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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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View in George Street. Sydney.
J.S.Prout.
[Printed by T. Bluett, Hobart Town, 1844.]
Hand coloured lithograph, with letterpress. Sheet 270 x 360mm (10.75 x 14.25"). Tape stain across the top margin. Some stains in margins.
A view of Sydney looking north up George Street. The accompanying description describes features such as the graveyard beyond the wall on the left of the image and the public house in the middle distance which, according to the description, 'forms one of a very proflific class of public nuisances, where distilled poison is daily dispenced to Her Majesty's lieges in the Australian metropolis'.
[Ref: 39507] £360.00 view all images for this item
J.S.Prout.
[Printed by T. Bluett, Hobart Town, 1844.]
Hand coloured lithograph, with letterpress. Sheet 270 x 360mm (10.75 x 14.25"). Tape stain across the top margin. Some stains in margins.
A view of Sydney looking north up George Street. The accompanying description describes features such as the graveyard beyond the wall on the left of the image and the public house in the middle distance which, according to the description, 'forms one of a very proflific class of public nuisances, where distilled poison is daily dispenced to Her Majesty's lieges in the Australian metropolis'.
[Ref: 39507] £360.00 view all images for this item
Vue de George's Street à Sydney. (Nouvelles Galles de Sud.)
de Sainson pinx. Alexis Noël lith. fig par V. Adam.
J. Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 260 x 335mm (10¼ x 13¼"), with very large margins.
A view George Street, Sydney's original high street, thus probably Australia's first street. In the centre is Bungaree (c.1775-1830), a leader of the Kuringgai people of the Broken Bay, dressed in flamboyant European military dress. A valuable mediator between the locals and the Europeans, he joined Flinders on his circumnavigation of Australia (1801-3), helping smooth interactions with the various peoples the expedition encountered. He died shortly after D'Urville's visit; obituaries were published in the Sydney Gazette and The Australian. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 51987] £550.00
de Sainson pinx. Alexis Noël lith. fig par V. Adam.
J. Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 260 x 335mm (10¼ x 13¼"), with very large margins.
A view George Street, Sydney's original high street, thus probably Australia's first street. In the centre is Bungaree (c.1775-1830), a leader of the Kuringgai people of the Broken Bay, dressed in flamboyant European military dress. A valuable mediator between the locals and the Europeans, he joined Flinders on his circumnavigation of Australia (1801-3), helping smooth interactions with the various peoples the expedition encountered. He died shortly after D'Urville's visit; obituaries were published in the Sydney Gazette and The Australian. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 51987] £550.00
Sydney Harbour from Watson's Bay.
Terry, del. 1853.
Sands & Kenny, Sydney & Melbourne.
Steel engraving, sheet 155 x 200mm (6 x 8"). Small tears.
Sydney Harbour, Australia, from Watson's Bay. Watson's Bay was named after British sailor Robert Watson, who had been given land there in 1801. He became harbourmaster of Sydney in 1811 and first superintendent of Macquarie Lighthouse in 1816. After Frederick Charles Terry (1825 - 1869), British artist resident in Australia from c.1852.
[Ref: 37090] £130.00 (£156.00 incl.VAT)
Terry, del. 1853.
Sands & Kenny, Sydney & Melbourne.
Steel engraving, sheet 155 x 200mm (6 x 8"). Small tears.
Sydney Harbour, Australia, from Watson's Bay. Watson's Bay was named after British sailor Robert Watson, who had been given land there in 1801. He became harbourmaster of Sydney in 1811 and first superintendent of Macquarie Lighthouse in 1816. After Frederick Charles Terry (1825 - 1869), British artist resident in Australia from c.1852.
[Ref: 37090] £130.00 (£156.00 incl.VAT)
Sydney Cove from Fort Macquarie.
Terry, del. 1853.
Sands & Kenny, Sydney & Melbourne.
Steel engraving, sheet 150 x 200mm (6 x 8"). Tear lower left.
View of Sydney Harbour, Australia, with shipping, from the battlements of Fort Macquarie, built at Bennelong Point, where the Sydney Opera House now stands. Governor Lachlan Macquarie directed that a fort was built between December 1817 to February 1821 under the direction of Francis Greenway. The fort was demolished in 1901 to make way for new electric tramway sheds named Fort Macquarie Tram Depot. After Frederick Charles Terry (1825 - 1869), British-born artist resident in Australia from c.1852.
NLA: 2699388.
[Ref: 37091] £130.00 (£156.00 incl.VAT)
Terry, del. 1853.
Sands & Kenny, Sydney & Melbourne.
Steel engraving, sheet 150 x 200mm (6 x 8"). Tear lower left.
View of Sydney Harbour, Australia, with shipping, from the battlements of Fort Macquarie, built at Bennelong Point, where the Sydney Opera House now stands. Governor Lachlan Macquarie directed that a fort was built between December 1817 to February 1821 under the direction of Francis Greenway. The fort was demolished in 1901 to make way for new electric tramway sheds named Fort Macquarie Tram Depot. After Frederick Charles Terry (1825 - 1869), British-born artist resident in Australia from c.1852.
NLA: 2699388.
[Ref: 37091] £130.00 (£156.00 incl.VAT)
Godfrey Sykes Esqre. Solicitor to the Board of Stamps.
Painted by T. Stewardson Esqr.___Engraved by W.Ward A.R.A.Engraver to His Majesty & to H.R.H. the Duke of York.
London, Published March 18.1822, by W.J.White, Brownlow Street, Holborn.
Mezzotint. Plate 384 x 269mm. Rubbed.
F: 286-II.
[Ref: 5723] £160.00 (£192.00 incl.VAT)
Painted by T. Stewardson Esqr.___Engraved by W.Ward A.R.A.Engraver to His Majesty & to H.R.H. the Duke of York.
London, Published March 18.1822, by W.J.White, Brownlow Street, Holborn.
Mezzotint. Plate 384 x 269mm. Rubbed.
F: 286-II.
[Ref: 5723] £160.00 (£192.00 incl.VAT)
Sir Mark Masterman Sykes, Bart. Ob: Feb: 16, 1823: Æt:52.
Engraved by Robert Grave, after a Model in Wax executed 1817 by Peter Rouw.
Pub. by S.Sotheby, Wallington Str.t, Strand, 1824.
Fine Engraving. 210 x 260mm, 8¼ x 10¼".
Mark Masterman Sykes (1771-1823), MP for York from 1807 to 1820, and collector of books and fine arts. He owned one of the 18 known copies of the Gutenberg Bible
[Ref: 19023] £120.00 (£144.00 incl.VAT)
Engraved by Robert Grave, after a Model in Wax executed 1817 by Peter Rouw.
Pub. by S.Sotheby, Wallington Str.t, Strand, 1824.
Fine Engraving. 210 x 260mm, 8¼ x 10¼".
Mark Masterman Sykes (1771-1823), MP for York from 1807 to 1820, and collector of books and fine arts. He owned one of the 18 known copies of the Gutenberg Bible
[Ref: 19023] £120.00 (£144.00 incl.VAT)
![Tatton Sykes, Sledmere, Jan, 1st 1850. [facsimile mss.]](jpegs/49811.jpg)
Tatton Sykes, Sledmere, Jan, 1st 1850. [facsimile mss.]
Painted by Francis Grant, Esq.re, A.R.A. Engraved by G. Raphael Ward, Esq.re, 34 Fitzroy Square.
[n.d., c.1850.]
Mezzotint. Sheet 790 x 520mm (31 x 21½") Trimmed within plate, some surface wear & damaged.
Sir Tatton Sykes (1772-1863), 4th Baronet, on horseback. A landowner and stock breeder, his interest in horse racing led him to walk from London to Epsom to see the Derby in 1791. In 1846 Harry Hall painted him leading in a horse named 'Sir Tatton Sykes' after its St Leger win.
[Ref: 49811] £230.00 (£276.00 incl.VAT)
Painted by Francis Grant, Esq.re, A.R.A. Engraved by G. Raphael Ward, Esq.re, 34 Fitzroy Square.
