A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[M,,rs Sturt and Master Humphrey Sturt.]](jpegs/62701.jpg)
[M,,rs Sturt and Master Humphrey Sturt.]
C. Read Pinx.t. Ja.s Watson fecit.
published according to Act of Parliament by R. Sayer June 12, 1771.
Mezzotint, scratched letter proof before title. 505 x 355mm (19¾ x 14"), with large margins. Ink collector's stamp on reverse. Time stained. Tear from left edge to plate mark and around plate mark repaired.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer published the plate on the 20th June with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137,i of ii; Goodwin 79, i of iii. Lugt L.2178, Fritz Reiss of London, whose collection of mezzotints is described by Lugt as 'l'une des plus belles de ce genre'; It was dispersed in 1914.
[Ref: 62701] £420.00
C. Read Pinx.t. Ja.s Watson fecit.
published according to Act of Parliament by R. Sayer June 12, 1771.
Mezzotint, scratched letter proof before title. 505 x 355mm (19¾ x 14"), with large margins. Ink collector's stamp on reverse. Time stained. Tear from left edge to plate mark and around plate mark repaired.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer published the plate on the 20th June with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137,i of ii; Goodwin 79, i of iii. Lugt L.2178, Fritz Reiss of London, whose collection of mezzotints is described by Lugt as 'l'une des plus belles de ce genre'; It was dispersed in 1914.
[Ref: 62701] £420.00
Styles of Driving Plate 1. Come Out of the Vay _ or I'll cut Vheel off!!!
William Heath - ed of the Looking Glass.
Pub Dec 20 1829 by T McLean 26 Haymarket Publisher of the Looking Glass and other Etchings by W. Heath.
Finely coloured etching, sheet 245 x 355mm (9½ x 14"). Trimmed within plate.
A farmer in a cart pulled by a donkey shouts at a haulier with a large wagon.
Not in BM.
[Ref: 66924] £260.00 (£312.00 incl.VAT)
William Heath - ed of the Looking Glass.
Pub Dec 20 1829 by T McLean 26 Haymarket Publisher of the Looking Glass and other Etchings by W. Heath.
Finely coloured etching, sheet 245 x 355mm (9½ x 14"). Trimmed within plate.
A farmer in a cart pulled by a donkey shouts at a haulier with a large wagon.
Not in BM.
[Ref: 66924] £260.00 (£312.00 incl.VAT)
Sublime and Beautifull. O'thou wert born to please me, my Rural Queen of Love, Through all the woods I'll praise thee my Sheperd of the Grove, Thus happy never Jealous Can any harm assail us My rural Queen of Love.
[Charles Williams.]
Pubd. April 1810 by Thos. Tegg 111 Cheapside.
Hand-coloured etching. Plate: 350 x 245mm (13¾ x 9¾''). Small margins. Toned, creasing and tears.
A Thames waterman, with a badged sleeve, number 27, and a long boat-hook, takes the hand of a fat woman with ragged clothes holding a basket of lavender. Both are ugly and amorous. There is a rustic, though probably suburban, background. Text below from Burke's essay, 1756.
BM Satires 11648.
[Ref: 50960] £160.00 (£192.00 incl.VAT)
[Charles Williams.]
Pubd. April 1810 by Thos. Tegg 111 Cheapside.
Hand-coloured etching. Plate: 350 x 245mm (13¾ x 9¾''). Small margins. Toned, creasing and tears.
A Thames waterman, with a badged sleeve, number 27, and a long boat-hook, takes the hand of a fat woman with ragged clothes holding a basket of lavender. Both are ugly and amorous. There is a rustic, though probably suburban, background. Text below from Burke's essay, 1756.
BM Satires 11648.
[Ref: 50960] £160.00 (£192.00 incl.VAT)
Sublime and Beautifull. O'thou wert born to please me, my Rural Queen of Love, Through all the woods I'll praise thee my Sheperd of the Grove, Thus happy never Jealous Can any harm assail us My rural Queen of Love.
[Charles Williams.]
Pubd. April 1810 by Thos. Tegg 111 Cheapside.
Hand-coloured etching. 324 x 222mm (12¾ x 8¾"). Stained, very damaged; paper chip to lower right.
A Thames waterman, with a badged sleeve, number 27, and a long boat-hook, takes the hand of a fat woman with ragged clothes holding a basket of lavender. Both are ugly and amorous. There is a rustic, though probably suburban, background. Text below from Burke's essay, 1756.
BM Satires: 11648.
[Ref: 30575] £65.00 (£78.00 incl.VAT)
[Charles Williams.]
Pubd. April 1810 by Thos. Tegg 111 Cheapside.
Hand-coloured etching. 324 x 222mm (12¾ x 8¾"). Stained, very damaged; paper chip to lower right.
A Thames waterman, with a badged sleeve, number 27, and a long boat-hook, takes the hand of a fat woman with ragged clothes holding a basket of lavender. Both are ugly and amorous. There is a rustic, though probably suburban, background. Text below from Burke's essay, 1756.
BM Satires: 11648.
[Ref: 30575] £65.00 (£78.00 incl.VAT)
The Submissive Admirer. Set by Mr Handel. To the R.t Hon.ble the Earl Cowper, These Four Plates are humbly inscrib'd.
[Etched by George Bickham.]
[n.d., c.1737-9.]
Etched music sheet. 325 x 200mm (12¾ x 8"). Narrow margins top and bottom, original binding folds,
A music sheet with a headpiece of a courting couple. From George Bickham's 'The Musical Entertainer'.
[Ref: 58701] £260.00 (£312.00 incl.VAT)
[Etched by George Bickham.]
[n.d., c.1737-9.]
Etched music sheet. 325 x 200mm (12¾ x 8"). Narrow margins top and bottom, original binding folds,
A music sheet with a headpiece of a courting couple. From George Bickham's 'The Musical Entertainer'.
[Ref: 58701] £260.00 (£312.00 incl.VAT)
Final List of Subscribers to the Fund for the Relief of the Family of the late Sergeant-Major Barber. The Fund collected by the within Subscription List being now closed, it is right that the result should be communicated to the Subscribers.
St. Neots, 24th June, 1869.
Rare letterpress broadsheet, list of names with individual contributions to the fund, folded, sheet 385 x 240mm. 15¼ x 9½". Fold creases etc.
This copy of the list belonged to Alfred Towgood, who is named as one of the three Trustees. It seems the soldier who died served under him, and Towgood was one of the architects of a relief fund for the soldier's family.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16620] £85.00 (£102.00 incl.VAT)
St. Neots, 24th June, 1869.
