A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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George Stubbs and the Wedgwood Connection.
Ruth Vincent-Kemp.
Printed and produced in Great Britain by Rushton and Turner., Hanley, Stoke-on-Trent, Staffordshire. First edition limited to 2000 copies.
Book: Octavo. pp.64. Colour illustrated wrapper. Illustrated throughout.
An account of the important episodes of both George Stubbs' and Josiah Wedgwoods' lives. The author Dr. Ruth Vincent-Kemp, also comments on other great figures of that period, mainly from the medical profession, such as Erasmus darwin and John Hunter.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28081] £45.00
Ruth Vincent-Kemp.
Printed and produced in Great Britain by Rushton and Turner., Hanley, Stoke-on-Trent, Staffordshire. First edition limited to 2000 copies.
Book: Octavo. pp.64. Colour illustrated wrapper. Illustrated throughout.
An account of the important episodes of both George Stubbs' and Josiah Wedgwoods' lives. The author Dr. Ruth Vincent-Kemp, also comments on other great figures of that period, mainly from the medical profession, such as Erasmus darwin and John Hunter.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28081] £45.00
George Stubbs.
Martin Myrone.
First published by order of the tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd. Millbank, London SW1P. 4RG.
Book: Octavo. Colour illustrated wrapper. Illustrated with 50 colour and 11 black and white images. pp.80.
In this highly original study, Martin Myrone presents a less familiar account of George Stubbs. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28082] £30.00 (£36.00 incl.VAT)
Martin Myrone.
First published by order of the tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd. Millbank, London SW1P. 4RG.
Book: Octavo. Colour illustrated wrapper. Illustrated with 50 colour and 11 black and white images. pp.80.
In this highly original study, Martin Myrone presents a less familiar account of George Stubbs. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28082] £30.00 (£36.00 incl.VAT)
George Stubbs. Walker Art Gallery.
Published for the Libraries, Museums and Arts Committee of the Corporation of Liverpool. 1951.
Book: Octavo. pp.26. Illustrated wrapper. Containing 8 monochrome illustrations.
A catalogue for an exhibition held from 13th July to 25th August at the Walker Art Gallery, 1951.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28087] £45.00
Published for the Libraries, Museums and Arts Committee of the Corporation of Liverpool. 1951.
Book: Octavo. pp.26. Illustrated wrapper. Containing 8 monochrome illustrations.
A catalogue for an exhibition held from 13th July to 25th August at the Walker Art Gallery, 1951.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28087] £45.00
Stubbs & Wedgwood. Unique alliance between Artist and Potter.
Bruce Tattershall.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG.
Book: Quarto. Illustrated coloured wrapper. pp. 119. Extensively illustrated in both monochrome and colour throughout.
Published by order of the Trustees for the exhibition of 19th June - 18th August 1974, Stubbs & Wedgwood.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28110] £60.00
Bruce Tattershall.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG.
Book: Quarto. Illustrated coloured wrapper. pp. 119. Extensively illustrated in both monochrome and colour throughout.
Published by order of the Trustees for the exhibition of 19th June - 18th August 1974, Stubbs & Wedgwood.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28110] £60.00
The Prints of George Stubbs.
Basil Taylor.
Published in Great Britain by The Paul Melon Foundation for British Arts. 38, Bury Street, London, SW1.
Book. Oblong quarto. pp. 60. Illustrated wrappers. Extensively illustrated in monochrome throughout.
A book published by The Paul Mellon Foundation for British Art, including descriptions and analysis of the prints of George Stubbs.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28112] £45.00
Basil Taylor.
Published in Great Britain by The Paul Melon Foundation for British Arts. 38, Bury Street, London, SW1.
Book. Oblong quarto. pp. 60. Illustrated wrappers. Extensively illustrated in monochrome throughout.
A book published by The Paul Mellon Foundation for British Art, including descriptions and analysis of the prints of George Stubbs.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28112] £45.00
George Stubbs. 1724 - 1806. Science into Art.
Herbert W. Rott.
Published by Prestel Publishing Ltd. 4 Bloomsbury Place, London, WC1A 2QA.
Book: D/W. Quarto. pp. 240. Illustrated colour wrappers. Profusely illustrated in both colour and monochrome throughout.
Although George Stubbs is best known for his images of hounds and horses charging round the British countryside, the painter was also an avid student of the broader animal world. This volume features gorgeous colour reproductions of paintings that highlight the painter's genius for combining realism and lyricism. It includes numerous drawings and prints - among them the exceptional studies for his 'The Anatomy of the Horse' series. Informative essays discuss Stubbs' superb aesthetic sensibility, his far-reaching scientific studies, and his place in the pantheon of eighteenth-century European painters.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28113] £120.00
Herbert W. Rott.
Published by Prestel Publishing Ltd. 4 Bloomsbury Place, London, WC1A 2QA.
Book: D/W. Quarto. pp. 240. Illustrated colour wrappers. Profusely illustrated in both colour and monochrome throughout.
Although George Stubbs is best known for his images of hounds and horses charging round the British countryside, the painter was also an avid student of the broader animal world. This volume features gorgeous colour reproductions of paintings that highlight the painter's genius for combining realism and lyricism. It includes numerous drawings and prints - among them the exceptional studies for his 'The Anatomy of the Horse' series. Informative essays discuss Stubbs' superb aesthetic sensibility, his far-reaching scientific studies, and his place in the pantheon of eighteenth-century European painters.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28113] £120.00
The Art of George Stubbs.
Venetia Morrison.
Published in Great Britain in 1989 by Headline Book Publishing PLC.
Book: D/W. Quarto. pp. 191. Colour illustrated wrappers. Heavilly illustrated in both monochrome and colour throughout.
This book presents Stubbs' celebrated horse images and explores his fascination with anatomy and dissection, as well as his erratic relationship with the establishment.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28114] £60.00
Venetia Morrison.
Published in Great Britain in 1989 by Headline Book Publishing PLC.
Book: D/W. Quarto. pp. 191. Colour illustrated wrappers. Heavilly illustrated in both monochrome and colour throughout.
This book presents Stubbs' celebrated horse images and explores his fascination with anatomy and dissection, as well as his erratic relationship with the establishment.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28114] £60.00
George Stubbs. 1724 - 1806. Whitechapel Art Gallery. February - April, 1957.
