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A Stirling Banker.
A Stirling Banker. M.r. Stirling.
Drawn Etched by Richard Dighton June 1824.
Pub.d. by T. M.c.Lean Haymarket.
Hand-coloured etching with very large margins. J. Whatman Turkey Mill 1826 watermark. Plate: 140 x 270mm (5½ x 10½").
A full-length portrait in profile of banker Sir Walter Stirling (1802-1888).
BM 14681.
[Ref: 34317]   £220.00   (£264.00 incl.VAT)
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A Stitch in time saves Nine.
A Stitch in time saves Nine. Dedicated to Lord Darnley.
Drawn by Joe Lisle.
Published by Berthoud & Son, 65 Quadrant. [n.d., c.1828.]
Rare coloured aquatint. Sheet 265 x 200mm (10½ x 8"). Trimmed within plate.
A woman makes an emergency repair to the calf of a man's hose as he glares over his shoulder. On the wall behind are oval pictures of a couple dancing and a violin, with a scroll marked 'Walts' (waltz), all suggesting this was a dancing catastrophe. Although there was a contemporary Lord Darnley (John Bligh, 4th Earl of Darnley, 1767-1831), the dedication seems to be a pun on darning rather than a personal satire.
[Ref: 39600]   £190.00   (£228.00 incl.VAT)
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[Four landscape studies.]
[Four landscape studies.]
J Baldrey fect [indistinctly signed in two plates.]
[n.d., c.1790.]
An extremely rare set of four plates (two ovals), stitched, etchings with sepia and grey wash on J. Whatman watermarked laid paper. Two plates c.170 x 225mm (6¾ x 9"), two c.155 x 180mm (6 x 7").
By John Baldrey (1758 - 1792 after), who made his name as a stipple engraver, or his brother Joshua Kirby Baldrey (1754 - 1828).
[Ref: 13342]   £450.00   view all images for this item
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Alarming Sacrifice.
Alarming Sacrifice.
George Cruikshank.
[n.d., c.1851]
Etching. Sheet 160 x 100mm (6¼ x 4"). Trimmed and backed onto album paper.
A satirical scene depicting a street filled with women, out of the window bonnets are being thrown and a flag reads 'Another Alarming Failure.' In the centre background a sign reads 'Ten Million Yards of Gros de Naples 500 pr.cent under Prime Costs.'
[Ref: 66874]   £130.00   (£156.00 incl.VAT)
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[Stock Boys Shop Gives Pleasure and Sorrow in Stealing.]
[Stock Boys Shop Gives Pleasure and Sorrow in Stealing.] De Kermis-Kraam, van de Actie-Knaapen, Schaft vreugde, en droesheid, onder't Kaapen.
Verklaaring op de Print door Philadelphus. [1720.]
Engraving, 18th century watermark. Plate: 445 x 330mm (17½ x 13'') very large margins. Crease as normal.
A scene showing a large crowd following a cart pulled by two toads. The cart is driven by the figure of Deceit and in the back ride Harlequin, who is shown vomiting, Bombario and the Devil who blows share certificates into the crowd with his bellows.
BM Satire 1650.
[Ref: 48466]   £260.00   (£312.00 incl.VAT)
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[Common Tartar.]
[Common Tartar.] Vol.2.Pl.20.
Geisler del.t Medland Sculp.
[John Stockdale.] [n.d. c.1812.]
Hand-coloured engraving with large margins, offset; Stamp: Stamford Library. Plate 202 x 165mm (8 x 6½").
Plate 20: a common Tartar with a bullock's whip; and another covered with the cap usually worn for sheltering the head from rain. The third figure, represents a shepherd in his customary apparel. From Volume 2 of "Travels Through the Southern Provinces of the Russian Empire, in the Years 1793 and 1794".
[Ref: 31036]   £65.00   (£78.00 incl.VAT)
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[Christopher Walters Stockdale Esq.r.]
[Christopher Walters Stockdale Esq.r.]
