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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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A Nation & her M-n-t-r's. Wilson sout délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême!!!
Pub.d by Milleville Hampstead. [n.d., c.1820.]
Rare engraving. Sheet: 125 x 180mm (5 x 7''). Laid on album sheet.
A satirical, allegorical print supporting the liberation of Napoleon from his island prison of St Helena. Britannia stands gazing towards a large rock which represents St. Helena, Wellington and other ministers stand on the island with the figure of Liberty. On the right a Caliban-like creature sits playing with a figure of Napoleon and on the left two angels carry the portrait of Queen Caroline. The print also refers to Sir Robert Wilson's rescue of Napoleonic general and politician who escaped execution and travelled to Great Britian following the Bourbon restoration. Central figures hold banners "Magna Ch? Liberty of Napoleon reform"
BM Satire 14050.
[Ref: 50507] £160.00 (£192.00 incl.VAT)
Pub.d by Milleville Hampstead. [n.d., c.1820.]
Rare engraving. Sheet: 125 x 180mm (5 x 7''). Laid on album sheet.
A satirical, allegorical print supporting the liberation of Napoleon from his island prison of St Helena. Britannia stands gazing towards a large rock which represents St. Helena, Wellington and other ministers stand on the island with the figure of Liberty. On the right a Caliban-like creature sits playing with a figure of Napoleon and on the left two angels carry the portrait of Queen Caroline. The print also refers to Sir Robert Wilson's rescue of Napoleonic general and politician who escaped execution and travelled to Great Britian following the Bourbon restoration. Central figures hold banners "Magna Ch? Liberty of Napoleon reform"
BM Satire 14050.
[Ref: 50507] £160.00 (£192.00 incl.VAT)
Vera Effigies et Delineatio Insulæ Sanctæ Helenæ...
[Baptista à Doeticum sculp.]
[Amsterdam: C. Claesz, 1595-96.] Trimmed to neatline on three sides and into image at bottom, losing engraver's name, mounted on album paper.
Three coastal profiles of St Helena, engraved by Baptiste van Doeticum for Jan Huygen van Linschoten's 'Itinerario, Voyage ofte Schipvaert naer Oost ofte Portugaels Indien...'. The publication of Linschoten's 'Itinerario' broke the Portuguese monopoly on the trade routes to the spices of the East Indies, allowing the foundation of both the Dutch and English East India Companies.
[Ref: 51056] £380.00
[Baptista à Doeticum sculp.]
[Amsterdam: C. Claesz, 1595-96.] Trimmed to neatline on three sides and into image at bottom, losing engraver's name, mounted on album paper.
Three coastal profiles of St Helena, engraved by Baptiste van Doeticum for Jan Huygen van Linschoten's 'Itinerario, Voyage ofte Schipvaert naer Oost ofte Portugaels Indien...'. The publication of Linschoten's 'Itinerario' broke the Portuguese monopoly on the trade routes to the spices of the East Indies, allowing the foundation of both the Dutch and English East India Companies.
[Ref: 51056] £380.00
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Bonaparte dans L'Île S.te Hélène.
Martinet del. Jazet sculp.
A Paris chez Martinet Libraire, Rue du Coq St. Honoré, No.13. Ostervald l'ainé, Rue du Pont de Lodi, No.3 - et Boyeldieu, Rue Amelot, No.2 [n.d., c.1815].
Aquatint with etching. Sheet 550 x 720mm (21¾ x 28¼"). Trimmed within plate, repaired tears, a few surface abrasions.
The exiled emperor being shown around his new island home by the British governor Hudson Lowe and his wife Susan.
[Ref: 60990] £700.00
Martinet del. Jazet sculp.
A Paris chez Martinet Libraire, Rue du Coq St. Honoré, No.13. Ostervald l'ainé, Rue du Pont de Lodi, No.3 - et Boyeldieu, Rue Amelot, No.2 [n.d., c.1815].
Aquatint with etching. Sheet 550 x 720mm (21¾ x 28¼"). Trimmed within plate, repaired tears, a few surface abrasions.
The exiled emperor being shown around his new island home by the British governor Hudson Lowe and his wife Susan.
[Ref: 60990] £700.00
The Tomb of Bonaparte. Who was Interr'd, at his own request, under some Willow Trees, near a Spring from which / he daily sent for the Water used at his Table _ taken by Capt. Marryat, R.N.,
Capt. Marryat, R.N. del.t. T. Sutherland sculp.t.
[London, Published July 20, 1821, by S. & I. Fuller, 34, Rathbone Place.]
Coloured aquatint, rare, printed on J. Whatman paper. Sheet 300 x 395mm (11¾ x 15½"). Trimmed within plate, losing publisher's inscription.
The tomb of Napoleon I on Saint Helena, a plain stone slab within a fenced enclosure guarded by a soldier, with two on-lookers and a tent outside the perimeter. The artist, Captain Frederick Marryat (1792-1848), joined the Navy in 1806 as a midshipman on board Lord Cochran's frigate HMS Imperieuse; in 1820 he visited St Helena, sketching Napoleon on his deathbed and bringing back dispatches announcing the death of Napoleon; and in 1824 he took part in the Anglo-Burmese war, publishing a book of scenes of the campaign. He left the Navy in 1830 to devote himself to writing: his most famous novel, Mr Midshipman Easy, was published in 1836, filmed in 1936 with Hughie Green as Easy.
[Ref: 30930] £230.00 (£276.00 incl.VAT)
Capt. Marryat, R.N. del.t. T. Sutherland sculp.t.
[London, Published July 20, 1821, by S. & I. Fuller, 34, Rathbone Place.]
Coloured aquatint, rare, printed on J. Whatman paper. Sheet 300 x 395mm (11¾ x 15½"). Trimmed within plate, losing publisher's inscription.
