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[Christopher Simpson.]
[Christopher Simpson.] Christophori Simpson Effigies.
W.Faithorne die: et Sculp.
[1667.]
Engraving. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed and backed onto album paper. Some creasing and damage to right edge.
Portrait of Christopher Simpson (1602 - 1669), English composer and musician, particularly the viola da gamba. Frontispiece to his 'Compendium of practical musick' (London, 1667).
[Ref: 67030]   £130.00   (£156.00 incl.VAT)
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Christophori Simpson Effigies.
Christophori Simpson Effigies.
J. Carwarden pinxit. Guil: Faithorne sculp.
[n.d., c.1659.]
Rare engraving. Sheet size: 205 x 145mm (8 x 5¾). Trimmed to image. Glued to abum sheet at corners.
A portrait of English musician and composer, Christopher Simpson (1602/1606 - 1669), nearly half length in an oval frame, wearing bands and gown. A coat of arms is inscribed below the image. The portrait was used as a frontispiece to Simpson's 'Division-violist, or, An introduction to the playing upon a ground' (London, 1659).
Fagan. p.59. II of II.
[Ref: 33839]   £160.00   (£192.00 incl.VAT)
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James Sims, M. & L.L.D. Pres. Med. Soc. London.
James Sims, M. & L.L.D. Pres. Med. Soc. London.
Painted by S. Medley. Engrav'd by W. Holl.
Publish'd October 1, 1804, by H.D. Symonds.
Stipple. 166 x 114mm. 6½ x 4½". Few marks top left off image.
Dr James Sims (1741-1820) was a physician and president of the Medical Society of London.
W: 2742.
[Ref: 24614]   £50.00   (£60.00 incl.VAT)
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Edwardus Simson S.T.D. Aetatis Suae. 73. Expectari Salutare Euum. Agnosco vultus quibus UNI innotuit aevo, Oraq.
Edwardus Simson S.T.D. Aetatis Suae. 73. Expectari Salutare Euum. Agnosco vultus quibus UNI innotuit aevo, Oraq. Daedelea delineata manu: Pinge ALIOS; nam qui Cataclysmo condidit isthmum, Et tot commisit tempora, iure BIFRONS. Magno O CAMDENO major PUPILLE! BRITANNAM Hic terram, MUNDOS astruis ipse NOVOS. Respice Alexander, PLURES qui praebat orbes, A tergo SIMSON conspiciendus adest.
T.J.
[n.d. c.1650].
Engraving. 180 x 115mm.
Edward Simpson or Simson, divine [1578 - 1651].
BM: 1863,0214.562. O'Donoghue: 1.
[Ref: 416]   £45.00   (£54.00 incl.VAT)
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The Convent of St. Catherine Mount Sinai.
The Convent of St. Catherine Mount Sinai. looking towards The Plain of the Encampment. Febr. 21st 1839.
David Roberts R.A.
London. Published by F.G. Moon, 20 Threadneedle Street, Novr. 1st 1844.
Tinted lithograph, printed area 338 x 493mm.
'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia', from drawings made on the spot by David Roberts R.A.. Lithographed by Louis Haghe of the firm Day & Haghe, one of the earliest lithograph publishers of England, these prints were published in six volume sets over a span of eight years (1841-49).
[Ref: 8248]   £490.00  
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Sherm Moyah Ras Mohammed, The Peninsula of Sinai,
Sherm Moyah Ras Mohammed, The Peninsula of Sinai, Horeb in the distance, 8,000 ft high.
Capt.n R. Moresby, I.N. del. T. Picken lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1840.]
Tinted lithograph. Printed area 130 x 185mm (5 x 7¼"), large margins.
A view of the northern end of the Red Sea. The artist, Robert Moresby of the Honorable East India Company's Navy, spent 1829 to 1833 as captain of HEICS Palinurus (seen here at anchor), working on the first accurate survey of the Red Sea, enabling safe passage of steamships from Suez to India and ultimately making a Suez Canal commercially viable.
Not in Abbey.
[Ref: 41444]   £110.00   (£132.00 incl.VAT)
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Mount Sinai.
Mount Sinai.
[n.d. c.1840.]
Engraving. 127 x 89mm (5 x 7½").
Storm over Mount Sinai, Egypt, which according to Jewish, Christian and Islamic tradition was the place where Moses received the Ten Commandments and the mountain where God gave laws to the Israelites.
