A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Tempting Present.
Painted by T. Woodward. Engraved by W.R. Smith, the Figure by J.H. Robinson.
London, Published July 1, 1824 ny Hurst, Robinson & Co. 90, Cheapside & 8 Pall Mall.
A rare etching and engraving. Plate 322 x 356mm. 12¾ x 14¼".
A young man in rustic dress riding a horse and smiling towards the viewer from under his hat, holding a basket over his right arm, with a small dog trotting beside him to the right, on a country path with trees and a small tower in the background.
Ex Norman Blackburn Collection.
[Ref: 18780] £180.00 (£216.00 incl.VAT)
Painted by T. Woodward. Engraved by W.R. Smith, the Figure by J.H. Robinson.
London, Published July 1, 1824 ny Hurst, Robinson & Co. 90, Cheapside & 8 Pall Mall.
A rare etching and engraving. Plate 322 x 356mm. 12¾ x 14¼".
A young man in rustic dress riding a horse and smiling towards the viewer from under his hat, holding a basket over his right arm, with a small dog trotting beside him to the right, on a country path with trees and a small tower in the background.
Ex Norman Blackburn Collection.
[Ref: 18780] £180.00 (£216.00 incl.VAT)
![[Ten Trinity Square.] P.L.A. London. [in pencil.]](jpegs/43213.jpg)
[Ten Trinity Square.] P.L.A. London. [in pencil.]
Kenneth Ames [? pencil signature]
[Kenan Ltd, n.d., c.1922.]
Etching in original mount and gilt-lettered folio. Plate 175 x 250mm (7 x 9¾"). Scuffs to covers, faint mount burn around image.
A view of the former headquarters of the Port of London Authority on Tower Hill, probably at the time it was opened, by Prime Minister David Lloyd George, in 1922. At present there are plans to convert it into a Four Seasons Hotel. This print was published as a corporate Christmas card: the cover reads 'With the Compliments of the Season and Best Wishes for the New Year from Kenan Ltd. Reg 5653'
[Ref: 43213] £180.00 (£216.00 incl.VAT) view all images for this item
Kenneth Ames [? pencil signature]
[Kenan Ltd, n.d., c.1922.]
Etching in original mount and gilt-lettered folio. Plate 175 x 250mm (7 x 9¾"). Scuffs to covers, faint mount burn around image.
A view of the former headquarters of the Port of London Authority on Tower Hill, probably at the time it was opened, by Prime Minister David Lloyd George, in 1922. At present there are plans to convert it into a Four Seasons Hotel. This print was published as a corporate Christmas card: the cover reads 'With the Compliments of the Season and Best Wishes for the New Year from Kenan Ltd. Reg 5653'
[Ref: 43213] £180.00 (£216.00 incl.VAT) view all images for this item
![[Ten vignettes]](jpegs/67729.jpg)
[Ten vignettes]
C J Grant Invent [illegible].
[n.d. c.1833]
Lithograph, sheet 245 x 275mm (9¾ x 10¾). Trimmed. Stain top right.
Ten satirical vignettes with puns about daily life, politics and royalty. This print looks like a trimmed version of one of Grant's Frontispieces.
See [Ref: 63983].
[Ref: 67729] £160.00 (£192.00 incl.VAT)
C J Grant Invent [illegible].
[n.d. c.1833]
Lithograph, sheet 245 x 275mm (9¾ x 10¾). Trimmed. Stain top right.
Ten satirical vignettes with puns about daily life, politics and royalty. This print looks like a trimmed version of one of Grant's Frontispieces.
See [Ref: 63983].
[Ref: 67729] £160.00 (£192.00 incl.VAT)
View of the City of Ten-Tchoo-Foo from the anchorage of the Hindostan in the Strait of Mi-A-Tau bearing South-west.
Ellis sculp.t.
London, Published April 12, 1796, by G.Nicol.
Engraving. 545 x 745mm (21½ x 29¼"), on paper watermarked 'J. Whatman 1794.' Central vertical fold as published.
Three views of the Shantung Peninsula. A panoramic view of the harbour and city of Ten-Tchoo-Foo is shown at the bottom. Cape Macartney, Staunton's Island and Cape Gower are illustrated above. Plate 7 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38153] £250.00 (£300.00 incl.VAT)
Ellis sculp.t.
London, Published April 12, 1796, by G.Nicol.
Engraving. 545 x 745mm (21½ x 29¼"), on paper watermarked 'J. Whatman 1794.' Central vertical fold as published.
Three views of the Shantung Peninsula. A panoramic view of the harbour and city of Ten-Tchoo-Foo is shown at the bottom. Cape Macartney, Staunton's Island and Cape Gower are illustrated above. Plate 7 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38153] £250.00 (£300.00 incl.VAT)
View of the Road by Saorgio to the Passage of the Col de Tende.
Drawn by Mary Countess Harcourt, Engraved by J. Hibbert, jun. Bath.
Fine & rare aquatint, printed in sepia. 365 x 480mm (14 x 19"), with very large margins. Laid on board. Edges of board chipped, print not affected.
View of a town on cliffs, seen from below, a winding road and river at left in the foreground. 1809-33. Department of Alpes-Maritimes region of Provence-Alpes-Cote d'Azur, while Col de Tende is a high mountain pass in the Alps, on the border of France and Italy. Mary, Countess Harcourt (1749 - 1833) Wife of William Harcourt, 3rd Earl Harcourt, and amateur painter.
[Ref: 68308] £380.00
Drawn by Mary Countess Harcourt, Engraved by J. Hibbert, jun. Bath.
Fine & rare aquatint, printed in sepia. 365 x 480mm (14 x 19"), with very large margins. Laid on board. Edges of board chipped, print not affected.
View of a town on cliffs, seen from below, a winding road and river at left in the foreground. 1809-33. Department of Alpes-Maritimes region of Provence-Alpes-Cote d'Azur, while Col de Tende is a high mountain pass in the Alps, on the border of France and Italy. Mary, Countess Harcourt (1749 - 1833) Wife of William Harcourt, 3rd Earl Harcourt, and amateur painter.
[Ref: 68308] £380.00
![[Greek War of Independence.] Die Helden von Tenedos.](jpegs/29826.jpg)
[Greek War of Independence.] Die Helden von Tenedos.
[Etched by Wunder after Geissler?]
[Nuremberg?, c.1829.]
Etching with original hand colour. Sheet 170 x 205mm (6¾ x 8"). Trimmed.
A scene from Greek War of Independence (1821-29), with Constantine Canaris blowing up a Turkish warship using a fireship off Tenedos, a tactic he used several times.
[Ref: 29826] £220.00 (£264.00 incl.VAT)
[Etched by Wunder after Geissler?]
