Grosvenor Prints

Daniel Turner of the College of Physicians London.
I. Robertson pinx. G. Vertue Sculp.
[n.d. c.1770.]
Engraving. 165 x 102mm. 6½ x 4".
Daniel Turner (1667-1741) was an English physician and surgeon, a pioneer in the field of dermatology.
W: 2998-4. See NPG: D27561.
[Ref: 24619] £70.00 (£84.00 incl.VAT)

Francis L.d B.pp of Ely.
W. Vincent fe.
[n.d., c.1690.]
Rare mezzotint. Sheet 150 x 115mm (6 x 4½"). Trimmed within plate, mounted in album paper at edges.
A half-length portrait in oval of Francis Turner (1637-1700), Bishop of Ely from 1684-90, when he was deposed for refusing to take the oath of allegiance to William III.
CS 12. Sharp 654.
[Ref: 68523] £190.00 (£228.00 incl.VAT)

The History of Turner's Liber Studiorum with a New Catalogue Raisonné
by Alexander J. Finberg. Author of "A Complete Inventory of the Drawings of the Turner Bequest," "Turner's Sketches 7 Drawings," etc.
London: Ernest Benn Limited. 8 Bouverie Street, E.C.4. 1924.
Book: thick 4to (281 x 222mm). Cloth binding with title in gilt stamped onto spine. 373 pages inclusive of illustrations. Binding worn. Some spotting.
A very comprehensive narrative to the reasoning and history behind Turner's Liber Studiorum; followed then by a Catalogue Raisonné of Turner's works.
[Ref: 10444] £300.00

[Sir James Turner] Vera Effigies Jacobi Turner Equitis Aurati.
R. White Sculp.
Printed for R. Chiswell at the Rose and Crowne in St Pauls Church Yard [n.d., 1683].
Engraving, J. Whatman 17? watermark; Sheet 235 x 150mm (9¼ x 6"). Trimmed to plate, laid on album paper with letterpress biography underneath.
Sir James Turner (1615-c.1686), Scottish professional soldier who fought for the Swedes in the invasion of Bavaria in 1632 and the Thirty Years' War, and both the Scottish Covenanting army and the Royalists during the Civil War. After the Restoration, promoted to general, he helped supress the Lowland Covenanters, provoking the Pentland Uprising in 1666, during which he was captured at Dumfries. Often threatened with execution, he survived, perhaps because his captors knew he had been criticised for leniency by his superiors. This portrait was published as the frontispiece portrait to his 'Pallas Armata', essays on classical and modern warfare.
[Ref: 55975] £190.00 (£228.00 incl.VAT)

[Ja.s Turner, a Beggar valued his Time at a Shill.g an hour in the Year 1750.]
WB [William Baillie] 1762 [after Nathaniel Hone].
Mezzotint, state before title, on laid paper. 80 x 70mm (3¼ x 2¾"). Laid on album paper at corners.
A head and shoulders portrait in oval of a man with long white hair and beard. Turner charged the painter Hone a shilling an hour to sit for him. Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 1 of 3, without title or engraved border.
[Ref: 68860] £160.00 (£192.00 incl.VAT)

Ja.s Turner, a Beggar valued his Time at a Shill.g an hour in the Year 1750.
Engraved by Cap.t Baillie from a Miniature by M.r Hone.
Nov. 9. 1774.
Mezzotint. 80 x 70mm (3¼ x 2¾"), large margins. Laid on album paper at corners.
A head and shoulders portrait in oval of a man with long white hair and beard. Turner charged the painter Hone a shilling an hour to sit for him. The plate was first published 1762, without the title or border around the oval. Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 2 of 3, title and border around the oval added.
[Ref: 68861] £120.00 (£144.00 incl.VAT)

Ja.s Turner, a Beggar aged 93, valued his Time at a Shill.g an hour in the Year 1750.
Engraved by Cap.t Baillie from a Miniature by M.r Hone.
Nov. 9. 1774.
Mezzotint, large margins. 80 x 70mm (3¼ x 2¾"). Laid on album paper at corners.
A head and shoulders portrait in oval of a man with long white hair and beard. Turner charged the painter Hone a shilling an hour to sit for him. The plate was first published 1762, without the title or border around the oval. This third state has 'aged 93' added. Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3.
[Ref: 68862] £120.00 (£144.00 incl.VAT)

