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La Dance de Village.
La Dance de Village.
[After Nicolas Arnoult]
C. Dankerts exc. cum Privilegio. [n.d. c.1700]
Engraving, sheet 290 x 190mm (11½ x 7½"). Trimmed within plate and laid on album paper at corners
A group of young women and a man dance around a tree. In the tree sits a man playing the bagpipes. A reverse copy of an engraving by Nicolas Arnoult (1650 - c.1722), specialist in fashion plates and historical costume. Published by Cornelis Danckerts II (1664-1717), Ducth printmaker and publisher in Amsterdam; son of Justus Danckerts (1635-1701).
See [Ref:54717] for Arnoult's version.
[Ref: 68714]   £320.00  
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La Dance de Laloyeau.
La Dance de Laloyeau.
C. Dankerts exc. cum Privilegio. [n.d. c.1700]
Engraving, sheet 290 x 190mm (11½ x 7½"). Trimmed within plate and laid on album paper at corners.
A group of young women and a man dance around a large barrel, atop of which one man plays an organ grinder and another holds a glass of alcohol aloft. A reverse copy of an engraving by Nicolas Arnoult (1650 - c.1722), specialist in fashion plates and historical costume. Published by Cornelis Danckerts II (1664-1717), Ducth printmaker and publisher in Amsterdam; son of Justus Danckerts (1635-1701).
See [Ref:54717] for Arnoult's version.
[Ref: 68715]   £320.00  
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Vue du Village de Nama. (Vanikoro.)
Vue du Village de Nama. (Vanikoro.)
de Sainson pinx. Asselineau lith. Fig par V. Adam.
J. Tastu Editeur. Lith. de Lemercier. [Paris, n.d. c.1833.]
Lithograph. 330 x 519mm. 13 x 20½".
A view of the village of Nama, Vanikolo, Solomon Islands. French sailors arriving the bay greeted by the locals with gifts and small boats to help them reach the shoreline. Numbered 'Pl.183' upper right; from 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. Publisher's blindstamp below title. After Louis Auguste de Sainson (1801 - 1887).
NLA: 2923270. Ex Norman Blackburn Collection.
[Ref: 18847]   £180.00   (£216.00 incl.VAT)
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The Village Elms.  Sunday Morning in New England.
The Village Elms. Sunday Morning in New England.
A.F. Bellows, J. Duthie.
William Pate & Company, New York & London. Entered according to Act of Congress in the year 1878 by Wm. Pate & Co. in the Office of the Librarian of Congress at Washington D.C.
Engraving, 23 x 29½".
[Ref: 605]   £520.00  
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[A Village Girl Gathering Nuts.]
[A Village Girl Gathering Nuts.]
W.R. Bigg pinxit. P.W. Tomkins Sculpt late pupil of F Bartolozzi.
London Published as the Act directs May 1. 1789 by S. Watts No. 50 opposite old round Court Strand.
Stipple engraving, scratched letter proof before title, printed in sepia. 415 x 320mm (17¼ x 12½").
A girl in patterned dress and bonnet using a stick to hook the branches of the trees above her, to which she reaches to gather nuts, a basket beside her on the ground. A companion to 'A Cottage Girl Shelling Pease';
[Ref: 8091]   £420.00  
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[A Village Girl Gathering Nuts.]
[A Village Girl Gathering Nuts.]
W.R. Bigg pinxit. P.W. Tomkins Sculpt late pupil of F Bartolozzi.
London Published as the Act directs May 1. 1789 by S. Watts No. 50 opposite old round Court Strand.
Stipple engraving, scratched letter proof before title. 415 x 320mm (17¼ x 12½"), with very large margins.
A girl in patterned dress and bonnet using a stick to hook the branches of the trees above her, to which she reaches to gather nuts, a basket beside her on the ground. A companion to 'A Cottage Girl Shelling Pease';
[Ref: 45046]   £320.00  
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La Danse de Village. [&] Le Village Abondonné.
La Danse de Village. [&] Le Village Abondonné.
J.K. Sherwin Del. Chaponnier Sculp.
