Grosvenor Prints

Mad.me Viardot-Garcia. Théatre Italien.
Vigneron 1840. Lith. de Thierry frères.
Chez Gihaut f.s Boul.t des Italiens, 5 [n.d., c.1830].
Coloured lithograph. Framed, sight size 410 x 280mm (16 x 11") Unexamined out of frame.
A full-length portrait of French soprano Pauline Viardot (1821-1910).
[Ref: 68244] £280.00 (£336.00 incl.VAT)

Bartholme Viatis, zu Venedig gebohren, X.o 1538, den 18 April, tam nach Nurenburg, Xo.1550, ward Zurge, un Genannter des... erlebet, &c. Ist endlich Ao. 1624 Den 18 November in Vot sanfft und seelig entschlaffen, seines Alters 86 Jahr und 7. Monath.
Georg Gestner pinx. And. Kohl Sculp. Wolffgang Viatis, Filius fieri fecit.
[n.d. c.1740.]
Copper engraving. Plate 235 x 145mm. 9¼ x 5¾". Some creasing and foxing.
Bartholomew Viatis (1835-1624) was a merchant from Nuremberg. At the age of twelve he was sent from Venice to Nuremberg to complete a apprenticeship with Hans Wollandt. After seven years and four further years in Lyone, he established his own trading company and married in 1569. In the same year he was granted the privilege of receiving a coat of arms from Emperor Maximilian II. He established himself as a merchant and made a fortune from his work and in 1591 his daughter married the Venetian trader Martin Peller which created the Viatis-Peller trading company.
[Ref: 22269] £95.00 (£114.00 incl.VAT)

Viator, a Poem: or A Journey from London to Scarborough, By the Way of York. With Notes Historical and Topographical.
[By Thomas Maude.]
Published by B. White, Fleet-Street; T. Becket, Strand; and J. Walter, Charing-Cross, London; and the Booksellers in York. MDCCLXXXII [1782].
Folio, original printed wrappers; pp. 40 + xix (appendix). Covers torn, tear across title page. Damaged.
An ode to Yorkshire, with extensive historical and topographical notes. The Appendix includes 'Illustrations on the Character of Sir Isaac Newton'.
[Ref: 37733] £240.00 view all images for this item

[Jehan George Vibert.]
J.Payrau [pencil signature of the engraver.]
Copyright 1905 by Mess.rs Arthur Tooth and Sons, Publishers. 5 & 6 Haymarket, London, 41 Boulevard des Capucines, Paris, 299 Fifth Avenue. New York & Mess.rs Steifbold & Co., Berlin. Imprimarie A. Saloman, Paris.
Mezzotint on vellum. 310 x 240mm, 12¼ x 9½". With publisher's blindstamp. Limited edition 125, plate destroyed. Faint spotting.
Jehan George Vibert (1840-1902), French academic painter, grandson of engraver Jean-Pierre-Marie Jazet. He has been accused of anti-clericalism, as many of his paintings satirise 'comfortable' priests. His fame spread to the USA, and both John Jacob Astor IV and William Vanderbilt commissioned paintings from him. During the siege of Paris in 1870 he joined the 'sharpshooters', was wounded at Malmaison, and won the Légion d’Honneur.
[Ref: 11901] £360.00

The Vicar of Wakefield, at the Race Course.
Engraved by W. Giller, from a Drawing by J.M. Wright.
Published by T. Gosden, Sportsman's Repository, Bedford St. Covent Garden [n.d., c.1830's]
Mezzotint, 285 x 210mm. 11¼ x 8¼". Foxing and paper worn, mostly outside platemark.
A scene from Oliver Goldsmith's 1766 novel The Vicar of Wakefield. 'Early the next day I walked forward to the races, and about four in the afternoon I came upon the course. The company made a very brilliant appearance, all earnestly employed in one pursuit, that of pleasure; how different from mine, that of reclaiming a lost child to virtue!' (Chapter 18).
[Ref: 8793] £180.00 (£216.00 incl.VAT)