[J.M.W.Turner.]
[Engraved by Charles Wentworth Wass after John Linnell.]
London Published April 17th 1873, by J.Noseda, 109, Strand.
Extremely rare mixed-method engraving and mezzotint. Proof before letters. 500 x 380mm (19¾ x 15"). Large margins. Water-stain in lower left of plate, outside of image.
Portrait of Joseph Mallord William Turner RA (1775 - 1851), English Romantic painter, printmaker and watercolourist.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66063] £290.00 (£348.00 incl.VAT)

[J.M.W. Turner] The Fallacy of Hope.
[Alfred, Count d'Orsay.]
London. Published by J. Hogarth. No. 5, Haymarket, Jan.y 1st 1851. Printed by Hullmandel & Walton.
Rare lithograph on chine collé, with printed backing sheet. Printed area 365 x 230mm (14½ x 9"). Slight loss in india on bottom.
A caricatured portrait of landscape painter Joseph Mallord William Turner (1775-1851), standing by a piano, stirring a cup of coffee, at the house of businessman and art collector Elhanan Bicknell. The title is taken from Turner's incomplete poetic composition "Fallacies of Hope". From a sketch by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue:vol VI. pg:414.
[Ref: 67892] £260.00 (£312.00 incl.VAT)

[Robert Turner] The Brittish or English physician
[London: R. Wood for Nathamiel Brooke, 1664.]
Rare engraving. Sheet 145 x 195mm (5¾ x 7¾"). Trimmed into image, laid on album paper.
A head and shoulders portrait of herbalist and occultist Robert Turner (c.1620-c.64), within a floral border with a scene of a man tending plants in a woodland clearing. The frontispiece to Turner's 'Botanologia. The Brittish physician, or, The nature and vertues of English plants'.
NPG D47388; Wellcome 3000-1.
[Ref: 67402] £180.00 (£216.00 incl.VAT)

[Robert Turner] The Brittish or English Physitian.
[London: R. Wood for Nathamiel Brooke, 1664.]
Engraving. Sheet 160 x 100mm (6¼ x 4"). Trimmed into image, laid on album sheet. Time stained.
A head and shoulders portrait of herbalist and occultist Robert Turner, within a floral border with a scene of a map tendint plants in a woodland clearing. The frontispiece to Turner's 'Botanologia. The Brittish physician, or, The nature and vertues of English plants'.
NPG D47388; Wellcome 9298i.
[Ref: 57205] £140.00 (£168.00 incl.VAT)

Rev.d Will.m Turner, Newcastle upon Tyne.
Painted by Will.m Nicholson. Engraved by Tho.s Ranson.
[n.d., c.1825.]
Rare engraving. Sheet 430 x 330mm (17 x 13"). Trimmed within plate, laid on album paper.
William Turner (1761-1859), Unitarian minister who ministered at Newcastle for fifty-nine years, retiring in 1841. He helped found the Literary and Philosophical Society at Newcastle in 1793, acting as secretary till 1833, the Natural Historical Society, 1824, and was a chief projector of the Newcastle branch of the Bible Society. He also campaigned for the anti-slavery movement.
[Ref: 34378] £160.00 (£192.00 incl.VAT)

The Turnip Field. A Man in a state of semi intoxication announced at a Public House in Northampton, that the Rev_ had given a neighbouring field of fine turnips to the poor of the parish, the charitable Ministers health was accordingly drank amidst the loudest acclamations, on the following morning. Men, Women children worked amain at digging up conveying home the turnips about then oclock finally both he his servant commenced driving them out of the field. Great was the amazement confusion, hats, caps implements of Husbandry were strewed in all directions by the flying foe, soon were the equestrians left masters of the field but nearly all the turnips remained in the hands of the enemy.
Desinged [sic] & Etched by R. Seymour.
London, Published by Tho.s McLean, 26, Haymarket, March 11th 1830.
Etching with very fine hand colour. 250 x 345mm (9¾ x 13½"). Small margins.
[Ref: 51626] £260.00 (£312.00 incl.VAT)

