A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Der Ballmeister.
[Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm, (3¼ x 5¼"); large margins.
A rare view of a German Renaissance tennis game with a 'ballmeister' standing with his hands in the air ready to catch a ball thrown by an opponent, they all stand in a ball court. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande' published by J. C. Weigel (1654-1725) in 1699.
[Ref: 39552] £360.00
[Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm, (3¼ x 5¼"); large margins.
A rare view of a German Renaissance tennis game with a 'ballmeister' standing with his hands in the air ready to catch a ball thrown by an opponent, they all stand in a ball court. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande' published by J. C. Weigel (1654-1725) in 1699.
[Ref: 39552] £360.00
Games With The Ball - Tennis. The Court at Lord's.
R.S. Groom, Wilkinson & Co., Litho, St. Paul's Press. 3, 4 & 5, Queen's Head Passage, Paternoster Row, London, E.C.
London: Henry Lea & Co., 125, Fleet Street. [n.d., c.1860.]
Lithograph. Sheet 225 x 295mm. (9 x 11½").
A game in progress inside the real tennis court at Lord's. At the request of MCC members a tennis court was built in 1839, soon becoming the venue for major championship and exhibition games. From 'The Book of Field Sports and Library of Veterinary Knowledge' by Henry Downes Miles.
[Ref: 62120] £290.00 (£348.00 incl.VAT)
R.S. Groom, Wilkinson & Co., Litho, St. Paul's Press. 3, 4 & 5, Queen's Head Passage, Paternoster Row, London, E.C.
London: Henry Lea & Co., 125, Fleet Street. [n.d., c.1860.]
Lithograph. Sheet 225 x 295mm. (9 x 11½").
A game in progress inside the real tennis court at Lord's. At the request of MCC members a tennis court was built in 1839, soon becoming the venue for major championship and exhibition games. From 'The Book of Field Sports and Library of Veterinary Knowledge' by Henry Downes Miles.
[Ref: 62120] £290.00 (£348.00 incl.VAT)
The Art of Tennis and How to Play it. - Showing the Various Strokes of the Game demonstrated by the Leading Players of England. Showing at this Cinema. Come and see the Game as it should be Played...The Scenarios and Sub-titles have been personally supervised and edited by Mr. Stanley N. Doust, the well-known Tennis Critic of the ''Daily Mail''. The Various actions demonstrating the different strokes are shown at normal speed, and immediately afterwards in Slow Motion.
Produced by the Parkstone Film Co. Ltd., Lytham. [n.d., 1925.]
Colour lithograph. 730 x 480mm (29 x 19"). A few small tears to edges.
A poster for a film demonstrating how to play tennis, starring a number of the leading players of the time: Joan Winifred Austin (1903-98), John David Patrick Wheatley (1899-1967), John Brian Gilbert (1887-1974), and Evelyn Lucy Colyer (1902-30). Joan Austin (sister of Bunny Austin, the last Brit to reach the reach the Men's final at Wimbledon before Andy Murray) was British Junior Girls Champion in 1921; in 1923 she and Evelyn Collier, known as 'The Babes', reached the Wimbledon doubles final but were beaten 6-3 6-1 by Suzanne Lenglen & Elizabeth Ryan.
[Ref: 48865] £250.00 (£300.00 incl.VAT)
Produced by the Parkstone Film Co. Ltd., Lytham. [n.d., 1925.]
Colour lithograph. 730 x 480mm (29 x 19"). A few small tears to edges.
A poster for a film demonstrating how to play tennis, starring a number of the leading players of the time: Joan Winifred Austin (1903-98), John David Patrick Wheatley (1899-1967), John Brian Gilbert (1887-1974), and Evelyn Lucy Colyer (1902-30). Joan Austin (sister of Bunny Austin, the last Brit to reach the reach the Men's final at Wimbledon before Andy Murray) was British Junior Girls Champion in 1921; in 1923 she and Evelyn Collier, known as 'The Babes', reached the Wimbledon doubles final but were beaten 6-3 6-1 by Suzanne Lenglen & Elizabeth Ryan.
[Ref: 48865] £250.00 (£300.00 incl.VAT)
Tennis Court.
[n.d., c.1850]
Pen and ink mss, 200 x 255mm. 8 x 10".
Hand-written instructions for laying an asphalt tennis court. Very early and important document.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16754] £250.00 (£300.00 incl.VAT)
[n.d., c.1850]
Pen and ink mss, 200 x 255mm. 8 x 10".
Hand-written instructions for laying an asphalt tennis court. Very early and important document.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16754] £250.00 (£300.00 incl.VAT)
Tennyson's 'May Queen', 'New Year's Eve' and 'Conclusion'
Illustrated by an Amateur.
[n.d., c.1851.]
Lithographic title and five plates, each sheet 225 x 285m (9 x 11¼"), within envelope illustrated with the title, rare. Envelope worn.
Five scenes from Alfred, Lord Tennyson's poems, with a title featuring a medley of four further scenes. One scene is a group dancing around a maypole. All sheets are signed 'R.S.B.', one dated 1850, another 1851.
Ex collection of the Hon Christopher Lennox-Boyd.
[Ref: 34203] £260.00 (£312.00 incl.VAT) view all images for this item
Illustrated by an Amateur.
[n.d., c.1851.]
Lithographic title and five plates, each sheet 225 x 285m (9 x 11¼"), within envelope illustrated with the title, rare. Envelope worn.
Five scenes from Alfred, Lord Tennyson's poems, with a title featuring a medley of four further scenes. One scene is a group dancing around a maypole. All sheets are signed 'R.S.B.', one dated 1850, another 1851.
Ex collection of the Hon Christopher Lennox-Boyd.
[Ref: 34203] £260.00 (£312.00 incl.VAT) view all images for this item
Westimster Abbey. Funeral of Lord Tennyson. Wednesday, October 12th, 1892, At 12.30 o'clock precisely. Admit One Person by the West Cloister Door, Through Dean's Yard, (at 12 O'Clock.) G.G. Bradley, D.D. Dean. South Transept. You are requested to take your seat in the South Transept immediately on entering the Abbey.
[1892.]
Printed invitation with black wax seal. Sheet 90 x 125mm (3½ x 5"). Some staining.
[Ref: 57592] £240.00 (£288.00 incl.VAT)
[1892.]
Printed invitation with black wax seal. Sheet 90 x 125mm (3½ x 5"). Some staining.
[Ref: 57592] £240.00 (£288.00 incl.VAT)
Alfred Tennyson.
W.H. Mote.
