Grosvenor Prints

The Rialto Venice [in pencil]
W Travis Jackson [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 250mm (6¾ x 9¾"), with very large margins.
A view of the Ponte de Rialto crossing the Canal Grande in Venice.
[Ref: 62588] £75.00 (£90.00 incl.VAT)

[Santa Maria della Salute, Venice.]
John Shapland. W.H. Sweet [pencil signatures]
[n.d., c.1920.]
Etching signed by both artists. 135 x 180mm (5¼ x 7"), publisher's blindstamp, very large margins.
A view of Santa Maria della Salute, with the Monument to Emmanuel II, with an equestrian statue of the first king of Italy. Walter Henry Sweet (1889-1943) studied under John Shapland (1865-1929) at Exeter School of Art.
[Ref: 67669] £120.00 (£144.00 incl.VAT)

[Santa Maria della Salute, Venice.]
John Shapland. W.H. Sweet [pencil signatures]
[n.d., c.1920.]
Etching signed by both artists. 300 x 210mm (11¾ x 8¼"), publisher's blindstamp, very large margins.
A view of Santa Maria della Salute, with a gondola. Walter Henry Sweet (1889-1943) studied under John Shapland (1865-1929) at Exeter School of Art.
[Ref: 67670] £140.00 (£168.00 incl.VAT)

[The Bridge of Sighs, Venice.]
John Shapland. W.H. Sweet [pencil signatures]
[n.d., c.1920.]
Etching signed by both artists. 300 x 210mm (11¾ x 8¼"), publisher's blindstamp, very large margins.
A view of the Bridge of Sighs, with a gondola. Walter Henry Sweet (1889-1943) studied under John Shapland (1865-1929) at Exeter School of Art.
[Ref: 67671] £140.00 (£168.00 incl.VAT)

Veduta della Chiesa de S.ta Maria della Salute in Venezia.
Nap.e Zucoli inc. D.co Landini acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 170 x 210mm (6¾ x 8¼"). Trimmed to printed border on three sides, some spotting, laid on album paper.
A view of the Church of ''Saint Mary of Health'', at the entrance to the Grand Canal, Venice.
[Ref: 57352] £95.00 (£114.00 incl.VAT)

Veduta del Ponte dei Sospiri a Venezia.
N. Zucoli inc. F, Citterio acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 230 x 175mm (9 x 7"). Trimmed to printed border on three sides, laid on album paper.
A moonlit view of the 'Bridge of Sighs', with masked figures boarding a gondola in the foreground.
[Ref: 57353] £130.00 (£156.00 incl.VAT)

[Piazza San Marco, Venice] Prospectus Plateae Divi Marci Venetiarum, et ejusdem Basilicae cum Redibus D. Marci Procuratorum. 1.
Mich.e Mariaschi Del. Apud Theordorum Viero in via Mercatoria vulgo dicta dell'Orologlio Vemetiis.
Teodoro Viero, Venice [1760-1800.]
Etching and engraving, triple crescent moon watermark. 320 x 430mm (12½ x 17"), with large margins. Substantial loss of margin to lower right corner, trimmed to plate mark. Some minor creasing and light toning in right margin.
The Piazza San Marco, Venice, looking towards the Basilica and Campanile. A copy of Marieschi's etching of the same view from his series 'Magnificentiores Selectioresque Urbis Venetiarum Prospectus', published in 1741.
[Ref: 55122] £290.00 (£348.00 incl.VAT)

A Perspective View of the City of Venice. Vue Perspective de la Ville de Venise.
Published 12th May 1794, by Laurie & Whittle, N.o 53 Fleet Street, London. c. 1810
Engraving with fine original hand colour. 280 x 425mm (11 x 16¾"), with margins. Laid on album paper.
A birds-eye view of Venice and ships sailing the surrounding Adriatic Sea.
[Ref: 55173] £380.00

A View of an Italian Regatta or Gondola Race on the Grand Canal at Venice &c. Engraved for Middleton's Complete System of Geography.
[London: J. Cooke, 1777-8.]
Engraving. 190 x 285mm (7½ x 11¼") very large margins.
From Charles Theodore Middleton's 'A new and complete system of Geography'.
[Ref: 63722] £60.00 (£72.00 incl.VAT)

