Grosvenor Prints

Plan of the Surrey Commercial Docks. 1881.
Jas. A. Mc Connchie. Engineer.
Waterlow & Sons, Lithographers, London.
Lithograph. 470 x 595mm, 18½ x 23½". With P.L.A. Drawing Office ink stamp dated 1925 and manuscript indexing. Binding holes in edge.
The Surrey Commercial Docks in Rotherhithe. Closed in 1969 and derelict for over a decade they were redeveloped as the Surrey Quays. James A. McConnochie was a prominent engineer, Chief Engineer to the Bute Docks and also in charge of the redevelopment of the lower half of Limehouse Dockyard in the 1870s.
From the Port of London Authority archives.
[Ref: 10286] £280.00

Plan of the Grand Surrey Docks Rotherhithe.
Day & Son, Lith.rs to the Queen. [n.d., c.1861.]
Lithograph. Printed area 490 x 705mm, 19¼ x 27¾". With P.L.A. Drawing Office ink stamp dated 1925 and manuscript indexing. Some wear to bottom edge
The newly-built Russia, Albion and Canada docks, the west part of the Surrey Commercial Docks in Rotherhithe. Closed in 1969 and derelict for over a decade they were redeveloped as the Surrey Quays. The Upper Dock, also known as the Russia Dock is now the Russia Dock Park.
From the Port of London Authority archives.
[Ref: 10243] £260.00

Surrey County Cricket Club 1894.
Produced by Mayall & Co. Copyright. Permanent Autotype.
London, Published by Mayall & Co. Ld. 73, Piccadilly. W.
Framed monochrome autotype, very rare. Sheet 641 x 921mm. 25¼ x 36¼".
A view of The Oval, in the London Borough of Lambeth. it is the home ground of the Surrey County Cricket Club. It was the first ground in the United Kingdom and the second in the world to host Test cricket. The club was founded in 1845 and it won the title of "Champion County" eight times from 1887 to 1895.
[Ref: 23346] £650.00

Surrey Institution.
Rowlandson & Pugin delt. et sculpt. J.C. Stadler aquat.
London Pub. Septr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
The packed Lecture Hall of the Surrey Institution, an organisation devoted to scientific education and research on Blackfriars Road on the south side of the Thames, at the time part of the county of Surrey. It was founded by private subscription in 1807, but the Institution lasted only until 1823, when it was dissolved. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 81.' upper right.
Abbey, Scenery: 212, 81.
[Ref: 9870] £160.00 (£192.00 incl.VAT)

View of the Surrey Theatre, Magdalen, &c. &c. 141
Published March 2, 1812 by Rob.t Laurie & Ja.s Whittle, N.o53 Fleet Street London, large margins.
Engraving with very fine & rare hand colour.
A street scene of Great Surrey Street (now Blackfriars road) showing Surrey Theatre, with the obelisk in the left foreground, and the Magdalen asylum. Multiple figures go about their day including a farmer leading his flock and a cow down the dirt road; a woman sweeps and a carriage passes through a turnpike.
[Ref: 61474] £360.00

[Playbill]...Surrey Theatre. This Present Monday, July 23rd, 1821, (and following Evenings,) A Comic Dance. After which (Fourth Time) an entirely new Comic Burletta, founded on Historical Fact, called Frederick And Voltaire Or, The King And The Poet...
Lowndes, Printer, Marquis-Court, Drury Lane, London.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Surrey Theatre featuring, 'The Hussar: Or, Love and Mercy,' & 'The Two Gregories: Or, Where Did The Money Come From?'
[Ref: 65952] £90.00 (£108.00 incl.VAT)

[Playbill] Surrey Theatre. ...Saturday, September 15th, 1832, Will be presented he grand National Play of Pizarro: Or, The Death of Rolla The Peruvian Hero...
S.G. Fairbrother, Printer, Exeter Court, Strand.
Letterpress, sheet 335 x 210mm (13 x 8¼"). Creasing. Surface dirt. Nicks to edges. Torn in centre and repaired with acid free tape.
Playbill for the Surrey Theatre featuring, 'Walpurghi's Eve Or, The Doom Of The Daemon Knight,' & 'Young Ben, The Carpenter and Sally Brown.'
[Ref: 65954] £130.00 (£156.00 incl.VAT)

