A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[St. Margaret's Church, Westminster.]](jpegs/20503.jpg)
[St. Margaret's Church, Westminster.]
[Smirk Invt: F: Bartolozzi sculp:]
[n.d. c.1792.]
Etching with engraving, rare proof before all letters. 210 x 177mm. 8¼ x 7". Just cut inside platemark, small foxing.
Ticket to a concert at St Margaret's Church, Westminster. St Cecilia seated playing the organ with two winged figures standing to the left. A low-relief which depicts Charity and three children, a lion and a unicorn on sides of the relief.
De Vesme: 1948; ii/v. See Ref 16047 for later state in red/brown ink & 21215 for later state.
[Ref: 20503] £320.00
[Smirk Invt: F: Bartolozzi sculp:]
[n.d. c.1792.]
Etching with engraving, rare proof before all letters. 210 x 177mm. 8¼ x 7". Just cut inside platemark, small foxing.
Ticket to a concert at St Margaret's Church, Westminster. St Cecilia seated playing the organ with two winged figures standing to the left. A low-relief which depicts Charity and three children, a lion and a unicorn on sides of the relief.
De Vesme: 1948; ii/v. See Ref 16047 for later state in red/brown ink & 21215 for later state.
[Ref: 20503] £320.00
St Margarets, Westminster.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London, Pub. Aug.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm (10¾ x 9"), paper watermarked 1836, large margins.
The interior of the parish church of the House of Commons, situated in the grounds of Westminster Abbey. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47222] £75.00 (£90.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London, Pub. Aug.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm (10¾ x 9"), paper watermarked 1836, large margins.
The interior of the parish church of the House of Commons, situated in the grounds of Westminster Abbey. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47222] £75.00 (£90.00 incl.VAT)
The Parish Church of St Margarets Westm:r where the Speaker & House of Commons resort on extraordinary Festivals &c. Engrav'd for Warners Illustration of the Book of Common Prayer.
Brooke fecit in Fleet Street.
Printed for I. Crockatt & I. Hodges. [n.d., 1754.]
Engraving. 340 x 200mm (13½ x 8"), with very large margins. Tears in margins. Crease top right
From Fernando Warner's 'An Illustration of the Book of Common-Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church of England'. Warner (1703-68), an Anglican minister in London and Surrey, is described in DNB as ''much esteemed as a popular preacher, and his writings show him to have been a man of wide learning and more than ordinary ability''.
[Ref: 51997] £160.00 (£192.00 incl.VAT)
Brooke fecit in Fleet Street.
Printed for I. Crockatt & I. Hodges. [n.d., 1754.]
Engraving. 340 x 200mm (13½ x 8"), with very large margins. Tears in margins. Crease top right
From Fernando Warner's 'An Illustration of the Book of Common-Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church of England'. Warner (1703-68), an Anglican minister in London and Surrey, is described in DNB as ''much esteemed as a popular preacher, and his writings show him to have been a man of wide learning and more than ordinary ability''.
[Ref: 51997] £160.00 (£192.00 incl.VAT)
The Parish Church of St Margarets Westm:r where the Speaker & House of Commons resort on extraordinary Festivals &c. [Engrav'd for Warners Illustration of the Book of Common Prayer.]
Brooke fecit in Fleet Street.
[Printed for I. Crockatt & I. Hodges.] [n.d., 1754.]
Engraving. Sheet 320 x 190mm (12½ x 7½"). Trimmed to image, losing parts of inscription, mounted on album paper.
From Fernando Warner's 'An Illustration of the Book of Common-Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church of England'. Warner (1703-68), an Anglican minister in London and Surrey, is described in DNB as ''much esteemed as a popular preacher, and his writings show him to have been a man of wide learning and more than ordinary ability''.
[Ref: 9297] £75.00 (£90.00 incl.VAT)
Brooke fecit in Fleet Street.
[Printed for I. Crockatt & I. Hodges.] [n.d., 1754.]
Engraving. Sheet 320 x 190mm (12½ x 7½"). Trimmed to image, losing parts of inscription, mounted on album paper.
From Fernando Warner's 'An Illustration of the Book of Common-Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church of England'. Warner (1703-68), an Anglican minister in London and Surrey, is described in DNB as ''much esteemed as a popular preacher, and his writings show him to have been a man of wide learning and more than ordinary ability''.
[Ref: 9297] £75.00 (£90.00 incl.VAT)
The Church of Santa Maria della Rotonda at Rome. It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour. L'Eglise de Santa Maria... 4.
Seemond Delin.t Bowles Sculp.t.
Printed for Robert Wilkinson, 58 Cornhill, & Bowles & Carver, 69 St. Paul's Church Yard [n.d. c.1800].
Framed engraving with hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Some light staining. Unexamined out of frame.
A view of the Catholic church Basilica of St. Mary and the Martyrs which has been there since the year 609 and the square out front with the fountain. The site used to be a Roman temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC - 14 AD). It was rebuilt by the emperor Hadrian after it burnt down and probably dedicated c. 126 AD; the date of construction is unknown as Hadrian chose not to inscribe the new temple.
[Ref: 61282] £280.00 (£336.00 incl.VAT)
Seemond Delin.t Bowles Sculp.t.
Printed for Robert Wilkinson, 58 Cornhill, & Bowles & Carver, 69 St. Paul's Church Yard [n.d. c.1800].
Framed engraving with hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Some light staining. Unexamined out of frame.
A view of the Catholic church Basilica of St. Mary and the Martyrs which has been there since the year 609 and the square out front with the fountain. The site used to be a Roman temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC - 14 AD). It was rebuilt by the emperor Hadrian after it burnt down and probably dedicated c. 126 AD; the date of construction is unknown as Hadrian chose not to inscribe the new temple.
[Ref: 61282] £280.00 (£336.00 incl.VAT)
La Visione D'Ezechiello.
[Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.]
Engraving, proof before all letters. 570 x 795mm. 22½ x 31 inches.
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 13738] £380.00
[Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.]
Engraving, proof before all letters. 570 x 795mm. 22½ x 31 inches.
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 13738] £380.00
La Visione D'Ezechiello.
Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.
Engraving. 755 x 550mm. 29¾ x 21".
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 14829] £380.00
Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.
