A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[L'Histoire touchante.]](jpegs/68841.jpg)
[L'Histoire touchante.] Gravé fun Dessin de Rembrandt dans le Cabinet de Mons.r Dan: Neyman a Amsterdam.
WB [William Baillie] 1767.
Fine mezzotint with etching, 215 x 270mm (8½ x 10½"), with large margins. On 18th century watermarked paper. Torn in top right corner.
A young man by an unlit hearth uses a lamp to read from a small volume to an old man, who shielding his eyes with one hand. Behind a woman occupies herself with household work. Rembrandt's drawing, which probably depicts Tobias' son reading to his father, was sold from the collection of Henry Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845-1927) at Sotheby's, London, 25 March 1920, lot 57. The catalogue acknowledged Baillie's mezzotint. Captain William Baillie (1723 - 1810) retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Charington 24. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iv. See also [Ref: 68840].
[Ref: 68841] £220.00 (£264.00 incl.VAT)
WB [William Baillie] 1767.
Fine mezzotint with etching, 215 x 270mm (8½ x 10½"), with large margins. On 18th century watermarked paper. Torn in top right corner.
A young man by an unlit hearth uses a lamp to read from a small volume to an old man, who shielding his eyes with one hand. Behind a woman occupies herself with household work. Rembrandt's drawing, which probably depicts Tobias' son reading to his father, was sold from the collection of Henry Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845-1927) at Sotheby's, London, 25 March 1920, lot 57. The catalogue acknowledged Baillie's mezzotint. Captain William Baillie (1723 - 1810) retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Charington 24. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iv. See also [Ref: 68840].
[Ref: 68841] £220.00 (£264.00 incl.VAT)
L'Histoire touchante. Gravé fun Dessin de Rembrandt dans le Cabinet de Mons.r Dan: Neyman a Amsterdam.
WB [William Baillie] 1767.
Mezzotint. 215 x 270mm (8½ x 10½"). Small margins.
A young man by an unlit hearth uses a lamp to read from a small volume to an old man, who shielding his eyes with one hand. Behind a woman occupies herself with household work. Rembrandt's drawing, which probably depicts Tobias' son reading to his father, was sold from the collection of Henry Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845–1927) at Sotheby's, London, 25 March 1920, lot 57. The catalogue acknowledged Baillie's mezzotint. Captain William Baillie (1723 - 1810) retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
BM 1870,1008.918.
[Ref: 60801] £180.00 (£216.00 incl.VAT)
WB [William Baillie] 1767.
Mezzotint. 215 x 270mm (8½ x 10½"). Small margins.
A young man by an unlit hearth uses a lamp to read from a small volume to an old man, who shielding his eyes with one hand. Behind a woman occupies herself with household work. Rembrandt's drawing, which probably depicts Tobias' son reading to his father, was sold from the collection of Henry Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845–1927) at Sotheby's, London, 25 March 1920, lot 57. The catalogue acknowledged Baillie's mezzotint. Captain William Baillie (1723 - 1810) retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
BM 1870,1008.918.
[Ref: 60801] £180.00 (£216.00 incl.VAT)
![[Caricature of Napoleon at the Siege of Toulon.]](jpegs/55778.jpg)
[Caricature of Napoleon at the Siege of Toulon.]
[n.d., c.1800.]
Ink and watercolour. Sheet 110 x 205mm (4¼ x 8"). Trimmed to image, laid on album paper.
A caricatured scene of Napoleon firing a mortar, probably the Siege of Toulon in 1798, the engagement that first brought him to the attention of the nation.
[Ref: 55778] £160.00 (£192.00 incl.VAT)
[n.d., c.1800.]
Ink and watercolour. Sheet 110 x 205mm (4¼ x 8"). Trimmed to image, laid on album paper.
A caricatured scene of Napoleon firing a mortar, probably the Siege of Toulon in 1798, the engagement that first brought him to the attention of the nation.
[Ref: 55778] £160.00 (£192.00 incl.VAT)
Vue de Port de Toulon.
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Bichebois.
Arthus Bertrand éditeur. London Ackermann & C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 245 x 325mm (9¾ x 12¾") very large margins.
A view of the harbour of Toulon. Plate 1 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite', published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47196] £90.00 (£108.00 incl.VAT)
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Bichebois.
Arthus Bertrand éditeur. London Ackermann & C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 245 x 325mm (9¾ x 12¾") very large margins.
A view of the harbour of Toulon. Plate 1 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite', published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47196] £90.00 (£108.00 incl.VAT)
The French attacked Toulon by Land, when it was evacuated by the English Fleet, December 19th 1793.
Published 12th May 1794 by Laurie & Whittle 53 Fleet Street London.
Etching with hand-colouring with very large margins, platemark 180 x 280mm (7 x 11"). Tear in centre of image.
The Fall of Toulon in 1793, an early Republican victory over a Royalist rebellion. After the royalists called for aid, the British admiral Sir Samuel Hood committed British, Spanish, Piedmontese and Neapolitan troops to assist. Nonetheless, the republicans (including a young captain, Napoleon Bonaparte) defeated the allies after their captain, Charles O'Hara, was taken prisoner. Part of a set of battle scenes published by the popular printmakers Laurie & Whittle soon after the actions had taken place.
For O'Hara during the siege see ref. 31423; for Sir Samuel Hood, see ref. 1885 and 12186.
[Ref: 35941] £95.00 (£114.00 incl.VAT)
Published 12th May 1794 by Laurie & Whittle 53 Fleet Street London.
Etching with hand-colouring with very large margins, platemark 180 x 280mm (7 x 11"). Tear in centre of image.
The Fall of Toulon in 1793, an early Republican victory over a Royalist rebellion. After the royalists called for aid, the British admiral Sir Samuel Hood committed British, Spanish, Piedmontese and Neapolitan troops to assist. Nonetheless, the republicans (including a young captain, Napoleon Bonaparte) defeated the allies after their captain, Charles O'Hara, was taken prisoner. Part of a set of battle scenes published by the popular printmakers Laurie & Whittle soon after the actions had taken place.
For O'Hara during the siege see ref. 31423; for Sir Samuel Hood, see ref. 1885 and 12186.
