A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Venus and Adonis. From the Original Picture by Nicholas Poussin, in the Collection of M.r. Reynolds. Size of the Picture, 2. F. 5 ½ by 3. F. 3 in Length.
Nic: Poussin pinxit. R. Earlom fecit.
John Boydell excud.t. 1766.
Mezzotint with engraving. Plate: 500 x 420mm, (19¾ x 16½"). Very large margins. Some foxing in margins.
A fine image Venus and Adonis lie sleeping in an embrace while cherubs play with bows and arrows and catch a hare. Based on Ovid's story in Metamorphoses, Book 10 which tells of how Venus took the young Adonis as her lover and tries to persuade him not to hunt fearing for his safety, Adonis however, ignores her warning and is killed by a boar. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38265] £350.00
Nic: Poussin pinxit. R. Earlom fecit.
John Boydell excud.t. 1766.
Mezzotint with engraving. Plate: 500 x 420mm, (19¾ x 16½"). Very large margins. Some foxing in margins.
A fine image Venus and Adonis lie sleeping in an embrace while cherubs play with bows and arrows and catch a hare. Based on Ovid's story in Metamorphoses, Book 10 which tells of how Venus took the young Adonis as her lover and tries to persuade him not to hunt fearing for his safety, Adonis however, ignores her warning and is killed by a boar. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38265] £350.00
Venus Presenting Armour to Aeneas.
Printed for Carington Bowles, Map & Printseller, at No. 69 in St. Pauls Church Yard, London. [n.d., c,1770].
Rare mezzotint. Platemark: 345 x 250mm. (13½ x 9¾"). Some light stains and marks in large margins. Small stain in left middle of the print.
Venus appearing in a chariot drawn by cupids among clouds, addressing Aeneas who stands in a forest, pointing to left at a suit of armour piled against a tree. They are both watched by a river God reclining at the edge of the scene on the right. After Italian baroque artist Pietro Testa.
[Ref: 29119] £320.00
Printed for Carington Bowles, Map & Printseller, at No. 69 in St. Pauls Church Yard, London. [n.d., c,1770].
Rare mezzotint. Platemark: 345 x 250mm. (13½ x 9¾"). Some light stains and marks in large margins. Small stain in left middle of the print.
Venus appearing in a chariot drawn by cupids among clouds, addressing Aeneas who stands in a forest, pointing to left at a suit of armour piled against a tree. They are both watched by a river God reclining at the edge of the scene on the right. After Italian baroque artist Pietro Testa.
[Ref: 29119] £320.00
Venus and cupid.
Wells del. et sculp.t.
Published by W.m Wells, 20 July 1779 No. 132 Fleet Street
Rare stipple printed in sepia, platemark 100 x 85mm (4 x 3¼"), with very large margins.
[Ref: 45152] £180.00 (£216.00 incl.VAT)
Wells del. et sculp.t.
Published by W.m Wells, 20 July 1779 No. 132 Fleet Street
Rare stipple printed in sepia, platemark 100 x 85mm (4 x 3¼"), with very large margins.
[Ref: 45152] £180.00 (£216.00 incl.VAT)
C'East a Vous a quy jen Veux.
Diacre a paris 1717 Avec privilege du Roy Rue des Boucheris Faubourg S.t Germain.
Engraving. 95 x 110mm (3¾ x 4¼"). Trimmed into plate.
A portrait of Venus and Cupid, who holds up a tiny dart.
[Ref: 66187] £140.00 (£168.00 incl.VAT)
Diacre a paris 1717 Avec privilege du Roy Rue des Boucheris Faubourg S.t Germain.
Engraving. 95 x 110mm (3¾ x 4¼"). Trimmed into plate.
A portrait of Venus and Cupid, who holds up a tiny dart.
[Ref: 66187] £140.00 (£168.00 incl.VAT)
L'Amour Veut Menchesner.
Diacre a paris 1717 Avec privilege du Roy Rue des Boucheris Faubourg S.t Germain.
Engraving. 95 x 110mm (3¾ x 4¼"). Mounted on album paper at corners.
A portrait of Venus and Cupid with garlands of flowers.
[Ref: 66188] £140.00 (£168.00 incl.VAT)
Diacre a paris 1717 Avec privilege du Roy Rue des Boucheris Faubourg S.t Germain.
Engraving. 95 x 110mm (3¾ x 4¼"). Mounted on album paper at corners.
A portrait of Venus and Cupid with garlands of flowers.
[Ref: 66188] £140.00 (£168.00 incl.VAT)
![[Venus and Cupid.]](jpegs/53326.jpg)
[Venus and Cupid.]
[Engraved by Francesco Bartolozzi after Guercino.]
[London: John Boydell, 1780.]
Crayon-manner stipple, printed in brown, 18th century watermark. 185 x 255mm (7¼ x 10"), with large margins.
A half-length composition, with Venus holding one arrow and Cupid's quiver while he reaches to draw another arrow from it. Engraved from a red chalk in the Royal Collection, which was probably an early sketch for the painting in Apsley House, home of the Duke of Wellington.
De Vesme 2196.
[Ref: 53326] £320.00
[Engraved by Francesco Bartolozzi after Guercino.]
[London: John Boydell, 1780.]
Crayon-manner stipple, printed in brown, 18th century watermark. 185 x 255mm (7¼ x 10"), with large margins.
A half-length composition, with Venus holding one arrow and Cupid's quiver while he reaches to draw another arrow from it. Engraved from a red chalk in the Royal Collection, which was probably an early sketch for the painting in Apsley House, home of the Duke of Wellington.
De Vesme 2196.
[Ref: 53326] £320.00
![[Venus and Cupids.]](jpegs/58584.jpg)
[Venus and Cupids.]
[after Richard Westall R.A.]
[n.d., c.1840.]
