A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A New Weather Table. constructed upon a Philosophical consideration of the attraction of the Sun and Moon...
[n.d., c.1820.]
Fine coloured engraving on card. 145 x 110mm (5¾ x 4¼"). A little surface wear. Very small loss on right.
A diagram for weather forecasting based on the positions of the sun and moon.
[Ref: 56800] £360.00
[n.d., c.1820.]
Fine coloured engraving on card. 145 x 110mm (5¾ x 4¼"). A little surface wear. Very small loss on right.
A diagram for weather forecasting based on the positions of the sun and moon.
[Ref: 56800] £360.00
![[Four women weavers at their looms.]](jpegs/7779.jpg)
[Four women weavers at their looms.]
Erlini (?) inv.et inc. [faint mss. in ink lower right.]
[n.d., c.1820.]
Etching highlighted with white crayon on coarse album paper, sheet 240 x 408mm.
Continental etching.
[Ref: 7779] £240.00 (£288.00 incl.VAT)
Erlini (?) inv.et inc. [faint mss. in ink lower right.]
[n.d., c.1820.]
Etching highlighted with white crayon on coarse album paper, sheet 240 x 408mm.
Continental etching.
[Ref: 7779] £240.00 (£288.00 incl.VAT)
Geo. Webb Hall, Esqr. From a Painting by Jas. Lonsdale, Esqr. Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britain to ~ Mrs. Webb Hall. In the back ground are Sneed Park & the River Avon, Kings Weston & the Bristol Channel.
Engraved by S.W. Reynolds, Engraver to the King.
Published Feby. 7th, 1822, by Mr. Lonsdale, 8, Berners Stt. London.
Mezzotint 657 x 406mm. Some creasing and staining. Coffee stain inside image.
George Webb Hall (1765-1824), Lawyer and Chairman to the Committee of the Agricultural Associations of Great Britain.
NPG: D35219. Whitman 125
[Ref: 12549] £260.00 (£312.00 incl.VAT)
Engraved by S.W. Reynolds, Engraver to the King.
Published Feby. 7th, 1822, by Mr. Lonsdale, 8, Berners Stt. London.
Mezzotint 657 x 406mm. Some creasing and staining. Coffee stain inside image.
George Webb Hall (1765-1824), Lawyer and Chairman to the Committee of the Agricultural Associations of Great Britain.
NPG: D35219. Whitman 125
[Ref: 12549] £260.00 (£312.00 incl.VAT)
Lt. General John Richmond alias Webb. Governor and Captain General of the Isle of Wight.
M. Dahl Pinxit. J. Faber Fecit & Excud [c.1715]
Mezzotint, scarce; sheet 345 x 240mm (13½ x 9½"). Trimmed; glued to backing sheet at edges. Damaged.
John Richmond Webb (1667-1724), army officer. In 1710 Webb was appointed captain and governor of the Isle of Wight, a position he held until 1715. In the parliamentary election of 1713 he was returned as tory candidate for both Ludgershall in Wiltshire and Newport, Isle of Wight, choosing to sit for the latter until the election of 1715. He was removed as governor owing to the fall in tory fortunes that followed the death of Queen Anne in 1714.
CS: 59-I
[Ref: 42910] £160.00 (£192.00 incl.VAT)
M. Dahl Pinxit. J. Faber Fecit & Excud [c.1715]
Mezzotint, scarce; sheet 345 x 240mm (13½ x 9½"). Trimmed; glued to backing sheet at edges. Damaged.
John Richmond Webb (1667-1724), army officer. In 1710 Webb was appointed captain and governor of the Isle of Wight, a position he held until 1715. In the parliamentary election of 1713 he was returned as tory candidate for both Ludgershall in Wiltshire and Newport, Isle of Wight, choosing to sit for the latter until the election of 1715. He was removed as governor owing to the fall in tory fortunes that followed the death of Queen Anne in 1714.
CS: 59-I
[Ref: 42910] £160.00 (£192.00 incl.VAT)
Rev.d Joshua Webb.
Wageman, fecit 1820.
Published as the Act directs by W. Williams, Amen Corner, Paternoster Row.
Mezzotint. 305 x 205mm (12 x 8"). Repairs, messy.