[After Sir Godfrey Kneller. Engraved by John Smith.]
[n.d., c.1690.]
Fine mezzotint, proof before letters. 335 x 250mm (13¼ x 9¾").
Portrait of Christopher Walters Stockdale Esq.r. (c.1665 - 1713), English politician and landowner in Yorkshire who served as Member of Parliament for Knaresborough from 1693 until his death in 1713. He operated within the Whig faction during the post-Revolutionary era, a party strongly associated with the Williamite cause, and was listed in the Worsley list..
CS 245 i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68563]   £290.00   (£348.00 incl.VAT)
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View of Stockholm, the Capital of Sweden.
View of Stockholm, the Capital of Sweden.
Published 1st. May, 1822, by R.H. Laurie, 53, Fleet Street, London.
Rare hand-coloured engraving, image 245 x 410mm, 9¾ x 16". Inscribed 'E J Myles' to verso in ink (probably signature), and numbered '76'. Two marginal tears, including one just into image upper right. A little staining to sky, else a fine impression.
Fine prospect of Stockholm, Sweden; figures to foreground. Numbered '142' upper right.
[Ref: 21755]   £320.00  
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Stockman [on stone.]
Stockman [on stone.]
S.T.G. [on stone.] [Faint imprint of lithographers Campbell & Fergusson below image.]
[Melbourne: J.J. Blundell & Co., c.1856.]
Sepia-tinted lithograph heightened in white, sheet 170 x 225mm. 6¾ x 8¾". Trimmed around printed border.
A cattle drive in Victoria, Australia; two riders in classic cowboy dress, with whips. From 'Sketches in Victoria' by Samuel Thomas Gill (1818 - 1880).
See National Library of Australia, Rex Nan Kivell Collection NK 9841/1B.
[Ref: 24261]   £130.00   (£156.00 incl.VAT)
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A pair of Beauties.
A pair of Beauties.
C.B.
[n.d., c.1900.]
Etching. 130 x 105mm (5¼ x 4¼").
Two beared men sit in the stocks, pelted by eggs.
[Ref: 62119]   £70.00   (£84.00 incl.VAT)
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The Stocks.
The Stocks.
J. Chapman sc.
[Published Jan. 1804 by James Cundee, Ivy Lane.]
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Some staining.
A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and published by James Cundee, Ivy Lane, London, illustrating the use of the stocks.
[Ref: 38043]   £45.00   (£54.00 incl.VAT)
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A View of Stocks Market.
A View of Stocks Market. Veue de la place nommé Stocks Market.
Nichols Pinx.t. Fletcher sculp.
Publish'd according to Act of Parliam.t 1753 by J.Boydell Engraver at the Unicorn the corner of Queen Street Cheapside, London.
Engraving. 320 x 450mm, 12½ x 17¾". Watermarked 1819. Ink mss. in margin; slight creasing along upper edge.
Stocks Market, so-called because it was originally the site of the only permanent punishment stocks in the City. It was cleared in 1737 for the building of Mansion House. Of interest is the equestrian statue of Charles II. Originally an unfinished statue of King John Sobieski of Poland trampling on a Turk, Sir Robert Vyner had Charles's head added and changed the Turk to Oliver Cromwell!
[Ref: 9039]   £260.00   (£312.00 incl.VAT)
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Opening of The First English Rail-Way between Stockton and Darlington, Sept. 27th, 1825.
Opening of The First English Rail-Way between Stockton and Darlington, Sept. 27th, 1825. Race of Locomotives at Rainhill, Near Liverpool, in which George Stevenson's "Rocket" won, 1829. A First-Class Train on the Liverpool and Manchester Rail-way, 1833. A Second-Class Train on the Liverpool and Manchester Rail-way, 1833
[n.d, c.1880.]
Coloured lithograph, later impression, Sheet 415 x 550mm (16¼ x 21¾"). Repaired tears.
Four scenes from early British railway history.
