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Combats de Wavre et de Hamme.
Combats de Wavre et de Hamme. (14. 15. Septembre 1792. Tome 1er page 93 des Vict. et Conquets.) ''Suis moi situ veux la Mériter.''
F. Grenier. 1818. Lithog. de C. de Last.
au dépot gén.al de Lithog ruë Jacob. No.14.
Lithograph. Printed area: 350 x 300mm (13¾ x 11¾"), with very large margins. Loss at top right corner missing.
A view of the Battle of the Wavre and Hamme Rivers in 1792. A scene from ''The Victories, Conquests, Disasters, Reverses and the Civil War of the French from 1789-1815'' published in 1818.
[Ref: 44804]   £180.00   (£216.00 incl.VAT)
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Cathédrale de Cracovie.
Cathédrale de Cracovie.
Ed. Montulé del. Brocas lith.
Lithograph. Sheet: 370 x 260mm, (14½ x 10"). Bit dusty left corner.
A view of the Royal Archcathedral Basilica of Saints Stanislaus and Wenceslaus on the Wawel Hill, in Krakow. From 'Voyage en Angleterre et en Russie, pendent les années 1821, 1822 et 1823' by Edouard Montulé published in 1825 in which he described his travels to Great Britain and Eastern Europe.
[Ref: 39446]   £120.00   (£144.00 incl.VAT)
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The Whitening of Wax. [&] The Working of Wax into Rolls. [&] The Making of Wax-tapers and Candles.
The Whitening of Wax. [&] The Working of Wax into Rolls. [&] The Making of Wax-tapers and Candles.
[n.d., 1763.]
Three engravings. Each sheet c. 170 x 195mm (6¾ x 7¾"), with three sheets of letterpress. Original folds, slight offset from text.
From 'Spectacle de la Nature: or, Nature Display'd. Being Discourses On such Particulars of Natural History As were thought most proper to Excite the Curiosity, and Form the Minds of Youth'.
[Ref: 60859]   £140.00   (£168.00 incl.VAT) view all images for this item
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The Way of the World.
The Way of the World.
Published March 20 1786 by S.W. Fores at the Caricature Warehouse, Piccadilly.
Coloured etching. 6¾ x 7¾" [paper size].
Inscribed with a quote from Shakespeare: 'Now by two headed Janus, Nature hath fram'd strange fellows in her time, Some that will evermore peep thro' their eyes, And laugh like parrots at a Bag-piper; And others of such vinegar aspect, That they'll not show their teeth in way of smile, Tho' Neston swear the Jest be laughable.'
Not in BM.
[Ref: 404]   £320.00  
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[Two portraits of William Waynflete]
[Two portraits of William Waynflete]
Two engravings and letterpress, trimmed and pasted to album sheet covering area 345 x 200mm (13½ x 8").
William Waynflete (c.1400-1486), bishop of Winchester and founder of Magdalen College, Oxford.
[Ref: 44070]   £140.00   (£168.00 incl.VAT)
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[William Waynflete.] Gulielmus Patten.
[William Waynflete.] Gulielmus Patten. als: Waynfleet totius Angliae Cancells: Episc: Winton Coll: B: Mariae Magd: Oxon et Aulae adjunctae fund. Ao 1459 Hanc effigiem Revdo: Viro Jo Harwar, S.T.P. et istius Coll: Praesidi Dignissmo: a Tabula in suis AEdibus asservata fact:m.
Summa cum Humil & Observantia. D.D.D. J.Faber. A. 1712.
[n.d., c1740.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 260 x 200mm (10¼ x 8"). Trimmed to platemark. Backed onto album paper at corners.
Portrait of William Waynflete (c. 138 - 1486), born William Patten, was Headmaster of Winchester College (1429-1441), Provost of Eton College (1442-1447), Bishop of Winchester (1447-1486) and Lord Chancellor of England (1456-1460). He founded Magdalen College, Oxford, and three subsidiary schools, namely Magdalen College School in Oxford, Magdalen College School, Brackley in Northamptonshire and Wainfleet All Saints in Lincolnshire.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65129]   £160.00   (£192.00 incl.VAT)
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[William Waynflete.] Gulielmus Patten.