A rare print.
[Ref: 49529] £65.00 (£78.00 incl.VAT)
Wageman, fecit 1820.
Published as the Act directs by W. Williams, Amen Corner, Paternoster Row.
Mezzotint. 305 x 205mm (12 x 8"). Repairs, messy.
A rare print.
[Ref: 49529] £65.00 (£78.00 incl.VAT)
Mary Webb.
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938] £130.00 (£156.00 incl.VAT)
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938] £130.00 (£156.00 incl.VAT)
Mary Webb.
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942] £150.00 (£180.00 incl.VAT)
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942] £150.00 (£180.00 incl.VAT)
![[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.](jpegs/51174.jpg)
[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.
H.C. Maguire Lith.
London: Brewer & Co. 14 & 15, Poultry, Cheapside, [...] [n.d., c.1875.]
Coloured lithographic music cover. Sheet 335 x 245mm (13¼ x 9¾"). Trimmed, losing part of the publisher's address.
A music cover of a song celebrating the first person to swim unassisted across the English Channel, Captain Matthew Webb, in August 1875. It shows him with his support boat, swimming under moonlight.
[Ref: 51174] £180.00 (£216.00 incl.VAT)
H.C. Maguire Lith.
London: Brewer & Co. 14 & 15, Poultry, Cheapside, [...] [n.d., c.1875.]
Coloured lithographic music cover. Sheet 335 x 245mm (13¼ x 9¾"). Trimmed, losing part of the publisher's address.
A music cover of a song celebrating the first person to swim unassisted across the English Channel, Captain Matthew Webb, in August 1875. It shows him with his support boat, swimming under moonlight.
[Ref: 51174] £180.00 (£216.00 incl.VAT)
A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine.
J. Webber fecit, R. A.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1820'. Platemark: 325 x 450mm (12¾ x 17½"). Repairs to sheet top left.
A landscape with a man sitting cross-legged in the right foreground, making an offering which is spread on a fringed table, next to tall, narrow carvings stuck vertically in the ground in the right background. A large tupapau can be seen in the centre, below which are three small boulders and a tent with a woven roof to left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voy. Vol. II. Ch. VI.
[Ref: 31815] £320.00
J. Webber fecit, R. A.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1820'. Platemark: 325 x 450mm (12¾ x 17½"). Repairs to sheet top left.
A landscape with a man sitting cross-legged in the right foreground, making an offering which is spread on a fringed table, next to tall, narrow carvings stuck vertically in the ground in the right background. A large tupapau can be seen in the centre, below which are three small boulders and a tent with a woven roof to left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voy. Vol. II. Ch. VI.
[Ref: 31815] £320.00
Wakeiadooa, Chief of Oheitepeha, lying in state.
J. Webber fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour. Platemark: 325 x 450mm (12¾ x 17½"). Pin hole in printed area.
A scene depicting the Chief of Oheitepeha, lying in state. His shrouded body lays with a canopy above it, below a larger thatched canopy. A man, to the right, can be seen laying an offering at the feet of the body. Other offerings of fruit are shown on two small tables, one to either side. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voyage Vol II. Chap. I page 47.
[Ref: 31819] £360.00
J. Webber fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour. Platemark: 325 x 450mm (12¾ x 17½"). Pin hole in printed area.
A scene depicting the Chief of Oheitepeha, lying in state. His shrouded body lays with a canopy above it, below a larger thatched canopy. A man, to the right, can be seen laying an offering at the feet of the body. Other offerings of fruit are shown on two small tables, one to either side. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voyage Vol II. Chap. I page 47.
[Ref: 31819] £360.00
Carl Maria Von Weber. At Covent Garden Theatre, leading his celebrated Opera of Der Freischutz.
J.Hayter lithog.
[n.d., c.1826.] Printed by C.Hullmandel.
Lithograph. 285 x 245mm (11¼ x 9¾). Trimmed and backed onto album paper. Small watermark in publication area.
A musicial caricature depicting Carl Maria Von Weber (c.1786-1826), in three different positions, conducting his opera Der Freischutz at the Covent Garden Theatre.
[Ref: 67503] £260.00 (£312.00 incl.VAT)
J.Hayter lithog.
