A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Original Sketches, Drawn and Engraved on Stone.
By Henry Stretton, Esq.
Subscribers' Copies to be had of Mr. Paul Gauci, 9, North Crescent, Alfred Place; and of Mr. Worsfold, 161, Regent Street. [n.d., c.1840.]
Original blind-stamped cloth, titled in gilt on front board, hinges strained; title, dedication, list of 180 subscribers, 10 tinted lithographic plates, printed by Paul Gauci. With extra plate loosely inserted. Some spotting.
A collection of views drawn at Ramsgate, Ireland, Wales, Italy and Belgium. The extra plate is Stretton's 'A View of the Chateau of Weldene, at Seeverghem near Ghent as it was in the year 1300'. One of only 180 subscribers' copies of the book.
[Ref: 60832] £490.00 view all images for this item
By Henry Stretton, Esq.
Subscribers' Copies to be had of Mr. Paul Gauci, 9, North Crescent, Alfred Place; and of Mr. Worsfold, 161, Regent Street. [n.d., c.1840.]
Original blind-stamped cloth, titled in gilt on front board, hinges strained; title, dedication, list of 180 subscribers, 10 tinted lithographic plates, printed by Paul Gauci. With extra plate loosely inserted. Some spotting.
A collection of views drawn at Ramsgate, Ireland, Wales, Italy and Belgium. The extra plate is Stretton's 'A View of the Chateau of Weldene, at Seeverghem near Ghent as it was in the year 1300'. One of only 180 subscribers' copies of the book.
[Ref: 60832] £490.00 view all images for this item
![Hugh E. Strickland [facsimile signature].](jpegs/57963.jpg)
Hugh E. Strickland [facsimile signature].
T. H. Maguire. M & N Hanhart Imp.t.
[n.d., c.1850.]
Tinted lithograph on chine collé, with printed backing paper. Printed area 320 x 240mm (12½ x 9½"), with large margins.
Half-length portrait of Hugh Edwin Strickland (1811-53), geologist and naturalist. He wrote 'The Dodo and Its Kindred' in 1848, and edited Agassiz's 'Bibliographia Zoologie', which he holds in his left hand. The dodo is an extinct bird that was endemic to the island of Mauritius. He died by accidently stepping into the path of a train while examining geological strata visible in cuttings on the Manchester Sheffield & Lincolnshire Railway.
[Ref: 57963] £260.00 (£312.00 incl.VAT)
T. H. Maguire. M & N Hanhart Imp.t.
[n.d., c.1850.]
Tinted lithograph on chine collé, with printed backing paper. Printed area 320 x 240mm (12½ x 9½"), with large margins.
Half-length portrait of Hugh Edwin Strickland (1811-53), geologist and naturalist. He wrote 'The Dodo and Its Kindred' in 1848, and edited Agassiz's 'Bibliographia Zoologie', which he holds in his left hand. The dodo is an extinct bird that was endemic to the island of Mauritius. He died by accidently stepping into the path of a train while examining geological strata visible in cuttings on the Manchester Sheffield & Lincolnshire Railway.
[Ref: 57963] £260.00 (£312.00 incl.VAT)
![August Strindberg [facsimile signature].](jpegs/53309.jpg)
August Strindberg [facsimile signature].
Johann Lindner München 5c. [engraved in reverse]
Schlesische Verlagsanstalt vorm. S. Schottlænder in Breslau. [n.d., c.1900.]
Etching. Sheet 250 x 155mm (9¾ x 6").
Johan August Strindberg (1849-1912), Swedish playwright, novelist, poet, essayist and painter, known as 'the Zola of the Occult'.
[Ref: 53309] £60.00 (£72.00 incl.VAT)
Johann Lindner München 5c. [engraved in reverse]
Schlesische Verlagsanstalt vorm. S. Schottlænder in Breslau. [n.d., c.1900.]
Etching. Sheet 250 x 155mm (9¾ x 6").
Johan August Strindberg (1849-1912), Swedish playwright, novelist, poet, essayist and painter, known as 'the Zola of the Occult'.
[Ref: 53309] £60.00 (£72.00 incl.VAT)
Der Saitenmacher.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼").
A scene of string-making for musical instruments. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 39082] £180.00 (£216.00 incl.VAT)
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼").
A scene of string-making for musical instruments. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 39082] £180.00 (£216.00 incl.VAT)
Strolling Actresses Dressing in a Barn.
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with large margins; 175 x 280mm (7 x 11").
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. Hogarth's original print recorded the 'strolling actresses' soon to be put out of work by new bans on unlicenced theatrical companies. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31472] £120.00 (£144.00 incl.VAT)
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with large margins; 175 x 280mm (7 x 11").
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. Hogarth's original print recorded the 'strolling actresses' soon to be put out of work by new bans on unlicenced theatrical companies. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31472] £120.00 (£144.00 incl.VAT)
![[Strolling Actresses Dressing in a Barn.]](jpegs/44827.jpg)
[Strolling Actresses Dressing in a Barn.]
Invented, Painted, Engraved & Publish'd by Wm. Hogarth, March the 25. 1738 [but later]. According to Act of Parliament.
Engraving, Plate: 560 x 450mm (22 x 17¾"), on 19th century paper. Trimmed to plate, wear and damage in margins and paper loss in the left edge.
A busy scene in a barn being used as a dressing room for a troop of actors. In the centre an expressive woman stands facing the viewer, her hand raised while around her the other figures get ready for the performance, one woman seated to the left of the central figure does her hair, a woman on the right practices her lines and in the corner a figure in a eagle headress feeds a baby.
Paulson: 150.
[Ref: 44827] £230.00 (£276.00 incl.VAT)
Invented, Painted, Engraved & Publish'd by Wm. Hogarth, March the 25. 1738 [but later]. According to Act of Parliament.
Engraving, Plate: 560 x 450mm (22 x 17¾"), on 19th century paper. Trimmed to plate, wear and damage in margins and paper loss in the left edge.
A busy scene in a barn being used as a dressing room for a troop of actors. In the centre an expressive woman stands facing the viewer, her hand raised while around her the other figures get ready for the performance, one woman seated to the left of the central figure does her hair, a woman on the right practices her lines and in the corner a figure in a eagle headress feeds a baby.
Paulson: 150.
[Ref: 44827] £230.00 (£276.00 incl.VAT)
Strolling Actresses dressing in a Barn.
Invented & Painted by W.m Hogarth. [Engraved by J. June?]
[n.d, c.1770.]
Engraving. Sheet 170 x 275mm, 6¾ x 10¾". Trimmed within plate, tear in left edge.
Hogarth's famous scene responding to the laws brought in to outlaw unlicenced theatrical performances. From a reduced edition of Hogarth's collected works, with other plates signed by J. June.
[Ref: 27150] £75.00 (£90.00 incl.VAT)
Invented & Painted by W.m Hogarth. [Engraved by J. June?]
[n.d, c.1770.]
Engraving. Sheet 170 x 275mm, 6¾ x 10¾". Trimmed within plate, tear in left edge.
Hogarth's famous scene responding to the laws brought in to outlaw unlicenced theatrical performances. From a reduced edition of Hogarth's collected works, with other plates signed by J. June.
[Ref: 27150] £75.00 (£90.00 incl.VAT)
![Les Chanteurs Ambulans. [The Strolling Musicians.]](jpegs/17983.jpg)
Les Chanteurs Ambulans. [The Strolling Musicians.]