Le Carnaval de Venise.
[after Alexandre de Rogissart.]
[n.d., c.1710.]
Engraving, 18th century watermark. Sheet 150 x 365mm (6 x 14¼"). Trimmed within plate, original folds.
A costumed procession during the Venice carnival. A reversed copy of an image in de Rogissart's 'Le carnaval de Venise, Les delices de l'Italie'.
[Ref: 64307] £130.00 (£156.00 incl.VAT)

The Court of the Magnificent Buildings of the Ducal Palace, over the front are seen the Cupolo's of S.t Mark's Church.
Mich.l Marieschi delin. T. Bowles sculp.
[n.d. c.1800.]
Rare hand-coloured engraving, sheet 290 x 405mm (11½ x 16"). Trimmed within plate losing publication line and glued on card. Slightly time stained.
A view of the Ducal Palace in Venice with St. Mark's Church in the background.
[Ref: 60665] £260.00 (£312.00 incl.VAT)

Bridge of Sighs Venice [in pencil]
W Travis Jackson [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 250 x 170mm (9¾ x 6¾"), with very large margins.
A view of the Ponte de i Sospiri which passes over the Rio di Palazzo, and connects the New Prison (Prigioni Nuove) to the interrogation rooms in the Doge's Palace.
[Ref: 62589] £60.00 (£72.00 incl.VAT)

Lombardie. [Set of nine views in Venice]. Quai des Esclavons + Riva degli Schiavoni. [/] Pont de Rialto + Ponte di Rialto. [/] Cour du palais ducal + Cortile del palazzo ducale. [/] Place St. Marc + Piazza Sn. Marco. [/] Grand Canal + Canal Grande. [/] L'Arsenal + L'Arsenale. [/] Basilique de St. Marc + Basilica Sn. Marco. [/] Eglise de SSt. Jean et Paul + Chiesa si SS. Gio t Paolo. [/] Basilique St Marc + Basilica Sn. Marco.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier.
Imp. Lemercier, a Paris. Paris, publie par Bulla, rue Tiquetonne, 18 et (Mon. Aumont) Francois Delarue, Succ, rue JJ Rousseau 10. [n.d., c.1820].
A set of 9 tinted lithographs. Unbound. Sheet size: 290 x 380mm (11½ x 15") each.
A set of nine exceptional views of Venice, including eight external and one internal (the Basilica di San Marco), after Philipe Benoist (1813-1880). Titles in both French and Italian. The views include; the Rialto Bridge, the oldest of the four bridges spanning the Grand Canal in Venice, a view of the Grand Canal itself with numerous gondolas on the water, the Renaissance courtyard of the Ducal Palace and a busy Piazza San Marco, the principal public square of Venice.
[Ref: 33312] £1,400.00 view all images for this item

[Venice] Carte du Gouvernement Militaire de la Republique de Venise, L'Etat de ses Revenues, de ses Forces, et les Differentes Vues de la Place de St Marc.
[Amsterdam, Henri Abraham Chatelain, c.1710.]
Engraving. 395 x 505mm (15½ x 19¾"), with very large margins. Tear in centre fold and left margin.
Five views of Venice, with engraved text in French. From Chatelain's seven-volume 'Atlas Historique', published between 1705 and 1720.
[Ref: 44583] £240.00 (£288.00 incl.VAT)

[Venice.] Unbestän=dige Wanderschafft. In constans migratio.
J.W. Baumgartner del.
[German, n.d., c.1720.]
Scarce mezzotint, 18th century watermark. 250 x 210mm (9¾ x 8¼"). Trimmed into image at sides, new margins added..
A view of boats including gondolas at a dock in Venice, a church behind. By Johann Wolfgang Baumgartner (1712-61).
[Ref: 59464] £320.00