Rare letterpress broadsheet, list of names with individual contributions to the fund, folded, sheet 385 x 240mm. 15¼ x 9½". Fold creases etc.
This copy of the list belonged to Alfred Towgood, who is named as one of the three Trustees. It seems the soldier who died served under him, and Towgood was one of the architects of a relief fund for the soldier's family.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16620] £85.00 (£102.00 incl.VAT)
Subscribers to a Literary Institution. ''The door at length yielded- and they rushed in, and diskiverd nuffin...
Pub. by A. Park, 47, Leonard St. London. [n.d., c.1830.]
Hand-coloured lithograph. Sheet: 210 x 245mm (8¼ x 9½''). Trimmed.
A comic scene showing three children huddled around a candle reading a book.
[Ref: 51096] £85.00 (£102.00 incl.VAT)
Pub. by A. Park, 47, Leonard St. London. [n.d., c.1830.]
Hand-coloured lithograph. Sheet: 210 x 245mm (8¼ x 9½''). Trimmed.
A comic scene showing three children huddled around a candle reading a book.
[Ref: 51096] £85.00 (£102.00 incl.VAT)
History and Antiquities of Tottenham. Subscribers who have already honoured the above Work with their Names, and the Public in general, are most respectfully informed, that the Authors (at the Request of several distinguished literary Characters) are under the Necessity of postponing the Publication of the same, for a few Weeks longer than the last specified Time of Delivery. Copies will after that Time be delivered in the Order subscribed for...
[n.d. c.1790.]
Rare letterpress. 132 x 158mm (5¼ x 6¼"). Folds. Laid on album sheet at corners.
A notes for the subscribers about the postponing of publication of, "The history and antiquities of the parish of Tottenham High-Cross, in the county of Middlesex. : Collected from authentic records".
[Ref: 52422] £140.00 (£168.00 incl.VAT)
[n.d. c.1790.]
Rare letterpress. 132 x 158mm (5¼ x 6¼"). Folds. Laid on album sheet at corners.
A notes for the subscribers about the postponing of publication of, "The history and antiquities of the parish of Tottenham High-Cross, in the county of Middlesex. : Collected from authentic records".
[Ref: 52422] £140.00 (£168.00 incl.VAT)
Subscribers Ticket To The Second Series Of The Select Work of Engravings. Under The Direction of William Buchanan Esq.r. No: 108 [in pencil]
Domenichino pinx.t. Will.m Sharp inc.t.
London 1. Feb.y 1814. Pub.d by Ar. Stone, 87 Pall Mall.
Rare engraving, 180 x 140mm (7 x 5½), with enormous margins. Light foxing in margins.
St. Cecilia, dressed in an elaborate gown and cloak, her sleeve fastened with a jewel and adorned with a crown of roses, stands holding the palm of martyrdom in one hand and a sheet of music in the other. She rests the sheet on an organ to her left, glancing over her shoulder to the right, where a cherub holds a harp.
Provenance James Watt Sothebys Sale 20/3/2003 Lot pt. 449.
[Ref: 65201] £260.00 (£312.00 incl.VAT)
Domenichino pinx.t. Will.m Sharp inc.t.
London 1. Feb.y 1814. Pub.d by Ar. Stone, 87 Pall Mall.
Rare engraving, 180 x 140mm (7 x 5½), with enormous margins. Light foxing in margins.
St. Cecilia, dressed in an elaborate gown and cloak, her sleeve fastened with a jewel and adorned with a crown of roses, stands holding the palm of martyrdom in one hand and a sheet of music in the other. She rests the sheet on an organ to her left, glancing over her shoulder to the right, where a cherub holds a harp.
Provenance James Watt Sothebys Sale 20/3/2003 Lot pt. 449.
[Ref: 65201] £260.00 (£312.00 incl.VAT)
![This Day was published, by Subscription, [Price 10s.6d. in Colours, or 5s.6d. Plain] An Engraving,](jpegs/9219.jpg)
This Day was published, by Subscription, [Price 10s.6d. in Colours, or 5s.6d. Plain] An Engraving, From an Original Drawing, taked and coloured on the Spot, by W.Fowler, From the curious Roman Pavement in Prior Crawden's beautiful Chapel, in the College at Ely.
M.Watson, Printer, Angel-Inn-Yard, Market Hill, Cambridge.
Winterton, Lincolnshire, May 20, 1801.
Letterpress advert. Sheet 255 x 200mm (10 x 8").
Fowler published the 'Mosaic Pavements of Great Britain', 1804.
[Ref: 9219] £90.00 (£108.00 incl.VAT)
M.Watson, Printer, Angel-Inn-Yard, Market Hill, Cambridge.
Winterton, Lincolnshire, May 20, 1801.
Letterpress advert. Sheet 255 x 200mm (10 x 8").
Fowler published the 'Mosaic Pavements of Great Britain', 1804.
[Ref: 9219] £90.00 (£108.00 incl.VAT)
To be Published by Subscription, under the Patronage of His Grace the Duke of Newcastle, An Engraving Accurately Copied and Reduced from the Sepulchral Brass by William Fowler... Description of the Monumental Brass of Alan Flemyng, in Newark Church...
Sept. 1823. Printed by M.Hage, Newark.
Letterpress broadsheet. Sheet 550 x 330mm. Left edge chipped, some creasing.
The engraving was to be 13½ by 20 inches, proofs costing 10s.6d. Fleming died in 1361.
[Ref: 7154] £65.00 (£78.00 incl.VAT)
Sept. 1823. Printed by M.Hage, Newark.
Letterpress broadsheet. Sheet 550 x 330mm. Left edge chipped, some creasing.
The engraving was to be 13½ by 20 inches, proofs costing 10s.6d. Fleming died in 1361.
[Ref: 7154] £65.00 (£78.00 incl.VAT)
4 Logger heads or B--e Triumphant. Received of ['E.W. Martin Esqr' ink mss.] Ten Shillings & Six pence for the first Part of Sketches of Characters. Mr. J. White [signed in ink.] The remaining parts to be delivered at the same price.
[n.d., c.1840.]
Etched subscription ticket with engraved lettering on india laid paper, completed in ink. 125 x 95mm. 5 x 3¼". A good impression with full margins.
A receipt for a subscription to a series of prints, the design after William Hogarth (1697 - 1764).
[Ref: 12200] £85.00 (£102.00 incl.VAT)
[n.d., c.1840.]
Etched subscription ticket with engraved lettering on india laid paper, completed in ink. 125 x 95mm. 5 x 3¼". A good impression with full margins.
A receipt for a subscription to a series of prints, the design after William Hogarth (1697 - 1764).
[Ref: 12200] £85.00 (£102.00 incl.VAT)
Subscription Ticket.
