A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
View in Turon Bay.
W. Alexander del. J. Landseer sculp.t.
London, published April 12, 1796, by G. Nicol.
Engraving, very large margins. On watermerked paper, 'J. Whatman 1794.' Platemark: 250 x 210mm. (9¾ x 8¼").
A view in Vietnam of a beach with a thatched dwelling and figures watching a boat approaching land with dignitaries under parasols at the bow. Two sailing ships can be seen behind at left with mountains in the distance. Plate 15 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38148] £180.00 (£216.00 incl.VAT)
W. Alexander del. J. Landseer sculp.t.
London, published April 12, 1796, by G. Nicol.
Engraving, very large margins. On watermerked paper, 'J. Whatman 1794.' Platemark: 250 x 210mm. (9¾ x 8¼").
A view in Vietnam of a beach with a thatched dwelling and figures watching a boat approaching land with dignitaries under parasols at the bow. Two sailing ships can be seen behind at left with mountains in the distance. Plate 15 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38148] £180.00 (£216.00 incl.VAT)
![[Titlepage] Dick Turpin's Ride to York.](jpegs/27377.jpg)
[Titlepage] Dick Turpin's Ride to York. The brilliant Episode of Turpin's Ride to York, contained in the Romance of Rookwood, is the subject which these Plates are intended to illustrate... Twickenham, June 1835.
London, Published by Colnaghi and Company, No.23, Cockspur St. Charing Cross [1835].
Lithograph, text and four-line verse illustrated with hand-coloured vignettes and scenes to border. Sheet 325 x 455mm, 12¾ x 18". Some rust spots and handling creases. Closed tears to upper right.
Anecdotes from the life of 18th century highwayman, Dick Turpin (1705-1739), whose famous ride to York on his horse Black Bess was recounted in Harrison Ainsworth's 'Rookwood' (1824). The text seems to introduce an album of plates. Dick Turpin was hanged in York for the crime of horse theft in April 1739.
[Ref: 27377] £240.00 (£288.00 incl.VAT)
London, Published by Colnaghi and Company, No.23, Cockspur St. Charing Cross [1835].
Lithograph, text and four-line verse illustrated with hand-coloured vignettes and scenes to border. Sheet 325 x 455mm, 12¾ x 18". Some rust spots and handling creases. Closed tears to upper right.
Anecdotes from the life of 18th century highwayman, Dick Turpin (1705-1739), whose famous ride to York on his horse Black Bess was recounted in Harrison Ainsworth's 'Rookwood' (1824). The text seems to introduce an album of plates. Dick Turpin was hanged in York for the crime of horse theft in April 1739.
[Ref: 27377] £240.00 (£288.00 incl.VAT)
![[Giuseppe Maria de Turre.]](jpegs/39207.jpg)
[Giuseppe Maria de Turre.] Joannes Maria e Turre Regis Utriusq sic a Museo a Biblioteca a Typographia Patric Januensis Natus MDCCXIII [...] 1763.
Mezzotint, sheet 170 x 110mm (6¾ x 4¼"). Trimmed inside platemark;
Giuseppe Maria de Turre, scholar at the Dominican monastery in Genoa and author of 'Institutiones ad Verbi Dei scripti intelligentiam' (4 vols, Parma, 1711),
[Ref: 39207] £95.00 (£114.00 incl.VAT)
Mezzotint, sheet 170 x 110mm (6¾ x 4¼"). Trimmed inside platemark;
Giuseppe Maria de Turre, scholar at the Dominican monastery in Genoa and author of 'Institutiones ad Verbi Dei scripti intelligentiam' (4 vols, Parma, 1711),
[Ref: 39207] £95.00 (£114.00 incl.VAT)
Turtle.
Designed by W. Daniell.
[n.d., c.1807.]
Aquatint. Sheet: 130 x 210mm (5 x 8¼"). Trimmed to platemark.
A portrait of a turtle, depicted on a beach with a ship in the distance. An illustration from 'Zoography' by W. Wood published in 3 vols. 1807.
[Ref: 45959] £65.00 (£78.00 incl.VAT)
Designed by W. Daniell.
[n.d., c.1807.]
Aquatint. Sheet: 130 x 210mm (5 x 8¼"). Trimmed to platemark.
A portrait of a turtle, depicted on a beach with a ship in the distance. An illustration from 'Zoography' by W. Wood published in 3 vols. 1807.
[Ref: 45959] £65.00 (£78.00 incl.VAT)
![[Val Ombrosa, on the Appenines.]](jpegs/22170.jpg)
[Val Ombrosa, on the Appenines.]
[C. Willyams. J.C. Stadler.]
[London: J. White, c.1801.]
Sepia aquatint, proof before letters, with large margins, 185 x 245mm. 7¼ x 9¾". Captioned 'Vallombrosa' in ink by hand to lower margin; three-line quotation from Milton's Paradise Lost in the same hand to upper margin.
Vallombrosa is a Benedictine abbey in Tuscany, Italy, south-east of Florence; in the Apennines, it is surrounded by forests of beech and firs. It was founded by Giovanni Gualberto, a Florentine noble, in 1038 and became the mother house of the Vallumbrosan Order. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 32.
[Ref: 22170] £130.00 (£156.00 incl.VAT)
[C. Willyams. J.C. Stadler.]
[London: J. White, c.1801.]
Sepia aquatint, proof before letters, with large margins, 185 x 245mm. 7¼ x 9¾". Captioned 'Vallombrosa' in ink by hand to lower margin; three-line quotation from Milton's Paradise Lost in the same hand to upper margin.
Vallombrosa is a Benedictine abbey in Tuscany, Italy, south-east of Florence; in the Apennines, it is surrounded by forests of beech and firs. It was founded by Giovanni Gualberto, a Florentine noble, in 1038 and became the mother house of the Vallumbrosan Order. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 32.
[Ref: 22170] £130.00 (£156.00 incl.VAT)
Vedute Delle Ville e d'Altri Luoghi Della Toscana. Giuseppe Zocchi Di An. XXVII.
G.Z. inv. e del. Gio. Gottofredo Seuter scolpi in Firenze.
Appresso Giuseppe Allegrini Stampatore in Rame Firenze 1744.
Engraving. Plate: 320 x 490mm (12½ x 19¼''), with large margins. Repaired tears into plate, creasing.
The frontispiece to Giuseppe Zochhi's (1711-1767) 'Vedute Delle Ville e d'Altri Luoghi Della Toscana' which depicted villas and views in Tuscany. Classical allegorical figures stand around a central statue and three putti support an oval portrait of Zocchi which rests at the base of the statue.
[Ref: 50903] £230.00 (£276.00 incl.VAT)
G.Z. inv. e del. Gio. Gottofredo Seuter scolpi in Firenze.
Appresso Giuseppe Allegrini Stampatore in Rame Firenze 1744.