Engraving. 755 x 550mm. 29¾ x 21".
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 14829] £380.00
[St. Martin dividing his Cloak. From the Original Picture painted by Sr. Peter Paul Rubens, in the Collection of her Royal Highness the Princess Dowager of Wales, To Whom this Print is with the most profound Submission dedicated by her Royal Highness's most humble most Obedient & most dutiful servant. J. Boydell.]
[Rubens Pinxt. R. Earlom delin.t Tho.s Chambars sculp.t.
Size of the Picture 7F 10 1/2 I by 8F 5 1/2 I in height. No.26 under. Publish'd according to Act of Parliament, Feby. 1st. 1766, by J. Boydell Engraver in Cheapside, London.]
Copper engraving, 520 x 430mm. 20½ x 17". Proof before title with scratched letters
The attribution to Sr. Peter Paul Rubens is incorrect: it is after the painting by Sir Anthony Van Dyck (1599-1641) now hanging in the Royal Collection. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14900] £290.00 (£348.00 incl.VAT)
[Rubens Pinxt. R. Earlom delin.t Tho.s Chambars sculp.t.
Size of the Picture 7F 10 1/2 I by 8F 5 1/2 I in height. No.26 under. Publish'd according to Act of Parliament, Feby. 1st. 1766, by J. Boydell Engraver in Cheapside, London.]
Copper engraving, 520 x 430mm. 20½ x 17". Proof before title with scratched letters
The attribution to Sr. Peter Paul Rubens is incorrect: it is after the painting by Sir Anthony Van Dyck (1599-1641) now hanging in the Royal Collection. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14900] £290.00 (£348.00 incl.VAT)
St. Martin dividing his Cloak. From the Original Picture painted by Sr. Peter Paul Rubens, in the Collection of her Royal Highness the Princess Dowager of Wales, To Whom this Print is with the most profound Submission dedicated by her Royal Highness's most humble most Obedient & most dutiful servant. J. Boydell.
Rubens Pinxt. R. Earlom delin.t Tho.s Chambars sculp.t.
Size of the Picture 7F 10 1/2 I by 8F 5 1/2 I in height. No.26 under. Publish'd according to Act of Parliament, Feby. 1st. 1766, by J. Boydell Engraver in Cheapside, London.]
Copper engraving, 520 x 430mm. 20½ x 17". Small brown spot in title.
The attribution to Peter Paul Rubens is incorrect: it is after the painting by Sir Anthony Van Dyck (1599-1641) now hanging in the Royal Collection. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14433] £260.00 (£312.00 incl.VAT)
Rubens Pinxt. R. Earlom delin.t Tho.s Chambars sculp.t.
Size of the Picture 7F 10 1/2 I by 8F 5 1/2 I in height. No.26 under. Publish'd according to Act of Parliament, Feby. 1st. 1766, by J. Boydell Engraver in Cheapside, London.]
Copper engraving, 520 x 430mm. 20½ x 17". Small brown spot in title.
The attribution to Peter Paul Rubens is incorrect: it is after the painting by Sir Anthony Van Dyck (1599-1641) now hanging in the Royal Collection. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14433] £260.00 (£312.00 incl.VAT)
The Inside of St Martin's in the Fields. ~ in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d., c.1770.]
Coloured etching, rare. 395 x 450mm (15½ x 17¾"), with large margins. Some creasing.
A view of the interior of St Martin's in the Fields, built by James Gibbs in Charing Cross (now Trafalgar Square) 1722-6, detailing the ceiling.
[Ref: 45301] £320.00
T. Malton delin. G. Bickham sculp.
[n.d., c.1770.]
Coloured etching, rare. 395 x 450mm (15½ x 17¾"), with large margins. Some creasing.
A view of the interior of St Martin's in the Fields, built by James Gibbs in Charing Cross (now Trafalgar Square) 1722-6, detailing the ceiling.
[Ref: 45301] £320.00
The inside of S.t Martins in the Fields. in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d. c. 1770]
Engraving, 390 x 450mm (15½ 17¾"), with margins. Damaged. Laid on archival paper.
A view of the church’s grand interior, the main space largely empty save for a few elegantly dressed figures. Corinthian columns line both sides, supporting a domed, vaulted ceiling, while a gallery runs around the space.
[Ref: 68922] £90.00 (£108.00 incl.VAT)
T. Malton delin. G. Bickham sculp.
[n.d. c. 1770]
Engraving, 390 x 450mm (15½ 17¾"), with margins. Damaged. Laid on archival paper.
A view of the church’s grand interior, the main space largely empty save for a few elegantly dressed figures. Corinthian columns line both sides, supporting a domed, vaulted ceiling, while a gallery runs around the space.
[Ref: 68922] £90.00 (£108.00 incl.VAT)
South West View Of St. Martins Church
Publish'd May 16.th 1795. by T. Malton.
Fine coloured aquatint with etching, sheet 400 x 310mm (15¾ x 12¼").
View looking across the south front of the church of St Martin-in-the-Fields, from the street; figures on pavement to the right, a cart on street in front of steps leading up to entrance to the church; illustration in Malton's 'Picturesque Tour'.
[Ref: 59014] £220.00 (£264.00 incl.VAT)
Publish'd May 16.th 1795. by T. Malton.
Fine coloured aquatint with etching, sheet 400 x 310mm (15¾ x 12¼").
View looking across the south front of the church of St Martin-in-the-Fields, from the street; figures on pavement to the right, a cart on street in front of steps leading up to entrance to the church; illustration in Malton's 'Picturesque Tour'.
[Ref: 59014] £220.00 (£264.00 incl.VAT)
![[St Martins-in-the-Fields] St Martins in an Uproar.](jpegs/46557.jpg)
[St Martins-in-the-Fields] St Martins in an Uproar.
[by Charles Williams]
Pubd Octr 1 1801 by S W Fores No 50 Piccadilly. Folios of Caricatures lent out for the Evening
Etching with hand-colouring, platemark 240 x 370mm (9½ x 14½"). Hole upper centre (in church railing). Stamp of S.W. Fores lower right.