T. Bonnor invt. et fecit.
Publish'd by T. Bonnor April the 1st 1784.
Scarce and unused subscription ticket for a series of lectures, etching with aquatint printed in red ink, on coarse wove paper. 125 x 80mm, 5 x 3¼". A fine impression with wide margins.
'Mr. Browne's Lectures' inscribed to the pediment of an initialled bust of Marcus Tullius Cicero (106BC - 43BC). Mr. Browne is unidentified; possibly he was a noted public speaker in Norwich, Norfolk. The bust of the Roman statesman Cicero is being decorated with garlands of flowers by three winged putti within the oval design. Possibly by engraver Thomas Bonner (c.1740 - c.1812).
[Ref: 18146] £220.00 (£264.00 incl.VAT)
T. Bonnor invt. et fecit.
Publish'd by T. Bonnor April the 1st 1784.
Scarce and unused subscription ticket for a series of lectures, etching with aquatint printed in red ink, on coarse wove paper. 125 x 80mm, 5 x 3¼". A fine impression with wide margins.
'Mr. Browne's Lectures' inscribed to the pediment of an initialled bust of Marcus Tullius Cicero (106BC - 43BC). Mr. Browne is unidentified; possibly he was a noted public speaker in Norwich, Norfolk. The bust of the Roman statesman Cicero is being decorated with garlands of flowers by three winged putti within the oval design. Possibly by engraver Thomas Bonner (c.1740 - c.1812).
[Ref: 18146] £220.00 (£264.00 incl.VAT)
Arithmetic Plate 2.nd. Subtraction
Drawn and Etched by H. Heath
Pub.d July. 1827. by William Cole 10 Newgate S.t.
Very fine & scarce hand-coloured etching, 200 x 255mm, (8 x 10"), with very large margins.
Three sailor's heads are severed, a fourth black sailor cut in half at the waist, by a canonball on the deck of a warship. For Henry Heath's (1822 - 1851; fl.) satirical series 'Arithmetic'.
BM Satires: undescribed.
[Ref: 67497] £480.00
Drawn and Etched by H. Heath
Pub.d July. 1827. by William Cole 10 Newgate S.t.
Very fine & scarce hand-coloured etching, 200 x 255mm, (8 x 10"), with very large margins.
Three sailor's heads are severed, a fourth black sailor cut in half at the waist, by a canonball on the deck of a warship. For Henry Heath's (1822 - 1851; fl.) satirical series 'Arithmetic'.
BM Satires: undescribed.
[Ref: 67497] £480.00
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Nos succés sont certains. (Success is Certain)
Peint par Teichel. Lith par Bettannier Frères.
Imp Lemericer r. de Seine 57, Paris. Paris, chez Bulla Frères et Jouy Editeurs. Berlin, Emile Seitz, 196 Friedrichstrasse. London, E. Gambart & C.o. 25 Berners S.t. Oxf. S.t. New- York, Emiles Seitz.
Hand-coloured lithograph with large margins. Sheet: 350 x 450mm (12¾ x 17¾"). Some very slight foxing. Some small tears in edges.
Interior scene in which two women get ready to leave the house; one woman checks her reflection in a dressing mirror while the other ties her boot, her foot resting on a stool.
[Ref: 35125] £260.00 (£312.00 incl.VAT)
Peint par Teichel. Lith par Bettannier Frères.
Imp Lemericer r. de Seine 57, Paris. Paris, chez Bulla Frères et Jouy Editeurs. Berlin, Emile Seitz, 196 Friedrichstrasse. London, E. Gambart & C.o. 25 Berners S.t. Oxf. S.t. New- York, Emiles Seitz.
Hand-coloured lithograph with large margins. Sheet: 350 x 450mm (12¾ x 17¾"). Some very slight foxing. Some small tears in edges.
Interior scene in which two women get ready to leave the house; one woman checks her reflection in a dressing mirror while the other ties her boot, her foot resting on a stool.
[Ref: 35125] £260.00 (£312.00 incl.VAT)
Voyage au Soudan Oriental. Femmes de Lony (Haut Sennar). retenues captives sur les barques de l'Expédition Egyptienne.
Tremaux del. Laurens et E. David lith.
Imp Lemercier r. de Seine 57 Paris. [n.d., c.1860.]
Hand-coloured lithograph, rare. Sheet: 310 x 425mm (12 x 16¾'') very large margins. Foxing & mount staining.
A wonderful atmospheric scene showing Pierre Tremaux on a riverboat on the Nile observing a group of four African women. From 'Voyages au Soudan oriental et dans l'Afrique septentrionale'.
[Ref: 48048] £340.00
Tremaux del. Laurens et E. David lith.
Imp Lemercier r. de Seine 57 Paris. [n.d., c.1860.]
Hand-coloured lithograph, rare. Sheet: 310 x 425mm (12 x 16¾'') very large margins. Foxing & mount staining.
A wonderful atmospheric scene showing Pierre Tremaux on a riverboat on the Nile observing a group of four African women. From 'Voyages au Soudan oriental et dans l'Afrique septentrionale'.
[Ref: 48048] £340.00
Il Papagallo. Primo Giornale Colorato, Umoristico, Italiano. [Centre-fold satire:] - Inglesi che Sudano. Yes, lo pregherei inj via di gentilezza, per ordine dei magnati di Londra, lo sgombero assoluto di lor signori insorti, facendo notare che per salvare l'onore delle arme inglesi, del Sudan non puossi fare un Alessandria, seconda edizione. Anglais que Suent. - Yes, je prierai votre politesse, pour ordre des maitres de Londres, de evacuer totalement, messieurs les inserges en faisant observer que pour sauver l'honneur des armes Anglaises, du Sudan nous ne pouvons point faire une Alexandrie: deuxieme edition.
Anno XII. Bologna - (Italia) Giovedi 24 Gennaio 1884. No. 4.
Chromolithograph centre fold with letterpress text on verso, very scarce, folded satrical broadside. 419 x 310mm. 16½ x 12¼".
A satire on the British campaign in the Sudan from 'Il Papagallo' (1873-1915). Il Papagallo was founded in 1873 by Augusto Grossi, the lithographer and caricaturist, and ex-chief designer for "La Rana", another satrical newspaper from Bologna.
[Ref: 22839] £180.00 (£216.00 incl.VAT)
Anno XII. Bologna - (Italia) Giovedi 24 Gennaio 1884. No. 4.
Chromolithograph centre fold with letterpress text on verso, very scarce, folded satrical broadside. 419 x 310mm. 16½ x 12¼".