Engraving. Plate: 320 x 490mm (12½ x 19¼''), with large margins. Repaired tears into plate, creasing.
The frontispiece to Giuseppe Zochhi's (1711-1767) 'Vedute Delle Ville e d'Altri Luoghi Della Toscana' which depicted villas and views in Tuscany. Classical allegorical figures stand around a central statue and three putti support an oval portrait of Zocchi which rests at the base of the statue.
[Ref: 50903] £230.00 (£276.00 incl.VAT)
Country Girl Of Tuscany This sordid ass yet on his back does bear, __ of choice delicates a Plenteous share.
I. Northcote delt. T. Gaugain Sculpt.
Publish'd as the Act directs, May, 20, 1785 by Torre & Co, No. 28 Hay Market.
Stipple engraving, 280 x 215mm. 11 x 8½". Some foxing; glue stains to margin corners.
A girl riding an ass with a basket of fruit and turning to look at the viewer. Appears to be a companion to 'Blind Girl of the environs of Rome', also after James Northcote (1746 - 1831).
[Ref: 9647] £160.00 (£192.00 incl.VAT)
I. Northcote delt. T. Gaugain Sculpt.
Publish'd as the Act directs, May, 20, 1785 by Torre & Co, No. 28 Hay Market.
Stipple engraving, 280 x 215mm. 11 x 8½". Some foxing; glue stains to margin corners.
A girl riding an ass with a basket of fruit and turning to look at the viewer. Appears to be a companion to 'Blind Girl of the environs of Rome', also after James Northcote (1746 - 1831).
[Ref: 9647] £160.00 (£192.00 incl.VAT)
![Luques. Saint Michel. [/] Lucca. San Michele.](jpegs/33317.jpg)
Luques. Saint Michel. [/] Lucca. San Michele.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Small wormhole in left margin.
A highly detailed view of the front of the San Michele Roman Catholic basilica church in Lucca, Tuscany, central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to the Archangel Michael, and at the summit, flanked by two other angels, is a 4m tall statue of St. Michael. In addition, on the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33317] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15"). Small wormhole in left margin.
A highly detailed view of the front of the San Michele Roman Catholic basilica church in Lucca, Tuscany, central Italy, built over the ancient Roman forum. Until 1370 it was the seat of the Consiglio Maggiore (Major Council), the commune's most important assembly. It is dedicated to the Archangel Michael, and at the summit, flanked by two other angels, is a 4m tall statue of St. Michael. In addition, on the lower right corner of the façade is a statue (1480) of the Madonna salutis portus, sculpted by Matteo Civitali to celebrate the end of the 1476 plague. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33317] £220.00 (£264.00 incl.VAT)
![Pise. La Cathédrale, le tour melineé, le Baptisere, et le Campo Santo. [/] Pisa. Il Duomo, il Battistero, e il Campo Santo.](jpegs/33318.jpg)
Pise. La Cathédrale, le tour melineé, le Baptisere, et le Campo Santo. [/] Pisa. Il Duomo, il Battistero, e il Campo Santo.
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
The Campo Santo, also known as Camposanto Monumentale (monumental cemetery) or Camposanto Vecchio (old cemetery), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. 'Campo Santo' can be literally translated as 'holy field', because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by the archbishop of Pisa in the 12th century. This view shows some construction taking place on the main dome, to the left, with a number of figures, and a horse drawn cart, on the path in the foreground. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33386.
[Ref: 33318] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par J. Jacottet. Fig par Bayot.
Imp par Lemercier. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
The Campo Santo, also known as Camposanto Monumentale (monumental cemetery) or Camposanto Vecchio (old cemetery), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. 'Campo Santo' can be literally translated as 'holy field', because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by the archbishop of Pisa in the 12th century. This view shows some construction taking place on the main dome, to the left, with a number of figures, and a horse drawn cart, on the path in the foreground. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33386.
[Ref: 33318] £220.00 (£264.00 incl.VAT)
![Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.](jpegs/33320.jpg)
Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33385.
[Ref: 33320] £240.00 (£288.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For coloured impression, see item ref: 33385.
[Ref: 33320] £240.00 (£288.00 incl.VAT)
![Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.](jpegs/33385.jpg)
Livourne. Place d'Armes. [/] Livorno. Piazza d'Arme.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. [Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. n.d., c.1850].
Original hand coloured lithograph. Sheet size: 205 x 275mm (8¼ x 10¾"). Trimmed to image and around title.
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For uncolored version, see item ref: 33320.
[Ref: 33385] £230.00 (£276.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier, r. de Seine 57 Pais. [Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. n.d., c.1850].
Original hand coloured lithograph. Sheet size: 205 x 275mm (8¼ x 10¾"). Trimmed to image and around title.
A detailed view of the Piazza d'Arme, or as it more commonly known, the Piazza Grande, a square located in the centre of Livorno, Italy. It is said that Inigo Jones, the father of English Renaissance architecture, was inspied by the Piazza Grande for the design of Covent Garden in London, the first square of regular shapes of the British capital. It is also believed that the Piazza Grande was taken as a model of the Place Dauphine in Paris, the first important example of a royal square of the French Baroque. After Philipe Benoist (1813-1880), with titles in French and Italian. For uncolored version, see item ref: 33320.
[Ref: 33385] £230.00 (£276.00 incl.VAT)
![Sienne. Vue générale de la Cathédrale. [/] Siena. Veduta generale del Duomo.](jpegs/33319.jpg)
Sienne. Vue générale de la Cathédrale. [/] Siena. Veduta generale del Duomo.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the front and side facades of the Siena Cathedral, a medieval church in Siena, Tuscany. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure by Giovanni Pisano, who was able to oversee his work until about 1296 when he abruptly left Siena, reportedly over creative differences with the Opera del Duomo, the group that oversaw the construction and maintenance of the Siena cathedrals. The church has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The areas around and above the doors, as well as the columns between the portals, are richly decorated with acanthus scrolls, allegorical figures and biblical scenes, which can be seen in the centre. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33319] £240.00 (£288.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp par Lemercier a Paris. Paris. Bulla éditeur, 18 rue Tiquetonne et Bulla st Delarue, 10 rue, JJ Rousseau. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A detailed view of the front and side facades of the Siena Cathedral, a medieval church in Siena, Tuscany. The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure by Giovanni Pisano, who was able to oversee his work until about 1296 when he abruptly left Siena, reportedly over creative differences with the Opera del Duomo, the group that oversaw the construction and maintenance of the Siena cathedrals. The church has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The areas around and above the doors, as well as the columns between the portals, are richly decorated with acanthus scrolls, allegorical figures and biblical scenes, which can be seen in the centre. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33319] £240.00 (£288.00 incl.VAT)
![[Tuscany.]](jpegs/49343.jpg)
[Tuscany.]
W. Douglas Macleod.
[n.d., c.1930.]
Etching. Plate: 150 x 360mm (6 x 14''), with very large margins. Mint.