Scene outside the church of St Martin-in-the-Fields, with clergymen chasing a parson out of the church, while couples on the right assail him. In 1801 Thomas Scott Smith introduced himself to the Curate of St Martins as the nephew of Lord Eldon, and acquired a position at the church. For a month he officiated at marriages, baptisms and burials, before he was discovered, found guilty of forgery and sentenced to death. Etched by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work. This impression bears the 'S.W.F.' stamp of the publisher S.W. Fores, also found on impressions of Fores prints in the British Museum and the Hermitage, St Petersburg.
BM Satires 9779; L.2384.
[Ref: 46557] £180.00 (£216.00 incl.VAT)
[by Charles Williams]
Pubd Octr 1 1801 by S W Fores No 50 Piccadilly. Folios of Caricatures lent out for the Evening
Etching with hand-colouring, platemark 240 x 370mm (9½ x 14½"). Hole upper centre (in church railing). Stamp of S.W. Fores lower right.
Scene outside the church of St Martin-in-the-Fields, with clergymen chasing a parson out of the church, while couples on the right assail him. In 1801 Thomas Scott Smith introduced himself to the Curate of St Martins as the nephew of Lord Eldon, and acquired a position at the church. For a month he officiated at marriages, baptisms and burials, before he was discovered, found guilty of forgery and sentenced to death. Etched by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work. This impression bears the 'S.W.F.' stamp of the publisher S.W. Fores, also found on impressions of Fores prints in the British Museum and the Hermitage, St Petersburg.
BM Satires 9779; L.2384.
[Ref: 46557] £180.00 (£216.00 incl.VAT)
St Martins, In the Fields. Plate 79.
Rowlandson & Pugin del. et sculpt. Stadler Aquat.
London. Pub 1.st March 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured, plate 230 x 280mm (9 x 11"), with large margins.
Interior view of St Martin's in the Fields during a service, looking east; Corinthian columns supporting the roof and galleries, the roof decorated with fret-work; the altar at far end with stained glass window above. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.79.
[Ref: 62753] £140.00 (£168.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. Stadler Aquat.
London. Pub 1.st March 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured, plate 230 x 280mm (9 x 11"), with large margins.
Interior view of St Martin's in the Fields during a service, looking east; Corinthian columns supporting the roof and galleries, the roof decorated with fret-work; the altar at far end with stained glass window above. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.79.
[Ref: 62753] £140.00 (£168.00 incl.VAT)
![[St. Mary le Strand.]](jpegs/61070.jpg)
[St. Mary le Strand.]
Fred. A. Farrell [pencil].
[n.d. c.1925.]
Etching. 305 x 215mm (12 x 8½"), with very large margins.
A view of St Mary le Strand from the west. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61070] £280.00 (£336.00 incl.VAT)
Fred. A. Farrell [pencil].
[n.d. c.1925.]
Etching. 305 x 215mm (12 x 8½"), with very large margins.
A view of St Mary le Strand from the west. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61070] £280.00 (£336.00 incl.VAT)
Sainte Magdeleine. Vains plaisirs de la terre eloignez vous de moy, Votre possession ne cause que des larmes, Je fuirai desormais vos detestables charmes, Et de Dieu Seul je recevrai la loi:
Phil. de Champaigne pinx.
a Paris chez Jeurat au bas des fossez S. Victor. [n.d. c.1750.]
Engraving. Plate 345 x 228mm (13½ x 9"). Thread margins.
St Mary Magdalene, the Christian saint and penitent, seen here in her cave.
[Ref: 38411] £75.00 (£90.00 incl.VAT)
Phil. de Champaigne pinx.
a Paris chez Jeurat au bas des fossez S. Victor. [n.d. c.1750.]
Engraving. Plate 345 x 228mm (13½ x 9"). Thread margins.
St Mary Magdalene, the Christian saint and penitent, seen here in her cave.
[Ref: 38411] £75.00 (£90.00 incl.VAT)
Vue de St. Maurice, en Valais.
J. Weibel fc.
1818.
Etching with fine hand colouring. Size: 209 x 280mm (8¼ x 11"). Trimmed around image and text.
A landscape view of Saint-Maurice, or Saint-Maurice-en-Valais, in the canton of Valais in Switzerland. Saint-Maurice is located at the entrance a pass leading to the upper part of the Rhône valley. The scene depicts a wide river, with the Saint Maurice castle and bridge in the middle ground. A group of herders with cows and goats are in the foreground, taking a path on the right side, away from the town. By Swiss landscape painter and printmaker, Samuel Jakob Weibel (1771 - 1846).
[Ref: 31916] £240.00 (£288.00 incl.VAT)
J. Weibel fc.
1818.
Etching with fine hand colouring. Size: 209 x 280mm (8¼ x 11"). Trimmed around image and text.
A landscape view of Saint-Maurice, or Saint-Maurice-en-Valais, in the canton of Valais in Switzerland. Saint-Maurice is located at the entrance a pass leading to the upper part of the Rhône valley. The scene depicts a wide river, with the Saint Maurice castle and bridge in the middle ground. A group of herders with cows and goats are in the foreground, taking a path on the right side, away from the town. By Swiss landscape painter and printmaker, Samuel Jakob Weibel (1771 - 1846).
[Ref: 31916] £240.00 (£288.00 incl.VAT)
Front View of the Residence of the late Rev.d D.r Estlin, S.t Michaels Hill, Bristol.
B. Smith Jr. Bedford's Lithog.
[n.d., c.1830.]
A rare lithograph. Sheet: 210 x 310mm (8¼ x 12"). Trimmed. Central crease.
A view of the house of Unitarian minister and teacher John Prior Estlin (1747-1817). In the late 19th century Estlin opened a school on St Michael's Hill in Bristol.
[Ref: 45978] £140.00 (£168.00 incl.VAT)
B. Smith Jr. Bedford's Lithog.
[n.d., c.1830.]
A rare lithograph. Sheet: 210 x 310mm (8¼ x 12"). Trimmed. Central crease.
A view of the house of Unitarian minister and teacher John Prior Estlin (1747-1817). In the late 19th century Estlin opened a school on St Michael's Hill in Bristol.
[Ref: 45978] £140.00 (£168.00 incl.VAT)
Il est venue le brave S.t Michel, Faire avec nous la Kermesse a Brussel.