Vicar of Wakefield. Olivia's return to her Father. Being unable to go for my poor child myself ... I have here brought you back a poor deluded wanderer; her return to duty demands the revival of our tenderness. Vide Dr. Goldsmith's Vicar of Wakefield. Vol. II. Chap. III.
Stothart. Pint. Playter, Sculpt.
Publish'd Sepr. 1st. 1789, by John & Josiah Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall London.
Stipple, sheet 400 x 315mm. 15¾ x 12½". Trimmed to plate at bottom and sides.
A scene from Oliver Goldsmith's (1728 - 1774) 1766 novel 'The Vicar of Wakefield'. Olivia returns after running off with her lover, unable to look at her parents, who sit to left under an awning spread over branches. After Thomas Stothard (1755 - 1834).
[Ref: 9675] £260.00 (£312.00 incl.VAT)

Vicar of Wakefield. Young Thornhill's first Interview. It was about the beginning of autumn... when we perceived the dogs and horsemen come sweeping along.&c. Vide Dr. Goldsmiths, Vicar of Wakefield. Vol. 1. Chap. V.
Stodhart Pinxit. Simon, Sculpt.
Publish'd Octr. 20th. 1787, by John & Josiah Boydell, No. 90, Cheapside London.
Stipple, sheet 440 x 315mm. 17¼ x 12½". Trimmed to plate at bottom and sides.
A scene from Oliver Goldsmith's (1728 - 1774) 1766 novel 'The Vicar of Wakefield'. After Thomas Stothard (1755 - 1834).
[Ref: 9676] £260.00 (£312.00 incl.VAT)

Sophia & Olivia.
[Engraved by Francesco Bartolozzi.]
[Published May 20th. 1784, by Jno. Matthews No. 438 Strand.]
Stipple, printed in sanquine. 270 x 205mm (10½ x 8"). Repaired tear touching plate on right,
A scene from Goldsmith's 'Vicar of Wakefield': two women, one playing a lute, the other with an open roll of paper.
De Vesme 1395. State without inscription or verse.
[Ref: 45364] £180.00 (£216.00 incl.VAT)

The Vicar of Wakefield. Vol. II. Ch. 5.
From an Original Drawing by T. Hearne. The Figures by W. Woollett, the Landscape by W. Ellis.
London: Publish'd as the Act directs, 13 Nov. 1780 by W. Ellis, No 54 Red Lion Street, Clerkenwell.
A fine engraving. 360 x 385mm (14 x 15¼"), with large margins. Bottom margin damaged with loss up to platemark, new paper added.
A picnic scene in a copse, looking out over a distant view, from Oliver Goldsmith's novel published 1766.
[Ref: 27540] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] Esq.r Thornhill perswades Olivia to Elope with him. Monsieur Thornhill persaude a Olive d'eschapper avec lui. Vide Dr Goldsmithd Vicar of Wakefield. Voll.1.Chap 17.
H. Ramberg Inv.t et Del.t F. Bartolozzi R.A. Sculp.t
London Pub.d August 1. 1787, by Ia.s Birchall, No.473 Strand.
Stipple with small margins, printed in brown ink. Plate 381 x 355mm. 15 x 14".
Squire Thornhill persuading Olivia Primrose to elope with him, a small boy pulling on her dress in the opposite direction; a carriage and horses behind on the road, a church in the background. 'The Vicar of Wakefield', the novel by Oliver Goldsmith, written in 1761 and 1762.
In the National Trust Collections: 1312045.1.
[Ref: 27865] £260.00 (£312.00 incl.VAT)

[The Vicar of Wakefield] Burchel reading the Ballad. He saw, with wisdom's penetrating Eye. / The lovely chaste Sophia, charming Maid all Sympathy. Vicar of Wakefield Pa. 70.
Engrav'd from an Original Drawing by Edw.d Fisher.
Printed for R. Sayer & J. Bennett No. 53, Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint. 250 x 195mm (9¾ x 7¾"), with large margins. Small hole in image. Slight crease.
A portrait of Mr Burchell leaning on a tree stump, within an oval frame.
[Ref: 60168] £260.00 (£312.00 incl.VAT)