Steel engraving, proof before letters, printed on chine collé. 190 x 245mm (7½ x 9½"), with large margins.
Venus, half-naked, reclining in a bower with two cherubs, one of whom draws a bow. A copy of a stipple engraved by Robert Mitchell Meadows (BM 1934,0113.5).
[Ref: 58584] £160.00 (£192.00 incl.VAT)
[after Richard Westall R.A.]
[n.d., c.1840.]
Steel engraving, proof before letters, printed on chine collé. 190 x 245mm (7½ x 9½"), with large margins.
Venus, half-naked, reclining in a bower with two cherubs, one of whom draws a bow. A copy of a stipple engraved by Robert Mitchell Meadows (BM 1934,0113.5).
[Ref: 58584] £160.00 (£192.00 incl.VAT)
Venus and Her Doves.
Painted by R. Westall. Engraved by E. Scriven, Historical Engraver to H.R.H. the Princess of Wales.
Published January 2.d 1804 by Clay & Scriven, No. 18 Ludgate Hill London.
Coloured aquatint, printed in colours. 420 x 490mm (16½ x 19¼").
A very decorative image. Venus reclining in a bower, with doves at her feet. Cupid flying towards her, firing an arrow behind him.
[Ref: 66136] £390.00
Painted by R. Westall. Engraved by E. Scriven, Historical Engraver to H.R.H. the Princess of Wales.
Published January 2.d 1804 by Clay & Scriven, No. 18 Ludgate Hill London.
Coloured aquatint, printed in colours. 420 x 490mm (16½ x 19¼").
A very decorative image. Venus reclining in a bower, with doves at her feet. Cupid flying towards her, firing an arrow behind him.
[Ref: 66136] £390.00
Venus Presenting the Cestus to Juno.
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torre N.o 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins. A little spottting mostly in margins.
Venus places a belt around Juno. Cupid flying in the air behind Venus, holding two arrows and a torch; on the right, a dove and two cupids in a cart, one holding a floral garland; on the left, a peacock..
De Vesme 496. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60294] £350.00
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torre N.o 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins. A little spottting mostly in margins.
Venus places a belt around Juno. Cupid flying in the air behind Venus, holding two arrows and a torch; on the right, a dove and two cupids in a cart, one holding a floral garland; on the left, a peacock..
De Vesme 496. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60294] £350.00
![Venus. [&] Léda.](jpegs/20405.jpg)
Venus. [&] Léda.
R. Cosway R.A. delin.t J. Condé sculp.t [&] J Condé del.t et sculp.t
Publish'd Aug.t 1st. 1792 by I. Condé & Colnaghi & Co. Pall Mall.
A pair of stipples in brown ink. Plate 266 x 216mm. 10½ x 8½". Faint creases top left and faint staining bottom right (both)
Venus nude in the water, kicking her leg in the air as she embraces two swans at either side of her. [&] Leda kneeling in rushes beside water with her arms over the backs of two swans at either side of her.
Daniell: 190 [Leda].
[Ref: 20405] £720.00 view all images for this item
R. Cosway R.A. delin.t J. Condé sculp.t [&] J Condé del.t et sculp.t
Publish'd Aug.t 1st. 1792 by I. Condé & Colnaghi & Co. Pall Mall.
A pair of stipples in brown ink. Plate 266 x 216mm. 10½ x 8½". Faint creases top left and faint staining bottom right (both)
Venus nude in the water, kicking her leg in the air as she embraces two swans at either side of her. [&] Leda kneeling in rushes beside water with her arms over the backs of two swans at either side of her.
Daniell: 190 [Leda].
[Ref: 20405] £720.00 view all images for this item
The Power of Beauty. From the Original Picture of the same Size, Painted by Filippo Lauri, In the Collection of his Grace the Duke of Montagu; To whom this plate is most Humbly Dedicated by his Grace's most Obliged and most Obedient Humble servant John Boydell. No. 42.
Filippo Lauri Pinx.t. R. Earlom delin.t. Will.m Walker Sculpsit.
Published by J. Boydell Engraver, in Cheapside London, Nov.r 24th. 1767.
Fine engraving. 410 x 510mm (16 x 20"), with large margins.
Venus reclining under a tree pointing at a satyr who kneels, gazing infatuated at her, as Cupid binds its hands behind it. A flying putto pulls on the satyr's beard, grasping an arrow, ready to strike. After Filippo Lauri (1623 - 1694). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 53471] £390.00
Filippo Lauri Pinx.t. R. Earlom delin.t. Will.m Walker Sculpsit.
Published by J. Boydell Engraver, in Cheapside London, Nov.r 24th. 1767.
Fine engraving. 410 x 510mm (16 x 20"), with large margins.
Venus reclining under a tree pointing at a satyr who kneels, gazing infatuated at her, as Cupid binds its hands behind it. A flying putto pulls on the satyr's beard, grasping an arrow, ready to strike. After Filippo Lauri (1623 - 1694). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 53471] £390.00
Venus applying to Jupiter for the destruction of Telemachus. While Mentor guards the youth from Beauty's snares, [/] Th'affronted Goddess for revenges prepares. [/] When Venus pleased, ev'n Jove can ill refuse, [/] And yields reluctant to Minerva's views.
[Published by John Hinton 1779.]
Engraving. Sheet: 120 x 205mm (4¾ x 8"). Trimmed in lower edge. Some damage to upper margin.
Frontispiece to 'The Universal Magazine of of Knowledge and Pleasure...' Vol LXIV January 1779. Illustrating a excerpt from the Odyssey in which Venus, angered at Telemachus' search for his father Odysseus asks Jupiter for permission to kill him. Venus surrounded by putti stands before Jupiter, who is sat upon a throne of clouds, while other gods look on.
[Ref: 36037] £60.00 (£72.00 incl.VAT)
[Published by John Hinton 1779.]