[Playbill] Never Acted. Surrey Theatre. This Present Thursday, August 31st, 1820... Will be presented, a Comic Dance, composed by Mr Ridgeway, called, Sandy And Jenny.
W. Barnes, Printer, Borough.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Surrey Theatre featuring, 'Stop Thief, Or the Horrors of the Forest,' & 'The President And the Peasant's Daughter.'
Ricky Jay Collection.
[Ref: 65951] £90.00 (£108.00 incl.VAT)

[Playbill] Surrey Theatre. ...This Eveing, Tuesday, September 25th, 1832, Will be presented (Eight Time) an Historical Romantic Drama. from the French of Galliardet, (in Three Acts) written expressly for this Theatre, entitled The Tower Of Nesle Or, The Chamberlain of Death...
S.G. Fairbrother, Printer, Exeter Court, Strand.
Letterpress, sheet 335 x 210mm (13 x 8¼"). Creasing. Surface dirt. Nicks to edges.
Playbill for the Surrey Theatre featuring, 'Burgandy the Bold Or, The Fate Of The Raven Rheinfeldt,' & 'Haunted Inn! Or, The Twin Ghosts.'
[Ref: 65953] £80.00 (£96.00 incl.VAT)

[Playbill] Royal Surrey Theatre. Mr. Wilkinson's Benefit, Monday, March 28th, 1836. On Which Occasion, The Adelphi Company Have Kindly Volunteered their Services for this Night Only...
S.G. Fairbrother, Printer, Exeter Court, Strand.
Letterpress, sheet 425 x 225mm (16¾ x 9"). Creasing. Surface dirt. Tear through 'Whims And Oddities'.
Playbill for the benefit of Mr Wilkinson at the Royal Surrey Theatre, featuring 'The Dream Or, The Perils Of The Ocean' 'Cornish Clog Dance,' 'Fairy Visions: Or, Dissolvent Views,' 'What a Bridegroom! Or, A House turn'd out o' Windows,' 'Lumber Trooper Or, The Captain and the Dancing Master,' 'Mr. Webster Will sing, in Charreter, a popular Melody from his Lenten Entertainment, called "Jim Crow!"', 'A Grand Persian Pas de Trois,' & 'Whims And Odities!'
Ricky Jay Collection.
[Ref: 65948] £130.00 (£156.00 incl.VAT)

Surrey Zoological Gardens, Walworth, Patroness Her Most Gracious Majesty The Queen.
[n.d., c.1840.]
Steel engraving, letterhead(?), sheet 55 x 100mm. 2¼ x 4". Trimmed and glued to scrap sheet.
Vignette view of Royal Surrey Gardens, pleasure gardens in Kennington, London, slightly east of The Oval. The gardens were the grounds of the manor house of Walworth, and, as can be seen in this image, included a lake of about 3 acres. The site was acquired in 1831 by impresario Edward Cross to be the location of his new Surrey Zoological Gardens, using animals from his menagerie at Exeter Exchange, in competition with the new London Zoo in Regent's Park. A large circular domed glass conservatory was built in the gardens (in background), 300 feet (90 m) in circumference with more than 6,000 square feet (560 m2) of glass, to contain separate cages for lions, tigers, a rhinoceros, and giraffes. The gardens were heavily planted with native and exotic trees and plants, and dotted with picturesque pavilions.
[Ref: 10743] £95.00 (£114.00 incl.VAT)

The Surry Macaroni.
Pubd. by MDarly Strand March 12th. 1772 accor to Act.
Etching, 175 x 125mm. 7 x 5".
An affected gentleman with an extravagant wig and lace trimmed cravat, holding a long stick. From 'Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.2' upper left and '17' upper right.
BM Satires: 4694.
[Ref: 14166] £140.00 (£168.00 incl.VAT)

De Algemeene en Byzondere Natuurlyke Historie. De Giraffe.
[Amsterdam, n.d., c.1780.]
Engraving, 75 x 140mm (3 x 5½"), set in letterpress. Creasing.
An engraved caprice chapter heading from a Dutch edition of the Comte de Buffon's 36-volume 'Histoire naturelle, générale et particulière', with depictions of mapping instruments including a globe, protractor and cross-staff.
[Ref: 45303] £95.00 (£114.00 incl.VAT)

