Grosvenor Prints

A Tempest.
Painted by Swaine. Engrav'd by Jukes.
Published, May 1.st 1783 by F. Jukes No.1 Great Marylebone Street.
Aquatint. Plate 197 x 235mm. 7¾ x 9¼".
Ships rocking over the rolling waves during a storm, men in the foreground clambering onto the rocks from their wrecked ship that has crashed and is being dragged down by the elements.
[Ref: 25143] £120.00 (£144.00 incl.VAT)

The Tempest. And they came to him, and awoke him, saying Master, master, we Perish. From the Original Picture, in the Collection of the Right Honourable Lord Clive. Size of Picture 4F, 0I by 5F, 5I in Length. St. Luke, Chap. VIII. Ver.24. Vol: II. No.63.
J. de Vlieger pinxit. John Boydell excudit 1773. P.C. Canot Sculpsit.
Published March 15th, 1773, by John Boydell Engraver, in Cheapside, London.
Engraving, paper watermarked. Plate 457 x 554mm (18 x 21¾"). Very large margins.
A boat struggles against the rising waves; with a torn and broken sail, the passengers cling on for their lives. Atmospheric storm scene.
Ex Collection Duke of Westminster.
[Ref: 38171] £420.00

[John Walter Tempest.]
Painted by G.Romney. Engraved by James Walker.
Publish'd as the Act directs Feb.y 1st 1781, by J.Walker No 51 Great Portaland Street.
Very scarce mezzotint, proof before title. 630 x 385mm.
Son of MP John Tempest, died young at Brighton, 1793.
CS: 17. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5073] £550.00

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The Tempest.
Heath Del.
[n.d., watermarked 1809.]
Coloured etching. 245 x 350mm (9¾ x 13¾"). Tears in top margin, one entering plate but not image. Time stained
A scene in a garret as a violinist is interrupted by a tirade from his wife. Elsewhere a baby screams, a dog howls as its tail is scalded, a cat yowls as a monkey holds it up by its tail and a parrot pecks at the man's hair.
The BM's example, 1866,1114.664, is watermarked 1814.
[Ref: 54565] £140.00 (£168.00 incl.VAT)

[Lady and a Gentleman.]
P. Tempest Ex. IB. fec.
[n.d., c.1685.]
Mezzotint. Very fine impression. Sheet size: 225 x 175mm (8¾ x 7"). Trimmed to image.
An interior scene depicting a lady and a gentleman. The lady is seated and leaning her elbow on a table. She has short curled hair and wears a veil. The gentleman, standing, is seen wearing a long wig and cravat. On the table lie a hat, sash and sword, a glass and a decanter. Printed by Pierce Tempest (1653 - 1717) publisher of Marcellus Laroon's Cries Of London as well as a great range of other material. In his later years he spent more time dealing than publishing.
CS 105. See also 30452.
[Ref: 37618] £360.00

William Tempest. F.R.S. Aet. 70.
Painted & etched by B.Wilson.
[n.d. c.1752].
Etching. 190 x 100mm.
[1682 - 1761]. Very fine copy of the frontispiece to 'Chronology' 1752. Etched by Benjamin Wilson (1721-88), painter and electrical scientist. His printmaking technique has been described as showing 'great skill at Rembrandtesque cross-hatching' (Graciano 169).
Andrew Graciano ed. 'Memoir of Benjamin Wilson, FRS' (Walpole Society 2012).
[Ref: 6655] £95.00 (£114.00 incl.VAT)

A Perspective View of the Temple next the River side [parallel text in Frencb]
J. Maurer delin et sculp London
According to Act of Parliament 1741
Engraving with hand-colouring, 18th century watermark, platemark 255 x 430mm (10 x 17"), with very large margins.
A rare image of the Temple area of central London, an area closely associated with English law owing to the presence of two of the four Inns of Court, the Middle Temple and Inner Temple, therein.
[Ref: 43757] £320.00

Temple & Harleford.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2423] £140.00 (£168.00 incl.VAT)