Engraving. Sheet: 120 x 205mm (4¾ x 8"). Trimmed in lower edge. Some damage to upper margin.
Frontispiece to 'The Universal Magazine of of Knowledge and Pleasure...' Vol LXIV January 1779. Illustrating a excerpt from the Odyssey in which Venus, angered at Telemachus' search for his father Odysseus asks Jupiter for permission to kill him. Venus surrounded by putti stands before Jupiter, who is sat upon a throne of clouds, while other gods look on.
[Ref: 36037] £60.00 (£72.00 incl.VAT)
Venus Endormie. Gravé d'apres un Tableau Original de Francois Le Moine.
F. Le Moine pinx.t. F. Aliamet sculp.t.
Se vend à Londres chez T. Major dans St Martin's Lane. Publish'd according to Act of Parliament 1761.
Engraving. 380 x 430mm (15 x 17"), large margins. Repaired tear in margin, some creasing and spotting.
A naked Venus, asleep with her back to the viewer. The English publisher, Thomas Major (1720-99), worked in Paris between 1745 and 1749 and made contacts in the Paris print trade that allowed him to acquire French plates like this.
[Ref: 50090] £380.00
F. Le Moine pinx.t. F. Aliamet sculp.t.
Se vend à Londres chez T. Major dans St Martin's Lane. Publish'd according to Act of Parliament 1761.
Engraving. 380 x 430mm (15 x 17"), large margins. Repaired tear in margin, some creasing and spotting.
A naked Venus, asleep with her back to the viewer. The English publisher, Thomas Major (1720-99), worked in Paris between 1745 and 1749 and made contacts in the Paris print trade that allowed him to acquire French plates like this.
[Ref: 50090] £380.00
Venus blinding Cupid. From a Painting of Titian in the Borghese Palace at Rome.
R. Strange Romæ delin.t. A.o 1761, atque A.o 1769. Ære incidit Londini.
[London: Robert Strange, 1790.]
Engraving. 400 x 490mm (15¾ x 19¼") large margins. Foxing in margins.
Venus tying a blindfold over Cupid's eyes, as two nymphs bring Cupid's bow and arrows, watched by Cupid's gloating sibling. The painting was sketched by Robert Strange in Florence in 1761, engraved by him in London in 1769 and published in a collected edition of his engravings.
[Ref: 46543] £360.00
R. Strange Romæ delin.t. A.o 1761, atque A.o 1769. Ære incidit Londini.
[London: Robert Strange, 1790.]
Engraving. 400 x 490mm (15¾ x 19¼") large margins. Foxing in margins.
Venus tying a blindfold over Cupid's eyes, as two nymphs bring Cupid's bow and arrows, watched by Cupid's gloating sibling. The painting was sketched by Robert Strange in Florence in 1761, engraved by him in London in 1769 and published in a collected edition of his engravings.
[Ref: 46543] £360.00
Venus Chiding Cupid.
Sir Joshua Reynolds pinxt. F. Bartolozzi fecit.
Publish'd as the Act directs, by A. Poggi, No.7. St. George's Row, Oxford Turnpike, Janry. 1st. 1784.
Stipple printed in brown ink, sheet 360 x 275mm. 14¼ x 10¾". Trimmed to plate; extremities slightly tatty.
Venus reclining on a cloud holding up an arrow in her right hand; Cupid stands holding an inscribed scroll wiping away a tear from his cheek with the back of his left hand. A grinning putto lies behind Venus holding another arrow upwards provocatively.
De Vesme: 494, IV of V. Hamilton p.159.
[Ref: 21195] £280.00 (£336.00 incl.VAT)
Sir Joshua Reynolds pinxt. F. Bartolozzi fecit.
Publish'd as the Act directs, by A. Poggi, No.7. St. George's Row, Oxford Turnpike, Janry. 1st. 1784.
Stipple printed in brown ink, sheet 360 x 275mm. 14¼ x 10¾". Trimmed to plate; extremities slightly tatty.
Venus reclining on a cloud holding up an arrow in her right hand; Cupid stands holding an inscribed scroll wiping away a tear from his cheek with the back of his left hand. A grinning putto lies behind Venus holding another arrow upwards provocatively.
De Vesme: 494, IV of V. Hamilton p.159.
[Ref: 21195] £280.00 (£336.00 incl.VAT)
Venus Crown'd by Cupid.
Angelica Kauffman del.t. Rob.t Marcaurd sculp.t.
London Published Jan.y 1.st 1784 by Geo. Durand No. 3 Catherine Street Strand, & John Harris Sweeting's Alley Cornhill.
Fine stipple, printed in reddish-brown. 270 x 285mm (10½ x 11¼"). Thread margins.
Cupid crowns a reclining Venus with a wreath. A pair with 'Cupid and Psyche'.
Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60305] £450.00
Angelica Kauffman del.t. Rob.t Marcaurd sculp.t.
London Published Jan.y 1.st 1784 by Geo. Durand No. 3 Catherine Street Strand, & John Harris Sweeting's Alley Cornhill.
Fine stipple, printed in reddish-brown. 270 x 285mm (10½ x 11¼"). Thread margins.
Cupid crowns a reclining Venus with a wreath. A pair with 'Cupid and Psyche'.
Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60305] £450.00
Venus Instructing Cupid. Melt to Love the yielding Fair / Teach her not to give dispair. / Anacron.
Design'd by Kirk. Engraved by A. O[***}
London, Published March 10. 1801, by A.C. de Poggi, No 91, New Bond Street.
Fine stipple, printed in brown. Sheet 285 x 225mm (11¼ x 8¾"). Trimmed losing parts of inscriptions, including engraver's name.
A circular stipple.
[Ref: 54210] £230.00 (£276.00 incl.VAT)
Design'd by Kirk. Engraved by A. O[***}
London, Published March 10. 1801, by A.C. de Poggi, No 91, New Bond Street.