A view in Italy of a farmer working a plough pulled by two large oxen. An etching by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 49343] £160.00 (£192.00 incl.VAT)
W. Douglas Macleod.
[n.d., c.1930.]
Etching. Plate: 150 x 360mm (6 x 14''), with very large margins. Mint.
A view in Italy of a farmer working a plough pulled by two large oxen. An etching by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 49343] £160.00 (£192.00 incl.VAT)
![[Tuscany]](jpegs/58037.jpg)
[Tuscany]
Percival Gaskell.
[n.d., c.1923.]
Aquatint, signed in pencil. 255 x 365mm (10 x 14½"), with large margins, watermarked 'J Whatman 1923'. Uncut. Slight marking bottom left.
Figures in the shade of Mediterranean Cypress trees, with a tower.
[Ref: 58037] £160.00 (£192.00 incl.VAT)
Percival Gaskell.
[n.d., c.1923.]
Aquatint, signed in pencil. 255 x 365mm (10 x 14½"), with large margins, watermarked 'J Whatman 1923'. Uncut. Slight marking bottom left.
Figures in the shade of Mediterranean Cypress trees, with a tower.
[Ref: 58037] £160.00 (£192.00 incl.VAT)
Veduta, e Prospetto del Gran' Theatro dell' Acque della Villa Aldobrandina di Belvedere à Frascati.
Gio Batta Falda del. et sculp.
Gio. Iac. Rossi le stampa in Roma alla Pace co Priv.' del S.P. [n.d., c.1680.]
Etching, 250 x 400mm (9¾ x 15¾"), with very large margins. Vertical centre fold as issued.
The Teatro delle Acque (''Water Theater'') of the Villa Aldobrandini, built by Carlo Maderno (1556-1629) and Orazio Olivieri for Cardinal Pietro Aldobrandini. The current owner, Prince Camillo Aldobrandini, tells that the staues on the balustrade shown here were taken by Napoleon, who promised to pay for them on his return from Russia. This is one of 18 plates engraved by Giovanni Battista Falda (1643-78) for 'Le fontane di Frascati', published by Giovanni Giacomo de' Rossi (1627-91).
[Ref: 46399] £260.00 (£312.00 incl.VAT)
Gio Batta Falda del. et sculp.
Gio. Iac. Rossi le stampa in Roma alla Pace co Priv.' del S.P. [n.d., c.1680.]
Etching, 250 x 400mm (9¾ x 15¾"), with very large margins. Vertical centre fold as issued.
The Teatro delle Acque (''Water Theater'') of the Villa Aldobrandini, built by Carlo Maderno (1556-1629) and Orazio Olivieri for Cardinal Pietro Aldobrandini. The current owner, Prince Camillo Aldobrandini, tells that the staues on the balustrade shown here were taken by Napoleon, who promised to pay for them on his return from Russia. This is one of 18 plates engraved by Giovanni Battista Falda (1643-78) for 'Le fontane di Frascati', published by Giovanni Giacomo de' Rossi (1627-91).
[Ref: 46399] £260.00 (£312.00 incl.VAT)
Etchings & Dry Points.
By S. Tushingham. Notes by P.G. Konody.
James Connell & Sons, Ltd., 47, Old Bond Street, London, W.1. And at 31, Renfield Street, Glasgow. [1928].
Book: 8vo (222 x 162mm). Cloth binding with gilt title stamped into spine and frontcover. Worn binding.
An illustrated and annotated catalogue of the engraved works of Sidney Tushingham (1-39 in Vol.1).
[Ref: 10233] £50.00
By S. Tushingham. Notes by P.G. Konody.
James Connell & Sons, Ltd., 47, Old Bond Street, London, W.1. And at 31, Renfield Street, Glasgow. [1928].
Book: 8vo (222 x 162mm). Cloth binding with gilt title stamped into spine and frontcover. Worn binding.
An illustrated and annotated catalogue of the engraved works of Sidney Tushingham (1-39 in Vol.1).
[Ref: 10233] £50.00
![[Thoothukudi] Tutecornyn](jpegs/58603.jpg)
[Thoothukudi] Tutecornyn
[London: Awnsham & John Churchill, 1732.]
Engraved map, 18th century watermark. 290 x 350mm (11½ x 14"). Original binding folds, trimmed to plate on left.
A plan of the sea port Thoothukdi (or Tuticorin) in Tamil Nadu. This plate was first published in Amsterdam in 1672 to illustrate the account of Philips Baelde's travels in India; this example was issued in 'Churchill's Collection of Voyages'.
[Ref: 58603] £260.00
[London: Awnsham & John Churchill, 1732.]
Engraved map, 18th century watermark. 290 x 350mm (11½ x 14"). Original binding folds, trimmed to plate on left.
A plan of the sea port Thoothukdi (or Tuticorin) in Tamil Nadu. This plate was first published in Amsterdam in 1672 to illustrate the account of Philips Baelde's travels in India; this example was issued in 'Churchill's Collection of Voyages'.
[Ref: 58603] £260.00
Tutors Assistant.
H.y Alken, Del.t.
London, Published by Tho.s McLean Repository of Wit & Humour, 26 Haymarket, 1823.
Soft ground etching with handcolour. Plate: 255 x 215mm (10 x 8½"). Some marks and pinholes in margins.
A humorous series of illustrations of grammatical terms such as A Verb Neuter, a Verb Active.
[Ref: 40926] £95.00 (£114.00 incl.VAT)
H.y Alken, Del.t.
London, Published by Tho.s McLean Repository of Wit & Humour, 26 Haymarket, 1823.
Soft ground etching with handcolour. Plate: 255 x 215mm (10 x 8½"). Some marks and pinholes in margins.
A humorous series of illustrations of grammatical terms such as A Verb Neuter, a Verb Active.
[Ref: 40926] £95.00 (£114.00 incl.VAT)
Chapelle et village pres de Tver.
Andre Durand. Imp. par Auguste Bry, r de Bac, 114, Paris.
Paris, Ernest Bourdon, Editeur, rue de Seine, 51. [n.d., 1843.]
Tinted lithograph. Printed area 280 x 365mm, 11 x 14½".
Tver in western Russia, once a rival for supremecy with Moscow, known as Kalinin during the Soviet era. From Anatole de Demidoff's 'Voyage Pittoresque et Archeologique en Russie'. André Durand (1807-67).
[Ref: 11036] £130.00 (£156.00 incl.VAT)
Andre Durand. Imp. par Auguste Bry, r de Bac, 114, Paris.
Paris, Ernest Bourdon, Editeur, rue de Seine, 51. [n.d., 1843.]
Tinted lithograph. Printed area 280 x 365mm, 11 x 14½".
Tver in western Russia, once a rival for supremecy with Moscow, known as Kalinin during the Soviet era. From Anatole de Demidoff's 'Voyage Pittoresque et Archeologique en Russie'. André Durand (1807-67).