[Diana Turnor] Madam Turner.
G. Kneller pinx; I. Becket fe: et ex:
[n.d., c. 1685].
Scarce mezzotint. 335 x 250mm 13¼ x 9¾"). Trimmed within plate, worming in inscription area.
Three-quarter seated portrait of Diana Cecil (1663-1736), granddaughter of the 2nd Earl of Salisbury. She married John Turnor.
CS 94, state ii of iv, 'Two known'.
[Ref: 65474] £360.00

[Diana Turnor] Mrs Turnor.
G. Kneller pinx; I. Becket fe:
J. Smith ex: [n.d., c. 1685].[But later, Boydell issue]
Mezzotint. 340 x 250mm 13½ x 9¾"). Laid on card.
Three-quarter seated portrait of Diana Cecil (1663-1736), granddaughter of the 2nd Earl of Salisbury. She married John Turnor.
CS 94, state iv of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65477] £80.00 (£96.00 incl.VAT)

[Diana Turnor] Mrs Turnor.
G. Kneller pinx; I. Becket fe:
J. Smith ex: [n.d., c. 1685] [But later].
Mezzotint, 340 x 250mm (13½ x 9¾"), on 18th century watermarked paper. Thread margins.
Three-quarter seated portrait of Diana Cecil (1663-1736), granddaughter of the 2nd Earl of Salisbury. She married John Turnor.
CS 94, state iv of iv.
[Ref: 65478] £180.00 (£216.00 incl.VAT)

The Lady Caroline Turnor.
[n.d., c.1840.]
Ink and wash. Sheet 210 x 260mm, 8¼ x 10¼". Plus a photographic copy c.1900. Laid on card.
Lady Caroline Turnor (1816-88), pictured in an armchair engrossed in a book, a dog asleep at her side.
[Ref: 14001] £190.00 (£228.00 incl.VAT)

Harnham, Blandford, & Dorchester Turnpike. [An Adjourned] Meeting of the Trustees of this Turnpike, will be holden at [Woodyates Inn] on [Wednesday] the [14th] day of [June instant] at the hour of Twelve o'clock at noon, for [the geneal purposes of the Trust, and also to take into consideration the application from Lord Radnor for further compensation for his portion of Land taken into the new line at Harnham Hill] where the favour of your attendance is requested. I remain, Sir, Your Obedient Servant, J.T. King, Clerk to the Trustees of the Eastern Division, Blandford, the [1st] day of June] 18[37].
Oakley, Printer, Blandford.
Engraved invitation with mss ink fill, rare. 4pp. Verso in ink The Rev'd Rob Corn Tarrant Hinton. Folded.
An invition to a meeting of the trust governing the turnpike betwen Salisbury and Dorchester, now the A354. The venue, the Woodyates Inn, was an important coaching inn.
[Ref: 26264] £120.00 (£144.00 incl.VAT)

The Turnpike Gate [&] The Ale House Door
Painted by J. J. Chalon. Engraved by Charles Turner.
Published July 1st 1803 by Edward Orme. His Majesty's Printseller, 59 New Bond Street.
Scarce pair of mezzotints, printed in colours and hand finish. Each 580 x 490mm (22¾ x 19¼"). Small margins.
The Turnpike Gate: A two-horse cart containing a man, woman an child, stopping at a turnpike gate. The man is paying the toll to the gate keeper; a foal stands behind the mare attached to the cart; behind the cart are two men - one with a spade, the other with a pick axe across his shoulder. The Ale House Door: Scene outside a county inn which has on its signboard a portrait of George III, with 'T.E. Jones' above and 'Fine Amber Ale & c.' below. By the door and two men, a young women serving a soldier with ale, and a child; an old woman looks out fom a lattice window.
Charles Turner Engraver. Whitman: 696. 697.
[Ref: 27943] £1,250.00 view all images for this item