A satire on the British campaign in the Sudan from 'Il Papagallo' (1873-1915). Il Papagallo was founded in 1873 by Augusto Grossi, the lithographer and caricaturist, and ex-chief designer for "La Rana", another satrical newspaper from Bologna.
[Ref: 22839] £180.00 (£216.00 incl.VAT)
Sudbrook Park, Petersham, Surrey. Messrs Brooks & Co have instruction to sell the Freehold and Copyhold Estate comprising a noble Mansion called Sudbrook House [...]
Drawn from Nature by G. Eyre Brooks Surveyor, 28 Old Bond Str.t. on Stone by L. Haghe. W. Day lithog. 17 Gate Str.t London.
[n.d., c.1844.]
Scarce lithograph. Sheet 280 x 390mm (11 x 15¼"). Repaired tear.
Sudbrook House, built by James Gibbs for John Campbell, 2nd Duke of Argyll, completed 1728. His heirs sold the estate in 1819 to Sir Robert Wilmot-Horton, 3rd Baronet, who died there in 1842. This print was drawn for the 1844 sale, when Dr James Ellis bough the estate to establish a hydropathy clinic. In 1853 Crown Estate repurchased the freehold, leasing the estate to The Richmond Golf Club from 1891, but in 2016 club bought the freehold.
[Ref: 58067] £280.00 (£336.00 incl.VAT)
Drawn from Nature by G. Eyre Brooks Surveyor, 28 Old Bond Str.t. on Stone by L. Haghe. W. Day lithog. 17 Gate Str.t London.
[n.d., c.1844.]
Scarce lithograph. Sheet 280 x 390mm (11 x 15¼"). Repaired tear.
Sudbrook House, built by James Gibbs for John Campbell, 2nd Duke of Argyll, completed 1728. His heirs sold the estate in 1819 to Sir Robert Wilmot-Horton, 3rd Baronet, who died there in 1842. This print was drawn for the 1844 sale, when Dr James Ellis bough the estate to establish a hydropathy clinic. In 1853 Crown Estate repurchased the freehold, leasing the estate to The Richmond Golf Club from 1891, but in 2016 club bought the freehold.
[Ref: 58067] £280.00 (£336.00 incl.VAT)
We're All in the Suds.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. / Publish'd as the Act directs 4 June 1800. 381
Mezzotint with hand-colouring and large margins, platemark 155 x 115mm (6 x 4½"). Two horizontal creases to top of image; holes from silverfish at top.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814), who after the death of John Collet in 1780 became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; CLB ii/ii.
[Ref: 32363] £130.00 (£156.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. / Publish'd as the Act directs 4 June 1800. 381
Mezzotint with hand-colouring and large margins, platemark 155 x 115mm (6 x 4½"). Two horizontal creases to top of image; holes from silverfish at top.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814), who after the death of John Collet in 1780 became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; CLB ii/ii.
[Ref: 32363] £130.00 (£156.00 incl.VAT)
We're All in the Suds.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. / [Publish'd as the Act directs 4 June 1800]
Mezzotint, sheet 150 x 120mm (6 x 4¾"). Trimmed inside platemark at bottom, losing publication line; border coloured yellow.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; CLB ii/ii.
[Ref: 32364] £120.00 (£144.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver / No. 69 St Pauls Church Yard, London. / [Publish'd as the Act directs 4 June 1800]
Mezzotint, sheet 150 x 120mm (6 x 4¾"). Trimmed inside platemark at bottom, losing publication line; border coloured yellow.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd; CLB ii/ii.
[Ref: 32364] £120.00 (£144.00 incl.VAT)
We're All in the Suds.
[after Robert Dighton]
Printed for & Sold by Bowles & Carver. No. 69 St Pauls Church Yard, London. [Publish'd as the Act directs 4 June 1800]
Mezzotint. Sheet: 145 x 110mm (5¾ x 4¼''). Trimmed inside platemark, laid on album sheet.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
[Ref: 50399] £130.00 (£156.00 incl.VAT)
[after Robert Dighton]
Printed for & Sold by Bowles & Carver. No. 69 St Pauls Church Yard, London. [Publish'd as the Act directs 4 June 1800]
Mezzotint. Sheet: 145 x 110mm (5¾ x 4¼''). Trimmed inside platemark, laid on album sheet.
Man holding his shaving dish in his left hand and the 'Gazette Extraordinary' in his right. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
[Ref: 50399] £130.00 (£156.00 incl.VAT)
Suez.
E. Hildebrandt.
[Berlin, c.1870.]
Chromolithograph, verso in pencil No. 14. Image 360 x 270mm (14 x 10½"), mounted on card as issued. Edges of backboard slightly soiled.
A back street of Suez with an Arab astride a donkey, after a watercolour by Eduard Hildebrandt (1819-1869). He travelled in the Americas in the 1840s and through Egypt to the Far East in the 1860s. This is one of a collection of chromolithographs from his watercolours, published as 'die Reise um die Erde'. The chromolithograph is trimmed to the image as normal and mounted on card, in imitation of the presentation of a watercolour.
[Ref: 31433] £220.00 (£264.00 incl.VAT)
E. Hildebrandt.
[Berlin, c.1870.]
Chromolithograph, verso in pencil No. 14. Image 360 x 270mm (14 x 10½"), mounted on card as issued. Edges of backboard slightly soiled.
A back street of Suez with an Arab astride a donkey, after a watercolour by Eduard Hildebrandt (1819-1869). He travelled in the Americas in the 1840s and through Egypt to the Far East in the 1860s. This is one of a collection of chromolithographs from his watercolours, published as 'die Reise um die Erde'. The chromolithograph is trimmed to the image as normal and mounted on card, in imitation of the presentation of a watercolour.
[Ref: 31433] £220.00 (£264.00 incl.VAT)
View of Suez. Taken from the North East.
Drawn on Stone by W.Walton from a sketch by Capt.n Head. Printed by C.Hullmandel.
London, Published by Smith, Elder & Co., Cornhill. [n.d., 1833.]
Lithograph. Sheet 367 x 526mm. 14½ x 20¾".
From 'Eastern & Egyptian Scenery, Ruins, &c. Accompanied with Descriptive Notes, Maps, and Plans, Illustrative of a Journey from India to Europe... Intended to shew the Advantage And Practicability of Steam Navigation from England to India'. The text advocates the British securing the Red Sea route to India in the face of Russian southward expansion.
RARE. Not in Abbey Travel.
[Ref: 21408] £180.00 (£216.00 incl.VAT)
Drawn on Stone by W.Walton from a sketch by Capt.n Head. Printed by C.Hullmandel.
London, Published by Smith, Elder & Co., Cornhill. [n.d., 1833.]
Lithograph. Sheet 367 x 526mm. 14½ x 20¾".
