A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Henry de La Tremoille I'er du nom Duc de Thouars, Pair de France, Prince de Tarente et de Talmond, Comte de Laual, Villefranche, Montfort, Taillebourg...Fille d'Ame Duc de Savoye et d'Ioland de France; Il espousa en 1619 Marie de la Tour d'Auvergne, fille de Henry de la Tour, Duc de Duillon, Prince Souverain de Sedan: etc d'Elizabet de Nassau.
Daret excud. avec privilege du Roy 1654.
Engraving. Plate 209 x 132mm. 8¼ x 5¼". Laid on album sheet.
Henri de la Tremoille (1598-1674) was the 3rd Duke of Thouars, 2nd Duke of La Tremoille and Prince of Talmond and Taranto. Despite his father's conversion to Protestantism during the French Wars of Religion, La Tremoille converted to Catholicism around the time that Cardinal Richelieu and Louis XIII suppressed the Huguenot rebellion at the Siege of La Rochelle in 1628. He was heir-general of Frederick IV of Naples and his first wife Anne of Savoy, and succeeded to the Cypriot claims to the title of King of Jerusalem when his father died.
[Ref: 21413] £65.00 (£78.00 incl.VAT)
Daret excud. avec privilege du Roy 1654.
Engraving. Plate 209 x 132mm. 8¼ x 5¼". Laid on album sheet.
Henri de la Tremoille (1598-1674) was the 3rd Duke of Thouars, 2nd Duke of La Tremoille and Prince of Talmond and Taranto. Despite his father's conversion to Protestantism during the French Wars of Religion, La Tremoille converted to Catholicism around the time that Cardinal Richelieu and Louis XIII suppressed the Huguenot rebellion at the Siege of La Rochelle in 1628. He was heir-general of Frederick IV of Naples and his first wife Anne of Savoy, and succeeded to the Cypriot claims to the title of King of Jerusalem when his father died.
[Ref: 21413] £65.00 (£78.00 incl.VAT)
![[Communications Trench.]](jpegs/44771.jpg)
[Communications Trench.]
Gilbert Holiday. 54.
Copyright. Published by Geo. Pulman & Sons Ltd, London W. and the Leicester Galleries, London, W.C.
Photolithograph signed in pencil, limited edition of 200?, rare; 210 x 300 (8¼ x 11¾"), mounted on original printed backing paper.
Charles Gilbert Holiday (1879-1937) worked as an illustrator at The Graphic, The Tatler and The Illustrated London News before the Great War. Receiving a commission with The Royal Field Artillery, he served with distinction at Arras, Passchendaele and the Third Battle of Ypres. After the war he returned to his main interest, painting horses. Lionel Edwards said: ''no one can, or ever could, paint a horse in action better than Gilbert could''.
[Ref: 44771] £260.00 (£312.00 incl.VAT)
Gilbert Holiday. 54.
Copyright. Published by Geo. Pulman & Sons Ltd, London W. and the Leicester Galleries, London, W.C.
Photolithograph signed in pencil, limited edition of 200?, rare; 210 x 300 (8¼ x 11¾"), mounted on original printed backing paper.
Charles Gilbert Holiday (1879-1937) worked as an illustrator at The Graphic, The Tatler and The Illustrated London News before the Great War. Receiving a commission with The Royal Field Artillery, he served with distinction at Arras, Passchendaele and the Third Battle of Ypres. After the war he returned to his main interest, painting horses. Lionel Edwards said: ''no one can, or ever could, paint a horse in action better than Gilbert could''.
[Ref: 44771] £260.00 (£312.00 incl.VAT)
Heywood.
F.W. Trench imp.
Lithograph, printed area 195 x 330mm (7¾ x 13"). Hole in text area; creasing to edges.
Woodland scene by amateur artist Trench, perhaps showing Heywood, now part of Ireland, Dublin
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36944] £130.00 (£156.00 incl.VAT)
F.W. Trench imp.
Lithograph, printed area 195 x 330mm (7¾ x 13"). Hole in text area; creasing to edges.
Woodland scene by amateur artist Trench, perhaps showing Heywood, now part of Ireland, Dublin
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36944] £130.00 (£156.00 incl.VAT)
His Grace the Honble. and Most Revd. Power Le Poer Trench D.D. Lord Archbishop of Tuam &c. &c. &c.
Printed by Miss Robertson and Drawn by R.J. Lane.
Printed by C. Hullmandel. Proof. [n.d. c.1820.]
A very scarce lithograph on india. Image 227 x 152mm. 9 x 6".
Power Le Poer Trench (1770-1839), Church of Ireland Archbishop of Tuam.
[Ref: 14451] £120.00 (£144.00 incl.VAT)
Printed by Miss Robertson and Drawn by R.J. Lane.
Printed by C. Hullmandel. Proof. [n.d. c.1820.]
A very scarce lithograph on india. Image 227 x 152mm. 9 x 6".
Power Le Poer Trench (1770-1839), Church of Ireland Archbishop of Tuam.
[Ref: 14451] £120.00 (£144.00 incl.VAT)
Sir John Trenchard Kn.t Chief Justice of of Chester and Principal Secretary of State to their Majesty's King William & Queen Mary.
James Watson fecit.
[n.d., c.1780.]
Mezzotint. 450 x 330mm (17¾ x 13"), unidentified star collector's stamp on reverse.
Three-quarter seated portrait of Sir John Trenchard (1649-95), wearing wig and robes, holding a scroll. He was active in the schemes to remove James, Duke of York, from the succession, although he fled England during the Monmouth Rebellion in 1685.
CS 144, ii of iii. Goodwin 166. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66376] £360.00
James Watson fecit.
[n.d., c.1780.]
Mezzotint. 450 x 330mm (17¾ x 13"), unidentified star collector's stamp on reverse.
Three-quarter seated portrait of Sir John Trenchard (1649-95), wearing wig and robes, holding a scroll. He was active in the schemes to remove James, Duke of York, from the succession, although he fled England during the Monmouth Rebellion in 1685.
CS 144, ii of iii. Goodwin 166. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66376] £360.00
John Trenchard Esq.r
Ozias Humphry R.A. pinx.t 1790. Joseph Singleton sculpt. 1794.
[n.d. c.1795.]
Fine stipple with large margins. Plate 202 x 152mm. 8 x 6".
John William Hippisley Trenchard (1740-1801) grew up in Wiltshire eventually inheriting the family estates of Stanton, Cutteridge and Abbotts Leigh. A country gentleman of some wealth, he never married and the estates passed to his two nephews when he died in 1801.
See NPG: D39286.
[Ref: 24762] £60.00 (£72.00 incl.VAT)
Ozias Humphry R.A. pinx.t 1790. Joseph Singleton sculpt. 1794.
[n.d. c.1795.]
Fine stipple with large margins. Plate 202 x 152mm. 8 x 6".
John William Hippisley Trenchard (1740-1801) grew up in Wiltshire eventually inheriting the family estates of Stanton, Cutteridge and Abbotts Leigh. A country gentleman of some wealth, he never married and the estates passed to his two nephews when he died in 1801.
See NPG: D39286.
[Ref: 24762] £60.00 (£72.00 incl.VAT)
The Council of Trent. The Representation of the Father assembled in the Council of Trent: begun about the end of the year 1545.
[n.d., c.1700.]
Rare engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
A scene depicting the Council of Trent. Convened between 1545 and 1563 in the city of Trent (modern-day Trento, located in northern Italy), it constituted the nineteenth ecumenical council of the Roman Catholic Church.
[Ref: 67593] £140.00 (£168.00 incl.VAT)
[n.d., c.1700.]
Rare engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
A scene depicting the Council of Trent. Convened between 1545 and 1563 in the city of Trent (modern-day Trento, located in northern Italy), it constituted the nineteenth ecumenical council of the Roman Catholic Church.