London Published by W. Kent& C.o late David Bogue, Fleet Street & Paternonster Row.
Stiple with engraving 8 x 5½ (205 x 140mm), with margins. Some creasing in the margins.
Head and shoulders portrait of a younger Alfred Tennyson (1809-1892), 1st Baron Tennyson, before his peerage in 1883, wearing a coat, a cravat tucked into a shirt, his hair loose; almost to his shoulders and a chinstrap beard. He served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age. His most well known poem is "The Charge of the Light Brigade".
[Ref: 54838] £90.00 (£108.00 incl.VAT)
W.H. Mote.
London Published by W. Kent& C.o late David Bogue, Fleet Street & Paternonster Row.
Stiple with engraving 8 x 5½ (205 x 140mm), with margins. Some creasing in the margins.
Head and shoulders portrait of a younger Alfred Tennyson (1809-1892), 1st Baron Tennyson, before his peerage in 1883, wearing a coat, a cravat tucked into a shirt, his hair loose; almost to his shoulders and a chinstrap beard. He served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age. His most well known poem is "The Charge of the Light Brigade".
[Ref: 54838] £90.00 (£108.00 incl.VAT)
![Lord Tennyson. Poet-Laureate. 1851-1892. Tennyson [facsimile signature inside plate.]](jpegs/17374.jpg)
Lord Tennyson. Poet-Laureate. 1851-1892. Tennyson [facsimile signature inside plate.]
From a Photo by Permission of Barraud's, London. Artist's First Proof J.A.Vinter [facsimile signature.] Artist to the Queen. Copyright.
London, Published by W.H. Coaten. 83, Charlotte St. Fitzroy Sq.re W. [n.d. c.1870.]
Scarce Proof lithograph on india. Sheet 610 x 345mm. 14 x 13½". Soiling in margins. Tears into margin.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!'
[Ref: 17374] £330.00
From a Photo by Permission of Barraud's, London. Artist's First Proof J.A.Vinter [facsimile signature.] Artist to the Queen. Copyright.
London, Published by W.H. Coaten. 83, Charlotte St. Fitzroy Sq.re W. [n.d. c.1870.]
Scarce Proof lithograph on india. Sheet 610 x 345mm. 14 x 13½". Soiling in margins. Tears into margin.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!'
[Ref: 17374] £330.00
Alfred Tennyson. (Poet Laureate.) Figaro Cartoon. Busts of the Day.
Faustin.
[n.d., c.1860.]
Chromolithograph. Sheet: 135 x 220mm (15 x 9"). Some light foxing.
A portrait of Alfred Lord Tennyson (1809-1892) who served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age.
[Ref: 45804] £60.00 (£72.00 incl.VAT)
Faustin.
[n.d., c.1860.]
Chromolithograph. Sheet: 135 x 220mm (15 x 9"). Some light foxing.
A portrait of Alfred Lord Tennyson (1809-1892) who served as poet laureate for most of Queen Victoria's reign and was one of the most popular poets of the Victorian age.
[Ref: 45804] £60.00 (£72.00 incl.VAT)
![[Alfred, Lord Tennyson.]](jpegs/13095.jpg)
[Alfred, Lord Tennyson.]
H.H. 79. Hubert Herkomer [pencil signature.]
[Goupil & Co., 1879.]
Etching printed in brown ink on watermarked laid paper, artist's remarque proof. From an edition limited to 25, numbered 'No 9' in pencil lower right. 590 x 440mm, 23¼ x 17¼". Very slight trace of age toning to paper; a fine impression.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!' Remarque lower right of Tennyson's head directed to left, with slightly longer hair and beard. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music. Printseller's Association blindstamp lower left.
Printseller's Association: pg.375.
[Ref: 13095] £350.00
H.H. 79. Hubert Herkomer [pencil signature.]
[Goupil & Co., 1879.]
Etching printed in brown ink on watermarked laid paper, artist's remarque proof. From an edition limited to 25, numbered 'No 9' in pencil lower right. 590 x 440mm, 23¼ x 17¼". Very slight trace of age toning to paper; a fine impression.
Alfred Tennyson, 1st Baron Tennyson (1809 - 1892), Poet Laureate. Tennyson was made a baron in 1883, the first writer to be so honoured. At this time he wrote a number of verse plays on historical themes such as Queen Mary (1875) and Becket (1884). The great poet was generally seen as being beyond criticism but Sir Henry Irving rudely complained that, 'Tennyson is a great poet, but he cannot write plays. What a pity he tries, they are the greatest rubbish!' Remarque lower right of Tennyson's head directed to left, with slightly longer hair and beard. By Sir Hubert von Herkomer (1849 - 1914), painter, watercolourist, draughtsman and etcher of portraits, landscapes, genre subjects. In 1869 he began working as an artist for a newly-founded newspaper 'The Graphic'. Herkomer was also a pioneering film maker. He established a studio in Lululaund and directed a number of historical costume dramas, designed to be shown accompanied by his own music. Printseller's Association blindstamp lower left.
Printseller's Association: pg.375.
[Ref: 13095] £350.00
La Tentation not from Faust. HB Sketches 257.
HB [John Doyle]. A. Ducote's Lithography. 70 St. Martins Lane.
Published by Tho.s Mc.Lean, 26, Haymarket, April 29th 1833.
Lithograph. Size: 370 x 280mm. (14½ x 11").
Sir Robert Peel, in the character of Faust, is tempted by Mephistopheles to sell his soul to the Whigs, for the price of the office of First Lord of the Treasury.
[Ref: 31420] £70.00 (£84.00 incl.VAT)
HB [John Doyle]. A. Ducote's Lithography. 70 St. Martins Lane.
Published by Tho.s Mc.Lean, 26, Haymarket, April 29th 1833.
Lithograph. Size: 370 x 280mm. (14½ x 11").
Sir Robert Peel, in the character of Faust, is tempted by Mephistopheles to sell his soul to the Whigs, for the price of the office of First Lord of the Treasury.
[Ref: 31420] £70.00 (£84.00 incl.VAT)
The 10th (or The Prince of Wales's own) Regiment of Light Dragoons. The 8th (or The King's Royal Irish) Regiment of Light Dragoons.
[Pub. by J. Carpenter & Co., Old Bond Street, Oct. 1800.]
Hand-coloured engraving, 225 x 165mm. 9 x 6½". 1798 watermark in paper. Trimmed; damage to text at top.
A military costume engraving, from a series published in the British Military Library or Journal.
