[Barbara Villiers] The Dutchess of Cleaveland.
P. Lilly Eques pinx: Beckett fe:
J.S [John Smith] ex. [n.d., c.1690.]
Mezzotint. 200 x 140mm (8 x 5½"). Thread margins.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. Originally published by Beckett. CS 23, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65381] £140.00
(£168.00 incl.VAT)
[Barbara Villiers] The Dutchess of Cleaveland.
P. Lilly Eques pinx: Beckett fe:
J.S [John Smith] ex. [n.d., c.1690.]
Mezzotint. 195 x 140mm (7¾ x 5½"). Trimmed within plate, old ink mss. at bottom.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated with her hair in curls, wearing a pearl necklace. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. Originally published by Beckett. CS 23, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65382] £120.00
(£144.00 incl.VAT)
[Barbara Villiers] The Dutchess of Cleaveland.
S P Lely pinx:
I. Beckett ex: [n.d., c.1690.]
Mezzotint, 17th century watermark. Sheet 340 x 250mm (13¼ x 9¾"). Trimmed within plate, laid on album paper at corners.
A half-length portrait in oval of Barbara Villiers (1640-1709), seated under a curtain, an ornamental garden with statues behind. She was a mistress of of Charles II, who made her Duchess of Cleveland, from 1659 until the early 1670s. CS 25, iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Ex Collection of Lady Lucas of Credwell [in pencil on the reverse].
[Ref: 65383] £260.00
(£312.00 incl.VAT)
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec:
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, pt 17th century watermark, sheet 235 x 185mm (9¼ x 7¼"). Trimmed within plate.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II. CS 14 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd. From the Townley Sale.
[Ref: 65440] £260.00
(£312.00 incl.VAT)
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec:
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, 17th century watermark, sheet 235 x 185mm (9¼ x 7¼"). Trimmed within plate. Light foxing.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II. CS 14 II of II.
[Ref: 65443] £260.00
(£312.00 incl.VAT)
[Barbara Villiers] The Dutchess of Cleaveland.
W. Wissing pinx: R: Williams fec: cum Privilegio Regis.
Sold by E. Cooper at the 3 pidgions in Bedford street. [n.d. c.1685]
Mezzotint, 240 x 190mm (9½ x 7½"). Small margins and tipped into album sheet.
Half-length oval portrait of Barbara Palmer (née Villiers), Duchess of Cleveland (1640-1709), Mistress of Charles II. CS 14 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65444] £260.00
(£312.00 incl.VAT)
[Frances Countess of Jersey.]
D. Gardner Pinx.t. Tho.s Watson fecit.
Publish'd Feb.y 14.th 1774, for W. Shropshire, No. 158, & T. Watson, No. 142, New Bond Street.
Mezzotint. 260 x 195mm (10¼ x 7¾"). Surface scratch, small margins, tipped onto album sheet.
A portrait of Frances Villiers, Countess of Jersey (1753-1821) who was the mistress of George IV while Prince of Wales.
[Ref: 47259] £180.00
(£216.00 incl.VAT)
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.
Fine mezzotint. 500 x 355mm (19¾ x 14") Trimmed to plate, mounted on album paper at corners, some creasing in corners.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection. CS: 34, iii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd and Lady Lucas of Credwell.
[Ref: 68370] £460.00
George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.
Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752. [But later]
Mezzotint. 500 x 355mm (19¾ x 14") Thread margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection. CS: 34, iii of iii; Goodwin 22, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68371] £360.00
[George Villiers, first duke of Buckingham]
RE [for Renold Elstrack]
[published c.1700]
Engraving, platemark 255 x 180mm (10 x 7") large margins.