Imp. d'Aubert & Cie.
Chez Bauger R. du Croissant. 16. [Paris, c.1841.]
Lithograph, sheet 360 x 250mm. 14¼ x 9¾".
A man with fiddle or violin and woman with guitar serenade a spruce Parisian dinner table. Numbered 'No.2' upper right, from the 'Physionomie de Paris' series of social caricatures.
[Ref: 17983] £160.00 (£192.00 incl.VAT)
Imp. d'Aubert & Cie.
Chez Bauger R. du Croissant. 16. [Paris, c.1841.]
Lithograph, sheet 360 x 250mm. 14¼ x 9¾".
A man with fiddle or violin and woman with guitar serenade a spruce Parisian dinner table. Numbered 'No.2' upper right, from the 'Physionomie de Paris' series of social caricatures.
[Ref: 17983] £160.00 (£192.00 incl.VAT)
The Strolling Musicians With odd Grimace and Comic Strain, / The Antic Band in hopes of Gain,/ To please the Rustick Hearers join,/ Who think their Musick vastly fine. [200 on left]
[After C.W.E. Dietrich]
Printed for Bowles & Carver, Map & Printsellers, No 69 St Pauls Church Yard, London.
Mezzotint with large margins, platemark 355 x 255mm (15 x 10"). Creasing; tears in margins; retouching to plate.
Itinerant musicians. An 1830 lithograph of the same image is inscribed 'Deitricy pinxt', attributing the original painting to German artist C.W.E. Dietrich (1712-74), who used the name 'Dietricy' to sign his paintings, and mastered the styles of various models including the Dutch Little Masters (as in this scene reminiscent of Dutch genre painting).
For a coloured version of the image see ref. 10537; ex collection of the late Hon. C. Lennox-Boyd.
[Ref: 34009] £220.00 (£264.00 incl.VAT)
[After C.W.E. Dietrich]
Printed for Bowles & Carver, Map & Printsellers, No 69 St Pauls Church Yard, London.
Mezzotint with large margins, platemark 355 x 255mm (15 x 10"). Creasing; tears in margins; retouching to plate.
Itinerant musicians. An 1830 lithograph of the same image is inscribed 'Deitricy pinxt', attributing the original painting to German artist C.W.E. Dietrich (1712-74), who used the name 'Dietricy' to sign his paintings, and mastered the styles of various models including the Dutch Little Masters (as in this scene reminiscent of Dutch genre painting).
For a coloured version of the image see ref. 10537; ex collection of the late Hon. C. Lennox-Boyd.
[Ref: 34009] £220.00 (£264.00 incl.VAT)
The Strolling Musicians. Les Musiciens Ambulants.
Deitricy, Pinxt. Bouvier, Litho.
London, Published Jany. 1830, by A. Friedel, 34 Surry Street, Strand, & sold by all the principal Book & Printsellers in Town & Country.
Lithograph with original hand colour, sheet 485 x 345mm. 19 x 13½". Tears from extremities, including into image at right.
A crowd assembles to hear some wandering Flemish musicians, a fiddler and a bagpiper. After Christian Wilhelm Ernst Dietrich,
[Ref: 10537] £70.00 (£84.00 incl.VAT)
Deitricy, Pinxt. Bouvier, Litho.
London, Published Jany. 1830, by A. Friedel, 34 Surry Street, Strand, & sold by all the principal Book & Printsellers in Town & Country.
Lithograph with original hand colour, sheet 485 x 345mm. 19 x 13½". Tears from extremities, including into image at right.
A crowd assembles to hear some wandering Flemish musicians, a fiddler and a bagpiper. After Christian Wilhelm Ernst Dietrich,
[Ref: 10537] £70.00 (£84.00 incl.VAT)
Strolling Players.
Designed by W. Hogarth. Engraved by T. Cook.
[London Published by G.G. & J. Robinson Paternoster Row February 1st 1800.]
Engraving. Sheet 435 x 555mm (17 x 21¾") Trimmed within plate, losing publication line. 1cm of image on left cut and replaced. Laid on archival tissue.
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. It records the 'strolling actresses' soon to be put out of work by the Licensing Act of 1737, which required all plays to be reviewed by the Examiner of Plays, under the supervision of the Lord Chamberlain. From Thomas Cook's ''The Whole Works of the Celebrated William Hogarth, as Originally Published'', issued in parts between 1791 and 1802.
[Ref: 56750] £260.00 (£312.00 incl.VAT)
Designed by W. Hogarth. Engraved by T. Cook.
[London Published by G.G. & J. Robinson Paternoster Row February 1st 1800.]
Engraving. Sheet 435 x 555mm (17 x 21¾") Trimmed within plate, losing publication line. 1cm of image on left cut and replaced. Laid on archival tissue.
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. It records the 'strolling actresses' soon to be put out of work by the Licensing Act of 1737, which required all plays to be reviewed by the Examiner of Plays, under the supervision of the Lord Chamberlain. From Thomas Cook's ''The Whole Works of the Celebrated William Hogarth, as Originally Published'', issued in parts between 1791 and 1802.
[Ref: 56750] £260.00 (£312.00 incl.VAT)
A Polacca with a View of Stromboli.
Dom.k Serres del. J. Clarke & J. Hamble sculp.t. Edw.d Orme Excudit.
[Published & Sold Jan.y 1, 1807 by Edw.d Orme, 59, Bond Street London.]
Aquatint with hand colour. Sheet 265 x 405mm (10½ x 16"). Trimmed to printed border, losing publication line. Very small repaired hole top left.
A Polacca, a two-masted ship with a lateen hoisted on the foremast), before the smoking volcano Stomboli. Polacca is Italian for 'Polish woman'. From 'Liber Nauticus, and Instructor in the Art of Marine Drawing' by Dominic Serres and his son John Thomas Serres. Both were marine painters to the king, and John was the Master of Drawing at the Chelsea Naval School and, according to the title page of the 'Liber', 'Marine Draught-man to the Honourable the Board of Admiralty'.
Abbey Life 345.
[Ref: 54215] £320.00
Dom.k Serres del. J. Clarke & J. Hamble sculp.t. Edw.d Orme Excudit.
[Published & Sold Jan.y 1, 1807 by Edw.d Orme, 59, Bond Street London.]
Aquatint with hand colour. Sheet 265 x 405mm (10½ x 16"). Trimmed to printed border, losing publication line. Very small repaired hole top left.
A Polacca, a two-masted ship with a lateen hoisted on the foremast), before the smoking volcano Stomboli. Polacca is Italian for 'Polish woman'. From 'Liber Nauticus, and Instructor in the Art of Marine Drawing' by Dominic Serres and his son John Thomas Serres. Both were marine painters to the king, and John was the Master of Drawing at the Chelsea Naval School and, according to the title page of the 'Liber', 'Marine Draught-man to the Honourable the Board of Admiralty'.
Abbey Life 345.
[Ref: 54215] £320.00
A Strong Gale or Squall. Vent Fort ou Raflais.
P. Monamy Pinx.t Swaine Delin.t Parr Sc.
[British, n.d., c.1790s.]
Engraving, image 260 x 385mm. 10¼ x 15¼". Trimmed within plate and a small tear just into image upper right.
Different types of (Dutch?) sailing vessels in high seas; sailors in foreground ship (to left) busily taking in sails. After Peter Monamy (1681 - 1749). From a series illustrating seamanship; numbered '7' upper right. London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
Not found in NMM.