[William Waynflete.] Gulielmus Patten. als: Waynfleet totius Angliae Cancells: Episc: Winton Coll: B: Mariae Magd: Oxon et Aulae adjunctae fund. Ao 1459 Hanc effigiem Revdo: Viro Tho. Jenner, S.T.P. et istius Coll: Praesidi Dignissmo: a Tabula in suis AEdibus asservata fact:m.
Summa cum Humil & Observantia. D.D.D. H.Parker.
[n.d., c.1740.] Printed for Henry Parker, Print and Bookseller at No.82 in Cornhill, London.
Mezzotint. 260 x 200mm (10¼ x 8"). Trimmed close to plate. Very small margins.
Portrait of William Waynflete (c. 138 - 1486), born William Patten, was Headmaster of Winchester College (1429-1441), Provost of Eton College (1442-1447), Bishop of Winchester (1447-1486) and Lord Chancellor of England (1456-1460). He founded Magdalen College, Oxford, and three subsidiary schools, namely Magdalen College School in Oxford, Magdalen College School, Brackley in Northamptonshire and Wainfleet All Saints in Lincolnshire.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65128]   £80.00   (£96.00 incl.VAT)
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Ways and Means Why they don't Marry.
Ways and Means Why they don't Marry. Because [as symbol] Several letters had appeared in the Times complaining of the prevalent extravagance which rendered it impossible for people of moderate means to marry. - July, 1861.
[Punch, 41, 13 July 1861.]
Engraving. 354 x 526mm (14 x 20¾"). Foxing; folded as normal.
Two images showing the extravagence of marriage. A woman to the left holding a print of a carriage, whilst her chamber-maid attends to her hair; the room contains ornate furniture, prints of horses and of a 'Design of a Cottage'. In the opposite image, a gentleman sat in a reading chair holding The Times newspaper; his butler appears with a tipple.
[Ref: 52371]   £65.00   (£78.00 incl.VAT)
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A Burlesque on Mr & Mrs Clark - or the Flitch of Bacon.
A Burlesque on Mr & Mrs Clark - or the Flitch of Bacon. Sung by Mr Fawcett, at Covent Garden, in the Popular Farce of We Fly by Night.
Publish'd April 1, 1806, by Laurie & Whittle, 53, Fleet Street, London.
Coloured etching. Sheet 195 x 245mm (7¾ x 9½"). Trimmed within plate.
A farmer and his wife look forward to claiming 'The Dunmow Flitch', a prize for couples who have been married a year and do not regret it. However by fighting about how to cook the bacon they negate their claim. The farce 'We Fly by Night', by George Colman the younger (1762-1836), was first played on 28 Jan. 1806. Fawcett played Ferrit, a servant.
BM Satires 10673.
[Ref: 54357]   £160.00   (£192.00 incl.VAT)
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Wealth and Respectability.
Wealth and Respectability.
Ambery del.t. Vain Right Sculp.
Pub.d March 12th 1805 by S.W. Fores No 50 Piccadilly.
Coloured etching. 345 x 245mm (13½ x 9½"), on watermarked Whatman paper.
A ragged old peasant woman collecting firewood is confronted by a devil serving as a gamekeeper. She begs in vain to be allowed to take the wood to her daughter's poor children. The artist and engraver's names are probably pseudonyms.
Not in BM.
[Ref: 68506]   £590.00  
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The Worship of Wealth.
The Worship of Wealth.
Designed Etched & Published by George Cruikshank. _ 23 Myddleton Terrace.
Etching on india laid paper, 190 x 280mm (7½ x 11").
A large money bag drawn in a carriage, gentlemen bowing as it passes. Several highly caricatured character studies either side, and four lines of verse below main image. A satirical print from 'My Sketch Book' by George Cruikshank (1792 - 1878).
[Ref: 12020]   £75.00   (£90.00 incl.VAT)
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The Walking Philosopher.
The Walking Philosopher.
DeBruyn del. Rothwell sc.
[Published by Harrison & Co 1/8/1802]
Rare engraving, sheet 140 x 85mm (5½ x 3½"). Trimmed within plate.
A man with a balloon strapped to his body and paddle-shaped wings in each hand.
[Ref: 57061]   £140.00   (£168.00 incl.VAT)
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Wearmouth Bridge.
Wearmouth Bridge.
Rich.d Wallis sculpt.
Sept.r 28th 1795.
A very rare etching. Plate: 180 x 220mm (7 x 8¾") with large margins.
A view of the bridge across the River Wearmouth in Sunderland before its completion in 1796.