Venezia. Prigioni e Ponte della Paglia.
Pividor dis.
[Published Venice, by Giuseppe Kier, c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp. Very large margins spotted & creased on outside.
The Ponte della Paglia (Bridge of Hay) in Venice, built 1847, flanked by two prisons. Behind is the Bridge of Sighs. After Giovanni Pividor (1816-72).
[Ref: 39762] £80.00 (£96.00 incl.VAT)

[Venetian Steps]
SM Litten [in pencil]
[n.d. c.1930]
Etching signed by the artist, 270 x 380mm (10¾ x 15"), on blue tinged paper with very large margins. Creases in corner of left margin.
A view of some steps in Venice with a gondola approaching. Sydney MacKenzie Litten (British 1887-1949) was a British etcher and engraver who was apupil of Sir Frank Short at the Royal College of Art before going on to become Senior Master at St Martin's School of Art.
[Ref: 62594] £230.00 (£276.00 incl.VAT)

[Architectural view, probably in Venice.] Qui grandezza vedrai, che in fasto, e treno / Il vasto albergo ad un mortal disegna [...]
Ant. Canal Pinxit. Jacobus Monaco inc.
Apud Ludovicum Furlanetto supra Pontem vulgo dictum dei Baretteri C.P.E.S. [c.1780]
Engraving, 18th century watermarked paper; platemark 265 x 370mm (10½ x 14½"). Very large margins. Mint.
View after Antonio Canaletto (1697-1768), the greatest painter of Venice and its surroundings. Canaletto also spent several year working in London.
[Ref: 38467] £260.00 (£312.00 incl.VAT)

Pianta della Regia Cittá di Venezia Pianta di Venezia. Plan de Venice.
Gaelato dis. Lit. Kier.
Giuseppe Kier, Edit. piazza S. Marco No. 117. [n.d., c.1850.]
Lithograph. Printed area 160 x 210mm (6¼ x 8¼"), with publisher's blind stamp. Some toning.
A plan of Venice with a 30-pint key of landmarks.
[Ref: 39735] £110.00 (£132.00 incl.VAT)

Venezia. Piazzetta di S. Marco dalla Porta dell Carta. Piazzetta St Marc vue a la porte della Carta.
Ziegler dis. Lit. Kier.
Giuseppe Kier, Edit. piazza S. Marco No. 117. [n.d., c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp. Some surface soiling on very large margins.
The Porta della Carta is the ceremonial entrance to the Doge's Palace, St Mark's Square.
[Ref: 39763] £80.00 (£96.00 incl.VAT)

A View from the Bridge Realto to Michaeli House shewing the House of the Germans on the right hand and on the left the Office of the Magistrates of the Revenue.
Mich.l Marieschi delin. T. Bowles fecit.
London, Printed for Robert Wilkinson, 58 Cornhill, & Bowles & Carver, 69, St Pauls Church Yard. [n.d., c.1790.]
Coloured engraving, 300 x 390mm (11¾ x 15¼"), with J. Whatman watermark. Cut to platemark on left, small margins elsewhere
View of the Grand Canal, Venice, with the Fondaco dei Tedeschi (headquarters of the German merchants in the city) centre right.
[Ref: 40320] £320.00

Donna che rompe un giogo, et altre figure, che portano il Pileo insegna della libertà Opera del Tintoretto nella sala delle quattro porte in Venetia.
Silverstero Manaigodelineo. Andrea Zucchi Sculp.
Per il Lovisa in Realto. [n.d., c.1720.]
Etching. Sheet 430 x 410mm (17 x 16"), with 18th century watermark. Trimmed within plate, some staining and creasing, laid on album paper.
A copy of Tintoretto's painting in the soffit of the Sala delle Quattro Porte in the Doge's Palace, Venice, showing a woman seated on clouds holding chains representing the protector of Venice's liberty. The etching was published in 'Il gran Teatro di Venezia' (The Great Theatre of Venice).
[Ref: 40496] £190.00 (£228.00 incl.VAT)