[Ref: 67593] £140.00 (£168.00 incl.VAT)
The Terrible Horse Trentham late the property of Charles Ogilvy Esq.r...
G.Stubbs pinx.t. G.D.Stubbs sculp.t. 506.
Published according to Act of parliament Jan.y 1. 1772 and sold by Rob.t Sayer No 53 in Fleet Street.
Mezzotint. 255 x 350mm (10 x 13¾"). Laid on board. Stained.
Lennox-Boyd: 29, state ii of iii.. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5838] £450.00
G.Stubbs pinx.t. G.D.Stubbs sculp.t. 506.
Published according to Act of parliament Jan.y 1. 1772 and sold by Rob.t Sayer No 53 in Fleet Street.
Mezzotint. 255 x 350mm (10 x 13¾"). Laid on board. Stained.
Lennox-Boyd: 29, state ii of iii.. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5838] £450.00
Trentham Hall, Staffordshire.
From a drawing by W.F. Hulme. Day & Son, Lith.rs to the Queen.
[n.d. c.1881.]
Tinted lithograph with added colour. 249 x 350mm (9¾ x 13¾").
Trentham Hall, situated in the Trentham Gardens estate. The 1830s the house entirely rebuilt and took the form as seen here, as an elegant stone fronted mansion with a lofty square tower. It was erected after the model of Buckingham House, in St James's Park, but was considerably altered and improved by the first Marquess of Stafford, from designs by Henry Holland. The hall was demolished in the 20th century.
[Ref: 30356] £90.00 (£108.00 incl.VAT)
From a drawing by W.F. Hulme. Day & Son, Lith.rs to the Queen.
[n.d. c.1881.]
Tinted lithograph with added colour. 249 x 350mm (9¾ x 13¾").
Trentham Hall, situated in the Trentham Gardens estate. The 1830s the house entirely rebuilt and took the form as seen here, as an elegant stone fronted mansion with a lofty square tower. It was erected after the model of Buckingham House, in St James's Park, but was considerably altered and improved by the first Marquess of Stafford, from designs by Henry Holland. The hall was demolished in the 20th century.
[Ref: 30356] £90.00 (£108.00 incl.VAT)
![[A View of Trent, in the Tyrol.]](jpegs/48491.jpg)
[A View of Trent, in the Tyrol.]
Painted by Sir A.W. Callcott, R.A. Engraved by James B. Allen.
London, Published July 1, 1840, by the Proprietors [Edward & William Finden] No. 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street & Ackermann & Co. Strand
Proof engraving on chine collé. 365 x 610mm (14½ x 24"), with very large margins.
A view of Trento (anglicised as Trent), formerly part of Austria but annexed by Italy in 1919. Sir Augustus Wall Callcott (1779-1844), a friendly rival of J.M.W. Turner, made Keeper of the Queen's Pictures in 1843. He painted this picture for his friend Samuel Cartwright, a dentist. Exhibited at the R.A. in 1836, The Times newspaper commented that to ''look at Callcott's 'Trent in the Tyrol' after a dose of Turner's 'Mercury and Argus' is as cool and refreshing as iced champagne after mulligatawny''. This plate was engraved for Finden's 'Gallery of British Art'.
[Ref: 48491] £160.00 (£192.00 incl.VAT)
Painted by Sir A.W. Callcott, R.A. Engraved by James B. Allen.
London, Published July 1, 1840, by the Proprietors [Edward & William Finden] No. 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street & Ackermann & Co. Strand
Proof engraving on chine collé. 365 x 610mm (14½ x 24"), with very large margins.
A view of Trento (anglicised as Trent), formerly part of Austria but annexed by Italy in 1919. Sir Augustus Wall Callcott (1779-1844), a friendly rival of J.M.W. Turner, made Keeper of the Queen's Pictures in 1843. He painted this picture for his friend Samuel Cartwright, a dentist. Exhibited at the R.A. in 1836, The Times newspaper commented that to ''look at Callcott's 'Trent in the Tyrol' after a dose of Turner's 'Mercury and Argus' is as cool and refreshing as iced champagne after mulligatawny''. This plate was engraved for Finden's 'Gallery of British Art'.
[Ref: 48491] £160.00 (£192.00 incl.VAT)
Trentschin._Valley of the Waag. Trentschin Castle.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 380 x 285mm (15 x 11¼"), with large margins. Nicks to edges. Tear in bottom margin repaired with tape.
View of Trencín in western Slovakia of the central Váh River valley near the Czech border. Plate 3 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day. In the distance the Trencín Castle stands. Within the precincts of the lower castle can be found the water well, also known as the "well of love". Which according to legend was dug by a Turkish prince called Omar, who had great love for the beautiful Fatima, whom he had to redeem by digging a well in the rock.
Abey 79.
[Ref: 65294] £220.00 (£264.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 380 x 285mm (15 x 11¼"), with large margins. Nicks to edges. Tear in bottom margin repaired with tape.
View of Trencín in western Slovakia of the central Váh River valley near the Czech border. Plate 3 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day. In the distance the Trencín Castle stands. Within the precincts of the lower castle can be found the water well, also known as the "well of love". Which according to legend was dug by a Turkish prince called Omar, who had great love for the beautiful Fatima, whom he had to redeem by digging a well in the rock.
Abey 79.
[Ref: 65294] £220.00 (£264.00 incl.VAT)
Trepanning.
U.U. [Theodore Lane]
London Published by G.Humphrey 27 S.t James's Street June 1821.
Etching with hand colour, 305 x 230mm (12 x 9"), with large margins. Paper slighlty toned and surface dirt.
From set of four prints with punning medical titles. A handsome, naive young man is hurried along by two evening-dressed courtesans, each holding a hand, one with her arm around his shoulders, as he looks passively bewildered. They pass through a theatre portico, while behind them two men and a lady adjusting a long glove descend a staircase.
BM Satires 14301.
[Ref: 68059] £240.00 (£288.00 incl.VAT)
U.U. [Theodore Lane]
London Published by G.Humphrey 27 S.t James's Street June 1821.
Etching with hand colour, 305 x 230mm (12 x 9"), with large margins. Paper slighlty toned and surface dirt.
From set of four prints with punning medical titles. A handsome, naive young man is hurried along by two evening-dressed courtesans, each holding a hand, one with her arm around his shoulders, as he looks passively bewildered. They pass through a theatre portico, while behind them two men and a lady adjusting a long glove descend a staircase.
BM Satires 14301.
[Ref: 68059] £240.00 (£288.00 incl.VAT)
Lady Trevelyan.
Hoppner, pinxt. / J. Thomson, sculpt.
Published in the Court Magazine No. 38, for August 1835, by Edward Churton, 26 Holles St. Cavendish Square. Proof Impressions on India Paper, Price 4/6 may be had of the Publisher.
Stipple, proof on india paper, very large margins, platemark 10 x 7½"). Rare.
Maria Trevelyan (née Wilson) daughter of Sir Thomas Spencer Wilson of Charlton, and wife of Sir John Trevelyan, M.P. Died 1852.
O'D 1 (only engraved likeness listed)
[Ref: 32562] £65.00 (£78.00 incl.VAT)
Hoppner, pinxt. / J. Thomson, sculpt.
Published in the Court Magazine No. 38, for August 1835, by Edward Churton, 26 Holles St. Cavendish Square. Proof Impressions on India Paper, Price 4/6 may be had of the Publisher.
Stipple, proof on india paper, very large margins, platemark 10 x 7½"). Rare.
Maria Trevelyan (née Wilson) daughter of Sir Thomas Spencer Wilson of Charlton, and wife of Sir John Trevelyan, M.P. Died 1852.