From Kedleston.
[Ref: 46311]   £180.00   (£216.00 incl.VAT)
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The Weasel. The Stoat.
The Weasel. The Stoat.
P. Paillou pinx. P. Mazell sculp.
[n.d., c.1766.]
Hand-coloured etching, 18th century watermark. Plate: 225 x 440mm (9 x 17¼'') very large margins.
An illustration of a weasel and a stoat facing each other, from 'The British Zoology' 1766 by Thomas Pennant.
[Ref: 48380]   £160.00   (£192.00 incl.VAT)
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The Complete Weather Guide; a collection of Practical Observations for Prognosticating the Weather,
The Complete Weather Guide; a collection of Practical Observations for Prognosticating the Weather, Drawn from Plants, Animals, Inanimate Bodies, and also by means of Philosophical Instruments; including The Shepherd of Banbury's Rules, Explained on Philasophical Principles. with an Appendix of Miscellaneous Oberservations on Meteorology, a curious Botanical Clockm &c. &c. &c.
By Joseph Taylor.
London: Printed for Gale, Curtis, and Fenner, Paternoster Row: Sold also by John Harding, St James's Street; and John Martin Holles Street, Cavendish Square. 1813.
12mo, paper boards; pp. viii + 160; with folding wood-engraved frontis. Front hinge very strained.
A rare guide to predicting the weather, based on the behaviour of animals and plants, astronomy, winds and even barometers and thermometers. The frontispiece is 'Flora's Dial', a decorative table listing when different plants open and close their flowers. Joseph Taylor (c.1761-1844).
[Ref: 40551]   £290.00  
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St Swithins Chapel _ Cold bath fields
St Swithins Chapel _ Cold bath fields -(NB not a Chapel of Ease.)
Sketched Etched & Published by George Cruikshank Myddleton Terrace Pentonville Dec.r 1833.
Etching on india laid paper, 190 x 280mm (7½ x 11").
A preacher addresses a crowd under umbrellas in the rain outside Coldbath Fields Prison (later also known as Clerkenwell Gaol) in the Clerkenwell area of London. Also other vignettes of figures under umbrellas in the rain, and Napoleon wrestling with a huge globe lower left. A satirical print on wet British weather from 'My Sketch Book' by George Cruikshank (1792 - 1878). Swithun is one of the few Anglo-Saxon saints still known to most ordinary people because of his patronage of the English weather. He gives his name to a British weather lore proverb, which says that if it rains on Saint Swithun's day, 15th July, it will rain for 40 days.
[Ref: 12021]   £60.00   (£72.00 incl.VAT)
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A New Weather Table.
A New Weather Table. constructed upon a Philosophical consideration of the attraction of the Sun and Moon...
[n.d., c.1820.]
Fine coloured engraving on card. 145 x 110mm (5¾ x 4¼"). A little surface wear. Very small loss on right.
A diagram for weather forecasting based on the positions of the sun and moon.
[Ref: 56800]   £360.00  
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[Four women weavers at their looms.]
[Four women weavers at their looms.]
Erlini (?) inv.et inc. [faint mss. in ink lower right.]
[n.d., c.1820.]
Etching highlighted with white crayon on coarse album paper, sheet 240 x 408mm.
Continental etching.
[Ref: 7779]   £240.00   (£288.00 incl.VAT)
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Geo. Webb Hall, Esqr. From a Painting by Jas. Lonsdale, Esqr. Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britain to ~ Mrs. Webb Hall.
Geo. Webb Hall, Esqr. From a Painting by Jas. Lonsdale, Esqr. Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britain to ~ Mrs. Webb Hall. In the back ground are Sneed Park & the River Avon, Kings Weston & the Bristol Channel.
Engraved by S.W. Reynolds, Engraver to the King.
Published Feby. 7th, 1822, by Mr. Lonsdale, 8, Berners Stt. London.
Mezzotint 657 x 406mm. Some creasing and staining. Coffee stain inside image.
George Webb Hall (1765-1824), Lawyer and Chairman to the Committee of the Agricultural Associations of Great Britain.
NPG: D35219. Whitman 125
[Ref: 12549]   £260.00   (£312.00 incl.VAT)
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Lt. General John Richmond alias Webb.
Lt. General John Richmond alias Webb. Governor and Captain General of the Isle of Wight.