AParis chez Bance, Rue du petit Pont au Grand Balcon Quartier St. Jacques. [n.d.].
A pair of stipples, very fine, printed in colour. Plate 481 x 596mm (19 x 23½"). Trimmed to plate, some scuffing and rubbing. Repaired tear to 'Village Abondonné'.
Pair of French rural scenes after the British artist J.K. Sherwin. In 'La Danse de Village' villagers dance around a tree, a man standing playing a pipe and tambourine in the middle; a water mill seen to the right. In 'Le Village Abondonné' a family leave their village, accompanied by a laden donkey, a small boy at the front carries a small white kitten and a bouncing dog.
[Ref: 29957]   £550.00   view all images for this item
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[Village Scene.]
[Village Scene.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 133 x 152mm (5¼ x 6"). Crease to lower right corner. Cut.
View of a village, with two figures resting on a bank near buildings in foreground at right; house at left, with a tall sign on a pedestal at the front. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34810]   £60.00   (£72.00 incl.VAT)
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The Village School.
The Village School.
Pub.d Dec.r 1828, by J. Harris, corner of St Paul's and Baldwin & Craddock Paternoster Row.
Engraving, sheet 180 x 100mm (7 x 4").
Two vignettes, including a cricket match taking place at a school, within decorative border.
[Ref: 42451]   £110.00   (£132.00 incl.VAT)
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[The village shepherd]
[The village shepherd] Le Berger du Village.
Ch. Eisen inv. Basan excudit [c.1760]
A Paris chez Basan
Fine engraving, sheet 220 x 265mm (8¾ x 10½"). Trimmed to platemark; glued to album sheet at corners; rust spot to upper margin.
A young shepherd plays music on a recorder; woman, child and dog in attendance. Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45069]   £270.00   (£324.00 incl.VAT)
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The Village Vanderer.
The Village Vanderer. Health sparkles in her sprightly eye.
Painted by S. Shelley. G. Zancon Sculp.t.
Pub.d. Apr.l. 1788.
Stipple, rare. Sheet: 110 x 175mm, (4¼ x 7"). Trimmed within plate on right edge. Small pin holes in lower edge. Some surface dirt.
A half portrait of the protagonist from a poem called 'Wanderer, or the Village Maid'.
[Ref: 35105]   £80.00   (£96.00 incl.VAT)
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The Village Wedding. Page 118.
The Village Wedding. Page 118. Col.l Nesbit presenting a Wedding portion to the Old Peasant his Daughter.
[n.d. c.1770.]
Engraving. 172 x 101mm (6¾ x 4"). Trimmed.
The rich colonel, sitting to the right, attempts to hand the old peasant a dowry for his daughter who will not accept it.
[Ref: 34757]   £60.00   (£72.00 incl.VAT)
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Les Villageois de L'Apennin.
Les Villageois de L'Apennin. Dédié à Monsieur C.N. Cochin Garde des Desseins du Cabinet du Roy, Secretaire et Historiographe de l’Academie Royale de Peinture et de Sculpture. Par son très humble et très Obeissant Serviteur et Ami J. Ouvrier.
J.B.M. Pierre pinx. J. Ouvrier sculp. Gravé d’apres le Tableau Origiinal d’un pied cinq pouces de hauteur sur un pied dix pouces de largeur Peint para M. Pierre Ecuyer premier Peintre de S.A.S.M. le Duc d’Orleans.
A Paris chez l’Auteur Place Maubert chez M. Bellot Md. Bonnetier au Soleil d’Or. [n.d. c.1760.]
Etching and engraving with small margins. Plate 253 x 310mm (10 x 12¼"). Small hole to right above head of shadowed man.
Standing woman conversing with a shepherd lying in front of her, with sheep and goats behind him, in mountainous landscape; another figure stands on the right; lying cow and vegetables in the foreground.
Ex: Oettingen-Wallerstein collection.
[Ref: 28440]   £190.00   (£228.00 incl.VAT)
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Villager
Villager Oh! come, and while the rosy footed May / Steals blushing on, together let us tread [...]