[Ref: 28638]   £60.00   (£72.00 incl.VAT)
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The Sincere Lovers. The tim'rous Youth w.th Prayers intreats ye Fair, Which she rejects with a disdainfull Air: Yet pines in thought, & bears an equal part Of all his Anguish; in her asking Heart. In real Love the Sex alike the same, Fortune themselves to
The Sincere Lovers. The tim'rous Youth w.th Prayers intreats ye Fair, Which she rejects with a disdainfull Air: Yet pines in thought, & bears an equal part Of all his Anguish; in her asking Heart. In real Love the Sex alike the same, Fortune themselves to give their Lovers pain.
I. Simon fec et ex, C. Coypel pinx
[n.d. c.1780.]
Rare mezzotint. Plate 349 x 248mm (13¾ x 9¾"). Trimmed to the plate, creasing top right; glued to backing sheet.
Wry comment on the games involved in courtship, in which those involved 'torture themselves to give their Lovers pain.'
From the Oettingen-Wallerstein Collection.
[Ref: 28404]   £350.00  
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Sincerity.
Sincerity. [No Art She Knows...]
Ang. Kauffman inv. F. Bartolozzi Sculp.
Publish'd Oct 1st 1781, by W. Palmer No. 159 Strand.
Fine stipple, open-letter proof, printed in sanguine. 190 x 140mm (7½ x 5½").
An oval portrait of a woman, hand on heart.
De Vesme 729, state iv of iv.
[Ref: 53322]   £260.00   (£312.00 incl.VAT)
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Sir John Sinclair.
Sir John Sinclair.
T. Lawrence del.t. W. Skelton sculp.t.
[Pub. as the Act directs April 16 1790 by T. Cadell, Strand.]
Etching with large margins. Plate 253 x 178mm (10 x 7").
Sir John Sinclair, 1st Bt (1754-1835), agriculturalist, his right arm resting on a volume inscribed 'Hist. of the Revenue' (referring to his 'History of the public revenue of the British Empire'). Sinclair was the first President of the Board of Agriculture in 1793; he initiated sheep-shearings, introduced improved methods of tillage and established new breeds of livestock in Scotland. His Statistical Account of Scotland, drawing on returns from every parish minister in Scotland, was published in 1799. After Sir Thomas Lawrence (1769 - 1830).
NPG: D5992.
[Ref: 28381]   £130.00   (£156.00 incl.VAT)
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This Portrait of Robert Sinclair Esqre.
This Portrait of Robert Sinclair Esqre. Recorder for the City of York...
Painted by Edward Linley. Engraved by W.m. Ward Junr. Engraver to H.R.H. the Duke of Clarence.) Winchester Row, New Road, London.
York, Published Jany. 1826.
Rich mezzotint, 415 x 300mm. 16¼ x 11¾". Crease to upper left corner; otherwise a fine impression.
Vivid half-length portrait of Robert Sinclair, recorder of York. Dedication by the artist to Earl Fitzwilliam.
From the Encombe Collection, Lord Eldon. V&A E.638-1959.
[Ref: 21654]   £220.00   (£264.00 incl.VAT)
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Fortress of Devrah.
Fortress of Devrah.
[Lithographed by Charles Haghe after William Edwards.]
[London: Graves & Co., 1846.]
Tinted lithograph finished with hand colour. Printed area 320 x 400mm (12½ x 15¾"). Slight mount burn, creasing in margins.
A fortress in a desolate plain with the tents of the British army. Published in 'Sketches in Scinde' by Lieutenant William Edwards of the 86th or Royal County Down Regiment, aide-de-camp to General Sir Charles Napier. Edwards was present during Napier's conquest of Sindh Province in northern Pakistan in 1842.
Abbey: Travel 469.
[Ref: 34916]   £230.00   (£276.00 incl.VAT)
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Professor Stephan Sinding and His Famous Group. "To Mennesker" (Two Mortals). [Facsimile signature:] Stephan Sinding.