Lithogr. de Jobard.
Déposé [n.d., c.1850].
Coloured lithograph. Sheet 295 x 240mm (11½ x 9½"), watermarked 'Hennessey'.
A statue-like figure of St Michael in armour stands on a bat-like Satan, sword raised. A cross sword seems to be embedded in his forehead. A Kermesse is a Dutch festival.
[Ref: 62467] £160.00 (£192.00 incl.VAT)
Lithogr. de Jobard.
Déposé [n.d., c.1850].
Coloured lithograph. Sheet 295 x 240mm (11½ x 9½"), watermarked 'Hennessey'.
A statue-like figure of St Michael in armour stands on a bat-like Satan, sword raised. A cross sword seems to be embedded in his forehead. A Kermesse is a Dutch festival.
[Ref: 62467] £160.00 (£192.00 incl.VAT)
St Neots Paper-Mills, Huntingdonshire.
Drawn, Lithographed and Published by John Sunman Austin, Architect.
Bedford 1853.
Tinted lithograph. Image area 255 x 520mm. 10 x 20½". Damaged; laid on board; title cut away from sheet and glued into mount.
St Neot's Paper Mills (actually in Little Paxton parish): the long ranges of industrial buildings seen from the opposite bank of the River Ouse, with the river bridge to the left, a windmill in the distance, and cattle in the meadow in the foreground.
[Ref: 25960] £160.00 (£192.00 incl.VAT)
Drawn, Lithographed and Published by John Sunman Austin, Architect.
Bedford 1853.
Tinted lithograph. Image area 255 x 520mm. 10 x 20½". Damaged; laid on board; title cut away from sheet and glued into mount.
St Neot's Paper Mills (actually in Little Paxton parish): the long ranges of industrial buildings seen from the opposite bank of the River Ouse, with the river bridge to the left, a windmill in the distance, and cattle in the meadow in the foreground.
[Ref: 25960] £160.00 (£192.00 incl.VAT)
Parish of St. Pancras, Middlesex. A List of the Names and Places of Abode of the Overseers and Agents, Collectors, Constables, Acting Parish Clerk, Beadles, Headboroughs, Searchers, Turcocks, &c. for the Year Ending at Easter, 1828. For the Information of the Inhabitants.
Easter, 1827. Reynold [...]eet.
Scarce letterpress. Sheet 505 x 380mm (19¾ x 15"). Tear at bottom with loss to three lines of text including printer's address, creasing, spots and stains, laid on card.
The parish covered Highgate, Kentish Town, Camden Town, Somers Town, Grays Inn Lane and Tottenham Court Road.
[Ref: 64164] £160.00 (£192.00 incl.VAT)
Easter, 1827. Reynold [...]eet.
Scarce letterpress. Sheet 505 x 380mm (19¾ x 15"). Tear at bottom with loss to three lines of text including printer's address, creasing, spots and stains, laid on card.
The parish covered Highgate, Kentish Town, Camden Town, Somers Town, Grays Inn Lane and Tottenham Court Road.
[Ref: 64164] £160.00 (£192.00 incl.VAT)
View of the long Room at S.t Pancrass & the trap ball Ground. 1775.
[c.1775.][but later]
Etching, printed in sepia. 125 x 160mm (5 x 6¼"). Framed. Unexamined out of frame.
An oval view of a game of ''trap ball'' (or, in Yorkshire, ''Knurr and spell'') in an enclosed pitch, St Pancras Church in the background. A pub game: a trap (spell) throws the ball (knurr) up and the player uses a stick to hit it as far as he can.
Wellcome Collection 38750i.
[Ref: 67045] £140.00 (£168.00 incl.VAT)
[c.1775.][but later]
Etching, printed in sepia. 125 x 160mm (5 x 6¼"). Framed. Unexamined out of frame.
An oval view of a game of ''trap ball'' (or, in Yorkshire, ''Knurr and spell'') in an enclosed pitch, St Pancras Church in the background. A pub game: a trap (spell) throws the ball (knurr) up and the player uses a stick to hit it as far as he can.
Wellcome Collection 38750i.
[Ref: 67045] £140.00 (£168.00 incl.VAT)
![Grays Inn Lane [ink mss].](jpegs/32393.jpg)
Grays Inn Lane [ink mss].
[by William Pickett.]
[Pub.d June 4th by T. Clay, 18 Ludgate Hill.]
Aquatint with hand colouring. Sheet approx 155 x 180mm (6 x 7"). Trimmed to image.
The tile kiln chimney in Grays Inn Lane, St Pancras. From Pickett's 1812 book of 'Ninety-Six Speciments of Cottages-Bridges-Castles-Churches [...] Intended to facilitate the Improvement of the Student, and to aid the Practitioner, in Landscape Composition'. Aside from its function as an educational volume, the scenes in the book also provide many unusual views of London in the early 19th century.
Abbey (Life in England) 168.
[Ref: 32393] £95.00 (£114.00 incl.VAT)
[by William Pickett.]
[Pub.d June 4th by T. Clay, 18 Ludgate Hill.]
Aquatint with hand colouring. Sheet approx 155 x 180mm (6 x 7"). Trimmed to image.
The tile kiln chimney in Grays Inn Lane, St Pancras. From Pickett's 1812 book of 'Ninety-Six Speciments of Cottages-Bridges-Castles-Churches [...] Intended to facilitate the Improvement of the Student, and to aid the Practitioner, in Landscape Composition'. Aside from its function as an educational volume, the scenes in the book also provide many unusual views of London in the early 19th century.
Abbey (Life in England) 168.
[Ref: 32393] £95.00 (£114.00 incl.VAT)
Och By St Patrick Here's Luck. Just Been Left Two and Twopence ½ a week.
W.R.S. Fect.
Pub.d by J. Kendrick 54, Leicester Sq.r London. [n.d. c.1830.]
Rare, lithograph. Printed area 230 x 150mm (9 x 6").
A ragged and drunken Irishman celebrates a bequest.
[Ref: 43888] £160.00 (£192.00 incl.VAT)
W.R.S. Fect.
Pub.d by J. Kendrick 54, Leicester Sq.r London. [n.d. c.1830.]
Rare, lithograph. Printed area 230 x 150mm (9 x 6").