Printed in England by the Chaseton Press of H. Williams and Son Ltd.
Book: Quarto. pp. 28. Illustrated wrappers. Containing 22 monochrome illustrations.
Catalogue of an exhibition of paintings, drawings and engravings held at the Whitechapel Art Gallery, London, from 27th February - 7th April, 1957.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28119] £40.00
Printed in England by the Chaseton Press of H. Williams and Son Ltd.
Book: Quarto. pp. 28. Illustrated wrappers. Containing 22 monochrome illustrations.
Catalogue of an exhibition of paintings, drawings and engravings held at the Whitechapel Art Gallery, London, from 27th February - 7th April, 1957.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28119] £40.00
George Stubbs. Rediscovered Anotomical Drawings from the free Public Library Worcester, Massachusetts.
Published by The Arts Council of Great Britain, 1958.
Book: Octavo. pp. 32. Illustrated wrappers. Containing four monochrome illustrations.
Includes an essay by Basil Taylor, a 63 item catalogue and four black and white illustrations.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28123] £45.00
Published by The Arts Council of Great Britain, 1958.
Book: Octavo. pp. 32. Illustrated wrappers. Containing four monochrome illustrations.
Includes an essay by Basil Taylor, a 63 item catalogue and four black and white illustrations.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28123] £45.00
Stubbs in the 1760s. November 3rd - December 5th. A Loan Exhibition of Paintings in aid of the Westminster Division of the British red Cross Society to celebrate their centenary in 1970.
Published by Thomas Agnew & Sons Ltd., 43 old Bond Street, W. 1.
Book: Oblong quarto. pp. 41. Colour illustrated wrappers. Including 17 monochrome illustrations.
A catalogue for the exhibition, 'Stubbs in the 1760s', including an introductory essay by Basil Taylor and 17 monochrome illustrations.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28124] £45.00
Published by Thomas Agnew & Sons Ltd., 43 old Bond Street, W. 1.
Book: Oblong quarto. pp. 41. Colour illustrated wrappers. Including 17 monochrome illustrations.
A catalogue for the exhibition, 'Stubbs in the 1760s', including an introductory essay by Basil Taylor and 17 monochrome illustrations.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28124] £45.00
Stubbs & the Horse.
Malcolm Warner.
Published by Yale University Press, New Haven. 2005.
Book: D/W. Quarto. pp.227. Colour illustrated wrappers. Extensively illustrated throughout with 110 colour images and 131 black and white.
The catalogue of an exhibition at the Kimbell Art Museum, Fort Worth, Nov. 14, 2004-Feb. 6, 2005; the Walters Art Museum, Baltimore, Mar. 13-May 29, 2005; and the National Gallery, London, June 29-Sept. 25, 2005. This book presents a wide range of Stubbs' imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. With an essay by Lance Mayer and Gay Myers.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28126] £60.00
Malcolm Warner.
Published by Yale University Press, New Haven. 2005.
Book: D/W. Quarto. pp.227. Colour illustrated wrappers. Extensively illustrated throughout with 110 colour images and 131 black and white.
The catalogue of an exhibition at the Kimbell Art Museum, Fort Worth, Nov. 14, 2004-Feb. 6, 2005; the Walters Art Museum, Baltimore, Mar. 13-May 29, 2005; and the National Gallery, London, June 29-Sept. 25, 2005. This book presents a wide range of Stubbs' imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. With an essay by Lance Mayer and Gay Myers.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28126] £60.00
George Stubbs: A Celebration.
First published 2006 by order of the Tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd, Millbank, London SW14 4RG.
Book: Quarto. pp. 15. Colour illustrated wrappers. Illustrated in colour throughout.
An exhibition catalogue published on the occasion of the exhibition, George Stubbs: A Celebration, at the Walker Art Galler, Liverpool: 7 April - 30 July 2006, Tate Britain, London: 21 August 2006 - 1st January 2007, The Frick Collection, New York: 21 February - 27 May 2007.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28986] £20.00
First published 2006 by order of the Tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd, Millbank, London SW14 4RG.
Book: Quarto. pp. 15. Colour illustrated wrappers. Illustrated in colour throughout.
An exhibition catalogue published on the occasion of the exhibition, George Stubbs: A Celebration, at the Walker Art Galler, Liverpool: 7 April - 30 July 2006, Tate Britain, London: 21 August 2006 - 1st January 2007, The Frick Collection, New York: 21 February - 27 May 2007.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28986] £20.00
G. Stubbs, Animalium Pictor.
P. Falconet del. 1769. D.P.Pariset Sculp.
Stipple. 178 x 127mm (7 x 5"). Cut.
George Stubbs (1724-1806), the British painter of portraits, animal pictures, heroic animal histories and poetical scenes of rural life. He is known primarily for his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' in 1766.
[Ref: 34761] £160.00 (£192.00 incl.VAT)
P. Falconet del. 1769. D.P.Pariset Sculp.
Stipple. 178 x 127mm (7 x 5"). Cut.
George Stubbs (1724-1806), the British painter of portraits, animal pictures, heroic animal histories and poetical scenes of rural life. He is known primarily for his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' in 1766.
[Ref: 34761] £160.00 (£192.00 incl.VAT)
Mr Stubbs the Horse Painter.
Constance-Anne Parker.
Published in 1971 by J. Allen & Co. Ltd. 1 Lower Grosvenor Place, London SW1.
4to, original cloth gilt; pp. 203, profusely illustrated. Slightly damaged binding.
A comprehensive study of the life and work of the English artist, George Stubbs. Including chapters entitled; Liverpool, Early Life. York and the Midwifery Book. Rome. The Anatomy of the Horse. London - Goodwood - Eaton Hall. The Society of Artists. The Somerset Street House. The Mares and Foals Series. The Lion and Horse Series. Wild Animals. Enamel Painting. The Royal Academy. The Turf Gallery. Exhibitions and Technique. History and Conversation Pieces. The Comparative Anatomy.
[Ref: 59934] £45.00
Constance-Anne Parker.
Published in 1971 by J. Allen & Co. Ltd. 1 Lower Grosvenor Place, London SW1.
4to, original cloth gilt; pp. 203, profusely illustrated. Slightly damaged binding.