From 'Eastern & Egyptian Scenery, Ruins, &c. Accompanied with Descriptive Notes, Maps, and Plans, Illustrative of a Journey from India to Europe... Intended to shew the Advantage And Practicability of Steam Navigation from England to India'. The text advocates the British securing the Red Sea route to India in the face of Russian southward expansion.
RARE. Not in Abbey Travel.
[Ref: 21408] £180.00 (£216.00 incl.VAT)
Suffolk. Railways. 27.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56922] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56922] £40.00
Highlands. East Bergholt Suffolk.
1851.
Watercolour in sepia tones. Sheet size: 300 x 410mm (12 x 16"). Glued to backing sheet in corners.
A fine watercolour showing Highlands House, in the village of East Bergholt in the Babergh District of Suffolk, England, just north of the Essex border. The house is sitiuated within large grounds, in which two archery targets can be seen on either side. East Bergholt is the birthplace of painter John Constable (1776 - 1837). The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37757] £220.00 (£264.00 incl.VAT)
1851.
Watercolour in sepia tones. Sheet size: 300 x 410mm (12 x 16"). Glued to backing sheet in corners.
A fine watercolour showing Highlands House, in the village of East Bergholt in the Babergh District of Suffolk, England, just north of the Essex border. The house is sitiuated within large grounds, in which two archery targets can be seen on either side. East Bergholt is the birthplace of painter John Constable (1776 - 1837). The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37757] £220.00 (£264.00 incl.VAT)
View of Manningtree from Highlands.
1851.
Watercolour in sepia tones. Sheet size: 270 x 350mm (10½ x 13¾"). Glued to backing sheet in corners.
A fine watercolour view of Manningtree, Essex, England from Highlands House, in the village of East Bergholt in Suffolk, just north of the Essex border. Bridges crossing the river Stour can be seen in the centre, with two large windmills in the distance. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37759] £180.00 (£216.00 incl.VAT)
1851.
Watercolour in sepia tones. Sheet size: 270 x 350mm (10½ x 13¾"). Glued to backing sheet in corners.
A fine watercolour view of Manningtree, Essex, England from Highlands House, in the village of East Bergholt in Suffolk, just north of the Essex border. Bridges crossing the river Stour can be seen in the centre, with two large windmills in the distance. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37759] £180.00 (£216.00 incl.VAT)
The Suffolk Punch. Satllion, rising 7,_the property of M.r. Denny, Egmoor, Norfolk. Professor Low's Illustrations of the Breeds of the Domestic Animals.
Drawn by M.r. Nicholson, R.S.A. from a Painting by M.r. Shiels, R.S.A. Drawn on Stone & Printed by Fairland, 45 S.t. Johns Sq.
Published August, 1841 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Coloured lithograph. Sheet: 415 x 330mm (16½ x 13"). Small tears in edges.
A portrait of the chesnut Suffolk Punch breed, a domestic daught horse used in farming or for pulling artillery. From Professor David Low's (1786-1859) 'The Breeds of the Domesticated Animals of the British Islands' (1842), which contained fifty-six lithographs after paintings by William Shiels (1783-1857). Low, professor of agriculture at Edinburgh university and the founder of an agricultural museum, commissioned Shiels to paint 100 scientifically accurate illustrations of domestic livestock for his collection. A selection of these paintings, many of which depict breeds now extinct, were selected by Low to illustrate his ideas on breeding and preservation of indigenous species.
[Ref: 37507] £320.00
Drawn by M.r. Nicholson, R.S.A. from a Painting by M.r. Shiels, R.S.A. Drawn on Stone & Printed by Fairland, 45 S.t. Johns Sq.
Published August, 1841 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Coloured lithograph. Sheet: 415 x 330mm (16½ x 13"). Small tears in edges.
A portrait of the chesnut Suffolk Punch breed, a domestic daught horse used in farming or for pulling artillery. From Professor David Low's (1786-1859) 'The Breeds of the Domesticated Animals of the British Islands' (1842), which contained fifty-six lithographs after paintings by William Shiels (1783-1857). Low, professor of agriculture at Edinburgh university and the founder of an agricultural museum, commissioned Shiels to paint 100 scientifically accurate illustrations of domestic livestock for his collection. A selection of these paintings, many of which depict breeds now extinct, were selected by Low to illustrate his ideas on breeding and preservation of indigenous species.
[Ref: 37507] £320.00
The Rocks of Suffrage Period.
SF [monogram]
[Saint Louis: Soule, Thomas & Winsor, 1872..]
Wood engraving. Image 160 x 150mm (6¼ x 5¾"). Paper brittle, edges cracked.
A woman returns home, where her husband sits, rocking a cradle while two children fight in the background and a bearded child bangs a drum. From 'Pen and Ink Sketches of Yale Notables' by ''Squills'' (Charles Holmes Goodman, 1844- 1927). The couple (and the bearded child) would obviously have been recognisable to their contemporaries.
[Ref: 51906] £75.00 (£90.00 incl.VAT)
SF [monogram]
[Saint Louis: Soule, Thomas & Winsor, 1872..]
Wood engraving. Image 160 x 150mm (6¼ x 5¾"). Paper brittle, edges cracked.
A woman returns home, where her husband sits, rocking a cradle while two children fight in the background and a bearded child bangs a drum. From 'Pen and Ink Sketches of Yale Notables' by ''Squills'' (Charles Holmes Goodman, 1844- 1927). The couple (and the bearded child) would obviously have been recognisable to their contemporaries.
[Ref: 51906] £75.00 (£90.00 incl.VAT)
Moulin a Sucre. A. Chassis avec les Tambours. B. Poteaux. C. Sabliere. D. Les Forces. E. L'Entrait. F. Les Chevrons. G. les Coyaux. H. L'Enrayeure. I. Le Poincon. M. La Damoiselle. N. Bras de Moulin. O. Chevaux que tirent le Moulin.
Tom. XV. No.VI.
[n.d. c.1770.]
Engraving. Plate 210 x 172mm. 8¼ x 6¾".
A sugar mill. Cattle, horses, wind, water and steam were used to power the sugar mills used on the slave plantations in the Caribbean and America.
[Ref: 23272] £75.00 (£90.00 incl.VAT)
Tom. XV. No.VI.
[n.d. c.1770.]
Engraving. Plate 210 x 172mm. 8¼ x 6¾".
A sugar mill. Cattle, horses, wind, water and steam were used to power the sugar mills used on the slave plantations in the Caribbean and America.
[Ref: 23272] £75.00 (£90.00 incl.VAT)
Thomas Sugden.