Professor Stephan Sinding and His Famous Group. "To Mennesker" (Two Mortals). [Facsimile signature:] Stephan Sinding. [On verso:] Stephan Abel Sinding was born in Thronhjem, Norway, the 4th of August, 1846. He matriculated at the University of Christiania, intending to become a lawyer. Quite by chance he discovered the great gift with which Nature had endowed him, and immediately went abroad for the purpose of studying sculpture in the great art centres. For many years he visited Berlin, Vienna and Paris, and in 1882 settled down to work in Rome. In 1883 he went to Copenhagen. Here he met the famous art patron, Dr. Carl Jacobsen, who at once realised the realism, the beauty and the grandeur of his work, and commissioned him to execute series of masterpieces for the "Glyptotek". He married a Danish lady, and became in 1890 a naturalised Dane. All his chief works were executed in Denmark, until a few years ago when he took up his domicile in Paris. The Sculpture by Stephan Sinding, on view at Harrods, May 26th-June 13, 1914. includes this master's most notable works, which have never before been exhibited in England. The Exhibits...The Barbarian Mother...A Captive Mother...Two Mortals...The Widow...Siegmund and Siegelinde. Finished in marble in Paris, 1914. Now exhibited for the first time.
Photograph, Willie Wulff, Paris.
Harrod's Ltd. London S.W. [n.d. c.1914.]
Photograph, signed in ink. Plate 152 x 197mm. 6 x 7¾".
Stephan Sinding (1846-1922) was a Norwegian-Danish sculptor. In 1890 he received Danish citizenship but in 1910 he moved to Paris, where he worked until his death. The sculptor Willie Wulff (1881-1962) is the photographer.
[Ref: 21002]   £420.00   view all images for this item
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Singapore [No 22. Singapore. Der Hafen.]
Singapore [No 22. Singapore. Der Hafen.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual. Board foxed.
A view of Singapore harbour after a watercolour by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46870]   £750.00  
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Le Chanteur Gothique.
Le Chanteur Gothique.
A. Booth Pinx. F. Basan sculp.
a Paris ches Basan Graveur rue St. Jacques. Et a Amsterdam ches Pierre Fouquet [n.d., c.1760].
Etching and engraving, with large margins; 370 x 270mm. 14½ x 10¾". Two stain spots to image, else a good impression.
Countryside scene: a singer stood on an up-turned basket singers to onlookers standing by; hymn singing as they hold scores in their hands.
[Ref: 27678]   £230.00   (£276.00 incl.VAT)
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Le Chanteur Populaire [in pencil lower right.]
Le Chanteur Populaire [in pencil lower right.]
Arthur W. Heintzelman [signed in pencil lower right.]
[n.d., c.1920.]
Etching, 280 x 200mm. 11 x 7¾".
A busker sings a tune to the accompaniment of his guitar, his up-turned hat on the chair in front of him. By the American etcher Arthur William Heintzelman (1891 - 1965).
[Ref: 10026]   £230.00   (£276.00 incl.VAT)
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S.W. Singer Esq.r.
S.W. Singer Esq.r.
E.U. Eddis del.t 1831. Pr. by Graf & Soret 14, Newman St.
[n.d, c.1831.]
Lithograph. Printed area 130 x 110 (5¼ x 4¼"). Crease in wide margins.
Samuel Weller Singer (1783-1858), Shakespearian scholar and author of 'Researches into the History of Playing Cards; with Illustrations of the Origin of Printing and Engraving on Wood', 1816, a pioneering work on the subject.
See NPG 5822 for the original pencil sketch, dated 1831.
[Ref: 43166]   £65.00   (£78.00 incl.VAT)
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Don't Speak to Poor People Now.
Don't Speak to Poor People Now.
[Dean &] Co Threadneedle St. [n.d., c.1840.]
Coloured lithograph. Sheet 105 x 130mm (4¼ x 5"). Trimmed, losing publication details.
A singerie satire: two smartly-dressed monkeys ignore a beggar.
[Ref: 41796]   £45.00   (£54.00 incl.VAT)
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Welcome brother, view us well, / and which you most resemble tell, /
Welcome brother, view us well, / and which you most resemble tell, / Seven We together make, / Count us and dont mistake/ Our looks relationship betray, / so you may either grin or bray.
[n.d., c. 1830.]
Lithograph. Sheet 265 x 365mm (10¼ x 14½").
A singerie satire: three monkeys dressed in riding habits, mounted on asses. The viewer is the seventh person in the title.
[Ref: 41836]   £190.00   (£228.00 incl.VAT)
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La Cuisine.
La Cuisine.
Decamps P.t. Tavernier sc.