George Villiers, first duke of Buckingham (1592-1628), royal favourite, portrayed full-length with encampment and city in background. The initials 'RE' suggest the print was made by Renold Elstrack (1570-c.1625), the foremost English engraver of his time. In fact, Hind suggests that this is an eighteenth-century plate with Elstrack's initials fraudulently added to the second state. The first state, which bears text identifying the sitter and claiming dubiously that 'this plate hath been many years Preserved in a great persons Closet', was published (without the 'RE' monogram) by Benjamin Cole of Oxford (for an image of this state see NPG D5812). Not in O'D
[Ref: 46354] £160.00
(£192.00 incl.VAT)
[George Duke of Buckingham with his Brother Francis, 1636. To his Grace Charles Duke of Grafton, &c. This Plate is humbly Inscrib'd by his Graces most Oblig'd Servant James M..'Ardell.]
[Done by Ja.s M'Ardell from a Capital Picture of Van Dyck in the Royal Pallace at Kensington, 1752.]
Fine mezzotint, proof before letters, 500 x 355mm (19¾ x 14"). On 18th century watermarked paper. Narrow margins.
Double portrait of George Villiers, second duke of Buckingham (1628-87), left, and his brother Lord Francis Villiers (1629-48) right. Buckingham went on to a career of varying fortunes as a politician, including being appointed to the Order of the Garter and being imprisoned in the Tower of London; Francis was killed during the Civil War, during a minor engagement near Kingston upon Thames. Engraved after the 1635 painting by Van Dyck in the Royal Collection. CS: 34, ii of iii; Goodwin 22, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68314] £480.00
The Effigies of the Most Noble, George Duke, Marquess, & Earle of Buckingham, Earle of Coventry, Viscount Villers, Baron of Whaddon, & Knight of ye most Noble order of the Garter.
R. White sculp.
[n.d., c. 1679.]
Engraving. Plate: 180 x 285mm (7 x 11¼") very large margins.
A portrait of British statesman George Villiers, 2nd Duke of Buckingham (1628-1687), favourite to King Charles II.
[Ref: 41947] £95.00
(£114.00 incl.VAT)
Samuel Vince, M.A. F.R.S. Plumian Professor of Astronomy in the University of Cambridge.
Drawn by T. Wageman. Engraved by R. Cooper.
Published Octr. 10th. 1821. by T. Clay, 18, Ludgate Hill, London.
Stipple engraving and etching on india laid paper, 320 x 260mm. 12½ x 10¼".
Samuel Vince, Astronomer Royal (1749 - 1821). Inscribed 'Proof' lower right. Not in Wellcome.
[Ref: 13889] £110.00
(£132.00 incl.VAT)
[Vincennes] A General View of the Royal Palace of Vincene, on the side of the Grand Body Guard. Vüe Generale du Chateau Royal de Vincene, du côté du Grand Corps de Garde.
Rigaud delin.
Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside 1755 [but probably Hurst & Robinson, c.1818]
Engraving with strong contemporary hand colour. 250 x 475mm (9¾ x 18¾") very large margins. Laid on card for inclusion in a contemporary print album, trimmed into plate on right, old album paper pasted over plate on left.
A view of the Château de Vincennes with its 14th century 'Donjon', a fortified central tower, the tallest in Europe. The estate was enlarged by Louis XIV before he moved to Versailles. During the Revolution it was saved from the mob bent on destroying it by the Marquis de Lafayette. An English copy of the print by Jacques Rigaud (1681-1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'. This example was probably published by Hurst & Robinson, who bought most of the Boydell business when it folded in 1818.
[Ref: 60204] £240.00
(£288.00 incl.VAT)
[Vincennes] A View of the Royal Palace of Vincene taken from the border of the Terrass on ye Gardenside. Vüe du Chateau Royal de Vincene du Côté du Jardin prise du bord de la Terrasse.
Rigaud Delin.
Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside 1755 [but probably Hurst & Robinson, c.1818]
Engraving with strong contemporary hand colour. 270 x 475mm (10¾ x 18¾") very large margins. Laid on card for inclusion in a contemporary print album, trimmed into plate on right, old album paper pasted over plate on left.