[The Vicar of Wakefield] Olivia, & Sophia with the Fortune-Teller.
F. Bartolozzi correct.d [after Thomas Stothard].
Published May 20.th 1784, by Jn.º Matthews No. 438 Strand.
Stipple, printed in colours. Sheet 255 x 185mm (10 x 7¼"). Trimmed within plate, spotting, slight crease. With collector's ink stamp on reverse.
A fine colour print. With the ink stamp of Alexander Anderdon Weston (d.1901), who inherited a fine collection of English portraits formed by his uncle, James Hughes Anderdon.
De Vesme 396; Lugt 65 for the ink stamp.
[Ref: 64083] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] Angelina. The wondering fair one turn'd to chide. / 'Twas Edwins self that prest. Vicar of Wakefield pa.77.
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint, 250 x 190mm (9¾ x 7½"), on 18th century watermarked paper, with large margins.
A half-length portrait in oval of a young woman, wearing a drab cloak, cocked hat with a tassell and pilgrim's shell, left arm raised carrying a plain wooden cross. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
CS 64, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67603] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] [Angelina] [The wondering fair one turn'd to chide. / 'Twas Edwins self that prest. Vicar of Wakefield pa.77]
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776
Mezzotint, platemark 250 x 190mm (9¾ x 7½"), with very large margins. Proof before title
One of a set of ten plates illustrating characters from Oliver Goldsmith's 'The Vicar of Wakefield'. Published in 1766, the book inspired many works of art, while Goethe testified that encountering the work at the age of twenty inspired him to create a new field of letters. A lettered impression of the print can be viewed on the website of the Yale Center for British Art (Accession Number B1970.3.914).
CS 64 (one of ten); for another print in the set see ref. 43749.
[Ref: 46738] £280.00 (£336.00 incl.VAT)

[Vicar of Wakefield] [Arabella Wilmot.]
Engraved from an Original Drawing by Edwd. Fisher.
London, Printed for R. Sayer & J. Bennett No. 53, Fleet Street, as the Act directs 20 Jany. 1777.
Mezzotint, 250 x 190mm (9¾ x 7½"), with wide margins. All over foxing, crease to lower right corner.
From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'. First state, before character's name and quotation.
Chaloner Smith: 64, I of II.
[Ref: 10581] £350.00

[Vicar of Wakefield] Miss Arabella Wilmot. Though fortune is out of my Power, / At least I have my Hand to give. V.W.P. 200.
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett No. 53, Fleet Street, as the Act directs 20 Jan.y 1777.
Mezzotint, 250 x 190mm (9¾ x 7½"), on 18th century watermarked paper, with large margins.
A half-length portrait in oval of a woman wearing a rich headress of a scarf and pearls and low-cut gown with a dark cloak. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
Chaloner Smith: 64, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67599] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] Burchel reading the Ballad. He saw, with wisdom's penetrating Eye / The lovely chasete Sophia, Charming Maid all Smympathy.
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett No. 53, Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint, 250 x 190mm (9¾ x 7½"), on 18th century watermarked paper, with large margins.
A half-length portrait in oval of a young man reading a sheet of paper. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
Chaloner Smith: 64, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67601] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] [Clara.]
[Engraved from an Original Drawing by Edw.d Fisher.]
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint, proof before title. 250 x 190mm (9¾ x 7½"), with large margins. Paper toned.
A half-length portrait in oval of a young woman, lifting her veil and smiling provocatively. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
CS 64, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67606] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] Don Ferdinand.
Engraved from an Original Drawing by Edw.d Fisher.
[London, Printed for R. Sayer & J. Bennett No. 53, Fleet Street, as the Act directs 2 May 1777.]
Rare mezzotint. 240 x 200mm (9½ x 6"). Trimmed within plate at bottom, losing publisher's inscription.
A young man in 17th century dress with a plumed hat over long, curly hair, one of a series of ten plates illustrating heads from the 'Vicar of Wakefield' by Oliver Goldsmith.
CS 64, state ii.
[Ref: 60107] £160.00 (£192.00 incl.VAT)

[Vicar of Wakefield] Edwin. Turn Angelina, ever dear, / My charmer, turn to see, / Thy own, thy long lost Edwin here, Restor'd to love and thee. Vicar of Wakefield pa.77.
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint, 18th century watermark; 250 x 190mm (9¾ x 7½"), large margins.
A half-length portrait in oval of a young man, wearing a hooded cloak, tasselled collar and waistcoat. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
CS 64, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67604] £260.00 (£312.00 incl.VAT)