[Nuremberg?, c.1829.]
Etching with original hand colour. Sheet 170 x 205mm (6¾ x 8"). Trimmed.
A scene from Greek War of Independence (1821-29), with Constantine Canaris blowing up a Turkish warship using a fireship off Tenedos, a tactic he used several times.
[Ref: 29826] £220.00 (£264.00 incl.VAT)
Uit-lesing vande Tienden der Kudde.
[Jan Luyken.]
[n.d., c.1683.]
Engraving. Plate: 145 x 295mm (5¾ x 11½'').
A print showing shepherds tending their flock. By Dutch printmaker Jan Luyken (1649-1712).
[Ref: 49658] £110.00 (£132.00 incl.VAT)
[Jan Luyken.]
[n.d., c.1683.]
Engraving. Plate: 145 x 295mm (5¾ x 11½'').
A print showing shepherds tending their flock. By Dutch printmaker Jan Luyken (1649-1712).
[Ref: 49658] £110.00 (£132.00 incl.VAT)
Mr. Tenducci.
Painted by T. Beach of Bath, 1782. Engraved by W. Dickinson.
London, Publish'd June 24th 1782 by W. Dickinson Engraver & Printseller No 158 New Bond Street.
Scarce mezzotint, 375 x 275mm (14¾ x 10¾"), with large margins. Rubbed.
Giusto Ferdinando Tenducci (c.1735-1790), Italian castrato and composer, holding sheet music. From 1758 to 1765 he was in London where he was heard at both the King's Theatre and the Royal Opera House, after which he spent most his time in London and Italy. He taught singing to Wolfgang Amadeus Mozart in Paris in 1777-1778, and Mozart, impressed with his teacher's singing abilities, wrote a concert aria for him. Engraved after a portrait by the Bath painter Thomas Beach (bap.1737-d.1806), now in a private collection.
CS: 83 ii/ii.
[Ref: 61687] £480.00
Painted by T. Beach of Bath, 1782. Engraved by W. Dickinson.
London, Publish'd June 24th 1782 by W. Dickinson Engraver & Printseller No 158 New Bond Street.
Scarce mezzotint, 375 x 275mm (14¾ x 10¾"), with large margins. Rubbed.
Giusto Ferdinando Tenducci (c.1735-1790), Italian castrato and composer, holding sheet music. From 1758 to 1765 he was in London where he was heard at both the King's Theatre and the Royal Opera House, after which he spent most his time in London and Italy. He taught singing to Wolfgang Amadeus Mozart in Paris in 1777-1778, and Mozart, impressed with his teacher's singing abilities, wrote a concert aria for him. Engraved after a portrait by the Bath painter Thomas Beach (bap.1737-d.1806), now in a private collection.
CS: 83 ii/ii.
[Ref: 61687] £480.00
Teneriffe. From the S. S. ''Helene Wöermann''. March 18, 1900.
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48111] £110.00 (£132.00 incl.VAT)
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48111] £110.00 (£132.00 incl.VAT)
View of the Pike of Teneriffe, 34 Leagues distant to the North West. View of the Pike over the West Side of Gomera, at 15 Leagues distance.
Pl.147. No.86. Vol.2. p.353. G. Child Sculp.t
[n.d. c.1750.]
Hand-coloured engraving. Plate 157 x 232mm (6¼ x 9¼").
A view of the Pike of Tenerife, Canary Islands, with a view of the small island of La Gomera below
[Ref: 30743] £95.00 (£114.00 incl.VAT)
Pl.147. No.86. Vol.2. p.353. G. Child Sculp.t
[n.d. c.1750.]
Hand-coloured engraving. Plate 157 x 232mm (6¼ x 9¼").
A view of the Pike of Tenerife, Canary Islands, with a view of the small island of La Gomera below
[Ref: 30743] £95.00 (£114.00 incl.VAT)
![[Two men.]](jpegs/30933.jpg)
[Two men.]
D. Tinners pinx. Jo. Smith ex.
[1805 but later.]
Mezzotint. 170 x 140mm (6¾ x 5½"). Mounted on album paper.
Two men, both wearing hats and plain coats, one holding a smoking pipe. Engraved by John Smith after David Teniers the Younger and published in Boydell's 'Collection of Portraits'.
BM: 1876,1111.37.
[Ref: 30933] £120.00 (£144.00 incl.VAT)
D. Tinners pinx. Jo. Smith ex.
[1805 but later.]
Mezzotint. 170 x 140mm (6¾ x 5½"). Mounted on album paper.
Two men, both wearing hats and plain coats, one holding a smoking pipe. Engraved by John Smith after David Teniers the Younger and published in Boydell's 'Collection of Portraits'.
BM: 1876,1111.37.
[Ref: 30933] £120.00 (£144.00 incl.VAT)
The Jovial Flanderkins, after a Painting of Teniers.
Brookshaw fecit
Printed for John Bowles, at No.13 in Cornhil [n.d., c.1780].
Mezzotint, 355 x 255mm. Paper age toned, some foxing, small repaired tear lower left margin.
Pipe smoking Flemish peasants after Teniers, by Richard Brookshaw, mezzotinter and draughtsman (1736 - c.1804).
[Ref: 7726] £220.00 (£264.00 incl.VAT)
Brookshaw fecit
Printed for John Bowles, at No.13 in Cornhil [n.d., c.1780].
Mezzotint, 355 x 255mm. Paper age toned, some foxing, small repaired tear lower left margin.
Pipe smoking Flemish peasants after Teniers, by Richard Brookshaw, mezzotinter and draughtsman (1736 - c.1804).
[Ref: 7726] £220.00 (£264.00 incl.VAT)
![[Teniers's Kitchen or Allegory of the Four Elements.]](jpegs/40065.jpg)
[Teniers's Kitchen or Allegory of the Four Elements.]
Teniers Pinxit. J.B. Michell Sculp.t.
Published July 1.st 1777 by John Boydell, Engraver in Cheapside London.
Engraving. Proof before title. Platemark: 485 x 610mm (19 x 24"), with very large margins. Small tears in outer margins.
The interior of an opulent kitchen with several work stations, and a large fireplace with in background, beside which figures are carving, and cooking meat. A falconer stands to the right, as others sort fish to the left. A plethora of meat, fish and poultry is scattered around the room scattered in foreground Plate from 'The Houghton Gallery' The original painting was completed in 1646 and is in the Hermitage collection. The print was published and commissioned by John Boydell, the great London printmaker and seller. The painting was part of Sir Robert Walpole's collection and was soon thereafter sold to Catherine the Great (1779)
[Ref: 40065] £390.00
Teniers Pinxit. J.B. Michell Sculp.t.