[n.d., c.1850.]
Mezzotint. Sheet 790 x 520mm (31 x 21½") Trimmed within plate, some surface wear & damaged.
Sir Tatton Sykes (1772-1863), 4th Baronet, on horseback. A landowner and stock breeder, his interest in horse racing led him to walk from London to Epsom to see the Derby in 1791. In 1846 Harry Hall painted him leading in a horse named 'Sir Tatton Sykes' after its St Leger win.
[Ref: 49811] £230.00 (£276.00 incl.VAT)
![[The Sylph]](jpegs/40839.jpg)
[The Sylph]
Stothard del Sharp sculpt
Published January 1st 1788 by W. Lowndes
Engraving, platemark 190 x 205mm (7½ x 8"). Thread margins; slight foxing. Unfinished proof.
Illustration to the novel 'The Sylph' by the political hostess Georgiana Cavendish, duchess of Devonshire (1757-8016). Unhappily married to the duke of Devonshire, ensconced in the Devonshire House Circle, and drinking and gambling heavily, Georgiana published the book, a roman-à-clef about high society, anonymously. (It was an open secret that Georgiana was the author, although she was not publicly exposed). Like Sheridan's 'School for Scandal' (which emerged from the same milieu), it scandalized critics for its portrayal of the aristocracy as drunks, blackmailers, wife-beaters and adulterers. In this scene, the male figure, who while walking had noticed two beautiful women, pursued them but stumbled and fell as the earth gave way. They, believing him to be seriously injured, rushed to help him (the male being in no hurry to disabuse them of that notion). Engraving after the most prolific book illustrator of the late 18th century, Thomas Stothard, by engraver William Sharp (1749-1824). An important contributor to the revival of the classical style of engraving in England (in the lineage of Sir Robert Strange and William Woollett), some of Sharp's best-known works were after major pictures by Sir Joshua Reynolds and Benjamin West. Sharp refused to join the Royal Academy on the inferior 'associate' basis which was the only way for specialist engravers to join at the time), Sharp's importance was nonetheless demonstrated by the honorary memberships bestowed on him by the Imperial Academy of Vienna and the Royal Academy of Munich.
[Ref: 40839] £140.00 (£168.00 incl.VAT)
Stothard del Sharp sculpt
Published January 1st 1788 by W. Lowndes
Engraving, platemark 190 x 205mm (7½ x 8"). Thread margins; slight foxing. Unfinished proof.
Illustration to the novel 'The Sylph' by the political hostess Georgiana Cavendish, duchess of Devonshire (1757-8016). Unhappily married to the duke of Devonshire, ensconced in the Devonshire House Circle, and drinking and gambling heavily, Georgiana published the book, a roman-à-clef about high society, anonymously. (It was an open secret that Georgiana was the author, although she was not publicly exposed). Like Sheridan's 'School for Scandal' (which emerged from the same milieu), it scandalized critics for its portrayal of the aristocracy as drunks, blackmailers, wife-beaters and adulterers. In this scene, the male figure, who while walking had noticed two beautiful women, pursued them but stumbled and fell as the earth gave way. They, believing him to be seriously injured, rushed to help him (the male being in no hurry to disabuse them of that notion). Engraving after the most prolific book illustrator of the late 18th century, Thomas Stothard, by engraver William Sharp (1749-1824). An important contributor to the revival of the classical style of engraving in England (in the lineage of Sir Robert Strange and William Woollett), some of Sharp's best-known works were after major pictures by Sir Joshua Reynolds and Benjamin West. Sharp refused to join the Royal Academy on the inferior 'associate' basis which was the only way for specialist engravers to join at the time), Sharp's importance was nonetheless demonstrated by the honorary memberships bestowed on him by the Imperial Academy of Vienna and the Royal Academy of Munich.
[Ref: 40839] £140.00 (£168.00 incl.VAT)
Portrait of H M late Ship Sylph off the Gull Light House, Connecticut, N America.
J.G. delt Baily sc.
Published 30 April 1818 by J. Gold, 103 Shoe Lane London
Aquatint, 145 x 230mm. 9 x 5¾". Laid on separate sheet of paper.
HM Sylph passing a lighthouse in Connecticut, USA.
[Ref: 8789] £120.00 (£144.00 incl.VAT)
J.G. delt Baily sc.
Published 30 April 1818 by J. Gold, 103 Shoe Lane London
Aquatint, 145 x 230mm. 9 x 5¾". Laid on separate sheet of paper.
HM Sylph passing a lighthouse in Connecticut, USA.
[Ref: 8789] £120.00 (£144.00 incl.VAT)
The Sylph They expressed great joy at hearing me speak / and most obligingly endeavoured to assist me in rising
Stothard del Sharp sculpt
Published January 1st 1788 by W. Lowndes
Engraving, platemark 190 x 205mm (7½ x 8"). Thread margins.
Illustration to the novel 'The Sylph' by the political hostess Georgiana Cavendish, duchess of Devonshire (1757-8016). Unhappily married to the duke of Devonshire, ensconced in the Devonshire House Circle, and drinking and gambling heavily, Georgiana published the book, a roman-à-clef about high society, anonymously. (It was an open secret that Georgiana was the author, although she was not publicly exposed). It scandalized critics for its portrayal of the aristocracy as drunks, blackmailers, wife-beaters and adulterers. In this scene, the male figure, who while walking had noticed two beautiful women, pursued them but stumbled and fell as the earth gave way. They, believing him to be seriously injured, rushed to help him (the male being in no hurry to disabuse them of that notion). Engraving after the most prolific book illustrator of the late 18th century, Thomas Stothard, by engraver William Sharp (1749-1824). An important contributor to the revival of the classical style of engraving in England (in the lineage of Sir Robert Strange and William Woollett), some of Sharp's best-known works were after major pictures by Sir Joshua Reynolds and Benjamin West. Sharp refused to join the Royal Academy on the inferior 'associate' basis which was the only way for specialist engravers to join at the time), Sharp's importance was nonetheless demonstrated by the honorary memberships bestowed on him by the Imperial Academy of Vienna and the Royal Academy of Munich.
[Ref: 40840] £140.00 (£168.00 incl.VAT)
Stothard del Sharp sculpt
Published January 1st 1788 by W. Lowndes
Engraving, platemark 190 x 205mm (7½ x 8"). Thread margins.
Illustration to the novel 'The Sylph' by the political hostess Georgiana Cavendish, duchess of Devonshire (1757-8016). Unhappily married to the duke of Devonshire, ensconced in the Devonshire House Circle, and drinking and gambling heavily, Georgiana published the book, a roman-à-clef about high society, anonymously. (It was an open secret that Georgiana was the author, although she was not publicly exposed). It scandalized critics for its portrayal of the aristocracy as drunks, blackmailers, wife-beaters and adulterers. In this scene, the male figure, who while walking had noticed two beautiful women, pursued them but stumbled and fell as the earth gave way. They, believing him to be seriously injured, rushed to help him (the male being in no hurry to disabuse them of that notion). Engraving after the most prolific book illustrator of the late 18th century, Thomas Stothard, by engraver William Sharp (1749-1824). An important contributor to the revival of the classical style of engraving in England (in the lineage of Sir Robert Strange and William Woollett), some of Sharp's best-known works were after major pictures by Sir Joshua Reynolds and Benjamin West. Sharp refused to join the Royal Academy on the inferior 'associate' basis which was the only way for specialist engravers to join at the time), Sharp's importance was nonetheless demonstrated by the honorary memberships bestowed on him by the Imperial Academy of Vienna and the Royal Academy of Munich.
[Ref: 40840] £140.00 (£168.00 incl.VAT)
The Sylphide Queen Descending. The Queen - Her Majesty. Donald. - Dan O'Connel. Hela. - the King of Hanover. Tory Imp. - Duke of Wellington.
W. Clerk, Lithog. 202 High Holborn.
Published by F. Clover, No 1 Water Lane, Fleet Street. [n.d., c.1837.]