A view of the Château de Vincennes as enlarged by Louis XIV before he moved to Versailles. An English copy of the print by Jacques Rigaud (1681 - 1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'. This example was probably published by Hurst & Robinson, who bought most of the Boydell business when it folded in 1818.
[Ref: 60203] £240.00
(£288.00 incl.VAT)
Ueue et Perspectiue Du Chateau De Vincennes Du Costé de L'entrée Du Parc.
Dessigné et gravé par P. Brissart.
[n.d., c.1680.]
Engraving. Platemark: 380 x 615mm (15 x 24¼"). Central vertical crease where folded. Small tear in lower edge on fold. Glued to backing sheet at edges.
A highly detailed birds-eye view of the castle grounds, the castle gardens and the surrounding villages of the Château de Vincennes, a royal fortress in the town of Vincennes, to the east of Paris. Ex collection of Hon. Christopher Lennox-Boyd.
[Ref: 39016] £450.00
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint. 510 x 355mm (20 x 14"), large margins on 3 sides. Margins soiled and damaged.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club. Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66507] £90.00
(£108.00 incl.VAT)
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint, proof before letters. 510 x 355mm (20 x 14"), with large margins. Worm holes in inscription area.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club. Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 66509] £140.00
(£168.00 incl.VAT)
The Rev.d W.m Vincent. D.D. Dean of Westminster.
Painted by W.m Owen Esq.r R A Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren Str.t Fitzroy Square.
London Published Sep.r 20.th 1811. by Mr. Turner, 50, Warren Str.t Fitzroy Square.
Mezzotint. 510 x 355mm (20 x 14"), with large margins. Laid on printed album paper.
A portrait of William Vincent (1739-1815), seated in an armchair next to a globe and tables with plans, wearing a medal. Vincent was Dean of Westminster from 1802 to 1815. As headmaster of Westminster School (1788-1802) he won a reputation for his beatings. The album paper is titled 'The Club. 59' and has details of the sitter, suggesting it is from a print collector's club. Whitman 586. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65239] £260.00
(£312.00 incl.VAT)
Blocking of the Harbour of Ostend by H.M.S. Vindictive.
R. Dumont-Duparc [pencil signature].
Copyright 1928 by Galerie Lutetia 44 r. N.D. des Victoires, Paris.
Etching, printed in colours. Plate: 310 x 250mm, (12 x 10"), with very large margins.
Having been badly damaged in the Zeebrugge Raid of 23rd April 1918 (in which her captain, Alfred Carpenter, was awarded a Victoria Cross), HMS Vindictive, an Arrogant-class cruiser, was sunk as a blockship during the Second Ostend Raid, 9th May 1918. By Robert Dumont-Duparc (1866-1930).
[Ref: 40530] £180.00
(£216.00 incl.VAT)
John Vine the Celebrated Kentish and Surrey Molecatcher. Wonderful Museum.
J: Mills sculp.
Pub by Alex. Hogg 16 Paternoster Row April 1 1804.
Engraving. 215 x 122mm. 8½ x 4¾". Crease on left.
A molecatcher underneath a tree, various traps with dead and caught moles lie around his feet; a hound with a mole in his mouth sits to his right.
[Ref: 19221] £60.00
(£72.00 incl.VAT)
[Vinegar Valentine] The Sunflower. You are, indeed most brazen-faced And Fiery red's your hair, The Sunflower, can alone with thee, In those respects, compare...
[n.d. c.1840]
Rare hand-coloured lithograph, sheet 250 x 200mm (10 x 8"). Creasing. Laid on album sheet.
An insulting valentine comparing a man to a sunflower, how his face turns to every woman like the flower to the sun. Large building in background "Nurseryman & Florist". Vinegar Valentines are rather unflattering and often insulting; some addressed to trades and professions, perhaps given to customers to their suppliers, rather than true valentines.