Ogilby 134.26
[Ref: 11168] £140.00 (£168.00 incl.VAT)
[Pub. by J. Carpenter & Co., Old Bond Street, Oct. 1800.]
Hand-coloured engraving, 225 x 165mm. 9 x 6½". 1798 watermark in paper. Trimmed; damage to text at top.
A military costume engraving, from a series published in the British Military Library or Journal.
Ogilby 134.26
[Ref: 11168] £140.00 (£168.00 incl.VAT)
![[Two men seated at a table.]](jpegs/23133.jpg)
[Two men seated at a table.]
Terburg, Pinx. Van Somer, fec. [lower left of image.]
F. de Wit Exc. [lower centre of image.]
Mezzotint, scarce, 265 x 220mm (10½ x 8½"). Cut to image.
A man sits disconsolately at a table, absent-mindedly toying with his snuffbox, with a friend looking at him across the table and a standing figure holding a straw-covered wine bottle. Engraved by Dutch mezzotinter Jan van Somer (c.1645-99) after Gerard Ter Borch's 'Scene at an Inn' (c. 1648/50, private collection). Unusually, Van Somer also made another print of the same scene, but in reverse. It has been said of the painting from which this print derives that 'no painting in Ter Borch's oeuvre conveys with such overwhelming power the emotion of loneliness and despair'. The model for the seated figure on the right was a member of the Spanish delegation to Munster for the signing of the 1648 treaty which made the United Netherlands independent from Spain. The same sitter appears in Ter Borch's famous painting of the ratification of that treaty.
Hollstein: 62; for the painting see 'Gerard ter Borch' (NGA, Washington, 2005, cat.15).
[Ref: 23133] £220.00 (£264.00 incl.VAT)
Terburg, Pinx. Van Somer, fec. [lower left of image.]
F. de Wit Exc. [lower centre of image.]
Mezzotint, scarce, 265 x 220mm (10½ x 8½"). Cut to image.
A man sits disconsolately at a table, absent-mindedly toying with his snuffbox, with a friend looking at him across the table and a standing figure holding a straw-covered wine bottle. Engraved by Dutch mezzotinter Jan van Somer (c.1645-99) after Gerard Ter Borch's 'Scene at an Inn' (c. 1648/50, private collection). Unusually, Van Somer also made another print of the same scene, but in reverse. It has been said of the painting from which this print derives that 'no painting in Ter Borch's oeuvre conveys with such overwhelming power the emotion of loneliness and despair'. The model for the seated figure on the right was a member of the Spanish delegation to Munster for the signing of the 1648 treaty which made the United Netherlands independent from Spain. The same sitter appears in Ter Borch's famous painting of the ratification of that treaty.
Hollstein: 62; for the painting see 'Gerard ter Borch' (NGA, Washington, 2005, cat.15).
[Ref: 23133] £220.00 (£264.00 incl.VAT)
English Ambassador's Palace at Terapia.
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. Image area 101 x 165mm (4 x 6½"). Cut.
A view of the Ambassador's residence at Terapia, 'built on a little rocky promontory overhanging the "enchanted current" of the Bosphorus'. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
[Ref: 31165] £65.00 (£78.00 incl.VAT)
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. Image area 101 x 165mm (4 x 6½"). Cut.
A view of the Ambassador's residence at Terapia, 'built on a little rocky promontory overhanging the "enchanted current" of the Bosphorus'. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
[Ref: 31165] £65.00 (£78.00 incl.VAT)
Tercentenary Banquet 17.th April 1884 (Drill Hall: Forrest Road). Chairman, The Right Honourable John Inglis. Chancellor of the University.
C. Stewart & Co. [1884.]
Progamme and menu; booklet. 182 x 115mm. 7¼ x 4½".
A booklet with the menu, toast list and the programme of music for the University of Edinburgh's tercentenary banquet.
[Ref: 21016] £50.00 (£60.00 incl.VAT)
C. Stewart & Co. [1884.]
Progamme and menu; booklet. 182 x 115mm. 7¼ x 4½".
A booklet with the menu, toast list and the programme of music for the University of Edinburgh's tercentenary banquet.
[Ref: 21016] £50.00 (£60.00 incl.VAT)
Tergeman or a Turkish Interpreter in the Austrian Service
[n.d. c.1830]
Watercolour and pen. Sheet 296 x 229mm. 11¾ x 9".
From the Collection of Gubbins and Gibbin's Family.
[Ref: 15278] £160.00 (£192.00 incl.VAT)
[n.d. c.1830]
Watercolour and pen. Sheet 296 x 229mm. 11¾ x 9".
From the Collection of Gubbins and Gibbin's Family.
[Ref: 15278] £160.00 (£192.00 incl.VAT)
Isometrical Plan of Mr. Grainger's Proposed Concentration of the Termini of the Several Railways from London, Edinburgh, Carlisly, Shields and Sunderland, at a General Depot at Elswick.
Engraved by W. Collard.
T. Sopwith, C.E. [n.d. c.1840.]
A very rare and scarce engraving. Sheet 406 x 247mm. 16 x 9¾". Laid on separate sheet.
It was in 1839 that Mr. Richard Granger (1797-1861) the builder from Newcastle upon Tyne, known for taking on the task of building and developing Grainger Town, decided to buy the Elswick estate to the west of Newcastle with the intention of building a railway terminus. These plans never went ahead, as Grainger bankrupted himself in purchasing the land, and following his death, his debts were greater than his personal estate, so the sale of the land in the Elswick estate helped pay off these debts. Thomas Sopwith (1803-1879), also from Newcastle, was a miner and railway surveyor, writing his best-known book "Treatise on Isometrical Drawing".
[Ref: 16104] £360.00
Engraved by W. Collard.
T. Sopwith, C.E. [n.d. c.1840.]
A very rare and scarce engraving. Sheet 406 x 247mm. 16 x 9¾". Laid on separate sheet.
It was in 1839 that Mr. Richard Granger (1797-1861) the builder from Newcastle upon Tyne, known for taking on the task of building and developing Grainger Town, decided to buy the Elswick estate to the west of Newcastle with the intention of building a railway terminus. These plans never went ahead, as Grainger bankrupted himself in purchasing the land, and following his death, his debts were greater than his personal estate, so the sale of the land in the Elswick estate helped pay off these debts. Thomas Sopwith (1803-1879), also from Newcastle, was a miner and railway surveyor, writing his best-known book "Treatise on Isometrical Drawing".