[n.d., c.1826.] Printed by C.Hullmandel.
Lithograph. 285 x 245mm (11¼ x 9¾). Trimmed and backed onto album paper. Small watermark in publication area.
A musicial caricature depicting Carl Maria Von Weber (c.1786-1826), in three different positions, conducting his opera Der Freischutz at the Covent Garden Theatre.
[Ref: 67503] £260.00 (£312.00 incl.VAT)
![[John Webster.]](jpegs/24075.jpg)
[John Webster.] Saepe suas laudes Marti persolvimus & me Passa fuit vatem Cypris amica Suum. Mercurii, Webstere, decus plaelustre, Cameonis Hos etiam Vultus da placuise meis. Vendis, emis permulta fagax mercator. at inter Commoda, mercanti Stat tibi salvus honor. Si falluntur opes alys, aut fallere norunt, Gloria non falli aut fallere prima tua est.
Cor. Jo. pinx. T. Matham Sculp. C. Barlaeus.
[n.d. c.1660.]
Rare engraving, first state. 285 x 190mm. 11¼ x 7½".
Sir John Webster, Bt (d.1675.) was the Commisary for Russia at the Hague.
See NPG: D27225.
[Ref: 24075] £220.00 (£264.00 incl.VAT)
Cor. Jo. pinx. T. Matham Sculp. C. Barlaeus.
[n.d. c.1660.]
Rare engraving, first state. 285 x 190mm. 11¼ x 7½".
Sir John Webster, Bt (d.1675.) was the Commisary for Russia at the Hague.
See NPG: D27225.
[Ref: 24075] £220.00 (£264.00 incl.VAT)
Georgius Rodolphus Weckherlin. Natus 14 Sept: 1584 Denatus 13 Feb: 1653 AEt 69 Ano AEt. 50.
Mytins Pinxit. W. Faithorne fec.
Engraving, sheet 145 x 95mm (5¾ x 3¾"). Trimmed and glued to backing sheet.
George Rudolph Weckerlin (1584-1653), Latin Secretary to Charles I, after a portrait by Daniel Mijtens I (1590-1647), leading artist at the court of Charles I for much of the 1620s and 1630s. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.66.
[Ref: 42240] £160.00 (£192.00 incl.VAT)
Mytins Pinxit. W. Faithorne fec.
Engraving, sheet 145 x 95mm (5¾ x 3¾"). Trimmed and glued to backing sheet.
George Rudolph Weckerlin (1584-1653), Latin Secretary to Charles I, after a portrait by Daniel Mijtens I (1590-1647), leading artist at the court of Charles I for much of the 1620s and 1630s. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.66.
[Ref: 42240] £160.00 (£192.00 incl.VAT)
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![[Wedded.]](jpegs/33140.jpg)
[Wedded.]
Painted by Frederick Leighton P.R.A. Engraved by G. H.Every.
Published, London 25th March, 1900 by The Fine Art Society Ltd., 148 New Bond Street.
Mezzotint, signed by the engraver. Laid on India paper. Very large margins. Printsellers assosiation blind stamp in lower left margin. Platemark: 825 x 480mm (32½ x 18¾"). Margins slightly grubby with some light foxing.
A Greek bride and bridegroom standing together under an archway at the top of a stair, her head leaning back on his shoulder, as he lifts her hand to his lips. After British artist Frederick Leighton (1830 - 1896), associated with the Pre-Raphaelite movement.
Ex: Collection of Thomas Agnew.
[Ref: 33140] £280.00 (£336.00 incl.VAT)
Painted by Frederick Leighton P.R.A. Engraved by G. H.Every.
Published, London 25th March, 1900 by The Fine Art Society Ltd., 148 New Bond Street.
Mezzotint, signed by the engraver. Laid on India paper. Very large margins. Printsellers assosiation blind stamp in lower left margin. Platemark: 825 x 480mm (32½ x 18¾"). Margins slightly grubby with some light foxing.
A Greek bride and bridegroom standing together under an archway at the top of a stair, her head leaning back on his shoulder, as he lifts her hand to his lips. After British artist Frederick Leighton (1830 - 1896), associated with the Pre-Raphaelite movement.