[Ref: 68148] £160.00
(£192.00 incl.VAT)
Elsworth Vines by Helen Wills.
Helen Wills [pencil signature].
[n.d. c. 1930s}.
Etching signed by the artist. 150 x 100mm (6 x 4"), with very large margins in original mount.
Portrait of Henry Ellsworth Vines (1911-1994) playing tennis. Vines was an American tennis player and was world number one between 1932-1935 and 1936-37. Etching by Helen Wills (1905-1998), who was a renowned tennis player herself, painted all her life and exhibited her paintings and etchings in New York galleries.
[Ref: 54843] £350.00
[Henry Ellsworth Vines.]
[Helen Wills]
[n.d. c. 1930s].
Etching, proof. 155 x 105mm (6 x 4¼"), with very large margins. Holes in margins where previously bound.
Portrait of Henry Ellsworth Vines (1911-1994) playing tennis. Vines was an American tennis player and was world number one between 1932-1935 and 1936-37. Etching by Helen Wills (1905-1998), who was a renowned tennis player herself, painted all her life and exhibited her paintings and etchings in New York galleries.
[Ref: 54842] £250.00
(£300.00 incl.VAT)
The Vineyard Festival.
Burney del. Neagle sculp.
Published by Dr. Trusler, Feb.1.1792.
Engraving. 190 x 130mm (7½ x 5"). Trimmed to platemark
Male and female figures dance around a central ornament whilst musicians and men bringing wine look on.
[Ref: 32124] £70.00
(£84.00 incl.VAT)
Mr. Vining as Octavian. Roque.__Do you not know these features. Octavian.__No, Nature has stubber'd them in haste. Moutaineers.
R.Jean pinxt. H.R.Cook, sculp.
Published Jany,20th.1814, by John King, County Press, Ipswich.
Stipple engraving. Plate 243 x 172mm.
George James Vining (1824-1875), performing in George Colman's play, 'The Mountaineers'.
[Ref: 3438] £45.00
(£54.00 incl.VAT)
In Vino Veritas. Vot femme voyez-vous, j'l connais mieux que vous. Your wife, I know her better than ye do yourself.
F. Grenier del. [Also signed in plate.] Litho de Ch. Motte.
a Paris rue des Marais No 13 Faub: Saint Germain. Pub. in 1830 by C. Motte, London 29 Bedford Street Covent Garden.
Lithograph, scarce and fine, sheet 260 x 355mm. 10¼ x 14". Slight stain on left.
Social satire: two drunken men talking in a pub, a pitcher and two glasses of ale on the table on front of them, after François Grenier (1793 - 1867), painter, lithographer, pupil of David and Guérin. Blindstamp lower left, numbered '10' upper right.
[Ref: 17977] £260.00
(£312.00 incl.VAT)
A view of the latest improvements at the Gray's Inn Wine Establishment, [23, High Holborn.]
Design'd & Eng.d by W.J. White. H. Brownlow St.t Holborn.
[1840.]
Engraved advert. Sheet 115 x 145mm (4½ x 5¾"). Trimmed, losing part of title.
An advert for Gray's Inn Wine Establishment, illustrating the tunnels of their wine cellar.
[Ref: 48810] £120.00
(£144.00 incl.VAT)
J.T. Smithson, (many Years Butler to the late Sir Edward Banks) Wine & Spirit Merchant, Banks Town, Sheerness. Delightful Gardens with Bowling Green, Billiard Tables, &c.
[n.d., c.1820.]
Engraved trade card. Sheet 80 x 130mm (3¼ x 5¼").
With a view of the outside of the premises.
[Ref: 48819] £80.00
(£96.00 incl.VAT)
[Scrapsheet of Ephemera relating to the Worshipful Company of Vintners.]
Scrapsheet. Sheet: 560 x 380mm (22 x 15'').