[Ref: 26295] £190.00 (£228.00 incl.VAT)
P. Monamy Pinx.t Swaine Delin.t Parr Sc.
[British, n.d., c.1790s.]
Engraving, image 260 x 385mm. 10¼ x 15¼". Trimmed within plate and a small tear just into image upper right.
Different types of (Dutch?) sailing vessels in high seas; sailors in foreground ship (to left) busily taking in sails. After Peter Monamy (1681 - 1749). From a series illustrating seamanship; numbered '7' upper right. London-born painter Monamy (he was born in the Minories and baptized at St Botolphs Aldgate) 'emerges with Samuel Scott as one of the two leading figures in the first generation of British marine painters [...] he worked industriously for at least forty years and has left us a rich heritage of paintings illustrating the nation's naval history in the first half of the 18th century' (E.H.H. Archibald, 'Dictionary of Sea Painters').
Not found in NMM.
[Ref: 26295] £190.00 (£228.00 incl.VAT)
A Strong Stream and a Lively Fish.
From an Original Drawing by R.M.Alexander.
Published March 1st 1886 by Messrs Fores, 41 Piccadilly, London.
Chromolithograph. Printed area 340 x 400mm.
Plate 3 from 'Fores's Fishing Scenes'.
[Ref: 49] £850.00
From an Original Drawing by R.M.Alexander.
Published March 1st 1886 by Messrs Fores, 41 Piccadilly, London.
Chromolithograph. Printed area 340 x 400mm.
Plate 3 from 'Fores's Fishing Scenes'.
[Ref: 49] £850.00
To the younger branches of his Family this Portrait of their late Father W.m Strong Esq.r is dedicated by their affectionate Brother F.G.S. Wm. Strong [facsimile signature]
From memory by F. Strong [c.1837]
Stipple, rare, sheet 210 x 130mm (8¼ x 5").
William Strong (1767-1837), tulip amateur. Varnish maker in Long Acre, Covent Garden.
O'D 1.
[Ref: 43612] £95.00 (£114.00 incl.VAT)
From memory by F. Strong [c.1837]
Stipple, rare, sheet 210 x 130mm (8¼ x 5").
William Strong (1767-1837), tulip amateur. Varnish maker in Long Acre, Covent Garden.
O'D 1.
[Ref: 43612] £95.00 (£114.00 incl.VAT)
![[Clarice Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.](jpegs/30993.jpg)
[Clarice Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving. 312 x 254mm (12¼ x 10"), with wide margins Water stain lower left of margin.
Portrait of Clarice Strozzi (1540-1581), a child on the old Florentine family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. Titian's oil is now in the Gemäldegalerie, Berlin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30993] £230.00 (£276.00 incl.VAT)
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving. 312 x 254mm (12¼ x 10"), with wide margins Water stain lower left of margin.
Portrait of Clarice Strozzi (1540-1581), a child on the old Florentine family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. Titian's oil is now in the Gemäldegalerie, Berlin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30993] £230.00 (£276.00 incl.VAT)
![[Clarissa Strozzi]](jpegs/35212.jpg)
[Clarissa Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
Struensee's Ghost, or Lord B-te and M-n-d in the Horrors.
[Oxford Magazine Ap. 1772.]
Etching. 155 x 100mm (6¼ x 4"), with margins.
A satire of John Stuart, 3rd Earl of Bute, showing him recoiling from a figure floating towards him, holding its own head in its hands. Behind Bute stands William Murray, 1st Earl of Mansfield. Bute had been accused of being the lover of the Dowager Princess of Wales. Johann Friedrich, Count of Struensee, had fallen from power and executed, having been the lover of the Queen of Denmark.
BM Satires 16731.
[Ref: 54344] £160.00 (£192.00 incl.VAT)
[Oxford Magazine Ap. 1772.]
Etching. 155 x 100mm (6¼ x 4"), with margins.
A satire of John Stuart, 3rd Earl of Bute, showing him recoiling from a figure floating towards him, holding its own head in its hands. Behind Bute stands William Murray, 1st Earl of Mansfield. Bute had been accused of being the lover of the Dowager Princess of Wales. Johann Friedrich, Count of Struensee, had fallen from power and executed, having been the lover of the Queen of Denmark.
BM Satires 16731.
[Ref: 54344] £160.00 (£192.00 incl.VAT)
Emily Anne Strutt.
Painted by John Russell R.A. Crayon Painter to His Majesty & to their Rl. Hss's. the Prince of Wales & Duke of York. Engraved by Joseph Strutt.
Publish'd according to Act of Parliament June 1 1794 by Joseph Strutt.
Etching and stipple in sepia, 270 x 220mm. 10½ x 8¾". Light marginal spotting.
A young girl, possibly a relation of the engraver, with a mastiff dog. Engraved and published by Joseph Strutt (1749 - 1802). Strutt was author of the Dictionary of Engravers, and of 'A complete view of the dress and habits of the people of England, from the establishment of the Saxons in Britain to the present time'.
[Ref: 9462] £180.00 (£216.00 incl.VAT)
Painted by John Russell R.A. Crayon Painter to His Majesty & to their Rl. Hss's. the Prince of Wales & Duke of York. Engraved by Joseph Strutt.
Publish'd according to Act of Parliament June 1 1794 by Joseph Strutt.
Etching and stipple in sepia, 270 x 220mm. 10½ x 8¾". Light marginal spotting.
A young girl, possibly a relation of the engraver, with a mastiff dog. Engraved and published by Joseph Strutt (1749 - 1802). Strutt was author of the Dictionary of Engravers, and of 'A complete view of the dress and habits of the people of England, from the establishment of the Saxons in Britain to the present time'.
[Ref: 9462] £180.00 (£216.00 incl.VAT)
![["Argon"]](jpegs/63692.jpg)
["Argon"]
FTD [Frederick Thomas Dalton] [Vincent Brooks, Day & Son, Ltd Lith.]
[Vanity Fair. Dec.r 21.st 1899]
Chromolithograph proof, with text, sheet 405 x 275mm (16 x 10¾"), large margins.
Full length caricature portrait of British mathematician and physicist John William Strutt, 3rd Baron Rayleigh (1842-1919).
[Ref: 63692] £60.00 (£72.00 incl.VAT)
FTD [Frederick Thomas Dalton] [Vincent Brooks, Day & Son, Ltd Lith.]
[Vanity Fair. Dec.r 21.st 1899]
Chromolithograph proof, with text, sheet 405 x 275mm (16 x 10¾"), large margins.
Full length caricature portrait of British mathematician and physicist John William Strutt, 3rd Baron Rayleigh (1842-1919).
[Ref: 63692] £60.00 (£72.00 incl.VAT)
![[Joseph Strutt.]](jpegs/67488.jpg)
[Joseph Strutt.] [Fascimile signature.]
Painted & Engraved by John Linnell.
Published by Moseley & Nephew, Derby April 12, 1842.
Mezzotint. 505 x 405mm (19¾ x 16"), large margins.
Portrait of Joseph Strutt (1765 - 1844), English businessman and philanthropist. Strutt was a progressive social reformer who contributed generously to the community, founding several key institutions in the town. He notably donated the land for the creation of Derby Arboretum, the first urban public park in England. He also served twice as Mayor of Derby.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 67488] £360.00
Painted & Engraved by John Linnell.