Ex: Collection of Thomas Agnew.
[Ref: 33140] £280.00 (£336.00 incl.VAT)
![[Alexander Wedderburn] Lord Loughborough.](jpegs/36513.jpg)
[Alexander Wedderburn] Lord Loughborough. Lord High Chancellor of Great Britain.
Dighton del.
London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780]
Mezzotint with small margins, rare, platemark 155 x 115mm (6 x 4½"). Glued to backing sheet at corners.
Alexander Wedderburn, first Earl of Rosslyn (1733-1805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763.
[Ref: 36513] £180.00 (£216.00 incl.VAT)
Dighton del.
London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780]
Mezzotint with small margins, rare, platemark 155 x 115mm (6 x 4½"). Glued to backing sheet at corners.
Alexander Wedderburn, first Earl of Rosslyn (1733-1805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763.
[Ref: 36513] £180.00 (£216.00 incl.VAT)
![[Alexander Wedderburn] Alexander Lord Loughborough.](jpegs/64392.jpg)
[Alexander Wedderburn] Alexander Lord Loughborough.
Engraved by J. Kennerley from a Picture by W. Owen.
Published as the Act directs, July 1804, by J. Kennerley. 1 Carey Street, Chancery Lane.
Stipple. 280 x 230mm (11 x 9"), with large margins. Foxing in left margin, old ink collecetor's number.
Alexander Wedderburn (1733-1805), first Earl of Rosslyn, in his Lord Chancellor's wig and robes.
[Ref: 64392] £130.00 (£156.00 incl.VAT)
Engraved by J. Kennerley from a Picture by W. Owen.
Published as the Act directs, July 1804, by J. Kennerley. 1 Carey Street, Chancery Lane.
Stipple. 280 x 230mm (11 x 9"), with large margins. Foxing in left margin, old ink collecetor's number.
Alexander Wedderburn (1733-1805), first Earl of Rosslyn, in his Lord Chancellor's wig and robes.
[Ref: 64392] £130.00 (£156.00 incl.VAT)
De Bruiloft van Cloris en Roosje. Les Noces de Clorus et Rosette.
C. Troost pinxit. P. Tanjé fecit.
[n.d., c.1760.]
Engraving. Plate: 520 x 410mm (20½ x 16"), with very large margins.
A scene at a wedding in which the newly married couple dance together while the guests look on. A plate from a series of 31 engravings published between 1754-1764 after paintings, drawings and pastels by Cornelius Troost made between (1738-1748).
[Ref: 42667] £390.00
C. Troost pinxit. P. Tanjé fecit.
[n.d., c.1760.]
Engraving. Plate: 520 x 410mm (20½ x 16"), with very large margins.
A scene at a wedding in which the newly married couple dance together while the guests look on. A plate from a series of 31 engravings published between 1754-1764 after paintings, drawings and pastels by Cornelius Troost made between (1738-1748).
[Ref: 42667] £390.00
Welsh Wedding, Running Away With the Bride.
J.C. Rowland Del. J. McGathey, Lith. Paradise S.t Liverpool.
Published by T. Catherall, Eastgate Row, Chester. June 1st
Rare tinted lithograph with hand colour. Sheet 280 x 380mm (11 x 15"), with very large margins.
A bride and groom symbolically 'abscond' from a village, 'chased' by well-wishers. The bride wears a the traditional stovetop hat.
[Ref: 55947] £260.00 (£312.00 incl.VAT)
J.C. Rowland Del. J. McGathey, Lith. Paradise S.t Liverpool.
Published by T. Catherall, Eastgate Row, Chester. June 1st
Rare tinted lithograph with hand colour. Sheet 280 x 380mm (11 x 15"), with very large margins.
A bride and groom symbolically 'abscond' from a village, 'chased' by well-wishers. The bride wears a the traditional stovetop hat.
[Ref: 55947] £260.00 (£312.00 incl.VAT)
The Wedding. Minister, Will thou take this woman for thy wedded wife? Clown. Yeas, sure, I wool, I cum.d a Purpose.
Published & For Sale at No.111 Nassau St. N. York. [n.d., c.1830.]
