A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Taking Caudle.
R. Dagley del. et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 152 x 240mm. 6 x 9½".
An ailing woman lies in bed, a second woman stands holding a baby to the right; a third and fourth woman sit holding caudle, a cat on the lap of the one to the right, with a dog also looking up by her chair. Caudle is a British thickened and sweetened alcoholic drink, similar to eggnog and was used during the Middle Ages for its supposed medicinal properties. From "Takings or, the Life of a Collegian".
[Ref: 24041] £95.00 (£114.00 incl.VAT)
R. Dagley del. et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 152 x 240mm. 6 x 9½".
An ailing woman lies in bed, a second woman stands holding a baby to the right; a third and fourth woman sit holding caudle, a cat on the lap of the one to the right, with a dog also looking up by her chair. Caudle is a British thickened and sweetened alcoholic drink, similar to eggnog and was used during the Middle Ages for its supposed medicinal properties. From "Takings or, the Life of a Collegian".
[Ref: 24041] £95.00 (£114.00 incl.VAT)
Taking Courage.
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 147 x 241mm. 5¾ x 9½".
On a jetty, two men prepare to box; obviously influenced by the red-faced man stood with his back against one; bottles on the ground. From "Takings or, the Life of a Collegian".
[Ref: 24028] £160.00 (£192.00 incl.VAT)
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 147 x 241mm. 5¾ x 9½".
On a jetty, two men prepare to box; obviously influenced by the red-faced man stood with his back against one; bottles on the ground. From "Takings or, the Life of a Collegian".
[Ref: 24028] £160.00 (£192.00 incl.VAT)
Taking Courage.
R. Dagley del. W. H. Brooke sculp.
London published by John Warren, Old Bond Street, and g. & W. E. Whittaker Ave Maria Lane.
Coloured etching. 150 x 240mm (6 x 9½").
Three men stand on a raised deck, two stripped to the waist with fists raised and one, fully clothed, propping up one of the fighters who leans against his back. Two discarded bottles lie at their feet.
[Ref: 56591] £130.00 (£156.00 incl.VAT)
R. Dagley del. W. H. Brooke sculp.
London published by John Warren, Old Bond Street, and g. & W. E. Whittaker Ave Maria Lane.
Coloured etching. 150 x 240mm (6 x 9½").
Three men stand on a raised deck, two stripped to the waist with fists raised and one, fully clothed, propping up one of the fighters who leans against his back. Two discarded bottles lie at their feet.
[Ref: 56591] £130.00 (£156.00 incl.VAT)
Taking Lessons.
R. Dagley del.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 152 x 240mm. 6 x 9½".
Two young ladies in a music lesson, one sat at the harpsichord playing her teacher stood behind; another man stood playing a violin, next to a young lady dancing. From "Takings or, the Life of a Collegian".
[Ref: 24040] £130.00 (£156.00 incl.VAT)
R. Dagley del.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 152 x 240mm. 6 x 9½".
Two young ladies in a music lesson, one sat at the harpsichord playing her teacher stood behind; another man stood playing a violin, next to a young lady dancing. From "Takings or, the Life of a Collegian".
[Ref: 24040] £130.00 (£156.00 incl.VAT)
Taking Likenesses.
R. Dagley del. et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 159 x 241mm. 6¼ x 9½".
A rather ugly woman seated holding a fan to the left, with an artist and his canvas to the right; he has painted her as a beautiful young woman; a bust on the wall. From "Takings or, the Life of a Collegian".
[Ref: 24030] £85.00 (£102.00 incl.VAT)
R. Dagley del. et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 159 x 241mm. 6¼ x 9½".
A rather ugly woman seated holding a fan to the left, with an artist and his canvas to the right; he has painted her as a beautiful young woman; a bust on the wall. From "Takings or, the Life of a Collegian".
[Ref: 24030] £85.00 (£102.00 incl.VAT)
Quartiere con. mobili_or_ Hints on taking Lodgings.
Drawn by WP. Etch'd by G.C.
Pub.d by Tho.s McLean, 26, Haymarket, Aug.t 1.st 1835.
Hand-coloured etching. Plate: 300 x 225mm (11¾ x 9''). Fragments of paper glued in plate.
A comic print showing the difficulty of noisy neighbours shown in two scenes representing two floors of a building. In the lower floor a man sits at his desk dispairing while in the floor above a man dances accompanied by a second man playing the violin.
[Ref: 50991] £130.00 (£156.00 incl.VAT)
Drawn by WP. Etch'd by G.C.
Pub.d by Tho.s McLean, 26, Haymarket, Aug.t 1.st 1835.
Hand-coloured etching. Plate: 300 x 225mm (11¾ x 9''). Fragments of paper glued in plate.
A comic print showing the difficulty of noisy neighbours shown in two scenes representing two floors of a building. In the lower floor a man sits at his desk dispairing while in the floor above a man dances accompanied by a second man playing the violin.
[Ref: 50991] £130.00 (£156.00 incl.VAT)
Taking Measures.
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
A young man stands in his living room, in front of a fireplace, upon which sits an urn and ornatamental clock, and in front of which lies a sleeping dog; a tailor on his knees measures his inside leg; a third man holding a staff peers around the doorway, probably a bailiff. From "Takings or, the Life of a Collegian".
[Ref: 24039] £85.00 (£102.00 incl.VAT)
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
A young man stands in his living room, in front of a fireplace, upon which sits an urn and ornatamental clock, and in front of which lies a sleeping dog; a tailor on his knees measures his inside leg; a third man holding a staff peers around the doorway, probably a bailiff. From "Takings or, the Life of a Collegian".
[Ref: 24039] £85.00 (£102.00 incl.VAT)
Taking Notice.
R. Dagley del. et. sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 240 x 152mm. 9½ x 6".
A young lady enters the house, with a glance back towards a gentlman caller admiring her from behind, looking through his monocle. From "Takings or, the Life of a Collegian".
[Ref: 24031] £85.00 (£102.00 incl.VAT)
R. Dagley del. et. sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. 240 x 152mm. 9½ x 6".
A young lady enters the house, with a glance back towards a gentlman caller admiring her from behind, looking through his monocle. From "Takings or, the Life of a Collegian".
[Ref: 24031] £85.00 (£102.00 incl.VAT)
Taking Notice.
R. Dagley del. et sculp.
London, Publisehd by John Warren. Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Hand-coloured etching. 244 x 142mm (9½ x 5½"). Some slight scuffing to the sheet.
A man in suitable dress peers through his hand-held eyeglass at a lady who peeks back at him, hidden by the door frame, whilst raising her dress to reveal her ankle.