Sciographia Templi Fortvnæ Præneste.
Petrus Berettin Cort.s delin. Hoc obsequij monimentum Dominicus Castellus D.D.C.
[n.d., c.1700.]
Engraving. 405 x 310mm (16 x 12¼"), very large margins.
A plan of the Temple of Fortuna Primigenia was an ancient Roman temple within the sanctuary of Fortuna Primigenia, a religious complex in Praeneste (now Palestrina, 35 km (22 mi) east of Rome). It was founded in 204 BC by Publius Sempronius Tuditanus and dedicated to the goddess Fortuna Primigenia, the exact meaning of whose name is unclear. Parents brought their newly-born first child to the temple in order to improve its likelihood of surviving infancy and perpetuating the gens.
[Ref: 65292] £280.00 (£336.00 incl.VAT)

Oberster Theil einer Tempelruine in Kabulistan.
gez. v. Goldhann nach Elphinstone. J.s Jung. Sc.
[n.d., c.1820.]
Engraving. Sheet: 115 x 190mm (4½ x 7½''). Foxing.
A view of the ancient structure in Kabul, Afghanistan remains of the Ancient Greeks who inhabited the area during the expedition of Alexander the Great. Possibly a stupa mound-like or hemispherical structure containing relics.
[Ref: 50515] £65.00 (£78.00 incl.VAT)

Plan of the Citys intended improvement at Temple Bar.
R. Metcalf sculp.t City Road.
Surveyors Office Guildhall [n.d., 1810.]
Engraved map with hand colour. Sheet 420 x 695mm (16½ x 27½"). Split at centre fold, small tears, staining, laid on album paper.
A detailed plan marking the buildings around St Clement Dane's Church that were to be purchased and demolished.
[Ref: 62019] £260.00

Temple Church.
Rowlandson & Pugin del.t et sculp.t. Bluck aqua.t.
London, Pub. Sep.r 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint J. Whatmark 1808 watermark. Plate: 275 x 230mm (10¾ x 9"), with large margins.
The late 12th-century church in the City of London, built by the Knights Templar as their English headquarters. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47220] £80.00 (£96.00 incl.VAT)

The Temple Church.
Percy Thomas 1897.
Published at 17 Queens Road and 8 Clare Street Bristol by Frost & Reed Dec.r 1st 1897.
Etching, signed in pencil. 180 x 225mm (7 x 9"), with large margins.
The interior of Temple Church A state before Frost & Reed's publication line. Percy Thomas R.E. (c.1846 - 1922), James Abbott McNeill Whistler's first pupil, exhibited at the Royal Academy from 1867, elected a member of the Royal Society of Painter-Etchers and Engravers in 1881.
[Ref: 51774] £130.00 (£156.00 incl.VAT)

The Temple Church. The Temple Church is one of the most Beautiful Gothic Structures we see in England, supported by neat slender Pillars, compos’d of what is usually call’d Sussex Marble. It is a lightsome Airy Church, disincumber’d with Galleries which generally hide the Beauty of these Sacred Buildings in London. There is a Tradition that the Church was founded by Dunwallo Mulmutus a British King Anno Mundi 4748; but most are of Opinion it was erected, or at least rebuilt by the Knights Templars about the year 1185. No.42.
Tho.s Boydell Delin 1750. L. Boydell Sculp.
Publish'd according to Act of Parliament by J: Boydell at the Globe near Durham Yard in the Strand London 1750. Price 1s.
Engraving, paper watermarked with very large margins. Plate 275 x 361mm (10¾ x 14¼").
Interior view of the Temple Church; the vaulted ceiling supported by two rows of columns, fashionably dressed figures strolling through. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.42.
[Ref: 29377] £170.00 (£204.00 incl.VAT)

[Classical collonade and courtyard after David Teniers.]
Æsheimer inv. W Hollar fecit.
F. van den Wyngarde exc. [n.d., c.1650.]
Etching, 17th century watermark. Sheet 225 x 165mm (8¾ x 6½"). Trimmed within plate, mounted on album paper. light creasing.
Although Pennington calls this plate 'Healing the cripples' after Elsheimer, the BM has traced a drawing by David Teniers the Elder in the Metropolitan Museum of Art.
Pennington: 114, iii of iii; BM 2005,U.178.
[Ref: 68278] £140.00 (£168.00 incl.VAT)