O'D 1 (only engraved likeness listed)
[Ref: 32562] £65.00 (£78.00 incl.VAT)
![C.E. Trevelyan [facsimile signature]](jpegs/32561.jpg)
C.E. Trevelyan [facsimile signature]
Engraved by D.J. Pound from a Photograph by John Watkins Parliament Street [n.d., c.1860]
Engraving, sheet size 385 x 280mm (15¼ x 11").
Portrait of Sir Charles Edward Trevelyan (1807-1886), administrator in India. Trevelyan became governor of Madras in 1859 (hence the referred to here by the volume inscribed 'Madras' he holds in his left hand). He was subsequently finance minister in India, and after returning to Britain, author of 'The British Army in 1868' and several pamphlets on charity, pauperism, and other social causes.
DNB
[Ref: 32561] £60.00 (£72.00 incl.VAT)
Engraved by D.J. Pound from a Photograph by John Watkins Parliament Street [n.d., c.1860]
Engraving, sheet size 385 x 280mm (15¼ x 11").
Portrait of Sir Charles Edward Trevelyan (1807-1886), administrator in India. Trevelyan became governor of Madras in 1859 (hence the referred to here by the volume inscribed 'Madras' he holds in his left hand). He was subsequently finance minister in India, and after returning to Britain, author of 'The British Army in 1868' and several pamphlets on charity, pauperism, and other social causes.
DNB
[Ref: 32561] £60.00 (£72.00 incl.VAT)
The Right Honble. Sr. Thomas Trevor Knt. Lord Chief Justice of his Maties. Court of Comon Pleas.
P. Murray pinxit. R. White Sculpsit 1702.
Printed and Sold by John King at the Globe against the Church in the Poultry.
Engraving. Mounted on an album page. Image 377 x 267mm. 14¾ x 10½". Cut and laid on sheet. Some glue staining to the corners.
Sir Thomas Trevor, 1st Baron Trevor PC (1658-1730), was knighted in 1692 as Solicitor General and in 1695 became Attorney-General. In 1701 he was appointed chief justice of the common pleas, and in 1712 he was created a peer as Baron Trevor of Bromham. On the accession of George I in 1714 he was deprived of the justice-ship, but from 1726 to 1730 he was Lord Privy Seal. Three of his sons succeeded in turn to his barony, and a fourth son, Richard Trevor (1707-1771), was bishop of St David's from 1744 to 1752, and then bishop of Durham.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12892] £220.00 (£264.00 incl.VAT)
P. Murray pinxit. R. White Sculpsit 1702.
Printed and Sold by John King at the Globe against the Church in the Poultry.
Engraving. Mounted on an album page. Image 377 x 267mm. 14¾ x 10½". Cut and laid on sheet. Some glue staining to the corners.
Sir Thomas Trevor, 1st Baron Trevor PC (1658-1730), was knighted in 1692 as Solicitor General and in 1695 became Attorney-General. In 1701 he was appointed chief justice of the common pleas, and in 1712 he was created a peer as Baron Trevor of Bromham. On the accession of George I in 1714 he was deprived of the justice-ship, but from 1726 to 1730 he was Lord Privy Seal. Three of his sons succeeded in turn to his barony, and a fourth son, Richard Trevor (1707-1771), was bishop of St David's from 1744 to 1752, and then bishop of Durham.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12892] £220.00 (£264.00 incl.VAT)
![[Christoph Jacob Trew]](jpegs/44061.jpg)
[Christoph Jacob Trew] D. Christoph. Jac. Trew. S. Caes. Maiestat. et Sereniss. Marchionis Onold. Brandenburg [...]
D/ van der Smissen pinxit J.J. Haid sculps et excud A.V. [c.1720]
Mezzotint, platemark 310 x 195mm (12¼ x 7¾"). Small margins.
Christoph Jacob Trew (1695-1769), solicitor and physician whose passion for botany led him to sponsor the publication of some of the most important botanical works of the eighteenth century, most notably the posthumously-published 'Plantae Selectae' (1773). Portrait of Trew at his desk with plant specimens, after Domenicus van der Smissen (1704-60).
W2975
[Ref: 44061] £260.00 (£312.00 incl.VAT)
D/ van der Smissen pinxit J.J. Haid sculps et excud A.V. [c.1720]
Mezzotint, platemark 310 x 195mm (12¼ x 7¾"). Small margins.
Christoph Jacob Trew (1695-1769), solicitor and physician whose passion for botany led him to sponsor the publication of some of the most important botanical works of the eighteenth century, most notably the posthumously-published 'Plantae Selectae' (1773). Portrait of Trew at his desk with plant specimens, after Domenicus van der Smissen (1704-60).
W2975
[Ref: 44061] £260.00 (£312.00 incl.VAT)
D. Christophorus Iacobus Trevv, S.R.I Nobilis, consiliarius archiater et comes palatinus caesareus sereniss.marggravii onoldino-culmbaco-brandenburgici consiliarius intimus archiater actualis et collegii medici onoldini senior, perill.reip.norimbergensis physicus ordinarius senior, collegiique medici seniorum primarius; academiae caesareae Leopoldi-no-Carolinae naturae curiosorum director, regiarum societatum londinensis et, Berolinen sis itemque botanicae Florentinae sodalis.
D. van der Smiffen pinxit. J.J. Haid Sculps. et excud. A.V.
[n.d., 1748]
Scarce copper engraving. 320 x 195mm (12½ x 7¼") large margins. Light foxing.
Christoph Jacob Trew, physician and botanist and publisher. [1695 - 1769].
Wellcome: 2975-1.
[Ref: 53627] £240.00 (£288.00 incl.VAT)
D. van der Smiffen pinxit. J.J. Haid Sculps. et excud. A.V.
[n.d., 1748]
Scarce copper engraving. 320 x 195mm (12½ x 7¼") large margins. Light foxing.
Christoph Jacob Trew, physician and botanist and publisher. [1695 - 1769].
Wellcome: 2975-1.
[Ref: 53627] £240.00 (£288.00 incl.VAT)
Trial.
Woolnoth, Engraver to Her Majesty. Painted by T. Woolnoth.
London: Published by Ackermann & Co. 96, Strand [n.d., c.1850].
Stipple and etching, image 130 x 160mm. 5 x 6¼". Trimmed to plate. Some creasing.
A child about to throw a ball for a dog to chase; underneath a tree in a landscape. After Thomas A Woolnoth (British, 1811 - 1881 or later).
[Ref: 23515] £65.00 (£78.00 incl.VAT)
Woolnoth, Engraver to Her Majesty. Painted by T. Woolnoth.
London: Published by Ackermann & Co. 96, Strand [n.d., c.1850].
Stipple and etching, image 130 x 160mm. 5 x 6¼". Trimmed to plate. Some creasing.
A child about to throw a ball for a dog to chase; underneath a tree in a landscape. After Thomas A Woolnoth (British, 1811 - 1881 or later).
[Ref: 23515] £65.00 (£78.00 incl.VAT)
Trial.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 9 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts four Aboriginal men throwing spears at a figure holding a shield for protection. A large group, some standing, some sitting, look on intently. Possibly an act of judgement or a test of skill. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.9.
[Ref: 32076] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 9 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts four Aboriginal men throwing spears at a figure holding a shield for protection. A large group, some standing, some sitting, look on intently. Possibly an act of judgement or a test of skill. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.9.
[Ref: 32076] £220.00 (£264.00 incl.VAT)
A Trial of Patience.
Painted by Heywood Hardy. Engraved by W.H.Simmons.
London Published 6th August 1881 by L.H. Lefevre 1a King Street, St. James's.
Photogravure 625 x 710mm (24¾ x 28"), with very large margins. Some light foxing.
A girl in victorian dress sits in a wicker chair covered in fur blankets and pillows reading. She keeps an eye on her fox terrier who waits for a cat to finish drinking milk out of a saucer.
[Ref: 61528] £450.00
Painted by Heywood Hardy. Engraved by W.H.Simmons.
