitled scene of a woman with a water jug on her head.]
[Untitled scene of a woman with a water jug on her head.]
[n.d., c.1780.]
Etching, printed in brown. 200 x 195mm (8 x 7¾"), with large margins on three sides. Some toning of paper. Small top margin. Foxing.
A woman stands at a spring, with her two young children, the girl cuddling a lamb.
[Ref: 65743]   £160.00   (£192.00 incl.VAT)
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Water Carrier &c.
Water Carrier &c.
Etched by R.B. Peake.
Published for William Fearman, Library, New Bond Street, Jan.y 1819.
Hand-colouered aquatint. Plate: 215 x 250mm (8½ x 9¾''). Trimmed.
A scene in a French sheet showing two nuns walking side by side, a man dragging a cart with a water barrel and other street traders. Advert for dentist on wall "La Presle Dentiste".
[Ref: 50648]   £80.00   (£96.00 incl.VAT)
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