Published July 1.st 1777 by John Boydell, Engraver in Cheapside London.
Engraving. Proof before title. Platemark: 485 x 610mm (19 x 24"), with very large margins. Small tears in outer margins.
The interior of an opulent kitchen with several work stations, and a large fireplace with in background, beside which figures are carving, and cooking meat. A falconer stands to the right, as others sort fish to the left. A plethora of meat, fish and poultry is scattered around the room scattered in foreground Plate from 'The Houghton Gallery' The original painting was completed in 1646 and is in the Hermitage collection. The print was published and commissioned by John Boydell, the great London printmaker and seller. The painting was part of Sir Robert Walpole's collection and was soon thereafter sold to Catherine the Great (1779)
[Ref: 40065] £390.00
![[A drinking scene.]](jpegs/34655.jpg)
[A drinking scene.]
Mezzotint. 205 x 175mm (8 x 7"). Thread margins; Slight creasing.
A genre scene, probably after Flemish painter David Teniers the Younger (1610-1690), and published by Edward Cooper (active 1682-d.1725), the major London print publisher of the late 17th and early 18th centuries.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34655] £220.00 (£264.00 incl.VAT)
Mezzotint. 205 x 175mm (8 x 7"). Thread margins; Slight creasing.
A genre scene, probably after Flemish painter David Teniers the Younger (1610-1690), and published by Edward Cooper (active 1682-d.1725), the major London print publisher of the late 17th and early 18th centuries.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34655] £220.00 (£264.00 incl.VAT)
Le Fils de Teniers.
David Teniers pinx. L.A. Claessens Sculp.
Ce tableau original se trouve a Anvers chez Mr. Van Regemorter Peintre. [n.d. c.1792.] Bit later.
Stipple with small margins. Plate 350 x 272mm (13¾ x 10¾"). Faded collector's stamp verso.
Two boys having fun with bubbles. A well dressed boy holds a shell in his right hand, with his left hand he moves the blowpipe from which a soap bubble hangs. Next to him is a second boy who appears to be the same age. He tries to catch the soap bubbles with his hat. After David Teniers II (1610-1690), who used his son as a model in this image, and engraved by Lambert Antoine Claessens (1764 - 1834).
In the Harvard Art Museums.
[Ref: 29930] £190.00 (£228.00 incl.VAT)
David Teniers pinx. L.A. Claessens Sculp.
Ce tableau original se trouve a Anvers chez Mr. Van Regemorter Peintre. [n.d. c.1792.] Bit later.
Stipple with small margins. Plate 350 x 272mm (13¾ x 10¾"). Faded collector's stamp verso.
Two boys having fun with bubbles. A well dressed boy holds a shell in his right hand, with his left hand he moves the blowpipe from which a soap bubble hangs. Next to him is a second boy who appears to be the same age. He tries to catch the soap bubbles with his hat. After David Teniers II (1610-1690), who used his son as a model in this image, and engraved by Lambert Antoine Claessens (1764 - 1834).
In the Harvard Art Museums.
[Ref: 29930] £190.00 (£228.00 incl.VAT)
David Teniers Antuerpianus Sereniss.is Leopoldo Archiduci, & Ioanni Austriaco Belgy Gubernatoribus Pictor familiaris, & Vtriq a Cubiculis, A.o M.D.C.LIX Ætat: 49. Herous faciles aditus in limina Regum...
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Iacobus Peeters excudit [n.d., c.1660].
Engraving. 340 x 235mm (13½ x 9¼''). Hinged on left of sheet.
A portrait of the artist David Teniers the Younger (1610-1690). Frontis to 'Theatrum Pictorium'. In pencil on sheet "Spencer Churchill Book". First published 1659: this example is of the fourth state of four, published by Peeters rather than Abraham Teniers.
[Ref: 49453] £160.00 (£192.00 incl.VAT)
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Iacobus Peeters excudit [n.d., c.1660].
Engraving. 340 x 235mm (13½ x 9¼''). Hinged on left of sheet.
A portrait of the artist David Teniers the Younger (1610-1690). Frontis to 'Theatrum Pictorium'. In pencil on sheet "Spencer Churchill Book". First published 1659: this example is of the fourth state of four, published by Peeters rather than Abraham Teniers.
[Ref: 49453] £160.00 (£192.00 incl.VAT)
David Teniers. Un tres excellent peintre en petites figures et paijsages, il a faict des remarquables pieces tantpour le Roy d'Espaigne que pour autres Roys, de mesme pour l'Archiduc Leopolde Guillaume, l'Evesque de Gand, et le Prince d'Orange Guillame et plusieurs autres Princes Seigneurs, et Amateurs de l'art ont beaucoup de ses oeuvres, il est ne d'Anvers lan 1610 aijant eu son pere pour maistre.
Dav. Teniers pinxit. Pet. de Iode Sculpsit.
Io. Meyssens excudit. [n.d. c.1622.]
Engraving. Plate 170 x 114mm. 6¾ x 4½". Glued to backing sheet.
David Teniers the Younger (1610-1690), celebrated Flemish artist. The Archduke Leopold Wilhelm, who assumed the government of the Spanish Netherlands, being a great lover of art, employed Teniers not only as a painter but as keeper of the collection of pictures he was then forming. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24512] £65.00 (£78.00 incl.VAT)
Dav. Teniers pinxit. Pet. de Iode Sculpsit.
Io. Meyssens excudit. [n.d. c.1622.]
Engraving. Plate 170 x 114mm. 6¾ x 4½". Glued to backing sheet.
David Teniers the Younger (1610-1690), celebrated Flemish artist. The Archduke Leopold Wilhelm, who assumed the government of the Spanish Netherlands, being a great lover of art, employed Teniers not only as a painter but as keeper of the collection of pictures he was then forming. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24512] £65.00 (£78.00 incl.VAT)
David Teniers et sa Famille.
D. Teniers, pinx. Jac. Ph. Le Bas Sculp.
[AParis chez l'Auteur au bas de la rue de la Harpe] [n.d., c1747.]
Etching. 370 x 495mm (14½ x 19½"). Trimmed into inscription area, losing dedication and publication line, new margin added, remarque armorial replaced with manuscript. Some foxing.
Portrait of David Teniers and his family, sitting on a terrace, with the artist playing the cello, his wife holding a book, and his son singing.
[Ref: 54289] £240.00 (£288.00 incl.VAT)
D. Teniers, pinx. Jac. Ph. Le Bas Sculp.
[AParis chez l'Auteur au bas de la rue de la Harpe] [n.d., c1747.]