M. Dahl Pinxit. J. Faber Fecit & Excud [c.1715]
Mezzotint, scarce; sheet 345 x 240mm (13½ x 9½"). Trimmed; glued to backing sheet at edges. Damaged.
John Richmond Webb (1667-1724), army officer. In 1710 Webb was appointed captain and governor of the Isle of Wight, a position he held until 1715. In the parliamentary election of 1713 he was returned as tory candidate for both Ludgershall in Wiltshire and Newport, Isle of Wight, choosing to sit for the latter until the election of 1715. He was removed as governor owing to the fall in tory fortunes that followed the death of Queen Anne in 1714.
CS: 59-I
[Ref: 42910]   £160.00   (£192.00 incl.VAT)
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Rev.d Joshua Webb.
Rev.d Joshua Webb.
Wageman, fecit 1820.
Published as the Act directs by W. Williams, Amen Corner, Paternoster Row.
Mezzotint. 305 x 205mm (12 x 8"). Repairs, messy.
A rare print.
[Ref: 49529]   £65.00   (£78.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938]   £130.00   (£156.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942]   £150.00   (£180.00 incl.VAT)
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[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.
[Matthew Webb.] Dedicated to Captain Webb. The Channel Quadrilles by J. Pridham.
H.C. Maguire Lith.
London: Brewer & Co. 14 & 15, Poultry, Cheapside, [...] [n.d., c.1875.]
Coloured lithographic music cover. Sheet 335 x 245mm (13¼ x 9¾"). Trimmed, losing part of the publisher's address.
A music cover of a song celebrating the first person to swim unassisted across the English Channel, Captain Matthew Webb, in August 1875. It shows him with his support boat, swimming under moonlight.
[Ref: 51174]   £180.00   (£216.00 incl.VAT)
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A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine.
A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine.
J. Webber fecit, R. A.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1820'. Platemark: 325 x 450mm (12¾ x 17½"). Repairs to sheet top left.
A landscape with a man sitting cross-legged in the right foreground, making an offering which is spread on a fringed table, next to tall, narrow carvings stuck vertically in the ground in the right background. A large tupapau can be seen in the centre, below which are three small boulders and a tent with a woven roof to left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voy. Vol. II. Ch. VI.
[Ref: 31815]   £320.00  
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Wakeiadooa, Chief of Oheitepeha, lying in state.
Wakeiadooa, Chief of Oheitepeha, lying in state.
J. Webber fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour. Platemark: 325 x 450mm (12¾ x 17½"). Pin hole in printed area.
A scene depicting the Chief of Oheitepeha, lying in state. His shrouded body lays with a canopy above it, below a larger thatched canopy. A man, to the right, can be seen laying an offering at the feet of the body. Other offerings of fruit are shown on two small tables, one to either side. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vide Cook's last Voyage Vol II. Chap. I page 47.
[Ref: 31819]   £360.00  
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Carl Maria Von Weber.
Carl Maria Von Weber. At Covent Garden Theatre, leading his celebrated Opera of Der Freischutz.
J.Hayter lithog.
[n.d., c.1826.] Printed by C.Hullmandel.
Lithograph. 285 x 245mm (11¼ x 9¾). Trimmed and backed onto album paper. Small watermark in publication area.
A musicial caricature depicting Carl Maria Von Weber (c.1786-1826), in three different positions, conducting his opera Der Freischutz at the Covent Garden Theatre.
[Ref: 67503]   £260.00   (£312.00 incl.VAT)
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[John Webster.]
[John Webster.] Saepe suas laudes Marti persolvimus & me Passa fuit vatem Cypris amica Suum. Mercurii, Webstere, decus plaelustre, Cameonis Hos etiam Vultus da placuise meis. Vendis, emis permulta fagax mercator. at inter Commoda, mercanti Stat tibi salvus honor. Si falluntur opes alys, aut fallere norunt, Gloria non falli aut fallere prima tua est.
Cor. Jo. pinx. T. Matham Sculp. C. Barlaeus.
[n.d. c.1660.]
Rare engraving, first state. 285 x 190mm. 11¼ x 7½".
Sir John Webster, Bt (d.1675.) was the Commisary for Russia at the Hague.
See NPG: D27225.
[Ref: 24075]   £220.00   (£264.00 incl.VAT)
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Georgius Rodolphus Weckherlin.