Rare lithograph. Sheet 215 x 260mm (8½ x 10¼").
Queen Victoria as the sylph being greeted by a tartan-clad 'Daniel O'Connell, with Ernest Augustus, Duke of Cumberland and a bat-winged Duke of Wellington in the background. A satire on the popular ballet 'La Sylphide', choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836 (now the oldest surviving ballet).
[Ref: 56386] £260.00 (£312.00 incl.VAT)
W. Clerk, Lithog. 202 High Holborn.
Published by F. Clover, No 1 Water Lane, Fleet Street. [n.d., c.1837.]
Rare lithograph. Sheet 215 x 260mm (8½ x 10¼").
Queen Victoria as the sylph being greeted by a tartan-clad 'Daniel O'Connell, with Ernest Augustus, Duke of Cumberland and a bat-winged Duke of Wellington in the background. A satire on the popular ballet 'La Sylphide', choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836 (now the oldest surviving ballet).
[Ref: 56386] £260.00 (£312.00 incl.VAT)
Iosuæ Sylvesteri Vera Effigies..
W.Peake excudit.
[n.d., c1620.]
Etching. 275 x 125mm. Narrow margins.
The poet Joshua Sylvester, 1563-1618, with twelve lines of verse by J. Vicars.
[Ref: 4587] £280.00 (£336.00 incl.VAT)
W.Peake excudit.
[n.d., c1620.]
Etching. 275 x 125mm. Narrow margins.
The poet Joshua Sylvester, 1563-1618, with twelve lines of verse by J. Vicars.
[Ref: 4587] £280.00 (£336.00 incl.VAT)
Honestissimi Poetae et Gallici du Bartae Translatoris Inclytissimi M.ri Iosuae Sylvestri Vera Effigies. Behould the Man whoe Words & Workes were One...Who liv'd beloved and a Saint Expired, John Vicars.
Corn: v: Dalen Sculp.
[n.d. c.1633.]
Rare copper engraving. Plate 242 x 158mm. 9½ x 6¼". Trimmed to the plate.
Prefix to his 1633 and 1634 editions of his translations of Saluste du Bartas, 'Divine weekes and workes'. Joshua Sylvester (1563-1618) was an English Poet. In 1591 a title-page to his 'Yvry' stated that he was in the service of the Merchant Adventurer's Company. He was a land steward for a short time before in 1606, Henry Frederick, Prince of Wales, gave him a small pension as a part-time court poet. By 1613 he had become secretary to the Merchant Adventurers and was based in Middelburg in the Low Countries.
BM: 1890,0415.136. Hind: III.256.9.
[Ref: 16782] £160.00 (£192.00 incl.VAT)
Corn: v: Dalen Sculp.
[n.d. c.1633.]
Rare copper engraving. Plate 242 x 158mm. 9½ x 6¼". Trimmed to the plate.
Prefix to his 1633 and 1634 editions of his translations of Saluste du Bartas, 'Divine weekes and workes'. Joshua Sylvester (1563-1618) was an English Poet. In 1591 a title-page to his 'Yvry' stated that he was in the service of the Merchant Adventurer's Company. He was a land steward for a short time before in 1606, Henry Frederick, Prince of Wales, gave him a small pension as a part-time court poet. By 1613 he had become secretary to the Merchant Adventurers and was based in Middelburg in the Low Countries.
BM: 1890,0415.136. Hind: III.256.9.
[Ref: 16782] £160.00 (£192.00 incl.VAT)
![The sprightly Sylvia trips along the green, [/] She runs, but hopes she does not run unseen; [/] While a kind glance at her pursuer flies, [/] How much at variance are her feet and eyes.](jpegs/36549.jpg)
The sprightly Sylvia trips along the green, [/] She runs, but hopes she does not run unseen; [/] While a kind glance at her pursuer flies, [/] How much at variance are her feet and eyes.
Engrav'd by Geo. Townley Stubbs.
Pub.d. March 10, 1784 as the Act directs, London.
Stipple printed in brown ink with large margins. Platemark: 240 x 190mm (9½ x 7½").
A fashionably dressed young woman stands with her back to the viewer, turned facing the left. She wears a plumed hat and holds a fur muff. Below the image is a verse taken from 'The First Pastoral, or Damon', by Alexander Pope (1688-1744). By George Townley Stubbs (1748 - 1815?), son of painter George Stubbs (1724 - 1806).
Lennox-Boyd: 28
[Ref: 36549] £240.00 (£288.00 incl.VAT)
Engrav'd by Geo. Townley Stubbs.
Pub.d. March 10, 1784 as the Act directs, London.
Stipple printed in brown ink with large margins. Platemark: 240 x 190mm (9½ x 7½").
A fashionably dressed young woman stands with her back to the viewer, turned facing the left. She wears a plumed hat and holds a fur muff. Below the image is a verse taken from 'The First Pastoral, or Damon', by Alexander Pope (1688-1744). By George Townley Stubbs (1748 - 1815?), son of painter George Stubbs (1724 - 1806).
Lennox-Boyd: 28
[Ref: 36549] £240.00 (£288.00 incl.VAT)
![[Sylvia.]](jpegs/67078.jpg)
[Sylvia.]
J.D.Miller after Luke Fildes.
Copyright 1902 by Mess.rs Arthur Tooth & Sons, Publishers 5 & 6 Haymarket, London
Mezzotint printed on Chine coll. 535 x 370mm (21 x 14½").
Portrait of a young woman. She looks over her shoulder and holds a fan in her right hand. She wears a dark gown, embellished with lace around the collar and a pearl earring dangles from her left ear.
[Ref: 67078] £240.00 (£288.00 incl.VAT)
J.D.Miller after Luke Fildes.
Copyright 1902 by Mess.rs Arthur Tooth & Sons, Publishers 5 & 6 Haymarket, London
Mezzotint printed on Chine coll. 535 x 370mm (21 x 14½").
Portrait of a young woman. She looks over her shoulder and holds a fan in her right hand. She wears a dark gown, embellished with lace around the collar and a pearl earring dangles from her left ear.
[Ref: 67078] £240.00 (£288.00 incl.VAT)
Franciscus Deleboe Sylvius, Medicinae. Practicae in Academia Lugduno:: Batavia Professor:
R. White sculp.
[n.d., c.1680.]
Engraving. Sheet 140 x 85mm (5½ x 3¼"). Trimmed and laid on album paper. Repaired tear top.
Franciscus Sylvius (Franz de le Boë, 1614-72), Dutch physician and scientist, Professor of Medicine at Leiden University from 1658 and Vice-Chancellor in 1669-70.
W 2865-4.
[Ref: 53044] £45.00 (£54.00 incl.VAT)
R. White sculp.
[n.d., c.1680.]
Engraving. Sheet 140 x 85mm (5½ x 3¼"). Trimmed and laid on album paper. Repaired tear top.
Franciscus Sylvius (Franz de le Boë, 1614-72), Dutch physician and scientist, Professor of Medicine at Leiden University from 1658 and Vice-Chancellor in 1669-70.
W 2865-4.
[Ref: 53044] £45.00 (£54.00 incl.VAT)
My Dog and I. An Incident from Life.
Painted by H. Symonds. Engraved by J.R. Rice.
Entered according to Act of Congress in the Year 1877 by Gertrude S. Hamilton in the Office of the Librarian of Congress Washington. Published by Fishel Adler & Co. New York.
Mixed method engraving 530 x 385mm. Crease in top left in backing paper not effecting the india top layer on which the printing is done.
[Ref: 5863] £350.00
Painted by H. Symonds. Engraved by J.R. Rice.
Entered according to Act of Congress in the Year 1877 by Gertrude S. Hamilton in the Office of the Librarian of Congress Washington. Published by Fishel Adler & Co. New York.
Mixed method engraving 530 x 385mm. Crease in top left in backing paper not effecting the india top layer on which the printing is done.
[Ref: 5863] £350.00
Captain Sir William Symonds K.t C.B. Late Surveyor of the Navy.
H.W. Phillips Pinx.t. Edw.d Morton Lith.