Imprimé par Chardon Jeune.
Mezzotint. Plate: 305 x 355mm (12 x 14"), with very large margins.
A comical scene in a kitchen in which monkeys are the chefs.
Provenance: Edge Hall Library, Cheshire
[Ref: 47359]   £190.00   (£228.00 incl.VAT)
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Dit spel behaegt haer ook, de Boomen in het Wout Syn tot een tydverdryf: voor de Aapen wilt en Stout.
Dit spel behaegt haer ook, de Boomen in het Wout Syn tot een tydverdryf: voor de Aapen wilt en Stout.
M. Pool exc. [n.d. c.1730.]
Etching, rare. 165 x 196mm. 6½ x 7¾". Cut.
Landscape with two monkeys dressed in clothes seated on a tree branch and pointing at other undressed monkeys, a third dressed monkey onlooking in lower right. After David Teniers the Younger. From an unspecified set of plates showing singeries.
In the BM.
[Ref: 24147]   £120.00   (£144.00 incl.VAT)
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L'origine des singes ne perira jamais, on Les Voit en touts Lieux Jusqye dans les palais. Hier telen d'Apen, men kan 't Apenspel niet derven, Des Zalme noit 't geslacht des Apen uyt Zien sterven.
L'origine des singes ne perira jamais, on Les Voit en touts Lieux Jusqye dans les palais. Hier telen d'Apen, men kan 't Apenspel niet derven, Des Zalme noit 't geslacht des Apen uyt Zien sterven. I.
M: Pool Exc: Amsterdam. Op de Leise Graftbyde Heeren Graft. [n.d. c.1730.]
Etching. 165 x 202mm. 6½ x 8". Some creasing and damage, cut.
The interior of a bed chamber with clothed monkeys; to the left, on stands smoking next to a fireplace, another seated in a wicker basket holding a baby, behind a chambermaid dresses another. Three further chambermaids tidy at the back; in the foreground a child plays on the floor, a chambermaid appears on the right. From an unspecified set of plates showing singeries.
[Ref: 24149]   £120.00   (£144.00 incl.VAT)
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regardez ces magots, et leurstrane hants Gouteaux, tuant coehons et beufs, ma foi Cela est beau. Het zwyn en Horenbeest ontvlugten 't doots gevaar, En d'aap 'steekt binnenspoots zyn Varken door het haar.
regardez ces magots, et leurstrane hants Gouteaux, tuant coehons et beufs, ma foi Cela est beau. Het zwyn en Horenbeest ontvlugten 't doots gevaar, En d'aap 'steekt binnenspoots zyn Varken door het haar. 6.
M: Pool Exc: Amsterdam. [n.d. c.1730.]
Etching. 165 x 210mm. 6½ x 8¼". Cut, some damage.
Chaos in the streets with clothed monkeys; in the background a group try to catch a bull, one has the tail in his hand, accompanied by three dogs; in the foreground a group has caught two boars, and are cutting them open; a third boar runs to the right. From an unspecified set of plates showing singeries.
[Ref: 24151]   £120.00   (£144.00 incl.VAT)
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The Singers by H.W. Longfellow
The Singers by H.W. Longfellow Illustrated with 9 etchings by Arthur Robertson. A.R.E.
London Elkin Mathews Vigo Street W. [1898.]
Etched illustrated promotional handbill/flyer for a newly released book, printed by the publisher; unfilled order form, vignettes of knights in armour and on horseback. Sheet 200 x 120mm, 8 x 4¾".
'The Singers' by American poet Henry Wadsworth Longfellow (1807 - 1882) was first published in London in 1898.
British Library: 002254926.
[Ref: 16969]   £95.00   (£114.00 incl.VAT)
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The Singers.
The Singers. From the Original Picture Painted by Hemskirk Jun.r In the Collection of Mr Marrisall.
Hemskirk jun.r pinx.t. R.Earlom fecit.
Published Oct.r 24th 1768, by J.Boydell Engraver, in Cheapside London.
Mezzotint with very large margins, rare. 305 x 360mm (12 x 14¼").
Three peasants sitting around a barrel in a tavern, one holding up a glass, another holding a long printed song, singing. A fourth man stands over them smoking while a fifth man urinates in the corner. Engraved by Richard Earlom after Egbert van Heemskerck II (c.1674 - 1744).