Views of London. No. 6. Entrance from Hackney or Cambridge Heath Turnpike with a distant view of St Paul's.
Rowlandson Delin. Schutz sculp.
[London: R. Ackermann, either 1798 or 1813.]
Coloured aquatint. Framed. Visible area 340 x 425mm (13½ x 16¾"). Paper toned. Unexamined out of frame.
A satirical view of Cambridge Heath Turnpike: a 'cit', resembling John Gilpin, gallops over a sow and pigs, losing his hat and wig. A horse rears, upsetting a fat couple from a two-wheeled gig. Far right is a Punch & Judy show. From a set of six views of the turnpikes of London, all but the first after Rowlandson. The engraver, Heinrich Joseph Schütz, worked in London from 1792-8.
BM Satires 9320
[Ref: 47217] £450.00

Views of London. No. 3 Entrance of Tottenham Court Turnpike, with a view of St James's Chapel.
Rowlandson Delin. Schutz sculp.t.
[London: R. Ackermann, either 1798 or 1813.]
Coloured aquatint. Framed. Visible area 340 x 425mm (13½ x 16¾"). Unexamined out of frame.
A satirical view of the road traffic at the turnpike, with inept riders of both horses and donkeys, a lecherous man ogling milkmaids and obese pedestrians. From a set of six views of the turnpikes of London, all but the first after Rowlandson. The engraver, Heinrich Joseph Schütz, worked in London from 1792-8. St James's Chapel, Hampstead Road, was built by Thomas Hardwick, a pupil of Sir William Chambers, and was consecrated in 1791.
BM Satires 9317.
[Ref: 47214] £450.00

Views of London. No. 4 Entrance of Oxford Street or Tyburn Turnpike, with a View of Park Lane.
Rowlandson Delin. Schutz sculp.
[London: R. Ackermann, either 1798 or 1813.]
Coloured aquatint. Framed. Visible area 340 x 425mm (13½ x 16¾"). Some creasing. Unexamined out of frame.
A satirical view of what is now Marble Arch, with the wall of Hyde Park and some of the buildings of Park Lane above it to the right. Beggars approach the coaches passing through the turnpike. From a set of six views of the turnpikes of London, all but the first after Rowlandson. The engraver, Heinrich Joseph Schütz, worked in London from 1792-8.
BM Satires 9318.
[Ref: 47215] £450.00

View in Turon Bay.
W. Alexander del. J. Landseer sculp.t.
London, published April 12, 1796, by G. Nicol.
Engraving, very large margins. On watermerked paper, 'J. Whatman 1794.' Platemark: 250 x 210mm. (9¾ x 8¼").
A view in Vietnam of a beach with a thatched dwelling and figures watching a boat approaching land with dignitaries under parasols at the bow. Two sailing ships can be seen behind at left with mountains in the distance. Plate 15 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38148] £180.00 (£216.00 incl.VAT)

[Titlepage/Introducton leaf?] Turpin's Ride to York. The brilliant Episode of Turpin's Ride to York, contained in the Romance of Rookwood, is the subject which these Plates are intended to illustrate... Twickenham, June 1835.
London, Published by Colnaghi and Company, No.23, Cockspur St. Charing Cross [1835].
Lithograph, text and four-line verse illustrated with hand-coloured vignettes and scenes to border. Sheet 325 x 455mm, 12¾ x 18". Some rust spots and handling creases. Closed tears to upper right.
Anecdotes from the life of 18th century highwayman, Dick Turpin (1705-1739), whose famous ride to York on his horse Black Bess was recounted in Harrison Ainsworth's 'Rookwood' (1824). The text seems to introduce an album of plates.
[Ref: 27377] £240.00 (£288.00 incl.VAT)

[Giuseppe Maria de Turre.] Joannes Maria e Turre Regis Utriusq sic a Museo a Biblioteca a Typographia Patric Januensis Natus MDCCXIII [...] 1763.
Mezzotint, sheet 170 x 110mm (6¾ x 4¼"). Trimmed inside platemark;
Giuseppe Maria de Turre, scholar at the Dominican monastery in Genoa and author of 'Institutiones ad Verbi Dei scripti intelligentiam' (4 vols, Parma, 1711),
[Ref: 39207] £95.00 (£114.00 incl.VAT)