London Published 6th August 1881 by L.H. Lefevre 1a King Street, St. James's.
Photogravure 625 x 710mm (24¾ x 28"), with very large margins. Some light foxing.
A girl in victorian dress sits in a wicker chair covered in fur blankets and pillows reading. She keeps an eye on her fox terrier who waits for a cat to finish drinking milk out of a saucer.
[Ref: 61528] £450.00
![A faithful representation of the trial of her most gracious Majesti [sic] Caroline queen of england, in the house of lords 1820.](jpegs/24466.jpg)
A faithful representation of the trial of her most gracious Majesti [sic] Caroline queen of england, in the house of lords 1820. [French translation to right.]
[Anon., French or Italian, n.d., c.1820.]
Large and extremely scarce lithograph, sheet 525 x 575mm. 20¾ x 22¾". Several fold and handling creases, some reinforced with old backing strips to verso. Some soiling and light staining, generally tatty extremities, with closed tears and filled chip to lower right corner.
Depiction of the 1820 trial for adultery of Queen Caroline of Brunswick (1768 – 1821), wife of George IV. A realistic view of the House of Lords receding in perspective to the Throne, above which is inset an oval bust portrait lettered ‘Bartolomo [sic] Bergami’, wearing four decorations. Members of the House and others assembled around a large table at centre, upon which sits ‘13’, the ‘Green Bag’. Lord Chancellor John Scott, 1st Earl of Eldon presiding in middle ground, at centre; Queen Caroline can be seen seated in foreground to right. Lettered below the image with key, in English and French, identifying numbered figures and points of interest within the composition. This seems to be a Continental copy of a British print. When Caroline of Brunswick-Wolfenbüttel (1768 – 1821) arrived at St James's Palace the Prince of Wales came to visit her. After greeting her, he turned to the Earl of Malmesbury saying, 'Harris, I am not well. Pray get me a glass of brandy'. He then left the room. Caroline's comment to Malmesbury was , 'I find him very stout and by no means as handsome as his portrait'. The ill-matched pair were married on 8 April 1795 and it soon became clear that the Prince of Wales would not tolerate his wife's company unless he was drunk. The marriage was consummated and on 7 January 1796 a daughter, Charlotte, was born to the couple. By March, the proud parents were living separately and rarely spoke to each other. George's disastrous marriage to Caroline provided ample material for the caricaturists of the day. George was mocked for preferring his mistresses to his wife; Caroline received more sympathy but was rumoured to have a string of lovers and was easy to portray as a vulgar attention seeker. Tired of her husband's neglect, Caroline left England to tour Europe and in Italy met Bartolomeo Bergami who became her secretary and constant companion. The couple's relationship caused much scandal.
See BM Satires 14004 for an anonymous cotton handkerchief of the same (English only) title.
[Ref: 24466] £500.00
[Anon., French or Italian, n.d., c.1820.]
Large and extremely scarce lithograph, sheet 525 x 575mm. 20¾ x 22¾". Several fold and handling creases, some reinforced with old backing strips to verso. Some soiling and light staining, generally tatty extremities, with closed tears and filled chip to lower right corner.
Depiction of the 1820 trial for adultery of Queen Caroline of Brunswick (1768 – 1821), wife of George IV. A realistic view of the House of Lords receding in perspective to the Throne, above which is inset an oval bust portrait lettered ‘Bartolomo [sic] Bergami’, wearing four decorations. Members of the House and others assembled around a large table at centre, upon which sits ‘13’, the ‘Green Bag’. Lord Chancellor John Scott, 1st Earl of Eldon presiding in middle ground, at centre; Queen Caroline can be seen seated in foreground to right. Lettered below the image with key, in English and French, identifying numbered figures and points of interest within the composition. This seems to be a Continental copy of a British print. When Caroline of Brunswick-Wolfenbüttel (1768 – 1821) arrived at St James's Palace the Prince of Wales came to visit her. After greeting her, he turned to the Earl of Malmesbury saying, 'Harris, I am not well. Pray get me a glass of brandy'. He then left the room. Caroline's comment to Malmesbury was , 'I find him very stout and by no means as handsome as his portrait'. The ill-matched pair were married on 8 April 1795 and it soon became clear that the Prince of Wales would not tolerate his wife's company unless he was drunk. The marriage was consummated and on 7 January 1796 a daughter, Charlotte, was born to the couple. By March, the proud parents were living separately and rarely spoke to each other. George's disastrous marriage to Caroline provided ample material for the caricaturists of the day. George was mocked for preferring his mistresses to his wife; Caroline received more sympathy but was rumoured to have a string of lovers and was easy to portray as a vulgar attention seeker. Tired of her husband's neglect, Caroline left England to tour Europe and in Italy met Bartolomeo Bergami who became her secretary and constant companion. The couple's relationship caused much scandal.
See BM Satires 14004 for an anonymous cotton handkerchief of the same (English only) title.
[Ref: 24466] £500.00
![[Triangle with analemma adapted to show the sun's declination for every day in the year in all latitudes.]](jpegs/56880.jpg)
[Triangle with analemma adapted to show the sun's declination for every day in the year in all latitudes.]
[Drawn & Engraved by John Emslie]
[London : Published by James Reynolds. Decr. 7th.1852.]
Engraving, sheet 215 x 185mm (8½ x 7¼"). Tip is lightly soiled and creased.
Tool placed in the front inside of Reynold's book 'View of Nature in all Climates, from the Equator to the Arctic Circle' which consisted of a folded colored pictorial diagram engraved by John Emslie and four pages of descriptive text.
[Ref: 56880] £130.00 (£156.00 incl.VAT)
[Drawn & Engraved by John Emslie]
[London : Published by James Reynolds. Decr. 7th.1852.]
Engraving, sheet 215 x 185mm (8½ x 7¼"). Tip is lightly soiled and creased.
Tool placed in the front inside of Reynold's book 'View of Nature in all Climates, from the Equator to the Arctic Circle' which consisted of a folded colored pictorial diagram engraved by John Emslie and four pages of descriptive text.
[Ref: 56880] £130.00 (£156.00 incl.VAT)
![[Warriors] Etnografia. Costumi Guerrieri de' Populi dell' America Nord.](jpegs/62916.jpg)
[Warriors] Etnografia. Costumi Guerrieri de' Populi dell' America Nord.
[Florence: Vincenzo Batelli & Co, 1845.]
Scarce coloured etching. 415 x 280mm (16¼ x 11"). Nicks in edges.
Three scenes of Native American warriors, taken from 16th century originals. Published in Francesco C. Marmocchi's 'Atlante di Geografia-Storica Universale'.
[Ref: 62916] £180.00 (£216.00 incl.VAT)
[Florence: Vincenzo Batelli & Co, 1845.]
Scarce coloured etching. 415 x 280mm (16¼ x 11"). Nicks in edges.
Three scenes of Native American warriors, taken from 16th century originals. Published in Francesco C. Marmocchi's 'Atlante di Geografia-Storica Universale'.
[Ref: 62916] £180.00 (£216.00 incl.VAT)
![[The Tribute Money.]](jpegs/65813.jpg)
[The Tribute Money.]
Rembrandt pinxt. J.McArdell fecit.
[n.d., c.1760.]
Very fine mezzotint, 18thg century watermark. 505 x 405mm (20 x 16"), large margins.
Interior view of the Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 ii of iv. Charrington 110 ii of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd & Marquis of Bute.
[Ref: 65813] £380.00
Rembrandt pinxt. J.McArdell fecit.
[n.d., c.1760.]
Very fine mezzotint, 18thg century watermark. 505 x 405mm (20 x 16"), large margins.
Interior view of the Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 ii of iv. Charrington 110 ii of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd & Marquis of Bute.