A scrapsheet with items relating the Company of Vintners including a coat-of-arms, a plate describing the coat of arms, a steel engraving of the Vintners Hall and a plate showing Saint Vincent of Saragossa. See Ref: 37624
[Ref: 49128] £140.00
(£168.00 incl.VAT)
Viola. [She never told her Love, / But let Concealment, like a Worm i'th'Bud / Feed on her Damask Cheek: / Shakespear's Twelfth Night.] From the Miniature in the Collection of Nathaniel Chauncy Esq.r.
Painted by S. Shelley & Engrav'd by Caroline Watson. Engraver to her Majesty.
Publish'd according to Act of Parliament Oct. 1 1788 by Caroline Watson Fitzroy Street.
Stipple, state before before quotation. 255 x 190mm (10 x 7½"), with large margins.
Viola from Shakespeare's 'Twelfth Night', engraved and published by Caroline Watson (c.1760-1814), one of the most significant and prolific female printmakers of her day.
[Ref: 53329] £160.00
(£192.00 incl.VAT)
Pickens Sketches of Napoleon No.1. Violets. Napoleon, Wife and Son.
[n.d., c.1840.]
Rare lithograph. Sheet: 205 x 140mm (8 x 5½''). Trimmed.
A puzzle prints in which the profiles of Napoleon, his wife Josephine and son Napoleon II are forms in the stems and leaves of a bouquet of violets.
[Ref: 49934] £95.00
(£114.00 incl.VAT)
[Boy playing a violin.] [Boy turn thy Laughter into Floods of Tears, And tune thy Instrumentto Mournful Airs; Play to the Numbers of my broken Verse, Whilest I the Loss of Friend and Art rehearse! A Friend! whom None in Friendship could surpass' An Artist, worth all Monumnets of Brass!...]
Frans Hals pinx. G.White facit 1732.
E' Collectione Nath: Oldham Armig. Sold by Sam.l. Sympson at his Print Shop in y. Strand near Catherine Street.
Rare mezzotint. 370 x 260mm (14½ x 10¼). Small margins. Tiny mark top right corner of image. Platemark along left and upper of image.
Portrait of a laughing boy playing the violin in a stone window, surrounded by ivy. Testimonial to George White the mezzotinter. Ex: Collection of The Hon. C. Lennox-Boyd. CS 59.
[Ref: 64486] £480.00
[Boy with violin.]
[Engraved by James McArdell after Frans Hals.]
[n.d., c.1760.]
Very fine mezzotint, proof before letters. 480 x 320mm, 19 x 12½".
A young boy with a violin. Not mentioned in Whitman.
[Ref: 9290] £490.00
[Violin Player.]
A. Brouwer pinx. N. Strixner del.
[n.d. c.1823.]
Rare lithograph. Sheet 349 x 310mm (13¾ x 12¼").
A rustic interior with a peasant seated on an upturned tub playing the violin; four others singing in front of a fire-place in right background. From "Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck".
[Ref: 30424] £190.00
(£228.00 incl.VAT)
[The Musical Boy] [Done from the Original Picture of the same size, in the Collection of the Right Honourable Lord Mountstuart.]
F. Halls Pinxit. James Watson Sculpsit
Publish'd July 24th 1777 by John Boydell Engraver in Cheapside London.
Mezzotint, platemark 380 x 280mm (15 x 11"). Good impression; very rare;
Boy playing the violin; fruit, knife and flask on table in front, two listeners behind with lute hanging on wall. From a picture attributed here to Frans Hals but probably since reattributed. Ex collection of the late Hon. C. Lennox-Boyd; Goodwin 182 i/ii; CS 159 i/ii.
[Ref: 34016] £360.00
Fiddle De Dee.
Drawn on Stone by W. Leonard. Printed by Engelmann & Co.
Published by H. Lamb, High St. Cheltenham [n.d., c.1830].
Lithograph on india laid paper, sheet 285 x 235mm. 11¼ x 9¼". Foxed.