[Ref: 52213] £65.00 (£78.00 incl.VAT)
R. Dagley del. et sculp.
London, Publisehd by John Warren. Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Hand-coloured etching. 244 x 142mm (9½ x 5½"). Some slight scuffing to the sheet.
A man in suitable dress peers through his hand-held eyeglass at a lady who peeks back at him, hidden by the door frame, whilst raising her dress to reveal her ankle.
[Ref: 52213] £65.00 (£78.00 incl.VAT)
Bestümrung und Einnahme von Seringapatam den 4.ten May 1799. General Major Baird hatte seine Macht in zwey Divisionen abgetheilt, die eine unter dem Comand der Obertsn Sherbrooke...Wiederstands erfochten beede Divisionen den vollkomensten Sieg. The Assault and Taking of Seringapatam on the 4.th of May 1799. Major General Baird having devided his force into two divisions, one under the command of Colonel Sherbrooke and the other of Colonel Dunlop, the troops ascended the breach under a heavy fire, when the latter officer was severely wounded, but though vigrrously opposed, loth divisions, were completely successful. Dedicated by Permission To His most Gracious Majesty George III King of the United Kingdoms of Great Britain & Ireland, &c.&c.&c. By His Majesty's most dutiful servants. Anth.y Cardon & N.& S. Schiavonetti.
Painted by H. Singleton. Engraved by Laminet.
Zu finden in der Akademischen Kunsthandlung in Augsburg. [n.d. c.1800.]
Rare hand-coloured engraving, 425 x 483mm. 16¾ x 19". Trimmed.
The Battle of Seringapatam was the final battle of the Fourth Anglo-Mysore War, between the British East India Company and the Kingdom of Mysore; which came to an end with the defeat and death of Tippu Sultan. It was a decisive British victory after breaching the walls of the fortress and storming the citadel. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom.
See 20810 for the pair.
[Ref: 20809] £750.00
Painted by H. Singleton. Engraved by Laminet.
Zu finden in der Akademischen Kunsthandlung in Augsburg. [n.d. c.1800.]
Rare hand-coloured engraving, 425 x 483mm. 16¾ x 19". Trimmed.
The Battle of Seringapatam was the final battle of the Fourth Anglo-Mysore War, between the British East India Company and the Kingdom of Mysore; which came to an end with the defeat and death of Tippu Sultan. It was a decisive British victory after breaching the walls of the fortress and storming the citadel. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom.
See 20810 for the pair.
[Ref: 20809] £750.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Bestümrung und Einnahme von Seringapatam den 4.ten May 1799. General Major Baird hatte seine Macht in zwey Divisionen abgetheilt, die eine unter dem Comand der Obertsn Sherbrooke...Wiederstands erfochten beede Divisionen den vollkomensten Sieg. The Assault and Taking of Seringapatam on the 4.th of May 1799. Major General Baird having devided his force into two divisions, one under the command of Colonel Sherbrooke and the other of Colonel Dunlop, the troops ascended the breach under a heavy fire, when the latter officer was severely wounded, but though vigrrously opposed, loth divisions, were completely successful. Dedicated by Permission To His most Gracious Majesty George III King of the United Kingdoms of Great Britain & Ireland, &c.&c.&c. By His Majesty's most dutiful servants. Anth.y Cardon & N.& S. Schiavonetti. [&] Lezte Anstrengung und Tod des Sultans Tippo. Der verwundete Sultan hatte sich under das Thor de inern Forts zuruck gezo=gen, hier...Muskete durch den Kopf, und der Sultan stirbt in dem nemlichen Augenblick. The Last Effort and Fall of Tippo Sultaun. The wounded Sultaun retired under the gateway of the inner fort, his Horse having sunk under him, his people raised him up & placed him on his Palankeen, from which, on the appearance of some European Soldiers, he with difficulty removed himself grasped his sword & tho nearly exhausted from loss of blood, wounded one of them above the knee who attempted to seize his sword belt, and who shot the Sultaun thro the head when he instantly expired. Dedicated by Permission To the honourable The Court of Directors of the United Last India Company By Their most obliged and mos obedient humble Servants, L.N. & S. Schiavonetti & A. Cardon.
Painted by H. Singleton. Engraved by Laminet.
Zu finden in der Akademischen Kunsthandlung in Augsburg. [n.d. c.1800.]
Pair of hand-coloured engravings, large margins. Plate 431 x 488mm. 17 x 19¼".
The Battle of Seringapatam was the final battle of the Fourth Anglo-Mysore War, between the British East India Company and the Kingdom of Mysore; which came to an end with the defeat and death of Tippu Sultan. It was a decisive British victory after breaching the walls of the fortress and storming the citadel. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom. The Tippu Sultan was killed in action nea the Water Gate.
See Ref: 20809 for first plate.
[Ref: 20810] £1,850.00 view all images for this item
Painted by H. Singleton. Engraved by Laminet.
Zu finden in der Akademischen Kunsthandlung in Augsburg. [n.d. c.1800.]
Pair of hand-coloured engravings, large margins. Plate 431 x 488mm. 17 x 19¼".
The Battle of Seringapatam was the final battle of the Fourth Anglo-Mysore War, between the British East India Company and the Kingdom of Mysore; which came to an end with the defeat and death of Tippu Sultan. It was a decisive British victory after breaching the walls of the fortress and storming the citadel. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom. The Tippu Sultan was killed in action nea the Water Gate.
See Ref: 20809 for first plate.
[Ref: 20810] £1,850.00 view all images for this item
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Taking Physic.
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. Paper watermarked: [J Wha]tman [182]5. 240 x 152mm. 9½ x 6". Slight soiling and creasing to edges.
An elderly couple; a man is revolted by the medicine which his wife pours into a bowl to feed him. A book, titled 'Buchan' lies on the table. From "Takings or, the Life of a Collegian". Medical print.
[Ref: 24034] £130.00 (£156.00 incl.VAT)
R. Dagley del. W.H. Brooke sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand-coloured etching. Paper watermarked: [J Wha]tman [182]5. 240 x 152mm. 9½ x 6". Slight soiling and creasing to edges.
An elderly couple; a man is revolted by the medicine which his wife pours into a bowl to feed him. A book, titled 'Buchan' lies on the table. From "Takings or, the Life of a Collegian". Medical print.
[Ref: 24034] £130.00 (£156.00 incl.VAT)
![[Taking Pleasure.]](jpegs/24029.jpg)
[Taking Pleasure.]
R. Dagley del. et sculp.
[London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. n.d. c.1821.]
Fine hand-coloured etching. 114 x 159mm. 4½ x 6¼". Cut.