Temple Newsam, the Seat of the R.t Hon.ble Arthur Lord Ingram Viscount Irwin in the West Ryding of the County of Yorke.
L. Knyff Del. J. Kip scul.
[London: Joseph Smith, c.1707.]
Engraving. 360 x 490mm (14 x 19¼"), with very large margins. Top margins messy at edges.
Temple Newsam near Leeds, a Tudor-Jacobean house with grounds landscaped by Capability Brown. Now a Grade I listed building, it is owned by Leeds Council and hosts both the 'Party in the Park' and 'Opera in the Park' annual events. From 'Britannia Illustrata'.
[Ref: 45188] £240.00 (£288.00 incl.VAT)

Temple of Apollo, near Phigaleia.
From a drawing by F.W. Newton Esq.re Day & Haghe Lith.rs to the King.
London, J. Murray, Albermarle St. 1837.
Lithograph. 120 x 190mm. 4¾ x 7½.
A snow scene. The Temple of Apollo Epicurios, at Phigaleia, in Arcadia, stands in a slight depression on the bare and wind-swept side of Mount Cotylion, above the valley of the river Neda. It was discovered towards the end of the eighteenth century, but on account of its remote position it was seldom visited before 1811. From "A Short Visit to The Ionian Islands, Athens, and the Morea. By Edward Giffard, Esq."
[Ref: 25646] £120.00 (£144.00 incl.VAT)

The Temple of Apollo. No 17. bottom right
Swanevelt Pinx.t
London Published July 10.th 1787 by Rob.t Sayer 53 Fleet Street.
Engraving with large margins; paper watermarked. Plate 249 x 355mm (10 x 14"). Slight creasing in margins.
Landscape after Swanevelt, from a series. Cows resting in foreground by the river's edge and two people to the right; to the left a small bridge upon which stand three people. Behind them is a small field of sheep, behind which there is a waterfall and to the right a temple.
From the Oettingen-Wallerstein Collection.
[Ref: 28371] £140.00 (£168.00 incl.VAT)

[The Temple of Apollo]. Al Sig.r Luigi Pavon Amatore delle elle Arti. Pietro Parboni D. D. D.
Claudio di Lorena inv. e dip. Nicola de Antoni impresse. Pietro Parboni incise. Nicola de Antoni vende in Roma, in Via del Corso No. 35.
Rome, [n.d. c.1800-1841].
Etching. 480 x 600mm (19 x 23¾"), with large margins. Near mint.
A scene from the myth of Cupid and Psyche; Psyche's father prays at the Temple of Apollo that she will find a suitable husband. After Claude Lorrain's (c.1600-1682) original painting 'The Father of Psyche sacrificing at the Temple of Apollo' (1662), painted for Angelo Albertoni, a Roman nobleman.
From the Berkeley Collection, Spetchley Park.
[Ref: 55087] £380.00

A Perspective View of the Temple of Concord erected for the display of the National Fireworks in Commemoration of Peace, being the Celebration of the Grand Jubilee.
Printed (by permission) in Hyde Park August 1st 1814.
Very rare aquatint with etching, sheet 240 x 280mm (9¼ x 11"). Trimmed within plate. Small brown stain in sky on right. Slightly faded.
A view of the Temple of Concord, The print depicts an architectural structure erected for the fireworks display held 1 August 1814 in Green Park, London, to celebrate the end of the Napoleonic Wars and the Jubilee of George III. The mastermind behind the Temple was Lieutenant Colonel Sir William Congreve (1772–1828), a rocket designer and Comptroller of the Royal Laboratory at Woolwich. Congreve designed the Temple with assistance from stage designers from the Theatre Royal and master engineers. It was an elaborate structure illuminated with colored lamps and decorated with gilding, festoons, and painted transparencies. Congreve had commissioned some of the nation’s best artists such as Thomas Stothard (1755 – 1834) to design and paint allegorical scenes on these ‘transparencies’, each tableau praising ‘the Triumph of England under the Regency’. When illuminated from inside it was made to revolve, so that spectators might view each side in turn.
[Ref: 57429] £240.00 (£288.00 incl.VAT)