[Ref: 35941] £95.00 (£114.00 incl.VAT)
Le Port vieux de Toulon. Vu du coté des Magasins aux Vivres.
Exit Par M.elle Godefreid. Peint par J. Vernet de l'Academie Royale de Peinture et Sculpture. C. N. Cochin filuis.
J.P. le Bas Sculpserunt 1762 A.P.D.R.
Hand coloured etching, 18th century printing. Sheet size: 550 x 730mm (21½ x 28¾"). Trimmed inside plate. Light surface damage to edges.
A view of the old harbour of Toulon, France. The busy port depicts a large number of figures in the foreground including traders and men leading cattle to the left. French naval ships are seen in the background, with smaller boats around the edges of the port. Plate 5 from a set of eighteen, form the series, 'Ports du Royaume. Ports de France.' These views of various ports of France are from a series of paintings by the French painter Joseph Vernet, executed between 1754 and 1765, commissioned by King Louis XV to promote the French navy. Upon completion, the total of fifteen paintings were exhibited in Paris in the Royal Academy's Painting and Sculpture Exhibition.
[Ref: 38438] £550.00
Exit Par M.elle Godefreid. Peint par J. Vernet de l'Academie Royale de Peinture et Sculpture. C. N. Cochin filuis.
J.P. le Bas Sculpserunt 1762 A.P.D.R.
Hand coloured etching, 18th century printing. Sheet size: 550 x 730mm (21½ x 28¾"). Trimmed inside plate. Light surface damage to edges.
A view of the old harbour of Toulon, France. The busy port depicts a large number of figures in the foreground including traders and men leading cattle to the left. French naval ships are seen in the background, with smaller boats around the edges of the port. Plate 5 from a set of eighteen, form the series, 'Ports du Royaume. Ports de France.' These views of various ports of France are from a series of paintings by the French painter Joseph Vernet, executed between 1754 and 1765, commissioned by King Louis XV to promote the French navy. Upon completion, the total of fifteen paintings were exhibited in Paris in the Royal Academy's Painting and Sculpture Exhibition.
[Ref: 38438] £550.00
Balaguier Point, Cape Sicie & Sablet, Eastward towards Cape Sepet, Toulon. Drawn on the Spot by Cap..t Knight R. N.
F. Jukes fecit.
London Pub;d as the Act directs March 31st 1794, by W. Faden Geographer to his Majesty Charing Cross, and by F. Jukes Engraver Howland Street.
Aquatint and etching, printed in blue and brown, with hand finishing. 275 x 390mm (10¾ x 15¼"). Crack in top platemark taped, slight mount burn.
A view of a warship at anchor in a bay, one of a series by a captain serving with the Royal Navy during the Girondin/Royalist revolt in Toulon, during which the city was handed to the British. After a three-month siege by the French (in which the young artillery officer Napoleon Bonaparte distinguished himself), the British left, taking 7,000 refugees, taking or destroying the ships of the French Mediterranean Fleet.
[Ref: 55438] £260.00 (£312.00 incl.VAT)
F. Jukes fecit.
London Pub;d as the Act directs March 31st 1794, by W. Faden Geographer to his Majesty Charing Cross, and by F. Jukes Engraver Howland Street.
Aquatint and etching, printed in blue and brown, with hand finishing. 275 x 390mm (10¾ x 15¼"). Crack in top platemark taped, slight mount burn.
A view of a warship at anchor in a bay, one of a series by a captain serving with the Royal Navy during the Girondin/Royalist revolt in Toulon, during which the city was handed to the British. After a three-month siege by the French (in which the young artillery officer Napoleon Bonaparte distinguished himself), the British left, taking 7,000 refugees, taking or destroying the ships of the French Mediterranean Fleet.
[Ref: 55438] £260.00 (£312.00 incl.VAT)
Buonaparte massacreing fifteen hundred persons at Toulon.
From a design by Mr. R. Ker Porter.
[n.d., c.1805.] Bit later.
Rare coloured etching. Sheet 225 x 290mm (8¾ x 11½"). Trimmed.
A propaganda piece showing the French Royalist civilians surrendering after the fall of Toulon in 1793 having cannons turned on them on the orders of Napoleon. In reality the victims were shot or bayoneted and Napoleon, who had been wounded, had already left the city to take up a new post. This print is a pirate copy, not particularly well executed, of a section of Porter's original aquatint, published by John Hatchard and John Ginger in 1803. It was published as a companion to 'Buonaparte massacreing three thousand eight hundred men at Jaffa'.
[Ref: 51698] £190.00 (£228.00 incl.VAT)
From a design by Mr. R. Ker Porter.
[n.d., c.1805.] Bit later.
Rare coloured etching. Sheet 225 x 290mm (8¾ x 11½"). Trimmed.
A propaganda piece showing the French Royalist civilians surrendering after the fall of Toulon in 1793 having cannons turned on them on the orders of Napoleon. In reality the victims were shot or bayoneted and Napoleon, who had been wounded, had already left the city to take up a new post. This print is a pirate copy, not particularly well executed, of a section of Porter's original aquatint, published by John Hatchard and John Ginger in 1803. It was published as a companion to 'Buonaparte massacreing three thousand eight hundred men at Jaffa'.
[Ref: 51698] £190.00 (£228.00 incl.VAT)
Destruction of the French Fleet at Toulon, Dec.r 18.th 1793
Painted by T. Whitcombe T. Sutherland sculp.t
Pub.d April 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
A fine coloured aquatint, platemark 215 x 305mm (8½ x 12"), with very large margins.
In 1793 French Republican forces suppressed a royalist rebellion in the city of Toulon (the royalists were assisted by British, Spanish, Neapolitan and Pedmontese troops). As the city fell, however, the British used firships to destroy the French Republican fleet, as shown here. Plate from James Jenkins, 'The Naval Achievements of Great Britain from the year 1793 to 1817' (1817).
[Ref: 46522] £230.00 (£276.00 incl.VAT)
Painted by T. Whitcombe T. Sutherland sculp.t
Pub.d April 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
A fine coloured aquatint, platemark 215 x 305mm (8½ x 12"), with very large margins.