Fine stipple, printed in brown. Sheet 285 x 225mm (11¼ x 8¾"). Trimmed losing parts of inscriptions, including engraver's name.
A circular stipple.
[Ref: 54210] £230.00 (£276.00 incl.VAT)
Venus Instructing Cupid and Psyche.
Engrav'd by PWTomkins Engr to Her Majesty.
London: Published Oct.r 26. 1799, by P. Sintzenich, No.5, Charles Street, Middlesex Hospital.
Stipple. Plate 260 x 305mm. 10¼ x 12". Slight creasing. Large margins.
Venus sat on a stool with two winged cherubims, Cupid and Psyche. Under the stool lie her bow and arrows; to the far right are two doves in love.
[Ref: 23200] £140.00 (£168.00 incl.VAT)
Engrav'd by PWTomkins Engr to Her Majesty.
London: Published Oct.r 26. 1799, by P. Sintzenich, No.5, Charles Street, Middlesex Hospital.
Stipple. Plate 260 x 305mm. 10¼ x 12". Slight creasing. Large margins.
Venus sat on a stool with two winged cherubims, Cupid and Psyche. Under the stool lie her bow and arrows; to the far right are two doves in love.
[Ref: 23200] £140.00 (£168.00 incl.VAT)
The Venus of Toterdown-hill.
Harding Pinxt. Ogborne Sculpt.
London Pub.d January 2d 1783 by Thos. Macklin No 39 Fleet Street.
Stipple, printed in sanguine. 240 x 180mm. Paper lightly toned.
The 'n' of 'Venus' is reversed.
From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 2990] £240.00 (£288.00 incl.VAT)
Harding Pinxt. Ogborne Sculpt.
London Pub.d January 2d 1783 by Thos. Macklin No 39 Fleet Street.
Stipple, printed in sanguine. 240 x 180mm. Paper lightly toned.
The 'n' of 'Venus' is reversed.
From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 2990] £240.00 (£288.00 incl.VAT)
![[Venus Presenting the Cestus to Juno.]](jpegs/20431.jpg)
[Venus Presenting the Cestus to Juno.]
G.B. Cipriani Inv.t F. Bartolozzi Sculp.t
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torres No.44 Market Lane.
A rare stipple and etching, very decorative. Plate 203 x 229mm. 8 x 9". Cut to plate along left-hand edge, margins on 3 sides.
Venus and Juno, half-naked; Cupid flying in the air behind Venus, holding two arrows and a torch; on the right, a dove and two cupids in a cart, one holding a floral garland; on the left, a peacock.
De Vesme: 496; iii/iv.
[Ref: 20431] £280.00 (£336.00 incl.VAT)
G.B. Cipriani Inv.t F. Bartolozzi Sculp.t
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torres No.44 Market Lane.
A rare stipple and etching, very decorative. Plate 203 x 229mm. 8 x 9". Cut to plate along left-hand edge, margins on 3 sides.
Venus and Juno, half-naked; Cupid flying in the air behind Venus, holding two arrows and a torch; on the right, a dove and two cupids in a cart, one holding a floral garland; on the left, a peacock.
De Vesme: 496; iii/iv.
[Ref: 20431] £280.00 (£336.00 incl.VAT)
Venus Sleeping. In the Cabinet at Houghton. The same size as the pciture.
Annibal Carraci Pinxit. F. Bartolozzi sculpsit. John Boydell excudit 1785.
Publish'd Sept.r 1.st 1785. by John Boydell, Engraver, in Cheapside, London.
Stipple, printed in brown. 295 x 380mm (11½ x 15¼"). Trimmed to plate, laid on card.
A rare stipple, with Venus lying naked on a drapery, arm over her head. Plate 65 from 'The Houghton Gallery', one of the many paintings from the collection that were sold to Catherine the Great and are now in the Hermitage.
[Ref: 45254] £280.00 (£336.00 incl.VAT)
Annibal Carraci Pinxit. F. Bartolozzi sculpsit. John Boydell excudit 1785.
Publish'd Sept.r 1.st 1785. by John Boydell, Engraver, in Cheapside, London.
Stipple, printed in brown. 295 x 380mm (11½ x 15¼"). Trimmed to plate, laid on card.
A rare stipple, with Venus lying naked on a drapery, arm over her head. Plate 65 from 'The Houghton Gallery', one of the many paintings from the collection that were sold to Catherine the Great and are now in the Hermitage.
[Ref: 45254] £280.00 (£336.00 incl.VAT)
Venus, Cupid and Satyr. From the Original Picture painted by Luca Giordano, In the Collection of his Grace the Duke of Devonshire; To whom this plate is Dedicated, by his Grace's most Obliged, and most Obedient servant John Boydell.
Luca Giordano Pinx.t. R. Earlom delin.t. J. Boydell excudit 1767. F. Bartolozzi Sculpsit.
Published Nov.r 24th. 1767. by J. Boydell, Engraver in Cheapside, London.
Engraving. 405 x 510mm (16 x 20"), with very large margins
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. Elaborate crest featuring stags and putti below image. Numbered 'No.43.' lower left, with dimensions of the original painting, by Luca Giordano (1634 - 1705). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38309] £390.00
Luca Giordano Pinx.t. R. Earlom delin.t. J. Boydell excudit 1767. F. Bartolozzi Sculpsit.
Published Nov.r 24th. 1767. by J. Boydell, Engraver in Cheapside, London.
Engraving. 405 x 510mm (16 x 20"), with very large margins
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. Elaborate crest featuring stags and putti below image. Numbered 'No.43.' lower left, with dimensions of the original painting, by Luca Giordano (1634 - 1705). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38309] £390.00
Venus, Cupid, and Satyr. Who this can view yet feel no kindling fire; [...]
[after Luca Giordano]
London Printed for Rob.t Sayer, No 53 Fleet Street [n.d., c.1780.]