A couple on a pathway, with a sign reading "To Highgate" and "To London"; the man pulling a stroller with two young girls seated in the back, the woman holding a parasol and with a boy to her right; a dog carring a stick to the left. From "Takings or, the Life of a Collegian".
[Ref: 24029] £80.00 (£96.00 incl.VAT)
R. Dagley del. et sculp.
[London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. n.d. c.1821.]
Fine hand-coloured etching. 114 x 159mm. 4½ x 6¼". Cut.
A couple on a pathway, with a sign reading "To Highgate" and "To London"; the man pulling a stroller with two young girls seated in the back, the woman holding a parasol and with a boy to her right; a dog carring a stick to the left. From "Takings or, the Life of a Collegian".
[Ref: 24029] £80.00 (£96.00 incl.VAT)
Taking Pledges.
R. Dagley del et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
At a money lenders, a woman and her bare-footed child stand trying to sell a copper kettle; a sneaky hand appears from behind the screen holding up a pocket watch. The child holds a bottle! From "Takings or, the Life of a Collegian".
[Ref: 24037] £85.00 (£102.00 incl.VAT)
R. Dagley del et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
At a money lenders, a woman and her bare-footed child stand trying to sell a copper kettle; a sneaky hand appears from behind the screen holding up a pocket watch. The child holds a bottle! From "Takings or, the Life of a Collegian".
[Ref: 24037] £85.00 (£102.00 incl.VAT)
Taking Stitches.
R. Dagley del et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
To the right sits a man crossed legged stitching a yellow garment, and to the left another man stitching his own clothing. From "Takings or, the Life of a Collegian".
[Ref: 24038] £85.00 (£102.00 incl.VAT)
R. Dagley del et sculp.
London, Published by John Warren, Old Bond Street, and G. & W.B. Whittaker, Ave Maria Lane. [n.d. c.1821.]
Fine hand coloured etching. 240 x 152mm. 9½ x 6".
To the right sits a man crossed legged stitching a yellow garment, and to the left another man stitching his own clothing. From "Takings or, the Life of a Collegian".
[Ref: 24038] £85.00 (£102.00 incl.VAT)
The Right Honourable Charles Lord Talbot, Baron of Hensol, Lord High Chancellor of Great Britain.
Bockman fecit.
Printed for Tho.s Bowles near the Chapter House in St Pauls Church Yard, and Jn.o Bowles at the Black Horse in Cornhill, London.
Mezzotint. 365 x 255mm. Trimmed close to plate.
Charles Talbot, 1st Baron Talbot (1685-1737), British lawyer and politician, Lord Chancellor 1733 to 1737. While Solicitor General, Talbot co-wrote the 'Yorke-Talbot slavery opinion', which decided that slavery was legitimate under British law, 1729.
CS: 21. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 696] £180.00 (£216.00 incl.VAT)
Bockman fecit.
Printed for Tho.s Bowles near the Chapter House in St Pauls Church Yard, and Jn.o Bowles at the Black Horse in Cornhill, London.
Mezzotint. 365 x 255mm. Trimmed close to plate.
Charles Talbot, 1st Baron Talbot (1685-1737), British lawyer and politician, Lord Chancellor 1733 to 1737. While Solicitor General, Talbot co-wrote the 'Yorke-Talbot slavery opinion', which decided that slavery was legitimate under British law, 1729.
CS: 21. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 696] £180.00 (£216.00 incl.VAT)
A Tale of Love. Come listen to my mournful tale...
M.r Bunbury delt. J. K. Sherwin Engraver to his Majesty Sc.
London, Published 3 March 1788 by James Bretherton New Bond Street.
Decorative & rare stipple. Framed. Plate: 375 x 460mm (14¾ x 18"). Frame: 530 x 625mm (21 x 24½"). Unexamined out of frame.
An interior scene in which four figures gather round a woman sitting with a book to hear a story, a little boy strokes a dog sleeping on the floor.
[Ref: 44425] £230.00 (£276.00 incl.VAT)
M.r Bunbury delt. J. K. Sherwin Engraver to his Majesty Sc.
London, Published 3 March 1788 by James Bretherton New Bond Street.
Decorative & rare stipple. Framed. Plate: 375 x 460mm (14¾ x 18"). Frame: 530 x 625mm (21 x 24½"). Unexamined out of frame.
An interior scene in which four figures gather round a woman sitting with a book to hear a story, a little boy strokes a dog sleeping on the floor.
[Ref: 44425] £230.00 (£276.00 incl.VAT)
A Tale of Terror!!!
Woodward del. Cruikshank F.
Pubd. By T. Tegg Cheapside. [n.d., c.1822.]
Coloured etching. 245 x 345mm (9¾ x 13½"0, very large margins. Creasing.
A terrified man relates his encounter with the 'devil' while inebriated. First published 10th January, 1807 by Tegg, this state has the date removed.
[Ref: 50700] £120.00 (£144.00 incl.VAT)
Woodward del. Cruikshank F.
Pubd. By T. Tegg Cheapside. [n.d., c.1822.]
Coloured etching. 245 x 345mm (9¾ x 13½"0, very large margins. Creasing.
A terrified man relates his encounter with the 'devil' while inebriated. First published 10th January, 1807 by Tegg, this state has the date removed.
[Ref: 50700] £120.00 (£144.00 incl.VAT)
A Tale of Terror!!!
Woodward del. Cruikshank F.
London Published 10 Jan.ry 1807 by Thomas Tegg Cheapside.
Finely hand-coloured etching. Plate 245 x 350mm (9¾ x 13¾"), with large margins. Repaired tear in title near 'Terror'.. Creasing and nick to top margin.
A terrified man relates his encounter with the 'devil' while inebriated.
Not in BM Satires.
[Ref: 61909] £190.00 (£228.00 incl.VAT)
Woodward del. Cruikshank F.
London Published 10 Jan.ry 1807 by Thomas Tegg Cheapside.
Finely hand-coloured etching. Plate 245 x 350mm (9¾ x 13¾"), with large margins. Repaired tear in title near 'Terror'.. Creasing and nick to top margin.
A terrified man relates his encounter with the 'devil' while inebriated.
Not in BM Satires.
[Ref: 61909] £190.00 (£228.00 incl.VAT)
The Cutter Yacht, Talisman, (87 Tons) R.Y.S. sailing the Great Match with the Corsair, from Cowes round the Eddystone, and back, Octr. 1842. To Robert Meiklam, Esqre. this Print is respectfully dedicated, by The Publisher.
N.M. Condy del. T.G .Dutton lith: Day & Haghe Lith.rs to the Queen.