J. Parry delt. A: Van Assen Sculpt.
London Published Decr.28.1804, by J. Parry, No.5, Bentinck Street, Soho.
Hand coloured etching with text. Watermarked: John Wise 1804. Plate 172 x 114mm. 6¾ x 4½". Spotting and some offset..
Thomas Sugden, a misforunate man from Yorkshire who lost his sight during a storm aboard a merchant ship called the Gregson. He was known in London for walking around the streets with two, maybe three, tame pidgeons on his shoulders, with a staff, a dog his hat upturned for any spare change.
[Ref: 16242] £140.00 (£168.00 incl.VAT)
J. Parry delt. A: Van Assen Sculpt.
London Published Decr.28.1804, by J. Parry, No.5, Bentinck Street, Soho.
Hand coloured etching with text. Watermarked: John Wise 1804. Plate 172 x 114mm. 6¾ x 4½". Spotting and some offset..
Thomas Sugden, a misforunate man from Yorkshire who lost his sight during a storm aboard a merchant ship called the Gregson. He was known in London for walking around the streets with two, maybe three, tame pidgeons on his shoulders, with a staff, a dog his hat upturned for any spare change.
[Ref: 16242] £140.00 (£168.00 incl.VAT)
![[Suger]](jpegs/39873.jpg)
[Suger] Seugerius Abas Sandionysiacus [...]
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark, each 470 x 350mm (18½ x 13¾"), with very large margins. Tear to letterpress sheet. Small worm hole; foxing.
Suger (c.1081-1151), abbot, statesman, historian and patron of Gothic architecture, engraved from a portrait in the Musée des Beaux-Arts, Nantes. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne.
[Ref: 39873] £180.00 (£216.00 incl.VAT)
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark, each 470 x 350mm (18½ x 13¾"), with very large margins. Tear to letterpress sheet. Small worm hole; foxing.
Suger (c.1081-1151), abbot, statesman, historian and patron of Gothic architecture, engraved from a portrait in the Musée des Beaux-Arts, Nantes. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne.
[Ref: 39873] £180.00 (£216.00 incl.VAT)
A Suit of Law fits me better than A Suit of Cloaths. I'll Go to Law.
Haydon sculp.t.
Pub.d April 6. 1790, by S.W. Fores N3 Piccadilly.
Stipple. Plate: 215 x 150mm (8½ x 6''). Repaired tear in left edge. Small margins.
A portrait of a well-dressed young man, behind is a country house with sportmen with hounds. A 1790 version of a similar print published in 1749 (BM Satire 3047).
BM Satire 7799.
[Ref: 50763] £180.00 (£216.00 incl.VAT)
Haydon sculp.t.
Pub.d April 6. 1790, by S.W. Fores N3 Piccadilly.
Stipple. Plate: 215 x 150mm (8½ x 6''). Repaired tear in left edge. Small margins.
A portrait of a well-dressed young man, behind is a country house with sportmen with hounds. A 1790 version of a similar print published in 1749 (BM Satire 3047).
BM Satire 7799.
[Ref: 50763] £180.00 (£216.00 incl.VAT)
![[Paysage.]](jpegs/30392.jpg)
[Paysage.] 6.
Houel del. Demarteau sculp.
[n.d. c.1760.]
Etching in red ink with very large margins. Plate 126 x 172mm (5 x 6¾").
A landscape with a river crossed by a stone and wooden bridge; cathedral in the background. From "Suite de paysages par houel".
[Ref: 30392] £80.00 (£96.00 incl.VAT)
Houel del. Demarteau sculp.
[n.d. c.1760.]
Etching in red ink with very large margins. Plate 126 x 172mm (5 x 6¾").
A landscape with a river crossed by a stone and wooden bridge; cathedral in the background. From "Suite de paysages par houel".
[Ref: 30392] £80.00 (£96.00 incl.VAT)
![[Paysage.]](jpegs/30393.jpg)
[Paysage.] 2.
[Houel del. Demarteau Jeune sculp.]
[n.d. c.1760.]
Etching in red ink with very large margins. Plate 120 x 172mm (4¾ x 6¾").
A landscape outsdide a stable, a cow comes out the stone building with another cow eating from a trough into which a man pours feed.4 From "Suite de paysages par houel".
[Ref: 30393] £110.00 (£132.00 incl.VAT)
[Houel del. Demarteau Jeune sculp.]
[n.d. c.1760.]
Etching in red ink with very large margins. Plate 120 x 172mm (4¾ x 6¾").
A landscape outsdide a stable, a cow comes out the stone building with another cow eating from a trough into which a man pours feed.4 From "Suite de paysages par houel".
[Ref: 30393] £110.00 (£132.00 incl.VAT)
Sukey. Thaw.
Published Jan.y 10. 1825 by S. W. Fores Piccadilly London.
Hand coloured etching. 170 x 145mm (6¾ x 5¾"). Small loss and crease in bottom left corner. Trimmed.
A caricature of a woman with an umbrella, traipsing through a sodden street in the rain. She wears a purple dress and bonnet with a colourful green shawl.
[Ref: 57218] £130.00 (£156.00 incl.VAT)
Published Jan.y 10. 1825 by S. W. Fores Piccadilly London.
Hand coloured etching. 170 x 145mm (6¾ x 5¾"). Small loss and crease in bottom left corner. Trimmed.
A caricature of a woman with an umbrella, traipsing through a sodden street in the rain. She wears a purple dress and bonnet with a colourful green shawl.
[Ref: 57218] £130.00 (£156.00 incl.VAT)
Gezigt op den weg van Kema naar Tondano. Vue prise sur la route de Kema a Tondano. Celebes. PL.XXXVII.
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 210 x 299 (8¼ x 11¾"). Slight toning around edges.
A view along the route from Kema to Tondano in Sulawesi, Indonesia. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28466] £230.00 (£276.00 incl.VAT)
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 210 x 299 (8¼ x 11¾"). Slight toning around edges.
A view along the route from Kema to Tondano in Sulawesi, Indonesia. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28466] £230.00 (£276.00 incl.VAT)
Hangende Bamboezenbrug op den weg van Tondano naar Manado. Pont Suspendu de Bambou sur la route de Tondano à Manado. Celebes. PL.XL.
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 300 x 210 (11¾ x 8¼"). Slight toning around edges.
The suspended bridge along the route from Tondano to Manado in Sulawesi, Indonesia; travellers with their horses seen crossing. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28467] £230.00 (£276.00 incl.VAT)
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 300 x 210 (11¾ x 8¼"). Slight toning around edges.