In 1793 French Republican forces suppressed a royalist rebellion in the city of Toulon (the royalists were assisted by British, Spanish, Neapolitan and Pedmontese troops). As the city fell, however, the British used firships to destroy the French Republican fleet, as shown here. Plate from James Jenkins, 'The Naval Achievements of Great Britain from the year 1793 to 1817' (1817).
[Ref: 46522] £230.00 (£276.00 incl.VAT)
![[A Tour to Foreign Parts.]](jpegs/59108.jpg)
[A Tour to Foreign Parts.]
[After Henry W. Bunbury.][Engraved by Thomas Rowlandson.]
[n.d. c.1807.]
Watercolour with etching lines, sheet 240 x 310 mm (9½ x 12¼"). Laid on card. Some stains, creases and tears on edges.
A satire on Grand Tourists, in which a young English gentleman arrives with his tutor and servant to an inn in France and he is promptly welcomed by the innkeeper holding out a menu. Out of the window of the inn, a cook chases away three cats with long tails with a carving knife in hand. To the rear of the group, another cook prepares to butcher a cock.
[Ref: 59108] £360.00
[After Henry W. Bunbury.][Engraved by Thomas Rowlandson.]
[n.d. c.1807.]
Watercolour with etching lines, sheet 240 x 310 mm (9½ x 12¼"). Laid on card. Some stains, creases and tears on edges.
A satire on Grand Tourists, in which a young English gentleman arrives with his tutor and servant to an inn in France and he is promptly welcomed by the innkeeper holding out a menu. Out of the window of the inn, a cook chases away three cats with long tails with a carving knife in hand. To the rear of the group, another cook prepares to butcher a cock.
[Ref: 59108] £360.00
C.te Guy de la Tour-du-Pin.
d'Orsay fecit. Gore House 13. Aout 1845.
[London, Published by J. Mitchell, Royal Library, 33, Old Bond St. C. Graf, Lith. to Her Majesty.]
Lithograph on india paper, india 225 x 160mm. 8¾ x 6¼". Edges of the paper chipped with repaired tears, slight staining in the paper.
From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time. Many of the drawing are part of the Government Art Collection. Count Alfred d'Orsay was a fashionable icon of British high society for over 20 years. He was noted for being a very handsome man with talents in many fields (politics, literature, painting, design). Alfred d'Orsay was a good friend to famous poets, writers and politicians of the day. With his beloved Lady Blessington at his side, the two hosted the most fashionable salon of the time in Gore House (London). D'Orsay was a Frenchman who lived his life in England with his only love who, alas, was not his wife. Neither his marriage nor hers prevented the pair from living together.
[Ref: 22326] £50.00 (£60.00 incl.VAT)
d'Orsay fecit. Gore House 13. Aout 1845.
[London, Published by J. Mitchell, Royal Library, 33, Old Bond St. C. Graf, Lith. to Her Majesty.]
Lithograph on india paper, india 225 x 160mm. 8¾ x 6¼". Edges of the paper chipped with repaired tears, slight staining in the paper.
From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time. Many of the drawing are part of the Government Art Collection. Count Alfred d'Orsay was a fashionable icon of British high society for over 20 years. He was noted for being a very handsome man with talents in many fields (politics, literature, painting, design). Alfred d'Orsay was a good friend to famous poets, writers and politicians of the day. With his beloved Lady Blessington at his side, the two hosted the most fashionable salon of the time in Gore House (London). D'Orsay was a Frenchman who lived his life in England with his only love who, alas, was not his wife. Neither his marriage nor hers prevented the pair from living together.
[Ref: 22326] £50.00 (£60.00 incl.VAT)
La Tourilere Comedien.
Watteau de. Du Bosc Ex.
[n.d., c.1720.]
Etching, 304 x 227mm. Occasional stain spots. Pin hole centre of image.
A French comic actor, by Claude Dubosc (1682 - 1745), French engraver and dealer who in 1712 came with Charles Dupuis to England. Very scarce.
Not in the Harvard Theatre Collection. Ex: Collection of Alec Clunes.
[Ref: 7823] £330.00
Watteau de. Du Bosc Ex.
[n.d., c.1720.]
Etching, 304 x 227mm. Occasional stain spots. Pin hole centre of image.
A French comic actor, by Claude Dubosc (1682 - 1745), French engraver and dealer who in 1712 came with Charles Dupuis to England. Very scarce.
Not in the Harvard Theatre Collection. Ex: Collection of Alec Clunes.
[Ref: 7823] £330.00
![[A French tournament.]](jpegs/43478.jpg)
[A French tournament.]
Carré 1783.
Rare mezzotint. 340 x 700mm, with large margins. Folded for binding, one fold split to plate mark.
A medieval tournament, with a melée and a joust in process, in front of a pavilion flying the French Royal standard of the fleur-de-lys.
[Ref: 43478] £350.00
Carré 1783.
Rare mezzotint. 340 x 700mm, with large margins. Folded for binding, one fold split to plate mark.
A medieval tournament, with a melée and a joust in process, in front of a pavilion flying the French Royal standard of the fleur-de-lys.
[Ref: 43478] £350.00
The Siege of Tournay July ye 8.th 1709.
A. Benoist Inv. Cl. Du Bosc fe.
Publish'd according to Act of Parliament [by Claude du Bosc, 1735].
Engraving, 18th century watermark. 270 x 190mm (10½ x 7½"), with large margins.
A scene in the War of the Spanish Succession (1701-14), with the Duke of Marlborough, Prince Eugene of Savoy and their officers on horseback before a prospect of Tournay under bombardment. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64726] £140.00 (£168.00 incl.VAT)
A. Benoist Inv. Cl. Du Bosc fe.
Publish'd according to Act of Parliament [by Claude du Bosc, 1735].
Engraving, 18th century watermark. 270 x 190mm (10½ x 7½"), with large margins.
A scene in the War of the Spanish Succession (1701-14), with the Duke of Marlborough, Prince Eugene of Savoy and their officers on horseback before a prospect of Tournay under bombardment. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64726] £140.00 (£168.00 incl.VAT)
![[Street in Tours.]](jpegs/49183.jpg)
[Street in Tours.]
Frank Brangwyn. [signed in pencil.]
[n.d., c.1912.]
Etching. Plate: 280 x 225mm (11 x 9''), with very large margins.