Georgius Rodolphus Weckherlin. Natus 14 Sept: 1584 Denatus 13 Feb: 1653 AEt 69 Ano AEt. 50.
Mytins Pinxit. W. Faithorne fec.
Engraving, sheet 145 x 95mm (5¾ x 3¾"). Trimmed and glued to backing sheet.
George Rudolph Weckerlin (1584-1653), Latin Secretary to Charles I, after a portrait by Daniel Mijtens I (1590-1647), leading artist at the court of Charles I for much of the 1620s and 1630s. Engraving by William Faithorne (c.1620-91), printmaker who was apprenticed to the printseller William Peake, with whom he served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.66.
[Ref: 42240]   £160.00   (£192.00 incl.VAT)

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[Wedded.]
[Wedded.]
Painted by Frederick Leighton P.R.A. Engraved by G. H.Every.
Published, London 25th March, 1900 by The Fine Art Society Ltd., 148 New Bond Street.
Mezzotint, signed by the engraver. Laid on India paper. Very large margins. Printsellers assosiation blind stamp in lower left margin. Platemark: 825 x 480mm (32½ x 18¾"). Margins slightly grubby with some light foxing.
A Greek bride and bridegroom standing together under an archway at the top of a stair, her head leaning back on his shoulder, as he lifts her hand to his lips. After British artist Frederick Leighton (1830 - 1896), associated with the Pre-Raphaelite movement.
Ex: Collection of Thomas Agnew.
[Ref: 33140]   £280.00   (£336.00 incl.VAT)
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[Alexander Wedderburn] Lord Loughborough.
[Alexander Wedderburn] Lord Loughborough. Lord High Chancellor of Great Britain.
Dighton del.
London: Printed for Bowles & Carver / No. 69 St Paul's Church Yard [n.d., c.1780]
Mezzotint with small margins, rare, platemark 155 x 115mm (6 x 4½"). Glued to backing sheet at corners.
Alexander Wedderburn, first Earl of Rosslyn (1733-1805), lord chancellor. Born in Scotland, Wedderburn struggled to establish himself in the 1750s (a time of English mistrust of ambitious Scots), but by 1764 he was made king's counsel. In 1780, around the time this print was made, he became chief justice of the court of common pleas and a peer as Baron Loughborough, going on to become lord chancellor in 1793 where he opposed catholic emancipation. While Wedderburn has not been viewed kindly by many historians, he was a valued public speaker and competent judge.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS: Page 1763.
[Ref: 36513]   £180.00   (£216.00 incl.VAT)
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[Alexander Wedderburn] Alexander Lord Loughborough.
[Alexander Wedderburn] Alexander Lord Loughborough.
Engraved by J. Kennerley from a Picture by W. Owen.
Published as the Act directs, July 1804, by J. Kennerley. 1 Carey Street, Chancery Lane.
Stipple. 280 x 230mm (11 x 9"), with large margins. Foxing in left margin, old ink collecetor's number.
Alexander Wedderburn (1733-1805), first Earl of Rosslyn, in his Lord Chancellor's wig and robes.
[Ref: 64392]   £130.00   (£156.00 incl.VAT)
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De Bruiloft van Cloris en Roosje. Les Noces de Clorus et Rosette.
De Bruiloft van Cloris en Roosje. Les Noces de Clorus et Rosette.
C. Troost pinxit. P. Tanjé fecit.
[n.d., c.1760.]
Engraving. Plate: 520 x 410mm (20½ x 16"), with very large margins.
A scene at a wedding in which the newly married couple dance together while the guests look on. A plate from a series of 31 engravings published between 1754-1764 after paintings, drawings and pastels by Cornelius Troost made between (1738-1748).
[Ref: 42667]   £390.00  
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Welsh Wedding, Running Away With the Bride.
Welsh Wedding, Running Away With the Bride.
J.C. Rowland Del. J. McGathey, Lith. Paradise S.t Liverpool.
Published by T. Catherall, Eastgate Row, Chester. June 1st
Rare tinted lithograph with hand colour. Sheet 280 x 380mm (11 x 15"), with very large margins.
A bride and groom symbolically 'abscond' from a village, 'chased' by well-wishers. The bride wears a the traditional stovetop hat.
[Ref: 55947]   £260.00   (£312.00 incl.VAT)
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The Wedding.