The tomb of Napoleon I on Saint Helena, a plain stone slab within a fenced enclosure guarded by a soldier, with two on-lookers and a tent outside the perimeter. The artist, Captain Frederick Marryat (1792-1848), joined the Navy in 1806 as a midshipman on board Lord Cochran's frigate HMS Imperieuse; in 1820 he visited St Helena, sketching Napoleon on his deathbed and bringing back dispatches announcing the death of Napoleon; and in 1824 he took part in the Anglo-Burmese war, publishing a book of scenes of the campaign. He left the Navy in 1830 to devote himself to writing: his most famous novel, Mr Midshipman Easy, was published in 1836, filmed in 1936 with Hughie Green as Easy.
[Ref: 30930] £230.00 (£276.00 incl.VAT)
Mort de Napoleon.
[after François Grenier.]
[n.d. c.1830.]
Lithograph. Printed area 170 x 200mm (6¾ x 8"), with large margins. Some spotting.
Napoleon in full uniform, lying on a bed in a darkened room at Longwood, 5th May, 1821, in the presence of Father Ange Vignali and British officers.
[Ref: 55793] £90.00 (£108.00 incl.VAT)
[after François Grenier.]
[n.d. c.1830.]
Lithograph. Printed area 170 x 200mm (6¾ x 8"), with large margins. Some spotting.
Napoleon in full uniform, lying on a bed in a darkened room at Longwood, 5th May, 1821, in the presence of Father Ange Vignali and British officers.
[Ref: 55793] £90.00 (£108.00 incl.VAT)
Vue de Jame's-Town. (Ile St. Helène.)
de Sainson pinxt. A. St. Aulaire Lith.
J. Tastu, Editeur. Lith. de Bichebois aîné. [Paris, 1833.]
Lithograph. Printed area 300 x 415mm. Publisher's blindstamp under title.
A view of Jamestown in St. Helena, which Dumont d'Urville visited on the return leg of his circumnavigation. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 8179] £190.00 (£228.00 incl.VAT)
de Sainson pinxt. A. St. Aulaire Lith.
J. Tastu, Editeur. Lith. de Bichebois aîné. [Paris, 1833.]
Lithograph. Printed area 300 x 415mm. Publisher's blindstamp under title.
A view of Jamestown in St. Helena, which Dumont d'Urville visited on the return leg of his circumnavigation. From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829.
[Ref: 8179] £190.00 (£228.00 incl.VAT)
A View & Plan of Longwood House, St. Helena. The Residence of Napoleon Bonaparte.
No.13 of R. Ackermann's Repository of Arts &c. Pub. Jany. 1 1817 [101 Strand, London].
Hand coloured etching with aquatint, sheet 240 x 150mm (9½ x 6").
Napoleon Bonaparte died, reportedly of stomach cancer, on 5 May 1821 after six years in exile on the Atlantic island of Saint Helena. His body was buried first in the grounds of Longwood, his residence on the island, before being brought back to France in 1840 to be ceremoniously reburied in Les Invalides. Numbered 'Plate 3, Vol. III', for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 18981] £60.00 (£72.00 incl.VAT)
No.13 of R. Ackermann's Repository of Arts &c. Pub. Jany. 1 1817 [101 Strand, London].
Hand coloured etching with aquatint, sheet 240 x 150mm (9½ x 6").
Napoleon Bonaparte died, reportedly of stomach cancer, on 5 May 1821 after six years in exile on the Atlantic island of Saint Helena. His body was buried first in the grounds of Longwood, his residence on the island, before being brought back to France in 1840 to be ceremoniously reburied in Les Invalides. Numbered 'Plate 3, Vol. III', for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 18981] £60.00 (£72.00 incl.VAT)
Recollections of the Emperor Napoleon, during the first three years of his captivity on the island of St. Helena: including the time of his residence at her father's house, ''The Briars''. By Mrs. Abell.
London: John Murray, Albemarle Street. 1844.
First edition. 8vo, publisher's cloth, gilt-illustrated on front board, blind stamp illustration on back board; illus. title, pp. xii + 244 + 16 (publisher's ads); lithographic frontispiece and five wood-engraved plates, as called for on the 'directions' slip. Spine faded, inner hinges strained, frontis. loose, some foxing throughout.
The remarkable story of the friendship between Napoleon and thirteen-years old Lucia Elizabeth "Betsy" Balcombe (1802-71), daughter of the Superintendent of Public Sales for the East India Company on St Helena and owner of 'The Briars', Napoleon's residence before Longwood was ready. She helped him learn English and kept him amused in exile and he allowed her to call him 'Boney'. Their relationship caused the governor much consternation: he suspected her of smuggling secret messages out of Longwood House. In 1818 the family left St Helena (possibly recalled because of this friendship) and Betsy married Edward Abell in 1821.
[Ref: 48148] £190.00 view all images for this item
London: John Murray, Albemarle Street. 1844.
First edition. 8vo, publisher's cloth, gilt-illustrated on front board, blind stamp illustration on back board; illus. title, pp. xii + 244 + 16 (publisher's ads); lithographic frontispiece and five wood-engraved plates, as called for on the 'directions' slip. Spine faded, inner hinges strained, frontis. loose, some foxing throughout.
The remarkable story of the friendship between Napoleon and thirteen-years old Lucia Elizabeth "Betsy" Balcombe (1802-71), daughter of the Superintendent of Public Sales for the East India Company on St Helena and owner of 'The Briars', Napoleon's residence before Longwood was ready. She helped him learn English and kept him amused in exile and he allowed her to call him 'Boney'. Their relationship caused the governor much consternation: he suspected her of smuggling secret messages out of Longwood House. In 1818 the family left St Helena (possibly recalled because of this friendship) and Betsy married Edward Abell in 1821.
[Ref: 48148] £190.00 view all images for this item
View of the Intersection Bridge on the Line of the St Helens & Rucorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane. Erected by Charles Vignoles, Esq.re C.E., F.R.A.S., Mice. Dedicated by Permission to Edward Greenall, Eq.re of Wilderspool, Cheshire.