Etching. 370 x 495mm (14½ x 19½"). Trimmed into inscription area, losing dedication and publication line, new margin added, remarque armorial replaced with manuscript. Some foxing.
Portrait of David Teniers and his family, sitting on a terrace, with the artist playing the cello, his wife holding a book, and his son singing.
[Ref: 54289] £240.00 (£288.00 incl.VAT)
David Teniers Antuerpianus Sereniss.is Leopoldo Archiduci, & Ioanni Austriaco Belgy Gubernatoribus Pictor familiaris, & Vtriq a Cubiculis, A.o M.D.C.LIX Ætat: 49. Herous faciles aditus in limina Regum...
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Abraham Teniers excudit [n.d., 1659].
Engraving. Sheet 340 x 235mm (13½ x 9¼''). Trimmed within plate, mounted in album paper at sides.
A portrait of the artist David Teniers the Younger (1610-1690), published as the frontispiece to 'Theatrum Pictorium'. An example of the second state of four, the first published state.
[Ref: 62190] £230.00 (£276.00 incl.VAT)
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Abraham Teniers excudit [n.d., 1659].
Engraving. Sheet 340 x 235mm (13½ x 9¼''). Trimmed within plate, mounted in album paper at sides.
A portrait of the artist David Teniers the Younger (1610-1690), published as the frontispiece to 'Theatrum Pictorium'. An example of the second state of four, the first published state.
[Ref: 62190] £230.00 (£276.00 incl.VAT)
Der Ballmeister.
[Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm, (3¼ x 5¼"); large margins.
A rare view of a German Renaissance tennis game with a 'ballmeister' standing with his hands in the air ready to catch a ball thrown by an opponent, they all stand in a ball court. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande' published by J. C. Weigel (1654-1725) in 1699.
[Ref: 39552] £360.00
[Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm, (3¼ x 5¼"); large margins.
A rare view of a German Renaissance tennis game with a 'ballmeister' standing with his hands in the air ready to catch a ball thrown by an opponent, they all stand in a ball court. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande' published by J. C. Weigel (1654-1725) in 1699.
[Ref: 39552] £360.00
The Art of Tennis and How to Play it. - Showing the Various Strokes of the Game demonstrated by the Leading Players of England. Showing at this Cinema. Come and see the Game as it should be Played...The Scenarios and Sub-titles have been personally supervised and edited by Mr. Stanley N. Doust, the well-known Tennis Critic of the ''Daily Mail''. The Various actions demonstrating the different strokes are shown at normal speed, and immediately afterwards in Slow Motion.
Produced by the Parkstone Film Co. Ltd., Lytham. [n.d., 1925.]
Colour lithograph. 730 x 480mm (29 x 19"). A few small tears to edges.
A poster for a film demonstrating how to play tennis, starring a number of the leading players of the time: Joan Winifred Austin (1903-98), John David Patrick Wheatley (1899-1967), John Brian Gilbert (1887-1974), and Evelyn Lucy Colyer (1902-30). Joan Austin (sister of Bunny Austin, the last Brit to reach the reach the Men's final at Wimbledon before Andy Murray) was British Junior Girls Champion in 1921; in 1923 she and Evelyn Collier, known as 'The Babes', reached the Wimbledon doubles final but were beaten 6-3 6-1 by Suzanne Lenglen & Elizabeth Ryan.
[Ref: 48865] £250.00 (£300.00 incl.VAT)
Produced by the Parkstone Film Co. Ltd., Lytham. [n.d., 1925.]
Colour lithograph. 730 x 480mm (29 x 19"). A few small tears to edges.
A poster for a film demonstrating how to play tennis, starring a number of the leading players of the time: Joan Winifred Austin (1903-98), John David Patrick Wheatley (1899-1967), John Brian Gilbert (1887-1974), and Evelyn Lucy Colyer (1902-30). Joan Austin (sister of Bunny Austin, the last Brit to reach the reach the Men's final at Wimbledon before Andy Murray) was British Junior Girls Champion in 1921; in 1923 she and Evelyn Collier, known as 'The Babes', reached the Wimbledon doubles final but were beaten 6-3 6-1 by Suzanne Lenglen & Elizabeth Ryan.
[Ref: 48865] £250.00 (£300.00 incl.VAT)
Tennis Court.
[n.d., c.1850]
Pen and ink mss, 200 x 255mm. 8 x 10".
Hand-written instructions for laying an asphalt tennis court. Very early and important document.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16754] £250.00 (£300.00 incl.VAT)
[n.d., c.1850]
Pen and ink mss, 200 x 255mm. 8 x 10".
Hand-written instructions for laying an asphalt tennis court. Very early and important document.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16754] £250.00 (£300.00 incl.VAT)
Tennyson's 'May Queen', 'New Year's Eve' and 'Conclusion'
Illustrated by an Amateur.
[n.d., c.1851.]
Lithographic title and five plates, each sheet 225 x 285m (9 x 11¼"), within envelope illustrated with the title, rare. Envelope worn.
Five scenes from Alfred, Lord Tennyson's poems, with a title featuring a medley of four further scenes. One scene is a group dancing around a maypole. All sheets are signed 'R.S.B.', one dated 1850, another 1851.
Ex collection of the Hon Christopher Lennox-Boyd.
[Ref: 34203] £260.00 (£312.00 incl.VAT) view all images for this item
Illustrated by an Amateur.
[n.d., c.1851.]
Lithographic title and five plates, each sheet 225 x 285m (9 x 11¼"), within envelope illustrated with the title, rare. Envelope worn.
Five scenes from Alfred, Lord Tennyson's poems, with a title featuring a medley of four further scenes. One scene is a group dancing around a maypole. All sheets are signed 'R.S.B.', one dated 1850, another 1851.
Ex collection of the Hon Christopher Lennox-Boyd.
[Ref: 34203] £260.00 (£312.00 incl.VAT) view all images for this item
Westimster Abbey. Funeral of Lord Tennyson. Wednesday, October 12th, 1892, At 12.30 o'clock precisely. Admit One Person by the West Cloister Door, Through Dean's Yard, (at 12 O'Clock.) G.G. Bradley, D.D. Dean. South Transept. You are requested to take your seat in the South Transept immediately on entering the Abbey.
[1892.]
Printed invitation with black wax seal. Sheet 90 x 125mm (3½ x 5"). Some staining.
[Ref: 57592] £240.00 (£288.00 incl.VAT)
[1892.]
Printed invitation with black wax seal. Sheet 90 x 125mm (3½ x 5"). Some staining.
[Ref: 57592] £240.00 (£288.00 incl.VAT)
Alfred Tennyson.
W.H. Mote.
London Published by W. Kent& C.o late David Bogue, Fleet Street & Paternonster Row.