Rare mezzotint. 255 x 355m (10 x 14"), very large margins. Slight central crease.
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. An engraved version of this painting, by (1634-1705), appeared in John Boydell's 'The Most Capital Paintings in England'.
[Ref: 56392] £360.00
[after Luca Giordano]
London Printed for Rob.t Sayer, No 53 Fleet Street [n.d., c.1780.]
Rare mezzotint. 255 x 355m (10 x 14"), very large margins. Slight central crease.
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. An engraved version of this painting, by (1634-1705), appeared in John Boydell's 'The Most Capital Paintings in England'.
[Ref: 56392] £360.00
[Venus, Cupid and Satyr. From the Original Picture painted by Luca Giordano, In the Collection of his Grace the Duke of Devonshire; To whom this plate is Dedicated, by his Grace's most Obliged, and most Obedient servant John Boydell.]
Luca Giordano Pinxit. R. Earlom delin.t. J. Boydell excudit 1767. F. Bartolozzi Sculpsit.
Engraving, scratched letter proof before title. Sheet 405 x 510mm (16 x 20"). Trimmed to plate, some surface wear in inscription area.
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. An elaborate crest under the image features stags and putti. Engraved by Francesco Bartolozzi from a preparatory drawing by Richard Earlom of a painting by Luca Giordano (1634 - 1705), and published as part of the series 'The Most Capital Paintings in England', Boydell's first major initiative as a publisher of fine engravings.
[Ref: 51826] £260.00 (£312.00 incl.VAT)
Luca Giordano Pinxit. R. Earlom delin.t. J. Boydell excudit 1767. F. Bartolozzi Sculpsit.
Engraving, scratched letter proof before title. Sheet 405 x 510mm (16 x 20"). Trimmed to plate, some surface wear in inscription area.
Venus, reclining on a couch, embraces the infant Cupid, with a maid to left and a satyr leaning in over the pillows to right. An elaborate crest under the image features stags and putti. Engraved by Francesco Bartolozzi from a preparatory drawing by Richard Earlom of a painting by Luca Giordano (1634 - 1705), and published as part of the series 'The Most Capital Paintings in England', Boydell's first major initiative as a publisher of fine engravings.
[Ref: 51826] £260.00 (£312.00 incl.VAT)
Vera Cruiz.
W.S. Andrews, del. T.G.Dutton, lith.
Day & Son, Lith.rs to the Queen. [London, c.1860.]
Tinted lithograph, sheet 270 x 370mm. 10½ x 14½".
Ships entering the harbour of Veracruz, a major port city on the Gulf of Mexico in the Mexican state of Veracruz. From 'Andrews's Illustrations of the West Indies'.
[Ref: 17737] £230.00 (£276.00 incl.VAT)
W.S. Andrews, del. T.G.Dutton, lith.
Day & Son, Lith.rs to the Queen. [London, c.1860.]
Tinted lithograph, sheet 270 x 370mm. 10½ x 14½".
Ships entering the harbour of Veracruz, a major port city on the Gulf of Mexico in the Mexican state of Veracruz. From 'Andrews's Illustrations of the West Indies'.
[Ref: 17737] £230.00 (£276.00 incl.VAT)
South Side of Veracruz, from the Castle of San Juan de Ulua.
Drawn on the Spot by W. Bullock Junr. 1823. I. Clark sc.
Published by I. [John] Murray, London, 1825.
Aquatint and etching, folding plate to William Bullock's 'Six Months’ Residence and Travels in Mexico'. Sheet 160 x 215mm. 6¼ x 8½".
A prospect of Veracruz, a major port city on the Gulf of Mexico; sailing boats in foreground. William Bullock (c.1773 - 1849), traveller, naturalist, and antiquarian, established the London Museum, also known as the Egyptian Hall or Museum, or Bullock's Museum, at 22 Piccadilly in 1812. His book is an interesting account of a journey in Mexico, illustrated with topographical views and images of indigenous Mexicans. Upon his return to England from an 1822 trip to the country, he advertised an exhibition on Mexico at the Museum. The exhibition catalogue was titled 'Catalogue of the Exhibition, called Modern Mexico; containing a panoramic view of the city, with specimens of the natural history of New Spain ... Now open for public inspection at the Egyptian Hall, Piccadilly.'
Abbey Travel: 666, 2. See British Library 1050.k.16. For the book see ref: 13338.
[Ref: 26722] £120.00 (£144.00 incl.VAT)
Drawn on the Spot by W. Bullock Junr. 1823. I. Clark sc.
Published by I. [John] Murray, London, 1825.
Aquatint and etching, folding plate to William Bullock's 'Six Months’ Residence and Travels in Mexico'. Sheet 160 x 215mm. 6¼ x 8½".
A prospect of Veracruz, a major port city on the Gulf of Mexico; sailing boats in foreground. William Bullock (c.1773 - 1849), traveller, naturalist, and antiquarian, established the London Museum, also known as the Egyptian Hall or Museum, or Bullock's Museum, at 22 Piccadilly in 1812. His book is an interesting account of a journey in Mexico, illustrated with topographical views and images of indigenous Mexicans. Upon his return to England from an 1822 trip to the country, he advertised an exhibition on Mexico at the Museum. The exhibition catalogue was titled 'Catalogue of the Exhibition, called Modern Mexico; containing a panoramic view of the city, with specimens of the natural history of New Spain ... Now open for public inspection at the Egyptian Hall, Piccadilly.'
Abbey Travel: 666, 2. See British Library 1050.k.16. For the book see ref: 13338.
[Ref: 26722] £120.00 (£144.00 incl.VAT)
Giuseppe Verdi.
[Ferdinand Mulnier.] Maclure, Macdonald & Co. Engravers, Glasgow.
[n.d., c.1870.]
Photogravure. Platemark: 280 x 210mm (11 x 8¼").