[Ref: 16104] £360.00
![[Marmore Falls] Pio Sexto Pont. Opt. Max.](jpegs/54971.jpg)
[Marmore Falls] Pio Sexto Pont. Opt. Max. Bonarum Artium Auspici et Patrono. Velinum aere expressum per Fossam Curianam nunc Clementinam in Narem defluentem Interamnatium et Reatinorum dissidüs celeberrimum.
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00
V. Terpsichore, invenit-Psalterium. Dulcia Terpsichore citharis, modu-lamina miscet.
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Terpsichore, the Muse of Dancing, seated outside, playing a lyre. Cupid holds a music book open for her, his bow and arrows and their feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Erato' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68722].
[Ref: 68721] £280.00 (£336.00 incl.VAT)
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Terpsichore, the Muse of Dancing, seated outside, playing a lyre. Cupid holds a music book open for her, his bow and arrows and their feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Erato' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68722].
[Ref: 68721] £280.00 (£336.00 incl.VAT)
Terpsichore.
J.P. Simon Sculp.
A Paris chez Ostervald l’Ainé Rue Pelletier No.3. Déposé à la Bibliotheque Nationale. [n.d. c.1820.]
Colour-printed stipple. Plate 412 x 285mm. 16¼ x 11¼". Horizontal crease through the middle.
Terpsichore, one of the nine Muses in Greek mythology. She ruled over dance and dramatic chorus. As seen her she iepicted, as is normally seen, holding a lyre for musical accompaniment to dancers.
[Ref: 16312] £140.00 (£168.00 incl.VAT)
J.P. Simon Sculp.
A Paris chez Ostervald l’Ainé Rue Pelletier No.3. Déposé à la Bibliotheque Nationale. [n.d. c.1820.]
Colour-printed stipple. Plate 412 x 285mm. 16¼ x 11¼". Horizontal crease through the middle.
Terpsichore, one of the nine Muses in Greek mythology. She ruled over dance and dramatic chorus. As seen her she iepicted, as is normally seen, holding a lyre for musical accompaniment to dancers.
[Ref: 16312] £140.00 (£168.00 incl.VAT)
Tersicore Aloisiae. E. Principibus. Stolbergis / Albaniae. Comitissae. / Antonius Canova.
[n.d. after 1808].
A. Canova inv. e scolpi in marmo. Gio. Tognoli dis. Piet. Fontana incise.
Mint engraving. 455 x 330mm (17¾ x 13"), with large margins.
Sculpture of Terpsychore, the muse of dance and choral singing, holding a lyre. The Greek inscription on the colomn reads 'Terpsychore Lyran'. The statue was commisioned by Lucien Bonaparte (1775-1840), originally intended to portray his wife Alexandrine de Bleschamp (1778-1855), however, for reasons that remain unknown, the completed work was acquired by Giovanni Battista Sommariva, who also bought the plaster cast to ensure no copies could be made. Sommariva, who was bessotted with the statue, referred to the sculpture as '[his] bride' and placed at the foot of his bed in his Parisian house.
From the Berkeley Collection, Spetchley Park.
[Ref: 55030] £320.00
[n.d. after 1808].
A. Canova inv. e scolpi in marmo. Gio. Tognoli dis. Piet. Fontana incise.
Mint engraving. 455 x 330mm (17¾ x 13"), with large margins.
Sculpture of Terpsychore, the muse of dance and choral singing, holding a lyre. The Greek inscription on the colomn reads 'Terpsychore Lyran'. The statue was commisioned by Lucien Bonaparte (1775-1840), originally intended to portray his wife Alexandrine de Bleschamp (1778-1855), however, for reasons that remain unknown, the completed work was acquired by Giovanni Battista Sommariva, who also bought the plaster cast to ensure no copies could be made. Sommariva, who was bessotted with the statue, referred to the sculpture as '[his] bride' and placed at the foot of his bed in his Parisian house.
From the Berkeley Collection, Spetchley Park.
[Ref: 55030] £320.00
![[The Death of Pierre Terrail, Chevalier de Bayard.]](jpegs/67486.jpg)
[The Death of Pierre Terrail, Chevalier de Bayard.] Bayard.
B.West Pinx. P.Bernard sculp.
[n.d., c.1800.]
Engraving, very fine impression. Sheet 575 x 425mm (22½ x 16¾"). Trimmed.
A scene depicting the death of Pierre Terrail, seigneur de Bayard (c.1476 - 1524), French knight and military leader at the transition between the Middle Ages and the Renaissance, generally known as the Chevalier de Bayard.
[Ref: 67486] £420.00
B.West Pinx. P.Bernard sculp.
[n.d., c.1800.]
Engraving, very fine impression. Sheet 575 x 425mm (22½ x 16¾"). Trimmed.
A scene depicting the death of Pierre Terrail, seigneur de Bayard (c.1476 - 1524), French knight and military leader at the transition between the Middle Ages and the Renaissance, generally known as the Chevalier de Bayard.
[Ref: 67486] £420.00
Her Majesty's Steam Vessel, Terrible (the Largest War Steamer in the World).
J.T. Wood. Holywell str.
[n.d., c.1845.]
Porcelain card. Sheet 115 x 150mm (4½ x 6").
HMS Terrible was a steam-powered wooden paddle wheel frigate, designed by Oliver Lang and launched in 1845. After active service in the Crimean War she helped the SS Great Eastern to lay the first successful Atlantic cable in 1866. She was broken up in 1879.
[Ref: 52652] £70.00 (£84.00 incl.VAT)
J.T. Wood. Holywell str.
[n.d., c.1845.]
Porcelain card. Sheet 115 x 150mm (4½ x 6").
HMS Terrible was a steam-powered wooden paddle wheel frigate, designed by Oliver Lang and launched in 1845. After active service in the Crimean War she helped the SS Great Eastern to lay the first successful Atlantic cable in 1866. She was broken up in 1879.
[Ref: 52652] £70.00 (£84.00 incl.VAT)
A Terrible Tough Feller.
Morgan Dennis [signed in pencil].
[n.d., c.1910].
Etching in original frame with label verso. 90 x 120mm (3¾ x 4¾").
Etching of a small terrier, sitting by a chewed woman's shoe. Dennis Morgan was famed for his ability to capture the characteristics of dogs in his etchings.
[Ref: 31907] £220.00 (£264.00 incl.VAT)
Morgan Dennis [signed in pencil].
[n.d., c.1910].
Etching in original frame with label verso. 90 x 120mm (3¾ x 4¾").
Etching of a small terrier, sitting by a chewed woman's shoe. Dennis Morgan was famed for his ability to capture the characteristics of dogs in his etchings.