The Wedding. Minister, Will thou take this woman for thy wedded wife? Clown. Yeas, sure, I wool, I cum.d a Purpose.
Published & For Sale at No.111 Nassau St. N. York. [n.d., c.1830.]
Rare hand-coloured lithograph. Sheet: 395 x 285mm (15 x 11¼''). Staining and tears in edges.
A comic scene in a church showing a wedding of a simple couple. Published in New York.
[Ref: 50949]   £180.00   (£216.00 incl.VAT)
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The Wedding.
The Wedding.
Published 1st. August 1799 by R.Ackermann 101 Strand for Dr. I.no Trusler.
Coloured aquatint, prepared as a transparency with watercolour on the reverse. Image 305 x 230mm. 12 x 9", on paper watermarked 1794. Soiling in margins.
A wedding in a candlelit Gothic church. The Reverend Doctor John Trusler (1735-1820), clergyman, student of medicine, bookseller, and author of such works as 'Hogarth Moralized' (1768), 'The Way to be Rich and Respectable' (1750?), and 'A Sure Way to Lengthen Life with Vigor' (circa 1819). He commissioned William Blake to paint a picture to illustrate “Malevolence”, but Blake could not follow the clergyman's wishes: "I attempted every morning for a fortnight together to follow your Dictate, but when I found my attempts were in vain, resolv'd to shew an independence which I know will please an Author better than slavishly following the track of another, however admirable that track may be. At any rate, my Excuse must be: I could not do otherwise; it was out of my power!". Trusler refused Blake's work, saying he found Blake's "Fancy" to be located in the "World of Spirits" and not in this world.
[Ref: 19853]   £220.00   (£264.00 incl.VAT)
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Wedding Day.
Wedding Day.
London Pubd by A. Sharpe [c.1820's].
Lithograph with hand-colouring, printed area 255 x 185mm (10 x 7¼") large margins. Small pin hole.
A happy groom and less-pleased bride leaving the church where they have been married. Lithograph by Edmé Jean Pigal (1798-1872), French caricaturist who studied under Baron Gros, and published by A. Sharpe, who favoured gentle observational humour such as that found in Pigal's work.
[Ref: 40580]   £95.00   (£114.00 incl.VAT)
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'Fallow Deer' Wedgwood, Etruria England.
'Fallow Deer' Wedgwood, Etruria England.
Engraving for Wedgwood Pottery.
c. 1910.
Engraving 275mm diameter. Laid on old mount.
Charming rural scene with two fallow deer in foreground. Stamped. As per Title.
[Ref: 405]   £280.00   (£336.00 incl.VAT)
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Josiah Wedgwood.
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43400]   £130.00   (£156.00 incl.VAT)
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Josiah Wedgwood.
Josiah Wedgwood.
Engraved by W. Holl [after George Stubbs.]
William Mackenzie, London, Edinburgh & Glasgow.
Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed to platemark.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs.
[Ref: 43401]   £130.00   (£156.00 incl.VAT)
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Josiah Wedgwood, Esq.re F.R.S & S.A.
Josiah Wedgwood, Esq.re F.R.S & S.A.
Painted by Sir Joshua Reynolds. Engraved by S. W. Reynolds 15 Holland St, Kensington.
Published May 1st. 1841 by R. Sheppard, Repository of Arts, Newcastle Under Lyme.
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate.
A portrait of potter and entrepreneur Josiah Wedgwood (1730-1795).
Not in Hamilton.
[Ref: 47748]   £160.00   (£192.00 incl.VAT)
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Josiah Wedgwood Esq.r.
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George stubbs pinx.t. Geo: Townly Stubbs sculp.t. Engraver to His R.H. the Prince of Wales.
[n.d., c.1795].
Stipple. Sheet: 165 x 210mm (6½ x 8¼"). Trimmed within plate. Repaired vertical crease through print on right side.
A half portrait in roundel of Josiah Wedgwood (1730-1795) after George Stubbs' miniature portrait. Wedgwood was a highly successful potter who is often credited with the industrialisation of the manufacture of ceramics. Possibly from the enamel in the Wedgwood Museum.
CLB: 97 I of II.
[Ref: 35353]   £140.00   (£168.00 incl.VAT)
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Josiah Wedgwood Esq.r.
Josiah Wedgwood Esq.r. Done from an original Picture Painted in Enamel as large as Life.