S.G. Hughes, Aquat.a.
London, Published 1832, _ by R. Ackermann, No 96 Strand, and J. & J. Mawdsley, Liverpool.
Coloured aquatint with fine hand colour, J. Whatman 1831 watermark. 330 x 470mm (13 x 18½"). Centre fold, creasing.
An extremely fine & rare view of an iron bridge built by Charles Blacker Vignoles (1793-1875) to carry the St Helens and Runcorn Gap Railway over the Liverpool and Manchester Railway, the world's first bridge to carry one railway over another.
[Ref: 59273] £580.00
S.G. Hughes, Aquat.a.
London, Published 1832, _ by R. Ackermann, No 96 Strand, and J. & J. Mawdsley, Liverpool.
Coloured aquatint with fine hand colour, J. Whatman 1831 watermark. 330 x 470mm (13 x 18½"). Centre fold, creasing.
An extremely fine & rare view of an iron bridge built by Charles Blacker Vignoles (1793-1875) to carry the St Helens and Runcorn Gap Railway over the Liverpool and Manchester Railway, the world's first bridge to carry one railway over another.
[Ref: 59273] £580.00
View of the Friends' Meeting House, Hardshaw, St Helen's.
From a Sketch by W.m Benson, St Helens. Printed by J. Netherclift.
[n.d., c.1830.]
Lithograph. Sheet 240 x 320mm (9½ x 12½"). Small tear in right edge, some creasing and wear.
A rare view of the Quaker meeting house in Hardshaw, St Helens, established by George Shaw of Bickerstaffe in 1679 and now a Grade II Listed building.
[Ref: 43350] £260.00 (£312.00 incl.VAT)
From a Sketch by W.m Benson, St Helens. Printed by J. Netherclift.
[n.d., c.1830.]
Lithograph. Sheet 240 x 320mm (9½ x 12½"). Small tear in right edge, some creasing and wear.
A rare view of the Quaker meeting house in Hardshaw, St Helens, established by George Shaw of Bickerstaffe in 1679 and now a Grade II Listed building.
[Ref: 43350] £260.00 (£312.00 incl.VAT)
Réduction de la carte topographique des environs de St Hubert et de Rambouillet [Levée par ordre du roi, par les ingénieurs géographes des camps et marches des armées de sa majesté sous la direction du Sr Berthier, en 1764] pour servir aux chasse de sa Majesté [ink mss.].
Gravé par Guill. De-la-Haye.
[Paris, c.1764.]
Scarce engraved map with original hand colour, two sheets conjoined, dissected and laid on linen, total 560 x 825mm (22 x 32½"). Bookplate ''Ex Libris M.A. Principis Burghesii'' & ink mss title label ''Carte des Chasses de L'Empereur à Rambouilles'' pasted on linen. Original title half scratched out, label with old ink mss. pasted over. Ink stamp of the 'Depot general de la Guerre' in sky of vignette.
Map of the environs of Château de Rambouillet, one of Napoleon's official residences, orientated with north to the bottom right, with a vignette view of Louis XV's hunting lodge, the Château de Saint-Hubert. Scarce with French Royalty connections. Drawn by army engineers under the direction of Jean-Baptiste Berthier and engraved by Guillaume-Nicolas Delahaye, the map was originally published in 1764. This example seems to have been customised c.1810 for Camillo Filippo Ludovico Borghese, husband of Napoleon Bonaparte's sister Pauline, a 'Prince of the French Empire'. Half of the original title has been scratched out and replaced with hand written note 'for the use of his Majesty's hunt'. When Napoleon became emperor in 1804 Rambouillet was one of the residences put at his disposal, using the extensive lands for hunting, for which this map was adapted. (Saint-Hubert was unfinished on the death of Louis XV and had been abandoned) The last time Napoleon stayed at Rambouillet was a week after his second abdication in June 1815, leaving to go into exile on St Helena. At that time Borghese left Pauline and went to Florence.
[Ref: 56130] £650.00
Gravé par Guill. De-la-Haye.
[Paris, c.1764.]
Scarce engraved map with original hand colour, two sheets conjoined, dissected and laid on linen, total 560 x 825mm (22 x 32½"). Bookplate ''Ex Libris M.A. Principis Burghesii'' & ink mss title label ''Carte des Chasses de L'Empereur à Rambouilles'' pasted on linen. Original title half scratched out, label with old ink mss. pasted over. Ink stamp of the 'Depot general de la Guerre' in sky of vignette.
Map of the environs of Château de Rambouillet, one of Napoleon's official residences, orientated with north to the bottom right, with a vignette view of Louis XV's hunting lodge, the Château de Saint-Hubert. Scarce with French Royalty connections. Drawn by army engineers under the direction of Jean-Baptiste Berthier and engraved by Guillaume-Nicolas Delahaye, the map was originally published in 1764. This example seems to have been customised c.1810 for Camillo Filippo Ludovico Borghese, husband of Napoleon Bonaparte's sister Pauline, a 'Prince of the French Empire'. Half of the original title has been scratched out and replaced with hand written note 'for the use of his Majesty's hunt'. When Napoleon became emperor in 1804 Rambouillet was one of the residences put at his disposal, using the extensive lands for hunting, for which this map was adapted. (Saint-Hubert was unfinished on the death of Louis XV and had been abandoned) The last time Napoleon stayed at Rambouillet was a week after his second abdication in June 1815, leaving to go into exile on St Helena. At that time Borghese left Pauline and went to Florence.
[Ref: 56130] £650.00
The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 49168] £140.00 (£168.00 incl.VAT)
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 49168] £140.00 (£168.00 incl.VAT)
The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint. Glued into mount at top corner.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 62595] £140.00 (£168.00 incl.VAT)
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint. Glued into mount at top corner.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 62595] £140.00 (£168.00 incl.VAT)
![A S.t James's Beauty. [&] A St. Giles's Beauty.](jpegs/60290.jpg)
A S.t James's Beauty. [&] A St. Giles's Beauty.