The suspended bridge along the route from Tondano to Manado in Sulawesi, Indonesia; travellers with their horses seen crossing. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28467] £230.00 (£276.00 incl.VAT)
Vue du Fort Hollandais. a Manado (Moluques.)
de Sainson pinxt. Alexis Noel Lith.
J. Tastu Editeur. Lith. de Bichebois aine, rue de la bibliotheque, 4. [Paris, 1833.]
Lithograph, sheet 340 x 500mm, 13½ x 19¾".
Ships, including a rowing boat of Europeans under the Dutch flag, in Manado Bay in the Dutch East Indies. The Dutch East India Company built a fortress in Manado in 1658, seen in the background. Manado is now the capital of the North Sulawesi province of Indonesia. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. Numbered 'PL.206' upper right.
[Ref: 13564] £280.00 (£336.00 incl.VAT)
de Sainson pinxt. Alexis Noel Lith.
J. Tastu Editeur. Lith. de Bichebois aine, rue de la bibliotheque, 4. [Paris, 1833.]
Lithograph, sheet 340 x 500mm, 13½ x 19¾".
Ships, including a rowing boat of Europeans under the Dutch flag, in Manado Bay in the Dutch East Indies. The Dutch East India Company built a fortress in Manado in 1658, seen in the background. Manado is now the capital of the North Sulawesi province of Indonesia. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. Numbered 'PL.206' upper right.
[Ref: 13564] £280.00 (£336.00 incl.VAT)
Baie de Manado, vue du sommet du mont Impung. (Celebes)
de Sainson pinxt. Ed. Hostein Lith.
J. Tastu, Editeur. Lith. de Lemercier. [Paris, 1833.]
Lithograph, sheet 340 x 500mm, 13½ x 19¾".
Europeans on horseback in the mountains surrounding Manado Bay in the Dutch East Indies. Manado is now the capital of the North Sulawesi province of Indonesia. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. Numbered 'Pl.215' upper right.
[Ref: 13565] £280.00 (£336.00 incl.VAT)
de Sainson pinxt. Ed. Hostein Lith.
J. Tastu, Editeur. Lith. de Lemercier. [Paris, 1833.]
Lithograph, sheet 340 x 500mm, 13½ x 19¾".
Europeans on horseback in the mountains surrounding Manado Bay in the Dutch East Indies. Manado is now the capital of the North Sulawesi province of Indonesia. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. Numbered 'Pl.215' upper right.
[Ref: 13565] £280.00 (£336.00 incl.VAT)
Vue du Fort Hollandais. à Manado (Moluques.)
de Sainson pinxt. Alexis Noel Lith.
J. Tastu Editeur. Lith. de Bichebois ainé, rue de la bibliotheque, 4. [Paris, 1833.]
Coloured lithograph. Printed area 260 x 360mm, 10¼ x 14". Narrow margin at top.
Ships, including a rowing boat of Europeans under the Dutch flag, in Manado Bay, on the north tip of Sulawesi in the Dutch East Indies. The fortress on the right was built by the VOC in 1658. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 24852] £320.00
de Sainson pinxt. Alexis Noel Lith.
J. Tastu Editeur. Lith. de Bichebois ainé, rue de la bibliotheque, 4. [Paris, 1833.]
Coloured lithograph. Printed area 260 x 360mm, 10¼ x 14". Narrow margin at top.
Ships, including a rowing boat of Europeans under the Dutch flag, in Manado Bay, on the north tip of Sulawesi in the Dutch East Indies. The fortress on the right was built by the VOC in 1658. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 24852] £320.00
Soliman Musta-Féraga Envoyé en France Vers le Roy tres Chrestien, en L'année 1669, de la Part de Mehrmet Ive du Nom Empereur des Turcs.
[Engaraved by Nicolas De Larmessin?]
A Paris Chez P. Bertrand Rüe St Jacques à la Pome dOr Pres St Severin, Avec Privil du Roy.
Engraving with small margins. Sheet 235 x 170mm (9¼ x 6¾"). Mounted on album sheet at top.
Suleiman Aga (or Müteferrika Süleyman Aga), Ottoman ambassador to Louis XIV in 1669. Visiting Versailles, he refused to bow to Louis, who banned him the Palace. He is credited with making coffee fashionable in Paris.
[Ref: 29880] £160.00 (£192.00 incl.VAT)
[Engaraved by Nicolas De Larmessin?]
A Paris Chez P. Bertrand Rüe St Jacques à la Pome dOr Pres St Severin, Avec Privil du Roy.
Engraving with small margins. Sheet 235 x 170mm (9¼ x 6¾"). Mounted on album sheet at top.
Suleiman Aga (or Müteferrika Süleyman Aga), Ottoman ambassador to Louis XIV in 1669. Visiting Versailles, he refused to bow to Louis, who banned him the Palace. He is credited with making coffee fashionable in Paris.
[Ref: 29880] £160.00 (£192.00 incl.VAT)
Suleiman Effendi. Legatus Ottomanicus Viennam missus 1774.
[n.d., c.1780.]
Engraving with small margins. 205 x 130mm (8¼ x 5¼").
The Ottoman ambassador to Vienna, 1774. The portrait seems to have been adapted from that of Ahmed Resmî Efendi (d.1783), who had been ambassador to Vienna, Berlin & Russia.
[Ref: 29884] £140.00 (£168.00 incl.VAT)
[n.d., c.1780.]
Engraving with small margins. 205 x 130mm (8¼ x 5¼").
The Ottoman ambassador to Vienna, 1774. The portrait seems to have been adapted from that of Ahmed Resmî Efendi (d.1783), who had been ambassador to Vienna, Berlin & Russia.
[Ref: 29884] £140.00 (£168.00 incl.VAT)
Sir Arthur S. Sullivan "Pen and Pencil"
From a Photo. by Elliott & Fry. Machure, MacDonald & Co., lith. Glasgow.
[n.d., c.1898.]
Tinted lithograph. Sheet 350 x 245mm (13¾ x 9¾"). Small tear in margin, small ink mark.
A portrait of the composer Sir Arthur Seymour Sullivan (1842-1900), best known for his collaborations with Sir William Gilbert, from a magazine.
[Ref: 44363] £85.00 (£102.00 incl.VAT)
From a Photo. by Elliott & Fry. Machure, MacDonald & Co., lith. Glasgow.
[n.d., c.1898.]
Tinted lithograph. Sheet 350 x 245mm (13¾ x 9¾"). Small tear in margin, small ink mark.
A portrait of the composer Sir Arthur Seymour Sullivan (1842-1900), best known for his collaborations with Sir William Gilbert, from a magazine.
[Ref: 44363] £85.00 (£102.00 incl.VAT)
Lieut.t Col.l Sir Henry Sullivan, Bar.t M.P. Coldstream Guards; Killed in the sortie from Bayonne, 14 April 1814, in the 29th Year of his Age.