[Ref: 65813] £380.00
![[The Tribute Money.]](jpegs/65814.jpg)
[The Tribute Money.] From the Original in the Collection of John Blackwood Esqr.
Rembrandt pinxt. Js.McArdell fecit.
[n.d., c.1760.]
Mezzotint. 500 x 405mm (19¾ x 16"). Creases through left of image.
Interior view of a Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 iv of iv. Charrington 110 iv of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65814] £180.00 (£216.00 incl.VAT)
Rembrandt pinxt. Js.McArdell fecit.
[n.d., c.1760.]
Mezzotint. 500 x 405mm (19¾ x 16"). Creases through left of image.
Interior view of a Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 iv of iv. Charrington 110 iv of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65814] £180.00 (£216.00 incl.VAT)
![[The Tribute Money.]](jpegs/65815.jpg)
[The Tribute Money.]
Rembrandt pinxit. Js.McArdell fecit.
[n.d., c.1760.]
Mezzotint proof, 18th century watermark. 505 x 405mm (20 x 16"). Small margins.
Interior view of a Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 ii of iv. Charrington 110 ii of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65815] £220.00 (£264.00 incl.VAT)
Rembrandt pinxit. Js.McArdell fecit.
[n.d., c.1760.]
Mezzotint proof, 18th century watermark. 505 x 405mm (20 x 16"). Small margins.
Interior view of a Temple. In front of an arch is Christ, he is surrounded by men, one holds out a coin for him.
Goodwin 215 ii of iv. Charrington 110 ii of iv. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65815] £220.00 (£264.00 incl.VAT)
![[The Tribute Money]](jpegs/38474.jpg)
[The Tribute Money] D. Caes. Josepho Austriaco Sacrarum Humana Rumq. Legum Summo Custodi ac Vindici Divinitus Dato Jesu Chr. [...]
Thom. Arrighetti et Ferdinand Gregori Delineato Scalptoq opere imitantes Dedicabant [c.1770]
Engraving, platemark 480 x 320mm (19 x 12½"). Very large margins, uncut. Crease through centre as issued.
Titian's famous painting of 'The Tribute Money' (Dresden, Gemaedlegalerie), engraved by Florentine printmaker Ferdinando Gregori (1743?-1804), who made many large engravings after Old Master paintings, particularly those in Florence.
[Ref: 38474] £220.00 (£264.00 incl.VAT)
Thom. Arrighetti et Ferdinand Gregori Delineato Scalptoq opere imitantes Dedicabant [c.1770]
Engraving, platemark 480 x 320mm (19 x 12½"). Very large margins, uncut. Crease through centre as issued.
Titian's famous painting of 'The Tribute Money' (Dresden, Gemaedlegalerie), engraved by Florentine printmaker Ferdinando Gregori (1743?-1804), who made many large engravings after Old Master paintings, particularly those in Florence.
[Ref: 38474] £220.00 (£264.00 incl.VAT)
![[India] Town and Fort of Trichinopoly.](jpegs/66716.jpg)
[India] Town and Fort of Trichinopoly.
Drawn by T.J. Rawlins. On stone by Dean & C.º.
London, Dean & C.º Threadneedle S.t.
Tinted lithograph. Sheet 155 x 220mm (6 x 8¾"). Binding marks in top margin, spotting and staining, trimmed into publication line at bottom.
A view looking down a thoroughfare to a fort on a steep hill. From Julia Corner's 'The History of India'.
Abbey 468.
[Ref: 66716] £110.00 (£132.00 incl.VAT)
Drawn by T.J. Rawlins. On stone by Dean & C.º.
London, Dean & C.º Threadneedle S.t.
Tinted lithograph. Sheet 155 x 220mm (6 x 8¾"). Binding marks in top margin, spotting and staining, trimmed into publication line at bottom.
A view looking down a thoroughfare to a fort on a steep hill. From Julia Corner's 'The History of India'.
Abbey 468.
[Ref: 66716] £110.00 (£132.00 incl.VAT)
S.W. View of the Rock of Trichinopoly.
Drawn of the Spot by Capt. Trapaud. J.Wells Aquatint.
Publish'd 1st March 1788. as the Act Directs.
Aquatint. 450 x 325mm.
Abbey: 417
[Ref: 6176] £580.00
Drawn of the Spot by Capt. Trapaud. J.Wells Aquatint.
Publish'd 1st March 1788. as the Act Directs.
Aquatint. 450 x 325mm.
Abbey: 417
[Ref: 6176] £580.00
Mademoiselle Brownini in her graceful act of Equitation.
Pen and ink sketch. Sheet 185 x 265mm, 7¼ x 10½".
A woman standing on a horse's back in a circus ring, with a ringmaster and a clown nearby. On recto is another sketch of a scene of promenaders in a park.
[Ref: 15909] £320.00
Pen and ink sketch. Sheet 185 x 265mm, 7¼ x 10½".
A woman standing on a horse's back in a circus ring, with a ringmaster and a clown nearby. On recto is another sketch of a scene of promenaders in a park.
[Ref: 15909] £320.00
Un Coup Difficile.
Peint Par E. Boutibonne. Grave Par Paul Girardet.
Berlin_Verlag von Goupil & C.o. Imprime & Publie par Goupil& C.ie Editeurs le 1.st Avril 1870,_Paris_Londres_Le Haye. New-York-Published by M. Knoedler.
Rare engraving, 650 x 740mm (25¾ x 29"), with very large margins. Laid on paper and taped into mount at top.
Three women play billards in a decorative games room. Two women watch on whilst the other performs a trickshot behind her back. A small girl next to the table feeds a dog. This engraving seems to be an amalgamation of two oils by Charles-Édouard Boutibonne (1816-97) 'Ladies playing Billiards,' and 'An Elegant Billiard Player.'
[Ref: 65852] £650.00
Peint Par E. Boutibonne. Grave Par Paul Girardet.
Berlin_Verlag von Goupil & C.o. Imprime & Publie par Goupil& C.ie Editeurs le 1.st Avril 1870,_Paris_Londres_Le Haye. New-York-Published by M. Knoedler.
Rare engraving, 650 x 740mm (25¾ x 29"), with very large margins. Laid on paper and taped into mount at top.
Three women play billards in a decorative games room. Two women watch on whilst the other performs a trickshot behind her back. A small girl next to the table feeds a dog. This engraving seems to be an amalgamation of two oils by Charles-Édouard Boutibonne (1816-97) 'Ladies playing Billiards,' and 'An Elegant Billiard Player.'
[Ref: 65852] £650.00
Trier, een oude Keurvorstelyke Stad aen de Moesel, vruchtbaer van overschoonen wyn. Treviri, urbs Electoralis ad Mosellam fluvium nectare Bacchico celebratissima.
Pet: Schenk Amsteld. C.P.
[n.d. c.1702.]
Engraving very large margins. Plate 210 x 266mm (8¼ x 10½").
Trier, on the banks of the Moselle, is the oldest city in Germany, founded c.16 BC. A wine print, showing the grape harvest. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 28704] £220.00 (£264.00 incl.VAT)
Pet: Schenk Amsteld. C.P.
[n.d. c.1702.]
Engraving very large margins. Plate 210 x 266mm (8¼ x 10½").
Trier, on the banks of the Moselle, is the oldest city in Germany, founded c.16 BC. A wine print, showing the grape harvest. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 28704] £220.00 (£264.00 incl.VAT)
Trieste. La Riva Carciotti.
Gio. Pividor. dis. Lit. B. Linassi & Co. in Trieste.
Proprietà di Guis. A. Habnit, Editore. [n.d., c.1840.]
Fine coloured lithograph. Sheet: 300 x 465mm (11¾ x 18¼''), with very large margins. Messy.
A view of the port at Trieste, the harbour is full of ships and men unload cargo and the street is full of people in international costume.