[Surveying tools] De Algemeene en Byzondere Naturrlyke Historie.
[Amsterdam, n.d., c.1780.]
Engraving, 75 x 140mm (3 x 5½"), set in letterpress.
An engraved chapter heading from a Dutch edition of the Comte de Buffon's 36-volume 'Histoire naturelle, générale et particulière', with a caprice of mapping tools.
[Ref: 41457] £70.00 (£84.00 incl.VAT)

[Susanna and the Elders.]
Rembrandt Pinxt. J.Boydell Excudit. Rd Earlom Sculp.
Published June 12 1769.
Fine mezzotint. 535 x 455mm (21 x 18"). Crease across lower publication space and into image. Repaired tear in upper left corner of image. Small margins.
A scene depicting Susanna on the steps of a bathing-pool, the two elders behind her, one clutches her garment with his left hand and the other stands behind them.
Charrington 51 i of ii. Wessely 58 i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65728] £380.00

Susanna and the Elders. From the Original Picture Painted by Rembrandt in the Collection of Sr. Jos.a Reynolds.
Rembrandt Pinxit. R. Earlom fecit.
Publish'd June 12, 1769 by J.Boydell, Engraver in Cheapside, London.
Fine mezzotint. 535 x 455mm (21 x 18"). Small margins. Creases in upper plate. Some foxing.
A scene depicting Susanna on the steps of a bathing-pool, the two elders behind her, one clutches her garment with his left hand and the other stands behind them.
Charrington 51 ii of ii. Wessely 58 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65729] £380.00

[Susanna]
[n.d., c.1700.]
Mezzotint with etching. 240 x 180mm (9½ x 7"). Small margins. Notch in bottom margin.
A naked woman (probably Susanna) bathes in a fountain in a classical garden with a statue of a king (possibly David) playing a harp.
[Ref: 60178] £160.00 (£192.00 incl.VAT)

[Susanna and the Elders.]
Rembrandt Pinxt. J.Boydell Excudit. Rd Earlom Sculp.
Published June 12 1769.
Fine mezzotint. Scratched letter proof before title. 530 x 455mm (21 x 18"). Trimmed close to plate. Upper corners attached to card.
A scene depicting Susanna on the steps of a bathing-pool, the two elders behind her, one clutches her garment with his left hand and the other stands behind them.
Charrington 51 i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65581] £380.00

Exclaimauit Susanna. [...]. A Son Altesse Royale Monseigneur Philippe d'Orleans Duc de Chartres.
Ant. Coypel in et pinx. Joan. Bap. Poilly Sculpsit.
[n.d., c 1700.]
Engraving. Sheet size: 525 x 695mm (20¾ x 27½"). Cut to image. Laid on 18th century backing sheet.
Susanna accused by the elders. A classical setting Susanna, standing with her arms outstretched in the centre. The two elders pointing at her with crowds surrounding them, with many people expressing grief. Susannah was a biblical figure, a virtuous woman who refused the advances of two elders. In revenge she was brought to trial and condemned to death, but rescued by Daniel, sent from God. Lettered below with titles and a dedication to Philippe II, Duc d'Orléans, Regent of France. After French historical painter Antoine Coypel (1661 - 1722).
[Ref: 38444] £250.00 (£300.00 incl.VAT)

[Susanna and the Elders.] Turpe Senilis Amor.
[n.d., c.1700.]
Engraving, 17th century watermark. Sheet 365 x 280mm (14¾ x 11"). Trimmed within plate.
A naked Susanna washing at a pool with a sea-monster fountain. The elders lurk in the background.
[Ref: 57433] £260.00 (£312.00 incl.VAT)

[Susanna and the Elders.]
[after Peter Paul Rubens.]
CJVißcher Excu. [n.d., 1652.]
Engraving with etching, 17th century watermark. 375 x 515mm (14¾ x 20¼"), engraved Dutch text masked, with contemporary red ruling. Torn to the plate at the centrefold.
Susanna being harassed by the Elders, who pull at her clothes. Originally published in a Dutch bible, 'Historiae Sacrae Veteris et Novi Testamenti', the red ruling and masked text suggest this example comes from the English edition, 'Figures of the Bible, in wich almost every history of the Holy Scriptures is discribed'.
[Ref: 52519] £280.00 (£336.00 incl.VAT)