Published , Feb.y 25th 1850, by Paul & Dominic Colnaghi & Co Printsellers to Her Majesty, 13 & 14, Pall Mall East, London.
Hand-coloured lithograph on chine collé. Sheet 440 x 360mm (17¼ x 14¼").
Sir William Symonds (1782-1856), Surveyor of the Navy 1832 to 1847. Appointed as a favourite of William IV, he used his experience as an amateur shipbuilder to introduce radical changes to ship design, tested by hostile Board of Admiralty ''Experimental Squadrons'' in 1844, 1845 and 1846. However the move from sail to steam made his changes redundant.
[Ref: 66559] £240.00 (£288.00 incl.VAT)
H.W. Phillips Pinx.t. Edw.d Morton Lith.
Published , Feb.y 25th 1850, by Paul & Dominic Colnaghi & Co Printsellers to Her Majesty, 13 & 14, Pall Mall East, London.
Hand-coloured lithograph on chine collé. Sheet 440 x 360mm (17¼ x 14¼").
Sir William Symonds (1782-1856), Surveyor of the Navy 1832 to 1847. Appointed as a favourite of William IV, he used his experience as an amateur shipbuilder to introduce radical changes to ship design, tested by hostile Board of Admiralty ''Experimental Squadrons'' in 1844, 1845 and 1846. However the move from sail to steam made his changes redundant.
[Ref: 66559] £240.00 (£288.00 incl.VAT)
Symptoms of Crim Con!!
Woodward Delin.
Publishd Jan.y 1st 1796 S.W. Fores No. 50 Picadilly corner of Sackville Street_Folio's of Caricatures Lent out for the Evening.
Etching. Sheet: 330 x 460mm (13 x 18''),watermarked 'J. Whatman 1822'. Trimmed within plate.
A satirical print commenting on the legal issue of Criminal Conversation which would be brought by a husband against his wife's lover for the recovery of damages. The scene consists of six groups in which a man flirts with the woman in the group angering the older, uglier man.
[Ref: 48349] £230.00 (£276.00 incl.VAT)
Woodward Delin.
Publishd Jan.y 1st 1796 S.W. Fores No. 50 Picadilly corner of Sackville Street_Folio's of Caricatures Lent out for the Evening.
Etching. Sheet: 330 x 460mm (13 x 18''),watermarked 'J. Whatman 1822'. Trimmed within plate.
A satirical print commenting on the legal issue of Criminal Conversation which would be brought by a husband against his wife's lover for the recovery of damages. The scene consists of six groups in which a man flirts with the woman in the group angering the older, uglier man.
[Ref: 48349] £230.00 (£276.00 incl.VAT)
Symptoms of Running away.
Js.Bretherton f.
Publish'd 9th Jan. 1782
Engraving. 220 x 170mm. Trimmed outside platemark
[Ref: 1088] £130.00 (£156.00 incl.VAT)
Js.Bretherton f.
Publish'd 9th Jan. 1782
Engraving. 220 x 170mm. Trimmed outside platemark
[Ref: 1088] £130.00 (£156.00 incl.VAT)
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Symptoms of Matrimony.
Woodward Delin. [Etched by Isaac Cruikshank?]
[Pub.d Jany 1st 1796 by S W Fores N° 50 Piccadilly corner of Sackville Street - Folios of Caracatures lent out for the Evening.]
Coloured etching. 325 x 465mm (12¾ x 18¼"). Trimmed within plate, losing publisher's inscription, losses in corners, paper toned.
Two tiers containing seven scenes satirising marriage.
BM: 1985,0119.373.
[Ref: 54279] £140.00 (£168.00 incl.VAT)
Woodward Delin. [Etched by Isaac Cruikshank?]
[Pub.d Jany 1st 1796 by S W Fores N° 50 Piccadilly corner of Sackville Street - Folios of Caracatures lent out for the Evening.]
Coloured etching. 325 x 465mm (12¾ x 18¼"). Trimmed within plate, losing publisher's inscription, losses in corners, paper toned.
Two tiers containing seven scenes satirising marriage.
BM: 1985,0119.373.
[Ref: 54279] £140.00 (£168.00 incl.VAT)
Symptoms of Rearing.
Mr. Bunbury del. Js. Bretherton f.
London. Publish'd Feb.y 27.th 1799, by J. Harris, Sweetings Alley, Cornhill.
Very fine hand-coloured etching. Plate 285 x 406mm (11¼ x 16"). Fine colour.
An elderly country parson, in profile to the right, on a horse which rears almost vertically, he clasps the animal round the neck, and is seated on his hind-quarters, having lost his stirrups and slipped from the saddle. His whip flies through the air behind him, his coat-tails fly out, and the sheets of his sermon inscribed 'IOB' protrude from his pocket. A small dog rushing towards the animal's hind-legs and barking furiously appears to have caused the 'symptoms of rearing'. The parish clerk, with two large volumes under his arm, beside the horse, looks over his right shoulder and stoops or runs to escape being trampled on. Trees and a church steeple are indicated in the background.
From the Watt Collection. BM Satires: 6340.
[Ref: 28354] £220.00 (£264.00 incl.VAT)
Mr. Bunbury del. Js. Bretherton f.
London. Publish'd Feb.y 27.th 1799, by J. Harris, Sweetings Alley, Cornhill.
Very fine hand-coloured etching. Plate 285 x 406mm (11¼ x 16"). Fine colour.
An elderly country parson, in profile to the right, on a horse which rears almost vertically, he clasps the animal round the neck, and is seated on his hind-quarters, having lost his stirrups and slipped from the saddle. His whip flies through the air behind him, his coat-tails fly out, and the sheets of his sermon inscribed 'IOB' protrude from his pocket. A small dog rushing towards the animal's hind-legs and barking furiously appears to have caused the 'symptoms of rearing'. The parish clerk, with two large volumes under his arm, beside the horse, looks over his right shoulder and stoops or runs to escape being trampled on. Trees and a church steeple are indicated in the background.
From the Watt Collection. BM Satires: 6340.
[Ref: 28354] £220.00 (£264.00 incl.VAT)
Symptoms of Rearing.
Mr. Bunbury del. Js. Bretherton f.
Publish'd 23.d Jan.y 1783.
Etching. Sheet 280 x 410mm (11 x 16¼"). Trimmed within plate.
An elderly country parson fights to control a horse which rears almost vertically, clasping the animal round the neck. The parish clerk, with two large volumes under his arm, cowers to avoid the flying hooves.
BM Satires: 6340. See 28354 for a coloured version.
[Ref: 59625] £180.00 (£216.00 incl.VAT)
Mr. Bunbury del. Js. Bretherton f.
Publish'd 23.d Jan.y 1783.
Etching. Sheet 280 x 410mm (11 x 16¼"). Trimmed within plate.
An elderly country parson fights to control a horse which rears almost vertically, clasping the animal round the neck. The parish clerk, with two large volumes under his arm, cowers to avoid the flying hooves.
BM Satires: 6340. See 28354 for a coloured version.
[Ref: 59625] £180.00 (£216.00 incl.VAT)
Symptoms, or Restiveness.
H. Bunbury del.
[n.d. c.1780.]
Fine hand-coloured etching. 141 x 184mm. 5½ x 7¼".
Three horses kicking up a fuss throwing their riders off and causing havoc with the woman and her wheelbarrow.
[Ref: 16055] £140.00 (£168.00 incl.VAT)
H. Bunbury del.
[n.d. c.1780.]
Fine hand-coloured etching. 141 x 184mm. 5½ x 7¼".
Three horses kicking up a fuss throwing their riders off and causing havoc with the woman and her wheelbarrow.
[Ref: 16055] £140.00 (£168.00 incl.VAT)
Synagogue, Dukes Place, Houndsditch. Plate 82.
Pugin & Rowlandson del.t. et sculp.t. Sunderland aqua.t.
London Pub. Sep.t. 1.st. 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint, plate 235 x 280mm (9¼ x 11"), with very large margins. On paper watermarked 'J Whatman 1808.'