A comprehensive study of the life and work of the English artist, George Stubbs. Including chapters entitled; Liverpool, Early Life. York and the Midwifery Book. Rome. The Anatomy of the Horse. London - Goodwood - Eaton Hall. The Society of Artists. The Somerset Street House. The Mares and Foals Series. The Lion and Horse Series. Wild Animals. Enamel Painting. The Royal Academy. The Turf Gallery. Exhibitions and Technique. History and Conversation Pieces. The Comparative Anatomy.
[Ref: 59934] £45.00
George Stubbs. The Complete Engraved Works.
Christopher Lennox-Boyd. Rob Dixon. Tim Clayton.
Stipple Publishing Limited 1989.
Book: 4to (321 x 237mm). Title stamped on spine in gilt. pp. xvii + 411. Profusely illustrated, some in colour. Dust jacket a little creased along edges, but otherwise in very fine condition.
A very comprehensive, concise and coherent illustrated complete one volume narrative of the life and the entire engraved works of George Stubbs.
[Ref: 10097] £160.00
Christopher Lennox-Boyd. Rob Dixon. Tim Clayton.
Stipple Publishing Limited 1989.
Book: 4to (321 x 237mm). Title stamped on spine in gilt. pp. xvii + 411. Profusely illustrated, some in colour. Dust jacket a little creased along edges, but otherwise in very fine condition.
A very comprehensive, concise and coherent illustrated complete one volume narrative of the life and the entire engraved works of George Stubbs.
[Ref: 10097] £160.00
George Stubbs. Atonomist and Animal Painter.
Judy Egerton.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG. 1976.
Book: Quarto. pp. 64. Illustrated wrappers. Containing monochrome illustrations. Damaged.
An exhibition catalogue published by the order of the Trustees to accompany the exhibition of 25th August - 3rd October 1976, 'George Stubbs; anatomist and animal painter', at the Tate Gallery.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 59751] £30.00
Judy Egerton.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG. 1976.
Book: Quarto. pp. 64. Illustrated wrappers. Containing monochrome illustrations. Damaged.
An exhibition catalogue published by the order of the Trustees to accompany the exhibition of 25th August - 3rd October 1976, 'George Stubbs; anatomist and animal painter', at the Tate Gallery.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 59751] £30.00
Stubbs. Portraits in Detail.
Judy Edgerton.
Published by Tate Gallery Publications, Millbank, London, SW1P 4RG.
Book: Oblong quarto. pp. 46. Illustrated colour wrappers. Heavily illustrated throughout with colour images.
Published by order of the Trustees for the exhibition, 18th October 1984 - 6th January 1985, Stubbs: Portraits in Detail. Selected and introduced by Judy Egerton.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28111] £30.00
Judy Edgerton.
Published by Tate Gallery Publications, Millbank, London, SW1P 4RG.
Book: Oblong quarto. pp. 46. Illustrated colour wrappers. Heavily illustrated throughout with colour images.
Published by order of the Trustees for the exhibition, 18th October 1984 - 6th January 1985, Stubbs: Portraits in Detail. Selected and introduced by Judy Egerton.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28111] £30.00
Fearful Symmetry. George Stubbs. Painter of the English Enlightenment.
Ncholas J. Hall.
Published by Hall & Knight Ltd. 2000.
Book: Quarto. pp.213. Colour illustrated wrappers. Profusely illustrated with both black and white and colour images throughout.
This catalogue accompanied an exhibition from January 21st - February 28th 2000 in New York; 21 East 67th Street, New York, NY, 10021. Includes essays by Nicholas H. J. Hall, Malcolm Cormack, Judy Egerton and Richard Godfrey.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28128] £45.00
Ncholas J. Hall.
Published by Hall & Knight Ltd. 2000.
Book: Quarto. pp.213. Colour illustrated wrappers. Profusely illustrated with both black and white and colour images throughout.
This catalogue accompanied an exhibition from January 21st - February 28th 2000 in New York; 21 East 67th Street, New York, NY, 10021. Includes essays by Nicholas H. J. Hall, Malcolm Cormack, Judy Egerton and Richard Godfrey.
Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28128] £45.00
Stuck in the Mud.
[London: J.L. Marks, c.1833.]
Hand coloured woodcut and letterpress, sheet 160 x 190mm. 6¼ x 7½". Trimmed to printed border and around title.
Social satire; a farmer enjoys a joke at the expense of a man from the city, who sinks into the mud clutching his umbrella. From the series 'Marks's New Caricaturist' by J Lewis Marks (1814 - 1848; fl.).
[Ref: 17339] £60.00 (£72.00 incl.VAT)
[London: J.L. Marks, c.1833.]
Hand coloured woodcut and letterpress, sheet 160 x 190mm. 6¼ x 7½". Trimmed to printed border and around title.
Social satire; a farmer enjoys a joke at the expense of a man from the city, who sinks into the mud clutching his umbrella. From the series 'Marks's New Caricaturist' by J Lewis Marks (1814 - 1848; fl.).
[Ref: 17339] £60.00 (£72.00 incl.VAT)
![[Broadside.] To be Sold by Auction, by Mr. Reform Burgess, This Day, Monday, Nov. 2nd 1840 in the Area of the Exchange, Liverpool, all the Valuable Stud of Horses.](jpegs/48375.jpg)
[Broadside.] To be Sold by Auction, by Mr. Reform Burgess, This Day, Monday, Nov. 2nd 1840 in the Area of the Exchange, Liverpool, all the Valuable Stud of Horses.
[1840.]
Broadside. Sheet: 455 x 285mm (18 x 11¼''). Creasing, staining and laid on album sheet.
An advert for a stud sale in Liverpool, a satire on the Irish Reform Bill of 1840.
[Ref: 48375] £160.00 (£192.00 incl.VAT)
[1840.]
Broadside. Sheet: 455 x 285mm (18 x 11¼''). Creasing, staining and laid on album sheet.
An advert for a stud sale in Liverpool, a satire on the Irish Reform Bill of 1840.
[Ref: 48375] £160.00 (£192.00 incl.VAT)
![[Studious Boy.]](jpegs/67469.jpg)
[Studious Boy.]
Painted by Sir Joshua Reynolds. Engrav'd by G.Keating.
London Publish'd Sep.r 30 1784, by G.Keating, N°4 Air Street Piccadilly & W.Dickenson N°158 New Bond Street.
Very rare and fine mezzotint, 18th century watrmark, ink Collector's Mark. Sheet 260 x 200mm (10¼ x 8"). Trimmed close to plate.