[Susanna and the Elders.] Surrexerunt duo fenes e accurrerunt, ingemuit autem Susanna, e ait melius est mihi absque opere incidere in manus vestras quam peccare in conspectu Domini.
J.B. de Troy pinxit. Laur. Cars Sculpsit.
a Paris chez l'Auteur rue neuve des Petits Champs vis-a-vis la rue Vivienne [n.d., 1750.]
Engraving. 465 x 350mm (18¼ x 13¾"). Small margins. Slight staining in title on right.
Two elders attempt to blackmail Susanna into having sex with them. In her resulting trial for adultery she is saved by Daniel. After Jean Francois De Troy (1679-1752).
[Ref: 38232] £260.00 (£312.00 incl.VAT)

Susannah Don't You Cry For Me.
[n.d., c.1860.]
Letterpress songsheet with the Britsh shield woodengraving. Sheet: 250 x 180mm (9¾ x 7''). Creasing.
A song sheet for the famous American song 'Susannah Don't You Cry For Me' written by minstrel singer Stephen Foster (1826-1846) and published in 1848 which went on to become one of the most popular American songs ever written. Many of the lyrics have now been rewritten to replace several uses of the word 'nigger'.
[Ref: 48760] £230.00 (£276.00 incl.VAT)

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Suspension. Lord Port farewell! Dundas adieu! [/] Ill no longer trust to you; [/] Standing thus on Portland Stone [/] I'm head, and Ill secure my own.
Pub.d August 21 1794 by S. Alken. 11 14 Castle S.t Leicester Sq.r.
Hand-coloured etching. Plate: 345 x 240mm (13½ x 9½"). Staining in left margins. Cut to platemark on 3 sides.
A satirical portrait of William Pitt, shown standing on a precariously positioned block of Portland stone, above his head an axe labelled 'habias corpus' hangs above his head held up by a rope labelled 'Public Opinion'. Pitt had replaced William Cavendish-Bentinck, Duke of Portland, as Prime Minister in December 1793, but made him Home Secretary in July 1794. He made Henry Dundas, 1st Viscount Melville, Secretary of War at the same time.
Not in BM Satire.
[Ref: 46626] £260.00 (£312.00 incl.VAT)

The Suspicious Husband.
Martin pinx.t. Wilson fecit
London Publish'd Feb.y 16 1772 by R. Marshall N4 Aldermary Church Yard.
Coloured mezzotint. 350 x 250mm (13¾ x 9¾"). Trimmed within plate, extra margins added on three sides.
A woman seals a letter at a candlelit table, while her maid waits to take it. Her husband peers anxiously around the door, believing it to be addressed to another lover. On the wall is a picture of cupid oriented towards the wife. Engraved by the little-known printmaker James Wilson from a painting by either Johan Fredrik or Elias Martin, Swedish artists sometime resident in London.
CLB database: state iii of iii.
[Ref: 36308] £140.00 (£168.00 incl.VAT)

The Suspicious Husband.
Martin pinx.t. Wilson fecit
London Publish'd Feb.y 16 1772 by Henry Parker No.82 Cornhill.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Creasing; 'CL-B' collector's stamp verso.
A woman seals a letter at a candlelit table, while her maid waits to take it. Her husband peers anxiously around the door, believing it to be addressed to another lover. On the wall is a picture of cupid oriented towards the wife. Engraved by the little-known printmaker James Wilson from a painting by either Johan Fredrik or Elias Martin, Swedish artists sometime resident in London.
Ex: collection of the Late Hon. C. Lennox-Boyd; CLB state ii/iii
[Ref: 36221] £380.00

The Suspicious Lover. From a Picture in the Possession of V.M. Picot.
Terberg [Gerard Ter Borch] pinx.t. Picot Sculp.t.
London. Pub.d March 1 1784 by V.M. Picot No.83 St Martin's Lane.
Fine stipple, printed in brown. 235 x 190mm (9¼ x 7½"), with very large margins.
A man peers over a woman's shoulder as she writes a letter.
[Ref: 54207] £190.00 (£228.00 incl.VAT)