[Vicar of Wakefield] [Edwin. Turn Angelina, ever dear, / My charmer, turn to see, / Thy own, thy long lost Edwin here, Restor'd to love and thee. Vicar of Wakefield pa.77.]
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776.
Mezzotint, proof before title. 250 x 190mm (9¾ x 7½"), with large margins. Paper toned.
A half-length portrait in oval of a young man, wearing a hooded cloak, tasselled collar and waistcoat. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
CS 64, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67605] £160.00 (£192.00 incl.VAT)

George Primrose. I now protest, my Arabella, by all that's happy, / Your want of fortune this moment encreases my pleasure, / As it serves to convince my sweet Girl of my Sincerity. V.W.P. 201]
Engraved from an Original Drawing of Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 9th Febr. 1777
Mezzotint, 250 x 190mm (9¾ x 7½"), on 18th century watermarked paper, with large margins.
A half-length portrait in oval of a young man, one hand on his heart. From a series of ten plates illustrating heads from Oliver Goldsmith's 1766 novel 'The Vicar of Wakefield'.
CS 64, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67602] £260.00 (£312.00 incl.VAT)

[George Primrose] [I now protest, my Arabella, by all that's happy, Your want of fortune this moment encreases my pleasure, As it serves to convince my sweet Girl of my Sincerity. V.W.P. 201]
Engraved from an Original Drawing of Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 9th Febr. 1777
Mezzotint, platemark 250 x 190mm (9¾ x 7½"). Fine proof impression.
One of a set of ten plates illustrating characters from Oliver Goldsmith's 'The Vicar of Wakefield'. Published in 1766, the book inspired many works of art, while Goethe testified that encountering the work at the age of twenty inspired him to create a new field of letters.
CS 64.
[Ref: 43749] £230.00 (£276.00 incl.VAT)

[Vicar of Wakefield] Lucilla.
Engraved from an Original Picture by Edw.d Fisher.
[London, Printed for R. Sayer & J. Bennett N.º 53, Fleet Street, as the Act directs 20 Dec.r 1776.]
Mezzotint. Sheet 250 x 190mm (9¾ x 7½"). Trimmed to image on three sides, losing publisher's inscription at bottom.
A half-length portrait in oval of a young woman reading, wearing a dark veil and cape, with a cross around her neck. One of a series of ten plates illustrating heads from the 'Vicar of Wakefield' by Oliver Goldsmith.
CS 64, state ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3.
[Ref: 67598] £180.00 (£216.00 incl.VAT)

Sporting Club de Vichy. Pavillion du Golf.
[A. Rolland] 1927.
Rare etching, limited edition 1/250, Rolland signature in pencil. 245 x 300mm (9¾ x 11¾"), with large margins. Margins dusty.
A golf club house with a distinctive obervation tower. Golfers on left bottom. Le Golf de Vichy was founded in May 1908. Although the clubhouse still exists the tower has been removed.
[Ref: 59223] £260.00 (£312.00 incl.VAT)

Vicissit Temp.
E. Edwards inv. F. Bartolozzi Sculp.
[n.d. 1787.]
Etching with engraving. Plate 66 x 81mm. 2½ x 3¼". Trimmed to just outside plate.
A medal of Rome; a woman seating holding a broken arrow with the Colossuem in the background. Illustration to 'Roman History' by Goldsmith.
De Vesme: 2413; iv/iv.
[Ref: 20485] £95.00 (£114.00 incl.VAT)

Vicissitudes of An Indiaman.
Painted by J.F. Ellis. Engraved by H. Dawe.
[R. Ackermann. c.1835.]
Very scarce, 33 plates (?of more), including 2 duplicates, inside a green leather and card volume, 4to. Colour-printed mezzotints c.135 x 180mm, 5¼ x 7"., trimmed within the platemark but outside image and title, most with loss of caption above, mounted on card, within buckram folder, hinges split. Broken covers.
Plates depicting the launch in India, faring under various climatic and other conditions, to being broken up on the Thames. An East Indiaman, which was a ship operating under charter or license to any of the any of the East India Companies, and usually ran between England, the Cape of Good Hope and India, with main ports in Bombay, Madras an Calcutta.
Ex the Hon Christopher Lennox-Boyd Collection.
[Ref: 23953] £1,200.00 view all images for this item