[Grand Canal Venice.] Pars Canalis magni ultra pontem Hebræorum Venetüs. Partie du Grand Canal plus outre du Pont de Juif à Venice.
Cum Gratia et Privelegio Sac: Cæs: Majestis. Georg Balth. Probst excud. Aug.t [n.d., 1770].
Coloured engraving. 305 x 405mm (12 x 16"). Slight creasing down centre.
A vüe-d'optique of Venice, designed to be viewed through a zograscope, a device that created perspective. It shows gondolas on the Grand Canal near the junction of the Cannaregio Canal, on which can be seen the Ponte delle Guglie. The title is in four languages; above is the title in French, reversed for the zograscope.
[Ref: 56324] £320.00

Venezia. Piazzetta di S. Marco dalla Piazzetta dei Leoni.
G. Pividor dis. Lit. Kier. Edit.
[Published Venice, by Giuseppe Kier, c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp. Small tear in very large margins.
St Mark's Square, with the clock tower of the Mercerie on the right. After Giovanni Pividor (1816-72).
[Ref: 39764] £80.00 (£96.00 incl.VAT)

[On Ascension Day the doge marries the Adriatic sea using this vessel, the bucentaur] Nel giorno dell'Ascensione il Sereniss:mo Principe si porta a spossar l'Adriatico mare conquesto aureo Naviglio detto Il Bucintoro.
Ant.o Canaletto del. Appo Lodovico Furlanetto aope il Ponte dei Bareteri 1790
Engraving with large margins, platemark 250 x 370mm (9¾ x 14½").
The bucentaur, used in Venice up until 1798 to perform the ritual 'Marriage of the Sea'. It was depicted in paintings by Canaletto and Francesco Guardi, and was such a symbol of Venetian life that Napoleon ordered its destruction in 1798 to symbolize his conquest after Ludovico Manin surrendered to him.
[Ref: 35604] £280.00 (£336.00 incl.VAT)

Palazzo Grimani ora J.R. Direzione delle Poste. Palais Grimani. Direction de la Poste.
Gilio dis. Lit. Kier.
Giuseppe Kier, Edit. piazza S. Marco No. 117. [n.d., c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp, very large margins.
The mid-16th century Renaissance-style Palazzo Grimani di San Luca, facing the Grand Canal, now Venice's Appeal Court.
[Ref: 39766] £90.00 (£108.00 incl.VAT)

Grande Duchesse de Venise. Costes. Etrangers.
d’après Abraham Bruyn, 1581. Hip Pauquet.
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 10me. Liv. No.19. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78. [n.d. c.1800.]
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
[Ref: 15662] £50.00 (£60.00 incl.VAT)

[Italy] Doge de Venise. Costes. Etrangers.
d’après Abraham Bruyn, 1580. Pol. Pauquet.
Pauquet freres, editeurs. Impe. Fosset F.bg St. Jacques, 19. 10me. Liv. No.20. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
Probably Nicolo da Ponte, who was the 87th Doge of Venice from 1578 to 1585.
[Ref: 15670] £50.00 (£60.00 incl.VAT)

[Statue of Vittorio Emanuele II, Venice.]
John Shapland. W.H. Sweet [pencil signature.]
[n.d. c.1920.]
Etching. 241 x 273mm. 9½ x 10¾".
John Shapland (1865-1929) A painter of seascapes and landscapes mainly in watercolour but occasionally in oil. He exhibited at the RA, Paris Salon, and in the USA. He was the principle of the Exeter School of Art from 1899 to 1913. His compositions are loose' and his colouring is reminiscent of the continental style. He was for a time in business with the well known Devon artist Walter Henry Sweet who produced etchings of Shapland's subjects. A view from behind the Statue of Vittorio Emanuele II (1820-1878; who was King of Piedmont, Savoy and Sardinia. In 1861 he assumed the title of King of Italy, to become the first king of a united Italy, and upon his death he was given the epithet 'Father of the Fatherland') looking towards Santa Maria della Salute in Venice, with the Tronchetto-Lido di Venezia to the left.
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 17820] £140.00 (£168.00 incl.VAT)