Portrait of a young boy studying, in his hands a quill and paper.
Hamilton Page 143 i of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd
[Ref: 67469] £260.00 (£312.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engrav'd by G.Keating.
London Publish'd Sep.r 30 1784, by G.Keating, N°4 Air Street Piccadilly & W.Dickenson N°158 New Bond Street.
Very rare and fine mezzotint, 18th century watrmark, ink Collector's Mark. Sheet 260 x 200mm (10¼ x 8"). Trimmed close to plate.
Portrait of a young boy studying, in his hands a quill and paper.
Hamilton Page 143 i of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd
[Ref: 67469] £260.00 (£312.00 incl.VAT)
The Student.
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd Dec.r 1: 1786 by W. Dickinson, Engraver, Bond Street.
Coloured mezzotint. 385 x 280mm (15¼ x 11"). Tears in top margin taped, staining in left edge.
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158, iii of iii. Chaloner Smith: 189, iii of iv. Frankau: 337, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 67954] £240.00 (£288.00 incl.VAT)
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd Dec.r 1: 1786 by W. Dickinson, Engraver, Bond Street.
Coloured mezzotint. 385 x 280mm (15¼ x 11"). Tears in top margin taped, staining in left edge.
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158, iii of iii. Chaloner Smith: 189, iii of iv. Frankau: 337, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 67954] £240.00 (£288.00 incl.VAT)
The Student.
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd June 14 1814 by A. Wivell, 57 Great Portland Street.
Mezzotint. 385 x 280mm (15¼ x 11"). Trimmed into plate at bottom, thread margins elsewhere
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158. Chaloner Smith: 189, between iii of iv. Frankau: 337, between iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state v of vi.
[Ref: 67953] £190.00 (£228.00 incl.VAT)
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd June 14 1814 by A. Wivell, 57 Great Portland Street.
Mezzotint. 385 x 280mm (15¼ x 11"). Trimmed into plate at bottom, thread margins elsewhere
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158. Chaloner Smith: 189, between iii of iv. Frankau: 337, between iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state v of vi.
[Ref: 67953] £190.00 (£228.00 incl.VAT)
The Student.
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd Dec.r 1: 1786 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 385 x 280mm (15¼ x 11"). Thread margins. Repaired small hole by back neck.
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158, iii of iii. Chaloner Smith: 189, iii of iv. Frankau: 337, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 67955] £320.00
Painted by S,,r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd Dec.r 1: 1786 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 385 x 280mm (15¼ x 11"). Thread margins. Repaired small hole by back neck.
A seated young man looks at his drawing of the classical sculpture on the table behind. A landscape is seen through the window beyond.
D'Oench: 107. Hamilton: 158, iii of iii. Chaloner Smith: 189, iii of iv. Frankau: 337, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 67955] £320.00
Lithography No. 1. of a Series of Studies for Nature Drawn on Stone, by T.C. Holfand. Dedicated by Permission, to the Right Honourable Countess Harcourt. To be Published Quaterly, Price 10s. 6d. Each Part Containing Six Studies.
Published, and Subscriptions Received, by Mr. Ackerman, 101 Strand:...
Set of 6 lithographs in wrappers. Rare. Limited to 300. 330 x 425mm (13 x 16¾"). Creasing, light staining and tears in edges.
A set of six lithographs titled 'The Breakind up of an Old Vessel, near Cumberland Gardens Lambeth', ' Fortescue House, Enfield, (recently pulled down) in which Queen Elizabeth was Confined by her Sister', 'A Cottage, near Kenfield, Kent', 'The Entrance into the Great Cavern, near Castleton, in the Peak of Derbyshire', 'Weathercove Cave, Yorkshire' and 'A Cottage near Epping, Essex'.
Not in Abbey.
[Ref: 42640] £360.00 view all images for this item
Published, and Subscriptions Received, by Mr. Ackerman, 101 Strand:...
Set of 6 lithographs in wrappers. Rare. Limited to 300. 330 x 425mm (13 x 16¾"). Creasing, light staining and tears in edges.
A set of six lithographs titled 'The Breakind up of an Old Vessel, near Cumberland Gardens Lambeth', ' Fortescue House, Enfield, (recently pulled down) in which Queen Elizabeth was Confined by her Sister', 'A Cottage, near Kenfield, Kent', 'The Entrance into the Great Cavern, near Castleton, in the Peak of Derbyshire', 'Weathercove Cave, Yorkshire' and 'A Cottage near Epping, Essex'.
Not in Abbey.
[Ref: 42640] £360.00 view all images for this item
![[Scraps from my sketchbook]](jpegs/61506.jpg)
[Scraps from my sketchbook]
C.D. Barraud. Del. G. M.c Cullock Lith.
C.F. Kell Lithographer, Castle S.t Holborn, London. E. C. [1877]
Tinted lithograph, sheet 550 x 425mm (22 x 16¾"), very large margins.
From plate 6 of Barraud's 'New Zealand graphic and descriptive', London, 1877. Showing 14 scenes from Maori life. Reading from top left: Te Raku [Maori man poling a laden canoe along a river]; Whata [Maori provision house on low poles]; Te Rangatira [Maori man o horseback]; Bird catcher; Maori whare [wharenui with carved entrance porch]; Fishmonger; Rubbing noses "Tena-koe" [a man and a woman, both carrying produce, hongi-ing]; Maori hack-race in full costume [horse race by a man wearing nothing but a long shirt and a woman in elaborate hat and European dress]; Maori woman going to a tangi; Going to market [a woman and a man with a child on his back leading a pig]; Travelling [a man in bowler hat and feather cloak leading a horse, accompanied by a dog]; One of the old Wellington Police force [head and shoulders portrait of a man with full moko and Police uniform]; Gathering pipis [women and children on a beach with flat kete digging up seafood]; Te Kiore [a seated man with kiwi feather cloak, moko, a pipe in his mouth, a blanket under the cloak].
[Ref: 61506] £260.00 (£312.00 incl.VAT)
C.D. Barraud. Del. G. M.c Cullock Lith.
C.F. Kell Lithographer, Castle S.t Holborn, London. E. C. [1877]
Tinted lithograph, sheet 550 x 425mm (22 x 16¾"), very large margins.
