A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Greek Woman of Tino, An Island in the Archipelago. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A woman standing in costume from Tinos, the Greek island in the Aegean Sea, located in the Cyclades archipelago. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30120] £190.00 (£228.00 incl.VAT)
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A woman standing in costume from Tinos, the Greek island in the Aegean Sea, located in the Cyclades archipelago. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30120] £190.00 (£228.00 incl.VAT)
Selictar Aga, or Sword Bearer, to the Grand Signior. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Some foxing.
The chief sword-bearer to the Sultan. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30128] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Some foxing.
The chief sword-bearer to the Sultan. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30128] £180.00 (£216.00 incl.VAT)
Chiaus Bashi. Chamberlain of the Ottoman Court. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. M. Liart sculp.
Publ.d acc.g to Act of Parl.t Jan.y 31. 1769.
Fine engraving. Plate 266 x 196mm (10½ x 7¾"). Uncut with large margins.
After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30114] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. M. Liart sculp.
Publ.d acc.g to Act of Parl.t Jan.y 31. 1769.
Fine engraving. Plate 266 x 196mm (10½ x 7¾"). Uncut with large margins.
After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30114] £180.00 (£216.00 incl.VAT)
An Armenian Girl. Dress'd for her Marriage Ceremony. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving, paper watermarked. Plate 285 x 205mm (11¼ x 8"). Uncut with large margins.
An Armenian girl dressed ready for her marriage ceremony. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30119] £190.00 (£228.00 incl.VAT)
Fran.co Smith pinx. R. Pranker sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving, paper watermarked. Plate 285 x 205mm (11¼ x 8"). Uncut with large margins.
An Armenian girl dressed ready for her marriage ceremony. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30119] £190.00 (£228.00 incl.VAT)
Portraits du Moufti & autres Gens de Loi de l'Empire Ottoman avec celui d'un Emir & du Patriarche des Grecs, tirez sur les Lieux, d'après Nature ou d'après les Originaux.
[Amsterdam, 1719.]
Engraving with very large margins. 370 x 425mm (14½ x 16¾").
Four full-length portraits of Turkish costume, each with a descriptive engraved text: a Mufti, an scholar of Islamic law; an Emir, a commander, here described as a descendant of Mohammed; an Iman, a religious leader; and a Patriarch of the Greek Orthodox Church. At the centre is a depiction of 'whirling' Dervishes in their temple at Pera (now Beyoglu, a suburb of Istanbul). From Chatelain's monumental 7 volume 'Atlas Historique'.
[Ref: 35145] £280.00 (£336.00 incl.VAT)
[Amsterdam, 1719.]
Engraving with very large margins. 370 x 425mm (14½ x 16¾").
Four full-length portraits of Turkish costume, each with a descriptive engraved text: a Mufti, an scholar of Islamic law; an Emir, a commander, here described as a descendant of Mohammed; an Iman, a religious leader; and a Patriarch of the Greek Orthodox Church. At the centre is a depiction of 'whirling' Dervishes in their temple at Pera (now Beyoglu, a suburb of Istanbul). From Chatelain's monumental 7 volume 'Atlas Historique'.
[Ref: 35145] £280.00 (£336.00 incl.VAT)
Aga, A Turkish Gentleman. Engraved from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. R. Pranker sculp.
Publ.d acc.g to Act of Parl.t July 25 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A Turkish gentleman of nobility with his residence behind in the background; he stands holding a long pipe and with a dagger tucked into his wasitband. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30132] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. R. Pranker sculp.
Publ.d acc.g to Act of Parl.t July 25 1768.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A Turkish gentleman of nobility with his residence behind in the background; he stands holding a long pipe and with a dagger tucked into his wasitband. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30132] £180.00 (£216.00 incl.VAT)
Reis Effendi; Principale Secretary of State. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. T. White sculp.
Publ.d accord.g to Act of Parl.t Jan.y 30. 1769.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins. Crease to margin. Spot of rust in image.
The Reis Effendi, a political post in the Ottoman Empire, the Foreign Minister or Secretary of State; also seen as the Chancellor of the Empire. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
See Ref: 11698 for cut version. Provenance: Hermitage Hexham.
[Ref: 30134] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. T. White sculp.
Publ.d accord.g to Act of Parl.t Jan.y 30. 1769.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins. Crease to margin. Spot of rust in image.
The Reis Effendi, a political post in the Ottoman Empire, the Foreign Minister or Secretary of State; also seen as the Chancellor of the Empire. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
See Ref: 11698 for cut version. Provenance: Hermitage Hexham.
[Ref: 30134] £180.00 (£216.00 incl.VAT)
Boustangi; Gardener of the Seraglio. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. P. Mazell sculp.
Publish'd accord.g to Act of Parl.t Jan.y 31. 1769.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Slightly time stained.