In Sussex [in pencil] 2/50
Marjorie Firth [signed in pencil]
1935 [in pencil]
Very rare modern wood engraving in original mount, 145 x 225mm (5¾ x 8¾). Limited edition of 50. Slight mountburn.
A view of Lancing College in Sussex. Margaret 'Marjorie' Firth (1898–1991) was a British painter and printmaker. She studied at the Bradford School of Art under Fred Stead and Harry Butler. She has exhibited with the English Wood Engraving Society, Redfern Gallery, Royal Academy, Society of Women Artists and the New English Art Club. The Hunterian, Manchester Art Gallery hold examples of her work, as well as the British Museum.
[Ref: 68392] £280.00 (£336.00 incl.VAT)

[Six sheets of the Ordnance Survey map of Sussex on a scale of 6" to a mile.]
[n.d., c.1820.]
Six sheets, each 470 x 695mm (18½ x 27½"), dissected and laid on linen, as issued. Linen distressed, some sections loose.
A large and detailed map of West Sussex, extending from North Marden in the north west, clockwise to the South Downs, East Dean, Eartham, Westergate, Oving, Chichester, Bosham, West Ashling, Funtington North Marden and Chilgrove. Features on the map are Goodgood, West Dean, Boxgrove and, unnamed, Kingley Vale. In the early days of the Ordnance Survey, the cartography followed the style of 18th century large-scale maps, with hatchuring instead of contours.
[Ref: 63356] £500.00

Legend of the Devil's Dyke.
[n.d., c.1820.]
Letterpress broadside on yellow paper, sheet 245 x 155mm. 9¾ x 6". Some creasing. Tatty extremities.
A local legend telling how the 'Devil's Dyke', a V-shaped valley on the South Downs Way in Sussex, was created by the furious digging of a hellish visitor to a local inn, the 'Jolly Shepherd' in Poynings. See 12321 for related item.
[Ref: 12214] £75.00 (£90.00 incl.VAT)

Dunrobin Castle.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, 9 Cleveland St. Fitzroy Square, London. June 1, 1821.
Aquatint with original hand colour. 230 x 300mm (9 x 12"), large margins; on thick Whatman paper watermarked ''Turkey Mill 1820''.
Dunrobin Castle from the North Sea, showing it before the rebuilding work by Sir Charles Barry 1835-50. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49799] £140.00 (£168.00 incl.VAT)

[Sutherland Highlanders] To Lieu.t Colonel M.cGregor and the Officers of the 93rd Highlanders, This Print, reprsenting the ceremony of presenting new Colours to their Regiment at Canterbury, on Tuesday, October 7th, 1834, by Field Marshal , his Grace the Duke of Wellington, is most respectfully inscribed by their very humble servant, Henry Ward.
Drawn on the Spot by H. Martens. Ackermann & Co Execu.t. Printed by G.E. Madeley, 3 Wellington S.t. Strand.
Published by Henry Ward, Canterbury, Nov.r 1834.
Scarce coloured lithograph. Sheet 430 x 585mm (17 x 23"), large margins on 3 sides. Repaired tears.
A parade of the Sutherland Highlanders in Canterbury, when the Duke of Wellington presented them with new Colours following their return from their posting to Antigua and Saint Kitts, 1826-34. The towers of Canterbury Cathedral can be seen behind.
[Ref: 57649] £350.00

[William Sutherland, 18th Earl] William Earl of Sutherland, Aide de Camp to his Majesty, & Coll:l of a Highland Reg:t ~ To Eliz:th Countess of Sutherland, this Plate is respectfully Inscribed by her Ladyships most Humble Servant. J. M:cIntoch.
Alan Ramsay Pinx.t. J. M,cIntosh fecit.
Published as the Act directs by J. M.cIntosh, 21, June, 1779.
Fine & scarce mezzotint. 455 x 255mm (18 x 10"), with large margins.
A full length portrait of William Sutherland (1735–1766), 18th Earl of Sutherland, in the uniform of a colonel of the Sutherland Fencibles, painted by Ramsay in 1763. He and his wife both died of typhus at Bath. This mezzotint, the only print engraved or published by McIntosh, was copied from the painting at Dunrobin Castle and dedicated to William's only child, and published the year she raised the Sutherland Fencibles herself. In 1785 she married George Leveson-Gower, later the Duke of Sutherland: the two are remembered for the brutal Highland Clearances.
CS: 1, only state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65694] £420.00