[A 'Venetian gondola' and another boat.]
[Unsigned, n.d., c.1820s.]
Brown watercolour and wash over pencil, c.165 x 235mm. 6½ x 9¼".
A drawing from life, possibly in the East Indies, by a skilful amateur artist from a sketch book of scenes on a voyage of the ship 'Elphinstone'. She was a sloop in the service of the Honourable East India Company launched c.1824 which travelled to the Mediterranean, around the southern tip of Africa and on to the East Indies and Australia. The identity of the artist who travelled on board the Elphinstone drawing the different landscapes and scenes he saw is not ascertained. The sketch book is inscribed in ink with the initials 'W.B.' on the front endpaper.
[Ref: 9401] £120.00 (£144.00 incl.VAT)

Sale Du Grand Conseil De Venise.
Dessine sur le Lieu et Mis au Iour Par le Soin de Pierre Mortier Libraire. A Amsterdam.
[n.d., c.1705.]
Etching, 495 x 590mm. 19½ x 23¼". Centre fold as issued. Marginal chips, nicks and tears.
A large and impressive illustration of the meeting of the Maggior Consiglio, or Council, of the Republic of Venice. The Doge and his advisors at the upper centre of the composition. From 'Histoire du gouvernement de Venise', 2 vols., 1705 by Abraham Nicolas Amelot de la Houssaie. Numbered 'XLI' upper right, key text to left and right of title. Published by Pierre Mortier (1661 - 1711), book and map seller, playing-card maker and publisher in Amsterdam from 1685.
Provenance: from the collection of Rudolf Nureyev.
[Ref: 11989] £360.00

[Venetian man.]
[n.d., c. 1840.]
Coloured lithograph, 195 x 140mm. 7¾ x 5½". Trimmed and laid down. One crease and some staining.
Attractively coloured lithograph of a man in local costume standing by the Grand Canal, Venice.
[Ref: 12714] £85.00 (£102.00 incl.VAT)

[Piazza San Marco, Venice] Procuratie Vecchie, Architettura di Mastro Bono Proto di S. Marco.
Luca Carlevarijs del. et inc.
Appo Gio. Maria Pedrali S. Giovanni Evangelista Venezia Nº 2164 [n.d., 1741].
Etching. 210 x 295mm (8¼ x 11½"), Pedrali's publication line overprinted in bottom margin. Nicks in edges, paper lightly toned.
A view of the Old Procurators' House and the Clock tower in the Piazza San Marco. From Pedrali's re-issue of 'Le fabriche e vedute di Venezia (The buildings and views of Venice)' by Luca Carlevaris, first published 1703,
[Ref: 62674] £130.00 (£156.00 incl.VAT)

[Piazza San Marco (St Mark's Square), Venice.]
[Unidentified signature.] W.H. Sweet [pencil signature.]
[n.d., c.1920.]
Etching, 135 x 180mm. 5¼ x 7".
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 14040] £140.00 (£168.00 incl.VAT)

[Venice.]
Henry Le Keux Aqua Forti fecti. [Publisher's blindstamp.]
[n.d. c. 1860.]
A very scarce etching on india. Unfinished proof. 344 x 502mm. 13½ x 19¼". Water stain upper right-hand corner. Tear into centre right hand-side, with vertical crease.
A scene along the canal in Venice, possibly around San Barbara.
[Ref: 14435] £120.00 (£144.00 incl.VAT)

Explanation of the view of Venice, exhibiting in the Panorama, Strand.
Ja.s Lee sculp [after Henry Aston Barker].
Printed by Ja.s W. and Chas. Adlard. 23, Bartholomew-close [n.d., 1819].
Wood engraving. Sheet 325 x 470mm (12¾ x 18½"). Laid on canvas, some creasing.
A key to a panorama of Piazza San Marco, with a 37-point key. A keyplate to a view of Athens exhibited in Barker's Panorama in the Strand. This alternative venue to the more famous Panorama in Leicester Square was opened in 1801 by Thomas Edward Barker and Ramsay Richard Reinagle.
See: Ref: 53539, 58762 & 59116
[Ref: 56281] £160.00 (£192.00 incl.VAT)