[Ref: 11036] £130.00 (£156.00 incl.VAT)
"Twa-Some" Reel.
Printed by J. Graf. G.B. Campion Litho.
London, Published Decr. 1st. 1836, by Ackermann & Co. 96 Strand.
A very rare coloured lithograph. 317 x 407mm. 12¼ x 16". Some tears to the corners.
Scottish dances in full dress, a man to the right playing the bagpipes. People sit behind drinking.
[Ref: 15495] £150.00 (£180.00 incl.VAT)
Printed by J. Graf. G.B. Campion Litho.
London, Published Decr. 1st. 1836, by Ackermann & Co. 96 Strand.
A very rare coloured lithograph. 317 x 407mm. 12¼ x 16". Some tears to the corners.
Scottish dances in full dress, a man to the right playing the bagpipes. People sit behind drinking.
[Ref: 15495] £150.00 (£180.00 incl.VAT)
![[Mark Twain.] Mark Bay H. A. By Great Humorist _ U.S.A.](jpegs/60707.jpg)
[Mark Twain.] Mark Bay H. A. By Great Humorist _ U.S.A.
Nap.
[n.d. c.1900.]
Watercolour and gouache, sheet 285 x 345mm (11¼ x 13½"). Tears and creases.
A caricature of American writer and humorist Mark Twain (1835-1910) as a horse.
[Ref: 60707] £650.00
Nap.
[n.d. c.1900.]
Watercolour and gouache, sheet 285 x 345mm (11¼ x 13½"). Tears and creases.
A caricature of American writer and humorist Mark Twain (1835-1910) as a horse.
[Ref: 60707] £650.00
John Tweddell. Nat. 1st. June 1769. Ob. 25th. July 1799. See Correspondence-Letter XXXII P.171.
Published May 1st. 1815 by J. Mawman.
Stipple engraving. 205 x 255mm. Crease through middle of paper. Light foxing.
Profile in silhouette of John Tweddell, classical scholar. Frontispiece to his 'Remains'.
[Ref: 4159] £50.00 (£60.00 incl.VAT)
Published May 1st. 1815 by J. Mawman.
Stipple engraving. 205 x 255mm. Crease through middle of paper. Light foxing.
Profile in silhouette of John Tweddell, classical scholar. Frontispiece to his 'Remains'.
[Ref: 4159] £50.00 (£60.00 incl.VAT)
The Twelfth.
A. Thorburn.
[n.d., c.1895.]
Photogravure. Sheet: 435 x 575mm (17 x 22¾") very large margins.
A shooting scene showing the start of the grouse season on the 12th August. Three figures walk over the crest of a hill with a spaniel leading while in the foreground a covey of grouse hide beneath a rock. After a painting by Archibald Thorburn (1860-1935).
[Ref: 47449] £180.00 (£216.00 incl.VAT)
A. Thorburn.
[n.d., c.1895.]
Photogravure. Sheet: 435 x 575mm (17 x 22¾") very large margins.
A shooting scene showing the start of the grouse season on the 12th August. Three figures walk over the crest of a hill with a spaniel leading while in the foreground a covey of grouse hide beneath a rock. After a painting by Archibald Thorburn (1860-1935).
[Ref: 47449] £180.00 (£216.00 incl.VAT)
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Drawing for Twelfthcake at S.t Annes Hill!!
[Isaac Cruikshank]
Pub.d by S W Fores. 50 Piccadilly. Jan.ry 16. 1799. Folios of Caricatures Let out.
Finely hand coloured etching, sheet 260 x 405mm (10¼ x 16"). On paper watermarked '1797.' Trimmed within plate. Some surface dirt. Repaired tears.
Satire on the supposed Jacobin sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 61888] £280.00 (£336.00 incl.VAT)
[Isaac Cruikshank]
Pub.d by S W Fores. 50 Piccadilly. Jan.ry 16. 1799. Folios of Caricatures Let out.
Finely hand coloured etching, sheet 260 x 405mm (10¼ x 16"). On paper watermarked '1797.' Trimmed within plate. Some surface dirt. Repaired tears.
Satire on the supposed Jacobin sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 61888] £280.00 (£336.00 incl.VAT)
Drawing for Twelfthcake at S.t Annes Hill!! N.o X.
[Isaac Cruikshank]
[ n.d. c. after 1799]
Finely hand coloured etching, sheet 175 x 130mm (7 x 9"). Trimmed within plate. Some surface dirt.
A reduced copy of Isaac Cruikshank's satire on the supposed Jacobin sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 62003] £180.00 (£216.00 incl.VAT)
[Isaac Cruikshank]
[ n.d. c. after 1799]
Finely hand coloured etching, sheet 175 x 130mm (7 x 9"). Trimmed within plate. Some surface dirt.
A reduced copy of Isaac Cruikshank's satire on the supposed Jacobin sentiments of the Opposition. The host of the Twelfth Night celebration, Charles James Fox (1749-1806), stands behind a table on which is a large Twelfth-cake decorated with trees of Liberty and crowned by a bonnet-rouge. He and all his guests are inspecting the tickets they have drawn from a bonnet-rouge full of papers which lies on the corner of the table opposite Richard Brinsley Sheridan (1751-1816). Fox delightedly holds out his ticket, 'Perpetual Dictator'. The others are: George Tierney (1761-1830), his ticket 'A Nabob'; then Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira (1754-1826), 'The Irish Hoaxter'; Francis Russell, 5th Duke of Bedford (1765-1802), seated, 'Collector of Taxes', Charles Howard, 11th Duke of Norfolk (1746-1815), on Fox's right, 'Perpetual Toast Master'; Right Hon Michael Angelo Taylor (1757-1834), very small and wearing a bonnet-rouge, his ticket inscribed 'Go to Roost'; Thomas Erskine, 1st Baron Erskine (1750-1823), on Fox's right, 'Soliciter General'; Sir Francis Burdett, 5th Baronet (1770-1844), 'Keeper of the Prison in Cold Bath Fields', Richard Brinsley Sheridan (1751-1816), seated, 'First Lord of the Treasury', and who is thought to be George Byng (1764-1847) M.P. for Middlesex, looking nearsightedly at 'Bastile Jervise'. On the wall is a placard: 'Rules to be observed at this Meeting 1 That the Cake be decorate with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.'
BM Satires 9340.
[Ref: 62003] £180.00 (£216.00 incl.VAT)
![[Set of Twelve Months.]](jpegs/44675.jpg)
[Set of Twelve Months.]
[1864.]
Set of 12 coloured woodblock engravings. Each sheet: 100 x 155mm (4 x 6"). Slightly damaged.
A set of comic and satirical scenes, with poetry, illustrating the twelve months with scenes from Victorian life.
[Ref: 44675] £280.00 (£336.00 incl.VAT) view all images for this item
[1864.]