[William Sutherland, 18th Earl] William Earl of Sutherland, Aide de Camp to his Majesty, & Coll:l of a Highland Reg:t ~ To Eliz:th Countess of Sutherland, this Plate is respectfully Inscribed by her Ladyships most Humble Servant. J. M:cIntoch.
Alan Ramsay Pinx.t. J. M,cIntosh fecit.
Published as the Act directs by J. M.cIntosh, 21, June, 1779.
Scarce mezzotint. 455 x 255mm (18 x 10"). Small tears taped at bottom, some surface scuffing in margins, small stain in title.
A full length portrait of William Sutherland (1735–1766), 18th Earl of Sutherland, in the uniform of a colonel of the Sutherland Fencibles, painted by Ramsay in 1763. He and his wife both died of typhus at Bath. This mezzotint, the only print engraved or published by McIntosh, was copied from the painting at Dunrobin Castle and dedicated to William's only child, and published the year she raised the Sutherland Fencibles herself. In 1785 she married George Leveson-Gower, later the Duke of Sutherland: the two are remembered for the brutal Highland Clearances.
CS: 1, only state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65695] £260.00 (£312.00 incl.VAT)

Leaders of Society. Florence Chaplin. The Whitehall Review. 3rd February 1877.
A. Maclure Del.t. Maclure & Macdonald Lith.
Lithograph. Sheet. 390 x 265mm (15½ x 10½"). Slight central crease.
Florence Sutherland-Leveson-Gower (1855-81), pictured with one hand on a Scottish deerhound's head. She married Henry Chaplin, 1st Viscount Chaplin, in 1876 but died in childbirth in 1881.
[Ref: 47932] £60.00 (£72.00 incl.VAT)

Sutton.
Drawn by Rowlandson. Tinted by Alken.
Published June 1, 1790 by Mess.rs Robinson's, Paternester Row.
Fine tinted aquatint. 350 x 275mm (13¾ x 10¾"), with very large margins. Some faint foxing. Crease on lower left of image.
A topographical view of Sutton, a town in the London Borough of Sutton in South London, England. An ancient parish originally in the county of Surrey, Sutton is recorded in the Domesday Book of 1086 as having two churches and about 30 houses.
[Ref: 68693] £220.00 (£264.00 incl.VAT)

Canterbury.
A.D'Orsay 1837. Printed by J.Graf.
London, Published by John Mitchell, 35, Old Bond S.t.
Coloured lithograph. Printed area 240 x 155mm (9½ x 6¼").
Charles Manners-Sutton (1780-1845), Tory Speaker of the House of Commons from 1817 to 1835. During the political crisis surrounding the Reform Act of 1832 his anti-Reform stance caused the victorious Whigs to vote him out of the Speakership, after which he was raised to the peerage. D'Orsay's original chalk sketch is in the National Portrait Gallery.
See NPG 4026(11) for the sketch.
[Ref: 21932] £75.00 (£90.00 incl.VAT)

Richardus Sutton. Eques Auratus Aulae Regiae & Coll: AEnei Nasi Fundm alter Ao Di 1512. Hanc Effigiem Revdo Viro Roberto Shippen S.T.P. et istius Coll: Principali Dignissimo, a Tabula in suis AEdibus asservata factam.
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1712.]
Fine mezzotint. 260 x 200mm (10¼ x 8"), with very large margins.
Portrait of Sir Richard Sutton (c. 1460 - 1524), English lawyer. He was founder, with William Smyth, bishop of Lincoln, of Brasenose College, Oxford, and the first lay founder of any college.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65038] £160.00 (£192.00 incl.VAT)

Richardus Sutton. Eques Auratus Aulae Regiae & Coll: AEnei Nasi Fundm alter Ao Di 1512. Hanc Effigiem Revdo Viro Roberto Shippen S.T.P. et istius Coll: Principali Dignissimo, a Tabula in suis AEdibus asservata factam.
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetsreet
Mezzotint. 260 x 200mm (10¼ x 8"). Trimmed and backed onto album paper at corners.
Portrait of Sir Richard Sutton (c. 1460 - 1524), English lawyer. He was founder, with William Smyth, bishop of Lincoln, of Brasenose College, Oxford, and the first lay founder of any college.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65040] £150.00 (£180.00 incl.VAT)