J.H.Benwell Pinxt. F. Bartolozzi Sculpt.
Publish'd 8th Sept. 1783. by E.M. Diemar, No.377. Strand. London.
Pair of very fine stipples. Each 280 x 215mm (11 x 8½"), with large margins.
Two bust portraits in ovals: Priscilla Burrough dressed in the height of late eighteenth century fashion; and Elizabeth Burrough wearing white lace cap with satin ribbon and shawl over low dress with fichu. Elizabeth Burrough would have been a prostitute in the notorious St. Giles slum, the so-called 'Rookery'. After John Hodges Benwell (1762 - 1785).
De Vesme 1291. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997. See reference 625 for proof impressions.
[Ref: 60290] £520.00 view all images for this item
J.H.Benwell Pinxt. F. Bartolozzi Sculpt.
Publish'd 8th Sept. 1783. by E.M. Diemar, No.377. Strand. London.
Pair of very fine stipples. Each 280 x 215mm (11 x 8½"), with large margins.
Two bust portraits in ovals: Priscilla Burrough dressed in the height of late eighteenth century fashion; and Elizabeth Burrough wearing white lace cap with satin ribbon and shawl over low dress with fichu. Elizabeth Burrough would have been a prostitute in the notorious St. Giles slum, the so-called 'Rookery'. After John Hodges Benwell (1762 - 1785).
De Vesme 1291. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997. See reference 625 for proof impressions.
[Ref: 60290] £520.00 view all images for this item
A View of the Canal in S.t. James's Park, Buckingham House &c. taken from the Parade. Vüe du Canal et de la Maison de Buckingham dans le Parc de S.t. James.
Canaletti Delin. Stevens. sculp.
Publish'd according to Act of Parliament, London Printed for & Sold by Rob.t. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. [n.d., c.1760.]
Hand coloured engraving. 400 x 265mm (15¾ x 10½"), very large margins. Repaired tear in margin.
A view of St James's Park looking west towards Buckingham House, before the staight lines of the canal were landscaped to a lake.
[Ref: 40396] £280.00 (£336.00 incl.VAT)
Canaletti Delin. Stevens. sculp.
Publish'd according to Act of Parliament, London Printed for & Sold by Rob.t. Sayer at the Golden Buck opposite Fetter Lane Fleet Street. [n.d., c.1760.]
Hand coloured engraving. 400 x 265mm (15¾ x 10½"), very large margins. Repaired tear in margin.
A view of St James's Park looking west towards Buckingham House, before the staight lines of the canal were landscaped to a lake.
[Ref: 40396] £280.00 (£336.00 incl.VAT)
Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27473] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27473] £120.00 (£144.00 incl.VAT)
The Alcove. Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 310 x 255mm. 12¼" x 10.
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27478] £140.00 (£168.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 310 x 255mm. 12¼" x 10.
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27478] £140.00 (£168.00 incl.VAT)
Dining Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d Oct.r 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27475] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d Oct.r 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27475] £120.00 (£144.00 incl.VAT)
The Circular Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27476] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27476] £120.00 (£144.00 incl.VAT)
Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27477] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27477] £120.00 (£144.00 incl.VAT)
The Throne Room, Carlton House.
C. Wild del.t T. Sutherland sculp.t
Pub. Oct.1.1818, by W.H. Pyne 9 Nassau Street Soho.
Hand-coloured aquatint, fine with large margins. Plate 254 x 311mm. 10 x 12¼".
Interior of the grand room; a long table with chairs below chandelier in centre of room, the ceiling and walls heaviliy decorated, arches draped with curtains over windows on either side. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
[Ref: 27455] £120.00 (£144.00 incl.VAT)
C. Wild del.t T. Sutherland sculp.t
Pub. Oct.1.1818, by W.H. Pyne 9 Nassau Street Soho.
Hand-coloured aquatint, fine with large margins. Plate 254 x 311mm. 10 x 12¼".
Interior of the grand room; a long table with chairs below chandelier in centre of room, the ceiling and walls heaviliy decorated, arches draped with curtains over windows on either side. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
[Ref: 27455] £120.00 (£144.00 incl.VAT)
Carlton House, North Front.
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼". Margins soiled.
A view of the portico of Carlton House. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27472] £140.00 (£168.00 incl.VAT)
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼". Margins soiled.
A view of the portico of Carlton House. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27472] £140.00 (£168.00 incl.VAT)
Carlton House, South Front.
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
A view of the south face of Carlton House, facing St James's Park, with peacocks on the lawn. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27471] £140.00 (£168.00 incl.VAT)
W. Westall A.R.A. del.t. R. Reeve sculp.t.
Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
A view of the south face of Carlton House, facing St James's Park, with peacocks on the lawn. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27471] £140.00 (£168.00 incl.VAT)
S.t James's Day.
[Published as the Act directs, August 5, 1793, by T. Prattent 46 Cloth Fair West Smithfield, London.]
Etching. Sheet 195 x 250mm (7¾ x 9¾"). Trimmed within plate, losing publisher's inscription.
A street scene with a man and woman at a stall opening oysters. A barber kneels upon his wig-box to eat oysters, while a small boy picks his pocket of a comb. A blackened sweep looks at a single oyster in his hand. St. James's day is 25th July; one of his emblems is a shell.
BM Satires 8402
[Ref: 52038] £160.00 (£192.00 incl.VAT)
[Published as the Act directs, August 5, 1793, by T. Prattent 46 Cloth Fair West Smithfield, London.]
Etching. Sheet 195 x 250mm (7¾ x 9¾"). Trimmed within plate, losing publisher's inscription.