Ex: Collection of The Hon. C. Lennox-Boyd. Ex Oettinger-Wallenstein Collection Sotheby's Lot 736, 18/11/97.
[Ref: 36463]   £460.00  
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[The Singers.]
[The Singers.]
Hemskirk jun.r pinx.t. R.Earlom fecit.
[Published Oct.r 24th 1768, by J.Boydell Engraver, in Cheapside London.]
Fine and rare mezzotint. 305 x 355mm (12 x 14"). Scratched letter proof. Small margins. Some creasing. Laid down on album sheet at edges.
Three peasants sitting around a barrel in a tavern, one holding up a glass, another holding a long printed song, singing. A fourth man stands over them smoking while a fifth man urinates in the corner.
Ex: Collection of The Hon. C. Lennox-Boyd. Le Blanc 93. See ref: 36463 for the published state.
[Ref: 64512]   £360.00  
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[Singers.]
[Singers.]
M.L. Blundell.
[n.d., c.1960.]
Linocut, printed in black. 180 x 125mm (7 x 5"). Margins soiled.
A chorus of hat-wearing men on stage.
[Ref: 52631]   £120.00   (£144.00 incl.VAT)
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[Singing.]
[Singing.]
Mary Spilsbury pinx. Cha.s Turner [sculp.]
Edw.d Orme Excudit. [Sold & Published July 1 1802, by Edwd. Orme, Printseller to the King & Royal Family, No. 59, New Bond Street, corner of Brook Street, London.]
Scarce mezzotint. Sheet 330 x 470mm (13 x 18½"). Trimmed within plate, losing part of engraver's inscription, title and publication line, a few notches in edges.
A rustic interior with a family gathered around a wooden table, singing while a young boy plays a flute. An elderly man reads from a book, with a larger book (a bible?) on the table in front of him.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64912]   £260.00   (£312.00 incl.VAT)
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The Singing Bird.
The Singing Bird.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No.69 in St. Paul's Church Yard, London. Published as the Act Directs [date erased].
Mezzotint. 250 x 350mm.
No 442 in title. This number means it was part of a series probably issued by Bowles and Carver [c.1780].
Not in BM.
[Ref: 365]   £280.00   (£336.00 incl.VAT)
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The Singing Bird.
The Singing Bird.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard London. Published as the Act Directs.
Mezzotint. 250 x 355mm. Framed Worm holes & staining.
No. 442 in lower left corner.
[Ref: 799]   £280.00   (£336.00 incl.VAT)
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Sinking of the Royal George.
Sinking of the Royal George.
Hinchliff [etching under waves to centre right.]
London, J & F. Harwood, 26, Fenchurch St.t Feb.y 2. 1842.
Etching. 120 x 184mm. 4¾ x 7¼". Laid on album scrap.
HMS Royal George was built at Woolwich Dockyard and was launched in 1756. She saw service during the Seven Years' War and as flagship to Admiral Sir Edward Hawke at the Battle of Quiberon Bay and later at the Battle of Cape St Vincent. On 29 August 1782, she was preparing to sail with Admiral Howe's fleet to relieve Gibraltar when she was keeled over to carry out some repair work. However the tilt was too far, passing her centre of gravity, and the counter-balance attempt by moving the guns back into position, but they were not properly secured, causing an inrush of water. She sank very quickly, taking with her 900 people, some of which were women and children who were visiting the ship in harbour. From "An Account of the Loss of the 'Royal George' at Spithead".
In the Royal Museums Greenwich, National Maritime Museum.
[Ref: 25160]   £60.00   (£72.00 incl.VAT)
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The Sinner & Confessor.
The Sinner & Confessor.
[after Egbert van Heemskerck]
Printed for Carington Bowles next the Chapter House in St. Pauls Church Yard, London [n.d., c.1780]
Mezzotint with large margins, platemark 155 x 115mm (6 x 4½").
Reduced and cropped copy of a 17th century print, 'Remissio Peccatorum' in which the context is explicitly that of a friar hearing the confesssion of a prisoner in his cell.
Ex: collection of the Late Hon. C. Lennox-Boyd; For 'Remissio Peccatorum' see BM 1874,0808.1283
[Ref: 32350]   £130.00   (£156.00 incl.VAT)
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Admirable Pasage des Espagnols en Zelande.