Thomas Sutton Esq.r Founder of Charter-House, An.º 1611. To the Rev. Philip Bearcroft D.D. Master of Charter-House. This Plate is most humbly Dedicated by his most Obedient Servant John Faber.
Ab Originali in Aedibus Carthusianis.Faber Fecit 1754.
Pub.d as the Act directs Jan. 18 1787 by Torre & C.º N.º 132 Pall Mall.
Fine mezzotint. 510 x 355mm (20 x 14"). Stain at bottom.
A full-length seated portrait of Thomas Sutton (1532-1611), wearing a fur-lined cloak and ruff, holding the plan of Charter-House.
CS:341, ii of ii. Ex: Oettingen-Wallerstein collection & the Hon. Christopher Lennox-Boyd.
[Ref: 67770] £390.00

Thomas Sutton Esq.r Founder of Charter-House, An.º 1611. To the Rev. Philip Bearcroft D.D. Master of Charter-House. This Plate is most humbly Dedicated by his most Obedient Servant John Faber.
Ab Originali in Aedibus Carthusianis.Faber Fecit 1754. Price 5. Shill.
Mezzotint. 510 x 355mm (20 x 14"). Trimmed to plate, laid on album paper at corners
A full-length seated portrait of Thomas Sutton (1532 - 1611), wearing a fur-lined cloak and ruff, holding the plan of Charter-House.
CS:341, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67771] £390.00

Thomas Sutton Armr: cujus unius Sumptibus. Hospitium Regium) vulgo dictm: Charter House fundatum est Ao. 1612. Hanc effigiem ex Archetypo apud idem Hospitm: reservato descriptam Revdo: admodum in Christo Patri Joanni Episcopo Eliensi, Humillime dicat.
Joannes Faber. Ao 1714
Mezzotint, 260 x 200mm. 10¼ x 7¾". Trimmed to plate on three sides.
Thomas Sutton (1532 - 1611), founder of Charterhouse. One of a series of forty-five plates of portraits of the Founders of Oxford and Cambridge colleges, the Royal Exchange and Charterhouse. By John Faber the Elder (c.1660 - 1721), portrait miniaturist and mezzotinter, born in Holland.
Chaloner Smith: 34, I.
[Ref: 9833] £120.00 (£144.00 incl.VAT)

[The Landing at Suvla Bay, Gallipoli, 1915]
Norman Wilkinson [signed in pencil]
Published by The Fine Art Society, 148, New Bond Street, London, March 1st 1916. Copyright.
A rare coloured photolithograph glued into mount, window 265 x 375mm (10¼ x 14¾").
The landing at Suvla Bay on the Gallipoli peninsula, part of the British attempt to secure the peninsula and capture Constantinople (now Istanbul) during World War I. The landing, and the campaign, ultimately failed and the British commander Sir Frederick Stopford was dismissed. Signed print by Lieut. Norman Wilkinson, CBE (1878-1971), an illustrator for the Illustrated London News, who also worked on camouflage techniques during both World Wars worked developing camouflage techniques. Wilkinson was also a prolific illustrator of salmon and trout fishing.
[Ref: 47084] £260.00 (£312.00 incl.VAT)

[Vasiliy Suvoroff] General Suwarrow.
J. Chapman sculpsit.
Published as the Act directs August 1.st.1799.
Stipple. Plate: 110 x 160mm (4¼ x 6¼"), with large margins.
Half portrait set in a roundel of Vasiliy Suvoroff, a Russian general now best known as the father of Alexander Vasilievich Suvoroff (c.1729-1800), the fourth (and last) Generalissimo of Russia, famed for never losing a battle, fighting 63. It is probable that the publisher got father and son confused, as the portrait was published at the height of Alexander's successes, driving the French out of most of Italy.
[Ref: 33543] £60.00 (£72.00 incl.VAT)