[Ref: 49603] £230.00 (£276.00 incl.VAT)
Gio. Pividor. dis. Lit. B. Linassi & Co. in Trieste.
Proprietà di Guis. A. Habnit, Editore. [n.d., c.1840.]
Fine coloured lithograph. Sheet: 300 x 465mm (11¾ x 18¼''), with very large margins. Messy.
A view of the port at Trieste, the harbour is full of ships and men unload cargo and the street is full of people in international costume.
[Ref: 49603] £230.00 (£276.00 incl.VAT)
Trieste. Piazza della Borsa.
F. Heinrich dis. Lit Linassi e C.º.
Proprieta di H.F. Favarger Librajo [n.d., c.1840..]
Lithograph with hand colour. Printed area 140 x 170mm (5½ x 6¾").
A view of Trieste's old stock exchange, with the column of Holy Roman Emperor Leopold I.
[Ref: 64075] £110.00 (£132.00 incl.VAT)
F. Heinrich dis. Lit Linassi e C.º.
Proprieta di H.F. Favarger Librajo [n.d., c.1840..]
Lithograph with hand colour. Printed area 140 x 170mm (5½ x 6¾").
A view of Trieste's old stock exchange, with the column of Holy Roman Emperor Leopold I.
[Ref: 64075] £110.00 (£132.00 incl.VAT)
![Trieste. Quai Carrioti. [/] Trieste. Riva Carrioti. Royaume D'Illyrie.](jpegs/33324.jpg)
Trieste. Quai Carrioti. [/] Trieste. Riva Carrioti. Royaume D'Illyrie.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, rue de Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne et (Mon.. Aumont) Francois Delarue, succ. 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Very slight stains at top.
A view of the port of Trieste in north eastern Italy. Originally an Illyrian settlement, the city was later captured by the Carni, a tribe of the Eastern Alps, before becoming part of the Roman republic in 177 BC. It is located at the head of the Gulf of Trieste and throughout history it has been influenced by its location at the crossroads of Latin, Slavic, and Germanic cultures. This view taken form the Grand Canal shows several vesssels on the water, numerous figures on the quay and the Carciotti palace to the left. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33324] £260.00 (£312.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, rue de Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne et (Mon.. Aumont) Francois Delarue, succ. 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Very slight stains at top.
A view of the port of Trieste in north eastern Italy. Originally an Illyrian settlement, the city was later captured by the Carni, a tribe of the Eastern Alps, before becoming part of the Roman republic in 177 BC. It is located at the head of the Gulf of Trieste and throughout history it has been influenced by its location at the crossroads of Latin, Slavic, and Germanic cultures. This view taken form the Grand Canal shows several vesssels on the water, numerous figures on the quay and the Carciotti palace to the left. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33324] £260.00 (£312.00 incl.VAT)
![Pray Give A Trifle [lettered in image].](jpegs/25599.jpg)
Pray Give A Trifle [lettered in image].
Printed by C. Hullmandel.
London Pubd. by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place [n.d., c.1820].
Hand-coloured lithograph, sheet 255 x 210mm. 10 x 8¼". Diagonal crease and traces of previous mounting.
Cupid with quiver of arrows and bow distributing illustrated song sheets or ballads from a lettered sack slung over his shoulder; in a mythical seaside landscape with figures clambering over distant mountains beyond. This seems to be promotional printing for Samuel Williams Fuller and brother Joseph Carr Fuller's ‘Temple of Fancy’, where they operated between 1809-1854 as publishers, printsellers and stationers, manufacturers, and artists' colourmen. It became one of the leading print publishing businesses of Regency and early Victorian London.
[Ref: 25599] £95.00 (£114.00 incl.VAT)
Printed by C. Hullmandel.
London Pubd. by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place [n.d., c.1820].
Hand-coloured lithograph, sheet 255 x 210mm. 10 x 8¼". Diagonal crease and traces of previous mounting.
Cupid with quiver of arrows and bow distributing illustrated song sheets or ballads from a lettered sack slung over his shoulder; in a mythical seaside landscape with figures clambering over distant mountains beyond. This seems to be promotional printing for Samuel Williams Fuller and brother Joseph Carr Fuller's ‘Temple of Fancy’, where they operated between 1809-1854 as publishers, printsellers and stationers, manufacturers, and artists' colourmen. It became one of the leading print publishing businesses of Regency and early Victorian London.
[Ref: 25599] £95.00 (£114.00 incl.VAT)
Frederic Trimmer, Esq.re In the Landscape, Tutbury Castle, Staffordshire, with the River Dove. To the Rev.d Henry Scott Trimmer, this Portrait Engraved from Life, is dedicated by his very obliged & obedient Serv.t David Lucas.
Engraved on Steel. By David Lucas, 1842. Private Plate.
Mezzotint, very scarce. Plate 445 x 519mm (17½ x 20½"). Some overall paper loss.
Frederic Trimmer standing by the River Dove with his two dogs; Tutbury Castle in the background, Staffordshire.
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 29004] £220.00 (£264.00 incl.VAT)
Engraved on Steel. By David Lucas, 1842. Private Plate.
Mezzotint, very scarce. Plate 445 x 519mm (17½ x 20½"). Some overall paper loss.
Frederic Trimmer standing by the River Dove with his two dogs; Tutbury Castle in the background, Staffordshire.
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 29004] £220.00 (£264.00 incl.VAT)
Mrs. Sarah Trimmer. From an original Picture by H. Howard, Esq. R.A. in the Possession of Joshua Kirby Trimmer, Esq.
Drawn by J. Jackson, Engraved by E. Scriven.
Published Dec. 26, 1812 by T. Cadell & W. Davies, Strand, London.
Stipple, platemark 380 x 315mm (15 x 12½"), with very large margins.
Sarah Trimmer (1741-1810), author and educationist. The only child of artist Joshua Kirby and his wife Sarah Bull, Trimmer was raised in London where her father's acquaintances included Hogarth, Gainsborough and Reynolds. Initially concerned with the education of her own children, Trimmer went on to establish a Sunday School in Old Brentford where she lived, and a weekday school of industry for girls. She published widely, including children's books and volumes on educational methods, many of which continued to be reprinted after her death as she exerted a strong influence in the early nineteenth century. Engraving after the portrait by Henry Howard now in the National Portrait Gallery. Trimmer, a devout evangelical Anglican, rests her left arm on the Bible.
[Ref: 44144] £120.00 (£144.00 incl.VAT)
Drawn by J. Jackson, Engraved by E. Scriven.
Published Dec. 26, 1812 by T. Cadell & W. Davies, Strand, London.
Stipple, platemark 380 x 315mm (15 x 12½"), with very large margins.
Sarah Trimmer (1741-1810), author and educationist. The only child of artist Joshua Kirby and his wife Sarah Bull, Trimmer was raised in London where her father's acquaintances included Hogarth, Gainsborough and Reynolds. Initially concerned with the education of her own children, Trimmer went on to establish a Sunday School in Old Brentford where she lived, and a weekday school of industry for girls. She published widely, including children's books and volumes on educational methods, many of which continued to be reprinted after her death as she exerted a strong influence in the early nineteenth century. Engraving after the portrait by Henry Howard now in the National Portrait Gallery. Trimmer, a devout evangelical Anglican, rests her left arm on the Bible.
[Ref: 44144] £120.00 (£144.00 incl.VAT)
Miss Trimmer.
C. Read pinx.t. J. Watson.
Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill [n.d., c.1770].
Mezzotint. 515 x 355mm (20½ x 14"). Rust marks from stretcher nails in left margin, repaired tear in inscription area. Some damage.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
[Ref: 59674] £260.00 (£312.00 incl.VAT)
C. Read pinx.t. J. Watson.
Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill [n.d., c.1770].