London, Ackermann & Co. Strand, George Foster 114 Fenchurch St.__ Cowes, J Pinhorn. __ Plymouth, Edmund Fry [n.d., c.1843].
Lithograph, image 230 x 305mm. 9 x 12". Repaired tear into publication line. Some soiling.
The Corsair and was the victor over the Talisman in the celebated race between the two Royal Yacht Club boats for 1,000 guineas from Cowes to the Eddystone lighthouse, Cornwall.
[Ref: 9469] £260.00 (£312.00 incl.VAT)
N.M. Condy del. T.G .Dutton lith: Day & Haghe Lith.rs to the Queen.
London, Ackermann & Co. Strand, George Foster 114 Fenchurch St.__ Cowes, J Pinhorn. __ Plymouth, Edmund Fry [n.d., c.1843].
Lithograph, image 230 x 305mm. 9 x 12". Repaired tear into publication line. Some soiling.
The Corsair and was the victor over the Talisman in the celebated race between the two Royal Yacht Club boats for 1,000 guineas from Cowes to the Eddystone lighthouse, Cornwall.
[Ref: 9469] £260.00 (£312.00 incl.VAT)
![[Tall Trees.]](jpegs/34822.jpg)
[Tall Trees.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 210 x 152mm (8¼ x 6").
A group of tall trees, with fields in the background at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34822] £70.00 (£84.00 incl.VAT)
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 210 x 152mm (8¼ x 6").
A group of tall trees, with fields in the background at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34822] £70.00 (£84.00 incl.VAT)
Taleyrand Perigord Prince of Benevuntum.
W. M. Craig del. Brown sculpt.
Published by T. Kinnersley Jany. 1 1815
Engraving with etching, sheet 285 x 225mm (11¼ x 8¾"). Small margins, trimmed to plate on one side. Small tear. Holes in left margin where previously bound.
Oval portrait of the French clergyman and diplomat Charles-Maurice de Talleyrand-Périgord (1754 –1838), below on a stone inscribed with the sitter's name and surrounded by flowers and oak leaves, a snake and book below and an owl flying against clouds above. Illustration from 'A New History of the Twenty Years War with France'. Tallyrand was one of Napoleon's chief diplomats and instrumental at obtaining peace with Austria through the 1801 Treaty of Luneville and with Britain in the 1802 Treaty of Amiens. Napoleon and Tallyrand's foreign policy differed; he sought a negotiated secure peace so as to perpetuate the gains of the French revolution, which led to accepting bribes from hostile powers.
[Ref: 55850] £65.00 (£78.00 incl.VAT)
W. M. Craig del. Brown sculpt.
Published by T. Kinnersley Jany. 1 1815
Engraving with etching, sheet 285 x 225mm (11¼ x 8¾"). Small margins, trimmed to plate on one side. Small tear. Holes in left margin where previously bound.
Oval portrait of the French clergyman and diplomat Charles-Maurice de Talleyrand-Périgord (1754 –1838), below on a stone inscribed with the sitter's name and surrounded by flowers and oak leaves, a snake and book below and an owl flying against clouds above. Illustration from 'A New History of the Twenty Years War with France'. Tallyrand was one of Napoleon's chief diplomats and instrumental at obtaining peace with Austria through the 1801 Treaty of Luneville and with Britain in the 1802 Treaty of Amiens. Napoleon and Tallyrand's foreign policy differed; he sought a negotiated secure peace so as to perpetuate the gains of the French revolution, which led to accepting bribes from hostile powers.
[Ref: 55850] £65.00 (£78.00 incl.VAT)
Tallow-chandler.
[n.d. c.1820.]
Hand-coloured engraving. 102 x 63mm. 4 x 2½". Cut and laid on album scrap.
The business of a Tallow-chandler consists in making candles of suet or fat, and in selling them after they are made. In the country the trade of a tallow-chandler and soap boiler are frequently combined, in London more rarely. The business of a Cabinet-maker, and that of an Upholsterer, is now so generally united together, that any observations on either of these branches may, with propriety, be comprehended under one general head. From "The Book of Trades or Library of Useful Arts".
[Ref: 25545] £45.00 (£54.00 incl.VAT)
[n.d. c.1820.]
Hand-coloured engraving. 102 x 63mm. 4 x 2½". Cut and laid on album scrap.
The business of a Tallow-chandler consists in making candles of suet or fat, and in selling them after they are made. In the country the trade of a tallow-chandler and soap boiler are frequently combined, in London more rarely. The business of a Cabinet-maker, and that of an Upholsterer, is now so generally united together, that any observations on either of these branches may, with propriety, be comprehended under one general head. From "The Book of Trades or Library of Useful Arts".
[Ref: 25545] £45.00 (£54.00 incl.VAT)
F. Champion on "Tally Ho". Huntsman to the Cheshire Hounds.
A.G. Haigh 1909 [in image.] Painted by Alfred G. Haigh. Engraved by E.M. Hester. [Pencil signature:] Alfred G. Haigh.
Published Sep 1.st 1909 by Mess.rs Fores, 41 Piccadilly, London W.
Coloured lithograph. Plate 540 x 430mm. 21¼ x 17". Very fine colour, with large margins.
A rider in hunting gear sits on his horse; four hour dogs sniff around in the grass.
[Ref: 24013] £330.00
A.G. Haigh 1909 [in image.] Painted by Alfred G. Haigh. Engraved by E.M. Hester. [Pencil signature:] Alfred G. Haigh.
Published Sep 1.st 1909 by Mess.rs Fores, 41 Piccadilly, London W.
Coloured lithograph. Plate 540 x 430mm. 21¼ x 17". Very fine colour, with large margins.
A rider in hunting gear sits on his horse; four hour dogs sniff around in the grass.
[Ref: 24013] £330.00
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![[Tally stick c.1229.]](jpegs/24717.jpg)
[Tally stick c.1229.] Thom Godesire det Toscy de Kant Jud xxx s. red / med ad festu sci mich Anno gre m. cc. vicef nono & med / ad festu sci martin px seqns p cursucur pl Andr de mikelgat. / & Ingeram Tallear.
[G. Vertue?]
[British, R. Rawlinson, c.1750s.]
Engraved facsimile of the Latin tally of one Thomas Godsire; transcription below, with large margins. 105 x 175mm, 4½ x 7". Several fold creases (one splitting in lower margin). A little soiled and stained.
Tally sticks served as records or receipts for financial transactions such as the payment of taxes, debts and fines. From the 12th century onward tally sticks were officially employed by the Exchequer of England to collect the King's taxes. In recording a debt, wooden sticks were often split horizontally into two parts: the lender receiving one part, the stock; and the debtor, the other part, the foil. Sticks dating from 1296 were found in the Chapel of the Pyx, Westminster Abbey in 1808. England abolished the use of tally sticks in 1826. This tally is from the collection of Richard Rawlinson (1690 - 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24717] £95.00 (£114.00 incl.VAT)
[G. Vertue?]