Interior view of the Great Synagogue in London. A synagogue was situated on the site from shortly after the return of the Jews to England in the 17th Century until the Blitz. The building depicted in the image with the third synagogue to be built on the site and was constructed between 1788 and 1790.
Abbey, Scenery: 212
[Ref: 62693] £320.00
Pugin & Rowlandson del.t. et sculp.t. Sunderland aqua.t.
London Pub. Sep.t. 1.st. 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint, plate 235 x 280mm (9¼ x 11"), with very large margins. On paper watermarked 'J Whatman 1808.'
Interior view of the Great Synagogue in London. A synagogue was situated on the site from shortly after the return of the Jews to England in the 17th Century until the Blitz. The building depicted in the image with the third synagogue to be built on the site and was constructed between 1788 and 1790.
Abbey, Scenery: 212
[Ref: 62693] £320.00
Children of Walter Synnot Eqs.r
Engrav'd by J.R. Smith from an Original Picture of J. Wright of Derby.
London Publish'd April 25. 1782 by J.R. Smith No.28 opposite the Pantheon, Oxford Street.
Mezzotint. Sheet: 500 x 345mm (19¾ x 13¾"), with large margins. Repairs in margins.
A portrait of the three children of Walter Synnot of Co. Armagh, the portrait shows Marcus, Walter and Maria Eliza playing with the doves from a cage.
CS 160; Frankau: 343; D'Oench 192.
[Ref: 47596] £360.00
Engrav'd by J.R. Smith from an Original Picture of J. Wright of Derby.
London Publish'd April 25. 1782 by J.R. Smith No.28 opposite the Pantheon, Oxford Street.
Mezzotint. Sheet: 500 x 345mm (19¾ x 13¾"), with large margins. Repairs in margins.
A portrait of the three children of Walter Synnot of Co. Armagh, the portrait shows Marcus, Walter and Maria Eliza playing with the doves from a cage.
CS 160; Frankau: 343; D'Oench 192.
[Ref: 47596] £360.00
![[Frontispiece to Thomas Reinesius' 'Syntagma inscriptionum antiquarum cumprimis Romae veteris'.]](jpegs/13420.jpg)
[Frontispiece to Thomas Reinesius' 'Syntagma inscriptionum antiquarum cumprimis Romae veteris'.]
Johann Jacob de Sandrart Pingebat et Sculpebat.
[Liepzig: Heirs of Johann Fritsch, & Frankfurt: Johann Friedrich Gleditsch, 1732.]
Engraving. Printed area 340 x 190mm, 7½". Trimmed, some creasing.
Allegorical frontispiece, with a medallion portrait of Reinesius held aloft by putti. Thomas Reinesius [1587-1667], a German doctor and writer, compiled this collection of classical inscriptions.
[Ref: 13420] £260.00 (£312.00 incl.VAT)
Johann Jacob de Sandrart Pingebat et Sculpebat.
[Liepzig: Heirs of Johann Fritsch, & Frankfurt: Johann Friedrich Gleditsch, 1732.]
Engraving. Printed area 340 x 190mm, 7½". Trimmed, some creasing.
Allegorical frontispiece, with a medallion portrait of Reinesius held aloft by putti. Thomas Reinesius [1587-1667], a German doctor and writer, compiled this collection of classical inscriptions.
[Ref: 13420] £260.00 (£312.00 incl.VAT)
Dr. Syntax & Bookseller.
Drawn & Etched by Rowlandson.
Published. June.1.1819, at R. Ackermann's Repository of Arts, 101, Strand. Pl.25.
Coloured aquatint and etching. 145 x 235mm (5¾ x 9¼") Paper toning, foxing and water staining.
Ackermann's Repository of Arts was an illustrated British periodical published from 1809-1829. It covered all fields from arts, literature, commerce, manufactures, fashions and politics. From "The Tours of Dr. Syntax," depicting the various escapades of the fictional 19th-century English clergyman, Dr. Syntax.
BM Satires: 11686.
[Ref: 30382] £120.00 (£144.00 incl.VAT)
Drawn & Etched by Rowlandson.
Published. June.1.1819, at R. Ackermann's Repository of Arts, 101, Strand. Pl.25.
Coloured aquatint and etching. 145 x 235mm (5¾ x 9¼") Paper toning, foxing and water staining.
Ackermann's Repository of Arts was an illustrated British periodical published from 1809-1829. It covered all fields from arts, literature, commerce, manufactures, fashions and politics. From "The Tours of Dr. Syntax," depicting the various escapades of the fictional 19th-century English clergyman, Dr. Syntax.
BM Satires: 11686.
[Ref: 30382] £120.00 (£144.00 incl.VAT)
Doctor Syntax at an Auction.
Drawn by Rowlandson.
Published July 1, 1820, at R.Ackermann's. 101 Strand.
Fine coloured aquatint. Sheet size: 155 x 250mm (6¼ x 10"). Folds in bottom edge.
The escapades of the fictional 19th century clergyman 'Dr. Syntax' were a satire on William Gilpin’s series of picturesque journeys to different parts of England. A book auction.
[Ref: 52816] £130.00 (£156.00 incl.VAT)
Drawn by Rowlandson.
Published July 1, 1820, at R.Ackermann's. 101 Strand.
Fine coloured aquatint. Sheet size: 155 x 250mm (6¼ x 10"). Folds in bottom edge.
The escapades of the fictional 19th century clergyman 'Dr. Syntax' were a satire on William Gilpin’s series of picturesque journeys to different parts of England. A book auction.
[Ref: 52816] £130.00 (£156.00 incl.VAT)
Synthesis Harmonica.
[n.d., c.1680.]
Etching. Sheet 310 x 390mm, 12¼ x 15¼".
An orchestra of women, one with angel's wings, viewed through an arch decorated with figures representing the seasons, guarded by river gods.
[Ref: 9558] £290.00 (£348.00 incl.VAT)
[n.d., c.1680.]
Etching. Sheet 310 x 390mm, 12¼ x 15¼".
An orchestra of women, one with angel's wings, viewed through an arch decorated with figures representing the seasons, guarded by river gods.
[Ref: 9558] £290.00 (£348.00 incl.VAT)
Perspective View of the Bridge at Sion.
R. Adam Architect 1768 / E. Rooker Sculp.t
[London: Printed for the Authors; And sold by Peter Elmsly [....] MDCCLXXVII]
Engraving with very large margins, platemark 455 x 600mm (18 x 23½"). Repaired tears.
Robert Adam's unrealized plan for a bridge at Syon House. Plate from the Adam brothers' "Works in Architecture". At the time the work was published, Adam was presumably confident that the plan would go ahead, as his accompanying text ('the whole is new and is reckoned fanciful and picturesque') suggests that the bridge in fact already existed. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. Together, they designed and built some of the most famous buildings in England, including Kenwood House, Keddlestone Manor, and Syon House. The brothers diversified by designing furniture to complement their beautiful interiors and by creating and publishing their 'Works' as a treatise on design, in three volumes beginning in 1773 and concluding with a posthumous volume of 1822.
[Ref: 31969] £360.00
R. Adam Architect 1768 / E. Rooker Sculp.t
[London: Printed for the Authors; And sold by Peter Elmsly [....] MDCCLXXVII]
Engraving with very large margins, platemark 455 x 600mm (18 x 23½"). Repaired tears.
Robert Adam's unrealized plan for a bridge at Syon House. Plate from the Adam brothers' "Works in Architecture". At the time the work was published, Adam was presumably confident that the plan would go ahead, as his accompanying text ('the whole is new and is reckoned fanciful and picturesque') suggests that the bridge in fact already existed. Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. Together, they designed and built some of the most famous buildings in England, including Kenwood House, Keddlestone Manor, and Syon House. The brothers diversified by designing furniture to complement their beautiful interiors and by creating and publishing their 'Works' as a treatise on design, in three volumes beginning in 1773 and concluding with a posthumous volume of 1822.
[Ref: 31969] £360.00
Retour de Syrie.