Turtle.
Designed by W. Daniell.
[n.d., c.1807.]
Aquatint. Sheet: 130 x 210mm (5 x 8¼"). Trimmed to platemark.
A portrait of a turtle, depicted on a beach with a ship in the distance. An illustration from 'Zoography' by W. Wood published in 3 vols. 1807.
[Ref: 45959] £65.00 (£78.00 incl.VAT)

[Val Ombrosa, on the Appenines.]
[C. Willyams. J.C. Stadler.]
[London: J. White, c.1801.]
Sepia aquatint, proof before letters, with large margins, 185 x 245mm. 7¼ x 9¾". Captioned 'Vallombrosa' in ink by hand to lower margin; three-line quotation from Milton's Paradise Lost in the same hand to upper margin.
Vallombrosa is a Benedictine abbey in Tuscany, Italy, south-east of Florence; in the Apennines, it is surrounded by forests of beech and firs. It was founded by Giovanni Gualberto, a Florentine noble, in 1038 and became the mother house of the Vallumbrosan Order. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 32.
[Ref: 22170] £130.00 (£156.00 incl.VAT)

Luques. Saint Michel. [/] Lucca. San Michele.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Small wormhole in left margin.
A highly detailed view of the front of the San Michele Roman Catholic basilica church in Lucca, Tuscany, central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to the Archangel Michael, and at the summit, flanked by two other angels, is a 4m tall statue of St. Michael. In addition, on the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33317] £220.00 (£264.00 incl.VAT)

Pise. La Cathédrale, le tour melineé, le Baptisere, et le Campo Santo. [/] Pisa. Il Duomo, il Battistero, e il Campo Santo.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
The Campo Santo, also known as Camposanto Monumentale (monumental cemetery) or Camposanto Vecchio (old cemetery), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. 'Campo Santo' can be literally translated as 'holy field', because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by the archbishop of Pisa in the 12th century. This view shows some construction taking place on the main dome, to the left, with a number of figures, and a horse drawn cart, on the path in the foreground. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33386.
[Ref: 33318] £220.00 (£264.00 incl.VAT)

Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33385.
[Ref: 33320] £240.00 (£288.00 incl.VAT)

Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. [Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. n.d., c.1850].
Original hand coloured lithograph. Sheet size: 205 x 275mm (8¼ x 10¾"). Trimmed to image and around title.
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For uncolored version, see item ref: 33320.
[Ref: 33385] £230.00 (£276.00 incl.VAT)

Vedute Delle Ville e d'Altri Luoghi Della Toscana. Giuseppe Zocchi Di An. XXVII.
G.Z. inv. e del. Gio. Gottofredo Seuter scolpi in Firenze.
Appresso Giuseppe Allegrini Stampatore in Rame Firenze 1744.
Engraving. Plate: 320 x 490mm (12½ x 19¼''), with large margins. Repaired tears into plate, creasing.
The frontispiece to Giuseppe Zochhi's (1711-1767) 'Vedute Delle Ville e d'Altri Luoghi Della Toscana' which depicted villas and views in Tuscany. Classical allegorical figures stand around a central statue and three putti support an oval portrait of Zocchi which rests at the base of the statue.
[Ref: 50903] £230.00 (£276.00 incl.VAT)

Country Girl Of Tuscany This sordid ass yet on his back does bear, __ of choice delicates a Plenteous share.
I. Northcote delt. T. Gaugain Sculpt.
Publish'd as the Act directs, May, 20, 1785 by Torre & Co, No. 28 Hay Market.
Stipple engraving, 280 x 215mm. 11 x 8½". Some foxing; glue stains to margin corners.
A girl riding an ass with a basket of fruit and turning to look at the viewer. Appears to be a companion to 'Blind Girl of the environs of Rome', also after James Northcote (1746 - 1831).
[Ref: 9647] £160.00 (£192.00 incl.VAT)