A gardener to the Turkish Sultan. A seraglio (also serraglio) is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30116] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. P. Mazell sculp.
Publish'd accord.g to Act of Parl.t Jan.y 31. 1769.
Fine engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Slightly time stained.
A gardener to the Turkish Sultan. A seraglio (also serraglio) is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30116] £180.00 (£216.00 incl.VAT)
One of the Grand Signior's Foot Guards. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. W. Byrne sculp.
Publ.d acc.g to Act of Parl.t Jan.y 30. 1769.
Fine engraving. Plate 266 x 196mm (10½ x 7¾"). Uncut with large margins. Crease to left along platemark edge.
A guard of the Turkish Sultan, armed with bow and arrows. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30115] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. W. Byrne sculp.
Publ.d acc.g to Act of Parl.t Jan.y 30. 1769.
Fine engraving. Plate 266 x 196mm (10½ x 7¾"). Uncut with large margins. Crease to left along platemark edge.
A guard of the Turkish Sultan, armed with bow and arrows. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30115] £180.00 (£216.00 incl.VAT)
The Grand Vizir. Engraved from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pint. G. Vitalba sculp.
Publish'd according to Act of Parliament 25 July 1768.
Fine engraving, paper watermarked. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
The Grand Vizier was the most important minister of the Turkish Sultan, in principle dismissible only by the Sultan himself. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30112] £180.00 (£216.00 incl.VAT)
Fran.co Smith pint. G. Vitalba sculp.
Publish'd according to Act of Parliament 25 July 1768.
Fine engraving, paper watermarked. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
The Grand Vizier was the most important minister of the Turkish Sultan, in principle dismissible only by the Sultan himself. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30112] £180.00 (£216.00 incl.VAT)
Urshi Usta. Officer and Cook of the Janissaries. Engraved from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t July 25, 1768.
Fine engraving, paper watermarked. Plate 260 x 190mm (10¼ x 7½"). Uncut with large margins. Crease and tear to margin.
The Janissaries comprised infantry units that formed the Turkish Sultan's household troops and bodyguards. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
See Ref: 11698 for cut version. Provenance: Hermitage Hexham.
[Ref: 30133] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t July 25, 1768.
Fine engraving, paper watermarked. Plate 260 x 190mm (10¼ x 7½"). Uncut with large margins. Crease and tear to margin.
The Janissaries comprised infantry units that formed the Turkish Sultan's household troops and bodyguards. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
See Ref: 11698 for cut version. Provenance: Hermitage Hexham.
[Ref: 30133] £180.00 (£216.00 incl.VAT)
Arshi, Cook of the Seraglio. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d accord.g to Act of Parl.t Jan.y 30 1769.
Engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Few creases.
A cook to the Turkish Sultan. The seraglio is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
for a cut version. Provenance: Hermitage Hexham.
[Ref: 30111] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d accord.g to Act of Parl.t Jan.y 30 1769.
Engraving. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins. Few creases.
A cook to the Turkish Sultan. The seraglio is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
for a cut version. Provenance: Hermitage Hexham.
[Ref: 30111] £180.00 (£216.00 incl.VAT)
A Greek Woman of Scio, An Island in the Archipelago. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins.
A woman in costume from Chios, the fifth largest of the Greek Islands in the Aegean Sea. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30121] £190.00 (£228.00 incl.VAT)
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t July 25. 1768.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins.
A woman in costume from Chios, the fifth largest of the Greek Islands in the Aegean Sea. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30121] £190.00 (£228.00 incl.VAT)
A Turkish Dancer. Dancing before her Master. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d acc.g to Act of Parl.t Feb 15. 1769.
Fine engraving, paper watermarked. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A Turkish lady dancing in front of the Sultan; most likely she would have lived in the seraglio. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30117] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d acc.g to Act of Parl.t Feb 15. 1769.
Fine engraving, paper watermarked. Plate 272 x 196mm (10¾ x 7¾"). Uncut with large margins.
A Turkish lady dancing in front of the Sultan; most likely she would have lived in the seraglio. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30117] £180.00 (£216.00 incl.VAT)
Spahis, or Horse Soldier. Engrav'd from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t 25 July 1768.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins.
Spahis were originally the light cavalry regiments of the French army recruited primarily from the indigenous populations of Algeria, Tunisia and Morocco. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30118] £160.00 (£192.00 incl.VAT)
Fran.co Smith pinx. M. Liart sculp.
Publ.d accord.g to Act of Parl.t 25 July 1768.
Fine engraving. Plate 266 x 190mm (10½ x 7½"). Uncut with large margins.
Spahis were originally the light cavalry regiments of the French army recruited primarily from the indigenous populations of Algeria, Tunisia and Morocco. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30118] £160.00 (£192.00 incl.VAT)
A Turkish Lady at Home. Engraved from the Collection of the Rt. Hon.ble Lord Baltimore.