[Ref: 56682]   £260.00   (£312.00 incl.VAT)
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An East View of the Square at Stockton, with the Improvements, taken from the Church Gates.
An East View of the Square at Stockton, with the Improvements, taken from the Church Gates.
Drawn by W. Green. Engraved by J. Jeakes.
Publish'd July 25 1803, by Christopher & Jennett, Stockton.
Scarce aquatint and etching, printed in brown. Sheet 245 x 400mm (9½ x 15¾"). Trimmed within plate, pin holes in corners and top edge.
A square in Stockton-on-Tees, surrounded by a white fence.
[Ref: 67901]   £260.00   (£312.00 incl.VAT)
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[Andrew Ernest Stoddart] A big hitter.
[Andrew Ernest Stoddart] A big hitter.
Stuff [Henry Wright].
Published by Vincent Brooks, Day & Son. 1892.
Chromolithograph. Page size: 270 x 400mm. Slightly faded, mount burn.
Andrew Ernest Stoddart (1863-1915), Wisden Cricketer of the Year in 1893. He has the unique distinction in captaining England in three distinct sports; cricket, rugby union and Australian rules football. After retiring he fell into debt and, with failing health, he shot himself and was buried in an unmarked grave.
The Cricketers of Vanity Fair. March.
[Ref: 27617]   £150.00   (£180.00 incl.VAT)
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Ioannes Stoflerus Mathematicus.
Ioannes Stoflerus Mathematicus. Perlustrans terras Stoflerus et astra polorum, Coelo animam jussit vivere, corpus humj.
[Jean-Jacques Boissard.] [n.d. c.1680.]
Engraving. 133 x 89mm. 5¼ x 3½". Trimmed.
Seated figure in arch; right pose; instruments of the profession. Johannes Stöffler (1452-1531) was a German mathematician, astronomer, astrologer, priest, maker of astronomical instruments and professor at the University of Tübingen. His students at the university included Philipp Melanchthon and Sebastian Münster. From Jean-Jacques Boissard's "Bibliotheca Chalcographica".
In the National Library of Medicine.
[Ref: 26046]   £280.00   (£336.00 incl.VAT)
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Joannes Stoflerus Mathematicus.
Joannes Stoflerus Mathematicus.
[Paris, c.1660.]
Engraving. Sheet 135 x 90mm. Trimmed to image, laid on album paper.
Johannes Stöffler (1452-1531), mathematician, astronomer, astrologer and maker of scientific instruments including celestial globes and astronomical clocks. As a professor at the University of Tübingen he taught Philipp Melanchthon and Sebastian Münster.
W2833.
[Ref: 37797]   £65.00   (£78.00 incl.VAT)
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Stoke Edith Park, Herefordshire.
Stoke Edith Park, Herefordshire.
Ibradley Lithog: Printed by C. Hulmandel.
[British, c.1821.]
Lithograph, rare, paper watermarked '1821', sheet 225 x 275mm. 9 x 10¾". Creasing and tear to lower-centre left.
The Stoke Edith estate set in its Herefordshire parkland; deer in the foreground. Stoke Edith Park was the seat of Sir Henry Lingen, a Royalist officer in the English Civil War, who was buried in the church in 1662. His widow sold the estate in 1670 to Thomas Foley, who settled it on his second son Paul. Paul rebuilt the timber-framed mansion Stoke Court from 1695, when he became Speaker. The house, renamed Stoke Park, remained in the family until the death of Thomas Lord Foley who, having inherited the Great Witley estate from his distant cousin Thomas 2nd Baron Foley, settled Stoke Edith on his second son Edward Foley (1747-1803). Many of the family were members of Parliament. Stoke Park remained their principal residence until it was burnt down in 1926.
Not in Abbey Scenery.
[Ref: 24631]   £95.00   (£114.00 incl.VAT)
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[Stoke Newington] The North West View of Newington. La Veüe de Newington ou Nord Ouest.
[Stoke Newington] The North West View of Newington. La Veüe de Newington ou Nord Ouest.