[British, R. Rawlinson, c.1750s.]
Engraved facsimile of the Latin tally of one Thomas Godsire; transcription below, with large margins. 105 x 175mm, 4½ x 7". Several fold creases (one splitting in lower margin). A little soiled and stained.
Tally sticks served as records or receipts for financial transactions such as the payment of taxes, debts and fines. From the 12th century onward tally sticks were officially employed by the Exchequer of England to collect the King's taxes. In recording a debt, wooden sticks were often split horizontally into two parts: the lender receiving one part, the stock; and the debtor, the other part, the foil. Sticks dating from 1296 were found in the Chapel of the Pyx, Westminster Abbey in 1808. England abolished the use of tally sticks in 1826. This tally is from the collection of Richard Rawlinson (1690 - 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24717] £95.00 (£114.00 incl.VAT)
![[Two medieval tally sticks.]](jpegs/24718.jpg)
[Two medieval tally sticks.] Thom Godesire det Toscy de Kant Jud xxx s. red / med ad festu sci mich Anno gre m. cc. vicef nono & med / ad festu sci martin px seqns p cursucur pl Andr de mikelgat. / & Ingeram Tallear (1229). [&] Ego Thomas Brian de Badick debeo d d Lombard. viij Marcas...1232.
[G. Vertue?]
[Under both inscriptions]...Ric: Rawlinson LLD... 1753.
Two engraved facsimiles to a single sheet, of the Latin tallies of Thomas Godsire and Thomas Brian de Badick; with transcriptions below each. Sheet 275 x 155mm, 10¾ x 6". Trimmed within plate. Fold creases, some surface punctures and damage. A little soiled and stained. Trace of pen annotations to verso.
Tally sticks served as records or receipts for financial transactions such as the payment of taxes, debts and fines. From the 12th century onward tally sticks were officially employed by the Exchequer of England to collect the King's taxes. In recording a debt, wooden sticks were often split horizontally into two parts: the lender receiving one part, the stock; and the debtor, the other part, the foil. Sticks dating from 1296 were found in the Chapel of the Pyx, Westminster Abbey in 1808. England abolished the use of tally sticks in 1826. These are from the collection of Richard Rawlinson (1690 - 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24718] £80.00 (£96.00 incl.VAT)
[G. Vertue?]
[Under both inscriptions]...Ric: Rawlinson LLD... 1753.
Two engraved facsimiles to a single sheet, of the Latin tallies of Thomas Godsire and Thomas Brian de Badick; with transcriptions below each. Sheet 275 x 155mm, 10¾ x 6". Trimmed within plate. Fold creases, some surface punctures and damage. A little soiled and stained. Trace of pen annotations to verso.
Tally sticks served as records or receipts for financial transactions such as the payment of taxes, debts and fines. From the 12th century onward tally sticks were officially employed by the Exchequer of England to collect the King's taxes. In recording a debt, wooden sticks were often split horizontally into two parts: the lender receiving one part, the stock; and the debtor, the other part, the foil. Sticks dating from 1296 were found in the Chapel of the Pyx, Westminster Abbey in 1808. England abolished the use of tally sticks in 1826. These are from the collection of Richard Rawlinson (1690 - 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24718] £80.00 (£96.00 incl.VAT)
Talma.
J.P. Davies del.t. Mrs. D. [Turner] aqua fort.
[n.d., c.1820.]
Etching. Plate: 200 x 145mm (8 x 5¾''), with large margins.
A portrait of French actor Francois Joseph Talma (1763-1828).
[Ref: 49956] £50.00 (£60.00 incl.VAT)
J.P. Davies del.t. Mrs. D. [Turner] aqua fort.
[n.d., c.1820.]
Etching. Plate: 200 x 145mm (8 x 5¾''), with large margins.
A portrait of French actor Francois Joseph Talma (1763-1828).
[Ref: 49956] £50.00 (£60.00 incl.VAT)
Omer Talon, Avocat General au Parlement de Paris. d'apres Champagne tire des Estampes du Cabinet du Roi.
Touze d. P. Duflos S.
A Paris chez Cuflos le Jeune. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 274 x 160mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2144] £50.00 (£60.00 incl.VAT)
Touze d. P. Duflos S.
A Paris chez Cuflos le Jeune. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 274 x 160mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2144] £50.00 (£60.00 incl.VAT)
![[Denis Talon.]](jpegs/57483.jpg)
[Denis Talon.]
Nanteuil faciebat ad vivum.
[n.d. c.1654-6.]
Fine engraving, 17th century watermark; 365 x 285mm (14¼ x 11¼"). Fine. Trimmed.
A bust length portrait of French magistrate Denis Talon (1628-1698) in magistrates robes, in a frame of oak leaves decorated with entwined initials and a coat of arms.
PW 211.
[Ref: 57483] £260.00 (£312.00 incl.VAT)
Nanteuil faciebat ad vivum.
[n.d. c.1654-6.]
Fine engraving, 17th century watermark; 365 x 285mm (14¼ x 11¼"). Fine. Trimmed.
A bust length portrait of French magistrate Denis Talon (1628-1698) in magistrates robes, in a frame of oak leaves decorated with entwined initials and a coat of arms.
PW 211.
[Ref: 57483] £260.00 (£312.00 incl.VAT)
Tam O' Shanter.
Painted by Abraham Cooper. Engraved by Henry Meyer.
[London: S. Knight, 1814.]
A rare mezzotint. Sheet 515 x 585mm (20½ x 23"). Trimmed within plate on three sides, into title at bottom, losing publication line and half of crest.
Illustration to the narrative poem 'Tam O' Shanter' written by Robert Burns in 1790, which describes a disturbing vision experienced by Tam on his way home from an inn: riding his horse Meg, he stumbles across some witches and demons in Alloway Kirk (seen burning in the background), who give chase. He escapes across a bridge over the River Doon (witches will not cross running water) but not before one catches Meg's tail and pulls it off.
Ex: the Collection of the Hon. C. Lennox-Boyd.
[Ref: 47702] £360.00
Painted by Abraham Cooper. Engraved by Henry Meyer.
[London: S. Knight, 1814.]
A rare mezzotint. Sheet 515 x 585mm (20½ x 23"). Trimmed within plate on three sides, into title at bottom, losing publication line and half of crest.