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d accord.g to Act of Parl.t 25 July 1768.
Fine engraving, paper watermarked. Plate 285 x 196mm (11¼ x 7¾"). Uncut with large margins.
An elegantly dressed woman holding papers in her right hand. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30129] £180.00 (£216.00 incl.VAT)
Fran.co Smith pinx. G. Vitalba sculp.
Publ.d accord.g to Act of Parl.t 25 July 1768.
Fine engraving, paper watermarked. Plate 285 x 196mm (11¼ x 7¾"). Uncut with large margins.
An elegantly dressed woman holding papers in her right hand. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731-1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits.
Provenance: Hermitage Hexham.
[Ref: 30129] £180.00 (£216.00 incl.VAT)
![[Six watercolours of Turkish costumes.]](jpegs/31451.jpg)
[Six watercolours of Turkish costumes.]
[n.d., c.1820.]
Six watercolours, trimmed and mounted on album paper. Each c. 150 x 120mm (6 x 5"). Glue stains in corners.
Including a coach containing noble women, and a 'whirling' Dervish and a man kneeling on a carpet for prayer.
[Ref: 31451] £600.00 view all images for this item
[n.d., c.1820.]
Six watercolours, trimmed and mounted on album paper. Each c. 150 x 120mm (6 x 5"). Glue stains in corners.
Including a coach containing noble women, and a 'whirling' Dervish and a man kneeling on a carpet for prayer.
[Ref: 31451] £600.00 view all images for this item
![[Turkish Dancer.]](jpegs/47023.jpg)
[Turkish Dancer.] Tchinguis ou Danseuse Turque.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a seductive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47023] £360.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a seductive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47023] £360.00
![[Turkish Girls Playing Mancala.]](jpegs/47021.jpg)
[Turkish Girls Playing Mancala.] Filles Turques qui jouant au Mangala.
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47021] £320.00
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47021] £320.00
![[Map of Southern Europe, Asia Minor and the Arabian Peninsula]](jpegs/33395.jpg)
[Map of Southern Europe, Asia Minor and the Arabian Peninsula] Allgemeine Landkarte andeutend an welchem Orte jedes von denen in diesem ersten Buch angeführten Gebaudengelegen.
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Title in Arabic, with additional text in French and German. Foxed.
Plate from the 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer von Erlach, the first comparative architecture of all periods and nations. This map was included to show the location of the buildings illustrated in the first part of the work. These include six of the Seven Wonders of the Ancient World (the Pyramids at Giza, Hanging Gardens of Babylon, Temple of Artemis at Ephesus, Statue of Zeus at Olympia, Colossus of Rhodes and the Lighthouse at Alexandria), all of which are represented by small vignettes. With key listing plates in the first part of Fischer's book.
[Ref: 33395] £450.00
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Title in Arabic, with additional text in French and German. Foxed.
Plate from the 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) by Austrian architect Johann Bernard Fischer von Erlach, the first comparative architecture of all periods and nations. This map was included to show the location of the buildings illustrated in the first part of the work. These include six of the Seven Wonders of the Ancient World (the Pyramids at Giza, Hanging Gardens of Babylon, Temple of Artemis at Ephesus, Statue of Zeus at Olympia, Colossus of Rhodes and the Lighthouse at Alexandria), all of which are represented by small vignettes. With key listing plates in the first part of Fischer's book.
[Ref: 33395] £450.00
![[A Legal Leader.]](jpegs/47043.jpg)
[A Legal Leader.] Le Casi-leskier, Chef des Loix. Il y en a un d'Europe et un d'Asie.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47043] £330.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47043] £330.00
![[Turkish lover slitting his wrists to prove his desire]](jpegs/46965.jpg)
[Turkish lover slitting his wrists to prove his desire] Amant Turc qui se perce le bras devant sa Maitresse pour preuve de son amour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 46965] £220.00 (£264.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 46965] £220.00 (£264.00 incl.VAT)
Mariage Turc.
J.B. Scotin sculp.
Avec Privil. du Roi. [French, n.d., c.1720s.]
Engraving, 390 x 460mm. 15¼ x 18". Centrefold, some creases and closed tears. On a conservation backing.
A Turkish wedding procession through a fantastic landscape featuring ruined architecture, and a river with waterfall and wooden bridge in distance. From a series; numbered '100' lower right. Engraved by Gérard Jean Baptiste Scotin II (1698 - 1755 after).
[Ref: 22396] £180.00 (£216.00 incl.VAT)
J.B. Scotin sculp.
Avec Privil. du Roi. [French, n.d., c.1720s.]
Engraving, 390 x 460mm. 15¼ x 18". Centrefold, some creases and closed tears. On a conservation backing.