From plate 6 of Barraud's 'New Zealand graphic and descriptive', London, 1877. Showing 14 scenes from Maori life. Reading from top left: Te Raku [Maori man poling a laden canoe along a river]; Whata [Maori provision house on low poles]; Te Rangatira [Maori man o horseback]; Bird catcher; Maori whare [wharenui with carved entrance porch]; Fishmonger; Rubbing noses "Tena-koe" [a man and a woman, both carrying produce, hongi-ing]; Maori hack-race in full costume [horse race by a man wearing nothing but a long shirt and a woman in elaborate hat and European dress]; Maori woman going to a tangi; Going to market [a woman and a man with a child on his back leading a pig]; Travelling [a man in bowler hat and feather cloak leading a horse, accompanied by a dog]; One of the old Wellington Police force [head and shoulders portrait of a man with full moko and Police uniform]; Gathering pipis [women and children on a beach with flat kete digging up seafood]; Te Kiore [a seated man with kiwi feather cloak, moko, a pipe in his mouth, a blanket under the cloak].
[Ref: 61506] £260.00 (£312.00 incl.VAT)
The Studious Fair.
T. Goddard pinx. W. Nutter Sculp.
Publish'd Feb. 1788 by R. Cribb N.288 Holborn.
Stipple, printed in sepia. 120 x 90mm (4¾ x 3½"). Small margins.
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table.
[Ref: 63523] £120.00 (£144.00 incl.VAT)
T. Goddard pinx. W. Nutter Sculp.
Publish'd Feb. 1788 by R. Cribb N.288 Holborn.
Stipple, printed in sepia. 120 x 90mm (4¾ x 3½"). Small margins.
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table.
[Ref: 63523] £120.00 (£144.00 incl.VAT)
The Studious Fair.
T. Goddard pinx. W. Nutter Sculp.
Publish'd Feb. 1788 by R. Cribb N.288 Holborn.
Stipple. 120 x 90mm (4¾ x 3½"), with large margins.
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table. A pencil note in the margin suggests the sitter is 'Miss Bliss'.
[Ref: 63524] £120.00 (£144.00 incl.VAT)
T. Goddard pinx. W. Nutter Sculp.
Publish'd Feb. 1788 by R. Cribb N.288 Holborn.
Stipple. 120 x 90mm (4¾ x 3½"), with large margins.
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table. A pencil note in the margin suggests the sitter is 'Miss Bliss'.
[Ref: 63524] £120.00 (£144.00 incl.VAT)
The Studious Fair.
T. Goddard pinx. W. Nutter Sculp.
Published as the Act directs, 23 July 1787.
Stipple, printed in colours. 120 x 90mm (4¾ x 3½").
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table.
[Ref: 53934] £230.00 (£276.00 incl.VAT)
T. Goddard pinx. W. Nutter Sculp.
Published as the Act directs, 23 July 1787.
Stipple, printed in colours. 120 x 90mm (4¾ x 3½").
An oval portrait of a woman in a coiffured wig, resting her elbow on a book on a table.
[Ref: 53934] £230.00 (£276.00 incl.VAT)
The Studious Society.
G. Scalken Pinxit. W. Pether Fecit.
[London: William Pether, n.d., 1787.]
Mezzotint. 295 x 250mm (11½ x 9¾"). Surface rubbed.
Three children studying around a table by candlelight, long after their classmates have gone, as their teacher sharpens a quill. A woman approaches with a lantern to take them home. On the wall behind is a map of Europe. The whole scene is framed by an archway. After Godfried Schalcken (1643 - 1706), published as a pair to 'The Comic Society' after Dou. It was also published with a separate plate with descriptive text, with Pether's publication line dated October 1.st 1787).
Rare: not in BM.
[Ref: 11088] £360.00
G. Scalken Pinxit. W. Pether Fecit.
[London: William Pether, n.d., 1787.]
Mezzotint. 295 x 250mm (11½ x 9¾"). Surface rubbed.
Three children studying around a table by candlelight, long after their classmates have gone, as their teacher sharpens a quill. A woman approaches with a lantern to take them home. On the wall behind is a map of Europe. The whole scene is framed by an archway. After Godfried Schalcken (1643 - 1706), published as a pair to 'The Comic Society' after Dou. It was also published with a separate plate with descriptive text, with Pether's publication line dated October 1.st 1787).
Rare: not in BM.
[Ref: 11088] £360.00
Views of Studley.
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of eight (of 12?) steel engraved views on four leaves, 8vo, original printed card wrappers; embossed upper cover. Binding scuffed and rubbed; pencil doodles to inside covers.
Studley Park, near Ripon, North Yorkshire. No text save captions; all views numbered and dated.
[Ref: 18576] £110.00 view all images for this item
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of eight (of 12?) steel engraved views on four leaves, 8vo, original printed card wrappers; embossed upper cover. Binding scuffed and rubbed; pencil doodles to inside covers.
Studley Park, near Ripon, North Yorkshire. No text save captions; all views numbered and dated.
[Ref: 18576] £110.00 view all images for this item
Study.
R. Cosway Esq.r R.A. Del.t.
London publish'd Aug.t 12th 1785 by J.R. Smith, No. 83 - Oxford Street.
Rare stipple and soft ground etching, printed in black and red, sheet 235 x 130mm (9¼ x 5"), within separately printed border, as issued, sheet 350 x 250 (13¾ x 9¾). Pin holes in edges, some slight staining.
A woman reading (probably Maria Cosway, the artist's wife), a spaniel by her side. Her skin tones are printed in red.
[Ref: 57552] £160.00 (£192.00 incl.VAT)
R. Cosway Esq.r R.A. Del.t.
London publish'd Aug.t 12th 1785 by J.R. Smith, No. 83 - Oxford Street.
Rare stipple and soft ground etching, printed in black and red, sheet 235 x 130mm (9¼ x 5"), within separately printed border, as issued, sheet 350 x 250 (13¾ x 9¾). Pin holes in edges, some slight staining.
A woman reading (probably Maria Cosway, the artist's wife), a spaniel by her side. Her skin tones are printed in red.
[Ref: 57552] £160.00 (£192.00 incl.VAT)
![[Study.]](jpegs/47383.jpg)
[Study.]
G.B. Cipriani Ra.l Ac.n Del.t. Rob.t Sa.l Marcuard scul.t.
[n.d., c.1784.]