Stiple with engraving 8 x 5½ (205 x 140mm), with margins. Some creasing in the margins.
Head and shoulders portrait of a younger Alfred Tennyson (1809-1892), 1st Baron Tennyson, before his peerage in 1883, wearing a coat, a cravat tucked into a shirt, his hair loose; almost to his shoulders and a chinstrap beard. He served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age. His most well known poem is "The Charge of the Light Brigade".
[Ref: 54838] £90.00 (£108.00 incl.VAT)
W.H. Mote.
London Published by W. Kent& C.o late David Bogue, Fleet Street & Paternonster Row.
Stiple with engraving 8 x 5½ (205 x 140mm), with margins. Some creasing in the margins.
Head and shoulders portrait of a younger Alfred Tennyson (1809-1892), 1st Baron Tennyson, before his peerage in 1883, wearing a coat, a cravat tucked into a shirt, his hair loose; almost to his shoulders and a chinstrap beard. He served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age. His most well known poem is "The Charge of the Light Brigade".
[Ref: 54838] £90.00 (£108.00 incl.VAT)
![Lord Tennyson. Poet-Laureate. 1851-1892. Tennyson [facsimile signature inside plate.]](jpegs/17374.jpg)
Lord Tennyson. Poet-Laureate. 1851-1892. Tennyson [facsimile signature inside plate.]
From a Photo by Permission of Barraud's, London. Artist's First Proof J.A.Vinter [facsimile signature.] Artist to the Queen. Copyright.
London, Published by W.H. Coaten. 83, Charlotte St. Fitzroy Sq.re W. [n.d. c.1870.]
Scarce Proof lithograph on india. Sheet 610 x 345mm. 14 x 13½". Soiling in margins. Tears into margin.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!'
[Ref: 17374] £330.00
From a Photo by Permission of Barraud's, London. Artist's First Proof J.A.Vinter [facsimile signature.] Artist to the Queen. Copyright.
London, Published by W.H. Coaten. 83, Charlotte St. Fitzroy Sq.re W. [n.d. c.1870.]
Scarce Proof lithograph on india. Sheet 610 x 345mm. 14 x 13½". Soiling in margins. Tears into margin.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!'
[Ref: 17374] £330.00
![[Alfred, Lord Tennyson.]](jpegs/13095.jpg)
[Alfred, Lord Tennyson.]
H.H. 79. Hubert Herkomer [pencil signature.]
[Goupil & Co., 1879.]
Etching printed in brown ink on watermarked laid paper, artist's remarque proof. From an edition limited to 25, numbered 'No 9' in pencil lower right. 590 x 440mm, 23¼ x 17¼". Very slight trace of age toning to paper; a fine impression.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!' Remarque lower right of Tennyson's head directed to left, with slightly longer hair and beard. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music. Printseller's Association blindstamp lower left.
Printseller's Association: pg.375.
[Ref: 13095] £350.00
H.H. 79. Hubert Herkomer [pencil signature.]
[Goupil & Co., 1879.]
Etching printed in brown ink on watermarked laid paper, artist's remarque proof. From an edition limited to 25, numbered 'No 9' in pencil lower right. 590 x 440mm, 23¼ x 17¼". Very slight trace of age toning to paper; a fine impression.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!' Remarque lower right of Tennyson's head directed to left, with slightly longer hair and beard. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music. Printseller's Association blindstamp lower left.
Printseller's Association: pg.375.
[Ref: 13095] £350.00
Alfred Tennyson. (Poet Laureate.) Figaro Cartoon. Busts of the Day.
Faustin.
[n.d., c.1860.]
Chromolithograph. Sheet: 135 x 220mm (15 x 9"). Some light foxing.
A portrait of Alfred Lord Tennyson (1809-1892) who served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age.
[Ref: 45804] £60.00 (£72.00 incl.VAT)
Faustin.
[n.d., c.1860.]
Chromolithograph. Sheet: 135 x 220mm (15 x 9"). Some light foxing.
A portrait of Alfred Lord Tennyson (1809-1892) who served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age.
[Ref: 45804] £60.00 (£72.00 incl.VAT)
La Tentation not from Faust. HB Sketches 257.
HB [John Doyle]. A. Ducote's Lithography. 70 St. Martins Lane.
Published by Tho.s Mc.Lean, 26, Haymarket, April 29th 1833.
Lithograph. Size: 370 x 280mm. (14½ x 11").
Sir Robert Peel, in the character of Faust, is tempted by Mephistopheles to sell his soul to the Whigs, for the price of the office of First Lord of the Treasury.
[Ref: 31420] £70.00 (£84.00 incl.VAT)
HB [John Doyle]. A. Ducote's Lithography. 70 St. Martins Lane.
Published by Tho.s Mc.Lean, 26, Haymarket, April 29th 1833.
Lithograph. Size: 370 x 280mm. (14½ x 11").
Sir Robert Peel, in the character of Faust, is tempted by Mephistopheles to sell his soul to the Whigs, for the price of the office of First Lord of the Treasury.
[Ref: 31420] £70.00 (£84.00 incl.VAT)
The 10th (or The Prince of Wales's own) Regiment of Light Dragoons. The 8th (or The King's Royal Irish) Regiment of Light Dragoons.
[Pub. by J. Carpenter & Co., Old Bond Street, Oct. 1800.]
Hand-coloured engraving, 225 x 165mm. 9 x 6½". 1798 watermark in paper. Trimmed; damage to text at top.
A military costume engraving, from a series published in the British Military Library or Journal.
Ogilby 134.26
[Ref: 11168] £140.00 (£168.00 incl.VAT)
[Pub. by J. Carpenter & Co., Old Bond Street, Oct. 1800.]
Hand-coloured engraving, 225 x 165mm. 9 x 6½". 1798 watermark in paper. Trimmed; damage to text at top.
A military costume engraving, from a series published in the British Military Library or Journal.
Ogilby 134.26
[Ref: 11168] £140.00 (£168.00 incl.VAT)
![[Two men seated at a table.]](jpegs/23133.jpg)
[Two men seated at a table.]
Terburg, Pinx. Van Somer, fec. [lower left of image.]
F. de Wit Exc. [lower centre of image.]
Mezzotint, scarce, 265 x 220mm (10½ x 8½"). Cut to image.