[Ref: 31907] £220.00 (£264.00 incl.VAT)
Vixen. The Property of Daniel Maude, Esq.r
B.E. Duppa, Esq.r Del.t R. Roe, fec.t
[n.d. c1850.]
Etching on india. 252 x 299mm (10 x 11¾").
Head of a terrier wearing a collar, viewed in profile, looking to the right of the image. After portrait painter Bryan Edward Duppa (1804-1866).
VAM: 23722:3.
[Ref: 29463] £160.00 (£192.00 incl.VAT)
B.E. Duppa, Esq.r Del.t R. Roe, fec.t
[n.d. c1850.]
Etching on india. 252 x 299mm (10 x 11¾").
Head of a terrier wearing a collar, viewed in profile, looking to the right of the image. After portrait painter Bryan Edward Duppa (1804-1866).
VAM: 23722:3.
[Ref: 29463] £160.00 (£192.00 incl.VAT)
Barry.
Celcil Aldin. [Within plate.]
Printed and Published by Eyre & Spottiswoode, Ltd., His Majesty's Printers, 4 Middle Row Street, London, E.C 4, England. [n.d., c.1925.]
Photolithograph. Printed area: 285 x 300mm (11¼ x 11¾") Frame size: 560 x 560mm (22 x 22"). In original frame with damaged label on reverse. Unexamined out of frame.
A portrait of a Sealyham Terrier, looking directly towards the viewer. Following the First World War, the breed surged in popularity, however numbers have dropped significantly since then, with the breed listed as a Vulnerable Native Breed by the Kennel Club. The breed was developed between 1850 and 1891 by Captain John Edwardes, at Sealyham House, near Wolfscastle in the Welsh county of Pembrokeshire. By Cecil Aldin (1870 - 1935), British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
[Ref: 37751] £260.00 (£312.00 incl.VAT)
Celcil Aldin. [Within plate.]
Printed and Published by Eyre & Spottiswoode, Ltd., His Majesty's Printers, 4 Middle Row Street, London, E.C 4, England. [n.d., c.1925.]
Photolithograph. Printed area: 285 x 300mm (11¼ x 11¾") Frame size: 560 x 560mm (22 x 22"). In original frame with damaged label on reverse. Unexamined out of frame.
A portrait of a Sealyham Terrier, looking directly towards the viewer. Following the First World War, the breed surged in popularity, however numbers have dropped significantly since then, with the breed listed as a Vulnerable Native Breed by the Kennel Club. The breed was developed between 1850 and 1891 by Captain John Edwardes, at Sealyham House, near Wolfscastle in the Welsh county of Pembrokeshire. By Cecil Aldin (1870 - 1935), British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
[Ref: 37751] £260.00 (£312.00 incl.VAT)
Shivers A celebrated Vermin Hunter the property of Mr. Surtees of Hamsterly Hall, Durham.
H.B. Chalon Pinx.t W. Raddon Sculp.t
London Pub.d Nov.r 1 1834 by Messrs. Ackermann & Co. Strand
Engraving on india paper, 205 x 130mm to platemark. 8 x 5".
Engraving after Henry Bernard Chalon (1770-1849), a frequent exhibitor at the Royal Academy whose work is not represented in the Tate collection.
[Ref: 14693] £75.00 (£90.00 incl.VAT)
H.B. Chalon Pinx.t W. Raddon Sculp.t
London Pub.d Nov.r 1 1834 by Messrs. Ackermann & Co. Strand
Engraving on india paper, 205 x 130mm to platemark. 8 x 5".
Engraving after Henry Bernard Chalon (1770-1849), a frequent exhibitor at the Royal Academy whose work is not represented in the Tate collection.
[Ref: 14693] £75.00 (£90.00 incl.VAT)
There's No Place Like Home.
Painted by Sir Edwin Landseer, R.A. Engraved by Alfred Lucas.
London, Published Oct.r. 27th 1874, by G.P. Mc.Queen, 37, Great Marlborough Street, Regent Street. Printed by Mc.Queen.
Mixed-method engraving with colouring by hand, open-letter state. 510 x 590mm, 20 x 23¼". Large margins slightly tatty and grubby.
A small rough-haired terrier looks up plaintively, an empty bowl in front and kennel behind. After Edwin Landseer (1802 - 1873). The publisher's colour sample.
[Ref: 23443] £420.00
Painted by Sir Edwin Landseer, R.A. Engraved by Alfred Lucas.
London, Published Oct.r. 27th 1874, by G.P. Mc.Queen, 37, Great Marlborough Street, Regent Street. Printed by Mc.Queen.
Mixed-method engraving with colouring by hand, open-letter state. 510 x 590mm, 20 x 23¼". Large margins slightly tatty and grubby.
A small rough-haired terrier looks up plaintively, an empty bowl in front and kennel behind. After Edwin Landseer (1802 - 1873). The publisher's colour sample.
[Ref: 23443] £420.00
![[A terrier bitch with litter outside a kennel.]](jpegs/11634.jpg)
[A terrier bitch with litter outside a kennel.]
[London: Dean & Co., c.1845.]
Hand coloured lithograph, image and sheet 220 x 290mm. 8¼ x 11½". Trimmed to image. Glued to scrap sheet.
[Ref: 11634] £220.00 (£264.00 incl.VAT)
[London: Dean & Co., c.1845.]
Hand coloured lithograph, image and sheet 220 x 290mm. 8¼ x 11½". Trimmed to image. Glued to scrap sheet.
[Ref: 11634] £220.00 (£264.00 incl.VAT)
![[A terrier's head] "Duke" [pencil].](jpegs/62323.jpg)
[A terrier's head] "Duke" [pencil].
[n.d., c.1830.]
Scarce lithograph with very fine hand colour. Sheet 285 x 230mm (11¼ x 9").
See Ref: 62324
[Ref: 62323] £220.00 (£264.00 incl.VAT)
[n.d., c.1830.]
Scarce lithograph with very fine hand colour. Sheet 285 x 230mm (11¼ x 9").
See Ref: 62324
[Ref: 62323] £220.00 (£264.00 incl.VAT)
![[The Prodigal.]](jpegs/20270.jpg)
[The Prodigal.]
HD 1926. [Signature outside image:] Herbert Dicksee.
Published...Bristol by Frost & Reed Ltd of Bristol & London 1926 Copyright. Copyright 1926 by Frost & Reed Ltd (of Bristol, England) in the United States of America.
Etching, signed artist proof on vellum. 571 x 470mm (22½ x 18½"). Time stained outside platemark.
A terrier sitting on a doorstep in front of a closed door.