La Grande Guerre. Victoire Navale des Iles Falkland. Quatrte Croiseurs Allemands Attaqués et Coulés par l'Escadre Anglaise. No.34. La perte du "Monmouth" et du "Good-Hope" avait profondément affecté nos alliés les Anglais; ils chargèrent une forte escadre de venger l'Amiral Cradock: la vengeance ne se fit pas attendre. Le Vice-Amiral Sir Frederick C.-D. Sturdee, commandant l'escardre anglaise, a coulé quatre croiseurs allemands près des Iles Falkland: le Leipzig, le Sharnhorst, le Gneisenau et le Nurnberg, battant pavillon de l'Amiral von Spee, commandant en chef. Le combat dura cinq heures; le Sharnhorst coula au bout de trois heures, et le Gneisenau deux heures après: les croiseurs légers ennemis furent poursuivis et dispersés. Ce fut une belle victoire sur mer pour nos alliés. (8 Décembre 1914).
Modèle Déposé. Imp., 13, Quai d'Anjou, Paris.
Etching. 280 x 427mm. 11 x 16¾".
In 1914 the British were defeated at the Battle of Coronel by the Imperial German Navy. The British then sent large force to track down and destroy the victorious German squadron. Admiral Graf Maximilian von Spee led the SMS Scharnhorst, SMS Gneisenau, SMS Numberg, Dresden and Leipzig to attempt a raid on the British supply base at Stanley. A large heavily armoured squadron had arrived at the port the day before and detected the German squadron early on. The German fleet, except the Dresden and the auxiliary Seyditz, were hunted down and sunk.
[Ref: 20832] £75.00 (£90.00 incl.VAT)

Victor Amedee Ir. Roi de Sardaigne. Tire des Estampes du Cabinet du Roi.
Touze d. P D
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 277 x 164mm.
Victor Amadeus I, Duke of Savoy (1587-1637). From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2160] £80.00 (£96.00 incl.VAT)

Victor Amedeus I. Sabaudiæ Dux &c.
F.J.D. Lange Annessiensis del. G. Tasniere Sculps. Taur. 1701.
[1702.]
Engraving. 280 x 225mm (11 x 9") very large margins.
An oval portrait of Victor Amadeus I (1587-1637), Duke of Savoy from 1630-7, within a decorative border with engraved Latin biography. He was titular King of Cyprus and Jerusalem. After F.J. de Lange, it is one of the 33 portraits of the Dukes of Savoy engraved by Georges Tasnière for 'Augustae Regiæque Sabaudæ domus arbor gentilitia', 1702.
[Ref: 40970] £160.00 (£192.00 incl.VAT)

Victor Amedeus II. Sabaudiæ Dux Ped Princ. Cypri Rex &c.
F.J.D. Lange Annessiensis Sab.e del. 1702. G. Tasniere Sculps. Taurini.
[1702.]
Engraving. 280 x 225mm (11 x 9"). Cut to border.
An oval portrait of Victor Amadeus II (1666-1732), Duke of Savoy from 1675-1730, within a decorative border with engraved Latin biography. After F.J. de Lange, it is one of the 33 portraits of the Dukes of Savoy engraved by Georges Tasnière for 'Augustae Regiæque Sabaudæ domus arbor gentilitia', 1702.
[Ref: 40972] £180.00 (£216.00 incl.VAT)

Victor Emmanuel II.
Metzmacher sc. Imprimé par Coupil & C.ie Paris.
The Drawing Room Portrait Gallery of Eminent Personagès Presented with the Illustrated News of the World. 125, Fleet Street. [n.d., c.1865.]
Etching with very small margins. 280 x 210mm (11 x 8¼").
Victor Emanuel II (1820-78), king of Sardinia from 1849-61, after which he became the first king of reunified Italy.
[Ref: 33302] £75.00 (£90.00 incl.VAT)

Victoria Pacifico. Carolo Guill: Ferdinando Duci Brunsuicensi Regn: Pontis Diaboli Delineationem D: D: D: R. Hentzi, Puerorum Nobilium in aula Principis Auriaci Guber:
Wolf pinxit. Carré sculp. Descourtis direx.t
[Yntema Amdsterdam, 1785.]
Coloured aquatint. 406 x 294mm. 16" x 11½". Some staining, tears and creasing. Bottom of the title area slightly cut.
HENTZI, Rudolph, [editor]. Vues Remarkables des Montagnes de la Suisse, Dessinees et Peintes d''Apres Nature, Avec Leur Description. J. Yntema 1785 One of the Earliest and Rarest Alpine Colour Plate Books.
[Ref: 9379] £110.00 (£132.00 incl.VAT)