Drawn by a Lady. J.P. Levilly sculp
[n.d., c.1790]
Stipple, platemark 285 x 215mm (11¼ x 8½"). Small margins; foxing in centre.
Decorative scene after anonymous female artist by Jacques Philippe Levilly (1780-1800, fl.), French engraver active in England. Verses from James Thomson's 'Spring' below.
[Ref: 44204]   £140.00   (£168.00 incl.VAT)
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[Villagers]
[Villagers] Les villageois / Tandis qu'au point du jour vous portés dans les Villes / Les agréables fruits de vos travaux utiles [...]
C. Eisen Inv. de Fehrt Sculp [c.1760]
A Paris chés Buldet rue de Gesvres au Grand Coeur.
Fine engraving, sheet 395 x 280mm (15½ x 11"). Trimmed to platemark; glued to album sheet at corners.
Two figures transporting baskets of food stop to talk to a vagrant sitting on the ground. Engraved after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45066]   £420.00  
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Vera Effigies Sancti Thomae a Villanova.
Vera Effigies Sancti Thomae a Villanova. Ordinis Eremit S. Augustini Archiepiscopi Valentini Patris Pauperum appellati & ab Alexandro VII. Pont. Max. Anno 1658. Prima Novemb. Sanctorum Catalogo adscripti, cuius Festum celebratur die 18. Septembris...
Carol. Marattis delin. G. Castell. Sculp Romae Superiorum permissu.
Arnoldo Van Westerhout formis. [n.d., c.1660.]
Engraving. Sheet: 370 x 250mm (14½ x 9¾''). Trimmed, staining in edges. Central crease.
A portrait of St. Thomas of Villanueva (1488-1555) who had been Archibishop of Valencia and reknowned for his charity. He was cannonised in 1658. The saint is shown handing coins to young children while their thankful parents look on.
[Ref: 49676]   £130.00   (£156.00 incl.VAT)
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[Villefranche.]
[Villefranche.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 225 x 365mm (8¾ x 14½"), with very large margins. Embossed stamp of the Fine Art Trade Guild.
A view of the lovely resort town of Villefranche-sur-Mer in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur region on the French Riviera. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62637]   £240.00   (£288.00 incl.VAT)
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Marie Therese Villetle F. La Ruette De La Comedie Italienne. Recu en 1761.
Marie Therese Villetle F. La Ruette De La Comedie Italienne. Recu en 1761. Quel air pur,/ Le Ciel tranquile/ La paix regne dans cette asile; Isabelle Gertrude Scene VIII.
Avec privilege du Roy [n.d., c.1765].
Engraving, sheet 229 x 173mm. Trimmed within plate.
A French comic actress.
Ex: Collection of Alec Clunes.
[Ref: 7875]   £220.00   (£264.00 incl.VAT)
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Aug Villiers [facsimile signature].
Aug Villiers [facsimile signature].
A D'Orsay fecit 15 Decr. 1841 [signed in plate].
[London: J. Mitchell, c.1841.]
Lithograph with colour added by hand, india paper, india 210 x 160mm. 8¼ x 6¼". Margins trimmed.
Portrait of Augustus Villiers (1810 - 1847), soldier; son of 5th Earl of Jersey. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.375.
[Ref: 21884]   £65.00   (£78.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaueland.
[Barbara Villiers] The Dutchess of Cleaueland.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1690.]
Mezzotint sheet 340 x 255mm (13½ x 10") Cut. Light staining in title area. Bit messy.
A three-quarter length portrait of Barbara Villiers, Duchess of Cleveland (1640-1709) and mistress of of Charles II from 1659 until the early 1670s. Seated with her hair in curls, wearing a necklace, a low-cut dress, and an ermine robe. A curtain drapes to the left, while a pillar stands to the right, with trees and a distant mountain in the background on the right.
CS9. Blackett-Ord T25 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65001]   £260.00   (£312.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaueland.
[Barbara Villiers] The Dutchess of Cleaueland.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1690.] But later.
Mezzotint sheet 340 x 255mm (13½ x 10") Cut.