Sienne. Vue générale de la Cathédrale. [/] Siena. Veduta generale del Duomo.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the front and side facades of the Siena Cathedral, a medieval church in Siena, Tuscany. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure by Giovanni Pisano, who was able to oversee his work until about 1296 when he abruptly left Siena, reportedly over creative differences with the Opera del Duomo, the group that oversaw the construction and maintenance of the Siena cathedrals. The church has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The areas around and above the doors, as well as the columns between the portals, are richly decorated with acanthus scrolls, allegorical figures and biblical scenes, which can be seen in the centre. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33319] £240.00 (£288.00 incl.VAT)

[Tuscany]
Percival Gaskell.
[n.d., c.1923.]
Aquatint, signed in pencil. 255 x 365mm (10 x 14½"), with large margins, watermarked 'J Whatman 1923'. Uncut. Slight marking bottom left.
Figures in the shade of Mediterranean Cypress trees, with a tower.
[Ref: 58037] £160.00 (£192.00 incl.VAT)

[Tuscany.]
W. Douglas Macleod.
[n.d., c.1930.]
Etching. Plate: 150 x 360mm (6 x 14''), with very large margins. Mint.
A view in Italy of a farmer working a plough pulled by two large oxen. An etching by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 49343] £160.00 (£192.00 incl.VAT)

Veduta, e Prospetto del Gran' Theatro dell' Acque della Villa Aldobrandina di Belvedere à Frascati.
Gio Batta Falda del. et sculp.
Gio. Iac. Rossi le stampa in Roma alla Pace co Priv.' del S.P. [n.d., c.1680.]
Etching, 250 x 400mm (9¾ x 15¾"), with very large margins. Vertical centre fold as issued.
The Teatro delle Acque (''Water Theater'') of the Villa Aldobrandini, built by Carlo Maderno (1556-1629) and Orazio Olivieri for Cardinal Pietro Aldobrandini. The current owner, Prince Camillo Aldobrandini, tells that the staues on the balustrade shown here were taken by Napoleon, who promised to pay for them on his return from Russia. This is one of 18 plates engraved by Giovanni Battista Falda (1643-78) for 'Le fontane di Frascati', published by Giovanni Giacomo de' Rossi (1627-91).
[Ref: 46399] £260.00 (£312.00 incl.VAT)

Etchings & Dry Points.
By S. Tushingham. Notes by P.G. Konody.
James Connell & Sons, Ltd., 47, Old Bond Street, London, W.1. And at 31, Renfield Street, Glasgow. [1928].
Book: 8vo (222 x 162mm). Cloth binding with gilt title stamped into spine and frontcover. Worn binding.
An illustrated and annotated catalogue of the engraved works of Sidney Tushingham (1-39 in Vol.1).
[Ref: 10233] £50.00

[Thoothukudi] Tutecornyn
[London: Awnsham & John Churchill, 1732.]
Engraved map, 18th century watermark. 290 x 350mm (11½ x 14"). Original binding folds, trimmed to plate on left.
A plan of the sea port Thoothukdi (or Tuticorin) in Tamil Nadu. This plate was first published in Amsterdam in 1672 to illustrate the account of Philips Baelde's travels in India; this example was issued in 'Churchill's Collection of Voyages'.
[Ref: 58603] £260.00

Tutors Assistant.
H.y Alken, Del.t.
London, Published by Tho.s McLean Repository of Wit & Humour, 26 Haymarket, 1823.
Soft ground etching with handcolour. Plate: 255 x 215mm (10 x 8½"). Some marks and pinholes in margins.
A humorous series of illustrations of grammatical terms such as A Verb Neuter, a Verb Active.
[Ref: 40926] £95.00 (£114.00 incl.VAT)

Chapelle et village pres de Tver.
Andre Durand. Imp. par Auguste Bry, r de Bac, 114, Paris.
Paris, Ernest Bourdon, Editeur, rue de Seine, 51. [n.d., 1843.]
Tinted lithograph. Printed area 280 x 365mm, 11 x 14½".
Tver in western Russia, once a rival for supremecy with Moscow, known as Kalinin during the Soviet era. From Anatole de Demidoff's 'Voyage Pittoresque et Archeologique en Russie'. André Durand (1807-67).
[Ref: 11036] £130.00 (£156.00 incl.VAT)