Published by Moseley & Nephew, Derby April 12, 1842.
Mezzotint. 505 x 405mm (19¾ x 16"), large margins.
Portrait of Joseph Strutt (1765 - 1844), English businessman and philanthropist. Strutt was a progressive social reformer who contributed generously to the community, founding several key institutions in the town. He notably donated the land for the creation of Derby Arboretum, the first urban public park in England. He also served twice as Mayor of Derby.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 67488] £360.00
Nicolaas Struyck Anno Ætat. 52.
J.M. Quinkhart pinxit 1738. J. Houbraken sculpsit.
[Amsterdam, c.1740.]
Engraving, 235 x 180mm (9¼ x 7"), with wide margins.
Nicolaes Struyck (1687 - 1769), mathematician and astronomer, holding an astronomical? chart in his right hand. After Jan Maurits Quinkhard (1688 - 1772).
Ver Huell 402. Not in Wellcome.
[Ref: 15419] £220.00 (£264.00 incl.VAT)
J.M. Quinkhart pinxit 1738. J. Houbraken sculpsit.
[Amsterdam, c.1740.]
Engraving, 235 x 180mm (9¼ x 7"), with wide margins.
Nicolaes Struyck (1687 - 1769), mathematician and astronomer, holding an astronomical? chart in his right hand. After Jan Maurits Quinkhard (1688 - 1772).
Ver Huell 402. Not in Wellcome.
[Ref: 15419] £220.00 (£264.00 incl.VAT)
![[Miss Stuart]](jpegs/14863.jpg)
[Miss Stuart]
G. Willison pinx.t Val. Green fecit.
London, printed for Rob.t Sayer No. 53 Fleet Street, Published as the Act directs 9 July 1770.
Proof mezzotint, 485 x 285mm. 19 x 11¼".
A provocative portrait of a woman in an oval border engraved by Valentine Green (1739-1813) after the Scottish artist George Willison (1741-1797).
CS 125. W: 12: ii of iii. Ex: the Collection of the Hon. C. Lennox-Boyd
[Ref: 14863] £260.00 (£312.00 incl.VAT)
G. Willison pinx.t Val. Green fecit.
London, printed for Rob.t Sayer No. 53 Fleet Street, Published as the Act directs 9 July 1770.
Proof mezzotint, 485 x 285mm. 19 x 11¼".
A provocative portrait of a woman in an oval border engraved by Valentine Green (1739-1813) after the Scottish artist George Willison (1741-1797).
CS 125. W: 12: ii of iii. Ex: the Collection of the Hon. C. Lennox-Boyd
[Ref: 14863] £260.00 (£312.00 incl.VAT)
![[Miss Stuart.]](jpegs/10567.jpg)
[Miss Stuart.]
G. Willson pinxit. Val. Green fecit.
[1770.]
Mezzotint, scratched letter proof before title from uncleaned plate, 405 x 280mm. 16 x 11". Faint glue stains and creasing to corners.
After George Willson (1741 - 1797), Scottish portrait painter and publisher of prints after his paintings; born Edinburgh.
Chaloner Smith: 125, I. Whitman: 12, I. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10567] £380.00
G. Willson pinxit. Val. Green fecit.
[1770.]
Mezzotint, scratched letter proof before title from uncleaned plate, 405 x 280mm. 16 x 11". Faint glue stains and creasing to corners.
After George Willson (1741 - 1797), Scottish portrait painter and publisher of prints after his paintings; born Edinburgh.
Chaloner Smith: 125, I. Whitman: 12, I. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10567] £380.00
Stuart's Patent Centrifugal Beater.
Easton, Amos & Sons, Engineers, &c., Grove , Southwark, London. S.E.
[Anon] January 1st, 1859.
Broadside, promotional leaflet, lithographic diagram and explanatory letterpress including 'Directions for Working the Patent Pulp Engine'. Page 250 x 200mm, 9¾ x 8". Folded and glued to album page.
Trade advertisement for a specialised engine aimed at paper manufacturers and mill-owners.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16539] £110.00 (£132.00 incl.VAT)
Easton, Amos & Sons, Engineers, &c., Grove , Southwark, London. S.E.
[Anon] January 1st, 1859.
Broadside, promotional leaflet, lithographic diagram and explanatory letterpress including 'Directions for Working the Patent Pulp Engine'. Page 250 x 200mm, 9¾ x 8". Folded and glued to album page.
Trade advertisement for a specialised engine aimed at paper manufacturers and mill-owners.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16539] £110.00 (£132.00 incl.VAT)
The Effigies of the Lady Anna, who was borne ye 17th of March 1636, baptised ye 30th of ye same month in the yeare of our Lord god, 1637.
[n.d., c. 1640.] Later.
Etching. Sheet 110 x 70mm (4¼ x 2¾"). Trimmed to printed border, mounted in album paper.
Princess Anne (1636-1640), third daughter of Charles I. A frail child, she died of tuberculosis in Richmond Palace and was buried in Westminster Abbey.
[Ref: 37589] £85.00 (£102.00 incl.VAT)
[n.d., c. 1640.] Later.
Etching. Sheet 110 x 70mm (4¼ x 2¾"). Trimmed to printed border, mounted in album paper.
Princess Anne (1636-1640), third daughter of Charles I. A frail child, she died of tuberculosis in Richmond Palace and was buried in Westminster Abbey.
[Ref: 37589] £85.00 (£102.00 incl.VAT)
The Effigies of the Lady Anna, who was borne ye 17th of March, 1636, baptised ye 30th of ye same month, in the yeare of our Lord god, 1637.
[n.d., c.1640. bit later]
Etching. Sheet 110 x 70mm (4¼ x 2¾"). Trimmed within plate, mounted on album paper.
Full-length portrait of Princess Anne Stuart (1637-40), standing, holding a flower; curtain in background at top right. The seventh child and third daughter of Charles I and Henrietta Maria, Anne died of tuberculosis at Richmond Palace, aged three.
[Ref: 41248] £65.00 (£78.00 incl.VAT)
[n.d., c.1640. bit later]
Etching. Sheet 110 x 70mm (4¼ x 2¾"). Trimmed within plate, mounted on album paper.
Full-length portrait of Princess Anne Stuart (1637-40), standing, holding a flower; curtain in background at top right. The seventh child and third daughter of Charles I and Henrietta Maria, Anne died of tuberculosis at Richmond Palace, aged three.
[Ref: 41248] £65.00 (£78.00 incl.VAT)
General The Hon.ble Sir Charles Stuart K.B. To his Military Friends who directed the Engraving to be executed. This Plate is Inscribed by their mosr obliged Servant P. Colnaghi.
Painted by G. Romney. Engraved by S.W. Reynolds.
Published May 21 1803, Colnaghi & Co. 23, Cockspur Street.
Mezzotint, with large margins with collector's mark. Plate 484 x 354mm (19 x 14"). Paper toned. Water stained.
Portrait, three-quarter length, standing, directed to front, facing towards right, wearing military uniform with star, holding a sword in his right hand; in the background on the right, fortification on hilltop; with coat of arms below the image. Major General Charles Stuart (1753-1801), son of John Stuart, 3rd Earl of Bute. Throughout his army career he was stationed both in America, during the War of Independence, and throughout the Mediterranean, fighting against Napoleon and the French.
Ex Collection: Earl of Bute. Horne: 116. See Ref: 29153 for unfinished stipple proof. Whitman: 277.