A street scene with a man and woman at a stall opening oysters. A barber kneels upon his wig-box to eat oysters, while a small boy picks his pocket of a comb. A blackened sweep looks at a single oyster in his hand. St. James's day is 25th July; one of his emblems is a shell.
BM Satires 8402
[Ref: 52038] £160.00 (£192.00 incl.VAT)
The Army and Navy Club House. C. O. Parnell and Alfred Smith, Architects.
G.Hawkins, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1851.]
Coloured lithograph. Printed area 400 x 515mm. Slight soiling of the margins.
The winner of a competition to design the club house, which opened in 1851, imitating Venice's Palazzo Corner della ca' Grande.
[Ref: 7288] £480.00
G.Hawkins, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1851.]
Coloured lithograph. Printed area 400 x 515mm. Slight soiling of the margins.
The winner of a competition to design the club house, which opened in 1851, imitating Venice's Palazzo Corner della ca' Grande.
[Ref: 7288] £480.00
St James's House. Le Palais Royal de St. James. 2.
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. Plate 349 x 470mm. 13¾ x 18½". Fold down centre as published.
Bird's eye view of St James's Palace looking across formal gardens towards the City of London; cavalcade with coaches advancing down the Mall on the right.
[Ref: 26391] £280.00 (£336.00 incl.VAT)
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. Plate 349 x 470mm. 13¾ x 18½". Fold down centre as published.
Bird's eye view of St James's Palace looking across formal gardens towards the City of London; cavalcade with coaches advancing down the Mall on the right.
[Ref: 26391] £280.00 (£336.00 incl.VAT)
St James's House. Le Palais Royal de St. James. 2.
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. 355 x 485mm (14 x 19"). Trimmed within plate, hole with loss at centre fold, laid on card.
An elevated view of the formal gardens at the side of the Mall, looking towards the City of London, with St James's Palace on the left.
[Ref: 64981] £320.00
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. 355 x 485mm (14 x 19"). Trimmed within plate, hole with loss at centre fold, laid on card.
An elevated view of the formal gardens at the side of the Mall, looking towards the City of London, with St James's Palace on the left.
[Ref: 64981] £320.00
The St. James's Macaroni.
HWBunbury delin. 1772. J. Bretherton f.
[Publish'd as the Act directs March, 29. 1772. by J. Bretherton No. 134 New Bond Street.]
Etching. 254 x 171mm. 10 x 6¾". Trimmed just inside plate mark small repaired hole lower tight title area.
Satire: a standing man facing left with wig and sword.
BM Satires: 4712.
[Ref: 22917] £160.00 (£192.00 incl.VAT)
HWBunbury delin. 1772. J. Bretherton f.
[Publish'd as the Act directs March, 29. 1772. by J. Bretherton No. 134 New Bond Street.]
Etching. 254 x 171mm. 10 x 6¾". Trimmed just inside plate mark small repaired hole lower tight title area.
Satire: a standing man facing left with wig and sword.
BM Satires: 4712.
[Ref: 22917] £160.00 (£192.00 incl.VAT)
The St James's Macaroni
H.W.Bunbury delin. 1772. J.Bretherton f.
Publish'd as the Act directs March 29 1772 by J.Bretherton No.134 New Bond Street.
Etching, 265 x 180mm (10½ x 7"). Trimmed inside platemark; glued to backing sheet.
Satire: a standing man facing left with wig and sword. tched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
BM Satire 4712; see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 1085] £260.00 (£312.00 incl.VAT)
H.W.Bunbury delin. 1772. J.Bretherton f.
Publish'd as the Act directs March 29 1772 by J.Bretherton No.134 New Bond Street.
Etching, 265 x 180mm (10½ x 7"). Trimmed inside platemark; glued to backing sheet.
Satire: a standing man facing left with wig and sword. tched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
BM Satire 4712; see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 1085] £260.00 (£312.00 incl.VAT)
![[Marlborough House] The South-West Prospect of his Grace ye Duke of Marlborough's House in St. James Park.](jpegs/29076.jpg)
[Marlborough House] The South-West Prospect of his Grace ye Duke of Marlborough's House in St. James Park.
James Lightbody Delin. John Harris Fecit.
Printed and Sold by J. Smith in Exeter Changes in ye Strand. [n.d., c.1725].
Etching. 475 x 580mm (18¼ x 22¾"). Framed. Unexamined out of frame.
A view of Marlborough House from The Mall, engraved by John Harris (1686-1739) after James Lightbody. The London residence of the John Churchill, it was designed by Sir Christopher Wren under the instructions of Sarah Churchill and completed in 1711, the year Churchill became 1st Duke of Marlborough. Today it houses the Commonwealth Secretariat, with a third story designed by Sir William Chambers in 1770.
[Ref: 29076] £450.00
James Lightbody Delin. John Harris Fecit.
Printed and Sold by J. Smith in Exeter Changes in ye Strand. [n.d., c.1725].
Etching. 475 x 580mm (18¼ x 22¾"). Framed. Unexamined out of frame.
A view of Marlborough House from The Mall, engraved by John Harris (1686-1739) after James Lightbody. The London residence of the John Churchill, it was designed by Sir Christopher Wren under the instructions of Sarah Churchill and completed in 1711, the year Churchill became 1st Duke of Marlborough. Today it houses the Commonwealth Secretariat, with a third story designed by Sir William Chambers in 1770.
[Ref: 29076] £450.00
![[Marlborough House] The South-West Prospect of his Grace ye Duke of Marlborough's House in St. James Park.](jpegs/56356.jpg)
[Marlborough House] The South-West Prospect of his Grace ye Duke of Marlborough's House in St. James Park.
James Lightbody Delin. John Harris Fecit.
[London: David Mortier, n.d., c.1715].
Etching. 475 x 580mm (18¼ x 22¾"), very large margins. Framed. Old ink mss pagination added lower right. Unexamined out of frame.