Set of 12 coloured woodblock engravings. Each sheet: 100 x 155mm (4 x 6"). Slightly damaged.
A set of comic and satirical scenes, with poetry, illustrating the twelve months with scenes from Victorian life.
[Ref: 44675] £280.00 (£336.00 incl.VAT) view all images for this item
Twelve Elegant and Humorous Prints of Rural Scenes, adorned with Comic Figures, by Robert Dighton.
Printed for & Sold by Bowles & Carver, No.69 in St.Paul's Church Yard, London. [n.d., c.1800.]
Set of twelve numbered engravings, each c. 170 x 260mm (6¾ x 10¼"). Trimmed to image & laid on album paper.
Rural pastimes, from fencing and skating to garden parties.
[Ref: 50333] £1,450.00 view all images for this item
Printed for & Sold by Bowles & Carver, No.69 in St.Paul's Church Yard, London. [n.d., c.1800.]
Set of twelve numbered engravings, each c. 170 x 260mm (6¾ x 10¼"). Trimmed to image & laid on album paper.
Rural pastimes, from fencing and skating to garden parties.
[Ref: 50333] £1,450.00 view all images for this item
![W.m Twemlow [facsimile signature] of Witton Cottage, Northwich, Surgeon [...]](jpegs/67152.jpg)
W.m Twemlow [facsimile signature] of Witton Cottage, Northwich, Surgeon [...]
Rev.d T. Birkett, pinx.t 1823. S.W. Reynolds, London, sculp.t 1843.
Mezzotint. 250 x 180mm (8 x 7"), with large margins.
A three-quarter portrait of Norwich surgeon William Twemlow (1770-1843), seated at a table with skull on it, the legs of a skeleton hanging behind.
Whitman 531. Not in Wellcome. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67152] £220.00 (£264.00 incl.VAT)
Rev.d T. Birkett, pinx.t 1823. S.W. Reynolds, London, sculp.t 1843.
Mezzotint. 250 x 180mm (8 x 7"), with large margins.
A three-quarter portrait of Norwich surgeon William Twemlow (1770-1843), seated at a table with skull on it, the legs of a skeleton hanging behind.
Whitman 531. Not in Wellcome. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67152] £220.00 (£264.00 incl.VAT)
William Twemlow, of Hatherton, near Nantwich in the County Palatine of Chester. He Died December 29th. 1807~Aged 73 Years. Kind, generous, just, his Children's Friend he proved; He died regretted, lamented, and beloved.
Engraved by Edw.d Scriven, Historical Engraver to His Majesty 1827.
Stipple with engraving. 292 x 216mm. 11½ x 8½". Bit messy.
William Twemlow (1734-1807) of Hatherton, Cheshire.
[Ref: 15059] £65.00 (£78.00 incl.VAT)
Engraved by Edw.d Scriven, Historical Engraver to His Majesty 1827.
Stipple with engraving. 292 x 216mm. 11½ x 8½". Bit messy.
William Twemlow (1734-1807) of Hatherton, Cheshire.
[Ref: 15059] £65.00 (£78.00 incl.VAT)
Twentieth-Century Prints.
Jirí Siblík.
The Hamlyn Publishing Group Limited. London. New York. Sydney. Toronto. Hamlyn House, Feltham, Middlesex, England. 1970.
4to (318 x 241mm. 12½ x 9½".), with white cloth covers, image on front and title along spine; also with original dust jacket. pp.154. Profusely illustrated with colour and b/w images. Dust jacket worn, torn and scuffed.
Jirí Siblík has chosen illustrations that show the freedom of the modern printmaker to combine the old techniques and experiment with the new. There is a selection of 64 illustrations, 32 of which are coloured, accompanied by a short text, biographical notes and a photograph of the artist. The book is organised into the following chapters: figurative art; graphic elements; colour; shapes; structures and symbols; and constructivism.
[Ref: 22107] £30.00
Jirí Siblík.
The Hamlyn Publishing Group Limited. London. New York. Sydney. Toronto. Hamlyn House, Feltham, Middlesex, England. 1970.
4to (318 x 241mm. 12½ x 9½".), with white cloth covers, image on front and title along spine; also with original dust jacket. pp.154. Profusely illustrated with colour and b/w images. Dust jacket worn, torn and scuffed.
Jirí Siblík has chosen illustrations that show the freedom of the modern printmaker to combine the old techniques and experiment with the new. There is a selection of 64 illustrations, 32 of which are coloured, accompanied by a short text, biographical notes and a photograph of the artist. The book is organised into the following chapters: figurative art; graphic elements; colour; shapes; structures and symbols; and constructivism.
[Ref: 22107] £30.00
Trinity New District Church, Twickenham.
On Stone by H.C. from a Sketch by Major Harriott. Day & Haghe Lithrs. to the Queen.
Price 2s/6d plain, or 5s. Coloured [n.d., c.1841].
Lithograph on india paper, rare, india 185 x 265mm. 7¼ x 10½". Rubbing in sky with abrasions to the surface laid on conservastion tissue.
Holy Trinity Church, facing Twickenham Green in southwest London, opened in 1841.
Gascoigne 'Images of Twickenham' 328.
[Ref: 23156] £130.00 (£156.00 incl.VAT)
On Stone by H.C. from a Sketch by Major Harriott. Day & Haghe Lithrs. to the Queen.
Price 2s/6d plain, or 5s. Coloured [n.d., c.1841].
Lithograph on india paper, rare, india 185 x 265mm. 7¼ x 10½". Rubbing in sky with abrasions to the surface laid on conservastion tissue.
Holy Trinity Church, facing Twickenham Green in southwest London, opened in 1841.
Gascoigne 'Images of Twickenham' 328.
[Ref: 23156] £130.00 (£156.00 incl.VAT)
Twickenham.
Drawn by I.C.Barrow F.S.A. Engraved by G.I. Parkyns.
London, Pub.d Jan.y 1. 1795 by T. Simpson St Paul's Church Yard, and Darling & Thompson, G.t Newport Str.t.
Aquatint. 290 x 365mm (11½ x 14½"). Trimmed into plate at top, as issued.
A view of St Mary's Church, on the banks of the Thames at Twickenham, from Joseph Charles Barrow's 'Picturesque Views of Churches'. Originally issued by subscription 1791-2, only three of the intended six parts were published, a total of 12 views. This comes from a collected edition, not listed in Abbey.
See Abbey Scenery 2 for the subscription edition, this edition not listed.
[Ref: 15025] £220.00 (£264.00 incl.VAT)
Drawn by I.C.Barrow F.S.A. Engraved by G.I. Parkyns.
London, Pub.d Jan.y 1. 1795 by T. Simpson St Paul's Church Yard, and Darling & Thompson, G.t Newport Str.t.
Aquatint. 290 x 365mm (11½ x 14½"). Trimmed into plate at top, as issued.