A portrait of Italian Romantic composer Giuseppe Fortunino Francesco Verdi (1813 - 1901). Verdi is considered, with Richard Wagner, the leading opera composer of the 19th century.Verdi dominated the Italian opera scene after the eras of Bellini, Donizetti and Rossini. After an image by French photographer Ferdinand Mulnier (1817-91). Maclure, Macdonald & Co. were, in Victorian times, 'Ornamental Printers to the Queen'. They invented a power-driven lithographic printing press in 1853.
[Ref: 37002] £140.00 (£168.00 incl.VAT)
[Ferdinand Mulnier.] Maclure, Macdonald & Co. Engravers, Glasgow.
[n.d., c.1870.]
Photogravure. Platemark: 280 x 210mm (11 x 8¼").
A portrait of Italian Romantic composer Giuseppe Fortunino Francesco Verdi (1813 - 1901). Verdi is considered, with Richard Wagner, the leading opera composer of the 19th century.Verdi dominated the Italian opera scene after the eras of Bellini, Donizetti and Rossini. After an image by French photographer Ferdinand Mulnier (1817-91). Maclure, Macdonald & Co. were, in Victorian times, 'Ornamental Printers to the Queen'. They invented a power-driven lithographic printing press in 1853.
[Ref: 37002] £140.00 (£168.00 incl.VAT)
Verdi.
[par C. Deblois]
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 150mm (9½ x 6"). Slight offsetting.
Portrait of Giuseppe Fortunino Francesco Verdi (1813 - 1901), Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi.
[Ref: 63249] £80.00 (£96.00 incl.VAT)
[par C. Deblois]
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 150mm (9½ x 6"). Slight offsetting.
Portrait of Giuseppe Fortunino Francesco Verdi (1813 - 1901), Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi.
[Ref: 63249] £80.00 (£96.00 incl.VAT)
Verdi.
Camille Gilbert del. Abel Lauret sculp.
L'Art. Imp. A. Salmon. [n.d., c.1860.]
Engraving. Plate: 315 x 250mm (12¼ x 9¾"), with very large margins.
A bust-length portrait of Italian opera composer Giuseppe Verdi (1813-1901) set within an oval, framed with a decorative border listing his most famous operas.
[Ref: 46703] £220.00 (£264.00 incl.VAT)
Camille Gilbert del. Abel Lauret sculp.
L'Art. Imp. A. Salmon. [n.d., c.1860.]
Engraving. Plate: 315 x 250mm (12¼ x 9¾"), with very large margins.
A bust-length portrait of Italian opera composer Giuseppe Verdi (1813-1901) set within an oval, framed with a decorative border listing his most famous operas.
[Ref: 46703] £220.00 (£264.00 incl.VAT)
Sr Francis Veer Colonel et Gouverneur Oostende.
[The Hague: Aert Meuris, n.d., 1621.]
Etching with engraving. 165 x 120mm (6½ x 4¾"). Tipped onto album paper on right margins.
A head and shoulders portrait of Elizabethan Sir Francis Vere (c.1560-1609), fighting in the Netherlands during both the Anglo-Spanish War This print, celebrating his successful defence of Ostend in 1601, comes from Phillipe Fleming's 'Oostende Vermaerde, gheweldighe, lanckduyrighe, ende Bloedighe Belegheringhe...'
[Ref: 65797] £65.00 (£78.00 incl.VAT)
[The Hague: Aert Meuris, n.d., 1621.]
Etching with engraving. 165 x 120mm (6½ x 4¾"). Tipped onto album paper on right margins.
A head and shoulders portrait of Elizabethan Sir Francis Vere (c.1560-1609), fighting in the Netherlands during both the Anglo-Spanish War This print, celebrating his successful defence of Ostend in 1601, comes from Phillipe Fleming's 'Oostende Vermaerde, gheweldighe, lanckduyrighe, ende Bloedighe Belegheringhe...'
[Ref: 65797] £65.00 (£78.00 incl.VAT)
![[Memorial tomb of Sir Francis Vere in Westminster Abbey]](jpegs/37630.jpg)
[Memorial tomb of Sir Francis Vere in Westminster Abbey] Francisco Vero, Equiti Attrato, Galfredi F Ioannis Comitis Oxoniae Nepoti, Brieliae et Portsmuthae Praefecto [...]
R. Gaywood fecit Loni 1657
Etching, sheet 235 x 300mm (9¼ x 11¾"). Trimmed inside platemark and glued to album sheet at corners; 18th century print of Edward I's tomb verso. Rare.
The tomb of Sir Francis Vere (1560-1609) in the chapel of St John the Evangelist in Westminster Abbey, where his brother Horace is also buried. An army officer and diplomat, Vere is shown in civilian dress lying under a slab on which his suit of armour is laid out. The monument has been attributed to the sculptor Maximilian Colt. The Latin inscription below is probably the same as that on the tomb. Francis was one of the greatest soldiers serving under Elizabeth I and distinguished himself at the Battle of Nieuwpoort (1600) and during the defence of Ostend against the Spanish. He married Elizabeth, daughter of John Dent of London. His reputation was also enhanced by his 'Commentaries', the memoirs of his campaigns which were published posthumously.
[Ref: 37630] £140.00 (£168.00 incl.VAT)
R. Gaywood fecit Loni 1657
Etching, sheet 235 x 300mm (9¼ x 11¾"). Trimmed inside platemark and glued to album sheet at corners; 18th century print of Edward I's tomb verso. Rare.
The tomb of Sir Francis Vere (1560-1609) in the chapel of St John the Evangelist in Westminster Abbey, where his brother Horace is also buried. An army officer and diplomat, Vere is shown in civilian dress lying under a slab on which his suit of armour is laid out. The monument has been attributed to the sculptor Maximilian Colt. The Latin inscription below is probably the same as that on the tomb. Francis was one of the greatest soldiers serving under Elizabeth I and distinguished himself at the Battle of Nieuwpoort (1600) and during the defence of Ostend against the Spanish. He married Elizabeth, daughter of John Dent of London. His reputation was also enhanced by his 'Commentaries', the memoirs of his campaigns which were published posthumously.