George Stubbs pinx.t. Geo: Townly Stubbs sculp.t Engraver to His R.H. the Prince of Wales.
London, Published Feb.y 10. 1795, by Geo:Townly Stubbs, No.86 High Street, Marybone.
Stipple . Sheet 225 x 175mm (9 x 7"). Trimmed to plate.
A half-length portrait of Josiah Wedgwood (1730-95], patron of the artist, George Stubbs. Wedgwood first commissioned Stubbs to paint himself and his wife in 1780 and the artist painted in oil a family picture with nine figures, four being on horseback, also a large portrait in enamel on earthenware; both these works are now in the possession of Mr. Godfrey Wedgwood. This print was published by George Townly Stubbs within three months of Wedgwood's death in 1795 as a memorial, probably taken from the enamel in his father's studio.
Lennox-Boyd: 97, II of II.
[Ref: 53124]   £260.00   (£312.00 incl.VAT)
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The Three Graces.
The Three Graces.
Painted by W.Weekes.
Published by Richard C. Hall & Co. 72 Dean Street, London. W. Copyright Registered. Entered According to Act of Congress, 1898 by Richard C. Hall & Co. in the Office of the Library of Congress.
Photogravure. 460 x 365mm.
A Pug, Fox Terrier, and Spaniel.
[Ref: 6497]   £280.00   (£336.00 incl.VAT)
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Weep, Thaly Weep!
Weep, Thaly Weep!
F. Bartolozzi sculp. 1778.
[London: George Kearsely, 1778.]
Etching. 102 x 118mm. 4 x 4¾". Cut.
Thalia, Music of comedy and idyllic poetry, seated on rocks looking at the medallion, with a portrait head in profile, and weeping. To the right, Samuel Foote being led to a boat by Mercury and in the foreground, a head buring in the ground. Title-page to 'An Elegy on the Death of Samuel Foote, Esq.' by Boschereccio.
De Vesme: 811; iv/iv.
[Ref: 20515]   £220.00   (£264.00 incl.VAT)
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Weeping & Joy.
Weeping & Joy.
[John Collier as 'Tim Bobbin'.]
Pub. June 4 1816, by Edw.d Orme, London [but c.1825].
Fine coloured stipple and etching. 160 x 210mm (6¼ x 8¼"), with large margins.
Satirical portraits of two men, one with a pint of beer. From 'The Passions, Humourously Delineated. By Tim Bobbin', actually John Collier (1708-86), the self-styled 'Lancashire Hogarth'. Originally published in 1773, this set is described by George as 'tidied up copies'.
See Ref: 49316
[Ref: 41826]   £130.00   (£156.00 incl.VAT)
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Weeping Willow.
Weeping Willow.
Pub, July 1. 1814, by W.H. Pyne, Cecil Street, Strand.
Soft ground etching in sepia, image 245 x 320mm. Trimmed into plate lower left, ink stains upper left (outside image).
The artist is John Robert Cozens (1752 - 1797), son of Alexander Cozens (1717 - 1786), the drawing master and landscape-painter in water-colours. From the 1814 edition of his 'Series of 13 Trees' first published in 1789.
[Ref: 8010]   £230.00   (£276.00 incl.VAT)
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Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631.
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
T.Cecill sculp.
[n.d. 1632.]
Rare engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. This was used as the frontispiece to his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent'.
[Ref: 56274]   £130.00   (£156.00 incl.VAT)
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Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631.
Vera Effigies Iohannis Weever Aetatis Suaw 55. Anno 1631. Lancashire gave him breath, And Cambridge educaton. His studies are of Death. Of Heaven his meditation.
I. Taylor sculp.
[n.d. 1800.]
Engraving. Sheet 165 x 110mm (6½ x 4¼"). Trimmed to image on three sides, mounted in album paper at edges.
Portrait of John Weever (c.1575-1632), poet and antiquarian, wearing an embroidered cap and lace ruff, half-length in an oval, with hand on a skull next to two books. A reversed copy of the frontispiece engraved by Cecill for his 'Ancient Funeral Monuments Within the United Monarchie of Great Britaine, Ireland, and The Islands Adjacent', originally published 1632.
[Ref: 59853]   £65.00   (£78.00 incl.VAT)
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[Weimaraner.]
[Weimaraner.]
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 38/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47929]   £230.00   (£276.00 incl.VAT)
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