Printed for and Sold by Henry Overton at the White Horse without Newgate, London. [n.d. c.1810.]
Coloured engraving. 260 x 400mm (10¼ x 15¾") very large margins. Laid on card. Time staining.
A view of Stoke Newington, Hackney, from Clissold Park, with park of the New River in the middle distance.
[Ref: 51654]   £220.00   (£264.00 incl.VAT)
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Stoke Park, Northamptonshire; The Seat of Vernon Wentworth Esq.re.
Stoke Park, Northamptonshire; The Seat of Vernon Wentworth Esq.re. From a Design of an Italian Villa by Palladio, 1630. Copied from an Original Drawing in the Poession of the late Levison Vernon Esquire, by his friend, Gilbert Flesher, Dep.y Lieu.t.
Dickinson, Bond S,t lithog.
[n.d., c.1830.]
Lithograph. Printed area 260 x 235mm (10¼ x 9¼"), with large margins. Foxing on right margin.
The front of Stoke Park, Stoke Bruerne, Northamptonshire, the first Palladian country house built in England, believed to have been constructed by Inigo Jones c.1630. Only the two side pavillions survive.
[Ref: 64046]   £160.00   (£192.00 incl.VAT)
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Stoke Poges Church.
Stoke Poges Church. The Scene of Gray's Boyhood Elegy and Grave.
Lithographed by Douglas Morison from his original Drawing.. Printed by C. Hullmandel.
Published by subscription and respectfully Dedicated to Granville Penn Esqr. F.S.A. Stoke Park Buckinghamshire. [n.d., c.1840.]
Lithograph, sheet 380 x 510mm. 15 x 20".
Thomas Gray's (1716-1771) Elegy Written in a Country Churchyard is believed to have been written in the churchyard of the parish church of Saint Giles in Stoke Poges, Buckinghamshire. Gray is buried at St Giles and there is a large monument displaying the Elegy nearby, built by John Penn, William Penn's grandson. Douglas Morison (1810 - 1847).
[Ref: 26446]   £140.00   (£168.00 incl.VAT)
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[A Marsh Road]
[A Marsh Road]
Charles J Watson [in image and in pencil].
1919.
Trial proof etching signed by the artist, 150 x 200mm (6 x 8"). Some time staining in large margins.
Road at Stokesby on the bank of a canal, with old trees and thatched buildings at left and two cattle at centre; distant view of Aclebridge. Charles John Watson (1846 - 1927). Born in Norwich, Watson was a member of the Royal Society of Painter-Etchers and Engravers, and chief Founder and first President of the Norwich Art Circle. After leaving Norwich to move to London in 1888, he exhibited successfully at Robert Dunthorne's Gallery in Vigo Street.
Watson 1931: 197.
[Ref: 62608]   £75.00   (£90.00 incl.VAT)
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[The Stolen Kiss]
[The Stolen Kiss]
C.W. Cope R.A.
Etching on india, with very large margins; platemark 125 x 105mm (5 x 4¼"). Uncut sheet.
A young man enters through a window to kiss a sleeping woman. Etching by history painter Charles West Cope (1811-90), from 'Etchings for the Art-Union of London by the Etching Club', of which Cope was a founding member. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker.
[Ref: 35892]   £130.00   (£156.00 incl.VAT)
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[Advert.] Gregory's Stomachic Powder.
[Advert.] Gregory's Stomachic Powder. Observe! ''Butler, Cheapside.'' on the Government Stamp.
Whiting, Beaufort House, Strand.
Embossed card. Sheet: 120 x 155mm (4¾ x 6''). Damaged.
An advert for a medicinal powder.
[Ref: 50576]   £65.00   (£78.00 incl.VAT)
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[Stone-Breakers on the Road] Plate 7.
[Stone-Breakers on the Road] Plate 7.
Geo. Walker Del. Engraved by R. & D. Havell.
Publish'd by Robinson & Son, Leeds, Sept 1. 1813.