A Perspective View of the Revolving Temple of Concord Invented by Sir William Congreve Bar.t. And erected in the Green Park for the display of A Grand Firework, in Celebration of the Glorious Peace of 1814. The Design & Decorations made by Mess.rs Greenwood & Latilla of the Theatre Royal Drury Lane. The Allegorical Transparencies Designed by M.r Howard R.A, and painted by him; Mes.rs Smirke, Stothard , Woodforde, Dawe, Hilton and Genta _Sculptor M.r Chenu_ The Machinery by Mess.s Maudslay & C.o and Mr Drory.
J. Pain delin. R.W. Smart sculp. Aquatinted by I.Jeakes.
[n.d., c.1814]
Aquatint, watermark Ruse & Turney; sheet 330 x 415mm (13 x 16½"). Trimmed within plate and glued to backing sheet. Top corner torn. Tear through publication line repaired with tape. Creases.
A view of the Temple of Concord, The print depicts an architectural structure erected for the fireworks display held 1 August 1814 in Green Park, London, to celebrate the end of the Napoleonic Wars and the Jubilee of George III. The mastermind behind the Temple was Lieutenant Colonel Sir William Congreve (1772–1828), a rocket designer and Comptroller of the Royal Laboratory at Woolwich. Congreve designed the Temple with assistance from stage designers from the Theatre Royal and master engineers. It was an elaborate structure illuminated with colored lamps and decorated with gilding, festoons, and painted transparencies. Congreve had commissioned some of the nation’s best artists such as Thomas Stothard (1755 – 1834) to design and paint allegorical scenes on these ‘transparencies’, each tableau praising ‘the Triumph of England under the Regency’. When illuminated from inside it was made to revolve, so that spectators might view each side in turn.
[Ref: 57435] £180.00 (£216.00 incl.VAT)

Temple of Diana.
R.Brown Pinx.t. T.L Busby. Sculp.
Leigh & Son 421 Strand. [n.d. c.1830]
Very rare aquatint, with hand colour. Sheet 285 x 225mm (11¼ x 8¾" Glued to album sheet.
A view of a rotunda decorated with the goddess Diana and stag heads, situated in a wooded landscape. Richard Brown (c. 1770-1845) was a British architect, designer, draughtsman and engraver. Thomas Lord Busby (fl. 1804-1837) was a painter, etcher and humorous illustrator. Samuel Leigh was a bookseller and publisher in 19th century London working with his son James Mathews Leigh (1808 –60).
[Ref: 61119] £240.00 (£288.00 incl.VAT)

The Temple of Minerva. No 16 bottom right.
Claude Lorrain Pinx.t
London Published July 10.th 1787 by Rob.t Sayer 53 Fleet Street.
Engraving with large margins; paper watermarked. Plate 251 x 355mm (10 x 14").
Landscape after Claude Lorrain, from a set of landscapes. In the foreground, a donkey, followed by a boy and a dog, walking to the right; cows beyond resting on a river bank; in middle-distance on left a round temple and other buildings at the bottom of a rocky hill.
From the Oettingen-Wallerstein Collection.
[Ref: 28370] £140.00 (£168.00 incl.VAT)

The Archbishop of Canterbury.
William Nicholson.
[London, 1899 by William Heinemann].
Lithographic reproduction of a hand-coloured woodcut. Printed area: 265 x 245mm. (10¼ x 9¾"). Foxing to edges; mounted on board as issued.
Portrait of Frederick Temple (1821 - 1902), Archbishop of Canterbury from 1896 until his death. From the folio of twelve portraits by William Nicholson published in 1899. Sir William Nicholson was a distinguished Edwardian portrait painter, poster designer and painter of still lifes.
Colin Campbell, 'William Nicholson: The Graphic Works': 70B.
[Ref: 28323] £60.00 (£72.00 incl.VAT)

Palmerston [signature facsimile.]
Leon Noel 1864. [signed on stone.] From a Photograph by W. Walker & Sons.
Imprime par Lemercier 57 r, de Seine Paris. London, Victor Delarue, 10 Chandos St. Strand, W.C.
Lithograph on india paper, sheet 400 x 295mm. 15¾ x 11¾". Some spotting.
Portrait of Henry John Temple, 3rd Viscount Palmerston (1784-1865), politician who served twice as Prime Minister. He was in government office almost continuously from 1807 until his death in 1865, beginning his parliamentary career as a Tory and concluding it as a Liberal. He served successively as: Secretary at War (1809-28); Foreign Secretary (1830-41 and 1846-51); Home Secretary (1853-5) and Prime Minister (1855-8 and 1859-65). He is best remembered for his direction of British foreign policy through a period when the United Kingdom was at the height of its colonial power. His vigorous policy of intervention, often controversial at the time, made him one of the greatest Victorian statesman and among the most powerful figures in European politics. After the photograph by Samuel Alexander Walker (1841-1922), son of William Walker.
From Broadlands home of Palmerston family.
[Ref: 27549] £160.00 (£192.00 incl.VAT)