A view of St Mary's Church, on the banks of the Thames at Twickenham, from Joseph Charles Barrow's 'Picturesque Views of Churches'. Originally issued by subscription 1791-2, only three of the intended six parts were published, a total of 12 views. This comes from a collected edition, not listed in Abbey.
See Abbey Scenery 2 for the subscription edition, this edition not listed.
[Ref: 15025] £220.00 (£264.00 incl.VAT)
Twickenham.
W.T.G.
Published by Felix Rosenstiel, 78 Molton Street, London, E.C. [n.d., c.1880.]
Etching with remarque of a deerhound's head. 260 x 380mm, 10¼ x 15". Trimmed to plate.
View of Twickenham from the Surrey side of the Thames, with St Mary's church in the centre and Eel Pie Island on the left. Anglers fish from the shore and a punt.
[Ref: 9224] £130.00 (£156.00 incl.VAT)
W.T.G.
Published by Felix Rosenstiel, 78 Molton Street, London, E.C. [n.d., c.1880.]
Etching with remarque of a deerhound's head. 260 x 380mm, 10¼ x 15". Trimmed to plate.
View of Twickenham from the Surrey side of the Thames, with St Mary's church in the centre and Eel Pie Island on the left. Anglers fish from the shore and a punt.
[Ref: 9224] £130.00 (£156.00 incl.VAT)
A View of the Earl of Radnor’s House at Twickenham. Vüe de la Maison du Comte de Radnor a Twickenham. No.33.
Boydell Delin & Sculp.
Publish'd according to Act of Parliam.t, by J. Boydell Engraver; at the Unicorn the Corner of Queen Street Cheapside London 1754.
Engraving, paper watermarked with very large margins. Plate 255 x 420mm (10 x 16½").
Radnor House, probably built by John Hooker c.1673; and in 1741/5 the house was extended by John Robartes, 4th Earl of Radnor. Rowers on the Thames in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams 47.33; Gascoigne & Ditchburn 247.
[Ref: 29368] £350.00
Boydell Delin & Sculp.
Publish'd according to Act of Parliam.t, by J. Boydell Engraver; at the Unicorn the Corner of Queen Street Cheapside London 1754.
Engraving, paper watermarked with very large margins. Plate 255 x 420mm (10 x 16½").
Radnor House, probably built by John Hooker c.1673; and in 1741/5 the house was extended by John Robartes, 4th Earl of Radnor. Rowers on the Thames in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams 47.33; Gascoigne & Ditchburn 247.
[Ref: 29368] £350.00
M.r. Bradbury's Twickenham Com.n.
[F. Jukes, No.3 Howland S.t., Sept.r 1st 1786.]
Aquatint. Sheet: 250 x 200mm, (9¾ x 8"). Trimmed.
View of a large house belonging to a Mr Bradbury on Twickenham Common. Easily accessible by the Thames and free from the pollution of the city, Twickenham became a fashionable residence for the wealthy in the 18th Century.
Gasgoine and Ditchburn 324.
[Ref: 35176] £140.00 (£168.00 incl.VAT)
[F. Jukes, No.3 Howland S.t., Sept.r 1st 1786.]
Aquatint. Sheet: 250 x 200mm, (9¾ x 8"). Trimmed.
View of a large house belonging to a Mr Bradbury on Twickenham Common. Easily accessible by the Thames and free from the pollution of the city, Twickenham became a fashionable residence for the wealthy in the 18th Century.
Gasgoine and Ditchburn 324.
[Ref: 35176] £140.00 (£168.00 incl.VAT)
View of Richmond Hill, from Twickenham.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin.
Plate 3 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view with the River Thames in the foreground, two figures on horseback going into the river, two canopied boats and a further two boats in the middle distance. Large buildings on top of Richmond Hill can be seen in the background.
Abbey: 432.
[Ref: 33474] £250.00 (£300.00 incl.VAT)
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin.
Plate 3 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view with the River Thames in the foreground, two figures on horseback going into the river, two canopied boats and a further two boats in the middle distance. Large buildings on top of Richmond Hill can be seen in the background.
Abbey: 432.
[Ref: 33474] £250.00 (£300.00 incl.VAT)
![[Louis Philippe instructing his children at Orleans House.]](jpegs/23472.jpg)
[Louis Philippe instructing his children at Orleans House.]
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
Temple at Strawberry Hill.
Drawn & Etched by Rowlandson. Stadler Aquatinta.
[London: Thomas Tegg, n.d., 1822.]
Coloured aquatint with etching. 190 x 240mm (7½ x 9½"), with large margins. Stain in inscription area.
A reversed and inaccurate view, showing the gate and chapel as adjacent. A man seats in a chair reading. From Rowlandson's 'Sketches from Nature': The plate was first published by Rowlandson in a fortnightly series in 1809: it was not published in a book until 1822.
Abbey 33; Gascoigne Images of Twickenham 314a.
[Ref: 63922] £260.00 (£312.00 incl.VAT)
Drawn & Etched by Rowlandson. Stadler Aquatinta.
[London: Thomas Tegg, n.d., 1822.]
Coloured aquatint with etching. 190 x 240mm (7½ x 9½"), with large margins. Stain in inscription area.
A reversed and inaccurate view, showing the gate and chapel as adjacent. A man seats in a chair reading. From Rowlandson's 'Sketches from Nature': The plate was first published by Rowlandson in a fortnightly series in 1809: it was not published in a book until 1822.
Abbey 33; Gascoigne Images of Twickenham 314a.
[Ref: 63922] £260.00 (£312.00 incl.VAT)
The House of Moses Hart Esq.r between Twickenham & Isleworth. Maison de Sieur Moses Hart entre Twickenham et Isleworth.
A. Heckell delin.t. Ant. Walker Sculp.t.
Publish'd according to Act of Parliament Dec.r 1.st 1750. London Printed for John Bowles at the Black Horse in Cornhill.
Engraving. 250 x 415mm (9¾ x 15¼"), with large margins.
Gordon House, Isleworth, home of Moses Hart between 1718-56, whose brother Aaron was Chief Rabbi of the Ashkenazi Community. Moses funded the rebuilding of the great Synagogue, Duke's Place, Aldgate, in 1721. The next owner was Mrs Elizabeth Bland, who gave Robert Adam his first commission in England, a wing containing a drawing room, a staircase to small rooms above and minor improvements to the entrance hall.
Gascoigne, Twickenham 7A.
[Ref: 61678] £350.00
A. Heckell delin.t. Ant. Walker Sculp.t.
Publish'd according to Act of Parliament Dec.r 1.st 1750. London Printed for John Bowles at the Black Horse in Cornhill.
Engraving. 250 x 415mm (9¾ x 15¼"), with large margins.