Rare hand-coloured lithograph. Sheet: 395 x 285mm (15 x 11¼''). Staining and tears in edges.
A comic scene in a church showing a wedding of a simple couple. Published in New York.
[Ref: 50949] £180.00 (£216.00 incl.VAT)
Published & For Sale at No.111 Nassau St. N. York. [n.d., c.1830.]
Rare hand-coloured lithograph. Sheet: 395 x 285mm (15 x 11¼''). Staining and tears in edges.
A comic scene in a church showing a wedding of a simple couple. Published in New York.
[Ref: 50949] £180.00 (£216.00 incl.VAT)
The Wedding.
Published 1st. August 1799 by R.Ackermann 101 Strand for Dr. I.no Trusler.
Coloured aquatint, prepared as a transparency with watercolour on the reverse. Image 305 x 230mm. 12 x 9", on paper watermarked 1794. Soiling in margins.
A wedding in a candlelit Gothic church. The Reverend Doctor John Trusler (1735-1820), clergyman, student of medicine, bookseller, and author of such works as 'Hogarth Moralized' (1768), 'The Way to be Rich and Respectable' (1750?), and 'A Sure Way to Lengthen Life with Vigor' (circa 1819). He commissioned William Blake to paint a picture to illustrate “Malevolence”, but Blake could not follow the clergyman's wishes: "I attempted every morning for a fortnight together to follow your Dictate, but when I found my attempts were in vain, resolv'd to shew an independence which I know will please an Author better than slavishly following the track of another, however admirable that track may be. At any rate, my Excuse must be: I could not do otherwise; it was out of my power!". Trusler refused Blake's work, saying he found Blake's "Fancy" to be located in the "World of Spirits" and not in this world.
[Ref: 19853] £220.00 (£264.00 incl.VAT)
Published 1st. August 1799 by R.Ackermann 101 Strand for Dr. I.no Trusler.
Coloured aquatint, prepared as a transparency with watercolour on the reverse. Image 305 x 230mm. 12 x 9", on paper watermarked 1794. Soiling in margins.
A wedding in a candlelit Gothic church. The Reverend Doctor John Trusler (1735-1820), clergyman, student of medicine, bookseller, and author of such works as 'Hogarth Moralized' (1768), 'The Way to be Rich and Respectable' (1750?), and 'A Sure Way to Lengthen Life with Vigor' (circa 1819). He commissioned William Blake to paint a picture to illustrate “Malevolence”, but Blake could not follow the clergyman's wishes: "I attempted every morning for a fortnight together to follow your Dictate, but when I found my attempts were in vain, resolv'd to shew an independence which I know will please an Author better than slavishly following the track of another, however admirable that track may be. At any rate, my Excuse must be: I could not do otherwise; it was out of my power!". Trusler refused Blake's work, saying he found Blake's "Fancy" to be located in the "World of Spirits" and not in this world.
[Ref: 19853] £220.00 (£264.00 incl.VAT)
Wedding Day.
London Pubd by A. Sharpe [c.1820's].
Lithograph with hand-colouring, printed area 255 x 185mm (10 x 7¼") large margins. Small pin hole.
A happy groom and less-pleased bride leaving the church where they have been married. Lithograph by Edmé Jean Pigal (1798-1872), French caricaturist who studied under Baron Gros, and published by A. Sharpe, who favoured gentle observational humour such as that found in Pigal's work.
[Ref: 40580] £95.00 (£114.00 incl.VAT)
London Pubd by A. Sharpe [c.1820's].
Lithograph with hand-colouring, printed area 255 x 185mm (10 x 7¼") large margins. Small pin hole.
A happy groom and less-pleased bride leaving the church where they have been married. Lithograph by Edmé Jean Pigal (1798-1872), French caricaturist who studied under Baron Gros, and published by A. Sharpe, who favoured gentle observational humour such as that found in Pigal's work.
[Ref: 40580] £95.00 (£114.00 incl.VAT)
'Fallow Deer' Wedgwood, Etruria England.
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405] £280.00 (£336.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401] £130.00 (£156.00 incl.VAT)
Josiah Wedgwood, Esq.re F.R.S & S.A.