Fine hand coloured aquatint. 290 x 380mm (11½ x 15"), watermarked 'J Whatman 1811', with sheet of letterpress, with wide margins.
Thee men working with shovel, pick and wheelbarrow, breaking down rocks to repair roads. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54263]   £140.00   (£168.00 incl.VAT)
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A Stone Quarry near Penzance Cornwall.
A Stone Quarry near Penzance Cornwall.
[William Payne. John Bluck.]
Pub: 1: Jan. 1800 at R. Ackermann's Repositroy of the Arts, 101 Strand.
Aquatint. 272 x 370mm. 10¾ x 14½".
Cornwall boasts many quarries due to the geological formations during the Devonian geological period - 400 million years ago. The cornish quarries offer varying grades and shades of Cornish stone - slate and granite. From: '4th [in ink] Book of Landscapes after Payne/ Pubd at R. Ackermann's 101 Strand/ The Greatest variety of Transparencies & Medallions'.
Not in Abbey.
[Ref: 22199]   £95.00   (£114.00 incl.VAT)
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The Pebble [in pencil]
The Pebble [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Limited edition numbered 1 of 75. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
A nude woman skips stones at the beach. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62509]   £360.00  
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[Stonecutters and Mason] Tailleur de pierre et Maçon. Steinhauer u. Maurer.
[Stonecutters and Mason] Tailleur de pierre et Maçon. Steinhauer u. Maurer.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
A building site with stoneworkers
[Ref: 36602]   £130.00   (£156.00 incl.VAT)
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Stonehenge, From the Westward, 1849.
Stonehenge, From the Westward, 1849.
Joseph Browne, Delt.
Scarce tinted lithograph. Printed area 245 x 375mm (9¾ x 14¾"), with large margins. Tears in edges.
Stonehenge in its unrestored condition.
[Ref: 43778]   £220.00   (£264.00 incl.VAT)
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Stonehenge, Wiltshire. Looking North East. Gwain Jurry.
Stonehenge, Wiltshire. Looking North East. Gwain Jurry.
Etching by G. Hollis from a Sketch by W. Capon.
[n.d. c.1830.]
Rare etching. 158 x 247mm. 6¼ x 9¾".
Stonehenge, the prehistoric monument located in the county of Wiltshire.,
[Ref: 15705]   £70.00   (£84.00 incl.VAT)
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Stonehenge. From the S.E.
Stonehenge. From the S.E.
J. Browne del.t. Printed by C. Hullmandel.
[n.d., c.1850.]
Scarce lithograph, trimmed. 260 x 375mm (10¼ x 14¾"). Small tear top centre.
View of the most famous prehistorical monument in England, dedicated to the owners of the estate on which it stands. Among the sightseers are soldiers in uniform. The Antrobus Family bought the estate in 1824, but after the heir to the baronetcy died in WW1 the estate was sold for £6000 in 1915. The new owner, Cecil Chubb, handed it over to the first Commissioner of Works in 1918, passing Stonehenge to the nation.
[Ref: 53818]   £160.00   (£192.00 incl.VAT)
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[Stonehenge.]
[Stonehenge.]
[J. Blaeu.]
[c.1665.]
Etching. Plate: 200 x 250mm (8 x 9¾").
A view of the prehistoric monument of standing stones on Salisbury Plain in Wiltshire in which a group of three people stand in conversation in the centre of the stones and three men dig bones in the bottom left. An illustration from a German edition of J. Blaeu's 'Atlas Maior Sive Cosmographia Blaviana' first published 1662-1668.
[Ref: 43577]   £190.00   (£228.00 incl.VAT)
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North East View of Stonehenge- The Grand Entrance- From an Origial Drawing in the Collection of Rob.t. Duke Esq.r. [&] South West View of Stonehenge- From an Original Drawing in the Collection of Rob.t. Duke Esq.r.
North East View of Stonehenge- The Grand Entrance- From an Origial Drawing in the Collection of Rob.t. Duke Esq.r. [&] South West View of Stonehenge- From an Original Drawing in the Collection of Rob.t. Duke Esq.r.