A ragged and drunken Irishman celebrates a bequest.
[Ref: 43888] £160.00 (£192.00 incl.VAT)
The Jig. ''St Patrick's Day.''
Painted by Erskine Nicol. Engraved by R.C. Bell.
Edinburgh, Published July 20, 1855, by Alex.r Hill 67 Princes St. Publisher to the Queen. New York; William Stevens Williams & C.º.
Etching with engraving. 410 x 330mm (16 x 13"), with very large margins.
An Irishman, dressed in simple clothes, seated in a rough interior, playing a flute. A pair with ''The Melody - The Angel's Whisper".
[Ref: 62648] £290.00 (£348.00 incl.VAT)
Painted by Erskine Nicol. Engraved by R.C. Bell.
Edinburgh, Published July 20, 1855, by Alex.r Hill 67 Princes St. Publisher to the Queen. New York; William Stevens Williams & C.º.
Etching with engraving. 410 x 330mm (16 x 13"), with very large margins.
An Irishman, dressed in simple clothes, seated in a rough interior, playing a flute. A pair with ''The Melody - The Angel's Whisper".
[Ref: 62648] £290.00 (£348.00 incl.VAT)
The Miraculous Conversion of Saul.
Edward Dayes pinx.t. Thomas Hellyer sculpsit.
S. Morgan excudit. London Published 1804, by S. Morgan, N.o 32 Clipstone Street, Fitzroy Square, and C. Josi, Amsterdam.
Etching, sheet 925 x 640mm (36½ x 25¼"). Trimmed to plate, creases and repaired tears and nick to edges.
A scene of the conversion of Saul on the road to Damascus, with Saul falling backwards from his horse, flinging out his arms in terror as he hears the voice of God, surrounded by a company of Roman soldiers. The city of Damascus is visible in the right background.
[Ref: 59641] £580.00
Edward Dayes pinx.t. Thomas Hellyer sculpsit.
S. Morgan excudit. London Published 1804, by S. Morgan, N.o 32 Clipstone Street, Fitzroy Square, and C. Josi, Amsterdam.
Etching, sheet 925 x 640mm (36½ x 25¼"). Trimmed to plate, creases and repaired tears and nick to edges.
A scene of the conversion of Saul on the road to Damascus, with Saul falling backwards from his horse, flinging out his arms in terror as he hears the voice of God, surrounded by a company of Roman soldiers. The city of Damascus is visible in the right background.
[Ref: 59641] £580.00
Sketches of the Island of Santo Paulo, commonly called Amsterdam, in the Indian Ocean...
J. Barrow del. W. Skelton sculp.
London Published April 12, 1796 by George Nicol.
Engraved map. Sheet 420 x 560mm (16½ x 22"). Trimmed. Staining.
A map and view of Île St Paul in the southern Indian Ocean, with a detail of Crater Bay, recorded by members of the George Macartney mission to China, the first British embassy to that country, 1792-94. However 'Amsterdam' is another island, named by Anthony van Diemen after his ship 'Nieuw Amsterdam' when he visited the island in 1633, 50 miles to the north. The maps was published in Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China'. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38156] £230.00
J. Barrow del. W. Skelton sculp.
London Published April 12, 1796 by George Nicol.
Engraved map. Sheet 420 x 560mm (16½ x 22"). Trimmed. Staining.
A map and view of Île St Paul in the southern Indian Ocean, with a detail of Crater Bay, recorded by members of the George Macartney mission to China, the first British embassy to that country, 1792-94. However 'Amsterdam' is another island, named by Anthony van Diemen after his ship 'Nieuw Amsterdam' when he visited the island in 1633, 50 miles to the north. The maps was published in Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China'. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38156] £230.00
S.t Paul's From Ludgate Hill.
Published Aug.st 21.st 1797. by T. Malton.
Fine coloured aquatint with etching, sheet 420 x 310mm (16½ x 12¼").
View of part of the west front and dome of the cathedral; the street fairly busy with carriages and pedestrians; illustration to Malton's 'Picturesque Tour'.
[Ref: 59004] £320.00
Published Aug.st 21.st 1797. by T. Malton.
Fine coloured aquatint with etching, sheet 420 x 310mm (16½ x 12¼").
View of part of the west front and dome of the cathedral; the street fairly busy with carriages and pedestrians; illustration to Malton's 'Picturesque Tour'.
[Ref: 59004] £320.00
![St Paul's from Blackfriars [pencil].](jpegs/57664.jpg)
St Paul's from Blackfriars [pencil].
Rowland Langmaid [pencil].
[n.d. c.1930.]
Etching, limited edition of 100 signed by the artist. 150 x 200mm (6 x 8"), with large margins.
A view of St Paul's Cathedral and Blackfriars Bridge from the Thames. In the river are a tug and a barge. A pupil of W.L Wyllie; Rowland Langmaid (1897-1956) served in the Royal Navy and attained the rank of Lt. Commander. He exhibited at the R.A.
[Ref: 57664] £260.00 (£312.00 incl.VAT)
Rowland Langmaid [pencil].
[n.d. c.1930.]
Etching, limited edition of 100 signed by the artist. 150 x 200mm (6 x 8"), with large margins.
A view of St Paul's Cathedral and Blackfriars Bridge from the Thames. In the river are a tug and a barge. A pupil of W.L Wyllie; Rowland Langmaid (1897-1956) served in the Royal Navy and attained the rank of Lt. Commander. He exhibited at the R.A.
[Ref: 57664] £260.00 (£312.00 incl.VAT)
["London" St. Pauls from the South Side (H.M.S. President & Blackfriars Bridge).]
Rowland Langmaid [signed in pencil lower right.]
[n.d. c.1920.]
Drypoint etching, 125 x 250mm. 5 x 9¾".
A pupil of W L Wyllie, Rowland Langmaid (1897 - 1956) served in the Royal Navy; He exhibited at the R.A.
[Ref: 9495] £320.00
Rowland Langmaid [signed in pencil lower right.]
[n.d. c.1920.]
Drypoint etching, 125 x 250mm. 5 x 9¾".
A pupil of W L Wyllie, Rowland Langmaid (1897 - 1956) served in the Royal Navy; He exhibited at the R.A.