[Ref: 37630] £140.00 (£168.00 incl.VAT)
Horatius Veer, Eques Aurat, Pot: Jacobi, Mag: Brit: etc: Regis Capitan: Gener: et Inferioris Elect: Palatinatus General: etc: Hic Equitum Splendos generosus Horatius ille Veer, ferus haud, verus sed mage Martis honos. Quem colit Anglus, amat quem Belga, Herous habetur; Stirpe diu Vireat nobiliore potens.
Eb: Kieser exc: D.M.C.B.
Engraving. Plate 184 x 127mm. 7¼ x 5".
Horace Vere, 1st Baron Vere of Tilbury (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. In 1620, James I sent him to the Palatine.
[Ref: 18396] £95.00 (£114.00 incl.VAT)
Eb: Kieser exc: D.M.C.B.
Engraving. Plate 184 x 127mm. 7¼ x 5".
Horace Vere, 1st Baron Vere of Tilbury (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. In 1620, James I sent him to the Palatine.
[Ref: 18396] £95.00 (£114.00 incl.VAT)
Sr. Horace Vere since Baron of Tilbury.
[Sc. Faithorne.]
[n.d. c.1660.]
Copper engraving. 202 x 140mm. 8 x 5½". Cut.
Horace Vere (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. He was sent to the Palatinate by James I in 1620.
See NPG: D22970. BM: 1847,0318.126. Fagan Page 65 only state.
[Ref: 16765] £130.00 (£156.00 incl.VAT)
[Sc. Faithorne.]
[n.d. c.1660.]
Copper engraving. 202 x 140mm. 8 x 5½". Cut.
Horace Vere (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. He was sent to the Palatinate by James I in 1620.
See NPG: D22970. BM: 1847,0318.126. Fagan Page 65 only state.
[Ref: 16765] £130.00 (£156.00 incl.VAT)
![[Still life of flowers in a vase.]](jpegs/66061.jpg)
[Still life of flowers in a vase.]
[after Simon Verelst.]
[London: John Lloyd, c.1690.]
Rare mezzotint. Sheet 215 x 170mm (8½ x 6¾"). Trimmed to plate on three sides, into plate at bottom, losing inscription space.
A flower arrangement in a glass vase, with four butterflies and apricots and cherries on the table.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66061] £180.00 (£216.00 incl.VAT)
[after Simon Verelst.]
[London: John Lloyd, c.1690.]
Rare mezzotint. Sheet 215 x 170mm (8½ x 6¾"). Trimmed to plate on three sides, into plate at bottom, losing inscription space.
A flower arrangement in a glass vase, with four butterflies and apricots and cherries on the table.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66061] £180.00 (£216.00 incl.VAT)
Philip Verheyen Secretiora Naturae mysteria Temporis auxilio detegit Anatomia
P. Devel Sculp Brux [1710]
Engraving, platemark 165 x 125mm (6½ x 5"); very large margins.
Philip Verheyen (1648-1710), Flemish surgeon and anatomist. Frontispiece to the second (1710) edition of Verheyen's most celebrated work, 'Corporis Humanae Anatomiae', published posthumously by his widow.
W: 3047 not in.
[Ref: 41233] £130.00 (£156.00 incl.VAT)
P. Devel Sculp Brux [1710]
Engraving, platemark 165 x 125mm (6½ x 5"); very large margins.
Philip Verheyen (1648-1710), Flemish surgeon and anatomist. Frontispiece to the second (1710) edition of Verheyen's most celebrated work, 'Corporis Humanae Anatomiae', published posthumously by his widow.
W: 3047 not in.
[Ref: 41233] £130.00 (£156.00 incl.VAT)
![[Verité.]](jpegs/63227.jpg)
[Verité.]
Ch. Eisen inv. E. De Ghendt Sculp.
[n.d., c.1800.]
Engraving. 115 x 85mm (4½ x 3½"), very large margins. Foxing near bottom of margin.
Portrait of a nude woman, holding a book and large quill. The woman may be Veritas is the name given to the Roman virtue of truthfulness, which was considered one of the main virtues any good Roman should possess.
[Ref: 63227] £75.00 (£90.00 incl.VAT)
Ch. Eisen inv. E. De Ghendt Sculp.
[n.d., c.1800.]
Engraving. 115 x 85mm (4½ x 3½"), very large margins. Foxing near bottom of margin.
Portrait of a nude woman, holding a book and large quill. The woman may be Veritas is the name given to the Roman virtue of truthfulness, which was considered one of the main virtues any good Roman should possess.
[Ref: 63227] £75.00 (£90.00 incl.VAT)
As Sour as Verjuice.
Drawn by ME Engraved by G. Hunt
London Published by Tho.s McLean 26 Haymarket 1827
Hand-coloured etching with aquatint, sheet 360 x 205mm (14 x 8"). Cut and tipped into backing sheet. With possible printers crease.
Man in a restaurant rings its service bell, knocking over a candle in the process, seemingly in response to the sourness of his wine. 'As sour as verjuice [vinegar]' was a common simile, for instance "he looked at me as sour as verjuice" (Thomas Dekker, 'The Shoemaker's Holiday', 1600). After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signed as 'Esq'.
Hickman p.72. State II of II. BM Satires undescribed.
[Ref: 56521] £190.00 (£228.00 incl.VAT)
Drawn by ME Engraved by G. Hunt
London Published by Tho.s McLean 26 Haymarket 1827
Hand-coloured etching with aquatint, sheet 360 x 205mm (14 x 8"). Cut and tipped into backing sheet. With possible printers crease.