Illustration to the narrative poem 'Tam O' Shanter' written by Robert Burns in 1790, which describes a disturbing vision experienced by Tam on his way home from an inn: riding his horse Meg, he stumbles across some witches and demons in Alloway Kirk (seen burning in the background), who give chase. He escapes across a bridge over the River Doon (witches will not cross running water) but not before one catches Meg's tail and pulls it off.
Ex: the Collection of the Hon. C. Lennox-Boyd.
[Ref: 47702] £360.00
I'm thine at ane-and-twenty, Tam. They snool me sair & hand me down...I'm thine at ane-and-twenty, Tam. Burns' Song.
Bouvier del. Printed by W. Kohler, 22, Denmark St. Soho.
London, Published by William Spooner, 377, Strand. [1800.]
Lithograph with hand-colour and added gum arabic. 361 x 260mm. 14¼ x 10¼".
It was in 1790 that Robert Burns (1759-1796) wrote his poem "Tam o' Shanter", which tells the story of a man who stayed too long at a public house and witnessed a disturbing vision on his way home. This song suggests happiness, a future of marriage and love; it appeared a year later in 1791.
[Ref: 16286] £130.00 (£156.00 incl.VAT)
Bouvier del. Printed by W. Kohler, 22, Denmark St. Soho.
London, Published by William Spooner, 377, Strand. [1800.]
Lithograph with hand-colour and added gum arabic. 361 x 260mm. 14¼ x 10¼".
It was in 1790 that Robert Burns (1759-1796) wrote his poem "Tam o' Shanter", which tells the story of a man who stayed too long at a public house and witnessed a disturbing vision on his way home. This song suggests happiness, a future of marriage and love; it appeared a year later in 1791.
[Ref: 16286] £130.00 (£156.00 incl.VAT)
![[Battle of Tamandaré] Admiral Lichthart with 4 ships a Frigate & a Bark attacks the Portuguese Fleet of 17 Sail.](jpegs/61334.jpg)
[Battle of Tamandaré] Admiral Lichthart with 4 ships a Frigate & a Bark attacks the Portuguese Fleet of 17 Sail.
[Dublin: James Williams, 1750.]
Scarce engraving. Sheet 140 x 85mm (5½ x 3¼"). Stain in margin.
The Battle of Tamandaré, off the coast of Brazil, September 9th 1645, during the occupation of Brazil by the Dutch (1630-54), when a squadron commanded by Jan Cornelisz Lichthart (died 1646) destroyed a Portuguese squadron under the command of Jerônimo Serrão de Paiva. From 'The World Displayed: Or, A Curious Collection of Voyages and Travels'.
[Ref: 61334] £140.00 (£168.00 incl.VAT)
[Dublin: James Williams, 1750.]
Scarce engraving. Sheet 140 x 85mm (5½ x 3¼"). Stain in margin.
The Battle of Tamandaré, off the coast of Brazil, September 9th 1645, during the occupation of Brazil by the Dutch (1630-54), when a squadron commanded by Jan Cornelisz Lichthart (died 1646) destroyed a Portuguese squadron under the command of Jerônimo Serrão de Paiva. From 'The World Displayed: Or, A Curious Collection of Voyages and Travels'.
[Ref: 61334] £140.00 (£168.00 incl.VAT)
Judith: &: Tamar:
L: Castro. pinxit.
J. Smith: excudit [n.d., c.1690].
Fine mezzotint. 180 x 200mm (7 x 7¾"), large margins.
A scene from Genesis: Judah, not recognising his daughter-in-law, presents Tamar with his staff as part-payment for sexual services. Later, hearing that his son's widow is pregnant, Judah condemns her to death by burning, but she saves herself by showing him his staff.
[Ref: 59588] £280.00 (£336.00 incl.VAT)
L: Castro. pinxit.
J. Smith: excudit [n.d., c.1690].
Fine mezzotint. 180 x 200mm (7 x 7¾"), large margins.
A scene from Genesis: Judah, not recognising his daughter-in-law, presents Tamar with his staff as part-payment for sexual services. Later, hearing that his son's widow is pregnant, Judah condemns her to death by burning, but she saves herself by showing him his staff.
[Ref: 59588] £280.00 (£336.00 incl.VAT)
![[Tamar Brought to Execution by Judah.] Vincta Venit Flammis Iam Iam Tradenda Paratis Huius Ait Natos Peperi Qui His Utitur Armis.](jpegs/49703.jpg)
[Tamar Brought to Execution by Judah.] Vincta Venit Flammis Iam Iam Tradenda Paratis Huius Ait Natos Peperi Qui His Utitur Armis.
ML fc. Mheemskerck In.
[n.d., c.1585.]
Engraving. Plate: 210 x 250mm (8¼ x 9¾''). Thread margins. Slight stain top right.
A biblical scene from Genesis showing Judah taking Tamar to the pyre for her execution, Tamar presents the staff to prove her innocence. Engraved by Harman Jansz Muller (1539-1617) after Maarten van Heemskerck (1498-1574).
[Ref: 49703] £140.00 (£168.00 incl.VAT)
ML fc. Mheemskerck In.
[n.d., c.1585.]
Engraving. Plate: 210 x 250mm (8¼ x 9¾''). Thread margins. Slight stain top right.
A biblical scene from Genesis showing Judah taking Tamar to the pyre for her execution, Tamar presents the staff to prove her innocence. Engraved by Harman Jansz Muller (1539-1617) after Maarten van Heemskerck (1498-1574).
[Ref: 49703] £140.00 (£168.00 incl.VAT)
![[Judah and Tamar.] Iudas et Thamar Coevnt Promittitur Hoedus Annulus, Armillæ, Atquæ Pedum Pro Pognore Dantur.](jpegs/49725.jpg)
[Judah and Tamar.] Iudas et Thamar Coevnt Promittitur Hoedus Annulus, Armillæ, Atquæ Pedum Pro Pognore Dantur.
Mheemskerck In. ML fe.
I. Boel exc. [n.d., c.1585.]
Engraving, 16th century watermark. Plate: 210 x 250mm (8¼ x 9¾'').
A biblical scene from Genesis showing Judah and Tamar in conversation beneath a tree. Engraved by Harman Jansz Muller (1539-1617) after Maarten van Heemskerck (1498-1574).
[Ref: 49725] £140.00 (£168.00 incl.VAT)
Mheemskerck In. ML fe.
I. Boel exc. [n.d., c.1585.]
Engraving, 16th century watermark. Plate: 210 x 250mm (8¼ x 9¾'').
A biblical scene from Genesis showing Judah and Tamar in conversation beneath a tree. Engraved by Harman Jansz Muller (1539-1617) after Maarten van Heemskerck (1498-1574).