Drawn by H. Edridge. Engraved by W. Bond."
[n.d., c.1814.]
Fine aquatint and stipple. Sheet 505 x 355mm (19¾ x 14"). Trimmed within plate, into image at top.
Full length portrait of Sir Henry Sullivan (1785-1814), 2nd Baronet, in uniform, his shako resting on a cannon. Despite being a soldier serving in the Napoleonic Wars, he was elected MP for both Rye and Lincoln in 1812. He stood down for Rye, but remained MP for Lincoln until his death, unsuprisingly playing little part in Parliamentary business. He was killed in 1814, during a sortie by the French garrison of Bayonne Thouvenot against the besieging British Army, despite the unofficial news of Napoleon's abdication reaching both sides. His memorial plaque is in the Church of St Nicholas, Thames Ditton, Surrey.
[Ref: 66976] £260.00 (£312.00 incl.VAT)
Drawn by H. Edridge. Engraved by W. Bond."
[n.d., c.1814.]
Fine aquatint and stipple. Sheet 505 x 355mm (19¾ x 14"). Trimmed within plate, into image at top.
Full length portrait of Sir Henry Sullivan (1785-1814), 2nd Baronet, in uniform, his shako resting on a cannon. Despite being a soldier serving in the Napoleonic Wars, he was elected MP for both Rye and Lincoln in 1812. He stood down for Rye, but remained MP for Lincoln until his death, unsuprisingly playing little part in Parliamentary business. He was killed in 1814, during a sortie by the French garrison of Bayonne Thouvenot against the besieging British Army, despite the unofficial news of Napoleon's abdication reaching both sides. His memorial plaque is in the Church of St Nicholas, Thames Ditton, Surrey.
[Ref: 66976] £260.00 (£312.00 incl.VAT)
Sully. Les Traits de Plume de Cet Ouvrage. Cour êté rendus a main levée Par Bernard membre au Bureau Académique d'Ecritur de Paris. La gravure a êté dirigée par l'Auteur.
Bernard fecit. Petit sculp.
Chez l'auteur Rue neuve des Peres No.8. Et chez Mr. Le Maine Membre du.at Bureau Ruse St. Martin au Coin de cette de Venise No.220.
A very fine and rare engraving using many mixed methods. Plate 514 x 420mm. 20¼ x 16½". minor nicks and tears in outer edges of the paperbut effecting the plate mark on the left.
Maximilien de Béthune, Duke of Sully (1560-1641) was a French Minister and staunch Huguenot who acted as the right-hand man to Henry IV of France and assisted in the rule of France. He also greatly contributed to the rehabilitation of France after the Wars of Religion (1562-98), during which he enlisted in the Protestant Army and wrote a plan of a Christian Union of Protestant Europe.
[Ref: 19226] £360.00
Bernard fecit. Petit sculp.
Chez l'auteur Rue neuve des Peres No.8. Et chez Mr. Le Maine Membre du.at Bureau Ruse St. Martin au Coin de cette de Venise No.220.
A very fine and rare engraving using many mixed methods. Plate 514 x 420mm. 20¼ x 16½". minor nicks and tears in outer edges of the paperbut effecting the plate mark on the left.
Maximilien de Béthune, Duke of Sully (1560-1641) was a French Minister and staunch Huguenot who acted as the right-hand man to Henry IV of France and assisted in the rule of France. He also greatly contributed to the rehabilitation of France after the Wars of Religion (1562-98), during which he enlisted in the Protestant Army and wrote a plan of a Christian Union of Protestant Europe.
[Ref: 19226] £360.00
Thos. Sully. 'Your grateful friend Thos Sully'
Drawn and Etch'd by H.B. Hall, n.y. 1869.
Etching. 125 x 165mm.
British-born American painter of portraits and historical scenes [1783 - 1872]. Printed on india paper in New York.
[Ref: 2920] £130.00 (£156.00 incl.VAT)
Drawn and Etch'd by H.B. Hall, n.y. 1869.
Etching. 125 x 165mm.
British-born American painter of portraits and historical scenes [1783 - 1872]. Printed on india paper in New York.
[Ref: 2920] £130.00 (£156.00 incl.VAT)
![[Sultan Ahmed III dressed for Bayram.]](jpegs/47034.jpg)
[Sultan Ahmed III dressed for Bayram.] Le Grand Seigneur en habit de Ceremonie le jour du Beiram.
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47034] £320.00
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47034] £320.00
![[Sultan Ahmed III at the Seraglio with Kizlar Agha, head Eunach of the Imperial Harem.]](jpegs/47035.jpg)
[Sultan Ahmed III at the Seraglio with Kizlar Agha, head Eunach of the Imperial Harem.] Le Grand Seigneur dans le Serrail, avec le Kislar Agassi.
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47035] £320.00
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47035] £320.00
![[Plate 4:] Le Sultan de Lachine avec Esclave.](jpegs/23004.jpg)
[Plate 4:] Le Sultan de Lachine avec Esclave.
Mondon le fils Inv. A. Aveline sculp.
[Avec Privilege du Roy, 1736.]
Copper engraving, paper watermarked. 228 x 183mm. 9 x 7¼". Uncut, large margins. Some water staining to the corners, outside platemark
A sultan standing in a large Rococo-style ornament, with a female servant stood to his right waving feathers to cool him down in the heat. From "Cinquième Livre de Figures Et Ornemens Chinois, Dédié A ... Monseigneur Alexis Madelaine Rosalie Duc de Chatillon, Pair de France, Gouverneur de Monseigneur le Dauphin". From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the fifth set.
[Ref: 23004] £160.00 (£192.00 incl.VAT)
Mondon le fils Inv. A. Aveline sculp.
[Avec Privilege du Roy, 1736.]
Copper engraving, paper watermarked. 228 x 183mm. 9 x 7¼". Uncut, large margins. Some water staining to the corners, outside platemark
A sultan standing in a large Rococo-style ornament, with a female servant stood to his right waving feathers to cool him down in the heat. From "Cinquième Livre de Figures Et Ornemens Chinois, Dédié A ... Monseigneur Alexis Madelaine Rosalie Duc de Chatillon, Pair de France, Gouverneur de Monseigneur le Dauphin". From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the fifth set.
[Ref: 23004] £160.00 (£192.00 incl.VAT)
![[The Sultana.]](jpegs/47036.jpg)
[The Sultana.] La Sultana Asseki, ou Sultane Reine.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
The Sultana pointing to her perfumes. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47036] £320.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
The Sultana pointing to her perfumes. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47036] £320.00