[Ref: 29139] £160.00 (£192.00 incl.VAT)
Painted by G. Romney. Engraved by S.W. Reynolds.
Published May 21 1803, Colnaghi & Co. 23, Cockspur Street.
Mezzotint, with large margins with collector's mark. Plate 484 x 354mm (19 x 14"). Paper toned. Water stained.
Portrait, three-quarter length, standing, directed to front, facing towards right, wearing military uniform with star, holding a sword in his right hand; in the background on the right, fortification on hilltop; with coat of arms below the image. Major General Charles Stuart (1753-1801), son of John Stuart, 3rd Earl of Bute. Throughout his army career he was stationed both in America, during the War of Independence, and throughout the Mediterranean, fighting against Napoleon and the French.
Ex Collection: Earl of Bute. Horne: 116. See Ref: 29153 for unfinished stipple proof. Whitman: 277.
[Ref: 29139] £160.00 (£192.00 incl.VAT)
Prince Charles Edward Stuart. The Young Pretender, in 1745.
J. Chapman sc.
Published as the Act directs Feb.y.1. 1798.
Stipple with large margins. Plate: 110 x 160mm (4¼ x 6¼").
Half portrait in a roundel of Prince Charles Edward Stuart (1720-1788) the grandson of James II. Known as 'Bonnie Prince Charlie,' Charles Edward Stuart led the failed Jacobite uprising of 1745 which sought to restore the Stuart family to the British throne. Following the Jacobite's defeat at Culloden, Charles Edward Stuart escaped to the continent, with the help of Flora MacDonald, where he remained until his death in 1788.
[Ref: 33526] £75.00 (£90.00 incl.VAT)
J. Chapman sc.
Published as the Act directs Feb.y.1. 1798.
Stipple with large margins. Plate: 110 x 160mm (4¼ x 6¼").
Half portrait in a roundel of Prince Charles Edward Stuart (1720-1788) the grandson of James II. Known as 'Bonnie Prince Charlie,' Charles Edward Stuart led the failed Jacobite uprising of 1745 which sought to restore the Stuart family to the British throne. Following the Jacobite's defeat at Culloden, Charles Edward Stuart escaped to the continent, with the help of Flora MacDonald, where he remained until his death in 1788.
[Ref: 33526] £75.00 (£90.00 incl.VAT)
Cha.s Edward Stuart. Literary Magazine & British Review.
Anker Smith sculp.t [after Louis Torqué].
[n.d., c.1790.]
Engraving. 175 x 115mm (6¾ x 4½) very large margins on 3 sides. Trimmed to plate on left, spotting.
A half-length Charles Edward Stuart, known as the Young Pretender and Bonnie Prince Charlie, in armour.
Not in Sharpe.
[Ref: 57241] £75.00 (£90.00 incl.VAT)
Anker Smith sculp.t [after Louis Torqué].
[n.d., c.1790.]
Engraving. 175 x 115mm (6¾ x 4½) very large margins on 3 sides. Trimmed to plate on left, spotting.
A half-length Charles Edward Stuart, known as the Young Pretender and Bonnie Prince Charlie, in armour.
Not in Sharpe.
[Ref: 57241] £75.00 (£90.00 incl.VAT)
To John Goodford Esq. of Yeovil, this first attempt at Engraving from an Original Painting of Prince Charles Edward Stuart done by Alexander at Rome, and now in the Possession of Dr. Macdonald of Taunton, is most humbly Inscribed by his Obedient Servant Frederick Lake.
Taunton, Oct. 1820.
A very rare etching. 340 x 250mm (13¼ x 9¾"). Sheet is trimmed to plate.
Prince Charles Edward Stuart (1720 - 1788), grandson of James II; 'Bonnie Prince Charlie'. He is remembered as the instigator of the unsuccessful Jacobite uprising of 1745, where he led an insurrection, which ended in defeat at the Battle of Culloden that effectively ended the Jacobite cause.
Sharp: Not in.
[Ref: 53619] £350.00
Taunton, Oct. 1820.
A very rare etching. 340 x 250mm (13¼ x 9¾"). Sheet is trimmed to plate.
Prince Charles Edward Stuart (1720 - 1788), grandson of James II; 'Bonnie Prince Charlie'. He is remembered as the instigator of the unsuccessful Jacobite uprising of 1745, where he led an insurrection, which ended in defeat at the Battle of Culloden that effectively ended the Jacobite cause.
Sharp: Not in.
[Ref: 53619] £350.00
Carolus Walliae Princeps &c. &c. &c.
Peint par L Tocqué 1748 et Gravé par J. G. Will en la même année.
Etching and engraving. 460 x 330mm (18¼ x 13¼"), with large margins. Small tear in margins taped, margins spotted and stained.
Portrait of Charles Edward Stuart, half-length, turned to right; in armour, with insignia of the Order of the Garter; in trompe l'oeil masonry border, title and coat of arms.
Sharp: 230. Le Blanc 1847
[Ref: 68141] £650.00
Peint par L Tocqué 1748 et Gravé par J. G. Will en la même année.
Etching and engraving. 460 x 330mm (18¼ x 13¼"), with large margins. Small tear in margins taped, margins spotted and stained.
Portrait of Charles Edward Stuart, half-length, turned to right; in armour, with insignia of the Order of the Garter; in trompe l'oeil masonry border, title and coat of arms.
Sharp: 230. Le Blanc 1847
[Ref: 68141] £650.00
![[Charles Edward Stuart.] Routed, oer Hills the young Adventurer flies, / And in a cottage sinks to this Disguise. /](jpegs/64487.jpg)
[Charles Edward Stuart.] Routed, oer Hills the young Adventurer flies, / And in a cottage sinks to this Disguise. / Fled his gay Hopes, defeated his fond Scheme, / His throne is vanish'd like a golden Dream. / By manly Thoughts He'd charm His Woes to rest: / In vain! Culloden still distracts His Breast.
J. Williams Fecit.
Mezzotint, 18th century watermark. 230 x 325mm (9 x 12¾"), with large margins. A few faint creases. Bit rubbed.
Portrait of Charles Edward Stuart, the Young Pretender (1720-1788), disguised as a woman, three-quarter length in an oval directed to right, looking towards the viewer with head turned to left, holding the frilled edge of a cap in front of him, wearing a lace-trimmed fichu and cap. J. Williams is named on the print as engraver and it is the only known work so inscribed.
Sharp: 218. CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64487] £680.00
J. Williams Fecit.
Mezzotint, 18th century watermark. 230 x 325mm (9 x 12¾"), with large margins. A few faint creases. Bit rubbed.
Portrait of Charles Edward Stuart, the Young Pretender (1720-1788), disguised as a woman, three-quarter length in an oval directed to right, looking towards the viewer with head turned to left, holding the frilled edge of a cap in front of him, wearing a lace-trimmed fichu and cap. J. Williams is named on the print as engraver and it is the only known work so inscribed.
Sharp: 218. CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64487] £680.00
![[Charles Edward Stuart]](jpegs/64529.jpg)
[Charles Edward Stuart]
[Engraved by John Simon.]
[n.d., c.1735.]
Mezzotint, 18th century watermark. 310 x 205mm (12¼ x 8") Top left corner missing, narrow margins, damp stains, pencil title added in border. Foxed.
An untitled, half-length portrait of Bonnie Prince Charlie as a boy, within an oval frame.