Admirable Pasage des Espagnols en Zelande.
El Capitan Don Iuan de Ledesma Ingeniero del Excito deflandes dispuso esra Obra. [Romeyn de Hooghe.]
[n.d., c.1670-1699.]
Rare engraving. Plate: 265 x 325mm (10½ x 12¾"). Small margins, creases.
A scene showing the Spanish troops landing at Sint Philipsland in the Dutch province of Zeeland, a Jesuit priest blesses them as they come ashore. An illustration from 'Histoire de la Guerre de Flandre' by Famianus Strada, written with the help of Farnese which discussed the beginning of the Eighty Years War which led up to the Dutch Revolt.
[Ref: 43026]   £260.00   (£312.00 incl.VAT)
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Vista de Cintra.
Vista de Cintra. Tirada do Jardim superior da Quinta de Conde da Tovoa.
[Portugal.] Lith da Imp. N.al.

View from the garden of the Quinta da Regaleira in Sintra, Portugal. The 9th century Moorish Castle (Castello dos Mouros) is in the distance on the top of a hill, while the giant conical chimneys of the Palacio Nacional are on the right.
[Ref: 41689]   £120.00   (£144.00 incl.VAT)
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The South-West View of Sion-Abby, in the County of Middlesex. 21.
The South-West View of Sion-Abby, in the County of Middlesex. 21. To the Right Hon:ble Algernon, Earl of Hartford...Mary refounded it, and Queen Elizabeth again dissolv'd it. Tis now a Seat of his Grace Duke of Somerset: an: Vl. 1731: 8s: 4a: Dug:
S: & N: Buck del: & sculp: Publisht according to Act of Parliament March 25th 1737.
Publisht according to Act of Parliament March 25th 1737.
Hand-coloured engraving, with very large margins. Plate 247 x 369mm (9¾ x 14½").
Syon Monastery, founded by the Bridgettine Order in 1415. As seen here the estate came into the possession of Edward Seymour, 1st Duke of Somerset, who started work on building the first Syon House in the Italian Renaissance style. The engraving describes below the image, the history of the castle, from Norman times to the early 18th century, including the numerous changes of ownership.
[Ref: 26169]   £70.00   (£84.00 incl.VAT)
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A View of Sion House, looking towards Kew. Vüe du Chateau de Sion, regardant vers Kew.
A View of Sion House, looking towards Kew. Vüe du Chateau de Sion, regardant vers Kew. No.27.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside, London 1753.
Engraving, printed on 18th century watermarked paper. Plate 253 x 419mm. 10 x 16½". Large margins.
View of Syon House at Isleworth in Middlesex, looking down the River Thames towards Kew with boats on the water; Isleworth is now in the London borough of Hounslow.
See Ref: 856. See Collage: k1249718.
[Ref: 25625]   £350.00  
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A View of Sion House and the Parts adjacent, Taken from the Road next to the Royal Gardens at Richmond. Vüe du Chateau de Sion et des Lieux voisins Prise du Chemin proche les Jardins Royales de Richmond.
A View of Sion House and the Parts adjacent, Taken from the Road next to the Royal Gardens at Richmond. Vüe du Chateau de Sion et des Lieux voisins Prise du Chemin proche les Jardins Royales de Richmond. No.28.
P. Brooks delin. P. Benazech sculp.
Publish'd according to Act of Parliament January 24 1750. London: Printed for J. Boydell Engraver at the Unicorn the corner Queen Street Cheapside.
Engraving, paper watermarked with very large margins. Plate 272 x 451mm (10¾ x 17¾"). Tear into upper left margin area. Slight marks in sky.
A view along the River Thames with Syon House, home of the Percys, Dukes of Northumberland, since 1594, to the right; several figures on the river bank, including a couple on horseback with a dog. Syon House here shows Inigo Jones' improvements but not those which Robert Adam was to make from 1762 onwards. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.28.
[Ref: 29321]   £250.00   (£300.00 incl.VAT)
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A View of Sion House, looking towards Kew. Vüe du Chateau de Sion, regardant vers Kew.
A View of Sion House, looking towards Kew. Vüe du Chateau de Sion, regardant vers Kew. No.29.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 420mm (10 x 16½"). Small hole on right.
View of Syon House at Isleworth, looking along the River Thames towards Kew with boats on the water (one of which is pulled by a team of seven men on the riverbank). From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.29.