H. Vernet 1823. Lit: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 310 x 400mm (12¼ x 15¾"), with very large margins.
General Napoleon Bonaparte walking back to Egypt after the failed 1799 expedition to Syria. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55872] £220.00 (£264.00 incl.VAT)
H. Vernet 1823. Lit: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 310 x 400mm (12¼ x 15¾"), with very large margins.
General Napoleon Bonaparte walking back to Egypt after the failed 1799 expedition to Syria. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55872] £220.00 (£264.00 incl.VAT)
Foreign Costumes, No.1. Syria.
L. Mansion del.
Published by W. Spooner 259 Regent Street [n.d., c.1830s].
Hand-coloured lithograph with gum arabic. W.S.S. on verso in ink, Image 190 x 135mm, 7½ x 5¼". A little soiled and stained. Bright original colour.
William Spooner and L. Mansion published a series of fancy national costumes.
[Ref: 22342] £60.00 (£72.00 incl.VAT)
L. Mansion del.
Published by W. Spooner 259 Regent Street [n.d., c.1830s].
Hand-coloured lithograph with gum arabic. W.S.S. on verso in ink, Image 190 x 135mm, 7½ x 5¼". A little soiled and stained. Bright original colour.
William Spooner and L. Mansion published a series of fancy national costumes.
[Ref: 22342] £60.00 (£72.00 incl.VAT)
Damascus.
W. Clerk, lith, 202 High Holborn.
Lithograph. Sheet: 270 x 210mm, (10½ x 8¼").
A view of Damascus in Syria in which two figures, one leading a camel, are depicted on the road.
[Ref: 39488] £90.00 (£108.00 incl.VAT)
W. Clerk, lith, 202 High Holborn.
Lithograph. Sheet: 270 x 210mm, (10½ x 8¼").
A view of Damascus in Syria in which two figures, one leading a camel, are depicted on the road.
[Ref: 39488] £90.00 (£108.00 incl.VAT)
Vue de la Ville et de L'Isle de Syra.
Eenens et Petermanns del. Lithographié à la Calcographie Royale de J. Goubaud à Bruxelles.
[Brussels, 1822-9.]
Lithograph rare with very large margins. Printed area 240 x 350mm (9½ x 13¾").
View of Ano Syros, built by the Venetians on Syros, ringed by their fortifications and topped by the Roman Catholic cathedral of San Giorgio. The view was published in a Brussels edition of Choiseul-Gouffier's 'Voyage Pittoresque de la Grèce', but which also contained Melling's 'Voyage pittoresque de Constantinople et des rives du Bosphore'.
[Ref: 35158] £240.00 (£288.00 incl.VAT)
Eenens et Petermanns del. Lithographié à la Calcographie Royale de J. Goubaud à Bruxelles.
[Brussels, 1822-9.]
Lithograph rare with very large margins. Printed area 240 x 350mm (9½ x 13¾").
View of Ano Syros, built by the Venetians on Syros, ringed by their fortifications and topped by the Roman Catholic cathedral of San Giorgio. The view was published in a Brussels edition of Choiseul-Gouffier's 'Voyage Pittoresque de la Grèce', but which also contained Melling's 'Voyage pittoresque de Constantinople et des rives du Bosphore'.
[Ref: 35158] £240.00 (£288.00 incl.VAT)
Szarvasszöllö.
Term. u és köre rajz Keleti Gusztáv. Özvegy Fuchs Györgyné müintézete. München.
[Budapest: Gustav Emich, 1867.]
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"). Large margins.
Szarvasszöllö in Hungary, from 'Tokaj-Hegyaljaer Album', a study of the famous Tokaj wine region by Josef Szabó & Stefan von Török. Gusztáv Frigyes Kelety (originally Klette, 1834-1902), a Hungarian painter, graphic artist and art critic.
[Ref: 38973] £95.00 (£114.00 incl.VAT)
Term. u és köre rajz Keleti Gusztáv. Özvegy Fuchs Györgyné müintézete. München.
[Budapest: Gustav Emich, 1867.]
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"). Large margins.
Szarvasszöllö in Hungary, from 'Tokaj-Hegyaljaer Album', a study of the famous Tokaj wine region by Josef Szabó & Stefan von Török. Gusztáv Frigyes Kelety (originally Klette, 1834-1902), a Hungarian painter, graphic artist and art critic.
[Ref: 38973] £95.00 (£114.00 incl.VAT)
Szlegel.
Gigoux. Lith de Villain.
[Paris: Joseph Straszewicz, n.d., c.1835.]
Lithograph on chine collé. 270 x 235mm (10½ x 9¼"), very large margins.
Lieut-Col Karol Szlegel (1802-32), with moustache, wearing cloak with furred collar. Having fought in the November Uprising (1830-1) he went into exile in France, where he died in a duel with a fellow officer while preparing for an armed return to Poland. Looked upon as a rebel or hero. From Straszewicz's suite of portraits of Polish figures.
[Ref: 63238] £230.00 (£276.00 incl.VAT)
Gigoux. Lith de Villain.
[Paris: Joseph Straszewicz, n.d., c.1835.]
Lithograph on chine collé. 270 x 235mm (10½ x 9¼"), very large margins.
Lieut-Col Karol Szlegel (1802-32), with moustache, wearing cloak with furred collar. Having fought in the November Uprising (1830-1) he went into exile in France, where he died in a duel with a fellow officer while preparing for an armed return to Poland. Looked upon as a rebel or hero. From Straszewicz's suite of portraits of Polish figures.
[Ref: 63238] £230.00 (£276.00 incl.VAT)
Table for Baits.
J. Scott del, et sculp.
Published May 1, 1801, by Bunney & Gold, 103 Shoe Lane, London.
Etching with engraving. 415 x 250mm (16¼ x 9¾"). Folds, stains, a tear just entering plate taped.
A guide for anglers, with instructions on how to catch 17 British river fish, types of worm and flies, and how to make pastes.
[Ref: 61450] £130.00 (£156.00 incl.VAT)
J. Scott del, et sculp.
Published May 1, 1801, by Bunney & Gold, 103 Shoe Lane, London.
Etching with engraving. 415 x 250mm (16¼ x 9¾"). Folds, stains, a tear just entering plate taped.
A guide for anglers, with instructions on how to catch 17 British river fish, types of worm and flies, and how to make pastes.
[Ref: 61450] £130.00 (£156.00 incl.VAT)
Table Mountain - Cape of Good Hope.
[n.d., c.1860.]
Chromolithograph. Sheet: 230 x 300mm (9 x 12"). Staining.
A view of the Cape of Good Hope in South Africa from the sea.
[Ref: 46070] £75.00 (£90.00 incl.VAT)
[n.d., c.1860.]
Chromolithograph. Sheet: 230 x 300mm (9 x 12"). Staining.
A view of the Cape of Good Hope in South Africa from the sea.
[Ref: 46070] £75.00 (£90.00 incl.VAT)
A Table of the Breeds of Neat Cattle, Sheep, and Swine.
Letterpress broadside, very scarce. Printed area 500 x 380mm (19¾ x 15"). Stretched over back of mounted print, edges folded over; some staining.
The names, characteristics, advantages & disadvantages and locations of different breeds of cattle, horned and hornless sheep, and pigs. .
[Ref: 30250] £480.00
Letterpress broadside, very scarce. Printed area 500 x 380mm (19¾ x 15"). Stretched over back of mounted print, edges folded over; some staining.
The names, characteristics, advantages & disadvantages and locations of different breeds of cattle, horned and hornless sheep, and pigs. .
[Ref: 30250] £480.00
![A Table of the Antiquity of States, Kingdoms, and Empires, And also of some remarkable Towns and Cities. [&] A Compendium of the Four Dispositions which influence the Human Frame, translated from the works of Dr. Boerner.](jpegs/16809.jpg)
A Table of the Antiquity of States, Kingdoms, and Empires, And also of some remarkable Towns and Cities. [&] A Compendium of the Four Dispositions which influence the Human Frame, translated from the works of Dr. Boerner.