Lord Viscount Palmerston, K.G. First Lord of the Treasury. From the original Picture painted for the Harrow Library A.D. 1863.
Painted by F. Grant R.A. Engraved by F. Holl & G. Zobel.
London, Published September 11th 1865, by Henry Graves & Co. the Proprietors, Publishers to the Queen, 6 Pall Mall.
Mezzotint, title in open letters, 555 x 430mm. 21¾ x 17".
Portrait of Henry John Temple, 3rd Viscount Palmerston (1784-1865), politician who served twice as Prime Minister. He was in government office almost continuously from 1807 until his death in 1865, beginning his parliamentary career as a Tory and concluding it as a Liberal. He served successively as: Secretary at War (1809-28); Foreign Secretary (1830-41 and 1846-51); Home Secretary (1853-5) and Prime Minister (1855-8 and 1859-65). He is best remembered for his direction of British foreign policy through a period when the United Kingdom was at the height of its colonial power. His vigorous policy of intervention, often controversial at the time, made him one of the greatest Victorian statesman and among the most powerful figures in European politics. After Sir Francis Grant (1803-1878).
NPG D39516. From Broadlands home of Palmerston family.
[Ref: 27550] £260.00 (£312.00 incl.VAT)

[The Rt Hon Viscount Palmerston, GCB MP &c &c &c. This Portrait is respectfully dedicated to the Committee, who presented to the Right Hon.ble the Viscount Palmeston, the Picture from which the plate was engraved.]
[Painted by John Partridge Esq.re. Engraved by Samuel Cousins Esq.re ARA.]
[London Published May 1st 1852 by Paul & Dominic Colnaghi & Co 13 & 14 Pall Mall East _ Publishers to Her Majesty.]
Mezzotint on chine collé, proof before letters. 515 x 800mm (20½ x 31½"). Spotting,
Full-length portrait of Henry John Temple, 3rd Viscount Palmerston (1784-1865), standing in his study, left hand resting on papers. The painting was executed c.1850, when Palmerston was Secretary of State for Foreign Affairs, five years before his first term as Prime Minister. After Palmerston's death his widow insisted on the face being replaced with one from an earlier portrait by Partridge, so this mezzotint is the only record of the original image. The painting is now in Parliament's art collection. Palmerston attanded St John's College, Cambridge (1803-6)
[Ref: 48486] £360.00

[Richard Grenville Temple?] A Temple Macaroni.
Pub by MDarly accorg. to Act Feby. 14th. 1772.
Etching, 170 x 125mm. 6¾ x 5".
A man looking to his right, probably Richard Grenville Temple, Earl Temple (1711 - 1779). His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A greyhound-type dog (whippet?) walks in front. From 'Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.2' upper left and '11' upper right.
BM Satires: 4994.
[Ref: 14172] £160.00 (£192.00 incl.VAT)

Guillaume Temple. Envoyé de Charles II. Roy de la Grand Bretagne au pres des Etats Generaux. Mort au Mois de Fevrier 1690.
Lely Pinx. Chenu Sculp.
AParis chez Odieuvre, M.d d'Estampes rüe des Mathurins chez Mr Joubert.
Engraving with borders, printed from two plates, with very large margins, total 235 x 190mm (9¼ x 7½").
Oval portrait of Sir William Temple (1628-99, not 1690 as title), within a separately-printed, frame-like border. As a diplomat he negotiated the marriage William of Orange and Princess Mary, and the Triple Alliance between England, Sweden & the United Provinces, 1668.
[Ref: 34965] £140.00 (£168.00 incl.VAT)