Stipple. Proof. Plate: 265 x 225mm (10½ x 9"), with large margins.
An allegorical scene showing the figure of study holding a trumpet and harp, she is flanked on either side by two cupids.
Provenance: Edge Hall Library, Cheshire
[Ref: 47383] £230.00 (£276.00 incl.VAT)
G.B. Cipriani Ra.l Ac.n Del.t. Rob.t Sa.l Marcuard scul.t.
[n.d., c.1784.]
Stipple. Proof. Plate: 265 x 225mm (10½ x 9"), with large margins.
An allegorical scene showing the figure of study holding a trumpet and harp, she is flanked on either side by two cupids.
Provenance: Edge Hall Library, Cheshire
[Ref: 47383] £230.00 (£276.00 incl.VAT)
A Study.
Joseph Middeleer.
Drawing, 165 x 140mm. 6½ x 5½".
Study of a face. Joseph Middeleer (1865-1934), Belgian artist.
[Ref: 9287] £120.00 (£144.00 incl.VAT)
Joseph Middeleer.
Drawing, 165 x 140mm. 6½ x 5½".
Study of a face. Joseph Middeleer (1865-1934), Belgian artist.
[Ref: 9287] £120.00 (£144.00 incl.VAT)
![[A Group of Figures Representing Study]](jpegs/43415.jpg)
[A Group of Figures Representing Study]
G.B. Cipriani invt. F. Bartolozzi sculpt.
London Pub.d as the Act directs F. Bartolozzi, 1788
Etching printed in sepia, platemark 240 x 295mm (9½ x 11½"), with very large margins.
A drawing lesson. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (it was published in 'A Set of Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788.
Calabi & De Vesme 692.iii.
[Ref: 43415] £180.00 (£216.00 incl.VAT)
G.B. Cipriani invt. F. Bartolozzi sculpt.
London Pub.d as the Act directs F. Bartolozzi, 1788
Etching printed in sepia, platemark 240 x 295mm (9½ x 11½"), with very large margins.
A drawing lesson. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (it was published in 'A Set of Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788.
Calabi & De Vesme 692.iii.
[Ref: 43415] £180.00 (£216.00 incl.VAT)
![[Study in Grey and Pink.]](jpegs/43878.jpg)
[Study in Grey and Pink.]
[Thomas Robert Way after James McNeill Whistler.]
[n.d., c.1903.]
Lithograph. Sheet: 220 x 170mm (8¾ x 6¾").
A portrait of a woman wearing a white and pink dress. A lithograph after Whistler's pastel 'Study in Grey and Pink', now in the Freer and Sackler Galleries in Washington DC. This lithograph was an illustration to 'The Art of James McNeill Whistler' published in 1903 by Thomas Robert Way. Way was an English artist and lithographer who encouraged Whistler to take up lithography, he later catalogued 130 of Whistler's lithographs.
[Ref: 43878] £160.00 (£192.00 incl.VAT)
[Thomas Robert Way after James McNeill Whistler.]
[n.d., c.1903.]
Lithograph. Sheet: 220 x 170mm (8¾ x 6¾").
A portrait of a woman wearing a white and pink dress. A lithograph after Whistler's pastel 'Study in Grey and Pink', now in the Freer and Sackler Galleries in Washington DC. This lithograph was an illustration to 'The Art of James McNeill Whistler' published in 1903 by Thomas Robert Way. Way was an English artist and lithographer who encouraged Whistler to take up lithography, he later catalogued 130 of Whistler's lithographs.
[Ref: 43878] £160.00 (£192.00 incl.VAT)
![[Frontispiece]](jpegs/31954.jpg)
[Frontispiece] Itinerarium Curiosum: Centuria Prima. / Or, An Account of the Antiquities and remarkable Curiosities in Nature or Art, observed in Travels through Great Britain. Illustrated with One hundred Folio Prints in Copper. By William Stukeley, MD. CML. & SRS [...]
MDCCXXV [1725]
Engraved title-page, sheet 325 x 185mm (12¾ x 7¼").
Title-page to William Stukeley's 'Itinerarium Curiosum', his second major work. Stukeley regularly attended meetings of the Royal Society and the Society of Antiquaries, where he presented papers and 'curious' objects resulting from his trips around Britain. It was such discoveries that were discussed in this book.
[Ref: 31954] £160.00 (£192.00 incl.VAT)
MDCCXXV [1725]
Engraved title-page, sheet 325 x 185mm (12¾ x 7¼").
Title-page to William Stukeley's 'Itinerarium Curiosum', his second major work. Stukeley regularly attended meetings of the Royal Society and the Society of Antiquaries, where he presented papers and 'curious' objects resulting from his trips around Britain. It was such discoveries that were discussed in this book.
[Ref: 31954] £160.00 (£192.00 incl.VAT)
William Stukeley. Isaac Whood drew this, may 10. 1727, at Grantham, when the Duke of Bedford breakfasted with me.
P.G. 1853.
Cowell's Anastatic Press, Ipswich.
Rare zincograph. Sheet 285 x 225mm (11¼ x 9"). Some slight spotting.
A bust portrait of antiquarian & cleric William Stukeley (1687-1765), with a wreath in his hair. He is most remembered for his pioneering scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire, identifying both the Stonehenge Avenue and Stonehenge Cursus.
[Ref: 59365] £130.00 (£156.00 incl.VAT)
P.G. 1853.
Cowell's Anastatic Press, Ipswich.
Rare zincograph. Sheet 285 x 225mm (11¼ x 9"). Some slight spotting.
A bust portrait of antiquarian & cleric William Stukeley (1687-1765), with a wreath in his hair. He is most remembered for his pioneering scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire, identifying both the Stonehenge Avenue and Stonehenge Cursus.
[Ref: 59365] £130.00 (£156.00 incl.VAT)
![[Valentine.]](jpegs/43810.jpg)
[Valentine.] Do run and play you stupid girl [/] Don't let me see those features, [/] You certainly by far excel, [/] All vain and shapeless creatures.
[n.d., c.1850.]
Hand-coloured wood engraving with embossed border. Sheet: 175 x 115mm (7 x 4½").
A cruel Victorian valentine criticising a young woman for her vanity.
[Ref: 43810] £40.00 (£48.00 incl.VAT)
[n.d., c.1850.]
Hand-coloured wood engraving with embossed border. Sheet: 175 x 115mm (7 x 4½").