A view of Marlborough House from The Mall, engraved by John Harris (1686-1739) after James Lightbody. The London residence of the John Churchill, it was designed by Sir Christopher Wren under the instructions of Sarah Churchill and completed in 1711, the year Churchill became 1st Duke of Marlborough. Today it houses the Commonwealth Secretariat, with a third story designed by Sir William Chambers in 1770. The first state, before Joseph Smith added his inscription in 1724.
[Ref: 56356] £450.00
James Lightbody Delin. John Harris Fecit.
[London: David Mortier, n.d., c.1715].
Etching. 475 x 580mm (18¼ x 22¾"), very large margins. Framed. Old ink mss pagination added lower right. Unexamined out of frame.
A view of Marlborough House from The Mall, engraved by John Harris (1686-1739) after James Lightbody. The London residence of the John Churchill, it was designed by Sir Christopher Wren under the instructions of Sarah Churchill and completed in 1711, the year Churchill became 1st Duke of Marlborough. Today it houses the Commonwealth Secretariat, with a third story designed by Sir William Chambers in 1770. The first state, before Joseph Smith added his inscription in 1724.
[Ref: 56356] £450.00
St. James's Palace.
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
![[St James's Palace.]](jpegs/61072.jpg)
[St James's Palace.]
Fred. A. Farrell [signed in pencil].
[n.d. c.1925.]
Etching, signed by the artist. 250 x 360mm (9¾ x 14¼"), with publisher's blind stamps, with very large margins.
The North Gate of St James's Palace in Pall Mall, with marching guards. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61072] £320.00
Fred. A. Farrell [signed in pencil].
[n.d. c.1925.]
Etching, signed by the artist. 250 x 360mm (9¾ x 14¼"), with publisher's blind stamps, with very large margins.
The North Gate of St James's Palace in Pall Mall, with marching guards. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61072] £320.00
St. James's Palace.
C. Wild del.t R. Reeve sculp.
Pub, July 1, 1819, by A, Dry, 36 Upper Charlotte Street, Fitzroy Square.
Coloured etching and aquatint, very fine colour, framed. Plate area (visible) 242 x 300mm. 9½ x 11¾".
View on the street looking towards Cleveland, the palace gateway on the left, a few figures in the street. Illustration to Pyne's 'History of the Royal Residences' 1819.
Abbey Scenery: 397.
[Ref: 25789] £290.00 (£348.00 incl.VAT)
C. Wild del.t R. Reeve sculp.
Pub, July 1, 1819, by A, Dry, 36 Upper Charlotte Street, Fitzroy Square.
Coloured etching and aquatint, very fine colour, framed. Plate area (visible) 242 x 300mm. 9½ x 11¾".
View on the street looking towards Cleveland, the palace gateway on the left, a few figures in the street. Illustration to Pyne's 'History of the Royal Residences' 1819.
Abbey Scenery: 397.
[Ref: 25789] £290.00 (£348.00 incl.VAT)
N. Front to St James's Palace, from Cleveland Row.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with hand colour. Sheet: 540 x 370mm (21¼ x 14½").
St. James's Palace, the oldest of London's palaces, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 47059] £450.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with hand colour. Sheet: 540 x 370mm (21¼ x 14½").
St. James's Palace, the oldest of London's palaces, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 47059] £450.00
Vue de la Porte du Palais de S.t James à Londres. Cette vue prise de la rue appelée Cleveland Row, représente la porte unique du palais du roi d'Angleterre et qui sert aussi de principale entrée au parc de saint-James. Au fond d'on voit la rue nommée Pall-mall.
A Paris chez Le Coeur, graveur, rue St Jacques, N.º 30 et chez Bance ainé, rue S.t Denis, N.º 214. A Paris. chez Genty, M.d d'Estampes, Rue S.t Jacques, N.º 33, au coin de la Rue du Plâtre [n.d., c.1820].
Stipple and etching, printed in bistre, finished by hand. 295 x 400mm (11½ x 15¾"), with large margins.
A view of the north gate of St James's Palace.
[Ref: 63774] £260.00 (£312.00 incl.VAT)
A Paris chez Le Coeur, graveur, rue St Jacques, N.º 30 et chez Bance ainé, rue S.t Denis, N.º 214. A Paris. chez Genty, M.d d'Estampes, Rue S.t Jacques, N.º 33, au coin de la Rue du Plâtre [n.d., c.1820].
Stipple and etching, printed in bistre, finished by hand. 295 x 400mm (11½ x 15¾"), with large margins.
A view of the north gate of St James's Palace.
[Ref: 63774] £260.00 (£312.00 incl.VAT)
Kitchen. St. James's Palace.
J. Stephanoff del.t. W.J. Bennett sculp.t.
Pub. April 1. 1819 by W.H. Pyne, 30 Upper Charlotte Str.t Fitzroy Sq.e.
Coloured aquatint. 255 x 315mm (10 x 12¼"). Trimmed to plate at bottom. Large margins on 3 sides.
The interior of the kitchen at St. James's Palace, with the cooks and other servants hard at work. After James Stephanoff, illustration to William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
See Ref: 27454
[Ref: 60095] £230.00 (£276.00 incl.VAT)
J. Stephanoff del.t. W.J. Bennett sculp.t.
Pub. April 1. 1819 by W.H. Pyne, 30 Upper Charlotte Str.t Fitzroy Sq.e.
Coloured aquatint. 255 x 315mm (10 x 12¼"). Trimmed to plate at bottom. Large margins on 3 sides.
The interior of the kitchen at St. James's Palace, with the cooks and other servants hard at work. After James Stephanoff, illustration to William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
See Ref: 27454
[Ref: 60095] £230.00 (£276.00 incl.VAT)
A Perspective View of St. James's Palace next ye park; Vue du Palais de St. James du costé du Parc.
J.Maurer delin et Sculp. London 1741.