A view of a street in the medieval centre of Tours in France. By Anglo-Welsh artist, painter and virtuoso engraver and illustrator Frank Brangwyn (1867-1956).
[Ref: 49183] £260.00 (£312.00 incl.VAT)
Frank Brangwyn. [signed in pencil.]
[n.d., c.1912.]
Etching. Plate: 280 x 225mm (11 x 9''), with very large margins.
A view of a street in the medieval centre of Tours in France. By Anglo-Welsh artist, painter and virtuoso engraver and illustrator Frank Brangwyn (1867-1956).
[Ref: 49183] £260.00 (£312.00 incl.VAT)
Ane. Hon.De Costentin Cte. De Tourville, Marechal, Vice-Amiral de France et general des Armees navales.
d'Apres sa Statue Sculptee par Mr.Houdon pour le Roi.
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 273 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2155] £60.00 (£72.00 incl.VAT)
d'Apres sa Statue Sculptee par Mr.Houdon pour le Roi.
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 273 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2155] £60.00 (£72.00 incl.VAT)
A View of the Tower, taken upon the Thames. No.15.
J.no Boydell Delin & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1751. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view down the Thames from the Tower to St Paul's; in foreground to left a group of boats anchored with masts, in the distance to the left a forest of masts, from behind which the dome of St Paul's can be seen, and Monument to the right. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.15.
[Ref: 29308] £450.00
J.no Boydell Delin & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1751. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view down the Thames from the Tower to St Paul's; in foreground to left a group of boats anchored with masts, in the distance to the left a forest of masts, from behind which the dome of St Paul's can be seen, and Monument to the right. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.15.
[Ref: 29308] £450.00
The Tower.
J. Farington R.A. del. J.C. Stadler Sculp.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Aquatint with fine hand colour. 215 x 320mm (8½ x 12½"). Trimmed within plate
A view of the Tower of London from the Thames, with a ship being towed by rowing boats. Plate 17 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints.
Abbey: 432.
[Ref: 53514] £260.00 (£312.00 incl.VAT)
J. Farington R.A. del. J.C. Stadler Sculp.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Aquatint with fine hand colour. 215 x 320mm (8½ x 12½"). Trimmed within plate
A view of the Tower of London from the Thames, with a ship being towed by rowing boats. Plate 17 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints.
Abbey: 432.
[Ref: 53514] £260.00 (£312.00 incl.VAT)
![[Tower Bridge.]](jpegs/23283.jpg)
[Tower Bridge.]
Dorothy Fulcher [pencil signature.]
[British, n.d., c.1910.]
Etching, signed artist's proof, with original label. Paper faintly age-toned, but a fine impression.
Tugboats and sailing barges pass underneath the iconic bridge over London's River Thames.
[Ref: 23283] £75.00 (£90.00 incl.VAT)
Dorothy Fulcher [pencil signature.]
[British, n.d., c.1910.]
Etching, signed artist's proof, with original label. Paper faintly age-toned, but a fine impression.
Tugboats and sailing barges pass underneath the iconic bridge over London's River Thames.
[Ref: 23283] £75.00 (£90.00 incl.VAT)
![[Tower Bridge & the Tower of London]](jpegs/2465.jpg)
[Tower Bridge & the Tower of London]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 220 x 370mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2465] £330.00
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 220 x 370mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2465] £330.00
![[Tower Bridge, London.]](jpegs/58160.jpg)
[Tower Bridge, London.]
P.RARE [etched in image]. Percy Robertson [signed in pencil].
[n.d., c.1920].
Etching, frame 365 x 440mm (14 x 17¼"). Unexamined out of frame.
A view from the Thames of Tower Bridge. Percy Robertson (1869-1934) was the son of the watercolourist Charles Robertson, RWS (1844-1891). He was born in Bellagio, Italy and studied at Charterhouse school in Surrey. He left Charterhouse in 1885 and achieved early success as an artist being elected at the age of nineteen an Associate Member of Royal Society of Painter-Etchers and Engravers and a Fellow in 1908. He was also a member and exhibitor at the Norfolk & Norwich Art Circle and at the Ipswich Art Club, 1895-1905. He exhibited widely including 33 works at the Royal Academy and 166 at the Royal Society of Etchers.
[Ref: 58160] £260.00 (£312.00 incl.VAT)
P.RARE [etched in image]. Percy Robertson [signed in pencil].
[n.d., c.1920].
Etching, frame 365 x 440mm (14 x 17¼"). Unexamined out of frame.
A view from the Thames of Tower Bridge. Percy Robertson (1869-1934) was the son of the watercolourist Charles Robertson, RWS (1844-1891). He was born in Bellagio, Italy and studied at Charterhouse school in Surrey. He left Charterhouse in 1885 and achieved early success as an artist being elected at the age of nineteen an Associate Member of Royal Society of Painter-Etchers and Engravers and a Fellow in 1908. He was also a member and exhibitor at the Norfolk & Norwich Art Circle and at the Ipswich Art Club, 1895-1905. He exhibited widely including 33 works at the Royal Academy and 166 at the Royal Society of Etchers.
[Ref: 58160] £260.00 (£312.00 incl.VAT)
![[Tower Bridge]](jpegs/706.jpg)
[Tower Bridge]
A.J.Bond. Signed in pencil
[n.d. c. 1930.]
Etching, 170 x 250mm.
Opened on 30 June 1894, Tower Bridge was built by and is owned and managed by the charity City Bridge Foundation - historically known as Bridge House Estates. By Arthur J F Bond. Born in Devonport in 1888, he moved to Twickenham, Barnes and Richmond and exhibited at the Royal Academy.
[Ref: 706] £260.00 (£312.00 incl.VAT)
A.J.Bond. Signed in pencil
[n.d. c. 1930.]
Etching, 170 x 250mm.
Opened on 30 June 1894, Tower Bridge was built by and is owned and managed by the charity City Bridge Foundation - historically known as Bridge House Estates. By Arthur J F Bond. Born in Devonport in 1888, he moved to Twickenham, Barnes and Richmond and exhibited at the Royal Academy.
[Ref: 706] £260.00 (£312.00 incl.VAT)
![[Tower Bridge] [No.8]](jpegs/62216.jpg)
[Tower Bridge] [No.8]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.]