G. Keate Del. 1770. H. Roberts Sculp.
Pair of engravings. Sheet: 155 x 230mm (6 x 9"). Trimmed within plate and tipped into an album sheet, some marking.
A pair of view of the prehistoric monument of standing stones on Salisbury Plain in Wiltshire.
[Ref: 43578]   £75.00   (£90.00 incl.VAT)
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[Stonehenge.]
[Stonehenge.]
I. Kip Sculp.
[n.d., c.1722.]
Engraving. Plate: 230 x 190mm (9 x 7½"). Sheet slightly torn.
A view of the prehistoric monument of standing stones on Salisbury Plain in Wiltshire with a key in the bottom edge. An illustration from the 1722 edition of Edmund Gibson's English edition of Camden's 'Britannia', first published in 1695.
[Ref: 43576]   £130.00   (£156.00 incl.VAT)
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[Stonehenge, and a 'natural theatre' at (?)Salzburg.]
[Stonehenge, and a 'natural theatre' at (?)Salzburg.] Surprennante Structure de Rochers en Engleterre dite Stonehengs [...]
Cum. Priv. Sac. Caes. Maj. [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to margins only.
Stonehenge, the most famous prehistorical monument in England, dedicated to the owners of the estate on which it stands. Among the sightseers are soldiers in uniform. The Antrobus Family bought the estate in 1824, but after the heir to the baronetcy died in WW1 the estate was sold for £6000 in 1915. The new owner, Cecil Chubb, handed it over to the first Commissioner of Works in 1918, passing Stonehenge to the nation. Also a performance taking place using a rock formation as a theatre. Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33415]   £360.00  
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Stone Henge.
Stone Henge.
Drawn by W. Westall. A.R.A. Engraved by Francis.
[n.d., c.1840.]
Engraving. Sheet: 135 x 200mm (5¼ x 8").
A view of the prehistoric monument of standing stones on Salisbury Plain in Wiltshire.
[Ref: 43569]   £45.00   (£54.00 incl.VAT)
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Stonehenge, From the Westward, 1849.
Stonehenge, From the Westward, 1849.
Joseph Browne, Delt. J. Needham, Lith.
Day & Son, Lith.rs to the Queen
Scarce tinted lithograph. Printed area 245 x 375mm (9¾ x 14¾"). Margins bit dusty.
Stonehenge in its unrestored condition.
For another impression with different lettering see ref. 43778.
[Ref: 47288]   £220.00   (£264.00 incl.VAT)
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It wur lucky I got shelter at all. Thought would destroy his Paradise where ignorance is bliss!! Tis folly to be wise.
It wur lucky I got shelter at all. Thought would destroy his Paradise where ignorance is bliss!! Tis folly to be wise.
[Paul Pry.] Invt.
Pub by T. McLean 26 Haymarket where Political and other Caricatures are daily Pub. [n.d. c.1828.]
Hand-coloured etching. 350 x 242mm (13¾ x 9½"). Trimmed to border.
A traveller tries to shelter under a tree which has no branches; a soggy dog stands under the other side of the tree. Lightning flashes with Stonehenge visible in the background.
Not in BM.
[Ref: 52249]   £290.00   (£348.00 incl.VAT)
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Stonehenge [pencil].
Stonehenge [pencil]. Stonehenge. An Original Etching by Grainger Smith. Signed impression. Restricted edition of 150 proofs. Plate Destroyed.
Grainger Smith [pencil]
[n.d., c.1930.]
Drypoint, signed by the artist, monogram blind stamp. 100 x 230mm (4 x 9") very large margins. In original mount with gallery label with printed title. Mint.
[Ref: 49237]   £130.00   (£156.00 incl.VAT)
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To the Society of Antiquarians London, This Plate, A View of Stone-Henge Wiltshire.
To the Society of Antiquarians London, This Plate, A View of Stone-Henge Wiltshire. With its accompanying Plate of explanation, is humbly Dedicated by their obedient Servant, James Malton.