A three-quarter length portrait of Barbara Villiers, Duchess of Cleveland (1640-1709) and mistress of of Charles II from 1659 until the early 1670s. Seated with her hair in curls, wearing a necklace, a low-cut dress, and an ermine robe. A curtain drapes to the left, while a pillar stands to the right, with trees and a distant mountain in the background on the right.
CS9. Blackett-Ord T25 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd. Ex Kedleston Hall 13/4/2002
[Ref: 65011]   £260.00   (£312.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaueland.
[Barbara Villiers] The Dutchess of Cleaueland.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1690.]
Mezzotint. 330 x 255mm (13 x 10"), with large margins, in pencil on verso "sale at Sothebys 1/30/1830" .
A three-quarter length portrait of Barbara Villiers, Duchess of Cleveland (1640-1709) and mistress of of Charles II from 1659 until the early 1670s. Seated with her hair in curls, wearing a low-cut dress. She holds a flower to her breast and a bowl of flowers in her lap. A curtain drapes to the left, while a window on the right reveals trees in the distance.
CS10. Blackett-Ord T24 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65012]   £360.00  
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
G. Kneller pinx. I. Beckett fe: et e[x.]
[n.d., c.1690.]
Mezzotint. Sheet x 180mm (9½ x 7"). Trimmed within plate, affecting inscription on right.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s.
CS 22, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65376]   £160.00   (£192.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
G. Kneller pinx. [engraved by Issac Beckett.]
J. Smith ex. [n.d., c.1690.] [But later]
Mezzotint. 240 x 190mm (9½ x 7½"). Old ink mss. in margin.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. Originally published by Beckett.
CS 22, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65377]   £120.00   (£144.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
P. Lilly Eques pinx: Beckett fe:
J.S [John Smith] ex. [n.d., c.1690.]
Mezzotint. 200 x 140mm (8 x 5½"). Thread margins.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. Originally published by Beckett.
CS 23, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65381]   £140.00   (£168.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
P. Lilly Eques pinx: Beckett fe:
J.S [John Smith] ex. [n.d., c.1690.]
Mezzotint. 195 x 140mm (7¾ x 5½"). Trimmed within plate, old ink mss. at bottom.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. Originally published by Beckett.
CS 23, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65382]   £120.00   (£144.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
S P Lely pinx:
I. Beckett ex: [n.d., c.1690.]
Mezzotint, 17th century watermark. Sheet 340 x 250mm (13¼ x 9¾"). Trimmed within plate, laid on album paper at corners.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated under a curtain, an ornamental garden with statues behind. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s.
CS 25, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Ex Collection of Lady Lucas of Credwell [in pencil on the reverse].
[Ref: 65383]   £260.00   (£312.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec:
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, pt 17th century watermark, sheet 235 x 185mm (9¼ x 7¼"). Trimmed within plate.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II.
CS 14 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd. From the Townley Sale.
[Ref: 65440]   £260.00   (£312.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec:
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, 17th century watermark, sheet 235 x 185mm (9¼ x 7¼"). Trimmed within plate. Light foxing.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II.
CS 14 II of II.
[Ref: 65443]   £260.00   (£312.00 incl.VAT)
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[Barbara Villiers] The Dutchess of Cleaveland.
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec: cum Privilegio Regis.
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, 240 x 190mm (9½ x 7½"). Small margins and tipped into album sheet.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II.
CS 14 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65444]   £260.00   (£312.00 incl.VAT)
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[Frances Countess of Jersey.]
[Frances Countess of Jersey.]
D. Gardner Pinx.t. Tho.s Watson fecit.
Publish'd Feb.y 14.th 1774, for W. Shropshire, No. 158, & T. Watson, No. 142, New Bond Street.
Mezzotint. 260 x 195mm (10¼ x 7¾"). Surface scratch, small margins, tipped onto album sheet.
A portrait of Frances Villiers, Countess of Jersey (1753-1821) who was the mistress of George IV while Prince of Wales.
[Ref: 47259]   £180.00   (£216.00 incl.VAT)
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George Duke of Buckingham with his Brother Francis, 1636.