CS: 145. Sharpe 208. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64529] £160.00 (£192.00 incl.VAT)
[Engraved by John Simon.]
[n.d., c.1735.]
Mezzotint, 18th century watermark. 310 x 205mm (12¼ x 8") Top left corner missing, narrow margins, damp stains, pencil title added in border. Foxed.
An untitled, half-length portrait of Bonnie Prince Charlie as a boy, within an oval frame.
CS: 145. Sharpe 208. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64529] £160.00 (£192.00 incl.VAT)
![[Charles Edward Stuart]](jpegs/64530.jpg)
[Charles Edward Stuart]
[Engraved by John Simon.]
[n.d., c.1735.]
Mezzotint. 310 x 205mm (12¼ x 8") Trimmed to plate on three sides, into image at top, laid on album paper.
An untitled, half-length portrait of Bonnie Prince Charlie as a boy, within an oval frame.
CS: 145. Sharpe 208. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64530] £160.00 (£192.00 incl.VAT)
[Engraved by John Simon.]
[n.d., c.1735.]
Mezzotint. 310 x 205mm (12¼ x 8") Trimmed to plate on three sides, into image at top, laid on album paper.
An untitled, half-length portrait of Bonnie Prince Charlie as a boy, within an oval frame.
CS: 145. Sharpe 208. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64530] £160.00 (£192.00 incl.VAT)
![[Charles Edward Stuart.] Routed, oer Hills the young Adventurer flies, / And in a cottage sinks to this Disguise. /](jpegs/64488.jpg)
[Charles Edward Stuart.] Routed, oer Hills the young Adventurer flies, / And in a cottage sinks to this Disguise. / Fled his gay Hopes, defeated his fond Scheme, / His throne is vanish'd like a golden Dream. / By manly Thoughts He'd charm His Woes to rest: / In vain! Culloden still distracts His Breast.
J. Williams Fecit.
Mezzotint, 18th century watermark. 230 x 325mm (9 x 12¾").. Thread margins
Portrait of Charles Edward Stuart, the Young Pretender (1720-1788), disguised as a woman, three-quarter length in an oval directed to right, looking towards the viewer with head turned to left, holding the frilled edge of a cap in front of him, wearing a lace-trimmed fichu and cap. J. Williams is named on the print as engraver and it is the only known work so inscribed. In June 1746 following defeat at Culloden, Bonnie Prince Charlie fled to Skye disguised as Irish Maid Betty Burke.
Sharp: 218. CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64488] £680.00
J. Williams Fecit.
Mezzotint, 18th century watermark. 230 x 325mm (9 x 12¾").. Thread margins
Portrait of Charles Edward Stuart, the Young Pretender (1720-1788), disguised as a woman, three-quarter length in an oval directed to right, looking towards the viewer with head turned to left, holding the frilled edge of a cap in front of him, wearing a lace-trimmed fichu and cap. J. Williams is named on the print as engraver and it is the only known work so inscribed. In June 1746 following defeat at Culloden, Bonnie Prince Charlie fled to Skye disguised as Irish Maid Betty Burke.
Sharp: 218. CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64488] £680.00
The young Pretender after his defeat at Culloden embarking for France.
Dodd delin. Grainger sculp.
Publish'd as the Act directs April 16, 1803: by J. Stratford. No.112, Holborn Hill.
Engraving and etching. 170 x 221mm (6¾ x 8¾"). Staining to upper right corner; offsetting to text.
Bonny Prince Charlie (1720-1788) being led into a rowing boat at right by two officers, a ship beyond, soldiers in highland dress surrounding at left. Illustration to Lyttleton's 'History of England' (London 1803-05).
[Ref: 27706] £65.00 (£78.00 incl.VAT)
Dodd delin. Grainger sculp.
Publish'd as the Act directs April 16, 1803: by J. Stratford. No.112, Holborn Hill.
Engraving and etching. 170 x 221mm (6¾ x 8¾"). Staining to upper right corner; offsetting to text.
Bonny Prince Charlie (1720-1788) being led into a rowing boat at right by two officers, a ship beyond, soldiers in highland dress surrounding at left. Illustration to Lyttleton's 'History of England' (London 1803-05).
[Ref: 27706] £65.00 (£78.00 incl.VAT)
![[Bonnie Prince Charlie on horseback.]](jpegs/57239.jpg)
[Bonnie Prince Charlie on horseback.]
[n.d., c.1750.]
Unrecorded engraving, extremely rare. Sheet 205 x 145mm (8 x 5¾"). Trimmed to edge of image on three sides, vertical fold.
An equestrian portrait of Charles Edward Stuart, the Young Pretender, during the Jacobite rebellion of 1745. In April 1746, Army of Charles Stuart was routed at Battle of Culloden. Culloden battle scene is possibly depicted in the background.
Not in Sharpe.
[Ref: 57239] £550.00
[n.d., c.1750.]
Unrecorded engraving, extremely rare. Sheet 205 x 145mm (8 x 5¾"). Trimmed to edge of image on three sides, vertical fold.
An equestrian portrait of Charles Edward Stuart, the Young Pretender, during the Jacobite rebellion of 1745. In April 1746, Army of Charles Stuart was routed at Battle of Culloden. Culloden battle scene is possibly depicted in the background.
Not in Sharpe.
[Ref: 57239] £550.00
![Dudley Coutts Stuart [facsimile signature.]](jpegs/21872.jpg)
Dudley Coutts Stuart [facsimile signature.]
A D'Orsay fecit Oct. 1839- [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph with colour added by hand, india paper, india 195 x 150mm. 7¾ x 6".
Portrait of Lord Dudley Coutts Stuart (1803 - 1854), advocate of Polish independence; son of the 1st Marquess of Bute. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.212, 1.
[Ref: 21872] £95.00 (£114.00 incl.VAT)
A D'Orsay fecit Oct. 1839- [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph with colour added by hand, india paper, india 195 x 150mm. 7¾ x 6".
Portrait of Lord Dudley Coutts Stuart (1803 - 1854), advocate of Polish independence; son of the 1st Marquess of Bute. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.212, 1.
[Ref: 21872] £95.00 (£114.00 incl.VAT)
![[Three drawings of the coffin of Elizabeth Stuart, daughter of Charles I]](jpegs/42310.jpg)
[Three drawings of the coffin of Elizabeth Stuart, daughter of Charles I]
Three drawings, one pen and ink with hand colouring (285 x 215mm, 11¼ x 8½") and the other pencil and watercolour (280 x 465mm, 11 x 18¼"); watermark I. Taylor.
Three drawings of the coffin of Elizabeth Stuart (1635-50), second daughter of Charles I and Henrietta Maria. One shows the coffin from above and from the side (with section of the vault in which it was placed, and its length indicated); the other is a brass rubbing of the inscription on the top: 'Elizabeth 2d. Daughter of ye Late King Charles Deced Sept. 8th. MDCL.'. After the execution of Charles I, Elizabeth and her younger brother Henry went to live in Penshurst in Kent, but after Elizabeth's brother Charles (the future Charles II) landed in Scotland to assume the throne, parliament resolved to transport Elizabeth and Henry 'out of the limits of the Commonwealth'. They were temporarily lodged in Carisbrooke Castle on the Isle of Wight (despite Elizabeth's protestations that her health made transporting her inadvisable), where she died soon after arriving. She was buried in a small vault near the communion table in St Thomas's Church at Newport.