James Malton del. et sculp.
London, Published according to Act of Parliament July. 1800.
Aquatint, very rare. Sheet 330 x 470mm (13 x 17½"). Trimmed to plate, right corner of inscription area lacking, surface wear, laid on archival tissue. Damaged.
A group of sightseers examine the stones while a shepherdess rests her flock to the right. James Malton (1761-1803), an Irish engraver and watercolourist, taught geometry and perspective and worked as a draughtsman in the office of the celebrated Irish architect James Gandon. He was the son of the architectural draughtsman Thomas Malton.
[Ref: 45331]   £260.00   (£312.00 incl.VAT)
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To His Grace y.e Duke of Queensbury, This West View of Stonehenge on Salisbury Plain,
To His Grace y.e Duke of Queensbury, This West View of Stonehenge on Salisbury Plain, Supposed y.e Ruins of a Druids Temple, is Respectfully Dedicated by his Graces Most Obed.t Servant, Thomas Watson.
Drawn by T. Watson, 7 October 1805. Engraved by J. Jeakes.
Published Dec.r 9 1805 by T. Watson, No 22. Wellclose Square.
Aquatint, very rare. Sheet 280 x 405mm (11 x 16"). Extensive restoration on right, laid on archival tissue. Damaged.
A view before the restoration of the monument.
[Ref: 45332]   £260.00   (£312.00 incl.VAT)
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A Prospect of Stonehenge from the West. A prospect of Stonehenge from the South.
A Prospect of Stonehenge from the West. A prospect of Stonehenge from the South. Ornatissimo Viro D. Guillelmo Prince Armigero Illustrissmae Ducissae Eboracensi a Mann, Chalcographicae, Pictoriae Coeterarunique ingenuaru Artium Strenue Equitori, Aice Meo, in Primis Celebrando Tabula hane:D.D.C.Q. D. Loggan.
D. Loggan Delin et Excudit.
London. Printed fro Rob.t Sayer Map & Printseller near Serjeant's Inn, Fleet Street [n.d.. c.1750].
Engraving, 18th century watermark. 440 x 615mm (17¼ x 24¼"), with large margins. Damaged mainly in sky, laid on archival tissue; central crease.
A pair of fine early views of Stonehenge on one plate, engraved by David Loggan (famous for his views of Oxford and Cambridge), explanatory text in English and Latin. The plate had a long history: first published by Loggan c.1680, it also appeared in Smith's 'Brittania Illustrata' (1724).
[Ref: 45335]   £390.00  
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Stonehenge. From the S.E.
Stonehenge. From the S.E. To Sir Edmund and Lady Antrobus, this View is most respectfully inscribed by their devoted humble Servant, J.Brown.
J. Browne del.t. Printed by C. Hullmandel.
[n.d., c.1850.]
Scarce lithograph. Printed area 300 x 380mm (12 x 15¼"). Trimmed to printed border on three sides.
View of the most famous prehistoric monument in England, dedicated to the owners of the estate on which it stands. Among the sightseers are soldiers in uniform. The Antrobus Family bought the estate in 1824, but after the heir to the baronetcy died in WW1 the estate was sold for £6000 in 1915. The new owner, Cecil Chubb, handed it over to the first Commissioner of Works in 1918, passing Stonehenge to the nation.
[Ref: 53209]   £230.00   (£276.00 incl.VAT)
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Astronomical Register: Appendix to No 85. The Astronomy of, and Druidical Worship at Stonehenge. By the Rev. John H. Broome, Vicar of Houghton.
Astronomical Register: Appendix to No 85. The Astronomy of, and Druidical Worship at Stonehenge. By the Rev. John H. Broome, Vicar of Houghton.
[n.d., c.1878.]
Extract. small 4vo, 4pp., with wood engraved illustration 'Original Plan of the Seven Trilithons and Altar, at Stonehenge'. Stitch holes in text pages, narrow left margin on illustration.