[William Temple] Dominus Gulielmus Temple Eques Baronettus Ser.mi et Pot.mi Mag. Britanniæ Regis ad Ord.s Fœd.ti Belgÿ Lagatus [...] 1679.
P. Lely Pinx. G. Vertue Sculp.
[n.d., 1720.]
Engraving. Sheet 270 x 160mm (10¾ x 6¼"). Trimmed within plate, mounted in album paper.
Oval portrait of Sir William Temple (1628-99), a diplomat who negotiated the marriage William of Orange and Princess Mary, and the Triple Alliance between England, Sweden & the United Provinces, 1668. Temple's secretary for most of the last decade of his life was the satirist Jonathan Swift: when Temple died Swift wrote 'He died at one o clock in the morning and with him all that was great and good among men'.
Alexander: 298
[Ref: 59416] £140.00 (£168.00 incl.VAT)

Temptation. ~Had I a heart for Falshood fram'd I ne'er could injure you; For tho' your Tongue no promise claim'd, Your charms would make me true.
H. Ramberg invt delt. W.Ward Sculpsit.
Published 25th July 1794 by R.Laurie & J.Whittle, No 53, Fleet Street, London.
Stipple with roulette. 255 x 280mm.
The verse comes from Richard Brinsley Sheridan's comic opera 'The Duenna' (1777), considered one of the most successful operas ever staged in England and described by Byron as 'the best opera ever written'.
[Ref: 4767] £380.00

The Tempting Present.
Painted by T. Woodward. Engraved by W.R. Smith, the Figure by J.H. Robinson.
London, Published July 1, 1824 ny Hurst, Robinson & Co. 90, Cheapside & 8 Pall Mall.
A rare etching and engraving. Plate 322 x 356mm. 12¾ x 14¼".
A young man in rustic dress riding a horse and smiling towards the viewer from under his hat, holding a basket over his right arm, with a small dog trotting beside him to the right, on a country path with trees and a small tower in the background.
Ex Norman Blackburn Collection.
[Ref: 18780] £180.00 (£216.00 incl.VAT)

[Ten Trinity Square.] P.L.A. London. [in pencil.]
Kenneth Ames [? pencil signature]
[Kenan Ltd, n.d., c.1922.]
Etching in original mount and gilt-lettered folio. Plate 175 x 250mm (7 x 9¾"). Scuffs to covers, faint mount burn around image.
A view of the former headquarters of the Port of London Authority on Tower Hill, probably at the time it was opened, by Prime Minister David Lloyd George, in 1922. At present there are plans to convert it into a Four Seasons Hotel. This print was published as a corporate Christmas card: the cover reads 'With the Compliments of the Season and Best Wishes for the New Year from Kenan Ltd. Reg 5653'
[Ref: 43213] £180.00 (£216.00 incl.VAT) view all images for this item

[Ten vignettes]
C J Grant Invent [illegible].
[n.d. c.1833]
Lithograph, sheet 245 x 275mm (9¾ x 10¾). Trimmed. Stain top right.
Ten satirical vignettes with puns about daily life, politics and royalty. This print looks like a trimmed version of one of Grant's Frontispieces.
See [Ref: 63983].
[Ref: 67729] £160.00 (£192.00 incl.VAT)

View of the City of Ten-Tchoo-Foo from the anchorage of the Hindostan in the Strait of Mi-A-Tau bearing South-west.
Ellis sculp.t.
London, Published April 12, 1796, by G.Nicol.
Engraving. 545 x 745mm (21½ x 29¼"), on paper watermarked 'J. Whatman 1794.' Central vertical fold as published.
Three views of the Shantung Peninsula. A panoramic view of the harbour and city of Ten-Tchoo-Foo is shown at the bottom. Cape Macartney, Staunton's Island and Cape Gower are illustrated above. Plate 7 from Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', describing the expedition of Lord Macartney (1737 - 1806) as the first British ambassador to China. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38153] £250.00 (£300.00 incl.VAT)

View of the Road by Saorgio to the Passage of the Col de Tende.
Drawn by Mary Countess Harcourt, Engraved by J. Hibbert, jun. Bath.
Fine & rare aquatint, printed in sepia. 365 x 480mm (14 x 19"), with very large margins. Laid on board. Edges of board chipped, print not affected.
View of a town on cliffs, seen from below, a winding road and river at left in the foreground. 1809-33. Department of Alpes-Maritimes region of Provence-Alpes-Cote d'Azur, while Col de Tende is a high mountain pass in the Alps, on the border of France and Italy. Mary, Countess Harcourt (1749 - 1833) Wife of William Harcourt, 3rd Earl Harcourt, and amateur painter.
[Ref: 68308] £380.00