A man sits disconsolately at a table, absent-mindedly toying with his snuffbox, with a friend looking at him across the table and a standing figure holding a straw-covered wine bottle. Engraved by Dutch mezzotinter Jan van Somer (c.1645-99) after Gerard Ter Borch's 'Scene at an Inn' (c. 1648/50, private collection). Unusually, Van Somer also made another print of the same scene, but in reverse. It has been said of the painting from which this print derives that 'no painting in Ter Borch's oeuvre conveys with such overwhelming power the emotion of loneliness and despair'. The model for the seated figure on the right was a member of the Spanish delegation to Munster for the signing of the 1648 treaty which made the United Netherlands independent from Spain. The same sitter appears in Ter Borch's famous painting of the ratification of that treaty.
Hollstein: 62; for the painting see 'Gerard ter Borch' (NGA, Washington, 2005, cat.15).
[Ref: 23133] £220.00 (£264.00 incl.VAT)
Terburg, Pinx. Van Somer, fec. [lower left of image.]
F. de Wit Exc. [lower centre of image.]
Mezzotint, scarce, 265 x 220mm (10½ x 8½"). Cut to image.
A man sits disconsolately at a table, absent-mindedly toying with his snuffbox, with a friend looking at him across the table and a standing figure holding a straw-covered wine bottle. Engraved by Dutch mezzotinter Jan van Somer (c.1645-99) after Gerard Ter Borch's 'Scene at an Inn' (c. 1648/50, private collection). Unusually, Van Somer also made another print of the same scene, but in reverse. It has been said of the painting from which this print derives that 'no painting in Ter Borch's oeuvre conveys with such overwhelming power the emotion of loneliness and despair'. The model for the seated figure on the right was a member of the Spanish delegation to Munster for the signing of the 1648 treaty which made the United Netherlands independent from Spain. The same sitter appears in Ter Borch's famous painting of the ratification of that treaty.
Hollstein: 62; for the painting see 'Gerard ter Borch' (NGA, Washington, 2005, cat.15).
[Ref: 23133] £220.00 (£264.00 incl.VAT)
English Ambassador's Palace at Terapia.
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. Image area 101 x 165mm (4 x 6½"). Cut.
A view of the Ambassador's residence at Terapia, 'built on a little rocky promontory overhanging the "enchanted current" of the Bosphorus'. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
[Ref: 31165] £65.00 (£78.00 incl.VAT)
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. Image area 101 x 165mm (4 x 6½"). Cut.
A view of the Ambassador's residence at Terapia, 'built on a little rocky promontory overhanging the "enchanted current" of the Bosphorus'. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
[Ref: 31165] £65.00 (£78.00 incl.VAT)
Tercentenary Banquet 17.th April 1884 (Drill Hall: Forrest Road). Chairman, The Right Honourable John Inglis. Chancellor of the University.
C. Stewart & Co. [1884.]
Progamme and menu; booklet. 182 x 115mm. 7¼ x 4½".
A booklet with the menu, toast list and the programme of music for the University of Edinburgh's tercentenary banquet.
[Ref: 21016] £50.00 (£60.00 incl.VAT)
C. Stewart & Co. [1884.]
Progamme and menu; booklet. 182 x 115mm. 7¼ x 4½".
A booklet with the menu, toast list and the programme of music for the University of Edinburgh's tercentenary banquet.
[Ref: 21016] £50.00 (£60.00 incl.VAT)
Tergeman or a Turkish Interpreter in the Austrian Service
[n.d. c.1830]
Watercolour and pen. Sheet 296 x 229mm. 11¾ x 9".
From the Collection of Gubbins and Gibbin's Family.
[Ref: 15278] £160.00 (£192.00 incl.VAT)
[n.d. c.1830]
Watercolour and pen. Sheet 296 x 229mm. 11¾ x 9".
From the Collection of Gubbins and Gibbin's Family.
[Ref: 15278] £160.00 (£192.00 incl.VAT)
Isometrical Plan of Mr. Grainger's Proposed Concentration of the Termini of the Several Railways from London, Edinburgh, Carlisly, Shields and Sunderland, at a General Depot at Elswick.
Engraved by W. Collard.
T. Sopwith, C.E. [n.d. c.1840.]
A very rare and scarce engraving. Sheet 406 x 247mm. 16 x 9¾". Laid on separate sheet.
It was in 1839 that Mr. Richard Granger (1797-1861) the builder from Newcastle upon Tyne, known for taking on the task of building and developing Grainger Town, decided to buy the Elswick estate to the west of Newcastle with the intention of building a railway terminus. These plans never went ahead, as Grainger bankrupted himself in purchasing the land, and following his death, his debts were greater than his personal estate, so the sale of the land in the Elswick estate helped pay off these debts. Thomas Sopwith (1803-1879), also from Newcastle, was a miner and railway surveyor, writing his best-known book "Treatise on Isometrical Drawing".
[Ref: 16104] £360.00
Engraved by W. Collard.
T. Sopwith, C.E. [n.d. c.1840.]
A very rare and scarce engraving. Sheet 406 x 247mm. 16 x 9¾". Laid on separate sheet.
It was in 1839 that Mr. Richard Granger (1797-1861) the builder from Newcastle upon Tyne, known for taking on the task of building and developing Grainger Town, decided to buy the Elswick estate to the west of Newcastle with the intention of building a railway terminus. These plans never went ahead, as Grainger bankrupted himself in purchasing the land, and following his death, his debts were greater than his personal estate, so the sale of the land in the Elswick estate helped pay off these debts. Thomas Sopwith (1803-1879), also from Newcastle, was a miner and railway surveyor, writing his best-known book "Treatise on Isometrical Drawing".
[Ref: 16104] £360.00
![[Marmore Falls] Pio Sexto Pont. Opt. Max.](jpegs/54971.jpg)
[Marmore Falls] Pio Sexto Pont. Opt. Max. Bonarum Artium Auspici et Patrono. Velinum aere expressum per Fossam Curianam nunc Clementinam in Narem defluentem Interamnatium et Reatinorum dissidüs celeberrimum.
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00
V. Terpsichore, invenit-Psalterium. Dulcia Terpsichore citharis, modu-lamina miscet.
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Terpsichore, the Muse of Dancing, seated outside, playing a lyre. Cupid holds a music book open for her, his bow and arrows and their feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Erato' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68722].
[Ref: 68721] £280.00 (£336.00 incl.VAT)
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Terpsichore, the Muse of Dancing, seated outside, playing a lyre. Cupid holds a music book open for her, his bow and arrows and their feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Erato' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68722].
[Ref: 68721] £280.00 (£336.00 incl.VAT)
Terpsichore.
J.P. Simon Sculp.
A Paris chez Ostervald l’Ainé Rue Pelletier No.3. Déposé à la Bibliotheque Nationale. [n.d. c.1820.]
Colour-printed stipple. Plate 412 x 285mm. 16¼ x 11¼". Horizontal crease through the middle.