A Turkish wedding procession through a fantastic landscape featuring ruined architecture, and a river with waterfall and wooden bridge in distance. From a series; numbered '100' lower right. Engraved by Gérard Jean Baptiste Scotin II (1698 - 1755 after).
[Ref: 22396] £180.00 (£216.00 incl.VAT)
View of a Turkish Mosque on the river Peneus, with a distant prospect of the City of Larissa. Engraved for Moore's Voyages & Travels.
White sculp.
[Moore, c.1780.]
Engraving. Plate 203 x 299mm. 8 x 11¾".
A Turkish Mosque with the city of Larissa to the right, located on the Salembria River, known as the Peneus River. Camels on the far shore, one drinking and a cow in the right foreground.
[Ref: 25704] £60.00 (£72.00 incl.VAT)
White sculp.
[Moore, c.1780.]
Engraving. Plate 203 x 299mm. 8 x 11¾".
A Turkish Mosque with the city of Larissa to the right, located on the Salembria River, known as the Peneus River. Camels on the far shore, one drinking and a cow in the right foreground.
[Ref: 25704] £60.00 (£72.00 incl.VAT)
![[A Mufti.]](jpegs/47042.jpg)
[A Mufti.] Le Moufti, ou Chef de la Loy.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint condition, with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47042] £330.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint condition, with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47042] £330.00
Le Selim Turc. The Turkish Prayer.
Mme. Colin Pinx et Lith. Lit. de Gihaut Frères.
[French, n.d., c.1840.]
Lithograph in fine colour by hand with gum arabic, on scrap book page. Image 215 x 145mm, 8½ x 5¾". Lacking margins.
Highly romanticized image of two women in an interior in lavish 'oriental' costume; they seem to be a wealthy and important 'lady', seated and holding jewellery, and a servant or supplicant (standing, behind). Landscape through an open window, to left; curtain behind, to right.
[Ref: 25043] £130.00 (£156.00 incl.VAT)
Mme. Colin Pinx et Lith. Lit. de Gihaut Frères.
[French, n.d., c.1840.]
Lithograph in fine colour by hand with gum arabic, on scrap book page. Image 215 x 145mm, 8½ x 5¾". Lacking margins.
Highly romanticized image of two women in an interior in lavish 'oriental' costume; they seem to be a wealthy and important 'lady', seated and holding jewellery, and a servant or supplicant (standing, behind). Landscape through an open window, to left; curtain behind, to right.
[Ref: 25043] £130.00 (£156.00 incl.VAT)
![[Turkish Woman Playing the Qanun.]](jpegs/47019.jpg)
[Turkish Woman Playing the Qanun.] Fille Turque jouant du Canon.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A musical scene. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47019] £330.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A musical scene. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47019] £330.00
![[Turkish Girl Sewing.]](jpegs/47022.jpg)
[Turkish Girl Sewing.] Fille Turque qui brode.
JB. C. Du Bosc sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47022] £320.00
JB. C. Du Bosc sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47022] £320.00
Croquis par divers Artistes. No.51. Decamps.
DC [artist's monogram, on stone.] Lith. de Villain.
A Paris, chez Rittner boulevard Montmartre, n°12 London 1830 published by Ch. Tilt 86 Fleet Street.
Lithograph, sheet 215 x 295mm. 8½ x 11½".
Four sketches on a single sheet after Decamps illustrating life in the Ottoman Empire. Vignettes include Greek or Turkish figures duelling with swords, an Arab driving a wagon pulled by oxen; and a mud brick building in the Middle East. From a drawing book.
[Ref: 23527] £85.00 (£102.00 incl.VAT)
DC [artist's monogram, on stone.] Lith. de Villain.
A Paris, chez Rittner boulevard Montmartre, n°12 London 1830 published by Ch. Tilt 86 Fleet Street.
Lithograph, sheet 215 x 295mm. 8½ x 11½".
Four sketches on a single sheet after Decamps illustrating life in the Ottoman Empire. Vignettes include Greek or Turkish figures duelling with swords, an Arab driving a wagon pulled by oxen; and a mud brick building in the Middle East. From a drawing book.
[Ref: 23527] £85.00 (£102.00 incl.VAT)
Habit of a Turkish Standardbearer in 1749. Porte-Enseigne Ture. 23.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins. Small tear in lower center in margin.
Portrait of a man, whole-length standing, directed to the left, looking to the right. He is wearing a feathered turban, he holds a pole with flag in his right hand, and his left hand is resting on the hilt of his sword. Plate 23 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62877] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins. Small tear in lower center in margin.