The Riva dei Schiavoni.
[Drawn by Lake Price, lithographed by Joseph Nash]
[Published by T. McLean, 26, Haymarket. Printed by C. Hullmandel. 1843]
Lithograph, 340 x 445mm. 13¼ x 17½". Trimmed to image.
Plate 5 from Lake Price's 'Interiors and Exteriors in Venice' (1843), showing a busy scene
Abbey 171
[Ref: 15347] £160.00 (£192.00 incl.VAT)

Gondolier Venitien. Costes. Etrangers.
d’après Carpaccio V. 1506. Hipte. Pauquet.
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 7me. Liv. No.14. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78. [n.d. c.1800.]
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
A Venetian boatman who propels a gondola.
[Ref: 15661] £65.00 (£78.00 incl.VAT)

[View of a Palace in Venice.]
[?][signature in pencil.]
Etching. Plate: 290 x 275mm (11½ x 10¾'') very large margins. Find
A view of a Renaissance palace in Venice.
[Ref: 49346] £130.00 (£156.00 incl.VAT)

[The Grand Canal] Ex Aede Salutis, usque ad Caput Canalis.
[engraved by Antonio Visentini after Canaletto.]
[Venice: Giuseppe Battaggia, 1733.]
Fine etching. 275 x 430mm (10¾ x 17"), with very large margins. Some foxing.
A view of the Grand Canal with the church of Santa Maria della Salute on the right. From 'Prospectus Magni Canalis Venetiarum', a volume of fourteen engravings by Antonio Visentini after paintings by Canaletto in the collection of his great British patron, Joseph Smith. The paintings were all bought by George III and are in the Royal Collection, while preliminary drawings for each engraving are in the British Museum and the Museo Correr (Venice).
[Ref: 65157] £420.00

A Perspective View of the Venice.
Giorg.. Fossati Archit.t delin.t. Bowles Sculp.t.
Published according to Act of Parliament. Printed for Robert Wilkinson, 58 _ in Cornhill, & Bowles & Carver 69, St. Pauls Church Yard, London [n.d., c.1814].
Coloured engraving. 290 x 425mm (11½ x 16¾"), paper watermarked 'J Whatman 1814', with margins. Top left margin corner missing.
An elevated prospect of Venice, the Bucentaur (the Doge's ceremonical barge) in the background right. Giorgio Domenico Fossati ((1705-85), Swiss-born artist and architect.
[Ref: 54658] £340.00 (£408.00 incl.VAT)

[Bucentaur] Bucentoro. Solemnite Du Bucentaure, qui se Celebre a Venise le Jour de l'Ascension.
Exactement Dessinée sue le Lieu au jour par le Soin de Pierre Mortier. Libraire A Amsterdam.
[The Hague: Rutgeri Christophori Alberts, 1724.]
Engraving. 445 x 565mm (17½ x 22¼") very large margins. Creasing as normal. Evidence of cracks in the printing plate.
A magnificent view of the Bucentaur, the state barge of Venice, taking the doge out to the Adriatic to perform the 'Marriage of the Sea', a ceremony that symbolically wedded Venice to the sea on Ascension Day. The barge survived until 1798, when Napoleon had it destroyed to symbolise his victory over Venice. The plate first appeared in Pierre Mortier's edition of Johannes Blaeu's 'Townbooks of Italy' in 1704, although he also published it in the 'Le Neptune Francois ou Atlas Nouveau des Cartes Marines'. However the cracks in the bottom of the plate suggest this comes from the last issue of the 'Townbooks, 1724.
[Ref: 55679] £550.00

Venezia.
A. Evershed. 1898-9.
Etching. 250 x 350mm, 9¾ x 13¾". Uncut, mint.
Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 17446] £170.00 (£204.00 incl.VAT)

[Venice] Bellini's Pictures being Conveyed to the Church of the Redentore.
Painted by J.N.W. Turner, R.A. Engraved by J.T. Willmore, A.R.A. Printed by M. Dunn.
Art Union of Londn - 1858.
Engraving in between 1st & 2nd Published State. Laid on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of sheet. Damaged.
A scene after Joseph Mallord William Turner (1775 - 1851) depicting the transportation of Bellini's paintings on the canals in Venice. Giovanni Bellini (1430 - 1516) was an Italian Renaissance painter, considered to have revolutionized Venetian painting, moving it towards a more colouristic style.
Rawlinson: 677A
[Ref: 32612] £480.00