Etching. 140 x 197mm. (5½ x 7 ¾"), with very large margins.
A View of Tower Bridge with Construction and a working Dock for the City in the background; traffic on the bridge and barges on the River Thames. Tower Bridge opened in June 1894.
[Ref: 62216] £160.00 (£192.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.]
Etching. 140 x 197mm. (5½ x 7 ¾"), with very large margins.
A View of Tower Bridge with Construction and a working Dock for the City in the background; traffic on the bridge and barges on the River Thames. Tower Bridge opened in June 1894.
[Ref: 62216] £160.00 (£192.00 incl.VAT)
![Tower Bridge [pencil].](jpegs/31772.jpg)
Tower Bridge [pencil].
Frank Harding [signed in pencil].
Etching with very large margins. 150 x 350mm (6 x 13�"), paper watermarked 1949. Glue stains on reverse at edge of margins.
Tower Bridge, with the drawbridge open for a steamer.
[Ref: 31772] £320.00
Frank Harding [signed in pencil].
Etching with very large margins. 150 x 350mm (6 x 13�"), paper watermarked 1949. Glue stains on reverse at edge of margins.
Tower Bridge, with the drawbridge open for a steamer.
[Ref: 31772] £320.00
The Tower Bridge.
Etched by O. Tolhurst.
[n.d. c.1880.]
Etching. 185 x 266mm (7¼ x 10½").
A view of a busy Tower Bridge with carts crossing; ships and small barges on the River Thames. Published for "The Art Journal".
[Ref: 30976] £130.00 (£156.00 incl.VAT)
Etched by O. Tolhurst.
[n.d. c.1880.]
Etching. 185 x 266mm (7¼ x 10½").
A view of a busy Tower Bridge with carts crossing; ships and small barges on the River Thames. Published for "The Art Journal".
[Ref: 30976] £130.00 (£156.00 incl.VAT)
A true representation of Tower-Hill as it Appear'd from a rais'd point of View on the North Side, Aug.t y.e 18.th 1746, when the Earl of Kilmarnock and the Lord Balmerino were Beheaded.
G. Budd pinx. P. C. Canot Sculp.
Published According to Act of Parliament 1747, Sold No.2 Maiden Lane, Cheapside [but c.1760.].
Etching with engraving. Sheet 380 x 605mm (15 x 23¾"). Trimmed within plate, cracked at fold, laid on card.
The executions of two of the leaders of the 1745 Jacobite Rebellion: Arthur Elphinstone (1688-1746), 6th Lord Balmerino; and William Boyd (1705-46), 4th Earl of Kilmarnock.
[Ref: 64294] £490.00
G. Budd pinx. P. C. Canot Sculp.
Published According to Act of Parliament 1747, Sold No.2 Maiden Lane, Cheapside [but c.1760.].
Etching with engraving. Sheet 380 x 605mm (15 x 23¾"). Trimmed within plate, cracked at fold, laid on card.
The executions of two of the leaders of the 1745 Jacobite Rebellion: Arthur Elphinstone (1688-1746), 6th Lord Balmerino; and William Boyd (1705-46), 4th Earl of Kilmarnock.
[Ref: 64294] £490.00
The Tower in a State of Siege. The Dreadful Riots of November 1830.
Printed by C. Motte, 23, Leicester Square.
[n.d. c.1830.]
Lithograph, unique with added comments in black ink. 290 x 368mm (11½ x 14½"). Fold in image. Time stained.
Starting on 5 November 1830, the middle classes began to petition parliament for reform. A mob, chiefly of women and children, assails the Tower, the outer battlements of which are defended by soldiers; the embrasures bristle with cannon, and the commander declares [in black] " 'We will never Surrender'. Clouds of smoke or dust divide these (small) figures and the White Tower from the mob in the foreground, who are unarmed except for the pea-shooters and wooden swords of little boys, and the chamber-pots of one or two women. A fat fellow with eggs shouts 'Nothing like Rotten Eggs'. A woman with two buckets says: 'Get your Squirts ready here . . . Stuff.' A man prepares to hurl the contents of a bucket, saying, 'here's some that will stick by you'. A child says: 'Here I come with plenty of Peas'. Others shout 'Peas' and 'More Peas'. A ragged man spits, saying, 'here is some of Wisharts best Shagg'. Other shouts are: 'Let the Women have plenty of Gin we shall do them'; 'We will make you Reform'; 'heres plenty of rotten Oranges for nothing'."
BM Satires 16319.
[Ref: 52313] £280.00 (£336.00 incl.VAT)
Printed by C. Motte, 23, Leicester Square.
[n.d. c.1830.]
Lithograph, unique with added comments in black ink. 290 x 368mm (11½ x 14½"). Fold in image. Time stained.
Starting on 5 November 1830, the middle classes began to petition parliament for reform. A mob, chiefly of women and children, assails the Tower, the outer battlements of which are defended by soldiers; the embrasures bristle with cannon, and the commander declares [in black] " 'We will never Surrender'. Clouds of smoke or dust divide these (small) figures and the White Tower from the mob in the foreground, who are unarmed except for the pea-shooters and wooden swords of little boys, and the chamber-pots of one or two women. A fat fellow with eggs shouts 'Nothing like Rotten Eggs'. A woman with two buckets says: 'Get your Squirts ready here . . . Stuff.' A man prepares to hurl the contents of a bucket, saying, 'here's some that will stick by you'. A child says: 'Here I come with plenty of Peas'. Others shout 'Peas' and 'More Peas'. A ragged man spits, saying, 'here is some of Wisharts best Shagg'. Other shouts are: 'Let the Women have plenty of Gin we shall do them'; 'We will make you Reform'; 'heres plenty of rotten Oranges for nothing'."
BM Satires 16319.
[Ref: 52313] £280.00 (£336.00 incl.VAT)
The Tower Macaroni. Pro Bono Publico.
Publish'd as the Act directs, Octr. 22 1772, by MDarly 39, Strand.
Etching, 175 x 125mm. 7 x 5".
A corpulent man holding a crooked walking stick, his hair in a long pig-tail. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.5' upper left and '1' upper right.
BM Satires: 4659.