Portrait of a man, whole-length standing, directed to the left, looking to the right. He is wearing a feathered turban, he holds a pole with flag in his right hand, and his left hand is resting on the hilt of his sword. Plate 23 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62877] £160.00 (£192.00 incl.VAT)
![[Turkish Woman Playing the Tehegour.]](jpegs/47020.jpg)
[Turkish Woman Playing the Tehegour.] Fille Turque jouant du Tehegour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a suggestive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47020] £360.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a suggestive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47020] £360.00
![[Pair of watercolour Turkish scenes.]](jpegs/15589.jpg)
[Pair of watercolour Turkish scenes.]
[Anonymous follower of Amadeo Preziosi, Maltese, 1816-1882. From an album signed 'Gubbins' or 'Gibbins', Undated c.1845.]
Watercolour over pencil. 165 x 200mm (6½ x 8").
A street scene and a traveller.
[Ref: 15589] £380.00 view all images for this item
[Anonymous follower of Amadeo Preziosi, Maltese, 1816-1882. From an album signed 'Gubbins' or 'Gibbins', Undated c.1845.]
Watercolour over pencil. 165 x 200mm (6½ x 8").
A street scene and a traveller.
[Ref: 15589] £380.00 view all images for this item
![[Turkish Woman Spinning]](jpegs/47016.jpg)
[Turkish Woman Spinning] Femme Turque filant au Tandour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47016] £260.00 (£312.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47016] £260.00 (£312.00 incl.VAT)
![[Turks Head with a Veil]](jpegs/32578.jpg)
[Turks Head with a Veil]
Tho. Worlidge Fecit 1751
Etching, platemark 195 x 145mm (7¾ x 5¾"). Slight staining; good impression.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced. This is a lifetime impression before the number '62' was added in top right.
W62; D219. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32578] £220.00 (£264.00 incl.VAT)
Tho. Worlidge Fecit 1751
Etching, platemark 195 x 145mm (7¾ x 5¾"). Slight staining; good impression.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced. This is a lifetime impression before the number '62' was added in top right.
W62; D219. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32578] £220.00 (£264.00 incl.VAT)
![[A Turk's head.]](jpegs/32870.jpg)
[A Turk's head.]
[Thos Worlidge fecit 1753.]
Etching, sheet 115 x 100 (4½ x 4"). Trimmed inside platemark; foxed; glued to backing sheet at top; on laid paper.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow Mary issued his plates in 1767 after his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced (in which this plate was listed as 'a Turk's head'). Unusual ink marks not found on other impressions suggest a first state.
i(?)/iv; W63; D220
[Ref: 32870] £120.00 (£144.00 incl.VAT)
[Thos Worlidge fecit 1753.]
Etching, sheet 115 x 100 (4½ x 4"). Trimmed inside platemark; foxed; glued to backing sheet at top; on laid paper.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow Mary issued his plates in 1767 after his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced (in which this plate was listed as 'a Turk's head'). Unusual ink marks not found on other impressions suggest a first state.
i(?)/iv; W63; D220
[Ref: 32870] £120.00 (£144.00 incl.VAT)
![[A Turk's head]](jpegs/32871.jpg)
[A Turk's head]
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Good impression; faded ink stains from verso; good impression on cream laid paper.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary reissued his plates in 1767 after his death with the number '63' added in the top right corner to correspond with the catalogue of Worlidge prints which she produced (in which this plate was listed as 'a Turk's head').
ii/iv; W63; D220
[Ref: 32871] £220.00 (£264.00 incl.VAT)
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Good impression; faded ink stains from verso; good impression on cream laid paper.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary reissued his plates in 1767 after his death with the number '63' added in the top right corner to correspond with the catalogue of Worlidge prints which she produced (in which this plate was listed as 'a Turk's head').
ii/iv; W63; D220
[Ref: 32871] £220.00 (£264.00 incl.VAT)
![[A Turk's head]](jpegs/32872.jpg)
[A Turk's head]
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Large margins; faint water stain.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '63' added in the top right corner (this plate was listed as 'a Turk's head').
iii/iv; W63; D220
[Ref: 32872] £120.00 (£144.00 incl.VAT)
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Large margins; faint water stain.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '63' added in the top right corner (this plate was listed as 'a Turk's head').
iii/iv; W63; D220
[Ref: 32872] £120.00 (£144.00 incl.VAT)
![[A Turk's head]](jpegs/32873.jpg)
[A Turk's head]
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Large margins; foxing around edges.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 edition by Worlidge's widow Mary.
iv/iv; W63; D220
[Ref: 32873] £35.00 (£42.00 incl.VAT)
Thos Worlidge fecit 1753.
Etching, platemark 130 x 100 (45 x 4"). Large margins; foxing around edges.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 edition by Worlidge's widow Mary.
iv/iv; W63; D220
[Ref: 32873] £35.00 (£42.00 incl.VAT)
![[A Turk's head]](jpegs/32874.jpg)
[A Turk's head]
J.G. Spurgeon a.f [after Thomas Worlidge]
Etching, sheet 130 x 95mm (5 x 3¾"). Trimmed inside platemark; creased.