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748] £160.00 (£192.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Stipple. Sheet: 165 x 210mm (6½ x 8¼"). Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Stipple. Sheet: 165 x 210mm (6½ x 8¼"). Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353] £140.00 (£168.00 incl.VAT)
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124] £260.00 (£312.00 incl.VAT)
The Three Graces.
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497] £280.00 (£336.00 incl.VAT)
Weep, Thaly Weep!
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Etching. 102 x 118mm. 4 x 4¾". Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Etching. 102 x 118mm. 4 x 4¾". Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515] £220.00 (£264.00 incl.VAT)
Weeping & Joy.
[John Collier as 'Tim Bobbin'.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Fine coloured stipple and etching. 160 x 210mm (6¼ x 8¼"), with large margins.
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See Ref: 49316
[Ref: 41826] £130.00 (£156.00 incl.VAT)
[John Collier as 'Tim Bobbin'.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Fine coloured stipple and etching. 160 x 210mm (6¼ x 8¼"), with large margins.
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See Ref: 49316
[Ref: 41826] £130.00 (£156.00 incl.VAT)
Weeping Willow.
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010] £230.00 (£276.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
T.Cecill sculp.
[n.d. 1632.]
Rare engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
T.Cecill sculp.
[n.d. 1632.]
Rare engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274] £130.00 (£156.00 incl.VAT)
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
I. Taylor sculp.
[n.d. 1800.]
Engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
I. Taylor sculp.
[n.d. 1800.]
Engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853] £65.00 (£78.00 incl.VAT)
![[Weimaraner.]](jpegs/47929.jpg)
[Weimaraner.]
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 38/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 38/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929] £230.00 (£276.00 incl.VAT)
![[Johan Wilhelm Weinmann]](jpegs/58811.jpg)
[Johan Wilhelm Weinmann] Joannes Guilielmus Weinmannus Dicasterij Ratisbonensis Assessor et Pharmacopola, natus Gardelegiæ MDCLXXXIII. d. XIII Mart. ætat LIV.
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Mezzotint printed in blue. 320 x 200mm (12½ x 8"), large margins on 3 sides. Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
Hirschman pinx. J. Jac. Haid sculps. Aug. Vind.
[n.d., c.1737]
Mezzotint printed in blue. 320 x 200mm (12½ x 8"), large margins on 3 sides. Thread margin lower right.
Johan Wilhelm Weinmann (1683-1741), German apothecary and botanist, aged 54 so dating the portrait to 1737. Weinmann established a botanical garden in Regensburg and published botanical works, most notably the eight-volume florilegium 'Phytanthoza iconographia' (1737-45), illustrated with fine mezzotint plates. Engraving by Johann Jakob Haid (1704-67), one of the engravers employed on the florilegium, after a portrait by Johann Leonhard Hirschmann (1672-1750), artist and printmaker who studied in the studio of Sir Godfrey Kneller as a young man.
Wellcome 3142.
[Ref: 58811] £360.00
Le Major Weiss. Tout dans son Livre, Weiss, me parait réuni... Par le Marquis de Chévigni.
[n.d., c.1800.]
Engraving. Sheet 145 x 90mm, 5¾ x 3½". Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
[n.d., c.1800.]
Engraving. Sheet 145 x 90mm, 5¾ x 3½". Trimmed, on album paper.
U.S. Interest. Oval portrait of Franz-Rudolf von Weiss, a French soldier and political theorist, possibly a frontispiece to his "Principes philosophiques, politiques et moraux".
[Ref: 18446] £85.00 (£102.00 incl.VAT)
Weissenfeld een Hartoglyke Stad aen de rivier de Saal, drie 'uren van Leipzich. Weissenfeldia, 'urbs nobilis, distans tria milliaria a Lipsia sedes Du'cis.
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Engraving, with large margins. Plate 215 x 268mm. 8½ x 10½".
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Pet Schenk. Amsteld C.P.
[n.d. c.1702.]
Engraving, with large margins. Plate 215 x 268mm. 8½ x 10½".