Mezzotint. 515 x 355mm (20½ x 14"). Rust marks from stretcher nails in left margin, repaired tear in inscription area. Some damage.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
[Ref: 59674] £260.00 (£312.00 incl.VAT)
Miss Trimmer.
C. Read pinx.t. J. Watson.
Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill [n.d., c.1770].
Mezzotint. 515 x 355mm (20½ x 14"). Trimmed into plate at bottom.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
CS 145, ii of ii. Goodwin 167. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66377] £320.00
C. Read pinx.t. J. Watson.
Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill [n.d., c.1770].
Mezzotint. 515 x 355mm (20½ x 14"). Trimmed into plate at bottom.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
CS 145, ii of ii. Goodwin 167. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66377] £320.00
![[Miss Trimmer.]](jpegs/66378.jpg)
[Miss Trimmer.]
[C. Read pinx.t. J. Watson.]
[Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill.] [n.d., c.1770.]
Mezzotint, proof before letters. 490 x 355mm (19¼ x 14"). Trimmed into plate at bottom, narrow margins elsewhere. Slightly time stained.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
CS 145, i of ii. Goodwin 167.
[Ref: 66378] £320.00
[C. Read pinx.t. J. Watson.]
[Sold by Ryland & Bryer, Engravers & Printsellers, at the King's Arms in Cornhill.] [n.d., c.1770.]
Mezzotint, proof before letters. 490 x 355mm (19¼ x 14"). Trimmed into plate at bottom, narrow margins elsewhere. Slightly time stained.
A young girl holding a cat. Although the DNB calls this a portrait of Sarah Trimmer (1741-1810), evangelist and children's writer, the NPG notes that it ''is in fact one of Mrs Trimmer's six daughters'', one of whom was Selina (1764-1829), who became governess to the family of the Georgiana, Duchess of Devonshire.
CS 145, i of ii. Goodwin 167.
[Ref: 66378] £320.00
Louis De La Trimouille Vicomte de Thouars G.ral l'A.mee de France. Gallerie du Cardianl de Richelieu.
A Parish chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 276 x 164mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2156] £45.00 (£54.00 incl.VAT)
A Parish chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 276 x 164mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2156] £45.00 (£54.00 incl.VAT)
To the Honourable Henry Guy of Tring-House Esq. this Plate of ye Mannor House is Humbly Dedicated by John Oliver. Pag. 593.
[London: Benjamin Griffin et al, 1700.]
Engraving, 17th century watermark. 290 x 330mm (11½ x 13"), very large margins.
The facade of Tring Manor House, home of Sir Henry Guy (1631-1710), a Groom of the Bedchamber and secretary of the Treasury in 1679. In 1669 Guy obtained a grant of the manor of Great Tring. He later commissioned Sir Christopher Wren to build a new house, now Tring Park Mansion, but in 1695 he was accused of funding the building work by taking bribes in the Treasury. He was arrested and was committed to the Tower of London. In 1702 he sold Tring. From Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62542] £130.00 (£156.00 incl.VAT)
[London: Benjamin Griffin et al, 1700.]
Engraving, 17th century watermark. 290 x 330mm (11½ x 13"), very large margins.
The facade of Tring Manor House, home of Sir Henry Guy (1631-1710), a Groom of the Bedchamber and secretary of the Treasury in 1679. In 1669 Guy obtained a grant of the manor of Great Tring. He later commissioned Sir Christopher Wren to build a new house, now Tring Park Mansion, but in 1695 he was accused of funding the building work by taking bribes in the Treasury. He was arrested and was committed to the Tower of London. In 1702 he sold Tring. From Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62542] £130.00 (£156.00 incl.VAT)
Sir Walter Raleigh's Conquest of the City of St Joseph in the Isle of Trinidad.
Engrav'd for the Universal Magazine 1750 for J. Hinton at the Kings Arms in St. Pauls Church Yard London.
Engraving. Plate: 195 x 220mm (7¾ x 8¾"). Trimmed and laid on album sheet. Some foxing towards the bottom. One vertical fold a quarter of the way from the left as normal.
St. Joseph, the capital of Spanish Trinidad, was attacked by Sir Walter Raleigh in 1595, during his expedition to find El Dorado. In the centre is the Spanish Governor, Antonio de Berrío, who was captured and interrogated for information about the location of the City of Gold. This scene was copied from Theodore De Bry's engraving in his 'Grand Voyages'.
[Ref: 52819] £120.00 (£144.00 incl.VAT)
Engrav'd for the Universal Magazine 1750 for J. Hinton at the Kings Arms in St. Pauls Church Yard London.
Engraving. Plate: 195 x 220mm (7¾ x 8¾"). Trimmed and laid on album sheet. Some foxing towards the bottom. One vertical fold a quarter of the way from the left as normal.
St. Joseph, the capital of Spanish Trinidad, was attacked by Sir Walter Raleigh in 1595, during his expedition to find El Dorado. In the centre is the Spanish Governor, Antonio de Berrío, who was captured and interrogated for information about the location of the City of Gold. This scene was copied from Theodore De Bry's engraving in his 'Grand Voyages'.
[Ref: 52819] £120.00 (£144.00 incl.VAT)
![Views of Trinidad. [&] List of Subscribers. H.E. Lord Harris, Governor. V. Admiral Earl of Dundonald. R.Rd.R.P. Smith, Archbishop. M.Monaghanm bishop of Roseau. V.Rd.G.Cummens, Archdeacon. The Chieg justice Knox. Captain Goldsmith (H.M.S. Wellesley)...](jpegs/23402.jpg)
Views of Trinidad. [&] List of Subscribers. H.E. Lord Harris, Governor. V. Admiral Earl of Dundonald. R.Rd.R.P. Smith, Archbishop. M.Monaghanm bishop of Roseau. V.Rd.G.Cummens, Archdeacon. The Chieg justice Knox. Captain Goldsmith (H.M.S. Wellesley)... W.P. Paull. J. Beding Frild. H. Rey. S. Wakefield. A. Cummings, Junior.
By M.J. Cazabon.
1851.
Two pages of letterpress, frontis & listing of 149 subscribers, very scarce. 335 x 490mm. 13¼ x 19¼". [&] 350 x 507mm. 13¾ x 20". Some foxing.
Michel-Jean Cazabon (b.1813 d.1888) was the son of Martiniquan parents who settled in Trinidad in the late eighteenth century and were part of the Free Coloured/Free Black society of the Naparimas around San Fernando. Cazabon was educated first in England and then in Paris where he studied art. According to family legend Cazabon was a student of Delaroche (b.1797 d.1856). More precisely we know that he was a student of Michel-Martin Drolling (b.1789 d.1851), Jean-Antoine-Theodore Gudin (b.1802 d.1880) and Antoine Leon Morel-Fatio (b.1810 d.1871). Gudin was a marine painter and it is likely that Cazabon learnt printing from Morel-Fatio. A student in Paris from the late 1830's to about 1848, Cazabon followed closely the philosophy of the French Landscape Movement. He returned to Trinidad in 1848 and in 1851 produced a series of eighteen lithographs Views of Trinidad. In 1857 he published a second series, Album of Trinidad, and in 1860 contributed to two other series, Views of Demerara and Album Martiniquaise. Cazabon's œuvre is extensive; his work shows a wide knowledge of media - oils, watercolours, gouache, gesso, etc. Although he was primarily a watercolourist and landscape artist, both his formal and informal portraits are highly valued, and his illustrations for the newspapers of the day, of important historic significance.
Ex: Parker Gallery.
[Ref: 23402] £380.00 view all images for this item
By M.J. Cazabon.
1851.
Two pages of letterpress, frontis & listing of 149 subscribers, very scarce. 335 x 490mm. 13¼ x 19¼". [&] 350 x 507mm. 13¾ x 20". Some foxing.