Publish'd according to Act of Parliament. London Printed for Jn. Boydell Engraver Cheapside.
Engraving. 255 x 425mm.
[Ref: 4151] £220.00 (£264.00 incl.VAT)
J.Maurer delin et Sculp. London 1741.
Publish'd according to Act of Parliament. London Printed for Jn. Boydell Engraver Cheapside.
Engraving. 255 x 425mm.
[Ref: 4151] £220.00 (£264.00 incl.VAT)
N. Front to St James's Palace, from Cleveland Row.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added colour. 405 x 320mm, 16 x 12½".
St. James's Palace, the oldest of London's palaces, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 16581] £450.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added colour. 405 x 320mm, 16 x 12½".
St. James's Palace, the oldest of London's palaces, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 16581] £450.00
St. James's Palace.
C. Wild delt. R. Reeve sculpt.
Pub. July 1, 1819, by A. Dry, 39 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour. 240 x 300mm (9½ x 11¾"), with large margins. A few stains to upper margin.
Built largely between 1531 and 1536, St. James's Palace was a residence of kings and queens of England for over 300 years. It remains the official residence of the Sovereign, although, since the accession of Queen Victoria in 1837, the Sovereign has lived at Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 27479] £230.00 (£276.00 incl.VAT)
C. Wild delt. R. Reeve sculpt.
Pub. July 1, 1819, by A. Dry, 39 Upper Charlotte Street, Fitzroy Square.
Aquatint with fine hand colour. 240 x 300mm (9½ x 11¾"), with large margins. A few stains to upper margin.
Built largely between 1531 and 1536, St. James's Palace was a residence of kings and queens of England for over 300 years. It remains the official residence of the Sovereign, although, since the accession of Queen Victoria in 1837, the Sovereign has lived at Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 27479] £230.00 (£276.00 incl.VAT)
Her Maj.ties Royal Palace & Park of S.t James's. To Her most Serene and Most Sacred Majesty Anne by ye Grace of God Queen of Great Britain France & Ireland &c.
[n.d., c.1707.]
Engraving on two sheets conjined. Total 565 x 900mm (22¼ x 35½"). Laid on card.
A view looking across St James's Park to St James's Palace, with a twelve-point key naming the house on the north side, including those of the Duke of Malborough and Lord Godolphin. On the left is Buckingham House; on the right Banquetting House, Whitehall and Charing Cross. From 'Britannia Illustrata'.
[Ref: 64295] £980.00
[n.d., c.1707.]
Engraving on two sheets conjined. Total 565 x 900mm (22¼ x 35½"). Laid on card.
A view looking across St James's Park to St James's Palace, with a twelve-point key naming the house on the north side, including those of the Duke of Malborough and Lord Godolphin. On the left is Buckingham House; on the right Banquetting House, Whitehall and Charing Cross. From 'Britannia Illustrata'.
[Ref: 64295] £980.00
![[The Royal Palace of St. James's London next the Park. Le Palais Royale de St. Jaques a Londre du costé du Parc.]](jpegs/22002.jpg)
[The Royal Palace of St. James's London next the Park. Le Palais Royale de St. Jaques a Londre du costé du Parc.]
[Printed for John Bowles _ at the Black Horse in Cornhill London.] [n.d., c.1760.]
Original coloured engraving with blacked edges, title excised and pasted on reverse, mounted for use in a zograscope. Sheet 265 x 425mm. 10½ x 16¾". Some staining and surface wear.
A view of promenaders in the Mall, with deer in St James's Park, and Westminster Cathedral in the distance. A 'vue d'optique' print, designed to create the illusion of perspective when viewed through a zograscope, a device that used reflecting mirrors to create the illusion of depth. During the eighteenth century these prints were not only collected by connoisseurs to display in their drawing rooms, but were also a staple of the travelling showman's repertoir.
Gascoigne: Images of Twickenham 628, this ealier state not listed, and p.122, [the bridge] 'must rank as one of the most fanciful and impractical undertakings in the history of British engineering'.
[Ref: 22002] £260.00 (£312.00 incl.VAT)
[Printed for John Bowles _ at the Black Horse in Cornhill London.] [n.d., c.1760.]
Original coloured engraving with blacked edges, title excised and pasted on reverse, mounted for use in a zograscope. Sheet 265 x 425mm. 10½ x 16¾". Some staining and surface wear.
A view of promenaders in the Mall, with deer in St James's Park, and Westminster Cathedral in the distance. A 'vue d'optique' print, designed to create the illusion of perspective when viewed through a zograscope, a device that used reflecting mirrors to create the illusion of depth. During the eighteenth century these prints were not only collected by connoisseurs to display in their drawing rooms, but were also a staple of the travelling showman's repertoir.
Gascoigne: Images of Twickenham 628, this ealier state not listed, and p.122, [the bridge] 'must rank as one of the most fanciful and impractical undertakings in the history of British engineering'.
[Ref: 22002] £260.00 (£312.00 incl.VAT)
Guard Chamber, St James's.
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
Kitchen St. James's Palace.
J. Stephanoff del.t W.J. Bennett sculp.t
Pub. April 1.1819, by W.H. Pyne, 33 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint with fine hand colour. 259 x 310mm (10 x 12¼"), with wide margins.
Inside the kitchen at St. James's Palace, with cooks, bakers and other culinary experts working in all areas of the room. After James Stephanoff, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:75.; Abbey: Scenery 396.
[Ref: 27454] £160.00 (£192.00 incl.VAT)
J. Stephanoff del.t W.J. Bennett sculp.t
Pub. April 1.1819, by W.H. Pyne, 33 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint with fine hand colour. 259 x 310mm (10 x 12¼"), with wide margins.
Inside the kitchen at St. James's Palace, with cooks, bakers and other culinary experts working in all areas of the room. After James Stephanoff, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:75.; Abbey: Scenery 396.