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.
Fine mezzotint. 500 x 355mm (19¾ x 14") Trimmed to plate, mounted on album paper at corners, some creasing in corners.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd and Lady Lucas of Credwell.
[Ref: 68370]   £460.00  
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George Duke of Buckingham with his Brother Francis, 1636.
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752. [But later]
Mezzotint. 500 x 355mm (19¾ x 14") Thread margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, iii of iii; Goodwin 22, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68371]   £360.00  
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[George Villiers.] Birmingham Aº 1624. [Top left]
[George Villiers.] Birmingham Aº 1624. [Top left]
AVD [supposed monogram of Antony van Dyck]. [Engraved by Captain William Baillie.]
[n.d., c.1785.]
Proof before title stipple and etching . Sheet 310 x 210mm (12¼ x 8¼"). Trimmed within plate.
A half-length portrait of George Villiers (1592-1628) wearing a high, stiff lace collar and doublet with slashed sleeves, the jewel of the garter on a ribbon around his neck. The plate was engraved by Captain William Baillie (1723-1810) who ascribed it to van Dyke. However the drawing he copied, now in the British Museum (1862,0524.19), was by Lucas Vosterman, probably itself taken from a painting by Daniel Mytens. Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. Villiers was a royal favourite of Kings James I and Charles I who dominated early 17th-century English politics. His failure to win foreign wars, extreme extravagance, and monopolization of patronage created deep political tensions that fueled the pre-Civil War crises before his assassination in 1628.
[Ref: 68867]   £180.00   (£216.00 incl.VAT)
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George Villiers Duke of Buckingham.
George Villiers Duke of Buckingham. Whay gave great Villiers to the Assassin's Knife? [...]
Vandyke del. W. Baillie sculp.
Publish'd 4.th June 1785.
Stipple and etching, printed in colours, sheet 325 x 260mm (12¾ x 10¼"). On 18th century watermarked paper. Trimmed within plate.
A half-length portrait of George Villiers (1592-1628) wearing a high, stiff lace collar and doublet with slashed sleeves, the jewel of the garter on a ribbon around his neck. The plate was engraved by Captain William Baillie (1723-1810) who ascribed it to van Dyke. However the drawing he copied, now in the British Museum (1862,0524.19), was by Lucas Vosterman, probably itself taken from a painting by Daniel Mytens. Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. Villiers was a royal favourite of Kings James I and Charles I who dominated early 17th-century English politics. His failure to win foreign wars, extreme extravagance, and monopolization of patronage created deep political tensions that fueled the pre-Civil War crises before his assassination in 1628.
[Ref: 68868]   £160.00   (£192.00 incl.VAT)
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[George Villiers, first duke of Buckingham]
[George Villiers, first duke of Buckingham]
RE [for Renold Elstrack]
[published c.1700]
Engraving, platemark 255 x 180mm (10 x 7") large margins.
George Villiers, first duke of Buckingham (1592-1628), royal favourite, portrayed full-length with encampment and city in background. The initials 'RE' suggest the print was made by Renold Elstrack (1570-c.1625), the foremost English engraver of his time. In fact, Hind suggests that this is an eighteenth-century plate with Elstrack's initials fraudulently added to the second state. The first state, which bears text identifying the sitter and claiming dubiously that 'this plate hath been many years Preserved in a great persons Closet', was published (without the 'RE' monogram) by Benjamin Cole of Oxford (for an image of this state see NPG D5812).
Not in O'D
[Ref: 46354]   £160.00   (£192.00 incl.VAT)
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[George Duke of Buckingham with his Brother Francis, 1636.
[George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.]
[Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.]
Fine mezzotint, proof before letters, 500 x 355mm (19¾ x 14"). On 18th century watermarked paper. Narrow margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection.
CS: 34, ii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68314]   £480.00  
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The Effigies of the Most Noble, George Duke, Marquess, & Earle of Buckingham, Earle of Coventry, Viscount Villers, Baron of Whaddon, & Knight of ye most Noble order of the Garter.