[Ref: 42310] £260.00 (£312.00 incl.VAT) view all images for this item
Three drawings, one pen and ink with hand colouring (285 x 215mm, 11¼ x 8½") and the other pencil and watercolour (280 x 465mm, 11 x 18¼"); watermark I. Taylor.
Three drawings of the coffin of Elizabeth Stuart (1635-50), second daughter of Charles I and Henrietta Maria. One shows the coffin from above and from the side (with section of the vault in which it was placed, and its length indicated); the other is a brass rubbing of the inscription on the top: 'Elizabeth 2d. Daughter of ye Late King Charles Deced Sept. 8th. MDCL.'. After the execution of Charles I, Elizabeth and her younger brother Henry went to live in Penshurst in Kent, but after Elizabeth's brother Charles (the future Charles II) landed in Scotland to assume the throne, parliament resolved to transport Elizabeth and Henry 'out of the limits of the Commonwealth'. They were temporarily lodged in Carisbrooke Castle on the Isle of Wight (despite Elizabeth's protestations that her health made transporting her inadvisable), where she died soon after arriving. She was buried in a small vault near the communion table in St Thomas's Church at Newport.
[Ref: 42310] £260.00 (£312.00 incl.VAT) view all images for this item
Constantia et Alacri Tate. Elisabethæ D: G, Bohemiæ Reginæ, Electrici Principi Magnæ Britanniæ, Comtessæ Palatinæ Rheni, Ducissæ Bavariæ, Marchionissæ Moraviæ, Ducissæ Silesiæ et Lucemburghi, Marchio Nissæ Utriusquæ Lusatiæ, etc.
Wilh.s Hondius Sculpsit Hagæ-Comit.
Cum privil. Illust. D.D. Ordin. Gneral foed. Belg. MDCXXX.
Engraving. Sheet: 420 x 285mm (16½ x 11¼''). Trimmed and damaged in centre left.
Elizabeth Stuart (1596-1662), daughter of James I and wife of Frederick V of Bohemia, Elector Palatine.
[Ref: 49454] £140.00 (£168.00 incl.VAT)
Wilh.s Hondius Sculpsit Hagæ-Comit.
Cum privil. Illust. D.D. Ordin. Gneral foed. Belg. MDCXXX.
Engraving. Sheet: 420 x 285mm (16½ x 11¼''). Trimmed and damaged in centre left.
Elizabeth Stuart (1596-1662), daughter of James I and wife of Frederick V of Bohemia, Elector Palatine.
[Ref: 49454] £140.00 (£168.00 incl.VAT)
Illustrus: Domina Dna: Maria Stuart Comitissa Portlandiae Neylandiae.
Ant: Van Dycke pinxit. W: Hollar fecit A:o 1650. [Ioannes Meyssens] excud: Antuerpiæ.
Etching. Plate 273 x 191mm. 10¾ x 7½". 'Ioannes Meyssens' scratched from plate. Trimmed to plate, printer's crease.
Portrait of Frances Stuart, Countess of Portland, half length, hair in curls, wearing pearl earrings and necklace, low jewelled dress, and fur stole; curtain to right. Frances Stuart (1617-1694) was married to Jerome Weston, Earl of Portland, and English diplomat. Plate to van Dyck's 'Iconographie', 1650.
Pennington: 1484; Wibiral: 135.ii
[Ref: 24628] £60.00 (£72.00 incl.VAT)
Ant: Van Dycke pinxit. W: Hollar fecit A:o 1650. [Ioannes Meyssens] excud: Antuerpiæ.
Etching. Plate 273 x 191mm. 10¾ x 7½". 'Ioannes Meyssens' scratched from plate. Trimmed to plate, printer's crease.
Portrait of Frances Stuart, Countess of Portland, half length, hair in curls, wearing pearl earrings and necklace, low jewelled dress, and fur stole; curtain to right. Frances Stuart (1617-1694) was married to Jerome Weston, Earl of Portland, and English diplomat. Plate to van Dyck's 'Iconographie', 1650.
Pennington: 1484; Wibiral: 135.ii
[Ref: 24628] £60.00 (£72.00 incl.VAT)
Frances Stuart Countess of Portland.
Antonius van Dyke Eques pinxit.
Sold by Alexander Browne at the blew Balcony in little Queen Street. [n.d. c.1680.]
Scarce & fine mezzotint, 17th century watermark; 365 x 280mm (14¼ x 11"). Trimmed to image on three sides, into plate at bottom.
Frances Stuart, Countess of Portland (1617-94), daughter of Esmé Stuart, Duke of Lennox. She married Richard Weston, 1st Earl of Portland.
CS: 29. Simon Turner 39.
[Ref: 67829] £360.00
Antonius van Dyke Eques pinxit.
Sold by Alexander Browne at the blew Balcony in little Queen Street. [n.d. c.1680.]
Scarce & fine mezzotint, 17th century watermark; 365 x 280mm (14¼ x 11"). Trimmed to image on three sides, into plate at bottom.
Frances Stuart, Countess of Portland (1617-94), daughter of Esmé Stuart, Duke of Lennox. She married Richard Weston, 1st Earl of Portland.
CS: 29. Simon Turner 39.
[Ref: 67829] £360.00
The portraiture of the illustreous Princesse Frances Duchess of Richmond and Lenox daugter of Thomas Ld. Howard of Bindon sonne of Thomas Duke of Norfok. Whose mother was Elisabeth daughter of Edward Duke of Buckingham.
Anno 1623 insculptum a Guilh: Passeo Londinium.
Engraving, later 18th century impression. Sheet 160 x 260mm. Trimmed to platemark.
Frances (née Howard), Duchess of Richmond, and Duchess of Lennox [1578-1639]. Wife of Lodovick Stuart, Duke of Richmond. Engraved by Willem van de Passe [1590 - 1660?] as a frontispiece to the 'Generall Historie of Virginia, New England and the Summer Isles.' of 1624 by Captain John Smith.
[Ref: 4561] £280.00 (£336.00 incl.VAT)
Anno 1623 insculptum a Guilh: Passeo Londinium.
Engraving, later 18th century impression. Sheet 160 x 260mm. Trimmed to platemark.
Frances (née Howard), Duchess of Richmond, and Duchess of Lennox [1578-1639]. Wife of Lodovick Stuart, Duke of Richmond. Engraved by Willem van de Passe [1590 - 1660?] as a frontispiece to the 'Generall Historie of Virginia, New England and the Summer Isles.' of 1624 by Captain John Smith.
[Ref: 4561] £280.00 (£336.00 incl.VAT)
Henrietta Maria. Mother Queene.
[Rob. Walton Excudit.] [n.d., c.1650.]
Etching. Sheet 185 x 115mm (7¼ x 4½"). Rare. Trimmed, losing publisher's inscription at top.
Henrietta Maria [1609 - 1669], widow of Charles I of England, here celebrated as mother of Charles II.
[Ref: 32697] £120.00 (£144.00 incl.VAT)
[Rob. Walton Excudit.] [n.d., c.1650.]
Etching. Sheet 185 x 115mm (7¼ x 4½"). Rare. Trimmed, losing publisher's inscription at top.
Henrietta Maria [1609 - 1669], widow of Charles I of England, here celebrated as mother of Charles II.