[Ref: 27454] £160.00 (£192.00 incl.VAT)
The Queens Library. St. James's.
C, Wild delt. R. Reeve sculpt.
Pub. June 1, 1819, by W.H. Pyne, 39 Upper Charlotte Street, Fitzroy Sqe.
Aquatint with fine hand colour, and large margins; 240 x 300mm. (9½ x 11¾").
The Queen's Library in St James's Palace, the primary residence of British monarchs until 1837, when Victoria moved to Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 31321] £220.00 (£264.00 incl.VAT)
C, Wild delt. R. Reeve sculpt.
Pub. June 1, 1819, by W.H. Pyne, 39 Upper Charlotte Street, Fitzroy Sqe.
Aquatint with fine hand colour, and large margins; 240 x 300mm. (9½ x 11¾").
The Queen's Library in St James's Palace, the primary residence of British monarchs until 1837, when Victoria moved to Buckingham Palace. Published in William Henry Pyne's 'History of the Royal Residences'. After Charles Wild (1781-1835).
Abbey Scenery 396.
[Ref: 31321] £220.00 (£264.00 incl.VAT)
Cottage Erected in St. James Park for the Ornithological Society of London, (with the Sanction of the Lords of the Treasury and Commissioners of Woods and Forests.) Dedicated by Permission, to His Grace the Duke of Buccleugh and Queensbury, K.G. &c. &c. &c.
Drawn on Stone bu J.B. Watson. Printed by C. Hullmandel.
[London, 1841, Published by the Architect, 39, Manchester S.t., Manchester Square.]
Scarce lithograph with hand colour. Sheet 225 x 330mm (8¾ x 13"). Trimmed into image on three sides, losing publication line at bottom, repaired tears, laid on card.
The famous Duck Island Cottage in St James's Park, drawn by the architect John Burgess Watson.
[Ref: 64148] £160.00 (£192.00 incl.VAT)
Drawn on Stone bu J.B. Watson. Printed by C. Hullmandel.
[London, 1841, Published by the Architect, 39, Manchester S.t., Manchester Square.]
Scarce lithograph with hand colour. Sheet 225 x 330mm (8¾ x 13"). Trimmed into image on three sides, losing publication line at bottom, repaired tears, laid on card.
The famous Duck Island Cottage in St James's Park, drawn by the architect John Burgess Watson.
[Ref: 64148] £160.00 (£192.00 incl.VAT)
Cottage Erected in St. James's Park for the Ornithological Society of London, (with the Sanction of the Lords of the Treasury and Commissioners of Woods and Forests.)
Drawn on Stone by I.B. Watson. Printed by C. Hullmandel.
London, 1841, Published by the Architect, 39, Manchester St, Manchester Square.
Hand coloured lithograph, very rare, sheet 290 x 355mm. 11½ x 14".
View of cottages in St James's Park, by a pond; ducks in foreground on water, two children by water's edge near a swan, other figures with children to their left. With dedication to the Duke of Buccleugh from the architect John Burges Watson (1803 - 1881).
Guildhall Library Record: 22252.
[Ref: 15009] £260.00 (£312.00 incl.VAT)
Drawn on Stone by I.B. Watson. Printed by C. Hullmandel.
London, 1841, Published by the Architect, 39, Manchester St, Manchester Square.
Hand coloured lithograph, very rare, sheet 290 x 355mm. 11½ x 14".
View of cottages in St James's Park, by a pond; ducks in foreground on water, two children by water's edge near a swan, other figures with children to their left. With dedication to the Duke of Buccleugh from the architect John Burges Watson (1803 - 1881).
Guildhall Library Record: 22252.
[Ref: 15009] £260.00 (£312.00 incl.VAT)
A View in St James's Park of the Horse Guards & St. Pauls Taken from Buckingham House. No. 3.
F I Mannskirsch Delin H Schutz Sculp
London Publishd Jan 1 1798 at Ackermann's Gallery No 101 Strand.
Etching and aquatint in colour. 440 x 360mm. Light paper discolouration through image within the old mount window.
Plate from a folio of London views published by Ackermann from drawings by the German landscape painter and etcher Franz Joseph Manskirsch (1768-1830) and first published in 1798. Manskirsch spent most of his career in London before moving to Danzig, Poland by 1822.
for another plate from the series, see ref. 4050
[Ref: 4051] £550.00
F I Mannskirsch Delin H Schutz Sculp
London Publishd Jan 1 1798 at Ackermann's Gallery No 101 Strand.
Etching and aquatint in colour. 440 x 360mm. Light paper discolouration through image within the old mount window.
Plate from a folio of London views published by Ackermann from drawings by the German landscape painter and etcher Franz Joseph Manskirsch (1768-1830) and first published in 1798. Manskirsch spent most of his career in London before moving to Danzig, Poland by 1822.
for another plate from the series, see ref. 4050
[Ref: 4051] £550.00
Plan of the Proposed Alterations in St James's Park.
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
The Present Fashions Scene near the canal_St. James's Park
Drawn & Etched by J. Findlay, Aquatinted by S.G. Hughes.
Published & Sold by J. Wyatt, 36 Frith Street, Soho Square, London.
Coloured aquatint. Plate: 560 x 410mm (22 x 16"). Stain on left. Tears in bottom and top edge.
One of a series of fashion prints published by Wyatt set in fashionable London locations. A group of men, women and children in fine examples of the current fashions stand and converse in St. James's Park.
[Ref: 11230] £950.00
Drawn & Etched by J. Findlay, Aquatinted by S.G. Hughes.
Published & Sold by J. Wyatt, 36 Frith Street, Soho Square, London.
Coloured aquatint. Plate: 560 x 410mm (22 x 16"). Stain on left. Tears in bottom and top edge.
One of a series of fashion prints published by Wyatt set in fashionable London locations. A group of men, women and children in fine examples of the current fashions stand and converse in St. James's Park.
[Ref: 11230] £950.00