Michel-Jean Cazabon (b.1813 d.1888) was the son of Martiniquan parents who settled in Trinidad in the late eighteenth century and were part of the Free Coloured/Free Black society of the Naparimas around San Fernando. Cazabon was educated first in England and then in Paris where he studied art. According to family legend Cazabon was a student of Delaroche (b.1797 d.1856). More precisely we know that he was a student of Michel-Martin Drolling (b.1789 d.1851), Jean-Antoine-Theodore Gudin (b.1802 d.1880) and Antoine Leon Morel-Fatio (b.1810 d.1871). Gudin was a marine painter and it is likely that Cazabon learnt printing from Morel-Fatio. A student in Paris from the late 1830's to about 1848, Cazabon followed closely the philosophy of the French Landscape Movement. He returned to Trinidad in 1848 and in 1851 produced a series of eighteen lithographs Views of Trinidad. In 1857 he published a second series, Album of Trinidad, and in 1860 contributed to two other series, Views of Demerara and Album Martiniquaise. Cazabon's œuvre is extensive; his work shows a wide knowledge of media - oils, watercolours, gouache, gesso, etc. Although he was primarily a watercolourist and landscape artist, both his formal and informal portraits are highly valued, and his illustrations for the newspapers of the day, of important historic significance.
Ex: Parker Gallery.
[Ref: 23402] £380.00 view all images for this item
![[Trinidad] Government House, February 16th](jpegs/41216.jpg)
[Trinidad] Government House, February 16th
[1891]
Woodcut on pink paper, sheet 100 x 140mm (4 x 5½"). Glued to backing sheet.
Invitation to an event at the Governor's House on the island of Trinidad in 1898.
See also ref. 41217
[Ref: 41216] £65.00 (£78.00 incl.VAT)
[1891]
Woodcut on pink paper, sheet 100 x 140mm (4 x 5½"). Glued to backing sheet.
Invitation to an event at the Governor's House on the island of Trinidad in 1898.
See also ref. 41217
[Ref: 41216] £65.00 (£78.00 incl.VAT)
Trinity House. Plate 87.
Rowlandson & Pugin delt. et sculpt. Sutherland aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, J. Whatman 1808 watermark; plate 235 x 275mm (9¼ x 10¾"), with large margins.
Interior view of a meeting at Trinity House. The Corporation of Trinity House came into being in 1514 by Royal Charter granted by Henry VIII. Trinity House has three main functions; The care of all lighthouses in England, Wales, the Channel Islands and Gibraltar. Providing aids to navigation, e.g. lightvessels, lighthouses, buoys, radio navigation services etc. Serving as a charitable organisation for mariners; looking after their safety, welfare, training etc. The Masters of the Corporation of Trinity House have included the diarist Samuel Pepys and the Duke of Wellington, and Admiral William Penn (father of William Penn, founder of Pennsylvania). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.88
[Ref: 62748] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Sutherland aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, J. Whatman 1808 watermark; plate 235 x 275mm (9¼ x 10¾"), with large margins.
Interior view of a meeting at Trinity House. The Corporation of Trinity House came into being in 1514 by Royal Charter granted by Henry VIII. Trinity House has three main functions; The care of all lighthouses in England, Wales, the Channel Islands and Gibraltar. Providing aids to navigation, e.g. lightvessels, lighthouses, buoys, radio navigation services etc. Serving as a charitable organisation for mariners; looking after their safety, welfare, training etc. The Masters of the Corporation of Trinity House have included the diarist Samuel Pepys and the Duke of Wellington, and Admiral William Penn (father of William Penn, founder of Pennsylvania). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.88
[Ref: 62748] £130.00 (£156.00 incl.VAT)
A trip from Wareham to Uxbridge by Worcester - or many a Slip between the cup and the lip.
[by Charles Williams.]
Pub.d March 1822 by S.W. Fores 41 Picadilly.
Coloured etching. Sheet 245 x 340mm (9¾ x 13½"), watermarked 'J Whatman 1821'. Trimmed into printed border at top, within plate on the other three sides.
Lady Jane Paget, taking the Marquess of Worcester's arm, urges him along a country road signposted to Worcester Cathedral. She holds a paper titled 'Crazy Jane'. Behind a women (Miss Calcraft) weeps, exclaiming 'False! Perfidious! Decietfull Vi...'. Major Henry Somerset (1792-1853) later became the 7th Duke of Beaufort. He courted the daughter of John Calcraft, moved on to Jane Paget, daughter of Lord Anglesey, finally marrying Georgiana Frederica Fitzroy in 1814.
[Ref: 40603] £240.00 (£288.00 incl.VAT)
[by Charles Williams.]
Pub.d March 1822 by S.W. Fores 41 Picadilly.
Coloured etching. Sheet 245 x 340mm (9¾ x 13½"), watermarked 'J Whatman 1821'. Trimmed into printed border at top, within plate on the other three sides.
Lady Jane Paget, taking the Marquess of Worcester's arm, urges him along a country road signposted to Worcester Cathedral. She holds a paper titled 'Crazy Jane'. Behind a women (Miss Calcraft) weeps, exclaiming 'False! Perfidious! Decietfull Vi...'. Major Henry Somerset (1792-1853) later became the 7th Duke of Beaufort. He courted the daughter of John Calcraft, moved on to Jane Paget, daughter of Lord Anglesey, finally marrying Georgiana Frederica Fitzroy in 1814.
[Ref: 40603] £240.00 (£288.00 incl.VAT)
The Triple Compact or Brittannias ruin.
[Aug. 1762.]
Etching. 89 x 126mm. 3½ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. Britannia seated on a rock amongst thistles, her shield thrown down and her spear broken, she weeps for the loss of William Pitt. The Duc de Nivernois, French Ambassador Extraordinary, while in London concluding the Peace Paris stands with one hand on the should of Lord Bute, and the other on the shoulder of the Spanish envoy. The latter is attempting to retrieve what he has lost, referring to the capture of Havanna. A Dutchman in the corner calls over to Britannia declaring that she is not safe.
See BM Satires: 3889.
[Ref: 17564] £65.00 (£78.00 incl.VAT)
[Aug. 1762.]
Etching. 89 x 126mm. 3½ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. Britannia seated on a rock amongst thistles, her shield thrown down and her spear broken, she weeps for the loss of William Pitt. The Duc de Nivernois, French Ambassador Extraordinary, while in London concluding the Peace Paris stands with one hand on the should of Lord Bute, and the other on the shoulder of the Spanish envoy. The latter is attempting to retrieve what he has lost, referring to the capture of Havanna. A Dutchman in the corner calls over to Britannia declaring that she is not safe.
See BM Satires: 3889.
[Ref: 17564] £65.00 (£78.00 incl.VAT)
The Triple Plea. Let Mankind live in peace and love... 316.
[after John Collett.]
London: Publish'd as the Act directs, by Carington Bowles, N.º 69 S.t Pauls Ch. Yard [but probably Bowles & Carver, c.1800].
Coloured mezzotint. 150 x 110mm (6 x 4¼"), on wove paper with large margins.
A clergyman, lawyer and doctor debate which of them has caused more harm to mankind. On the walls are pictures of the Harpies feasting on a man, and a 'Wolf in Sheeps Clothing' .
BM Satires 3761 (larger version).
[Ref: 63340] £260.00 (£312.00 incl.VAT)
[after John Collett.]
London: Publish'd as the Act directs, by Carington Bowles, N.º 69 S.t Pauls Ch. Yard [but probably Bowles & Carver, c.1800].
Coloured mezzotint. 150 x 110mm (6 x 4¼"), on wove paper with large margins.
A clergyman, lawyer and doctor debate which of them has caused more harm to mankind. On the walls are pictures of the Harpies feasting on a man, and a 'Wolf in Sheeps Clothing' .
BM Satires 3761 (larger version).
[Ref: 63340] £260.00 (£312.00 incl.VAT)