[Ref: 29322]   £350.00  
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Sion House.
Sion House.
Drawn by W. Havell. Engraved by R. Havell.
London, Published March 1, 1815, for the Proprietors, by Mess.rs Colnagi & Co., 23, Cockspur Street, & Mess.rs Arch, Booksellers, Cornhill.
Coloured aquatint, printed in blue and hand finished. 280 x 360mm (10¼ x 14¼"), on thick paper watermarked 'J Whatman 1811'.
A view of Syon House, the seat of the Duke of Northumberland in Isleworth, from the Thames. In the foreground are men in a boat fishing with nets. One of twenty plates in 'A Series of Picturesque Views of Noblemen's & Gentlemen's Seats', published in ten parts, each with two plates, 1814-1823. The completed work was published as a volume in 1823, but this plate had been replaced with another version of the same scene, making this the rarest plate in an already scarce work.
Abbey Scenery 395.
[Ref: 49608]   £360.00  
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View of Sion House from the Banks of the Thames.
View of Sion House from the Banks of the Thames.
Drawn by N.Pocock. Engrav'd by I.Hassell.
London, Publish'd Sep.tr 1799, by J.Brydon opposite Northumberland House Charing Cross.
Coloured aquatint. 335 x 470mm. Some skinning of the paper surface in unprinted areas.
Rare.
[Ref: 4681]   £420.00  
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A view of Sion House, looking towards Kew.  Vue du Chateau de Sion, regardant vers Kew.
A view of Sion House, looking towards Kew. Vue du Chateau de Sion, regardant vers Kew.
Boydell Delin & Sculp.
Publish'd according to Act 'Parliament, & Sold by J.Boydell Engraver at the Unicorn the corner of Queen Street Cheapside, London. 1753.
Copper engraving, c.1790. 260 x 425mm.
Plate No.27 of the series.
[Ref: 856]   £320.00  
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A view of Sion House, looking towards Kew.  Vue du Chateau de Sion, regardant vers Kew.
A view of Sion House, looking towards Kew. Vue du Chateau de Sion, regardant vers Kew.
Boydell Delin & Sculp.
Publish'd according to Act 'Parliament, & Sold by J.Boydell Engraver at the Unicorn the corner of Queen Street Cheapside, London. 1753.
Copper engraving, c.1790. 260 x 425mm.
[Ref: 857]   £220.00   (£264.00 incl.VAT)
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[Sioux] A Man & Woman of the Nawdowessies to the westward of the Mississippi in North America.
[Sioux] A Man & Woman of the Nawdowessies to the westward of the Mississippi in North America.
Grignion sculp.
[n.d., c.1790.]
Engraving. Sheet: 290 x 175mm (11½ x 7''). Trimmed, losing surtitle.
A portrait of a Sioux (French 'Nadouessioux') family from 'Bankes New System of Geography'.
See also Ref: 49599.
[Ref: 64005]   £95.00   (£114.00 incl.VAT)
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The squadron under the command of Sir J. Brisbane attacking Fort Maurigio.
The squadron under the command of Sir J. Brisbane attacking Fort Maurigio. From a Sketch by Sir J. Brisbane.
Painted by T. Whitcombe. Engraved by T. Sutherland.
[n.d. c.1814.]
Aquatint. 159 x 241mm. 6½ x 9½".
A British naval bombardment on April 11th 1814 of the French Port Maurigo, close to Monaco in the Mediterranean. The ships are HMS Aigle, HMS Alcmene, and HMS Pembroke, of which Brisbane was Captain.
NMM: PAD5848 .
[Ref: 25149]   £75.00   (£90.00 incl.VAT)
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Sir John, A French draught horse of the Percheron breed.
Sir John, A French draught horse of the Percheron breed.
E. Corbet. E. Hacker.
London, Published by Rogerson & Tuxford, 265, Strand, 1870.
Engraving. Sheet: 135 x 215mm (5 x 8¼''). Foxing in borders.
A portrait of Sir John, a horse of the Percheron breed from Normandy in France.
[Ref: 50250]   £35.00   (£42.00 incl.VAT)
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Sir Kenneth and the Sultan Saladin.
Sir Kenneth and the Sultan Saladin. Vide Tales of the Crusaders.
S.J.E. Jones, Pinxit. H. Pyalll, Sculpt.