A violinist/fiddler. The image seems to derive from an earlier print entitled 'The Wandering Musician', which in turn credits its source as a painting by 'Dietricy' (C.W.E. Dietrich).
[Ref: 10536] £80.00
(£96.00 incl.VAT)
[Jeune Violiniste Americaine.]
[by Victor Prouvé.]
[Paris, 1918.]
Fine mezzotint. 195 x 300mm (7¾ x 11¾"), very large margins.
A young American woman playing the violin. Victor Prouvé (1858-1943), French painter, sculptor and engraver of the Art Nouveau École de Nancy.
[Ref: 59470] £480.00
[Silhouette of a violinist] Cap.t Newbery by one of his brother officers.
[n.d., c.1820.]
Ink and grey wash silhouette. Sheet 130 x 160mm (5 x 6¼"). Mounted on album paper.
A violinist playing from a Beethoven score.
[Ref: 62093] £320.00
[Violinist Asleep Below a Tree.]
Vien fecit. Franquinet del.t.
Lith. de Chabert; r. Cassette, N.20.
Lithograph with very large margins. Plate: 335 x 495mm (13¼ x 19½").
An old man, asleep holding a voilin in one hand and the bow in another. A skull,
[Ref: 36596] £140.00
(£168.00 incl.VAT)
[Il Violinista. (The Violinist.)]
Raffaelle Sanzio dip. Pietro Salvatori dis e. inc.
[Italian, c.1820s.]
Engraving, proof before title, 340 x 245mm. 13½ x 9¾". A fine impression. Uncut sheet.
Portrait of the 'Violin Player' turning to look back at the viewer, wearing a fur collar, robes and a hat; in his left hand he holds a violin bow. This print reproduces a painting here attributed to Raphael (1483 - 1520), but now attributed to his contemporary Sebastiano del Piombo.
[Ref: 14049] £160.00
(£192.00 incl.VAT)
J. B. Viotti.
Gravé par Lambert d'après le Dessin original de P. Guérin appartenant à Mr. Cartier.
[n.d., c. 1860's.]
Stipple engraving. Sheet 240 x 150mm (9½ x 6"). Trimmed to plate.
Portrait of Giovanni Battista Viotti (1755 - 1824), Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.
[Ref: 63245] £75.00
(£90.00 incl.VAT)
Virgil writing his Epitaph. From an Original Picture in the Collection of George Bowls Esq.r to whom This Plate is Inscribed by his most obliged Humble Serv.t Tho.s Macklin.
Angelica Kauffman pinxt. Burke sculp.t
London, Published Jan.y 20.th 1794 by Tho.s Macklin, Poets Gallery Fleet Street.
Stipple, 430 x 510mm (17 x 20") with large margins. Laid on archival paper. Repaired tears, nicks and creases.
Virgil writing his own epitaph, after becoming ill on a trip to Greece. He died in Brindisi before he could return home.
[Ref: 60399] £260.00
(£312.00 incl.VAT)
Virgil. Apud Fulvium Ursinum in gemma.
[Antwerp, Plantin, c.1606.]
Copper engraving. 140 x 100mm, 5½ x 4". Trimmed close to plate.
A gemstone portrait of the Roman poet Virgil (70 -19BC), from the collection of antiquities of Fulvius Ursinus (1529–1600), published in his 'Illustrium imagines. Ex antiquis marmoribus, nomismatibus, et gemmis expressae.'
[Ref: 19973] £60.00
(£72.00 incl.VAT)
[Illustration to Paris Galle, 'Novum Tres Inter Deas Junonem Venerem Palladem Paridis Judicium [...]'] 1. Omnia vincit Amor. Virgil. Ecloga 10 [...]
Nypoort fecit [1684]
Engraving with letterpress, printed area 255 x 160mm (10 x 6¼"). Stamp verso 'K K Studien Bibliothek Salzburg'.