[Ref: 20270] £1,200.00
HD 1926. [Signature outside image:] Herbert Dicksee.
Published...Bristol by Frost & Reed Ltd of Bristol & London 1926 Copyright. Copyright 1926 by Frost & Reed Ltd (of Bristol, England) in the United States of America.
Etching, signed artist proof on vellum. 571 x 470mm (22½ x 18½"). Time stained outside platemark.
A terrier sitting on a doorstep in front of a closed door.
[Ref: 20270] £1,200.00
![[Terrier and Ferrets.]](jpegs/35755.jpg)
[Terrier and Ferrets.]
[Thomas Blinks.]
Published 1.st. June, 1889, by Arthur Rayner, 26. Francis S.t., Tottenham Court Road London. Copyright Reserved.
Etching with very large margins. On india. Plate: 460 x 610mm (18 x 24"). Some faint foxing.
A portrait of a terrier behind which several ferrets are kept in a cage.
[Ref: 35755] £260.00 (£312.00 incl.VAT)
[Thomas Blinks.]
Published 1.st. June, 1889, by Arthur Rayner, 26. Francis S.t., Tottenham Court Road London. Copyright Reserved.
Etching with very large margins. On india. Plate: 460 x 610mm (18 x 24"). Some faint foxing.
A portrait of a terrier behind which several ferrets are kept in a cage.
[Ref: 35755] £260.00 (£312.00 incl.VAT)
![[Terrier Head.]](jpegs/506.jpg)
[Terrier Head.]
Alice Banwell [Pencil signature.]
[n.d, c.1930.]
Coloured etching, signed by the artist. 250 x 190mm (9¾ x 7½").
[Ref: 506] £160.00 (£192.00 incl.VAT)
Alice Banwell [Pencil signature.]
[n.d, c.1930.]
Coloured etching, signed by the artist. 250 x 190mm (9¾ x 7½").
[Ref: 506] £160.00 (£192.00 incl.VAT)
Sly Dogs.
Cooper Pinxt. W. Carlos Sculpt.
[British, n.d., c.1820s.]
Mezzotint on india paper, image 125 x 160mm. 5 x 16¼". Margins a little trimmed.
Two long-haired Jack Russell terriers waiting expectantly beside the entrance to an animal burrow. After Abraham Cooper (1787 - 1868).
Not in Siltzer.
[Ref: 26290] £140.00 (£168.00 incl.VAT)
Cooper Pinxt. W. Carlos Sculpt.
[British, n.d., c.1820s.]
Mezzotint on india paper, image 125 x 160mm. 5 x 16¼". Margins a little trimmed.
Two long-haired Jack Russell terriers waiting expectantly beside the entrance to an animal burrow. After Abraham Cooper (1787 - 1868).
Not in Siltzer.
[Ref: 26290] £140.00 (£168.00 incl.VAT)
A Plan Of Campaign.
W.H. Trood. 1887 [signed and dated in plate.] Painted by W.H. Trood. Engraved by C.A. Alais.
Published by Frost & Reed, 12, Clare St. Bristol, October 18th. 1888.
Mixed method engraving in colour, on india laid paper, sheet 520 x 410mm. 20½ x 16". Slight stain at top right.
Various terriers surround a barrel, looking up at a crow perched on top. After William Henry Hamilton Trood (1860 - 1899).
[Ref: 13298] £260.00 (£312.00 incl.VAT)
W.H. Trood. 1887 [signed and dated in plate.] Painted by W.H. Trood. Engraved by C.A. Alais.
Published by Frost & Reed, 12, Clare St. Bristol, October 18th. 1888.
Mixed method engraving in colour, on india laid paper, sheet 520 x 410mm. 20½ x 16". Slight stain at top right.
Various terriers surround a barrel, looking up at a crow perched on top. After William Henry Hamilton Trood (1860 - 1899).
[Ref: 13298] £260.00 (£312.00 incl.VAT)
![[Terriers at a fox hole.]](jpegs/14695.jpg)
[Terriers at a fox hole.]
Pubd Oct 22 1808 by R. Pollard, Spa Fields London.
Etching, rare, 160 x 210mm. 6¼ x 8¼".
Three terriers approach the entrance to the hiding place of an animal, probably a fox that has gone to ground. Two huntsmen, one holding a whip, indicate the burrow. Published by Robert Pollard (c.1755 - 1838), probably from a series of fox hunting plates after his own designs.
Siltzer: unrecorded.
[Ref: 14695] £120.00 (£144.00 incl.VAT)
Pubd Oct 22 1808 by R. Pollard, Spa Fields London.
Etching, rare, 160 x 210mm. 6¼ x 8¼".
Three terriers approach the entrance to the hiding place of an animal, probably a fox that has gone to ground. Two huntsmen, one holding a whip, indicate the burrow. Published by Robert Pollard (c.1755 - 1838), probably from a series of fox hunting plates after his own designs.
Siltzer: unrecorded.
[Ref: 14695] £120.00 (£144.00 incl.VAT)
Three of us.
From a drawing by E.A. Drage. [Signed in plate lower left.]
[n.d., c.1900.]
Photogravure, 320 x 450mm. 12½ x 17¾".
Three terriers, including a Jack Russell (to right).
[Ref: 13408] £220.00 (£264.00 incl.VAT)
From a drawing by E.A. Drage. [Signed in plate lower left.]
[n.d., c.1900.]
Photogravure, 320 x 450mm. 12½ x 17¾".
Three terriers, including a Jack Russell (to right).
[Ref: 13408] £220.00 (£264.00 incl.VAT)
![The Problem Play LXXXV. [in pencil.]](jpegs/50628.jpg)
The Problem Play LXXXV. [in pencil.]
Diana Thorne. [signed in pencil.]
[n.d., c.1940.]
Etching. Plate: 185 x 230mm (7¼ x 9''), with very large margins. Mount burn.
A scene showing three puppies watching a spinning top.
[Ref: 50628] £230.00 (£276.00 incl.VAT)
Diana Thorne. [signed in pencil.]
[n.d., c.1940.]
Etching. Plate: 185 x 230mm (7¼ x 9''), with very large margins. Mount burn.
A scene showing three puppies watching a spinning top.
[Ref: 50628] £230.00 (£276.00 incl.VAT)
![[Scotty and Khaki.]](jpegs/28707.jpg)
[Scotty and Khaki.]
Margaret Collyer [pencil signature.] Stanley C. Pratt [pencil to right.]
Published at 8, Clare Street, Bristol by Frost & Reed. Printsellers of Bristol, Clifton and London. May 1st 1906. Copyright 1906 in the United States of America, by Frost & Reed, Bristol, England.