[Ref: 32697] £120.00 (£144.00 incl.VAT)
Henry Prince of Wales, Eldest Son of King James 1st. Obit Novr. 6th. 1612 Aet 18. From an extreme rare Print by S. Pass.
Dunkerton sculp.t.
London: Pub. by S.Woodburn No.112 St. Martin's Lane.
Mezzotint, a fine, proof impression. Plate: 355 x 265mm (14 x 10½"), with large margins.
Henry Frederick Stuart (1594 - 1612), first child of King James VI of Scotland (later King James I of England) and Anne of Denmark, was born on February 19, 1594, at Stirling Castle in Scotland. In November 1612 Henry suddenly took ill and died, probably of typhoid fever, though rumours circulated that the Prince was poisoned. Here he is depicted in armour during a lance drill, a jousting tournament in the background. A copy after the engraving by Simon de Passe. From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 469.
[Ref: 39819] £190.00 (£228.00 incl.VAT)
Dunkerton sculp.t.
London: Pub. by S.Woodburn No.112 St. Martin's Lane.
Mezzotint, a fine, proof impression. Plate: 355 x 265mm (14 x 10½"), with large margins.
Henry Frederick Stuart (1594 - 1612), first child of King James VI of Scotland (later King James I of England) and Anne of Denmark, was born on February 19, 1594, at Stirling Castle in Scotland. In November 1612 Henry suddenly took ill and died, probably of typhoid fever, though rumours circulated that the Prince was poisoned. Here he is depicted in armour during a lance drill, a jousting tournament in the background. A copy after the engraving by Simon de Passe. From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 469.
[Ref: 39819] £190.00 (£228.00 incl.VAT)
![[Prince Henry Benedict Stuart.]](jpegs/64531.jpg)
[Prince Henry Benedict Stuart.]
[Engraved by John Simon after John Richardson.]
[n.d., c.1735.]
Mezzotint. 310 x 210mm (12¼ x 8¼"). Thread margins, top corners chipped, damp stains.
An untitled, half-length portrait of Henry Benedict Stuart (1725-1807) as a boy, within an oval frame. The last Jacobite Pretender, as Henry IX, but more content as a cardinal.
Sharp: 260, illus. p.25. CS 148. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64531] £190.00 (£228.00 incl.VAT)
[Engraved by John Simon after John Richardson.]
[n.d., c.1735.]
Mezzotint. 310 x 210mm (12¼ x 8¼"). Thread margins, top corners chipped, damp stains.
An untitled, half-length portrait of Henry Benedict Stuart (1725-1807) as a boy, within an oval frame. The last Jacobite Pretender, as Henry IX, but more content as a cardinal.
Sharp: 260, illus. p.25. CS 148. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64531] £190.00 (£228.00 incl.VAT)
Lieut.t Gen.l James Stuart. Commander in Chief of his Majestys Forces at Madras & Col.l of the 72 Regt of Foot.
Painted by Thomas Lawrence Esq.r R.A. Principal Painter to His Majesty. Engraved by George Clint.
Published by G. Clint Mar 1. 1802 N.º 4 Hind Co.t Fleet St.t.
Rare mezzotint, open letter state. 510 x 355mm (20 x 14"), large margins. Some toning and spotting, slight scratch.
Three-quarter length portrait of General James Stuart (1741-1815), in uniform, hand resting on his sword. He served in the American War of Independence, commanded the centre column in the assault on Seringapatam in 1792 and captured Ceylon in 1796.
O'Donoghue 1. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 66012] £380.00
Painted by Thomas Lawrence Esq.r R.A. Principal Painter to His Majesty. Engraved by George Clint.
Published by G. Clint Mar 1. 1802 N.º 4 Hind Co.t Fleet St.t.
Rare mezzotint, open letter state. 510 x 355mm (20 x 14"), large margins. Some toning and spotting, slight scratch.
Three-quarter length portrait of General James Stuart (1741-1815), in uniform, hand resting on his sword. He served in the American War of Independence, commanded the centre column in the assault on Seringapatam in 1792 and captured Ceylon in 1796.
O'Donoghue 1. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 66012] £380.00
M. General James Stuart.
Painted by George Romney. Engrav'd by C.H. Hodges.
Publish'd Jany. 1st. 1789, by John & Josiah Boydell, No. 90, Cheapside London.
Mezzotint. 470 x 355mm (18½ x 14"), very large margins. Printer's crease, damp stain on right, some spotting.
Three-quarter length portrait of General James Stuart (c.1735-1793), standing directed to left, looking round towards the viewer, right hand on maps labelled 'Moro 1762' & 'Cuddalore 1783', left hand on his cane, wearing military coat, sword and powdered wig tied at the nape, in a landscape with water behind him. He served in the Seven Years' War, fighting at Louisbourg and Martinique, before joining the East India Company and serving during the Second Anglo-Mysore War. Romney's oil is in the collection of the Scottish National Portrait Gallery (PG 1832)
Horne: 117, ii/ii. CS: 29. Ex: Collection of The Hon. Christopher Lennox-Boyd. Collector's stamp 'I F P' on reverse, not in Lugt.
[Ref: 65964] £320.00
Painted by George Romney. Engrav'd by C.H. Hodges.
Publish'd Jany. 1st. 1789, by John & Josiah Boydell, No. 90, Cheapside London.
Mezzotint. 470 x 355mm (18½ x 14"), very large margins. Printer's crease, damp stain on right, some spotting.
Three-quarter length portrait of General James Stuart (c.1735-1793), standing directed to left, looking round towards the viewer, right hand on maps labelled 'Moro 1762' & 'Cuddalore 1783', left hand on his cane, wearing military coat, sword and powdered wig tied at the nape, in a landscape with water behind him. He served in the Seven Years' War, fighting at Louisbourg and Martinique, before joining the East India Company and serving during the Second Anglo-Mysore War. Romney's oil is in the collection of the Scottish National Portrait Gallery (PG 1832)
Horne: 117, ii/ii. CS: 29. Ex: Collection of The Hon. Christopher Lennox-Boyd. Collector's stamp 'I F P' on reverse, not in Lugt.
[Ref: 65964] £320.00
Lieut.t Gen.l James Stuart. Commander in Chief of his Majestys Forces at Madras & Col.l of the 72 Regt of Foot.
Painted by Thomas Lawrence Esq.r R.A. Principal Painter to His Majesty. Engraved by George Clint.
Published by G. Clint Mar 1. 1802 N.º 4 Hind Co.t Fleet St.t.
Mezzotint, open letter state. 510 x 355mm (20 x 14"), with large margins. Some spotting.
Three-quarter length portrait of General James Stuart (1741-1815), in uniform, hand resting on his sword. He served in the American War of Independence, commanded the centre column in the assault on Seringapatam in 1792 and captured Ceylon in 1796.
O'Donoghue 1. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state i of iii.
[Ref: 66009] £320.00
Painted by Thomas Lawrence Esq.r R.A. Principal Painter to His Majesty. Engraved by George Clint.
Published by G. Clint Mar 1. 1802 N.º 4 Hind Co.t Fleet St.t.
Mezzotint, open letter state. 510 x 355mm (20 x 14"), with large margins. Some spotting.
Three-quarter length portrait of General James Stuart (1741-1815), in uniform, hand resting on his sword. He served in the American War of Independence, commanded the centre column in the assault on Seringapatam in 1792 and captured Ceylon in 1796.
O'Donoghue 1. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state i of iii.
[Ref: 66009] £320.00