Terpsichore, one of the nine Muses in Greek mythology. She ruled over dance and dramatic chorus. As seen her she iepicted, as is normally seen, holding a lyre for musical accompaniment to dancers.
[Ref: 16312] £140.00 (£168.00 incl.VAT)
J.P. Simon Sculp.
A Paris chez Ostervald l’Ainé Rue Pelletier No.3. Déposé à la Bibliotheque Nationale. [n.d. c.1820.]
Colour-printed stipple. Plate 412 x 285mm. 16¼ x 11¼". Horizontal crease through the middle.
Terpsichore, one of the nine Muses in Greek mythology. She ruled over dance and dramatic chorus. As seen her she iepicted, as is normally seen, holding a lyre for musical accompaniment to dancers.
[Ref: 16312] £140.00 (£168.00 incl.VAT)
Tersicore Aloisiae. E. Principibus. Stolbergis / Albaniae. Comitissae. / Antonius Canova.
[n.d. after 1808].
A. Canova inv. e scolpi in marmo. Gio. Tognoli dis. Piet. Fontana incise.
Mint engraving. 455 x 330mm (17¾ x 13"), with large margins.
Sculpture of Terpsychore, the muse of dance and choral singing, holding a lyre. The Greek inscription on the colomn reads 'Terpsychore Lyran'. The statue was commisioned by Lucien Bonaparte (1775-1840), originally intended to portray his wife Alexandrine de Bleschamp (1778-1855), however, for reasons that remain unknown, the completed work was acquired by Giovanni Battista Sommariva, who also bought the plaster cast to ensure no copies could be made. Sommariva, who was bessotted with the statue, referred to the sculpture as '[his] bride' and placed at the foot of his bed in his Parisian house.
From the Berkeley Collection, Spetchley Park.
[Ref: 55030] £320.00
[n.d. after 1808].
A. Canova inv. e scolpi in marmo. Gio. Tognoli dis. Piet. Fontana incise.
Mint engraving. 455 x 330mm (17¾ x 13"), with large margins.
Sculpture of Terpsychore, the muse of dance and choral singing, holding a lyre. The Greek inscription on the colomn reads 'Terpsychore Lyran'. The statue was commisioned by Lucien Bonaparte (1775-1840), originally intended to portray his wife Alexandrine de Bleschamp (1778-1855), however, for reasons that remain unknown, the completed work was acquired by Giovanni Battista Sommariva, who also bought the plaster cast to ensure no copies could be made. Sommariva, who was bessotted with the statue, referred to the sculpture as '[his] bride' and placed at the foot of his bed in his Parisian house.
From the Berkeley Collection, Spetchley Park.
[Ref: 55030] £320.00
![[The Death of Pierre Terrail, Chevalier de Bayard.]](jpegs/67486.jpg)
[The Death of Pierre Terrail, Chevalier de Bayard.] Bayard.
B.West Pinx. P.Bernard sculp.
[n.d., c.1800.]
Engraving, very fine impression. Sheet 575 x 425mm (22½ x 16¾"). Trimmed.
A scene depicting the death of Pierre Terrail, seigneur de Bayard (c.1476 - 1524), French knight and military leader at the transition between the Middle Ages and the Renaissance, generally known as the Chevalier de Bayard.
[Ref: 67486] £420.00
B.West Pinx. P.Bernard sculp.
[n.d., c.1800.]
Engraving, very fine impression. Sheet 575 x 425mm (22½ x 16¾"). Trimmed.
A scene depicting the death of Pierre Terrail, seigneur de Bayard (c.1476 - 1524), French knight and military leader at the transition between the Middle Ages and the Renaissance, generally known as the Chevalier de Bayard.
[Ref: 67486] £420.00
Her Majesty's Steam Vessel, Terrible (the Largest War Steamer in the World).
J.T. Wood. Holywell str.
[n.d., c.1845.]
Porcelain card. Sheet 115 x 150mm (4½ x 6").
HMS Terrible was a steam-powered wooden paddle wheel frigate, designed by Oliver Lang and launched in 1845. After active service in the Crimean War she helped the SS Great Eastern to lay the first successful Atlantic cable in 1866. She was broken up in 1879.
[Ref: 52652] £70.00 (£84.00 incl.VAT)
J.T. Wood. Holywell str.
[n.d., c.1845.]
Porcelain card. Sheet 115 x 150mm (4½ x 6").
HMS Terrible was a steam-powered wooden paddle wheel frigate, designed by Oliver Lang and launched in 1845. After active service in the Crimean War she helped the SS Great Eastern to lay the first successful Atlantic cable in 1866. She was broken up in 1879.
[Ref: 52652] £70.00 (£84.00 incl.VAT)
A Terrible Tough Feller.
Morgan Dennis [signed in pencil].
[n.d., c.1910].
Etching in original frame with label verso. 90 x 120mm (3¾ x 4¾").
Etching of a small terrier, sitting by a chewed woman's shoe. Dennis Morgan was famed for his ability to capture the characteristics of dogs in his etchings.
[Ref: 31907] £220.00 (£264.00 incl.VAT)
Morgan Dennis [signed in pencil].
[n.d., c.1910].
Etching in original frame with label verso. 90 x 120mm (3¾ x 4¾").
Etching of a small terrier, sitting by a chewed woman's shoe. Dennis Morgan was famed for his ability to capture the characteristics of dogs in his etchings.
[Ref: 31907] £220.00 (£264.00 incl.VAT)
Vixen. The Property of Daniel Maude, Esq.r
B.E. Duppa, Esq.r Del.t R. Roe, fec.t
[n.d. c1850.]
Etching on india. 252 x 299mm (10 x 11¾").
Head of a terrier wearing a collar, viewed in profile, looking to the right of the image. After portrait painter Bryan Edward Duppa (1804-1866).
VAM: 23722:3.
[Ref: 29463] £160.00 (£192.00 incl.VAT)
B.E. Duppa, Esq.r Del.t R. Roe, fec.t
[n.d. c1850.]
Etching on india. 252 x 299mm (10 x 11¾").
Head of a terrier wearing a collar, viewed in profile, looking to the right of the image. After portrait painter Bryan Edward Duppa (1804-1866).
VAM: 23722:3.
[Ref: 29463] £160.00 (£192.00 incl.VAT)
Barry.
Celcil Aldin. [Within plate.]
Printed and Published by Eyre & Spottiswoode, Ltd., His Majesty's Printers, 4 Middle Row Street, London, E.C 4, England. [n.d., c.1925.]
Photolithograph. Printed area: 285 x 300mm (11¼ x 11¾") Frame size: 560 x 560mm (22 x 22"). In original frame with damaged label on reverse. Unexamined out of frame.