[Greek War of Independence.] Die Helden von Tenedos.
[Etched by Wunder after Geissler?]
[Nuremberg?, c.1829.]
Etching with original hand colour. Sheet 170 x 205mm (6¾ x 8"). Trimmed.
A scene from Greek War of Independence (1821-29), with Constantine Canaris blowing up a Turkish warship using a fireship off Tenedos, a tactic he used several times.
[Ref: 29826] £220.00 (£264.00 incl.VAT)

Uit-lesing vande Tienden der Kudde.
[Jan Luyken.]
[n.d., c.1683.]
Engraving. Plate: 145 x 295mm (5¾ x 11½'').
A print showing shepherds tending their flock. By Dutch printmaker Jan Luyken (1649-1712).
[Ref: 49658] £110.00 (£132.00 incl.VAT)

Mr. Tenducci.
Painted by T. Beach of Bath, 1782. Engraved by W. Dickinson.
London, Publish'd June 24th 1782 by W. Dickinson Engraver & Printseller No 158 New Bond Street.
Scarce mezzotint, 375 x 275mm (14¾ x 10¾"), with large margins. Rubbed.
Giusto Ferdinando Tenducci (c.1735-1790), Italian castrato and composer, holding sheet music. From 1758 to 1765 he was in London where he was heard at both the King's Theatre and the Royal Opera House, after which he spent most his time in London and Italy. He taught singing to Wolfgang Amadeus Mozart in Paris in 1777-1778, and Mozart, impressed with his teacher's singing abilities, wrote a concert aria for him. Engraved after a portrait by the Bath painter Thomas Beach (bap.1737-d.1806), now in a private collection.
CS: 83 ii/ii.
[Ref: 61687] £480.00

Teneriffe. From the S. S. ''Helene Wöermann''. March 18, 1900.
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48111] £110.00 (£132.00 incl.VAT)

View of the Pike of Teneriffe, 34 Leagues distant to the North West. View of the Pike over the West Side of Gomera, at 15 Leagues distance.
Pl.147. No.86. Vol.2. p.353. G. Child Sculp.t
[n.d. c.1750.]
Hand-coloured engraving. Plate 157 x 232mm (6¼ x 9¼").
A view of the Pike of Tenerife, Canary Islands, with a view of the small island of La Gomera below
[Ref: 30743] £95.00 (£114.00 incl.VAT)

[Two men.]
D. Tinners pinx. Jo. Smith ex.
[1805 but later.]
Mezzotint. 170 x 140mm (6¾ x 5½"). Mounted on album paper.
Two men, both wearing hats and plain coats, one holding a smoking pipe. Engraved by John Smith after David Teniers the Younger and published in Boydell's 'Collection of Portraits'.
BM: 1876,1111.37.
[Ref: 30933] £120.00 (£144.00 incl.VAT)

The Jovial Flanderkins, after a Painting of Teniers.
Brookshaw fecit
Printed for John Bowles, at No.13 in Cornhil [n.d., c.1780].
Mezzotint, 355 x 255mm. Paper age toned, some foxing, small repaired tear lower left margin.
Pipe smoking Flemish peasants after Teniers, by Richard Brookshaw, mezzotinter and draughtsman (1736 - c.1804).
[Ref: 7726] £220.00 (£264.00 incl.VAT)

[Teniers's Kitchen or Allegory of the Four Elements.]
Teniers Pinxit. J.B. Michell Sculp.t.
Published July 1.st 1777 by John Boydell, Engraver in Cheapside London.
Engraving. Proof before title. Platemark: 485 x 610mm (19 x 24"), with very large margins. Small tears in outer margins.
The interior of an opulent kitchen with several work stations, and a large fireplace with in background, beside which figures are carving, and cooking meat. A falconer stands to the right, as others sort fish to the left. A plethora of meat, fish and poultry is scattered around the room scattered in foreground Plate from 'The Houghton Gallery' The original painting was completed in 1646 and is in the Hermitage collection. The print was published and commissioned by John Boydell, the great London printmaker and seller. The painting was part of Sir Robert Walpole's collection and was soon thereafter sold to Catherine the Great (1779)
[Ref: 40065] £390.00