[Anon., n.d., c.1820.]
Two letterpress tables, broadside handbills with contemporary watercolour, glued to either side of card 165 x 130mm, 6½ x 5". Margins slightly trimmed?
Two rare pieces of popular educational ephemera. The Compendium is a table for analizing the habits and disposition of certain types of people.
[Ref: 16809] £190.00 (£228.00 incl.VAT)
[Anon., n.d., c.1820.]
Two letterpress tables, broadside handbills with contemporary watercolour, glued to either side of card 165 x 130mm, 6½ x 5". Margins slightly trimmed?
Two rare pieces of popular educational ephemera. The Compendium is a table for analizing the habits and disposition of certain types of people.
[Ref: 16809] £190.00 (£228.00 incl.VAT)
![Tableau de Londres [title on spine].](jpegs/44005.jpg)
Tableau de Londres [title on spine]. Description Géographique, Topographique, Pittoresque, Industrielle et Commerciale. de L'Angleterre, de L'Écosse et de L'Irelande... Par Crutwell, Traduite de l'anglais, sur la 4e. édition; ... Tome Quatrième.
A Paris, Chez Hyacinthe Langlois, Libraire pour la Géographie, l'Histoire, les Belles-Lettres, quai des Augustins, no 67, près le Pont Neuf. M.DCCC.IV. [1804.]
8vo, original full calf gilt, maroon morocco title label, speckled edges, marbled endpapers; title + 385, folding engraved map frontis. Spine with rubbed patch, small fold split in margin of map.
A French tourist's guide to London, probably prepared for publication during the thaw in Anglo-French relations after the Treaty of Amiens of 1802. The text consists of information neccessary for the tourist: an extensive key for the map; lists of carriage fares within London (including a specific table of fares from various point to the Opera House, Drury Lane Theatre, Covent Garden Theatre and Ranelagh Gardens); how to get coaches to the villages surrounding London (including Barnes, Clapham, Hammersmith, Hampstead, Kingston & Richmond) and ferry prices.
[Ref: 44005] £360.00 view all images for this item
A Paris, Chez Hyacinthe Langlois, Libraire pour la Géographie, l'Histoire, les Belles-Lettres, quai des Augustins, no 67, près le Pont Neuf. M.DCCC.IV. [1804.]
8vo, original full calf gilt, maroon morocco title label, speckled edges, marbled endpapers; title + 385, folding engraved map frontis. Spine with rubbed patch, small fold split in margin of map.
A French tourist's guide to London, probably prepared for publication during the thaw in Anglo-French relations after the Treaty of Amiens of 1802. The text consists of information neccessary for the tourist: an extensive key for the map; lists of carriage fares within London (including a specific table of fares from various point to the Opera House, Drury Lane Theatre, Covent Garden Theatre and Ranelagh Gardens); how to get coaches to the villages surrounding London (including Barnes, Clapham, Hammersmith, Hampstead, Kingston & Richmond) and ferry prices.
[Ref: 44005] £360.00 view all images for this item
The Tables Turned or The Lie circumstantial.
Pub.d by T. Taplain Upper Thames St London
Etching with hand-colouring, sheet 240 x 350mm (9½ x 13¾"). Trimmed inside platemark; tear on left.
Duel between Charles Vane, third marquess of Londonderry (1778-1854) and Ensign Battier. Battier's pistol misfired and he declined the offer of another shot and left. He was later horsewhipped by Londonderry's second, Sir Henry Hardinge. In this image Londonderry (far left) nonchalantly awaits the second shot from Battier, which Hardinge (centre, in brown coat) invites. Battier, next to Hardinge, drops his pistol rather than taking the shot, to the disbelief of his second Lt.-Col. Weston (right). A surgeon in the background observes 'I see they will not want me'.
[Ref: 47120] £240.00 (£288.00 incl.VAT)
Pub.d by T. Taplain Upper Thames St London
Etching with hand-colouring, sheet 240 x 350mm (9½ x 13¾"). Trimmed inside platemark; tear on left.
Duel between Charles Vane, third marquess of Londonderry (1778-1854) and Ensign Battier. Battier's pistol misfired and he declined the offer of another shot and left. He was later horsewhipped by Londonderry's second, Sir Henry Hardinge. In this image Londonderry (far left) nonchalantly awaits the second shot from Battier, which Hardinge (centre, in brown coat) invites. Battier, next to Hardinge, drops his pistol rather than taking the shot, to the disbelief of his second Lt.-Col. Weston (right). A surgeon in the background observes 'I see they will not want me'.
[Ref: 47120] £240.00 (£288.00 incl.VAT)
The Tablet of Cebes.
[n.d., c. 1830.]
Ink mss. with watercolour wash, sheet 230 x 145mm. 9 x 5¾". Tear and chip to top edge.
Manuscript diagram to explain the philosophies of Cebes of Thebes, a disciple of Socrates and Philolaus. He is one of the speakers in the Phaedo of Plato, in which he is represented as an earnest seeker after virtue and truth, keen in argument and cautious in decision. Three dialogues, the Hebdome, the Phrynichus and the Pinax or Tabula, are attributed to him. The two former are lost, and most scholars deny the authenticity of the Tabula on the ground of material and verbal anachronisms. The Tablet of Cebes professes to be an interpretation of an allegorical picture in the temple of Cronus at Athens or Thebes. The author develops the Platonic theory of pre-existence, and shows that true education consists not in mere erudition, but rather in the formation of character. Parallels are often drawn between this work and John Bunyan's The Pilgrim's Progress.
[Ref: 10292] £190.00 (£228.00 incl.VAT)
[n.d., c. 1830.]
Ink mss. with watercolour wash, sheet 230 x 145mm. 9 x 5¾". Tear and chip to top edge.
Manuscript diagram to explain the philosophies of Cebes of Thebes, a disciple of Socrates and Philolaus. He is one of the speakers in the Phaedo of Plato, in which he is represented as an earnest seeker after virtue and truth, keen in argument and cautious in decision. Three dialogues, the Hebdome, the Phrynichus and the Pinax or Tabula, are attributed to him. The two former are lost, and most scholars deny the authenticity of the Tabula on the ground of material and verbal anachronisms. The Tablet of Cebes professes to be an interpretation of an allegorical picture in the temple of Cronus at Athens or Thebes. The author develops the Platonic theory of pre-existence, and shows that true education consists not in mere erudition, but rather in the formation of character. Parallels are often drawn between this work and John Bunyan's The Pilgrim's Progress.
[Ref: 10292] £190.00 (£228.00 incl.VAT)
Tabletier, Ouvrages.
Benard direxit.
[n.d., c.1770.]
Engraving. Plate: 240 x 175mm (9½ x 7''). Foxing.
A diagram of chess pieces made by a Tablietier. An excerpt from 'Tabletier-Cornetier' by Denis Diderot.
[Ref: 49197] £65.00 (£78.00 incl.VAT)
Benard direxit.
[n.d., c.1770.]
Engraving. Plate: 240 x 175mm (9½ x 7''). Foxing.
A diagram of chess pieces made by a Tablietier. An excerpt from 'Tabletier-Cornetier' by Denis Diderot.
[Ref: 49197] £65.00 (£78.00 incl.VAT)
La Tabletiere. Genre Parisien N.o 28.
Ch. Philipon del. termine par Julien. a Paris, chez Basset, M.d d'Estampes, rue S.t Jacques, n.o 64. Lithog: de Mendouze, r. S.t Pierre Monmartre n.o 10.
Paris, [n.d. c.1827-1829].
Hand coloured lithograph. 280 x 190mm (11 x 7½"), with wide margins. Faint stain in top left corner. Minor toning and creasing in margins.
A shopkeeper standing at the entrance to her shop. Her assortment of wares include a feather fan, smoking pipes, a tennis racquet and batons. Published as part of the Genre Parisien by Charles Philipon and Paul Andre Basset.