A portrait of a Sealyham Terrier, looking directly towards the viewer. Following the First World War, the breed surged in popularity, however numbers have dropped significantly since then, with the breed listed as a Vulnerable Native Breed by the Kennel Club. The breed was developed between 1850 and 1891 by Captain John Edwardes, at Sealyham House, near Wolfscastle in the Welsh county of Pembrokeshire. By Cecil Aldin (1870 - 1935), British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
[Ref: 37751] £260.00 (£312.00 incl.VAT)
Celcil Aldin. [Within plate.]
Printed and Published by Eyre & Spottiswoode, Ltd., His Majesty's Printers, 4 Middle Row Street, London, E.C 4, England. [n.d., c.1925.]
Photolithograph. Printed area: 285 x 300mm (11¼ x 11¾") Frame size: 560 x 560mm (22 x 22"). In original frame with damaged label on reverse. Unexamined out of frame.
A portrait of a Sealyham Terrier, looking directly towards the viewer. Following the First World War, the breed surged in popularity, however numbers have dropped significantly since then, with the breed listed as a Vulnerable Native Breed by the Kennel Club. The breed was developed between 1850 and 1891 by Captain John Edwardes, at Sealyham House, near Wolfscastle in the Welsh county of Pembrokeshire. By Cecil Aldin (1870 - 1935), British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
[Ref: 37751] £260.00 (£312.00 incl.VAT)
Shivers A celebrated Vermin Hunter the property of Mr. Surtees of Hamsterly Hall, Durham.
H.B. Chalon Pinx.t W. Raddon Sculp.t
London Pub.d Nov.r 1 1834 by Messrs. Ackermann & Co. Strand
Engraving on india paper, 205 x 130mm to platemark. 8 x 5".
Engraving after Henry Bernard Chalon (1770-1849), a frequent exhibitor at the Royal Academy whose work is not represented in the Tate collection.
[Ref: 14693] £75.00 (£90.00 incl.VAT)
H.B. Chalon Pinx.t W. Raddon Sculp.t
London Pub.d Nov.r 1 1834 by Messrs. Ackermann & Co. Strand
Engraving on india paper, 205 x 130mm to platemark. 8 x 5".
Engraving after Henry Bernard Chalon (1770-1849), a frequent exhibitor at the Royal Academy whose work is not represented in the Tate collection.
[Ref: 14693] £75.00 (£90.00 incl.VAT)
There's No Place Like Home.
Painted by Sir Edwin Landseer, R.A. Engraved by Alfred Lucas.
London, Published Oct.r. 27th 1874, by G.P. Mc.Queen, 37, Great Marlborough Street, Regent Street. Printed by Mc.Queen.
Mixed-method engraving with colouring by hand, open-letter state. 510 x 590mm, 20 x 23¼". Large margins slightly tatty and grubby.
A small rough-haired terrier looks up plaintively, an empty bowl in front and kennel behind. After Edwin Landseer (1802 - 1873). The publisher's colour sample.
[Ref: 23443] £420.00
Painted by Sir Edwin Landseer, R.A. Engraved by Alfred Lucas.
London, Published Oct.r. 27th 1874, by G.P. Mc.Queen, 37, Great Marlborough Street, Regent Street. Printed by Mc.Queen.
Mixed-method engraving with colouring by hand, open-letter state. 510 x 590mm, 20 x 23¼". Large margins slightly tatty and grubby.
A small rough-haired terrier looks up plaintively, an empty bowl in front and kennel behind. After Edwin Landseer (1802 - 1873). The publisher's colour sample.
[Ref: 23443] £420.00
![[A terrier bitch with litter outside a kennel.]](jpegs/11634.jpg)
[A terrier bitch with litter outside a kennel.]
[London: Dean & Co., c.1845.]
Hand coloured lithograph, image and sheet 220 x 290mm. 8¼ x 11½". Trimmed to image. Glued to scrap sheet.
[Ref: 11634] £220.00 (£264.00 incl.VAT)
[London: Dean & Co., c.1845.]
Hand coloured lithograph, image and sheet 220 x 290mm. 8¼ x 11½". Trimmed to image. Glued to scrap sheet.
[Ref: 11634] £220.00 (£264.00 incl.VAT)
![[A terrier's head] "Duke" [pencil].](jpegs/62323.jpg)
[A terrier's head] "Duke" [pencil].
[n.d., c.1830.]
Scarce lithograph with very fine hand colour. Sheet 285 x 230mm (11¼ x 9").
See Ref: 62324
[Ref: 62323] £220.00 (£264.00 incl.VAT)
[n.d., c.1830.]
Scarce lithograph with very fine hand colour. Sheet 285 x 230mm (11¼ x 9").
See Ref: 62324
[Ref: 62323] £220.00 (£264.00 incl.VAT)
![[The Prodigal.]](jpegs/20270.jpg)
[The Prodigal.]
HD 1926. [Signature outside image:] Herbert Dicksee.
Published...Bristol by Frost & Reed Ltd of Bristol & London 1926 Copyright. Copyright 1926 by Frost & Reed Ltd (of Bristol, England) in the United States of America.
Etching, signed artist proof on vellum. 571 x 470mm (22½ x 18½"). Time stained outside platemark.
A terrier sitting on a doorstep in front of a closed door.
[Ref: 20270] £1,200.00
HD 1926. [Signature outside image:] Herbert Dicksee.
Published...Bristol by Frost & Reed Ltd of Bristol & London 1926 Copyright. Copyright 1926 by Frost & Reed Ltd (of Bristol, England) in the United States of America.
Etching, signed artist proof on vellum. 571 x 470mm (22½ x 18½"). Time stained outside platemark.
A terrier sitting on a doorstep in front of a closed door.
[Ref: 20270] £1,200.00
![[Terrier and Ferrets.]](jpegs/35755.jpg)
[Terrier and Ferrets.]
[Thomas Blinks.]
Published 1.st. June, 1889, by Arthur Rayner, 26. Francis S.t., Tottenham Court Road London. Copyright Reserved.
Etching with very large margins. On india. Plate: 460 x 610mm (18 x 24"). Some faint foxing.
A portrait of a terrier behind which several ferrets are kept in a cage.
[Ref: 35755] £260.00 (£312.00 incl.VAT)
[Thomas Blinks.]
Published 1.st. June, 1889, by Arthur Rayner, 26. Francis S.t., Tottenham Court Road London. Copyright Reserved.
Etching with very large margins. On india. Plate: 460 x 610mm (18 x 24"). Some faint foxing.
A portrait of a terrier behind which several ferrets are kept in a cage.
[Ref: 35755] £260.00 (£312.00 incl.VAT)