[Ref: 9495] £320.00
The School Room of St Paul's.
F. Mackenzie del.t. J. Bluck sculp.t.
Published Dec.r 1. 1816, at 101, Strand, for R. Ackermann's History of St Paul's School.
Coloured aquatint. 250 x 300mm (9¾ x 11¾"), watermarked 'J. Whatman 1816'.
The interior of St Paul's School. One of the illustrations to Ackermann's 'History of the Colleges'. 1816.
Abbey: Scenery 438.
[Ref: 37860] £95.00 (£114.00 incl.VAT)
F. Mackenzie del.t. J. Bluck sculp.t.
Published Dec.r 1. 1816, at 101, Strand, for R. Ackermann's History of St Paul's School.
Coloured aquatint. 250 x 300mm (9¾ x 11¾"), watermarked 'J. Whatman 1816'.
The interior of St Paul's School. One of the illustrations to Ackermann's 'History of the Colleges'. 1816.
Abbey: Scenery 438.
[Ref: 37860] £95.00 (£114.00 incl.VAT)
To The R.t Hon.ble The Earl of Essex, This Print of S.t Paul's, from S.t Martins Le Grand; The Site for the New Post Office; Drawn by the late Thomas Girtin, Is with permission respectfully dedicated by his Lordship's obliged humble Serv.t J. Girtin.
Engraved by John Baily, No. 8 Nelson Street, Hackney Road.
London Pub.d Nov 24 1815 by J. Girtin 8 Broad Str.t Golden Square.
Scarce & fine hand coloured aquatint with etching, J. Whatman watermarked paper. 610 x 455mm (24 x 18"). Trimmed to plate on three sides and repaired tears.
A view of the dome of St Paul's Cathedral from a narrow and winding street, filled with shoppers, a large cart and brewer's dray. To the left a man holds onto a pawnbroker's balls to clean a first-floor window. Regarded as a slum (under the title is a short description of the area's history as a liberty, with its ''dreadful privilege of sanctuary allowed to Murderers, Robbers &c &c''.), St. Martin's Le Grand was cleared to make way for Britain's first purpose-built mail office. However it was a decade after this print was published before work started on Sir Robert Smirke's building with its Grecian portico.
See BM 1880,1113.4202 for a state of 1819, with publisher and engraver's addresses changed.
[Ref: 52153] £950.00
Engraved by John Baily, No. 8 Nelson Street, Hackney Road.
London Pub.d Nov 24 1815 by J. Girtin 8 Broad Str.t Golden Square.
Scarce & fine hand coloured aquatint with etching, J. Whatman watermarked paper. 610 x 455mm (24 x 18"). Trimmed to plate on three sides and repaired tears.
A view of the dome of St Paul's Cathedral from a narrow and winding street, filled with shoppers, a large cart and brewer's dray. To the left a man holds onto a pawnbroker's balls to clean a first-floor window. Regarded as a slum (under the title is a short description of the area's history as a liberty, with its ''dreadful privilege of sanctuary allowed to Murderers, Robbers &c &c''.), St. Martin's Le Grand was cleared to make way for Britain's first purpose-built mail office. However it was a decade after this print was published before work started on Sir Robert Smirke's building with its Grecian portico.
See BM 1880,1113.4202 for a state of 1819, with publisher and engraver's addresses changed.
[Ref: 52153] £950.00
The North-West Prospect of the Cathedral Church of St. Paul's London.
D. Stoopendaal Fecit.
[London, originally published by Henry Overton c.1730, this impression c.1780s.]
Engraving, 485 x 690mm. 19 x 27¼". Vertical folds.
An impressive and imposing architectural view, figures outside. Print made by Amsterdam engraver Daniel Stoopendaal (1650 - 1740).
[Ref: 14742] £280.00 (£336.00 incl.VAT)
D. Stoopendaal Fecit.
[London, originally published by Henry Overton c.1730, this impression c.1780s.]
Engraving, 485 x 690mm. 19 x 27¼". Vertical folds.
An impressive and imposing architectural view, figures outside. Print made by Amsterdam engraver Daniel Stoopendaal (1650 - 1740).
[Ref: 14742] £280.00 (£336.00 incl.VAT)
The North West View of St. Pauls Cathedral London. [Title repeated in French, Italian, and German.]
Cum Gratia et Privilego Sac: Caes: Majestatis. Georg Balthasar Probst, excud. A.V [Augsburg, Germany, n.d., c.1740s].
Hand coloured engraving, 310 x 420mm. 12¼ x 16½".
Several figures in foreground. Vue D'Optique prints, known as the perspective views, were intended for use in an optical diagonal machine, and were highly popular in the eighteenth and nineteenth centuries. Used with a special viewer called ''optical machines,'' ''optiques,'' or 'zograscopes', these prints were a form of entertainment. Published in Paris, Augsburg, London, etc., ca. 1750-1800, the prints were exhibited by travelling showmen in the streets throughout Europe and also were collected by those in the professional and upper classes who had the optical machines at home. Another attribute of these prints is their bright, often crude hand colouring, applied boldly so to show the tints when viewed through the lens. The prints usually have a series of colours-blue, pink and yellow are common-crossing in bands from side to side, with bright highlights often including red. These cheerful and colourful images, with their fascinating history and peculiar appearance, make for unusual and appealing eighteenth-century prints. Numbered 'Med: Folo. No: 47' lower left and '181' upper right; from a series engraved and published by Georg Balthasar Probst (1732 - 1801).
[Ref: 26237] £240.00 (£288.00 incl.VAT)
Cum Gratia et Privilego Sac: Caes: Majestatis. Georg Balthasar Probst, excud. A.V [Augsburg, Germany, n.d., c.1740s].
Hand coloured engraving, 310 x 420mm. 12¼ x 16½".