The Effigies of the Most Noble, George Duke, Marquess, & Earle of Buckingham, Earle of Coventry, Viscount Villers, Baron of Whaddon, & Knight of ye most Noble order of the Garter.
R. White sculp.
[n.d., c. 1679.]
Engraving. Plate: 180 x 285mm (7 x 11¼") very large margins.
A portrait of British statesman George Villiers, 2nd Duke of Buckingham (1628-1687), favourite to King Charles II.
[Ref: 41947]   £95.00   (£114.00 incl.VAT)
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[The Lord Villiers & Lady Mary Villiers his Sister.]
[The Lord Villiers & Lady Mary Villiers his Sister.]
[After Sir Godfrey Kneller. Engraved by John Smith.]
[n.d., c.1700.]
Mezzotint, rare proof before letters. 350 x 245mm (13¾ x 9¾"). Trimmed close to plate in upper right corner. Ink mss in bottom mrgin.
Full-length portraits of William and Mary Villiers as children, by a fountain in an ornamental garden, with Mary holding a lamb. William Villers (c.1682-1721), styled Viscount Villiers from 1697 to 1711, when he became 2nd Earl of Jersey in the Jacobite peerage. Mary (died 1735), married Thomas Thynne, who died in 1710, after which she married George Granville, 1st Baron Lansdowne.
CS 259 i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68564]   £320.00  
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The Lord Villiers & Lady Mary Villiers his Sister.
The Lord Villiers & Lady Mary Villiers his Sister.
G. Kneller Eques pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street Covent Garden [n.d., c.1700].
Fine mezzotint. 350 x 245mm (13¾ x 9¾"), large margins. Tears in margins taped.
Full-length portraits of William and Mary Villiers as children, by a fountain in an ornamental garden, with Mary holding a lamb. William Villers (c.1682-1721), styled Viscount Villiers from 1697 to 1711, when he became 2nd Earl of Jersey in the Jacobite peerage. Mary (died 1735), married Thomas Thynne, who died in 1710, after which she married George Granville, 1st Baron Lansdowne.
CS 259, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68888]   £320.00  
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The Lord Villiers & Lady Mary Villiers his Sister.
The Lord Villiers & Lady Mary Villiers his Sister.
G. Kneller Eques pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street Covent Garden [n.d., c.1700].
Fine mezzotint, 18th century watermark. 350 x 245mm (13¾ x 9¾"). Faint mount burn around image.
Full-length portraits of William and Mary Villiers as children, by a fountain in an ornamental garden, with Mary holding a lamb. William Villers (c.1682-1721), styled Viscount Villiers from 1697 to 1711, when he became 2nd Earl of Jersey in the Jacobite peerage.. Mary (died 1735), married Thomas Thynne, who died in 1710, after which she married George Granville, 1st Baron Lansdowne.
CS 259, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68889]   £320.00  
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Samuel Vince, M.A. F.R.S.
Samuel Vince, M.A. F.R.S. Plumian Professor of Astronomy in the University of Cambridge.
Drawn by T. Wageman. Engraved by R. Cooper.
Published Octr. 10th. 1821. by T. Clay, 18, Ludgate Hill, London.
Stipple engraving and etching on india laid paper, 320 x 260mm. 12½ x 10¼".
Samuel Vince, Astronomer Royal (1749 - 1821). Inscribed 'Proof' lower right.
Not in Wellcome.
[Ref: 13889]   £110.00   (£132.00 incl.VAT)
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[Vincennes] A General View of the Royal Palace of Vincene, on the side of the Grand Body Guard.
[Vincennes] A General View of the Royal Palace of Vincene, on the side of the Grand Body Guard. Vüe Generale du Chateau Royal de Vincene, du côté du Grand Corps de Garde.
Rigaud delin.
Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside 1755 [but probably Hurst & Robinson, c.1818]
Engraving with strong contemporary hand colour. 250 x 475mm (9¾ x 18¾") very large margins. Laid on card for inclusion in a contemporary print album, trimmed into plate on right, old album paper pasted over plate on left.