[Aleksandr Vasilyevich Suvorov] Field Marshal Count Alexander Suwarrow Rimniskoy Commander in Chief of the Combined Armies in Italy.
C. Hamper del. N. Schiavonetti Sculp.
London Publish'd June 21st 1799 by Messrs Schiavonetti, No 12 Michaels Place Brompton.
Very fine stipple. 355 x 250mm (14 x 10"), with very large margins. Mint.
Aleksandr Vasilyevich Suvorov (1729-1800), Russian military commander. He was the fourth and last generalissimo of the Russian Empire. He was one of the few great generals in history who never lost a battle, and he was famed for his military manual 'The Science of Victory'. This print was published in 1799, soon after Suvorov (aged 68) led his forces to victories at Cassano d'Adda and Trebbia in the Italian campaign which contributed to driving French troops from Italy and therefore ensured his popularity in England.
[Ref: 35227] £330.00

[Russia.] Field Marshal Suwarow Rimniksky.
S. Springsguth Sculp.
[Published Feb.y. 12.th, by I. Stockdale, Picadilly.]
Engraving. Sheet: 130 x 195mm (5 x 7¾"). Trimmed within plate. Some staining.
A half-portrait set within an oval of Aleksandr Suvorov (1729-1800) a Russian military commander who was made Count in 1789 and a Russian prince in 1799. An illustration from 'History of Catherine II' by J. H. Castra, 1800.
[Ref: 37416] £75.00 (£90.00 incl.VAT)

[Aleksandr Vasilyevich Suvorov] Field Marshal Count Alexander Suwarrow Rimniskoy Commander in Chief of the Combined Armies in Italy.
C. Hampe del. N. Schiavonetti Sculp.
London Publish'd June 21st 1799, by
Stipple. 110 x 160mm (4¼ x 6¼"), with large margins.
Half portrait set in a roundel of Alexander Vasilievich Suvoroff (c.1729-1800), the fourth (and last) Generalissimo of Russia, famed for never losing a battle, fighting 63. The portrait celebrates his successes in Italy (1799-1800), when his combined Austro-Russian army drove the French out of most of Italy. Promised a triumph, his emnity with the Tsar Paul meant it was never held. When Suvoroff died soon after his return Paul ensured his Generalissimo's funeral honours were downgraded to that of a field marshal. Undoubtedly this pettiness towards a national hero was one of the reasons Paul was assassinated by disaffected army officers less than a year later.
[Ref: 49628] £160.00 (£192.00 incl.VAT)

[Aleksandr Vasilyevich Suvorov] General Suwarrow. (from the Life)
Published 12th Dec.r 1799, by Laurie & Whittle, No. 53 Fleet Street, London.
Mezzotint. 115 x 90mm (4½ x 3½"), large margins. Some staining and spotting.
Oval half-length portrait of Alexander Vasilievich Suvoroff (c.1729-1800), in uniform. The fourth (and last) Generalissimo of Russia, Suvoroff was famed for never losing a battle when he was in command.
[Ref: 60254] £190.00 (£228.00 incl.VAT)

Field Marshall Count Alexander Suworow Rymnikski. Aetat 69.
Engraved by Ant.y Minasi late Pupil of F. Bartolozzi R.A.
Published as the Act directs Sep.r 1. 1799 by I. Wright No.169 Piccadilly.
Sitpple. 203 x 132mm. 8 x 5¼". Some soiling, cut.
Aleksandr Vasilyevich Suvorov (1729-1800) was a Russian military commander. He was the fourth and last generalissimo of the Russian Empire. He was one of the few great generals in history who never lost a battle, and he was famed for his military manual 'The Science of Victory'.
[Ref: 24542] £75.00 (£90.00 incl.VAT)

[Alexander Suvorov-Rymniksky] General Swarrow, towing the French Directory into Russia!!
[Isaac Cruikshank.]
Pub by S W Fores N. 50 Piccadilly May 16, 1799 Folios of Caricatures Lent out.
Coloured etching. Sheet 250 x 345mm (9¾ x 13½"). Trimmed into plate top and bottom, into image at sides.
An ogre-like caricature of Count Alexander Vasilyevich Suvorov-Rymniksky (c.1729-1800), Generalissimo of the Russian Empire, considered to be one of the greatest military commanders in Russian history. In 1799 he was given command of the Austro-Russian army and sent to drive France's forces out of Italy.
BM Satires 9387.
[Ref: 61883] £260.00 (£312.00 incl.VAT)

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