A cruel Victorian valentine criticising a young woman for her vanity.
[Ref: 43810] £40.00 (£48.00 incl.VAT)
Joseph Sturge. This Print is dedicated to the Most Noble the Marquis of Sligo. as a tribute of respect for the Justice and humanity he displayed in liberating his Slaves.
Drawn on Stone by H. Millichamp, from a Picture in the Possession of W. Boultbee, Esq.r. M. & N. Hanhart, Lith. Printers, 64, Charlotte St, Rathbone Pl.
London, Published by H. Millicamp, 14, Church St Lisson Grove [n.d. c.1840].
Rare lithograph, printed on chine collé. Printed area 370 x 265mm (14½ x 10½") very large margins. Slight crease above head to left.
Joseph Sturge (1793-1859), Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International. He spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory. The dedication is to Howe Browne (1788-1845), 2nd Marquess of Sligo. Although he campaigned for abolition he inherited two slave-holding plantations from his grandmother. When he was appointed Governor and Vice-Admiral of Jamaica in 1834, only a year after the Slavery Abolition Act of 1833, his attempts to transition to a free society put him at odds with the Jamaican Assembly, who forced him to resign the governorship.
See Ref: 9348.
[Ref: 60515] £380.00
Drawn on Stone by H. Millichamp, from a Picture in the Possession of W. Boultbee, Esq.r. M. & N. Hanhart, Lith. Printers, 64, Charlotte St, Rathbone Pl.
London, Published by H. Millicamp, 14, Church St Lisson Grove [n.d. c.1840].
Rare lithograph, printed on chine collé. Printed area 370 x 265mm (14½ x 10½") very large margins. Slight crease above head to left.
Joseph Sturge (1793-1859), Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International. He spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory. The dedication is to Howe Browne (1788-1845), 2nd Marquess of Sligo. Although he campaigned for abolition he inherited two slave-holding plantations from his grandmother. When he was appointed Governor and Vice-Admiral of Jamaica in 1834, only a year after the Slavery Abolition Act of 1833, his attempts to transition to a free society put him at odds with the Jamaican Assembly, who forced him to resign the governorship.
See Ref: 9348.
[Ref: 60515] £380.00
Joseph Sturge. This Print is dedicated to the Most Noble the Marquis of Sligo. as a tribute of respect for the Justice and humanity he displayed in liberating his Slaves.
Drawn on Stone by H. Millichamp, from a Picture in the Possession of W. Boultbee, Esq.r. M. & N. Hanhart, Lith. Printers, 64, Charlotte St, Rathbone Pl.
London, Published by H. Millicamp, 14, Church St Lisson Grove [n.d. c.1840].
Rare lithograph on chine collé. Sheet 375 x 255mm (14¾ x 10"), Trimmed inside on left.
Joseph Sturge (1793-1859), Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International. He spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory. The dedication is to Howe Browne (1788-1845), 2nd Marquess of Sligo. Although he campaigned for abolition he inherited two slave-holding plantations from his grandmother. When he was appointed Governor and Vice-Admiral of Jamaica in 1834, only a year after the Slavery Abolition Act of 1833, his attempts to transition to a free society put him at odds with the Jamaican Assembly, who forced him to resign the governorship.
[Ref: 55437] £180.00 (£216.00 incl.VAT)
Drawn on Stone by H. Millichamp, from a Picture in the Possession of W. Boultbee, Esq.r. M. & N. Hanhart, Lith. Printers, 64, Charlotte St, Rathbone Pl.
London, Published by H. Millicamp, 14, Church St Lisson Grove [n.d. c.1840].
Rare lithograph on chine collé. Sheet 375 x 255mm (14¾ x 10"), Trimmed inside on left.
Joseph Sturge (1793-1859), Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International. He spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory. The dedication is to Howe Browne (1788-1845), 2nd Marquess of Sligo. Although he campaigned for abolition he inherited two slave-holding plantations from his grandmother. When he was appointed Governor and Vice-Admiral of Jamaica in 1834, only a year after the Slavery Abolition Act of 1833, his attempts to transition to a free society put him at odds with the Jamaican Assembly, who forced him to resign the governorship.
[Ref: 55437] £180.00 (£216.00 incl.VAT)
Joseph Sturge Esq.r President of the Complete Suffrage Association. Specimen of the Sentinel Portrait Gallery. No. 1.
[n.d. c.1840.]
Very scarce mezzotint. Sheet 437 x 310mm (17¼" x 12¼"). Varnished.
Seated portrait of Joseph Sturge (1793-1859), he holds 'Human brotherhood through the Bible' in his left hand and his right is around the shoulders of a little black girl. Sturge was a Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International, who spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory.
[Ref: 63665] £420.00
[n.d. c.1840.]
Very scarce mezzotint. Sheet 437 x 310mm (17¼" x 12¼"). Varnished.
Seated portrait of Joseph Sturge (1793-1859), he holds 'Human brotherhood through the Bible' in his left hand and his right is around the shoulders of a little black girl. Sturge was a Quaker and founder of the British and Foreign Anti-Slavery Society, now Anti-Slavery International, who spent his life engaged in Radical political actions supporting pacifism, working class rights, and the universal emancipation of slaves. In Jamaica, Joseph Sturge helped to found Free Villages with the Baptists, one of which was named Sturge Town in his memory.
[Ref: 63665] £420.00
![[Office Scene].](jpegs/5848.jpg)
[Office Scene].
Dwight C. Sturges. 1931.
Etching, signed in pencil, 9¾ x 12¼ "
Two men discussing legal matters, Lincoln's portrait on the wall in the background.
[Ref: 5848] £85.00 (£102.00 incl.VAT)
Dwight C. Sturges. 1931.
Etching, signed in pencil, 9¾ x 12¼ "
Two men discussing legal matters, Lincoln's portrait on the wall in the background.
[Ref: 5848] £85.00 (£102.00 incl.VAT)
Mr John Sturges.
J. Vanderbank pinx. F. Kyte delin et fecit 1733.
Fine mezzotint. 350 x 250mm (13¾ x 9¾"). Small margins.
A half-length portrait of John Sturges, a carpenter of St George's, Bloomsbury. Despite this occupation he is dressed in Turkish costume, with a feathered turban, fur-lined embroidered coat. He seems to have commissioned the portrait: in his will, held in the National Archives, he bequeaths ''my own portrait picture in a Turkish habit painted by xx Vanderbank'' to his friend Samuel Hawley.