Several figures in foreground. Vue D'Optique prints, known as the perspective views, were intended for use in an optical diagonal machine, and were highly popular in the eighteenth and nineteenth centuries. Used with a special viewer called ''optical machines,'' ''optiques,'' or 'zograscopes', these prints were a form of entertainment. Published in Paris, Augsburg, London, etc., ca. 1750-1800, the prints were exhibited by travelling showmen in the streets throughout Europe and also were collected by those in the professional and upper classes who had the optical machines at home. Another attribute of these prints is their bright, often crude hand colouring, applied boldly so to show the tints when viewed through the lens. The prints usually have a series of colours-blue, pink and yellow are common-crossing in bands from side to side, with bright highlights often including red. These cheerful and colourful images, with their fascinating history and peculiar appearance, make for unusual and appealing eighteenth-century prints. Numbered 'Med: Folo. No: 47' lower left and '181' upper right; from a series engraved and published by Georg Balthasar Probst (1732 - 1801).
[Ref: 26237] £240.00 (£288.00 incl.VAT)
![[London St. Paul's From the River. No. 7.]](jpegs/62218.jpg)
[London St. Paul's From the River. No. 7.]
Arthur Spencer [pencil signature.]
[n.d. c.1920.]
Etching with letterpress text slip. Plate 195 x 140mm. (7¾ x 5½"). Mint.
View across the Thames to St Paul's Cathedral, from the south bank; sailing craft on the river in foreground. Offered with original printed title label (with descriptive text).
[Ref: 62218] £130.00 (£156.00 incl.VAT)
Arthur Spencer [pencil signature.]
[n.d. c.1920.]
Etching with letterpress text slip. Plate 195 x 140mm. (7¾ x 5½"). Mint.
View across the Thames to St Paul's Cathedral, from the south bank; sailing craft on the river in foreground. Offered with original printed title label (with descriptive text).
[Ref: 62218] £130.00 (£156.00 incl.VAT)
Dôme de la Cathédrale de St Paul Londres. St Paul's Dome (Church Yard) London.
Dessiné et lith. par Jules Arnout. Imp. Lemercier a Paris.
Paris, Bulla Freres et Jouy, Editeurs. Berlin, F.d Ebner, 196 Friedrichsstasse. London, E. Gambart & Co. 25 Berners St. Oxf. St. New-York, Emile Seitz, 233 Broadway. [n.d., c.1840.]
Rare tinted lithograph. Printed area 330 x 390mm (13 x 15½"). Very large margins.
A close view of St Paul's Cathedral, depicting the street traffic around the edifice.
[Ref: 37777] £480.00
Dessiné et lith. par Jules Arnout. Imp. Lemercier a Paris.
Paris, Bulla Freres et Jouy, Editeurs. Berlin, F.d Ebner, 196 Friedrichsstasse. London, E. Gambart & Co. 25 Berners St. Oxf. St. New-York, Emile Seitz, 233 Broadway. [n.d., c.1840.]
Rare tinted lithograph. Printed area 330 x 390mm (13 x 15½"). Very large margins.
A close view of St Paul's Cathedral, depicting the street traffic around the edifice.
[Ref: 37777] £480.00
![[Elevation of St Paul's Cathedral.] The Book of Common Prayer.](jpegs/15637.jpg)
[Elevation of St Paul's Cathedral.] The Book of Common Prayer.
[James Mynde.]
[n.d., c.1730.]
Engraving. Plate 350 x 228mm (13¾ x 9"). Trimmed into plate on right.
The title-page to an edition of 'The Book of Common Prayer'.
[Ref: 15637] £260.00 (£312.00 incl.VAT)
[James Mynde.]
[n.d., c.1730.]
Engraving. Plate 350 x 228mm (13¾ x 9"). Trimmed into plate on right.
The title-page to an edition of 'The Book of Common Prayer'.
[Ref: 15637] £260.00 (£312.00 incl.VAT)
![[St Paul's Cathedral] De so vermaerde Kerk van S. Paul tot London.](jpegs/61733.jpg)
[St Paul's Cathedral] De so vermaerde Kerk van S. Paul tot London.
Pet. Schenk ex: Amstel: cum Privil: [n.d., c.1700.].
Etching with engraving. 210 x 260mm (8¼ x 10¼"). Laid on album paper.
A view of the Norman St Paul's Cathedral from the west, with a windmill on a curve on the south bank of the Thames.
[Ref: 61733] £450.00
Pet. Schenk ex: Amstel: cum Privil: [n.d., c.1700.].
Etching with engraving. 210 x 260mm (8¼ x 10¼"). Laid on album paper.
A view of the Norman St Paul's Cathedral from the west, with a windmill on a curve on the south bank of the Thames.
[Ref: 61733] £450.00
St. Pauls from Southwark.
Claude H. Rowbotham. [signed in pencil].
[n.d., c.1900.]
Etching and aquatint printed in colours. 225 x 150mm.
Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 8055] £260.00 (£312.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil].
[n.d., c.1900.]
Etching and aquatint printed in colours. 225 x 150mm.
Claude Hamilton Rowbotham 1864-1949. Watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 8055] £260.00 (£312.00 incl.VAT)
The East Prospect of the Cathedral of St Pauls.
Schwert fäger delin. R. Parr sculp.
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street London.
Rare engraving. 505 x 360mm (19¾ x 14¼"). Tears in right margin, holes in all four corners of the printed border, where hung up, paper toned.
A front elevation of the rear of St Paul's Cathedral, from a series of all four faces and a floorplan, all engraved by Parr after Schwertfäger. It is not known when the plates were first published: an example of the floorplan with a dedication by John Brindley is dated 1747, but the BM believes this was also a reissue. Parr died in 1754 and Schwertfäger is untraced.
BM: 1978,U.3615.
[Ref: 40694] £190.00 (£228.00 incl.VAT)
Schwert fäger delin. R. Parr sculp.
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street London.
Rare engraving. 505 x 360mm (19¾ x 14¼"). Tears in right margin, holes in all four corners of the printed border, where hung up, paper toned.
A front elevation of the rear of St Paul's Cathedral, from a series of all four faces and a floorplan, all engraved by Parr after Schwertfäger. It is not known when the plates were first published: an example of the floorplan with a dedication by John Brindley is dated 1747, but the BM believes this was also a reissue. Parr died in 1754 and Schwertfäger is untraced.
BM: 1978,U.3615.
[Ref: 40694] £190.00 (£228.00 incl.VAT)
St. Paul's from Ludgate Hill.
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine added colour. 310 x 435mm. (12¼ x 17¼").