[A drinking scene.]
Mezzotint. 205 x 175mm (8 x 7"). Thread margins; Slight creasing.
A genre scene, probably after Flemish painter David Teniers the Younger (1610-1690), and published by Edward Cooper (active 1682-d.1725), the major London print publisher of the late 17th and early 18th centuries.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34655] £220.00 (£264.00 incl.VAT)

Le Fils de Teniers.
David Teniers pinx. L.A. Claessens Sculp.
Ce tableau original se trouve a Anvers chez Mr. Van Regemorter Peintre. [n.d. c.1792.] Bit later.
Stipple with small margins. Plate 350 x 272mm (13¾ x 10¾"). Faded collector's stamp verso.
Two boys having fun with bubbles. A well dressed boy holds a shell in his right hand, with his left hand he moves the blowpipe from which a soap bubble hangs. Next to him is a second boy who appears to be the same age. He tries to catch the soap bubbles with his hat. After David Teniers II (1610-1690), who used his son as a model in this image, and engraved by Lambert Antoine Claessens (1764 - 1834).
In the Harvard Art Museums.
[Ref: 29930] £190.00 (£228.00 incl.VAT)

David Teniers Antuerpianus Sereniss.is Leopoldo Archiduci, & Ioanni Austriaco Belgy Gubernatoribus Pictor familiaris, & Vtriq a Cubiculis, A.o M.D.C.LIX Ætat: 49. Herous faciles aditus in limina Regum...
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Iacobus Peeters excudit [n.d., c.1660].
Engraving. 340 x 235mm (13½ x 9¼''). Hinged on left of sheet.
A portrait of the artist David Teniers the Younger (1610-1690). Frontis to 'Theatrum Pictorium'. In pencil on sheet "Spencer Churchill Book". First published 1659: this example is of the fourth state of four, published by Peeters rather than Abraham Teniers.
[Ref: 49453] £160.00 (£192.00 incl.VAT)

David Teniers Antuerpianus Sereniss.is Leopoldo Archiduci, & Ioanni Austriaco Belgy Gubernatoribus Pictor familiaris, & Vtriq a Cubiculis, A.o M.D.C.LIX Ætat: 49. Herous faciles aditus in limina Regum...
Petrus Thÿs pinx. Lucas Vosterm: Iun: Sculpsit.
Abraham Teniers excudit [n.d., 1659].
Engraving. Sheet 340 x 235mm (13½ x 9¼''). Trimmed within plate, mounted in album paper at sides.
A portrait of the artist David Teniers the Younger (1610-1690), published as the frontispiece to 'Theatrum Pictorium'. An example of the second state of four, the first published state.
[Ref: 62190] £230.00 (£276.00 incl.VAT)

David Teniers. Un tres excellent peintre en petites figures et paijsages, il a faict des remarquables pieces tantpour le Roy d'Espaigne que pour autres Roys, de mesme pour l'Archiduc Leopolde Guillaume, l'Evesque de Gand, et le Prince d'Orange Guillame et plusieurs autres Princes Seigneurs, et Amateurs de l'art ont beaucoup de ses oeuvres, il est ne d'Anvers lan 1610 aijant eu son pere pour maistre.
Dav. Teniers pinxit. Pet. de Iode Sculpsit.
Io. Meyssens excudit. [n.d. c.1622.]
Engraving. Plate 170 x 114mm. 6¾ x 4½". Glued to backing sheet.
David Teniers the Younger (1610-1690), celebrated Flemish artist. The Archduke Leopold Wilhelm, who assumed the government of the Spanish Netherlands, being a great lover of art, employed Teniers not only as a painter but as keeper of the collection of pictures he was then forming. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24512] £65.00 (£78.00 incl.VAT)

David Teniers et sa Famille.
D. Teniers, pinx. Jac. Ph. Le Bas Sculp.
[AParis chez l'Auteur au bas de la rue de la Harpe] [n.d., c1747.]
Etching. 370 x 495mm (14½ x 19½"). Trimmed into inscription area, losing dedication and publication line, new margin added, remarque armorial replaced with manuscript. Some foxing.
Portrait of David Teniers and his family, sitting on a terrace, with the artist playing the cello, his wife holding a book, and his son singing.
[Ref: 54289] £240.00 (£288.00 incl.VAT)

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