"Twa-Some" Reel.
Printed by J. Graf. G.B. Campion Litho.
London, Published Decr. 1st. 1836, by Ackermann & Co. 96 Strand.
A very rare coloured lithograph. 317 x 407mm. 12¼ x 16". Some tears to the corners.
Scottish dances in full dress, a man to the right playing the bagpipes. People sit behind drinking.
[Ref: 15495] £150.00 (£180.00 incl.VAT)

[Mark Twain.] Mark Bay H. A. By Great Humorist _ U.S.A.
Nap.
[n.d. c.1900.]
Watercolour and gouache, sheet 285 x 345mm (11¼ x 13½"). Tears and creases.
A caricature of American writer and humorist Mark Twain (1835-1910) as a horse.
[Ref: 60707] £650.00

John Tweddell. Nat. 1st. June 1769. Ob. 25th. July 1799. See Correspondence-Letter XXXII P.171.
Published May 1st. 1815 by J. Mawman.
Stipple engraving. 205 x 255mm. Crease through middle of paper. Light foxing.
Profile in silhouette of John Tweddell, classical scholar. Frontispiece to his 'Remains'.
[Ref: 4159] £50.00 (£60.00 incl.VAT)

The Twelfth.
A. Thorburn.
[n.d., c.1895.]
Photogravure. Sheet: 435 x 575mm (17 x 22¾") very large margins.
A shooting scene showing the start of the grouse season on the 12th August. Three figures walk over the crest of a hill with a spaniel leading while in the foreground a covey of grouse hide beneath a rock. After a painting by Archibald Thorburn (1860-1935).
[Ref: 47449] £180.00 (£216.00 incl.VAT)

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Drawing for Twelfthcake at S.t Annes Hill!! N.o X.
[Isaac Cruikshank]
[ n.d. c. after 1799]
Finely hand coloured etching, sheet 175 x 130mm (7 x 9"). Trimmed within plate. Some surface dirt.
A reduced copy of Isaac Cruikshank's satire on the supposed Jacobin sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 62003] £180.00 (£216.00 incl.VAT)

Drawing for Twelfth-cake at S.t Annes Hill!!
[Isaac Cruikshank]
Pub.d by S W Fores. 50 Piccadilly. Jan.ry 16. 1799. Folios of Caricatures Let out.
Finely hand coloured etching, sheet 260 x 405mm (10¼ x 16"). On paper watermarked '1797.' Trimmed within plate. Some surface dirt. Repaired tears.
Satire on the supposed Jacobite sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 61888] £280.00 (£336.00 incl.VAT)

[Set of Twelve Months.]
[1864.]
Set of 12 coloured woodblock engravings. Each sheet: 100 x 155mm (4 x 6"). Slightly damaged.
A set of comic and satirical scenes, with poetry, illustrating the twelve months with scenes from Victorian life.
[Ref: 44675] £280.00 (£336.00 incl.VAT) view all images for this item

Twelve Elegant and Humorous Prints of Rural Scenes, adorned with Comic Figures, by Robert Dighton.
Printed for & Sold by Bowles & Carver, No.69 in St.Paul's Church Yard, London. [n.d., c.1800.]
Set of twelve numbered engravings, each c. 170 x 260mm (6¾ x 10¼"). Trimmed to image & laid on album paper.
Rural pastimes, from fencing and skating to garden parties.
[Ref: 50333] £1,450.00 view all images for this item

W.m Twemlow [facsimile signature] of Witton Cottage, Northwich, Surgeon [...]
Rev.d T. Birkett, pinx.t 1823. S.W. Reynolds, London, sculp.t 1843.
Mezzotint. 250 x 180mm (8 x 7"), with large margins.
A three-quarter portrait of Norwich surgeon William Twemlow (1770-1843), seated at a table with skull on it, the legs of a skeleton hanging behind.
Whitman 531. Not in Wellcome. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67152] £220.00 (£264.00 incl.VAT)

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