A view of the Château de Vincennes with its 14th century 'Donjon', a fortified central tower, the tallest in Europe. The estate was enlarged by Louis XIV before he moved to Versailles. During the Revolution it was saved from the mob bent on destroying it by the Marquis de Lafayette. An English copy of the print by Jacques Rigaud (1681-1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'. This example was probably published by Hurst & Robinson, who bought most of the Boydell business when it folded in 1818.
[Ref: 60204]   £240.00   (£288.00 incl.VAT)
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Ueue et Perspectiue Du Chateau De Vincennes Du Costé de L'entrée Du Parc.
Ueue et Perspectiue Du Chateau De Vincennes Du Costé de L'entrée Du Parc.
Dessigné et gravé par P. Brissart.
[n.d., c.1680.]
Engraving. Platemark: 380 x 615mm (15 x 24¼"). Central vertical crease where folded. Small tear in lower edge on fold. Glued to backing sheet at edges.
A highly detailed birds-eye view of the castle grounds, the castle gardens and the surrounding villages of the Château de Vincennes, a royal fortress in the town of Vincennes, to the east of Paris.
Ex collection of Hon. Christopher Lennox-Boyd.
[Ref: 39016]   £450.00  
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[Vincennes] A View of the Royal Palace of Vincene taken from the border of the Terrass on ye Gardenside.
[Vincennes] A View of the Royal Palace of Vincene taken from the border of the Terrass on ye Gardenside. Vüe du Chateau Royal de Vincene du Côté du Jardin prise du bord de la Terrasse.
Rigaud Delin.
Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside 1755 [but probably Hurst & Robinson, c.1818]
Engraving with strong contemporary hand colour. 270 x 475mm (10¾ x 18¾") very large margins. Laid on card for inclusion in a contemporary print album, trimmed into plate on right, old album paper pasted over plate on left.
A view of the Château de Vincennes as enlarged by Louis XIV before he moved to Versailles. An English copy of the print by Jacques Rigaud (1681 - 1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'. This example was probably published by Hurst & Robinson, who bought most of the Boydell business when it folded in 1818.
[Ref: 60203]   £240.00   (£288.00 incl.VAT)
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The Rev.d W.m Vincent. D.D.
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint. 510 x 355mm (20 x 14"), with large margins. Laid on printed album paper.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club.
Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65239]   £260.00   (£312.00 incl.VAT)
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The Rev.d W.m Vincent. D.D.
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint. 510 x 355mm (20 x 14"), large margins on 3 sides. Margins soiled and damaged.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club.
Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66507]   £90.00   (£108.00 incl.VAT)
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The Rev.d W.m Vincent. D.D.
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint, proof before letters. 510 x 355mm (20 x 14"), with large margins. Worm holes in inscription area.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club.
Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 66509]   £140.00   (£168.00 incl.VAT)
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Blocking of the Harbour of Ostend by H.M.S. Vindictive.
Blocking of the Harbour of Ostend by H.M.S. Vindictive.
R. Dumont-Duparc [pencil signature].
Copyright 1928 by Galerie Lutetia 44 r. N.D. des Victoires, Paris.
Etching, printed in colours. Plate: 310 x 250mm, (12 x 10"), with very large margins.
Having been badly damaged in the Zeebrugge Raid of 23rd April 1918 (in which her captain, Alfred Carpenter, was awarded a Victoria Cross), HMS Vindictive, an Arrogant-class cruiser, was sunk as a blockship during the Second Ostend Raid, 9th May 1918. By Robert Dumont-Duparc (1866-1930).
[Ref: 40530]   £180.00   (£216.00 incl.VAT)
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John Vine the Celebrated Kentish and Surrey Molecatcher.
John Vine the Celebrated Kentish and Surrey Molecatcher. Wonderful Museum.
J: Mills sculp.
Pub by Alex. Hogg 16 Paternoster Row April 1 1804.
Engraving. 215 x 122mm. 8½ x 4¾". Crease on left.
A molecatcher underneath a tree, various traps with dead and caught moles lie around his feet; a hound with a mole in his mouth sits to his right.
[Ref: 19221]   £60.00   (£72.00 incl.VAT)
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