[Ref: 49725] £140.00 (£168.00 incl.VAT)
Commencement of Capt.n Schomberg's Action off Madagascar, May 26th. 1811. From a Drawing by Mr. Beechey.
Painted by T. Whitcombe. Engraved by T. Sutherland.
[n.d. c.1811.]
Aquatint. 159 x 241mm. 6¼ x 9½". Some spotting.
The beginning of what became known as the Battle of Tamatave, Madagascar, between British and French frigate squadrons during the Napoleonic Wars. The British side was led by Sir Charles Marsh Schomberg.
[Ref: 25148] £70.00 (£84.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
[n.d. c.1811.]
Aquatint. 159 x 241mm. 6¼ x 9½". Some spotting.
The beginning of what became known as the Battle of Tamatave, Madagascar, between British and French frigate squadrons during the Napoleonic Wars. The British side was led by Sir Charles Marsh Schomberg.
[Ref: 25148] £70.00 (£84.00 incl.VAT)
![[Enrico Tamberlik.]](jpegs/68246.jpg)
[Enrico Tamberlik.]
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) as Manrico in Giuseppe Verdi's opera 'Il trovatore', holding a lute.
[Ref: 68246] £180.00 (£216.00 incl.VAT)
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) as Manrico in Giuseppe Verdi's opera 'Il trovatore', holding a lute.
[Ref: 68246] £180.00 (£216.00 incl.VAT)
Tamberlik as Peter the Great. [Valse Hollandaise from Jullien's Grand Opera Pietro il Grande.]
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame. Mounted over text, likely trimmed.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) in a fur-trimmed robe.
[Ref: 68248] £140.00 (£168.00 incl.VAT)
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame. Mounted over text, likely trimmed.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) in a fur-trimmed robe.
[Ref: 68248] £140.00 (£168.00 incl.VAT)
Le Tambour de Basque.
C. Huet del. J. Guelard Sculpt. et ex. C.P.R.
[n.d. c.1840.]
Engraving. 170 x 228mm. 6¾ x 9". Fine.
A monkey playing a tambourine, also called a Basque drum.
[Ref: 15089] £130.00 (£156.00 incl.VAT)
C. Huet del. J. Guelard Sculpt. et ex. C.P.R.
[n.d. c.1840.]
Engraving. 170 x 228mm. 6¾ x 9". Fine.
A monkey playing a tambourine, also called a Basque drum.
[Ref: 15089] £130.00 (£156.00 incl.VAT)
A. Tamburini. Riccardo. "Io ardo_e il mio ardore [/] E amore, é furor!" [/] I Puritani Atto 1. Sc.3.
A.E. Chalon R.A. N.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Slight mount burn, unexamined out of frame.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani", from Alfred Edward Chalon's "Recollections of Italian Opera 1835". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol IV: P.130-10.
[Ref: 68227] £280.00 (£336.00 incl.VAT)
A.E. Chalon R.A. N.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Slight mount burn, unexamined out of frame.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani", from Alfred Edward Chalon's "Recollections of Italian Opera 1835". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol IV: P.130-10.
[Ref: 68227] £280.00 (£336.00 incl.VAT)
A. Tamburini. Riccardo. "Io ardo_e il mio ardore [/] E amore, é furor!" [/] I Puritani Atto 1. Sc.3.
A.E.Chalon R.A. N.J.Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Lithograph. Sheet: 380 x 550mm (15 x 21¾"), with wide margins. Slight mount burn.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday. From A.E.Chalon's "Recollections of Italian Opera 1835".
Harvard Vol IV: P.130-10
[Ref: 35343] £280.00 (£336.00 incl.VAT)
A.E.Chalon R.A. N.J.Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Lithograph. Sheet: 380 x 550mm (15 x 21¾"), with wide margins. Slight mount burn.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday. From A.E.Chalon's "Recollections of Italian Opera 1835".
Harvard Vol IV: P.130-10
[Ref: 35343] £280.00 (£336.00 incl.VAT)
Der grosse Tamerlan.
[n.d. c.1700.]
Engraving, paper watermarked. Plate 177 x 133mm (7 x 5¼"). Some toning around the edges.
Timur (1336-1405), known as Tamerlane, the Turkic ruler. He conquered West, South and Central Asia and founded the Timurid dynasty. His armies were feared throughout Asia, Africa and Europe, sizable parts of which were laid to ruin by his campaigns. He is recognised as a great patron of art and architecture.
In the Royal Collection Trust.
[Ref: 29816] £140.00 (£168.00 incl.VAT)
[n.d. c.1700.]
Engraving, paper watermarked. Plate 177 x 133mm (7 x 5¼"). Some toning around the edges.
Timur (1336-1405), known as Tamerlane, the Turkic ruler. He conquered West, South and Central Asia and founded the Timurid dynasty. His armies were feared throughout Asia, Africa and Europe, sizable parts of which were laid to ruin by his campaigns. He is recognised as a great patron of art and architecture.
In the Royal Collection Trust.
[Ref: 29816] £140.00 (£168.00 incl.VAT)
Timur-Bek ou le grand Tamerlan, Empereur du mogol. Tire de l'Histoire des Voyages.
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 276 x 164mm.
Timur or Tamerlane (died 1405), the last of the great nomadic conquerors of the Eurasian Steppe. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2145] £90.00 (£108.00 incl.VAT)
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 276 x 164mm.
Timur or Tamerlane (died 1405), the last of the great nomadic conquerors of the Eurasian Steppe. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2145] £90.00 (£108.00 incl.VAT)
![[James Tamesz Grieve] [John Tamesz Esq.r of Mosco.]](jpegs/66375.jpg)
[James Tamesz Grieve] [John Tamesz Esq.r of Mosco.]
[Grose Pinxit. James Watson Sculpsit.]
[Published June 1st,, 1781.]
Rare mezzotint, without separate title plate. 380 x 280mm (15 x 11). Trimmed to plate on three sides, decorative border pasted over edge of plate in places. Old ink mss. in inscription area.
Half-length portrait of merhcant John Tamesz Grieve (1724-87, baptised James), born in St Petersburg while his father, Dr James Grieve (1703-63), was Physician to Empress Elizabeth. He died in Petersham, Surrey, and a memorial was erected in Bath Abbey, near one for his mother, Elizabeta Tamesz (1724-1758).
CS 140. Goodwin 126. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66375] £260.00 (£312.00 incl.VAT)
[Grose Pinxit. James Watson Sculpsit.]
[Published June 1st,, 1781.]
Rare mezzotint, without separate title plate. 380 x 280mm (15 x 11). Trimmed to plate on three sides, decorative border pasted over edge of plate in places. Old ink mss. in inscription area.