See: Ref 58223 & 54515
[Ref: 54857] £75.00 (£90.00 incl.VAT)
Ch. Philipon del. termine par Julien. a Paris, chez Basset, M.d d'Estampes, rue S.t Jacques, n.o 64. Lithog: de Mendouze, r. S.t Pierre Monmartre n.o 10.
Paris, [n.d. c.1827-1829].
Hand coloured lithograph. 280 x 190mm (11 x 7½"), with wide margins. Faint stain in top left corner. Minor toning and creasing in margins.
A shopkeeper standing at the entrance to her shop. Her assortment of wares include a feather fan, smoking pipes, a tennis racquet and batons. Published as part of the Genre Parisien by Charles Philipon and Paul Andre Basset.
See: Ref 58223 & 54515
[Ref: 54857] £75.00 (£90.00 incl.VAT)
Fanny Tacchinardi Persiani.
Lith. Rigo Freres. Pas. Saulnier, 13. Alex.dre Lacauchie.
[n.d. c.1841.]
Lithograph. Gold-leaf ribbed border, on album page. 190 x 121mm. 7½ x 4¾".
Fanny Tacchinardi Persiani (1812-1867) was an Italian soprano particularly associated with bel canto composers, such as Rossini, Donizetti, Bellini, and early Verdi. Her 'golden' period in Paris and London was between 1837 and 1848. She was also part of the 'nightingale' category of singers. Harvard: As Adina in Donizetti's 'L'Elisire d'Amore'; whole length to front, standing, full face, in apron and cap, book in right hand with left hand on hip; vignette. Plate to Galerie des Artistes Dramatiques de Paris., 1841.
See Harvard: 6.
[Ref: 23656] £130.00 (£156.00 incl.VAT)
Lith. Rigo Freres. Pas. Saulnier, 13. Alex.dre Lacauchie.
[n.d. c.1841.]
Lithograph. Gold-leaf ribbed border, on album page. 190 x 121mm. 7½ x 4¾".
Fanny Tacchinardi Persiani (1812-1867) was an Italian soprano particularly associated with bel canto composers, such as Rossini, Donizetti, Bellini, and early Verdi. Her 'golden' period in Paris and London was between 1837 and 1848. She was also part of the 'nightingale' category of singers. Harvard: As Adina in Donizetti's 'L'Elisire d'Amore'; whole length to front, standing, full face, in apron and cap, book in right hand with left hand on hip; vignette. Plate to Galerie des Artistes Dramatiques de Paris., 1841.
See Harvard: 6.
[Ref: 23656] £130.00 (£156.00 incl.VAT)
Fanny Tacchinardi Persiani.
Imp de Lemercier, Bernard & c. [n.d. c.1850.]
Lithograph. Gold-leaf ribbed border, on album page. 196 x 132mm. 7¾ x 5¼".
Fanny Tacchinardi Persiani (1812-1867) was an Italian soprano particularly associated with bel canto composers, such as Rossini, Donizetti, Bellini, and early Verdi. Her 'golden' period in Paris and London was between 1837 and 1848. She was also part of the 'nightingale' category of singers.
See Harvard: 4. [P.J. Lassouquére.]
[Ref: 23654] £130.00 (£156.00 incl.VAT)
Imp de Lemercier, Bernard & c. [n.d. c.1850.]
Lithograph. Gold-leaf ribbed border, on album page. 196 x 132mm. 7¾ x 5¼".
Fanny Tacchinardi Persiani (1812-1867) was an Italian soprano particularly associated with bel canto composers, such as Rossini, Donizetti, Bellini, and early Verdi. Her 'golden' period in Paris and London was between 1837 and 1848. She was also part of the 'nightingale' category of singers.
See Harvard: 4. [P.J. Lassouquére.]
[Ref: 23654] £130.00 (£156.00 incl.VAT)
Tacking in Succession The Squadron under the command of Sir Josias Rowley Bar.t K.C.B. G.C.M.G. July 19th 1834
A. Dawson [lower left], Lith. by C. de Brocktorff. Malta
[n.d., 1834.]
Lithograph, 270 x 295mm.
Lithograph of action off the coast of Malta.
[Ref: 12685] £330.00
A. Dawson [lower left], Lith. by C. de Brocktorff. Malta
[n.d., 1834.]
Lithograph, 270 x 295mm.
Lithograph of action off the coast of Malta.
[Ref: 12685] £330.00
The Madonna, the Infant Christ and St. John, From an unfinished Basso relievo in Marble by Michelangelo Buonaroti. Done by him about the Year 1503 for Taddeo Taddei [...]
Michael Angelo [...] F. Bartolozzi R.A.
London Pub.d as the Act directs Jan. 1 1795 by A. Molteno Printseller to her Royal Highness the Duchess of York No. 76 St. James's Street
Soft-ground etching, rare, platemark 355 x 300mm (14 x 11¾"), with very large margins. Creases top right in margin.
Etching of Michelangelo's Taddei Tondo, which since 1830 was been in the collection of the Royal Academy of Arts, London. The text below the image claims that the print was made by the celebrated Italian printmaker (and founding member of the Royal Academy) Francesco Bartolozzi and published in 1795, but this cannot be true, as the tondo was not acquired by George Beaumont until 1822. After Beaumont died in 1827, the print was briefly in possession of Lady Beaumont (who is named as the owner of the tondo on this print) before it waas received by the RA in 1830. During this time an etching of the tondo after a drawing by William Young Ottley was made by F.C. Lewis and published in London by W.B. Tiffin in 1828. This print would appear to be an altered impression of that plate, with the publisher (potentially Molteno, who was active until 1845) backdating the print and attributing the print to Bartolozzi, dead by this time but one of the foremost eighteenth century engravers, in a bid to increase demand for the print. In a recent book about the tondo, Alison Cole described the source drawing by Ottley as follows: 'the drawing sensitively attempts to amend the 'unfinished' nature of the tondo, in much the same way as plaster casts of the period tend to do, focusing on making sense of the shadowy figure of St John and the 'dove' and further delineating the exquisite features of the Virgin. Ottley probably drew the tondo soon after the purchase was made [by George Beaumont] (c.1822)'.
Not in Calabi & De Vesme; see Alison Cole, 'Michelangelo Buonarroti: The Taddei Tondo', p.37.
[Ref: 47668] £240.00 (£288.00 incl.VAT)
Michael Angelo [...] F. Bartolozzi R.A.
London Pub.d as the Act directs Jan. 1 1795 by A. Molteno Printseller to her Royal Highness the Duchess of York No. 76 St. James's Street
Soft-ground etching, rare, platemark 355 x 300mm (14 x 11¾"), with very large margins. Creases top right in margin.
Etching of Michelangelo's Taddei Tondo, which since 1830 was been in the collection of the Royal Academy of Arts, London. The text below the image claims that the print was made by the celebrated Italian printmaker (and founding member of the Royal Academy) Francesco Bartolozzi and published in 1795, but this cannot be true, as the tondo was not acquired by George Beaumont until 1822. After Beaumont died in 1827, the print was briefly in possession of Lady Beaumont (who is named as the owner of the tondo on this print) before it waas received by the RA in 1830. During this time an etching of the tondo after a drawing by William Young Ottley was made by F.C. Lewis and published in London by W.B. Tiffin in 1828. This print would appear to be an altered impression of that plate, with the publisher (potentially Molteno, who was active until 1845) backdating the print and attributing the print to Bartolozzi, dead by this time but one of the foremost eighteenth century engravers, in a bid to increase demand for the print. In a recent book about the tondo, Alison Cole described the source drawing by Ottley as follows: 'the drawing sensitively attempts to amend the 'unfinished' nature of the tondo, in much the same way as plaster casts of the period tend to do, focusing on making sense of the shadowy figure of St John and the 'dove' and further delineating the exquisite features of the Virgin. Ottley probably drew the tondo soon after the purchase was made [by George Beaumont] (c.1822)'.
Not in Calabi & De Vesme; see Alison Cole, 'Michelangelo Buonarroti: The Taddei Tondo', p.37.
[Ref: 47668] £240.00 (£288.00 incl.VAT)