The author attributes the construction of Stonehenge to the Phoenicians circa 1000 BC, and writes: 'The religion they taught, though corrupted truth, was, perhaps, better than a blind and ignorant worship of stocks and stones',
[Ref: 58228]   £140.00   (£168.00 incl.VAT)
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[Stonehenge]
[Stonehenge] English Etchings Part IX.
M. Snape.
[n.d. c.1881]
Etching, 150 x 225mm (6 x 8¾"), with very large margins. Laid on card. Time stained.
From "English Etchings", Vol I, 1881-2, pl. 30. A moody scene of Stonehenge. Martin Snape (1852-1930) was a British painter, watercolourist, printmaker; exhibited in RA between 1874 and 1901.
[Ref: 62600]   £65.00   (£78.00 incl.VAT)
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[Stoneyhurst.]
[Stoneyhurst.]
Etch.d by S. Middiman.
[n.d., c.1800.]
Unfinished proof etching with engraving. 425 x 545mm (16¾ x 21½"), with very wide margins. Wear to edges, slight abrasion across front of building.
The BM example is finished, printed on chine collé, but with no further inscriptions.
BM 1880,0110.84, also unidentified.
[Ref: 49821]   £360.00  
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The Catholic College of Stonyhurst, Lancashire.
The Catholic College of Stonyhurst, Lancashire. Inscribed to Tho.s Weld Esq.r of Lullworth Castle.
Drawn by T. Stanton. Engraved by S. Middiman.
[n.d., c.1800.]
Fine etching and engraving, open letter proof. 430 x 540mm (17 x 21¼) Several small nicks along the top margin. Some minor creasing and faint marks.
A view of the Jesuit college, based in a Grade I listed building in Lancashire. Founded in France in 1593, it moved to this site in 1794, when Thomas Weld (1750-1810) of Lulworth Castle (to whom this print is dedicated) donated the building and 30 acres to the Jesuits fleeing the French Revolution.
From the Berkeley Collection, Spetchley Park.
[Ref: 55094]   £480.00  
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Stonyhurst,____"The Prefect of Studies' Report in the Refectory."
Stonyhurst,____"The Prefect of Studies' Report in the Refectory."
Painted by F.P. Barraud. Etched by Axel Tallberg. [Etched in image:] A. Tallberg Sc.
London, Published June 22.nd 1892, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Plate 376 x 515mm. 14¾ x 20¼".
Stonyhurst College, the Jesuit school in Lancashire. After Francis Philip Barraud (1824-1900).
[Ref: 22072]   £180.00   (£216.00 incl.VAT)
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Stonyhurst_____"A Blandyke Afternoon"_____"Association football".
Stonyhurst_____"A Blandyke Afternoon"_____"Association football".
Painted by F.P. Barraud. Etched by W.J. Allingham. [Etched in image:] F.P. Barraud.
London, Published Dec.r 5.th 1891, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Plate 437 x 586mm. 17¼ x 23". Foxing, tear into upper edge of margin.
A view outside Stonyhurst College, the traditional Jesuit college in Lancashire. Students and master in the foreground dressed in sporting gear for football practice. After Francis Philip Barraud (1824-1900).
[Ref: 22070]   £320.00  
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[Stonyhurst_____"A Blandyke Afternoon"____"Association football".]
[Stonyhurst_____"A Blandyke Afternoon"____"Association football".]
[Pencil signatures:] F.P. Barraud. William J Allingham. [Etched in image:] F.P. Barraud.
London, Published Dec.r 5.th 1891, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title, signed in pencil. Printseller's Association stamp. Plate 431 x 580mm. 17 x 22¾". Foxing, tear into upper edge of margin.
A view outside Stonyhurst College, the traditional Jesuit college in Lancashire. Students and master in the foreground dressed in sporting gear for football practice. After Francis Philip Barraud (1824-1900).
PSA: Vol.II. AP. 100.
[Ref: 22071]   £390.00  
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