Putto on a cloud, holding bow and quill, and accompanied by a lion. "Love is the greatest cause; she conquers all, she wants to. Then again it is necessary that Love conquers herself as well".
[Ref: 43682] £150.00
(£180.00 incl.VAT)
[Women at work.] To Joseph Jekyll of the Middle Temple Esq. Geo: 1. L. 390.
[Etched by Wenceslaus Hollar and others after Francis Cleyn.]
[n.d., c.1698.]
Etching. 300 x 205mm (11¾ x 8"). Trimmed.
A scene of women at work in the evening, a scene from John Ogilby's translation of Virgil's Georgics. ''The Wife and Husband equally conspire, / To work by Night, and rake the Winter Fire: / He sharpens Torches in the glim'ring Room, / She shoots the flying Shuttle through the Loom: / Or boils in Kettles Must of Wine, and Skins / With Leaves, the Dregs that overflow the Brims.'' This example, from the iv state of iv, has a new dedication, not engraved by Hollar and the artist and etcher's names indistinct. Pennington 295, iv of iv.
[Ref: 56606] £75.00
(£90.00 incl.VAT)
La Présentation de la S.te Vierge au Temple. Tableau de la Galerie impériale de St. Pétersbourg. Dédié à sa Majestié Catherine II. Impératrice de toutes les Russies, Par son très .humble très obeissant et très Soumis J. Trible.
Peint par Pietro Testa. et Dessiné par B.N. Le Sieur. Gravé par G.F. Schmidt, Graveur du Roy à Berlin 1771.
Engraving. 600 x 404mm (23½ x 16"). Creasing in title area, small tears in small margins.
40 days after giving birth to Jesus, the Virgin Mary, presented herself in the Temple in Jerusalem to be ritually cleansed after childbirth.
[Ref: 54677] £240.00
(£288.00 incl.VAT)
[Madona and Child. From an Original Picture painted by M.rs Angelica Kauffman.]
Angelica Kauffman pinxit. V. Green Engraver in Metzotinto to his Majesty fecit.
London, Printed for R. Sayer and J. Bennett, N.º 53 Fleet Street, as the Act directs, 3 December 1774.
Mezzotint, scratched-letter proof before title. 520 x 360mm (20½ x 14¼"), with large margins. Unidentified collector's blind stamp on left bottom plate mark. Crease top right, two tears in margins repaired.
The infant Jesus reaches up to his mother, who sits on a stone bench. Whitman 184. See Metropolitan Museum 42.119.94 for published state. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67509] £480.00
The Harbour of St. Thomas after the Earthquake, - See Page 711.
[Illustrated London News, 1868.]
Wood engraving. Sheet 215 x 300mm (8½ x 12½"), watermarked 1867. Trimmed from larger sheet, lacking text.
A view showing the shipping destroyed by the tsunami that hit Charlotte Amalie harbour after the earthquake of November 18, 1867.
[Ref: 63757] £60.00
(£72.00 incl.VAT)
Views of the Isle of St. Thomas. Voy.s No.XXX.
Neele & Son 352 Strand.
Published by Sir R. Phillips & Co. Bridge Court, Bridge Street. [1821.]
Engraving. Plate 133 x 215mm. 5¼ x 8½".
View of Saint Thomas, in the Caribbean Sea, with a castle to the right and a fortified entrance to the port; a windmill to the left in the hills. From "A Voyage to North America, and The West Indies, in 1817. By E. Montule. Knight of the Royal Order of the Legion of Honour. Author of Travels in Egypt, &c." 1821. Saint Thomas, one of the islands that makes up the United States Virgin Islands. In 1657 the Dutch West India Company established a post there with a view to profit from the plantations and sugar cane, from which the country thrived for many years. However, by the early 19th century, Saint Thomas was in decline. The United States attempted to purchase the Island in the 1860s, but failed to find domestic legislative support for the bid; they did however succeed in 1917.
[Ref: 23846] £120.00
(£144.00 incl.VAT)