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[Queen Victoria.]
Painted by John Partridge Portrait Painter exty: to Her Majesty & to H.R.H. Prince Albert. Engraved by John H. Robinson Hony: Member of the Imperial Academy of St. Petersburg.
[n.d., c.1840.]
Mixed method engraving on india laid paper, proof before title. 590 x 460mm. 23¼ x 18". A few worm holes to left side of plate and image.
A youthful Queen Victoria (1819-1901)by John Partridge (1790 - 1872), a pupil of Thomas Phillips. In 1840 he painted this portrait of the queen and one of Prince Albert, which were exhibited at the Royal Academy in 1841, and were engraved in line respectively by John Henry Robinson, R.A., and George Thomas Doo, R.A. These works were very successful, and in 1842 Partridge was appointed ‘Portrait-painter Extraordinary to Her Majesty.
[Ref: 8506] £320.00

Full Dress Rehersal of the Forthcoming "Queen's Jubilee Pantomime." Scene -- Grand Representation Assemblage of Her Majesty's Subjects.
[John Philip] Stafford.
Supplement to Funny Folks Christmas Number, 1886.
Colour photomechanical print. Sheet 405 x 580mm (16 x 22¾"). Laid on card, some spotting.
A scene satirising the Golden Jubilee of 1887. Queen Victoria is dressed as Britannia, surrounded by participants in her ''Jubilee pantomime'', including women representing the colonies, including a Maori. The Prince of Wales plays a violin lower left. Viscount Wolseley holds the Royal Banner. Flags of the colonies including Australia, Canada, Malta and India.
BM 1902,1011.9791; also 1902,1011.9792 for a key.
[Ref: 59776] £95.00 (£114.00 incl.VAT)

Her Majesty the Queen 1855. (Proof). F Winterhalter 1855 [facsimile inside the image.]
F. Winterhalter, Delt. M & N. Hanhart, Impt. R.J. Lane, A.E.R.A., Lith.
London. Published Decr. 1st. 1855, by J. Mitchell Royal Library 33, Old Bond St.
Lithograph. 610 x 440mm. 24 x 17¼. Some scuffing around the edges.
Young Queen Victoria (1819-1910), who assumed the position of Queen regnant of the United Kingdom of Great Britain and Ireland on 20 June 1837.
From the Encombe Collection, Lord Eldon.
[Ref: 14737] £220.00 (£264.00 incl.VAT)

Her Most Gracious Majesty Queen Victoria. Published (by Command) in Commemoration of Her Majesty's gift to Mr. George Peabody.
Painted by Lowes Dickinson. Engraved by Samuel Cousins, R.A.
Dickinson Bros: Publishers to The Queen, 144 New Bond Street, Feby. 2d. 1871.
Mixed-method engraving, 625 x 460mm. 24½ x 18". Some age toning to paper.
A characteristically sober-looking Queen Victoria (1819 - 1901), reigned 1837-1901. Massachusetts-born philanthropist George Peabody (1795 - 1869) was offered a baronetcy and the grand cross of the Bath by the Queen, both of which he declined. During Peabody's absence in America in 1869 the Prince of Wales unveiled a bronze statue of him by Story, erected on the east side of the Royal Exchange, and the city of London conferred its freedom upon him. Oxford University also made him a D.C.L. in 1867. After Lowes Cato Dickinson (1819 - 1908).
[Ref: 13367] £280.00 (£336.00 incl.VAT)

The Royal Anglers on Virginia Water.
Lith.d & Pub.d by Dean & Co. Threadneedle Street [n.d., c.1845].
Hand coloured lithograph. Framed, sight size 220 x 270mm, (8¾ x 10½". Unexamined out of frame.
The young Royal family angling from a boat on Virginia Water in Surrey.
[Ref: 61739] £160.00 (£192.00 incl.VAT)