[Ref: 14314] £160.00 (£192.00 incl.VAT)
Publish'd as the Act directs, Octr. 22 1772, by MDarly 39, Strand.
Etching, 175 x 125mm. 7 x 5".
A corpulent man holding a crooked walking stick, his hair in a long pig-tail. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.5' upper left and '1' upper right.
BM Satires: 4659.
[Ref: 14314] £160.00 (£192.00 incl.VAT)
![[Tower of Babel and the Confused Stock Jobbers.]](jpegs/48465.jpg)
[Tower of Babel and the Confused Stock Jobbers.] De Verwarde Actionisten Torenbouw Tot Babel.
[1720.]
Engraving, 18th century watermark. Plate: 360 x 400mm (14 x 16'') very large margins. Crease as normal.
A Dutch print satirising the stock share mania that followed the collapse of the South Sea Bubble. A group of merchants confusedly try to sell shares and do business at the base of the tower of Babel. Dutch text below the image in four columns.
BM Satire 1672.
[Ref: 48465] £260.00 (£312.00 incl.VAT)
[1720.]
Engraving, 18th century watermark. Plate: 360 x 400mm (14 x 16'') very large margins. Crease as normal.
A Dutch print satirising the stock share mania that followed the collapse of the South Sea Bubble. A group of merchants confusedly try to sell shares and do business at the base of the tower of Babel. Dutch text below the image in four columns.
BM Satire 1672.
[Ref: 48465] £260.00 (£312.00 incl.VAT)
View Of The Tower.
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Plate 230 x 280mm (9 x 11"), with large margins.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 58327] £230.00 (£276.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Plate 230 x 280mm (9 x 11"), with large margins.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 58327] £230.00 (£276.00 incl.VAT)
The Tower of London
[after Wenceslaus Hollar]
R.P. Fecit et ex. [in image lower right] Sold by P. Stent.
Etching, sheet 160 x 260mm (6¼ x 10¼"). Trimmed to plate; surface damage towards bottom; tipped into album sheet. Unidentified collector's stamp lower left.
View of the Tower of London from the river Thames, with Traitor's Gate in front; at wharf, two ships, pinnace-rigged, with sails reefed, one flying St George's cross at the mast-head and barrels of culverin ranged in a row; rowing boats with passengers in the foreground. Copy in reverse of a c.1647 plate by Wenceslaus Hollar (1607 - 1677).
For the print from which this is copied see ref.26454. Not in Lugt.
[Ref: 44227] £240.00 (£288.00 incl.VAT)
[after Wenceslaus Hollar]
R.P. Fecit et ex. [in image lower right] Sold by P. Stent.
Etching, sheet 160 x 260mm (6¼ x 10¼"). Trimmed to plate; surface damage towards bottom; tipped into album sheet. Unidentified collector's stamp lower left.
View of the Tower of London from the river Thames, with Traitor's Gate in front; at wharf, two ships, pinnace-rigged, with sails reefed, one flying St George's cross at the mast-head and barrels of culverin ranged in a row; rowing boats with passengers in the foreground. Copy in reverse of a c.1647 plate by Wenceslaus Hollar (1607 - 1677).
For the print from which this is copied see ref.26454. Not in Lugt.
[Ref: 44227] £240.00 (£288.00 incl.VAT)
A North West View of the Tower of London.
Engraving with very fine original hand colour. 180 x 280mm. (7¼ x 11"), with wide margins. Slight foxing marks.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 33780] £260.00 (£312.00 incl.VAT)
Engraving with very fine original hand colour. 180 x 280mm. (7¼ x 11"), with wide margins. Slight foxing marks.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 33780] £260.00 (£312.00 incl.VAT)
Tower of London
Signed in Pencil, Claude H. Rowbotham.
[n.d., c.1900.]
Etching and aquatint printed in colours, 205 x 155mm.
Painter in watercolour, of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originally came from the Bristol area. He used characteristically bright colours.
[Ref: 5192] £150.00 (£180.00 incl.VAT)
Signed in Pencil, Claude H. Rowbotham.
[n.d., c.1900.]
Etching and aquatint printed in colours, 205 x 155mm.
Painter in watercolour, of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originally came from the Bristol area. He used characteristically bright colours.
[Ref: 5192] £150.00 (£180.00 incl.VAT)
![[The Tower of London from the south bank of the Thames.]](jpegs/8631.jpg)
[The Tower of London from the south bank of the Thames.]
Fred A. Farrell [signed in pencil lower right.] ['faf' monogram scratched in reverse in plate lower left.]
[n.d. c.1925]
Etching. 160 x 270mm. 6¼ x 10½".
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 8631] £330.00
Fred A. Farrell [signed in pencil lower right.] ['faf' monogram scratched in reverse in plate lower left.]
[n.d. c.1925]
Etching. 160 x 270mm. 6¼ x 10½".
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 8631] £330.00
View Of The Tower.
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 280mm. 9 x 11". Slight offsetting.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 9867] £230.00 (£276.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 280mm. 9 x 11". Slight offsetting.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 9867] £230.00 (£276.00 incl.VAT)
![[London. The Tower of London From the Thames. No.4.]](jpegs/62219.jpg)
[London. The Tower of London From the Thames. No.4.]
Arthur Spencer [pencil signature.]
[n.d. c.1920.]
Etching, plate 140 x 195mm (5½ x 7¾"), with very large margins, with accompanying descriptive letterpress label with title (as above).
The most famous view of the Tower of London.
[Ref: 62219] £140.00 (£168.00 incl.VAT)
Arthur Spencer [pencil signature.]
[n.d. c.1920.]
Etching, plate 140 x 195mm (5½ x 7¾"), with very large margins, with accompanying descriptive letterpress label with title (as above).
The most famous view of the Tower of London.
[Ref: 62219] £140.00 (£168.00 incl.VAT)
![Tower of London [pencil, lower left.]](jpegs/10688.jpg)
Tower of London [pencil, lower left.]
WMurray [signed in pencil lower right.]
[n.d., c.1930s.]
Etching, 155 x 205mm. 6 x 8". Some mount staining.
The Tower of London, a tug boat towing a barge passing on the Thames in the foreground. By W. Murray.
[Ref: 10688] £120.00 (£144.00 incl.VAT)
WMurray [signed in pencil lower right.]