Weissenfels, in Germany, situated on the river Saale. A hunting group on horses with dogs in the near right foreground; fishers on the shore by the bridge, and canoes and a raft on the river. The Neu-Augustusburg Castle to the left. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 24907] £220.00 (£264.00 incl.VAT)
Justice Welch From an Original Sketch by Hogarth in the Collection of Sam.l Ireland 1781 The portrait was began & finished within an hour by which a Considerable bet was Won
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
S.I. sculp
London, Publish'd May 1st 1788, by Molton & Co. 132 Pall Mall
Etching, sheet 175 x 125mm (7 x 5"). Trimmed
Saunders Welch (1711-84), grocer and magistrate. Originally a greengrocer (in the sense of a wholesale rather than retail business), Welch became a magistrate through his friend, the novelist and magistrate Henry Fielding, who before his death, asked that his salary be split between his half-brother Henry and Welch, who became the two leading metropolitan magistrates. His social circle included Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens.
[Ref: 43103] £230.00 (£276.00 incl.VAT)
Le Retour Desiré. Dédié A Son Excellence Monsieur le Comte f'harcourt.
J.E. Schenau Pinx. Cl. Duflos sculp.
A Paris chez l'Auteur, rue Galande chez Mr Fauchereau Chaplier Par son très Obeissant Serviteur Claude Duflos [n.d., c.1770.]
Etching. 510 x 370mm (20 x 14½"). Very large margins.
'The Welcome Return': a soldier enters his home to be greeted by his children and dog. His wife breaks off suckling her baby to reach for him.
[Ref: 38106] £280.00 (£336.00 incl.VAT)
J.E. Schenau Pinx. Cl. Duflos sculp.
A Paris chez l'Auteur, rue Galande chez Mr Fauchereau Chaplier Par son très Obeissant Serviteur Claude Duflos [n.d., c.1770.]
Etching. 510 x 370mm (20 x 14½"). Very large margins.
'The Welcome Return': a soldier enters his home to be greeted by his children and dog. His wife breaks off suckling her baby to reach for him.
[Ref: 38106] £280.00 (£336.00 incl.VAT)
A Welcome Visitor at Christmas. For the History of this Jovial Personage See the "Book of Christmas".
W. Spooner 250 Regent Street. [n.d., c.1837.]
Hand coloured etching, 230 x 320mm (9 x 12½").
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
W. Spooner 250 Regent Street. [n.d., c.1837.]
Hand coloured etching, 230 x 320mm (9 x 12½").
A scene showing a figure made up of traditional Christmas food such as Christmas pudding, turkey, wine and ham standing in the middle of a tabel while cards, a jug and glasses play around him. The title makes reference to 'The Book of Christmas' 1837 by Thomas K. Hervey, which explained the customs and traditions of the Christmas season and was also published by W. Spooner.
[Ref: 41367] £390.00
![[Thomas Weld] Bishop Weld.](jpegs/66474.jpg)
[Thomas Weld] Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby. Proof
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66474] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66474] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] Bishop Weld.](jpegs/66475.jpg)
[Thomas Weld] Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby. Proof
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66475] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
Published by J. Appleby, No.6, Thanet Place Temple Bar London [n.d. c.1830].
Mezzotint. 355 x 255mm (14 x 10"), with large uncut margins. Mint.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state iv of v.
[Ref: 66475] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66476.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title, printed on chine collé. 355 x 255mm (14 x 10"), large margins. Crack in platemark on right.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66476] £140.00 (£168.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title, printed on chine collé. 355 x 255mm (14 x 10"), large margins. Crack in platemark on right.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66476] £140.00 (£168.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66477.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title. 355 x 255mm (14 x 10"), large margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66477] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Fine mezzotint, proof before title. 355 x 255mm (14 x 10"), large margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66477] £180.00 (£216.00 incl.VAT)
![[Thomas Weld] [Bishop Weld.](jpegs/66478.jpg)
[Thomas Weld] [Bishop Weld. This print is humbly dedicated by permission to the Hon.ble M.rs Clifford by her obedient and very humble servant J. Appleby.]
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Mezzotint, proof before title. 355 x 255mm (14 x 10"). Small margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66478] £180.00 (£216.00 incl.VAT)
Painted by J. Ramsay Esq.r. Engraved by C. Turner, Esq.r Mezzotinto Engraver in Ordinary to His Majesty.