[The Pope and the Doge in Venice.] Prima che monti il Doge Ziani la Falera....
Appo. Teodoro Viero Venezia [Venice, n.d., c.1770s].
Large and impressive engraving on laid paper, 380 x 505mm. 15 x 20". A good impression, with wide margins. Slight crease on left.
An historical scene in Piazza San Marco (St. Mark's Square), medieval Venice. Pietro Ziani (died 1230), the forty-second Doge of Venice from 1205 to 1229, receives a Papal blessing (in the form of a sword) prior to setting out in his barge on an expedition. In his youth a sailor, Ziani commanded a flotilla escorting the emperor Frederick Barbarossa in 1177, and took part in the Fourth Crusade and sacking of Constantinople. Numbered '5' lower left, and '66' lower right; from a series by Teodoro Viero (1740 - 1819), engraver and publisher in Venice. After a fresco by Francesco Bassano (1549 - 1592) in the Grand Council chamber of the Palazzo Ducale, Venice.
From Broadlands home of Palmerston family.
[Ref: 27560] £280.00

Souvenir de Venice.
Peint par Canaletto. Lit. par M. Moro.
Se vend chez Jos. A. Habnit Edit. et Propr. March. d'Objets D'Arts. Place S.Marc. Procuratie vecchie No 102. [n.d., c.1840]
Oblong 4to, printed boards with cloth spine; coloured lithographic title, and 12 plates in fine hand colour with gum arabic highlights, interleaved with tissue, each with Habnit's blind stamp. Some spotting.
Twelve fine views of the buildings of contemporary Venice, despite the use of Canaletto's name on the title page. Bookplate of Dorothea Howard.
[Ref: 39734] £1,250.00 view all images for this item

Campo di S. Geremia con la Famosa Caccia del Toro.
Per il Lovisa in Realto. [n.d., c.1720.]
Engraving, rare. Sheet 365 x 490mm (14¼ x 19¼"). Trimmed within image, folded and laid on album paper.
A scene in Venice, showing bull-baiting in Campo San Geremia, published in 'Il gran Teatro di Venezia' (The Great Theatre of Venice).
[Ref: 42175] £350.00

Venezia. Il Molo. Le Môle.
G. Gilio dis. Lit. Kier.
Giuseppe Kier, Edit. piazza S. Marco No. 117. [n.d., c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp. Very large margins soiled.
The pier in front of St Mark's Square, filled with gondolas.
[Ref: 39765] £90.00 (£108.00 incl.VAT)

Venezia. Canal Grande a Rialto. Le Grand Canal a Rialto.
Giovanni Pividor dis. Lit. Kier.
Giuseppe Kier, Edit. piazza S. Marco No. 117. [n.d., c.1850.]
Lithograph in fine hand colour with gum arabic highlights. Printed area 170 x 210mm (6¾ x 8¼"), with publisher's blind stamp. Some surface soiling in very large margins.
A view of Venice's Grand Canal, with the Rialto Bridge. After Giovanni Pividor (1816-72).
[Ref: 39760] £120.00 (£144.00 incl.VAT)

Cafe' Florian à Venise, Grand Place St. Marc.
Gio. Povidor dis. Prem. Lit. Veneta.
[n.d., c.1850.]
Lithograph. Sheet 175 x 250mm (7 x 9¾") large margins.
A view of Caffe Florian, reputed to be the oldest café, in the arcade of Piazza San Marco in Venice since 1720. This lithograph, made to publicise the café, emphasises its cosmopolitan character by noting the 'room for the reading of foreign newspapers'. Another great landmark, the Basilica di San Marco, can be seen on the left. Lithograph by Giovanni Pividor (d.1872).
[Ref: 39824] £130.00 (£156.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 153

Catalogue 152

Catalogue 151

Advanced Search