Rare etching on india, signed by artist and engraver. Plate 509 x 635mm (20 x 25").
A Westie and a Scottie sit on a rug, a ball lies in front. Margaret Collyer (1872-1945) the British animal and genre painter.
Ex Collection: The Late Honourable Christopher Lennox-Boyd. PSA [Vol.II]: AP.300.
[Ref: 28707] £420.00
Margaret Collyer [pencil signature.] Stanley C. Pratt [pencil to right.]
Published at 8, Clare Street, Bristol by Frost & Reed. Printsellers of Bristol, Clifton and London. May 1st 1906. Copyright 1906 in the United States of America, by Frost & Reed, Bristol, England.
Rare etching on india, signed by artist and engraver. Plate 509 x 635mm (20 x 25").
A Westie and a Scottie sit on a rug, a ball lies in front. Margaret Collyer (1872-1945) the British animal and genre painter.
Ex Collection: The Late Honourable Christopher Lennox-Boyd. PSA [Vol.II]: AP.300.
[Ref: 28707] £420.00
The First Lesson.
[J. Bateman.]
Berlin, F.Sala & Co. Unter d Linden 51.
Lithograph. 599 x 711mm. 23½ x 28".
A small dog in a barn demonstrates how to kill a rat to three puppies, who sit watching intently on the right, in front of the kennel, as the elder holds the rat under its paw on the left.
Ex Norman Blackburn Collection.
[Ref: 18776] £280.00 (£336.00 incl.VAT)
[J. Bateman.]
Berlin, F.Sala & Co. Unter d Linden 51.
Lithograph. 599 x 711mm. 23½ x 28".
A small dog in a barn demonstrates how to kill a rat to three puppies, who sit watching intently on the right, in front of the kennel, as the elder holds the rat under its paw on the left.
Ex Norman Blackburn Collection.
[Ref: 18776] £280.00 (£336.00 incl.VAT)
Terriers.
H, Alken del.t. I.Clark sculp.t.
London, Published by T.McLean, Jan.y. 1.1820.
Coloured aquatint. 270 x 380mm. Small mark in sky.
Seven assorted terriers.
[Ref: 67] £240.00 (£288.00 incl.VAT)
H, Alken del.t. I.Clark sculp.t.
London, Published by T.McLean, Jan.y. 1.1820.
Coloured aquatint. 270 x 380mm. Small mark in sky.
Seven assorted terriers.
[Ref: 67] £240.00 (£288.00 incl.VAT)
Puzzled & Pleased.
Painted by B. A. Howe Esqre. Drawn on Stone by Worsley Combe Robinson.
William Tegg & Co 85 Queen Street, Cheapside, London. J. Straker, lith. 80 Bishopsgate Street London. [c.1855.]
Hand coloured lithograph. Image 350 x 450mm (13¾ x 17¾").
Four terriers excitedly investigate a hedgehog, watched by two boys. After B. A. Howe (English, fl.1844 -1857 ).
[Ref: 13409] £320.00
Painted by B. A. Howe Esqre. Drawn on Stone by Worsley Combe Robinson.
William Tegg & Co 85 Queen Street, Cheapside, London. J. Straker, lith. 80 Bishopsgate Street London. [c.1855.]
Hand coloured lithograph. Image 350 x 450mm (13¾ x 17¾").
Four terriers excitedly investigate a hedgehog, watched by two boys. After B. A. Howe (English, fl.1844 -1857 ).
[Ref: 13409] £320.00
Terry O'Rann, & the Lasses of Derry, The Original Irish Song Written by Mr. Hudson, & Sung by him & Mr. Fitzwilliam. The Music by J. Blewitt.
Ent.d Stat. Hall. Price 2/-.
Publish'd by Tho.s Hudson, 6. Museum S.t Purday Holborn Purday St. Pauls Church Yard, & Monro & May Holborn Bars &c.
Songsheet with etched illustration, 4 sheets. Sheet: 360 x 260mm (14 x 10''), with very large margins. Paper tone and surface dirt.
Songsheet for a comic song about an Irishman named Terry O'Rann who enjoys drinking and the 'Lasses of Derry'.
[Ref: 50651] £140.00 (£168.00 incl.VAT)
Ent.d Stat. Hall. Price 2/-.
Publish'd by Tho.s Hudson, 6. Museum S.t Purday Holborn Purday St. Pauls Church Yard, & Monro & May Holborn Bars &c.
Songsheet with etched illustration, 4 sheets. Sheet: 360 x 260mm (14 x 10''), with very large margins. Paper tone and surface dirt.
Songsheet for a comic song about an Irishman named Terry O'Rann who enjoys drinking and the 'Lasses of Derry'.
[Ref: 50651] £140.00 (£168.00 incl.VAT)
![[A religious allegory of the End of the World.]](jpegs/6934.jpg)
[A religious allegory of the End of the World.] It shall buise thy Head. Gen 3.15. As the Vessels of a Potter shall they be broken to pieces. Rev. 3.27.
Terry delin. Terry Sculp.
Published as the Act directs by G.Terry. Feb. 17th 1794.
Engraving. 85 x 110mm. Mounted in album paper.
A righteous old testament-looking figure breaks open the world. - Garnett Terry (printmaker; ; 1770 - 1800; fl.) Made political, religious satires and millenarian prints especially addressing corruption anda the downfall of society.
[Ref: 6934] £60.00 (£72.00 incl.VAT)
Terry delin. Terry Sculp.
Published as the Act directs by G.Terry. Feb. 17th 1794.
Engraving. 85 x 110mm. Mounted in album paper.
A righteous old testament-looking figure breaks open the world. - Garnett Terry (printmaker; ; 1770 - 1800; fl.) Made political, religious satires and millenarian prints especially addressing corruption anda the downfall of society.
[Ref: 6934] £60.00 (£72.00 incl.VAT)
Mr. Terry as Admiral Franklin, in Sweethearts and Wives.
J. Findlay. Engraved for the Mirror of the Stage.
[Pub. Duncombe, September 22, 1823.]
Hand-coloured etching. Plate 197 x 122mm. 7¾ x 4¾".
Daniel Terry (c.1780-1829) was an actor and playwright, who was renowned in Scotland for his stage adaptions of Sir Walter Scott's novels. Between 1813 and 1822 he appeared frequently at the Haymarket and Covent Garden.
Harvard Volume IV. p.137: 4.