[n.d., c.1930s.]
Etching, 155 x 205mm. 6 x 8". Some mount staining.
The Tower of London, a tug boat towing a barge passing on the Thames in the foreground. By W. Murray.
[Ref: 10688] £120.00 (£144.00 incl.VAT)
![The Tower of London [in pencil].](jpegs/62604.jpg)
The Tower of London [in pencil].
Dorothy F Sweet [in penicl]
[n.d. c.1925]
Etching signed by the artist, 165 x 255mm (6½ x 10"), with very large margins. Slight mountburn.
A view of the Tower of London from the Thames.
[Ref: 62604] £140.00 (£168.00 incl.VAT)
Dorothy F Sweet [in penicl]
[n.d. c.1925]
Etching signed by the artist, 165 x 255mm (6½ x 10"), with very large margins. Slight mountburn.
A view of the Tower of London from the Thames.
[Ref: 62604] £140.00 (£168.00 incl.VAT)
A North West View of the Tower of London. Vuë du coté de Nord-Ouest de la Tour de Londres.
J. Maurer Delin.
London Printed for Bowles & Carver, 69 St Paul's Church Yard, R. Wilkinson, 58 Cornhill & Laurie & Whittle, 53 Fleet Street. [n.d., c.1800.]
Engraving with fine hand colour. 260 x 400mm (10¼ x 16"), with large margins.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 64325] £320.00
J. Maurer Delin.
London Printed for Bowles & Carver, 69 St Paul's Church Yard, R. Wilkinson, 58 Cornhill & Laurie & Whittle, 53 Fleet Street. [n.d., c.1800.]
Engraving with fine hand colour. 260 x 400mm (10¼ x 16"), with large margins.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 64325] £320.00
The Tower of London, Commanded in Chief by the R.t Hon.ble Robert L.d Lucas. La Tour de Londres. 5.
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1730.]
Engraving. 350 x 475mm (13¾ x 18¾"). Central fold as issued. Small margins.
View of the Tower of London from the river; boats in the foreground. This state has Smith's publication line removed.
[Ref: 62519] £360.00
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1730.]
Engraving. 350 x 475mm (13¾ x 18¾"). Central fold as issued. Small margins.
View of the Tower of London from the river; boats in the foreground. This state has Smith's publication line removed.
[Ref: 62519] £360.00
The Tower and Mint from Great Tower Hill.
T.S. Boys Del et Lith,
[London: T.S. Boys, 1841.]
Coloured tinted lithograph. Sheet 240 x 470mm (9½ x 18½"). Faint mount burn.
View of the north side of the Tower of London, by Thomas Shotter Boys (1803-74) for his 'London As It Is'. The artist has shown himself sketching in the foreground.
[Ref: 57341] £480.00
T.S. Boys Del et Lith,
[London: T.S. Boys, 1841.]
Coloured tinted lithograph. Sheet 240 x 470mm (9½ x 18½"). Faint mount burn.
View of the north side of the Tower of London, by Thomas Shotter Boys (1803-74) for his 'London As It Is'. The artist has shown himself sketching in the foreground.
[Ref: 57341] £480.00
The Great Court Of The Tower. Plate 78.
Published May 22.nd 1799, by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the north east front of the White Tower, from the Great Court, the Tower partly obscured by a large tree in foreground to right, a woman and child below tree, elegantly dressed figures on the left; illustration to Malton's 'Picturesque Tour'.
[Ref: 59008] £240.00 (£288.00 incl.VAT)
Published May 22.nd 1799, by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½").
View of the north east front of the White Tower, from the Great Court, the Tower partly obscured by a large tree in foreground to right, a woman and child below tree, elegantly dressed figures on the left; illustration to Malton's 'Picturesque Tour'.
[Ref: 59008] £240.00 (£288.00 incl.VAT)
![The Tower of London [pencil].](jpegs/49216.jpg)
The Tower of London [pencil]. Just Published. Original Etching by Florence Page (Limited Edition).
Florence Page [pencil signature.]
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint etching. 140 x 100mm (5½ x 4") very large margins. In original mount with printed label with publisher's logo of a black bell with ABC in white. Mint.
The Tower of London from the Thames, barges in the foreground. Florence W. Page (1889-1969), a painter and etcher of architectural etchings, exhibited once at the Royal Academy.
[Ref: 49216] £65.00 (£78.00 incl.VAT)
Florence Page [pencil signature.]
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint etching. 140 x 100mm (5½ x 4") very large margins. In original mount with printed label with publisher's logo of a black bell with ABC in white. Mint.
The Tower of London from the Thames, barges in the foreground. Florence W. Page (1889-1969), a painter and etcher of architectural etchings, exhibited once at the Royal Academy.
[Ref: 49216] £65.00 (£78.00 incl.VAT)
The Tower of London, Commanded in Chief by the R.t Hon.ble Robert L.d Lucas. La Tour de Londres. 5.
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. 350 x 475mm (13¾ x 18¾"). Fold down centre as published. Creasing.
View of the Tower of London from the river; boats in the foreground.
[Ref: 26396] £320.00
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. 350 x 475mm (13¾ x 18¾"). Fold down centre as published. Creasing.
View of the Tower of London from the river; boats in the foreground.
[Ref: 26396] £320.00
![[Tower of London.]](jpegs/26389.jpg)
[Tower of London.]
W.L. Wyllie. [pencil]/
[n.d. c.1920.]
Etching, signed in pencil. Plate 202 x 252mm. 8 x 10".
A view across a busy River Thames, with various steam barges and rowing vessels, towards the Tower of London. William L. Wyllie (1851-1931) was born on July 5th 1851, in London. He attended Heatherley's art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870's Wyllie became an illustrator for the Graphic and also held several exhibitions at the galleries of the Fine Art Society. In 1889 he was elected an associate of the Royal Academy, where he exhibited his work in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line. He also served in the Royal Navy during WWI, painting seascapes and coastal landscapes. His etchings and watercolours showing working life on the Thames and the Medway brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
[Ref: 26389] £650.00
W.L. Wyllie. [pencil]/
[n.d. c.1920.]
Etching, signed in pencil. Plate 202 x 252mm. 8 x 10".