Gordon House, Isleworth, home of Moses Hart between 1718-56, whose brother Aaron was Chief Rabbi of the Ashkenazi Community. Moses funded the rebuilding of the great Synagogue, Duke's Place, Aldgate, in 1721. The next owner was Mrs Elizabeth Bland, who gave Robert Adam his first commission in England, a wing containing a drawing room, a staircase to small rooms above and minor improvements to the entrance hall.
Gascoigne, Twickenham 7A.
[Ref: 61678] £350.00
Twickenham.
A. Evershed. 1881.
Etching. 155 x 250mm (6 x 9¾"), with large margins.
A view of Twickenham riverside, with St Mary's Church and the trees of York House gardens. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
Gaiscogne, Twickenham 173.
[Ref: 61679] £140.00 (£168.00 incl.VAT)
A. Evershed. 1881.
Etching. 155 x 250mm (6 x 9¾"), with large margins.
A view of Twickenham riverside, with St Mary's Church and the trees of York House gardens. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
Gaiscogne, Twickenham 173.
[Ref: 61679] £140.00 (£168.00 incl.VAT)
At Twickenham.
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. [n.d. c.1876].
Etching, 100 x 200mm (4 x 8"), with very large margins.
A scene on the Thames at Twickenham, with men fishing in boats on the river and houses and trees in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62613] £140.00 (£168.00 incl.VAT)
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. [n.d. c.1876].
Etching, 100 x 200mm (4 x 8"), with very large margins.
A scene on the Thames at Twickenham, with men fishing in boats on the river and houses and trees in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62613] £140.00 (£168.00 incl.VAT)
![[Orleans House] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur de Duc D'Orleans a Twickenham en 1815 et 1816.](jpegs/62282.jpg)
[Orleans House] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur de Duc D'Orleans a Twickenham en 1815 et 1816.
L. Attbalin Del.t. J.C. Stadler Sculp.
Published Jan.y 17.th 1817, at R. Ackermann's Repository of Arts, N.º 101, Strand, London.
Aquatint, printed in brown and blue hand finished, J. Whatman watermark. 450 x 770mm (17¾ x 30¼"). Trimmed to plate on left, repaired tears at edges.
A large & rare coloured aquatint showing view of the entourage of Louis Philippe, Duke of Orleans (1773-1850, later King of the French), in a carriage and on horseback, crossing the Thames from his house in exile, Orleans House to the Ham bank. The main house shown here was demolished in 1926, but the baroque octagonal room designed by James Gibb remains as part of the Orleans House Gallery. In 'Images of Twickenham' Gascoigne states that Ackermann's 1830 catalogue attributed the print to 'Athalin', the name of one of Louis Philippe's ADCs.
Gascoigne: Images of Twickenham 114.
[Ref: 62282] £650.00
L. Attbalin Del.t. J.C. Stadler Sculp.
Published Jan.y 17.th 1817, at R. Ackermann's Repository of Arts, N.º 101, Strand, London.
Aquatint, printed in brown and blue hand finished, J. Whatman watermark. 450 x 770mm (17¾ x 30¼"). Trimmed to plate on left, repaired tears at edges.
A large & rare coloured aquatint showing view of the entourage of Louis Philippe, Duke of Orleans (1773-1850, later King of the French), in a carriage and on horseback, crossing the Thames from his house in exile, Orleans House to the Ham bank. The main house shown here was demolished in 1926, but the baroque octagonal room designed by James Gibb remains as part of the Orleans House Gallery. In 'Images of Twickenham' Gascoigne states that Ackermann's 1830 catalogue attributed the print to 'Athalin', the name of one of Louis Philippe's ADCs.
Gascoigne: Images of Twickenham 114.
[Ref: 62282] £650.00
Twickenham.
Drawn & Engraved by W. Pichett [William Pickett].
London. Pub. Dec.r 1. 1812 by J. Dunford Fr.t Newport Street.
Very rare and fine coloured aquatint. 320 x 445mm (12½ x 17½"), watermarked 'J Whatman Turkey Mill 1824', very large margins.
A view of the Twickenham riverside from Eel Pie Island, with St Mary's Church, first published by Pickett in 1799.
Gascoigne's 'Images of Twickenham' 163.
[Ref: 57675] £500.00 (£600.00 incl.VAT)
Drawn & Engraved by W. Pichett [William Pickett].
London. Pub. Dec.r 1. 1812 by J. Dunford Fr.t Newport Street.
Very rare and fine coloured aquatint. 320 x 445mm (12½ x 17½"), watermarked 'J Whatman Turkey Mill 1824', very large margins.
A view of the Twickenham riverside from Eel Pie Island, with St Mary's Church, first published by Pickett in 1799.
Gascoigne's 'Images of Twickenham' 163.
[Ref: 57675] £500.00 (£600.00 incl.VAT)
Twickenham.
W.Westall. A.R.A. del.t. R.G.Reeve sculp.t.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6546] £220.00
W.Westall. A.R.A. del.t. R.G.Reeve sculp.t.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6546] £220.00
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A View of the Governour Pitts House at Twickenham. Vüe de la Maison du Governour Pitt a Twickenham. No.32.
Boydell delin et Sculp.
Publish'd according to Act of Parliament & Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving. Plate 254 x 425mm. 10 x 16¾". Large margins.
View of boats on the River Thames showing Orleans House in Twickenham, Middlesex; Twickenham is now in the London borough of Richmond upon Thames. Orleans House was built c.170 by John James for James Johnston (1643-1737), Secretary of State for Scotland. After Johnston's death the property passes to George Morton Pitt (1693-1756), MP for Pontefract. In 1730 he became Governor of the Madras Presidency at Fort St. George and served there as President for five years.
Collage: k1278447.
[Ref: 25621] £350.00
Boydell delin et Sculp.
Publish'd according to Act of Parliament & Sold by J. Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving. Plate 254 x 425mm. 10 x 16¾". Large margins.
View of boats on the River Thames showing Orleans House in Twickenham, Middlesex; Twickenham is now in the London borough of Richmond upon Thames. Orleans House was built c.170 by John James for James Johnston (1643-1737), Secretary of State for Scotland. After Johnston's death the property passes to George Morton Pitt (1693-1756), MP for Pontefract. In 1730 he became Governor of the Madras Presidency at Fort St. George and served there as President for five years.
Collage: k1278447.
[Ref: 25621] £350.00
![[Maison de Plaisance du Trés Honorable Welbore Ellis, at Twickenham in Middlesex.]](jpegs/37716.jpg)
[Maison de Plaisance du Trés Honorable Welbore Ellis, at Twickenham in Middlesex.]
[W. Watts del. Gravé par Guyot.]
[Chez Guyot Graveur et Md. d'estampe Paris. c.1788.]
Proof before letters impression. Very scarce. Platemark: 175 x 220mm (6¾ x 8¾"). Very large margins.