[Published by J. Appleby, No.6, Thanet Place Temple Bar London] [n.d. c.1830.]
Mezzotint, proof before title. 355 x 255mm (14 x 10"). Small margins.
A seated portrait of Thomas Weld (1773-1837), an English Roman Catholic bishop and cardinal. He is best remembered for persuading Pope Pius VII to declare Maria Fitzherbert's marriage to George IV sacramentally valid. The portrait seems to predate his installation as cardinal by Pius VII in 1830.
W: 597, state between i & ii of ii. Ex: collections of Lord Clifford of Chudleigh and The Hon. Christopher Lennox-Boyd, his state ii of v.
[Ref: 66478] £180.00 (£216.00 incl.VAT)
La Battalla De Baylen y Rendicion de el General Dupont al Exercito Espanol Patriotico al Mando de los Generales Castanos y Reding Pieza Historica y Militar para el Piano Forte, accompanamineto de Violin y Bazo Dedicada a la Lunta Suprema de Sevilla. Los Generales Castoanos y Teding sus Valietes Officales y Soldados y a to dos los Patriotas Espanoles por Peter Weldon.
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Engraved title sheet for a composition and arrangement. "Verse la Proclama de la Junta Suprema de Sevilla del 29de Mayo e 1808.
Engraving 315 x 210mm. Trimmed to plate.
'THE BATTLE OF BAYLEN' - And surrender of General Dupont to the Patriotic Spanish Army under the Command of Generals Castonos and Reding and Historical and Military Piece for the Piano Forte with an accompaniment for the Violin & Bass Dedicated to the Supreme Junta of Seville Generals Castanos & Reding their Brave Officers & Soldiers and to all Spanish Patriots. By Peter Weldon.
[Ref: 6504] £180.00 (£216.00 incl.VAT)
Well! I Can't Help It. 400.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint. 155 x 110mm (6 x 4½"), with large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint. 155 x 110mm (6 x 4½"), with large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32365] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint with hand-colouring, sheet 150 x 115mm (6 x 4½"). Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. [n.d., c.1796]
Mezzotint with hand-colouring, sheet 150 x 115mm (6 x 4½"). Trimmed to image; late impression.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 32366] £120.00 (£144.00 incl.VAT)
Well! I Can't Help It. 400
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Mezzotint. 155 x 115mm (6¼ x 4½"), large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Carington Bowles, No. 69 St Pauls Church Yard, London. Published as the Act directs, 1 Dec.r 1792.
Mezzotint. 155 x 115mm (6¼ x 4½"), large margins.
Man making a 'horns' sign with his right hand. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 8918.
[Ref: 63430] £180.00 (£216.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] A Draught of the Old Well](jpegs/41905.jpg)
[Arthur Wellesley, Duke of Wellington] A Draught of the Old Well _ Ah help, in this extremest need,__If water-gods are deities indeed__vide Dryden. Cheltenham - see the conquering Hero comes!!!
(Paul Pry) Esq. It is a very moving sight.
Pub by T McLean 26 Haymarket where Political & other caricatures are daily Pub. [n.d., 1828.]
Hand-coloured etching. 260 x 375mm (10¼ x 14¾"), with very large margins watermarked 1827.
Caricature produced at the time of Wellington's visit to Cheltenham for his health, after which he returned feeling much better. Very thin, he walks in discomfort holding a bunch of papers docketed Lord High Adm[iral]. His complexion is mud-coloured (as in some other prints of this date) to show his ill-health.
BM Satires: 15548.
[Ref: 41905] £220.00 (£264.00 incl.VAT)
(Paul Pry) Esq. It is a very moving sight.
Pub by T McLean 26 Haymarket where Political & other caricatures are daily Pub. [n.d., 1828.]
Hand-coloured etching. 260 x 375mm (10¼ x 14¾"), with very large margins watermarked 1827.
Caricature produced at the time of Wellington's visit to Cheltenham for his health, after which he returned feeling much better. Very thin, he walks in discomfort holding a bunch of papers docketed Lord High Adm[iral]. His complexion is mud-coloured (as in some other prints of this date) to show his ill-health.
BM Satires: 15548.
[Ref: 41905] £220.00 (£264.00 incl.VAT)