[n.d., c.1820.]
Very rare hand coloured aquatint with etching on J. Whatman watermarked paper, sheet 255 x 355mm. 10 x 14". Trimmed into plate, colour strong.
Two characters from 'Tales of the Crusaders. [Containing The Betrothed and The Talisman]' by Sir Walter Scott; the Scottish knight Kenneth, based on David Earl of Huntingdon, who did in fact return from the third Crusade in 1190, and Saladin (c.1138 - 1193), historical figure who led the Islamic opposition to the Franks and other European Crusaders in the Levant. The two face each other on horseback, Saladin firing arrows from his bow as he rides towards the armoured and helmeted Sir Kenneth, who has a lance and shield.
[Ref: 15417]   £190.00   (£228.00 incl.VAT)
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[Hebrew] Jesus = Sirach.  N.10
[Hebrew] Jesus = Sirach. N.10
E. Nunzer del: et sc:
[n.d., c.1730.]
Engraving, sheet c. 355 x 230mm. Some staining outside image, extreme upper left corner of image missing.
An image of Ben Sira, the author of the deuterocanonical book Sirach. The evidence seems to show that his name was Yeshua, son of Shimon, son of Eleazar ben Sira. In the Greek text, the author is called 'Jesus the son of Sirach of Jerusalem.' 'Jesus' is the Anglicized form of the Greek name ??s???. The only fact known with certainty, drawn from the text itself, is that Ben Sira was a scholar, and a scribe thoroughly versed in the Law, and especially in the 'Books of Wisdom.' He may have authored the 'The Wisdom of Jesus son of Sirach' (or merely 'Sirach') in Alexandria, Egypt c.180–175 BC, where he is thought to have established a school. The book, originally written in Hebrew, is included in the Septuagint and is accepted as part of the biblical canon by Catholics and Eastern Orthodox, but not by most Protestants, and is listed in Article VI of the Thirty-Nine Articles of the Church of England. Although it was not accepted into the Tanakh, the Jewish biblical canon, The Sirach is occasionally quoted in the Talmud and works of rabbinic literature. From an encyclopedia or religious text published in Nuremberg in Germany, where the engraver worked.
[Ref: 7394]   £130.00   (£156.00 incl.VAT)
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[Sirius Canis.]
[Sirius Canis.]
[F. Bartolozzi.]
[n.d. c.1780.]
Stipple and etching. 127 x 102mm. 5 x 4". Cut.
Head of a dog with human and lion-esque features; derived for the latin meaning dog star.
De Vesme: 2341.
[Ref: 21205]   £65.00   (£78.00 incl.VAT)
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G. Sissini. [With 'Georgio Sissini' signature facsimile.]
G. Sissini. [With 'Georgio Sissini' signature facsimile.]
Hanfstaengl ft. 1829. [signed in plate.] Nach der Natur gez. v. Krazeisen. Gedr. von Selb.
[Munich, 1828-31.]
Lithograph on india laid paper, sheet 335 x 230mm. 13¼ x 9". Foxing. Slight marks near head.
Georgio Sissini (1769 - 1831), politician and leader in the Greek War of Independence. From the rare folio 'Bildnisse ausgezeichneter Griechen und Philhellenen/Portraits des Grecs et des Philhelle`nes les plus ce´le`bres...' by Carl or Karl Krazeisen, published in Munich, Germany, with text in German and French. Published in parts between 1828 and 1831, the work contains 21 portraits and seven views or scenes. Krazeisen accompanied von Heideck and the Bavarian philhellenes to Greece in 1826 where he served as a junior officer. The portraits are amongst the best-known of the leaders of the War of Independence and are frequently reproduced. The original drawings are preserved in the National Gallery, Athens.
British Library: 002020473. From: Charborough House, residence to the Erle-Drax family.
[Ref: 14914]   £450.00  
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Just Published. ''Sister Ships''.
Just Published. ''Sister Ships''. Original Drypoint by Joseph Cook. Edition limited to 100 impressions (Plate Destroyed).
24/100 Joseph Cook [pencil].
[London: Alfred Bell & Co., n.d., c.1930.]
Drypoint etching, signed by the artist. 215 x 325mm (8½ x 12¾") very large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
Two clippers passing each other in rough seas.
[Ref: 49172]   £160.00   (£192.00 incl.VAT)
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