Half-length portrait of merhcant John Tamesz Grieve (1724-87, baptised James), born in St Petersburg while his father, Dr James Grieve (1703-63), was Physician to Empress Elizabeth. He died in Petersham, Surrey, and a memorial was erected in Bath Abbey, near one for his mother, Elizabeta Tamesz (1724-1758).
CS 140. Goodwin 126. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66375] £260.00 (£312.00 incl.VAT)
Taming of the Shrew. Act III. Scene 3. I am Lucentio disguised thus to get your love.
J.K. Sherwin Inv.t et sculp.
Publishe'd according to Act of Parliament Nov.r 8.d 1774 by J. Bell in the Strand.
Etching, very fine impression, 200 x 120mm (8 x 4¾"). With old ink mss. ''No 13. 1774. Prize of 20 Gs. from y Society of Arts'. Large margins on 3 sides.
Romantic scene in library and musical instrument. Published for 'Bell's edition of Shakespeare's plays, as they are now performed at the Theatres Royal in London'.
[Ref: 57852] £65.00 (£78.00 incl.VAT)
J.K. Sherwin Inv.t et sculp.
Publishe'd according to Act of Parliament Nov.r 8.d 1774 by J. Bell in the Strand.
Etching, very fine impression, 200 x 120mm (8 x 4¾"). With old ink mss. ''No 13. 1774. Prize of 20 Gs. from y Society of Arts'. Large margins on 3 sides.
Romantic scene in library and musical instrument. Published for 'Bell's edition of Shakespeare's plays, as they are now performed at the Theatres Royal in London'.
[Ref: 57852] £65.00 (£78.00 incl.VAT)
Tammeamea. König der Sandwichinseln. Naba – Leba. König von Solor.
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 235 x 330mm (9¼ x 13"), with wide margins.
Two Kings, one of Hawaii and the other Timor. From Heinrich Rudolf Schinz's "Naturgeschichte und Abbildungen des Menschen".
[Ref: 29511] £180.00 (£216.00 incl.VAT)
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 235 x 330mm (9¼ x 13"), with wide margins.
Two Kings, one of Hawaii and the other Timor. From Heinrich Rudolf Schinz's "Naturgeschichte und Abbildungen des Menschen".
[Ref: 29511] £180.00 (£216.00 incl.VAT)
The Prospect of Tamworth from Colshill Roade on the North thereof.
[Wenceslaus Hollar.]
[n.d., c.1730.]
Etching. Sheet 65 x 185mm (2½ x 7¼"), with letterpress on reverse. Trimmed to image, laid on album paper.
A view of the town behind trees, with the church and castle. From Dugdale's 'Antiquities of Warwickshire', first published 1656. Pennington lists two editions with letterpress on verso, 1730 & 1765.
Pennington 1065.
[Ref: 60813] £160.00 (£192.00 incl.VAT)
[Wenceslaus Hollar.]
[n.d., c.1730.]
Etching. Sheet 65 x 185mm (2½ x 7¼"), with letterpress on reverse. Trimmed to image, laid on album paper.
A view of the town behind trees, with the church and castle. From Dugdale's 'Antiquities of Warwickshire', first published 1656. Pennington lists two editions with letterpress on verso, 1730 & 1765.
Pennington 1065.
[Ref: 60813] £160.00 (£192.00 incl.VAT)
The Queen's Visit to Tamworth, November 26th, 1843. Ye ancient towers of Tamworth, say Has Brighter morning been...Type of that building which shall be From spot, defect, and blemish free, When tiem shall be no more.
Thompson, Typ. Tamworth.
Letterpress and engraving. Two sheets double-side. 216 x 171mm. 8½ x 6¾".
St. Editha's Church stands as Queen over Tamworth, dating back to the early Saxon days. It was ransacked, as was the town, and destroyed after the Danish raids of 874 and 943. A Norman church was built in its place, of which parts still stand, but that was later destroyed by a fire in 1345. Parts of the church are made up of various parts of every rebuild, so can date back to the 12th century, and every century thereafter. Drayton Manor was built for the first Robert Peel around 1790, father of Robert Peel the Prime Minister who is commemorated with a statue in the centre of Tamworth. The most important visit to Tamworth and this manor was in 1843 when Queen Victoria and Prince Albert stopped by during their tour of the Midlands. This poem encapsulates this visits and Tamworth's history.
[Ref: 16299] £95.00 (£114.00 incl.VAT)
Thompson, Typ. Tamworth.
Letterpress and engraving. Two sheets double-side. 216 x 171mm. 8½ x 6¾".
St. Editha's Church stands as Queen over Tamworth, dating back to the early Saxon days. It was ransacked, as was the town, and destroyed after the Danish raids of 874 and 943. A Norman church was built in its place, of which parts still stand, but that was later destroyed by a fire in 1345. Parts of the church are made up of various parts of every rebuild, so can date back to the 12th century, and every century thereafter. Drayton Manor was built for the first Robert Peel around 1790, father of Robert Peel the Prime Minister who is commemorated with a statue in the centre of Tamworth. The most important visit to Tamworth and this manor was in 1843 when Queen Victoria and Prince Albert stopped by during their tour of the Midlands. This poem encapsulates this visits and Tamworth's history.
[Ref: 16299] £95.00 (£114.00 incl.VAT)
Lovely Tamworth. Lovely Tamworth! Town respected! Let me hail thy matchless worth...But the hearts that glow within thee - Where their Equals shall we view? These lasting honors win thee, - Noble Hearts to Friendship true!
[n.d. c.1850]
Pen and ink drawing, watercolour and music stave. 223 x 180mm (8¾ x 7").
Tamworth Castle, located next to the River Tame, Staffordshire. An air written with poetry.
[Ref: 16300] £140.00 (£168.00 incl.VAT)
[n.d. c.1850]
Pen and ink drawing, watercolour and music stave. 223 x 180mm (8¾ x 7").
Tamworth Castle, located next to the River Tame, Staffordshire. An air written with poetry.
[Ref: 16300] £140.00 (£168.00 incl.VAT)
Tan.
Derby 1844.
Scarce etching. 45 x 50mm (1¾ x 2") very large margins. Spotted.
A portrait of a terrier, with a sleeping cat behind. Engraving by my cousin A E Madeley.
[Ref: 63453] £90.00 (£108.00 incl.VAT)
Derby 1844.
Scarce etching. 45 x 50mm (1¾ x 2") very large margins. Spotted.
A portrait of a terrier, with a sleeping cat behind. Engraving by my cousin A E Madeley.
[Ref: 63453] £90.00 (£108.00 incl.VAT)