A view across a busy River Thames, with various steam barges and rowing vessels, towards the Tower of London. William L. Wyllie (1851-1931) was born on July 5th 1851, in London. He attended Heatherley's art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870's Wyllie became an illustrator for the Graphic and also held several exhibitions at the galleries of the Fine Art Society. In 1889 he was elected an associate of the Royal Academy, where he exhibited his work in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line. He also served in the Royal Navy during WWI, painting seascapes and coastal landscapes. His etchings and watercolours showing working life on the Thames and the Medway brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
[Ref: 26389] £650.00
View of The Tower of London and The Mint. Vue de la Tour de Londres et de La Monnoie.
Drawn & Engraved by Rob.t Havell & Son.
London, Published June 1821 by Mess.rs Colnaghi & Co, Cockspur Street.
Aquatint with hand colour. 285 x 375mm (11¼ x 14¾") with large margins. Slightly faded colour.
A view of the Tower of London from Tower Hill.
[Ref: 54214] £320.00
Drawn & Engraved by Rob.t Havell & Son.
London, Published June 1821 by Mess.rs Colnaghi & Co, Cockspur Street.
Aquatint with hand colour. 285 x 375mm (11¼ x 14¾") with large margins. Slightly faded colour.
A view of the Tower of London from Tower Hill.
[Ref: 54214] £320.00
![[Tower of London] Castrum Royale Londinense, vulgo the Tower.](jpegs/26454.jpg)
[Tower of London] Castrum Royale Londinense, vulgo the Tower.
[W. Hollar.]
[British, late impression, n.d., c.1810.]
Etching on thick wove paper, 145 x 260mm. 5¾ x 10¼". Wide margins.
View of the Tower of London from the river Thames, with Traitor's Gate in front; at wharf, two ships, pinnace-rigged, with sails reefed, one flying St George's cross at the mast-head and barrels of culverin ranged in a row; rowing boats with passengers in the foreground. Numbered '8' lower right. A reissue or copy of the c. 1647 plate by Wenceslaus Hollar (1607 - 1677).
See Pennington 908, ii.
[Ref: 26454] £130.00 (£156.00 incl.VAT)
[W. Hollar.]
[British, late impression, n.d., c.1810.]
Etching on thick wove paper, 145 x 260mm. 5¾ x 10¼". Wide margins.
View of the Tower of London from the river Thames, with Traitor's Gate in front; at wharf, two ships, pinnace-rigged, with sails reefed, one flying St George's cross at the mast-head and barrels of culverin ranged in a row; rowing boats with passengers in the foreground. Numbered '8' lower right. A reissue or copy of the c. 1647 plate by Wenceslaus Hollar (1607 - 1677).
See Pennington 908, ii.
[Ref: 26454] £130.00 (£156.00 incl.VAT)
![The Tower of London [in pencil to the left.] (A Royal Salute).](jpegs/22719.jpg)
The Tower of London [in pencil to the left.] (A Royal Salute).
Rowland Langmaid [pencil signature to the right.]
[n.d. c.1930.]
Original drypoint etching with pencil signature, edition limited to 100 Signed Impressions. No other State.] Plate 127 x 248mm. 5 x 9¾".
A view of the Tower of London, with barges in the foreground on the River Thames. By Rowland Langmaid (1897-1956), the marine painter and etcher who studied under William Lionel Wylie. He joined the Royal Navy in 1910 went to sea at the beginning of the First World War, during which he made a series of sketches for landings. After the war he studied at the Royal Academy School and the Royal College of Art, and later returned to the Active List in 1939 in the rank of Lieutenant Commander and served as official Admiralty artist to the Commander-in-Chief Mediterranean Fleet from 1941 to 1943.
[Ref: 22719] £330.00
Rowland Langmaid [pencil signature to the right.]
[n.d. c.1930.]
Original drypoint etching with pencil signature, edition limited to 100 Signed Impressions. No other State.] Plate 127 x 248mm. 5 x 9¾".
A view of the Tower of London, with barges in the foreground on the River Thames. By Rowland Langmaid (1897-1956), the marine painter and etcher who studied under William Lionel Wylie. He joined the Royal Navy in 1910 went to sea at the beginning of the First World War, during which he made a series of sketches for landings. After the war he studied at the Royal Academy School and the Royal College of Art, and later returned to the Active List in 1939 in the rank of Lieutenant Commander and served as official Admiralty artist to the Commander-in-Chief Mediterranean Fleet from 1941 to 1943.
[Ref: 22719] £330.00
![Tower of London. [pencil.]](jpegs/22753.jpg)
Tower of London. [pencil.]
Frank Harding. [pencil signature.]
[n.d. c.1930.]
Drypoint etching signed and titled in pencil. 165 x 202mm (6½ x 8"); large margins.
The Tower of London from Tower Bridge with bardges on the River Thames; a lone rower on the northside of the Thames.
[Ref: 22753] £280.00 (£336.00 incl.VAT)
Frank Harding. [pencil signature.]
[n.d. c.1930.]
Drypoint etching signed and titled in pencil. 165 x 202mm (6½ x 8"); large margins.
The Tower of London from Tower Bridge with bardges on the River Thames; a lone rower on the northside of the Thames.
[Ref: 22753] £280.00 (£336.00 incl.VAT)
A North West View of the Tower of London. Vuë du coté de Nord-Ouest de la Tour de Londres.
J. Maurer Delin.
London Printed for & sold by T. Bowles in St Pauls Church Yard, John Bowles & Son in Cornhill, Rob.t Sayer in Fleet Street, and Henry Overton without Newgate.
Engraving, 18th century watermarked paper. 260 x 400mm (10¼ x 16"). An exceptional example, on thick paper with very large margins.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 37772] £450.00
J. Maurer Delin.
London Printed for & sold by T. Bowles in St Pauls Church Yard, John Bowles & Son in Cornhill, Rob.t Sayer in Fleet Street, and Henry Overton without Newgate.
Engraving, 18th century watermarked paper. 260 x 400mm (10¼ x 16"). An exceptional example, on thick paper with very large margins.
A view of the Tower of London, looking towards the Thames, so showing the moat and defences, after John Maurer (fl.1713 - c.1761).
[Ref: 37772] £450.00