Copy in reverse of a Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Spurgeon was a pupil of Worlidge.
W63 (copy); D220 (copy).
[Ref: 32874] £60.00 (£72.00 incl.VAT)
J.G. Spurgeon a.f [after Thomas Worlidge]
Etching, sheet 130 x 95mm (5 x 3¾"). Trimmed inside platemark; creased.
Copy in reverse of a Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Spurgeon was a pupil of Worlidge.
W63 (copy); D220 (copy).
[Ref: 32874] £60.00 (£72.00 incl.VAT)
![[Ink signature:] all yours [?] EA Turnbull.](jpegs/24826.jpg)
[Ink signature:] all yours [?] EA Turnbull.
[by Richard James Lane, after Frederick Tatham.]
[n.d. c.1850.]
Lithograph on chine collé, signed on a slip pasted below image. 430 x 310mm. 17 x 12¼". Stain at top.
Mrs Turnbull (active 1850) doing needlework.
See NPG: D40495.
[Ref: 24826] £220.00 (£264.00 incl.VAT)
[by Richard James Lane, after Frederick Tatham.]
[n.d. c.1850.]
Lithograph on chine collé, signed on a slip pasted below image. 430 x 310mm. 17 x 12¼". Stain at top.
Mrs Turnbull (active 1850) doing needlework.
See NPG: D40495.
[Ref: 24826] £220.00 (£264.00 incl.VAT)
![[Turner] Tourneur. Dreher.](jpegs/36605.jpg)
[Turner] Tourneur. Dreher.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Strasbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾"). Some paper traces stuck on gum arabic.
A turner's workshop, with a man shaping wood on a large lathe.
[Ref: 36605] £110.00 (£132.00 incl.VAT)
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Strasbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾"). Some paper traces stuck on gum arabic.
A turner's workshop, with a man shaping wood on a large lathe.
[Ref: 36605] £110.00 (£132.00 incl.VAT)
Catalogue of the Sketches and Drawings by J.M.W. Turner, R.A. Exhibited in Marlborough House In the Year 1857-8. Accompanied with Illustrative Notes.
By John Ruskin, M.A.
London: Printed by Spottiswoode and Co., New-Street Square. 1857.
8vo pamplet, stitched; pp. 53 + ii (publisher's ad). Old ink mss. ownership inscription, with small hole caused by pen.
The guide to a posthumous exhibition of over 200 Turner's paintings, written by the pre-eminent Victorian art critic, John Ruskin (1819-1900), whose 'Modern Painters' (1843) was an a defence of Turner's work.
[Ref: 40882] £130.00
By John Ruskin, M.A.
London: Printed by Spottiswoode and Co., New-Street Square. 1857.
8vo pamplet, stitched; pp. 53 + ii (publisher's ad). Old ink mss. ownership inscription, with small hole caused by pen.
The guide to a posthumous exhibition of over 200 Turner's paintings, written by the pre-eminent Victorian art critic, John Ruskin (1819-1900), whose 'Modern Painters' (1843) was an a defence of Turner's work.
[Ref: 40882] £130.00
The Presentation of Colours to the Kensington Volunteers. Dedicated to Major John Samuel Torriano, Commanding Officer of the Corps By his much obliged & most obedient Servant, Frederick Countz, Member of the Corps.
F Countz pinx.t. Turner sculp.t.
Published Feb.y 21. 1801, by F. Countz, No 6, High Street, Kensington.
Very scarce and fine mezzotint with etching. 545 x 660mm (21½ x 26").
Kensington volunteers assembled to receive colours. Engraved by Charles Turner (1773-1857) after Frederick Countz. The painting (1799) is now in the Leighton House Museum.
Whitman 703.
[Ref: 16307] £950.00
F Countz pinx.t. Turner sculp.t.
Published Feb.y 21. 1801, by F. Countz, No 6, High Street, Kensington.
Very scarce and fine mezzotint with etching. 545 x 660mm (21½ x 26").
Kensington volunteers assembled to receive colours. Engraved by Charles Turner (1773-1857) after Frederick Countz. The painting (1799) is now in the Leighton House Museum.
Whitman 703.
[Ref: 16307] £950.00
Juvenile Tricks.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published Jan.y 1 1811, by Mr. Turner, Queen Ann Street West
Etching and mezzotint, with large margins, platemark 210 x 290mm (8¼ x 11½"). Stamp of art dealer C.W. Dowdeswell verso.