[Ref: 55629] £240.00 (£288.00 incl.VAT)
J. Vanderbank pinx. F. Kyte delin et fecit 1733.
Fine mezzotint. 350 x 250mm (13¾ x 9¾"). Small margins.
A half-length portrait of John Sturges, a carpenter of St George's, Bloomsbury. Despite this occupation he is dressed in Turkish costume, with a feathered turban, fur-lined embroidered coat. He seems to have commissioned the portrait: in his will, held in the National Archives, he bequeaths ''my own portrait picture in a Turkish habit painted by xx Vanderbank'' to his friend Samuel Hawley.
[Ref: 55629] £240.00 (£288.00 incl.VAT)
Sturm's Reflections. December 22.
Craig del. Romney sculp.
Published by R. Edwards London. [n.d. c.1830.]
Engraving. 215 x 132mm (8½ x 5¼"). Trimmed to platemark.
One woman sitting at the organ turns to another who stands holding a lyre. Christoph Christian Sturm (1740-1786), the German preacher and author, best known for his 'Reflections on the Works of God in Nature'
[Ref: 34637] £60.00 (£72.00 incl.VAT)
Craig del. Romney sculp.
Published by R. Edwards London. [n.d. c.1830.]
Engraving. 215 x 132mm (8½ x 5¼"). Trimmed to platemark.
One woman sitting at the organ turns to another who stands holding a lyre. Christoph Christian Sturm (1740-1786), the German preacher and author, best known for his 'Reflections on the Works of God in Nature'
[Ref: 34637] £60.00 (£72.00 incl.VAT)
Sturm's Reflections. January 25.
Craig del. Romney sculp.
Published by R. Edwards. [n.d.c.1830.]
Engraving, rare. Plate 182 x 128mm (7¼ x 5"). Cut to platemark, left & right.
A man stands pointing out a comet to his son and wife. Christoph Christian Sturm (1740-1786), the German preacher and author, best known for his 'Reflections on the Works of God in Nature'.
[Ref: 34696] £95.00 (£114.00 incl.VAT)
Craig del. Romney sculp.
Published by R. Edwards. [n.d.c.1830.]
Engraving, rare. Plate 182 x 128mm (7¼ x 5"). Cut to platemark, left & right.
A man stands pointing out a comet to his son and wife. Christoph Christian Sturm (1740-1786), the German preacher and author, best known for his 'Reflections on the Works of God in Nature'.
[Ref: 34696] £95.00 (£114.00 incl.VAT)
The true effigies of Captaine Samuel Sturmy.
AH. [Abraham Hertochs.]
[n.d., c.1699.]
Engraving, very scarce. On verso in ink Robert Deek 1706; Sheet size: 275 x 175mm (10¾ x 7"). Trimmed to image. False border. Glued to album sheet.
A portrait of English writer Samuel Sturmy (1633 - 1669), three-quarter length, standing to the right, with his right hand on a globe, wearing a gown with large puffed and slit sleeves, and a lace cravat. In a decorative oval frame of leaves on a pedestal. This portrait was the frontispiece to his publication 'The Mariner's Magazine' (1669). Lettered above with the title on a ribbon at the top of oval, continuing "Aetatis Suae 36 Anno Domini 1669", and with four lines on pedestal below; "What here you see is but a graven face, [/] Only the picture of that brittle case, [/] whose soules the magazine of all these arts [/] which here most freely he to all imparts". At bottom right the initials "AH".
[Ref: 33845] £320.00
AH. [Abraham Hertochs.]
[n.d., c.1699.]
Engraving, very scarce. On verso in ink Robert Deek 1706; Sheet size: 275 x 175mm (10¾ x 7"). Trimmed to image. False border. Glued to album sheet.
A portrait of English writer Samuel Sturmy (1633 - 1669), three-quarter length, standing to the right, with his right hand on a globe, wearing a gown with large puffed and slit sleeves, and a lace cravat. In a decorative oval frame of leaves on a pedestal. This portrait was the frontispiece to his publication 'The Mariner's Magazine' (1669). Lettered above with the title on a ribbon at the top of oval, continuing "Aetatis Suae 36 Anno Domini 1669", and with four lines on pedestal below; "What here you see is but a graven face, [/] Only the picture of that brittle case, [/] whose soules the magazine of all these arts [/] which here most freely he to all imparts". At bottom right the initials "AH".
[Ref: 33845] £320.00
M,,rs Sturt and Master Humphrey Sturt.
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Mezzotint. 505 x 355mm (19¾ x 14"), 18th century watermark. Small margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, iii of iii.
[Ref: 62772] £380.00
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Mezzotint. 505 x 355mm (19¾ x 14"), 18th century watermark. Small margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, iii of iii.
[Ref: 62772] £380.00
M,,rs Sturt and Master Humphrey Sturt.
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Fine mezzotint. 505 x 355mm (19¾ x 14"). Small margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. Unidentified collector's stamp on reverse.
[Ref: 66371] £380.00
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Fine mezzotint. 505 x 355mm (19¾ x 14"). Small margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. Unidentified collector's stamp on reverse.
[Ref: 66371] £380.00
![M [,,rs] Sturt and Master Humphrey Sturt.](jpegs/66372.jpg)
M [,,rs] Sturt and Master Humphrey Sturt.
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Mezzotint. 505 x 355mm (19¾ x 14"). Title partially scratched out and corrected in old ink mss, ink mss lower right. Narrow margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66372] £380.00
C. Read Pinx.t. Ja.s Watson fecit.
London, Printed for Rob.t Sayer, N.º 53 in Fleet Street, Published as the Act directs 20 June 1771.
Mezzotint. 505 x 355mm (19¾ x 14"). Title partially scratched out and corrected in old ink mss, ink mss lower right. Narrow margins.
A half length portrait of Mary Stuart (d. 1807), wife of M.P. Humphrey Sturt, with her son Humphrey Ashley Sturt (1760-1825). Sayer originally published the plate with the title 'Miss Sturt...' before hurriedly correcting it to 'Mrs'. Chaloner Smith, apparently unaware of the third state, questions whether the pair are siblings.
CS 137; Goodwin 79, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66372] £380.00