An energetic view of a busy Ludgate Hill (near St Paul's Cathedral, which can be seen in the background). The shop signs advertise 'Wigs' and 'Cutlery', amongst other things. The spire of St Martin's Church prominently frames St Paul's Cathedral. Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68975] £650.00
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine added colour. 310 x 435mm. (12¼ x 17¼").
An energetic view of a busy Ludgate Hill (near St Paul's Cathedral, which can be seen in the background). The shop signs advertise 'Wigs' and 'Cutlery', amongst other things. The spire of St Martin's Church prominently frames St Paul's Cathedral. Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68975] £650.00
![St Paul's Cathedral (South Porch) [pencil on mount].](jpegs/49257.jpg)
St Paul's Cathedral (South Porch) [pencil on mount].
C. Terry Pledge [pencil.]
[n.d., c.1930.]
Etching, signed by the artist. 230 x 190mm (9 x 7½") very large margins. In original mount with a stamp of Alfred Bell & Co. Mint.
C. Terry Pledge was a senior architect at the Ministry of Works.
[Ref: 49257] £120.00 (£144.00 incl.VAT)
C. Terry Pledge [pencil.]
[n.d., c.1930.]
Etching, signed by the artist. 230 x 190mm (9 x 7½") very large margins. In original mount with a stamp of Alfred Bell & Co. Mint.
C. Terry Pledge was a senior architect at the Ministry of Works.
[Ref: 49257] £120.00 (£144.00 incl.VAT)
![[St Paul's Cathedral.]](jpegs/64130.jpg)
[St Paul's Cathedral.]
J. Simon fec. D. Loggan fec. [after Daniel King]
Printed and Sold by John Bowles at Mercer Hall London [n.d, 1731].
Engraving. Sheet 405 x 470mm (16 x 18½"). Trimmed within plate, holes in image, folds, some rubbing of surface. Repairs. Damaged.
A collection of 11 views and plans of the Norman St Paul's Cathedral by Daniel King, with a prospect of London after Visscher, and three elevations of Wren's replacement in the middle, engraved by John Simon. When the plate was first published in 1658 it showed only the old St Paul's, with an engraved text in the middle where the new building is depicted here. This version was re-engraved for 'London Described'.
[Ref: 64130] £320.00
J. Simon fec. D. Loggan fec. [after Daniel King]
Printed and Sold by John Bowles at Mercer Hall London [n.d, 1731].
Engraving. Sheet 405 x 470mm (16 x 18½"). Trimmed within plate, holes in image, folds, some rubbing of surface. Repairs. Damaged.
A collection of 11 views and plans of the Norman St Paul's Cathedral by Daniel King, with a prospect of London after Visscher, and three elevations of Wren's replacement in the middle, engraved by John Simon. When the plate was first published in 1658 it showed only the old St Paul's, with an engraved text in the middle where the new building is depicted here. This version was re-engraved for 'London Described'.
[Ref: 64130] £320.00
The South East Prospect of the Cathedral Church of St Paul's, London.
B. Lens delineavit. J. Harris Sculpsit.
[London: John Smith, c.1724.]
Engraving on two sheets conjoined, total. 450 x 660mm (17¾ x 26"). Folds and splits as normal. Cut to small margins. Loss on right centre margin.
An elevation of St Paul's Cathedral shown from the churchyard. The statue of Queen Anne can be seen on the far left.
[Ref: 57894] £220.00 (£264.00 incl.VAT)
B. Lens delineavit. J. Harris Sculpsit.
[London: John Smith, c.1724.]
Engraving on two sheets conjoined, total. 450 x 660mm (17¾ x 26"). Folds and splits as normal. Cut to small margins. Loss on right centre margin.
An elevation of St Paul's Cathedral shown from the churchyard. The statue of Queen Anne can be seen on the far left.
[Ref: 57894] £220.00 (£264.00 incl.VAT)
The Anniversary Meeting of the Charity Children in the Cathedral Church of St Paul, Dedicated with permission to His Royal Highness the Duke of Gloucester, President, The Vice Presidents & Treasurers of the Society of Patrons, (And Published in Aid of the Funds of the Female Charity School of St Pancras) by their obedient humble Servant, Robert Havell Jun.r. Proof.
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
S.t Pauls Cathedral. [Plate 53.]
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
A view of the Isle at the Entrance of the North Portico of the Cathedral Church of S.t Paul.
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Transept of S.t Paul's from the North Entrance. Plate 54,
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
St Paul's over the ruins of Newgate.
A Williams [etched in plate and signed in pencil.]
[n.d. c.1940.]
Etching with pencil signature. Plate 361 x 274mm. 14¼ x 10¾".
A view of Newgate after being heavily bombed during the Blitz on 29 December 1940, during which a total of eight Wren churches burned. St Paul's can be seen towering in the background.
[Ref: 27949] £190.00 (£228.00 incl.VAT)
A Williams [etched in plate and signed in pencil.]
[n.d. c.1940.]
Etching with pencil signature. Plate 361 x 274mm. 14¼ x 10¾".
A view of Newgate after being heavily bombed during the Blitz on 29 December 1940, during which a total of eight Wren churches burned. St Paul's can be seen towering in the background.
[Ref: 27949] £190.00 (£228.00 incl.VAT)
![[St Paul's Cathedral] Navis Ecclesiæ Cathedralis S. Pauli London: Prospectus interior.](jpegs/66794.jpg)
[St Paul's Cathedral] Navis Ecclesiæ Cathedralis S. Pauli London: Prospectus interior.
[etched by Wenceslaus Hollar.]
[n.d., c.1656.]
Etching, 17th century watermark. 305 x 220mm (12 x 8¾"). Trimmed into plate at bottom, creased
The nave of the Norman St Paul's Cathedral.
Pennington: 1024a, state ii of iv.
[Ref: 66794] £140.00 (£168.00 incl.VAT)
[etched by Wenceslaus Hollar.]
[n.d., c.1656.]
Etching, 17th century watermark. 305 x 220mm (12 x 8¾"). Trimmed into plate at bottom, creased
The nave of the Norman St Paul's Cathedral.
Pennington: 1024a, state ii of iv.
[Ref: 66794] £140.00 (£168.00 incl.VAT)