Boys playing around a trough, with a row of houses in background- 'the scene is evidently in Hyde Park' (Rawlinson). Plate from J.M.W.'s 'Liber Studiorum', which was published between 1807 and 1819. By this time Turner's position of the pre-eminent British landscape painter of his day was assured, but with this series it was the French artist Claude Lorraine whom Turner was emulating. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire in the eighteenth century, had been engraved by Richard Earlom around thirty years earlier to much acclaim, and in many ways Turner was publishing his work in a format which invited direct comparison with that of Claude.
Rawlinson: 18 (first published state). Finberg 22.
[Ref: 27359] £350.00
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published Jan.y 1 1811, by Mr. Turner, Queen Ann Street West
Etching and mezzotint, with large margins, platemark 210 x 290mm (8¼ x 11½"). Stamp of art dealer C.W. Dowdeswell verso.
Boys playing around a trough, with a row of houses in background- 'the scene is evidently in Hyde Park' (Rawlinson). Plate from J.M.W.'s 'Liber Studiorum', which was published between 1807 and 1819. By this time Turner's position of the pre-eminent British landscape painter of his day was assured, but with this series it was the French artist Claude Lorraine whom Turner was emulating. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire in the eighteenth century, had been engraved by Richard Earlom around thirty years earlier to much acclaim, and in many ways Turner was publishing his work in a format which invited direct comparison with that of Claude.
Rawlinson: 18 (first published state). Finberg 22.
[Ref: 27359] £350.00
Marine Dabblers.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879] £380.00
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879] £380.00
To His Royal Highness the Duke of Kent, Strathearn &c. &c., His Excellency the Marquis of Wellington, &c. &c. and His Excellency the Marshal Sir W.C. Beresford, &c. &c. This View of the Fording of the River Mendego by the Allied Army, on the 21st Sept.r 1811 is humbly inscribed by His Royal Highness's and their Excellencies most obliged & very humble Serv.t John Marnoch. No. 1 of a Series of Views of the principal occurences of the campaigns in Spain and Portugal.
Painted by Major T. St. Clair. Engraved by C. Turner.
Edinburgh, Published Oct.r 10th 1812, by the Proprietor, John Marnoch, Carver, Gilder & Printseller, Mess.rs Boydell Cheapside; & Mr. Booth, Duke Street, Portland Place, London/
Etching, proof before aquatinting, very scarce. 415 x 580mm. 16¼ x 22¾". Mounted on album paper, uncut.
A proof of the first of a rare set of twelve views engraved by Charles Turner for 'Wellington's Campaigns in Spain and Portugal'. During the Peninsular Wars, Wellington led the attack against the French in Portugal and Spain and in 1811 his services and victories were duly noted with his promotion to full general.
See Whitman 828. Ogilby: 789. See Refs: 17537, 17538, 17540, 20063.
[Ref: 20065] £320.00
Painted by Major T. St. Clair. Engraved by C. Turner.
Edinburgh, Published Oct.r 10th 1812, by the Proprietor, John Marnoch, Carver, Gilder & Printseller, Mess.rs Boydell Cheapside; & Mr. Booth, Duke Street, Portland Place, London/
Etching, proof before aquatinting, very scarce. 415 x 580mm. 16¼ x 22¾". Mounted on album paper, uncut.
A proof of the first of a rare set of twelve views engraved by Charles Turner for 'Wellington's Campaigns in Spain and Portugal'. During the Peninsular Wars, Wellington led the attack against the French in Portugal and Spain and in 1811 his services and victories were duly noted with his promotion to full general.
See Whitman 828. Ogilby: 789. See Refs: 17537, 17538, 17540, 20063.
[Ref: 20065] £320.00
![[The Castle Above the Meadows.] E.P.](jpegs/50875.jpg)
[The Castle Above the Meadows.] E.P.
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875] £350.00
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875] £350.00
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Turner's Liber Studiorum, A Description and a Catalogue.
by W.G. Rawlinson.
London: Macmillan and Co., 1878.
Quarto, contemporary half morocco with marbled boards; pp. xii + xlviii + 208, 'Catalogue' interleaved with blue notepaper containing copious notes by print dealer Francis Harvey. With a 2pp. ALS from Rawlinson to Harvey, with a personal invitation to an exhibition to a Exhibition. Unique. Front board detached.