Welbore Ellis's country cottage in Twickenham, Middlesex, depicting the house surrounded by trees, on the riverbank, with boats in the foreground and a group of figures with cattle to the left. Welbore Ellis, 1st Baron Mendip (1713 - 1802) was a British statesman. He held a number of political offices, including briefly serving as Secretary for the Colonies in 1782 during the American War of Independence. A proof impression from 'Des Jardins Anglais', a set of twelve plates representing lodges around London, first advertised in the Journal de Paris, 13th November 1788. Only five plates, etched by Guyot, are known, and it is quite possible that the rest of the set has actually never been engraved.
Gascoigne, 'Images of Twickenham': 216.
[Ref: 37716] £380.00
[W. Watts del. Gravé par Guyot.]
[Chez Guyot Graveur et Md. d'estampe Paris. c.1788.]
Proof before letters impression. Very scarce. Platemark: 175 x 220mm (6¾ x 8¾"). Very large margins.
Welbore Ellis's country cottage in Twickenham, Middlesex, depicting the house surrounded by trees, on the riverbank, with boats in the foreground and a group of figures with cattle to the left. Welbore Ellis, 1st Baron Mendip (1713 - 1802) was a British statesman. He held a number of political offices, including briefly serving as Secretary for the Colonies in 1782 during the American War of Independence. A proof impression from 'Des Jardins Anglais', a set of twelve plates representing lodges around London, first advertised in the Journal de Paris, 13th November 1788. Only five plates, etched by Guyot, are known, and it is quite possible that the rest of the set has actually never been engraved.
Gascoigne, 'Images of Twickenham': 216.
[Ref: 37716] £380.00
A View near Twickenham. Vüe dessiné près du Twickenham. (Barnaby Backwell Esq.r) (Dr. Battie.) No.31.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 249 x 412mm (9¾ x 16¼").
View of Twickenham from the Thames. Two large houses on the bank, one belonging to Barnaby Backwell and another belonging to Dr Battie further along (as indicated in key below). Three boats on the water. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams 47.31; Gascoigne & Ditchburn 196.
[Ref: 29324] £350.00
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 249 x 412mm (9¾ x 16¼").
View of Twickenham from the Thames. Two large houses on the bank, one belonging to Barnaby Backwell and another belonging to Dr Battie further along (as indicated in key below). Three boats on the water. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams 47.31; Gascoigne & Ditchburn 196.
[Ref: 29324] £350.00
A View of Governour Pitts House at Twickenham. Vüe de la Maison du Governour Pitt a Twickenham. No.32.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 252 x 420mm (10 x 16½").
View of boats on the River Thames showing Orleans House in Twickenham, Middlesex. Orleans House was built c.1737 by John James for James Johnston (1643-1737), Secretary of State for Scotland. After Johnston's death the property passes to George Morton Pitt (1693-1756), MP for Pontefract. In 1730 he became Governor of the Madras Presidency at Fort St. George and served there as President for five years. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London) 47.32; Gascoigne & Ditchburn 107
[Ref: 29325] £350.00
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 252 x 420mm (10 x 16½").
View of boats on the River Thames showing Orleans House in Twickenham, Middlesex. Orleans House was built c.1737 by John James for James Johnston (1643-1737), Secretary of State for Scotland. After Johnston's death the property passes to George Morton Pitt (1693-1756), MP for Pontefract. In 1730 he became Governor of the Madras Presidency at Fort St. George and served there as President for five years. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London) 47.32; Gascoigne & Ditchburn 107
[Ref: 29325] £350.00
![[Orleans House.] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur le Duc D'Orléans a Twickenham en 1815.](jpegs/56163.jpg)
[Orleans House.] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur le Duc D'Orléans a Twickenham en 1815.
L. Altbalin Del.t [Louis Marie Baptiste Atthalin]. [J.C. Stadler Sculp.]
Published Aug.t 1st 1816, at R. Ackermann's Repository of Arts, No 101, Strand, London.
Very rare aquatint, Sheet 425 x 690mm (16¾ x 27¼"), watermarked 'J Whatman 1813' (partial). Trimmed into image on three sides (c.3cm on right, losing engraver's inscription), into plate at bottom, vertical crease, bottom corners snipped.
A view of Orleans House, a Palladian villa on the Thames in St Margaret's, Twickenham, home to Louis Philippe, Duke of Orleans, between 1813 and 1815. A very large image with coaches and riders. The artist, Louis Marie Baptiste Atthalin (1784-1856), had been an aide-de-camp of Napoleon before taking the same role for Louis Philippe in 1814, after the first exile of Napoleon, at which time he painted this view. Despite rejoining Napoleon for the Hundred Days, Atthalin remained a favourite of the Duke: after becoming king in 1830 Louis Philippe made Atthalin Maréchal de Camp. When Louis Philippe abdicated after the February 1848 Revolution, Atthalin also lost his position, after which he retired from public life.
[Ref: 56163] £580.00
L. Altbalin Del.t [Louis Marie Baptiste Atthalin]. [J.C. Stadler Sculp.]
Published Aug.t 1st 1816, at R. Ackermann's Repository of Arts, No 101, Strand, London.
Very rare aquatint, Sheet 425 x 690mm (16¾ x 27¼"), watermarked 'J Whatman 1813' (partial). Trimmed into image on three sides (c.3cm on right, losing engraver's inscription), into plate at bottom, vertical crease, bottom corners snipped.
A view of Orleans House, a Palladian villa on the Thames in St Margaret's, Twickenham, home to Louis Philippe, Duke of Orleans, between 1813 and 1815. A very large image with coaches and riders. The artist, Louis Marie Baptiste Atthalin (1784-1856), had been an aide-de-camp of Napoleon before taking the same role for Louis Philippe in 1814, after the first exile of Napoleon, at which time he painted this view. Despite rejoining Napoleon for the Hundred Days, Atthalin remained a favourite of the Duke: after becoming king in 1830 Louis Philippe made Atthalin Maréchal de Camp. When Louis Philippe abdicated after the February 1848 Revolution, Atthalin also lost his position, after which he retired from public life.
[Ref: 56163] £580.00
Late Paul Whithead's Twickenham Comm.
London...1786 by F. Jukes N.3 Howland St.
Very scarce etching and aquatint coloured by hand, 200 x 245mm. 8 x 9¾". A fine impression.
Rare view of Colne Lodge, Twickenham, previously the home of poet and satirist Paul Whitehead (1710 -74). By Francis Jukes (1747-1812), after John Spyers.
Guildhall Library Record: 32522.
[Ref: 15001] £230.00 (£276.00 incl.VAT)
London...1786 by F. Jukes N.3 Howland St.
Very scarce etching and aquatint coloured by hand, 200 x 245mm. 8 x 9¾". A fine impression.
Rare view of Colne Lodge, Twickenham, previously the home of poet and satirist Paul Whitehead (1710 -74). By Francis Jukes (1747-1812), after John Spyers.
Guildhall Library Record: 32522.
[Ref: 15001] £230.00 (£276.00 incl.VAT)