[Ref: 20953] £70.00 (£84.00 incl.VAT)
J. Findlay. Engraved for the Mirror of the Stage.
[Pub. Duncombe, September 22, 1823.]
Hand-coloured etching. Plate 197 x 122mm. 7¾ x 4¾".
Daniel Terry (c.1780-1829) was an actor and playwright, who was renowned in Scotland for his stage adaptions of Sir Walter Scott's novels. Between 1813 and 1822 he appeared frequently at the Haymarket and Covent Garden.
Harvard Volume IV. p.137: 4.
[Ref: 20953] £70.00 (£84.00 incl.VAT)
![[Dull Reading: with portraits of Daniel and Elizabeth Terry]](jpegs/36800.jpg)
[Dull Reading: with portraits of Daniel and Elizabeth Terry]
A Geddes ft [upper centre of image]
Etching with very large margins, platemark 140 x 175mm (5½ x 7").
Portraits of the actor Daniel Terry and his artist wife Elizabeth, seated in a dark room. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching''. This plate was one of ten he published himself in 1826.
CD 16.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36800] £120.00 (£144.00 incl.VAT)
A Geddes ft [upper centre of image]
Etching with very large margins, platemark 140 x 175mm (5½ x 7").
Portraits of the actor Daniel Terry and his artist wife Elizabeth, seated in a dark room. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching''. This plate was one of ten he published himself in 1826.
CD 16.iii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36800] £120.00 (£144.00 incl.VAT)
Patriam Inquiro Nondum Attigi Peregrinus in Terra Cursum Prosequor. Aetat Suae 64 1655. In Europe, Africa, Asia have I gone.
[Robert Vaughan.]
[Printed in London for J. Wilkie, W. Cater, S. Hayes, and E. Easton in 1777.]
Rare engraving. 133 x 82mm. 5¼ x 3¼". Cut and laid on sheet.
Portrait of Edward Terry, half length in an oval, wearing skull-cap, collar and gown, and holding a book; in lower left spandril, a ship; on shelf below, calipers and a globe. Frontispiece to his 'Voyage to East-India'. Edward Terry (1590-1660) was a writer of travels and in 1615-16 he went out to India as chaplain with a fleet sent by the London East India Company, sailing in the Charles with Benjamin Joseph, commander of the expedition. In his account of the voyage Terry describes a fight with a Portugese carrack, in which Joseph was killed on 6 August 1616.
NPG: D28830.
[Ref: 24705] £140.00 (£168.00 incl.VAT)
[Robert Vaughan.]
[Printed in London for J. Wilkie, W. Cater, S. Hayes, and E. Easton in 1777.]
Rare engraving. 133 x 82mm. 5¼ x 3¼". Cut and laid on sheet.
Portrait of Edward Terry, half length in an oval, wearing skull-cap, collar and gown, and holding a book; in lower left spandril, a ship; on shelf below, calipers and a globe. Frontispiece to his 'Voyage to East-India'. Edward Terry (1590-1660) was a writer of travels and in 1615-16 he went out to India as chaplain with a fleet sent by the London East India Company, sailing in the Charles with Benjamin Joseph, commander of the expedition. In his account of the voyage Terry describes a fight with a Portugese carrack, in which Joseph was killed on 6 August 1616.
NPG: D28830.
[Ref: 24705] £140.00 (£168.00 incl.VAT)
![[Ellen Terry as Ophelia.]](jpegs/66303.jpg)
[Ellen Terry as Ophelia.]
Ch: W. Campbell [pencil signature].
London. Published March 1.st 1886 by R. Dunthorne, 5 Vigo Street.
Rare mezzotint on chine collé, bevelled plate. 390 x 210mm (11½ x 8¼"). Foxing.
The actress Ellen Terry as Ophelia in Hamlet, standing in a wood, wearing a white robe trimmed with ermine, with a string of pearls on one wrist, a braclet of flowers on the other.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66303] £690.00
Ch: W. Campbell [pencil signature].
London. Published March 1.st 1886 by R. Dunthorne, 5 Vigo Street.
Rare mezzotint on chine collé, bevelled plate. 390 x 210mm (11½ x 8¼"). Foxing.
The actress Ellen Terry as Ophelia in Hamlet, standing in a wood, wearing a white robe trimmed with ermine, with a string of pearls on one wrist, a braclet of flowers on the other.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66303] £690.00
Tertullian. Chap. 53.
[Paris, 1584.]
Engraving, set in letterpress. Sheet 200 x 145mm ( 8 x 5¾"), with laid on album paper at sides. Trimmed to plate at sides, loss of letterpress top and bottom.
A half-length portrait of early Christian writer Tertullian (c.155-c.220) of the Roman province of Carthage. From André Thevet's 'Les vrais pourtraits et vies des hommes illustres', 1584.
[Ref: 64378] £130.00 (£156.00 incl.VAT)
[Paris, 1584.]
Engraving, set in letterpress. Sheet 200 x 145mm ( 8 x 5¾"), with laid on album paper at sides. Trimmed to plate at sides, loss of letterpress top and bottom.
A half-length portrait of early Christian writer Tertullian (c.155-c.220) of the Roman province of Carthage. From André Thevet's 'Les vrais pourtraits et vies des hommes illustres', 1584.
[Ref: 64378] £130.00 (£156.00 incl.VAT)
Thomas Tesdale. Armig.r unus Fund.m Coll. Pembrochice A.D 1624. Hanc effigiem Rev. Viro Johan Ratcliffe S.J.P. et istius Coll. Magistro.
[Engraved by John Faber.] Summa cum Humil & Observantia D.D.D.H.Parker.
[n.d., c.1740.] Printed for H.Parker, Print & Bookseller at No.82 in Cornhill, London.
Fine mezzotint. 260 x 200mm (10¼ x 8") large margins.
Portrait of Thomas Tesdale, (1547–1610), English maltster, benefactor of the town of Abingdon in the English county of Berkshire (now Oxfordshire) and the primary founding benefactor of Pembroke College, Oxford.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65026] £160.00 (£192.00 incl.VAT)
[Engraved by John Faber.] Summa cum Humil & Observantia D.D.D.H.Parker.
[n.d., c.1740.] Printed for H.Parker, Print & Bookseller at No.82 in Cornhill, London.
Fine mezzotint. 260 x 200mm (10¼ x 8") large margins.
Portrait of Thomas Tesdale, (1547–1610), English maltster, benefactor of the town of Abingdon in the English county of Berkshire (now Oxfordshire) and the primary founding benefactor of Pembroke College, Oxford.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65026] £160.00 (£192.00 incl.VAT)