An important catalogue raisonné of the engravings of Turner's 'Liber Studiorum', this example owned by art dealer Francis Harvey, with his notes of the prices attained by the prints at auction in the late 19th century. Harvey pasted a letter from the author on the front endpaper, dated January 16th 1886: 'I am sorry the rules of my club [the Burlington Fine Arts Club] do not allow of my giving you a catalogue as they are only issued to members, but I shall be happy to lend you my copy at any time. I enclose an order for the Exhibition in case you may like to see it. Yours truly, W.G. Rawlinson'. The invitation reads: 'Burlington Fine Arts Club. 17, Savile Row, W. February , 1886. The Members of the Burlington Fine Arts Club have the honour to invite [Mr Francis Harvey & Friends] to see a Collection now in the Writing Room of the Club, of Engravings and Drawing illustrative of the Drawings by J.M.W. Turner, R.A. in the Winter Exhibition of the Royal Academy. Admission between the Hours of 10 and 4. Introduced by [W.G. Rawlinson]'. Francis Havey (active by 1859-died 1899), was a dealer in prints operating from a shop at 4 St James Street, Mayfair. He published 'A Catalogue of Engraved Portraits of English & Foreign Celebrities: On Sale at Prices Affixed by Francis Harvey'. During his career he amassed two great collections of Rowlandson caricatures: one, containing 3,000 prints, came up for sale at Sotheby's in 1959 and was bought for the New York Metropolitan Museum of Art; the other, with 2,000 prints by Rowlandson and other caricaturists, formed the 'Auchincloss Bequest' to Yale University library.
[Ref: 29105] £1,750.00 view all images for this item
by W.G. Rawlinson.
London: Macmillan and Co., 1878.
Quarto, contemporary half morocco with marbled boards; pp. xii + xlviii + 208, 'Catalogue' interleaved with blue notepaper containing copious notes by print dealer Francis Harvey. With a 2pp. ALS from Rawlinson to Harvey, with a personal invitation to an exhibition to a Exhibition. Unique. Front board detached.
An important catalogue raisonné of the engravings of Turner's 'Liber Studiorum', this example owned by art dealer Francis Harvey, with his notes of the prices attained by the prints at auction in the late 19th century. Harvey pasted a letter from the author on the front endpaper, dated January 16th 1886: 'I am sorry the rules of my club [the Burlington Fine Arts Club] do not allow of my giving you a catalogue as they are only issued to members, but I shall be happy to lend you my copy at any time. I enclose an order for the Exhibition in case you may like to see it. Yours truly, W.G. Rawlinson'. The invitation reads: 'Burlington Fine Arts Club. 17, Savile Row, W. February , 1886. The Members of the Burlington Fine Arts Club have the honour to invite [Mr Francis Harvey & Friends] to see a Collection now in the Writing Room of the Club, of Engravings and Drawing illustrative of the Drawings by J.M.W. Turner, R.A. in the Winter Exhibition of the Royal Academy. Admission between the Hours of 10 and 4. Introduced by [W.G. Rawlinson]'. Francis Havey (active by 1859-died 1899), was a dealer in prints operating from a shop at 4 St James Street, Mayfair. He published 'A Catalogue of Engraved Portraits of English & Foreign Celebrities: On Sale at Prices Affixed by Francis Harvey'. During his career he amassed two great collections of Rowlandson caricatures: one, containing 3,000 prints, came up for sale at Sotheby's in 1959 and was bought for the New York Metropolitan Museum of Art; the other, with 2,000 prints by Rowlandson and other caricaturists, formed the 'Auchincloss Bequest' to Yale University library.
[Ref: 29105] £1,750.00 view all images for this item
![[Sir Charles Turner.]](jpegs/60076.jpg)
[Sir Charles Turner.] 15.
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 160 x 110mm (6¼ x 4¼") with large margins. Small nicks and tape stains on outer margins.
Caricature portrait of Sir Charles Turner (1726-1783), standing in profile to the left as if making a speech. He is excessively thin, a cane is under his left arm, and his left hand is in a muff. He was a British politician and Lord Mayor of York.
BM Satires 6073.
[Ref: 60076] £80.00 (£96.00 incl.VAT)
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 160 x 110mm (6¼ x 4¼") with large margins. Small nicks and tape stains on outer margins.
Caricature portrait of Sir Charles Turner (1726-1783), standing in profile to the left as if making a speech. He is excessively thin, a cane is under his left arm, and his left hand is in a muff. He was a British politician and Lord Mayor of York.
BM Satires 6073.
[Ref: 60076] £80.00 (£96.00 incl.VAT)
![[Daniel Turner, M.D.]](jpegs/20027.jpg)
[Daniel Turner, M.D.]
[Jonathan Richardson pinxit. George Vertue sculpsit.]
[n.d. c.1790.]
Engraving, scarce, proof before letters. Plate 292 x 190mm. 11½ x 7½".
Daniel Turner (1667-1741) was a English physician and surgeon. He was a pioneer in the field of dermatology.
Alexander: 82. W: 2998.
[Ref: 20027] £160.00 (£192.00 incl.VAT)
[Jonathan Richardson pinxit. George Vertue sculpsit.]
[n.d. c.1790.]
Engraving, scarce, proof before letters. Plate 292 x 190mm. 11½ x 7½".
Daniel Turner (1667-1741) was a English physician and surgeon. He was a pioneer in the field of dermatology.
Alexander: 82. W: 2998.
[Ref: 20027] £160.00 (£192.00 incl.VAT)