Man in a restaurant rings its service bell, knocking over a candle in the process, seemingly in response to the sourness of his wine. 'As sour as verjuice [vinegar]' was a common simile, for instance "he looked at me as sour as verjuice" (Thomas Dekker, 'The Shoemaker's Holiday', 1600). After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signed as 'Esq'.
Hickman p.72. State II of II. BM Satires undescribed.
[Ref: 56521] £190.00 (£228.00 incl.VAT)
Nikolass Verkolje. Geboren te Delft, 11 April, 1673. Overleden te Amsterd. 21 January, 1746. Verkolje, alom beroemd door de eelste kunsttafreelen, Die Stichter van Pictuurs bekoorlykste eertrofeen. Boeit, als aan deze print, ons oog aan zyn panneelen, En streelt, ja steelt het hart van ieder Protogeen. Wien zich de Tyber, Seine en Teems ten voorbeeld Stellen, Onze Amstel ziet in hem een Fenix der Apellen. S. Feitama.
Seipsum pinxit Ao.1713. J. Houbraken sculpsit Ao.1753.
Engraving and etching, fine. 205 x 145mm (8 x 5¾").
Nikolaas Verkolje (1673-1746) was a Dutch Golden Age painter and mezzotint maker, and was good friends with Houbraken. Houbraken intended to write a biographical sketch of Nikolaas but he died before publication.
[Ref: 26057] £120.00 (£144.00 incl.VAT)
Seipsum pinxit Ao.1713. J. Houbraken sculpsit Ao.1753.
Engraving and etching, fine. 205 x 145mm (8 x 5¾").
Nikolaas Verkolje (1673-1746) was a Dutch Golden Age painter and mezzotint maker, and was good friends with Houbraken. Houbraken intended to write a biographical sketch of Nikolaas but he died before publication.
[Ref: 26057] £120.00 (£144.00 incl.VAT)
Ioanni Maio, Pictori. Obijt Bruxelles 1559, aetat 59. ad D. Gaugerici conditus. 15.
I.H.W.
[n.d. c.1600.]
Engraving. 164 x 121mm (6½ x 4¾"). Trimmed.
Jan Cornelisz Vermeyen, or Jan Mayo (c.1500-1559), the Dutch Northern Renaissance painter who was honoured for his career in the service of Charles V. Around 1525 he became court painter to Margaret of Austria, regent of the Netherlands and ten years later he accompanied the Emperor Charles V, at the Conquest of Tunis (1535). This journey supplied him with many scenes for his later works, and particularly the tapestries that he designed for the Regent, Mary of Hungary. The exotic backgdrop to this portrait (also including two figures imploring an armed man not to slay another) is perhaps intended as Tunis for this reason.
Mauquoy-Hendrickx: 1743.
[Ref: 28874] £170.00 (£204.00 incl.VAT)
I.H.W.
[n.d. c.1600.]
Engraving. 164 x 121mm (6½ x 4¾"). Trimmed.
Jan Cornelisz Vermeyen, or Jan Mayo (c.1500-1559), the Dutch Northern Renaissance painter who was honoured for his career in the service of Charles V. Around 1525 he became court painter to Margaret of Austria, regent of the Netherlands and ten years later he accompanied the Emperor Charles V, at the Conquest of Tunis (1535). This journey supplied him with many scenes for his later works, and particularly the tapestries that he designed for the Regent, Mary of Hungary. The exotic backgdrop to this portrait (also including two figures imploring an armed man not to slay another) is perhaps intended as Tunis for this reason.
Mauquoy-Hendrickx: 1743.
[Ref: 28874] £170.00 (£204.00 incl.VAT)
Cheval en liberté.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Trimmed.
A horse biting at a dog, after Antoine Charles Horace Vernet (1758-1835).
Dayot 240 - No 18.
[Ref: 22236] £260.00 (£312.00 incl.VAT)
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Trimmed.
A horse biting at a dog, after Antoine Charles Horace Vernet (1758-1835).
Dayot 240 - No 18.
[Ref: 22236] £260.00 (£312.00 incl.VAT)
Jumont Anglaise.
Carle Vernet. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
An 'English Mare' in a landscape, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48208] £450.00
Carle Vernet. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
An 'English Mare' in a landscape, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48208] £450.00
Cheval Anglaise au moment de la Course.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾").
A jockey teaching a racehorse the course, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48209] £300.00
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾").
A jockey teaching a racehorse the course, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48209] £300.00
60.
Loeillot d'apres C. Vernet. Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man tries to calm a horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60596] £160.00 (£192.00 incl.VAT)
Loeillot d'apres C. Vernet. Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man tries to calm a horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60596] £160.00 (£192.00 incl.VAT)
73.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A rides a horse holding a scimitar, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60597] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A rides a horse holding a scimitar, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60597] £160.00 (£192.00 incl.VAT)
74.
[Loeillot d'apres C. Vernet.] Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man holds the reins of the horse and raises a baton, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60598] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet.] Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man holds the reins of the horse and raises a baton, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60598] £160.00 (£192.00 incl.VAT)
59.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾"). Light time staining at bottom of the paper.
A man tries to calm a rearing horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60599] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾"). Light time staining at bottom of the paper.
A man tries to calm a rearing horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60599] £160.00 (£192.00 incl.VAT)
Cheval Persan. dessiné d'après un des chevaux envoyés par le Roi de Perse à S.A.R. le Prince régent d'Angleterre.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
![[Cossack cavalryman.]](jpegs/63945.jpg)
[Cossack cavalryman.]
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)
Mameluck en repos.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Cheval Normand.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Margins trimmed, surface wear to edges.
A rustic riding a horse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48273] £220.00 (£264.00 incl.VAT)
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Margins trimmed, surface wear to edges.
A rustic riding a horse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48273] £220.00 (£264.00 incl.VAT)