Victoria R 1897. [facsimile signature.]
AForestier Cimiez 1897 [signed and dated in plate.]
Published by Henry Graves & Co. Limited 6, Pall Mall London Copyright 1897. Publishers to Her Majesty, T.R.H. Prince & Princess of Wales_Printed in Paris by Paul Moglia.
Facsimile etching, sheet 570 x 405mm. 22½ x 16". Two tears from edge.
Queen Victoria (1819 - 1901), to commemorate the Queen's diamond jubilee. With remarque below of the young Queen of 1837 sitting on her throne in her coronation robes.
See NPG D33650.
[Ref: 12351] £130.00 (£156.00 incl.VAT)

A Peep At Windsor Terrace. The Royal Children with their favourite dog.
Dean & Co. Threadneedle St. [n.d., c.1845.]
Hand coloured lithograph, sheet 255 x 315mm. 10 x 12½". On linen backing. Two tears to upper margin.
The Royal children playing with a mastiff or St. Bernard in the grounds of Windsor Castle. Very fine colour.
[Ref: 11708] £220.00 (£264.00 incl.VAT)

The Queen of England landing in France, Accompanied by Louis Philip., Royal Album, No,43.
Alf.d Carlile lith London.
Sep.r 2.nd 1843.
Lithograph. 272 x 208mm. 10¾ x 8¼". Some toning around the edges of the paper.
A representation of Queen Victoria and Louis Philippe of France. Victoria took a keen interest in the improvement of relations between France and Britain. She made and hosted several visits between the British royal family and the House of Orleans, who were related by marriages through the Coburgs.
[Ref: 21510] £65.00 (£78.00 incl.VAT)

The Royal Mother. Royal Album No. 26.
T.C. Wilson dell. Alf.d Carlile, Litho. London.
[n.d. c.1845.]
Lithograph. 272 x 204mm. 10¾ x 8". Some toning around the edges.
Queen Victoria with her first three children: the Princess Victoria, the Prince Albert Edward, later King Edward VII, and the Princess Alice; a lady-in-waiting stands behind in the doorway.
[Ref: 21523] £60.00 (£72.00 incl.VAT)

His Royal Highness Prince Albert. [&] Her Gracious Majesty Queen Victoria. A Pair
Drawn & Engraved by T.W. Huffam.
[n.d. c.1840.]
A pair of very fine coloured mezzotints; original colour. 272 x 210mm. 10¾ x 8¼".
Queen Victoria (1819-1901) and Prince Albert (1819-1861) who married in 1840.
[Ref: 21533] £220.00 (£264.00 incl.VAT) view all images for this item

[Victoria] The Queen. Attired in her Robes of State, on the occasion of proceeding to the House of Lords, withe the Diadem Her Majesty wore when opening Parliament.
Drawn by J. Bouvier.
[n.d., c.1837.]
Lithograph with fine hand colour. Sheet 275 x 215mm (10n x 8½"). Laid on album sheet with four other scraps relating to Victoria. Mint.
A seated portrait of Victoria as a young queen. Scraps includes rare keyplate of Sir David Wilkie's Victoria presiding at the Council.
[Ref: 64010] £190.00 (£228.00 incl.VAT)

[Her Majesty the Queen.]
[Engraved by W.H. Simmons, 1877.] EL 1839. [EL: artist's monogram.]
London Published Feb.y 12. 1877 by Henry Graves & Co, the Proprietors Publishers to H.M. the Queen &, T.R.H. The Prince & Princess of Wales, 6 Pall Mall. Copyright Registered. [Published by Henry Graves & Co. Printsellers and Publishers to Her Majesty the Queen and T.R.H. The Prince and Princess of Wales, Pall Mall, London. Sold by D. Woodcock & Co., 17, Farringdon Street, London.]
Mixed method engraving, proof before letters on india. Printseller's Association Stamp. Artist Proof Edition, Limited to One Hundred Copies. Plate 560 x 425mm. 22 x 16¾". Mint, uncut.
The picture was given by Her Majesty the Queen to the Prince Consort before her marriage. The picture belongs to Her Majesty the Queen. From "Her Majesty's Pets being a Collection of Twenty Steel-Place Engravings from Paintings by Sir Edwin Landseer, R.A. By Special Permission of, and Dedicated to Her Most Gracious Majesty the Queen".
Ex Collection of The Hon Christopher Lennox-Boyd.
[Ref: 23011] £280.00 (£336.00 incl.VAT)

Key to the Portraits in the Engraving of The Royal Review at Windsor.
Etched byG.S. Shury [after Frederick Tayler]
London: Thomas Boys, Printseller to the Royal Family, XI Golden Square, Regent Street. [1839]
Etching, sheet 235 x 195mm (9 x 7½"). Small tear on right.
The Queen on horseback, accompanied by Leopold I, the King of the Belgians, Wellington, Lord Hill and a train of soldiers, passing through an archway with Windsor Castle in the background. Keyplate published to accompany the large engraving of the scene by S.W. Reynolds after Frederick Tayler.
[Ref: 23169] £110.00 (£132.00 incl.VAT)

Her Majesty Queen Victoria. Photographed by Mayall. for the 1st Number of 'The Queen'.
Sep,r 7th 1861.
Oval photograph, mounted on printed paper, as issued. Sheet 200 x 155mm (8 x 6").
John Jabez Edwin Mayall (1813-1901) took the first carte-de-visite photographs of Queen Victoria in 1860. This portrait was commissioned for the first issue of 'The Queen', later 'Harpers & Queen', now just 'Harpers'. Born in Manchester, Mayall started with photography in 1840, after which he moved to Philadelphia, where Professor Martin Boye (1812-1907) a Danish chemist at the University of Philadelphia instructed him on the science of making daguerreotypes. About 1844 he went into partnership with another Mancunian, Samuel Van Loan; at the 1845 Exhibition at the Franklin Institute, daguerreotypes by Van Loan & Mayall were judged 'superior and entitled to Third Premium'. He returned to London in 1846 to set up a studio. In 1851 31 illustrations from Mayall's daguerreotypes were published in John Tallis's 'History and Description of the Crystal Palace and the Exhibition of the World's Industry'. Among the people Mayall took portrait photographs of were J.M.W Turner and Charles Dickens, before his appointment to Queen Victoria.
[Ref: 23368] £360.00

Her Most Gracious Majesty, Queen Victoria. From an original Drawing, taken from Life, by Mr W. Corden, of Windsor.
Printed by W. Kohler, 22, Denmark Street, Soho.
London, Published by W. Soffe, 380, Strand, July 23, 1838.
Hand-coloured lithograph with gum arabic, with large margins, and very fine colour; image 210 x 170mm. 8¼ x 6; image 210 x 170mm. 8¼ x 6¾". Slight loss of cat in Queen.
Uncommon portrait of the young Queen Victoria (1819-1901); in her box at the theatre, holding a fan in her right hand. William Corden (1797-1867).
[Ref: 27918] £220.00 (£264.00 incl.VAT)

Oxford's Attempt to Assassinate the Queen and Prince Albert. On Constitution Hill, Wednesday Evening, June 10, 1840.
Published by H. Baker, 35, King St. Drury Lane, London.
Zinc engraving, rare. 115 x 152mm. 4½ x 6".
Scene on Constitution Hill, near Green Park, showing a man firing a pistol towards an open topped carriage carrying Queen Victoria and her husband, the horses drawing the carriage rearing up, a cloud of smoke from the end of the pistol. During Victoria's first pregnancy in 1840, in the first few months of the marriage, 18-year-old Edward Oxford attempted to assassinate her while she was riding in a carriage with Prince Albert on her way to visit her mother. Oxford fired twice, but either both bullets missed or, as he later claimed, the guns had no shot. He was tried for high treason and found guilty, but was acquitted on the grounds of insanity.
See Collage: v8485528.
[Ref: 27975] £70.00 (£84.00 incl.VAT)

Her Royal Highness The Princess Victoria, Heiress Presumptive to the Throne of England.
Drawn by Bouvier.
London: Published by William Spooner, 377, Strand. [n.d. c.1835.]
Lithograph. 266 x 178mm (10½ x 7"). Trimmed.
Portrait of Princess Victoria standing half-length behind a balustrade, with a plaited topknot wreathed in flowers, with forget-me-nots (?) over lappets at side, long top and drop earrings with red-rust stones, bracelet of pearl strands with gold clasp.
Ex Collection: R. Hobson of Hove.
[Ref: 25426] £130.00 (£156.00 incl.VAT)

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