A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Billiards.
H.Bunbury Esq.r Delin.t. Watson & Dickinson Excud.t.
[London, Publish'd Nov.r 15th 1780 by Watson & Dickinson, No. 158 New Bond Street.]
Stipple. Sheet 280 x 430mm (11 x 17"), with an 18th century watermark. Trimmed into plate top and bottom, losing publication line.
The famous caricature of a billiards game by Henry William Bunbury (1750-1811), probably inspired by the introduction of leather-tipped cues, as used here.
BM: 5803; see F.L. Wilder, 'English Sporting Prints', pp.190-1.
[Ref: 58476] £420.00
H.Bunbury Esq.r Delin.t. Watson & Dickinson Excud.t.
[London, Publish'd Nov.r 15th 1780 by Watson & Dickinson, No. 158 New Bond Street.]
Stipple. Sheet 280 x 430mm (11 x 17"), with an 18th century watermark. Trimmed into plate top and bottom, losing publication line.
The famous caricature of a billiards game by Henry William Bunbury (1750-1811), probably inspired by the introduction of leather-tipped cues, as used here.
BM: 5803; see F.L. Wilder, 'English Sporting Prints', pp.190-1.
[Ref: 58476] £420.00
![[Billiards]](jpegs/3192.jpg)
[Billiards]
In pencil. Hillmacher pinx Thielley Lith.
Lithograph. 568 x 444mm. Slightly foxed.
Continental scene of a family gathering playing billiards.
[Ref: 3192] £950.00
In pencil. Hillmacher pinx Thielley Lith.
Lithograph. 568 x 444mm. Slightly foxed.
Continental scene of a family gathering playing billiards.
[Ref: 3192] £950.00
![[Billiards scene]](jpegs/43841.jpg)
[Billiards scene]
[Anon., c.1800]
Etching, very rare, sheet 180 x 275mm (7 x 10¾"). Trimmed to image.
Unusual and scarce billiards scene (we have found no other impression) reminiscent of Henry Bunbury but presumably made by an amateur printmaker.
[Ref: 43841] £230.00 (£276.00 incl.VAT)
[Anon., c.1800]
Etching, very rare, sheet 180 x 275mm (7 x 10¾"). Trimmed to image.
Unusual and scarce billiards scene (we have found no other impression) reminiscent of Henry Bunbury but presumably made by an amateur printmaker.
[Ref: 43841] £230.00 (£276.00 incl.VAT)
!["Billing Mill" Northants. [Billing Mill, Northamptonshire.]](jpegs/62583.jpg)
"Billing Mill" Northants. [Billing Mill, Northamptonshire.]
J.S. Adams [pencil signature].
[1924.]
Dry-point etching. 260 x 180mm (10 x 7”).
Two young boys sit fishing on a boat across the Billing river from a Mill.
[Ref: 62583] £130.00 (£156.00 incl.VAT)
J.S. Adams [pencil signature].
[1924.]
Dry-point etching. 260 x 180mm (10 x 7”).
Two young boys sit fishing on a boat across the Billing river from a Mill.
[Ref: 62583] £130.00 (£156.00 incl.VAT)
The View and Humours of Billingsgate.
The Wonders of ye Deep, often attempted, and never perform'd but by Arnold Vanhaecken, 1762.
[1762.]
Engraving with 18th century watermark. Plate: 575 x 445mm (22½ x 17½"). Very small margins. Central staining on right centre margin.
A satire on the fish market at Billingsgate, showing a large variety of fishmongers selling their wares. In the centre a man with a basket is knocked down by a dog sprinting across the scene. A later re-print of the 1736 and is the first plate to a series of fish prints engraved by Giles King.
BM Satire 2284.
[Ref: 44414] £550.00
The Wonders of ye Deep, often attempted, and never perform'd but by Arnold Vanhaecken, 1762.
[1762.]
Engraving with 18th century watermark. Plate: 575 x 445mm (22½ x 17½"). Very small margins. Central staining on right centre margin.
A satire on the fish market at Billingsgate, showing a large variety of fishmongers selling their wares. In the centre a man with a basket is knocked down by a dog sprinting across the scene. A later re-print of the 1736 and is the first plate to a series of fish prints engraved by Giles King.
BM Satire 2284.
[Ref: 44414] £550.00
Billingsgate Market.
Rowlandson & Pugin del. et sculpt. J. Bluck, Aquat.
London. Pub March 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
A general view, from the north, of Billingsgate Quay and market with stalls. In the foreground there is a crowd of streetsellers and larger retailers. In the 19th century, boats delivered fish to this small inlet of the Thames and business was conducted on the quayside. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46882] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck, Aquat.
London. Pub March 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
A general view, from the north, of Billingsgate Quay and market with stalls. In the foreground there is a crowd of streetsellers and larger retailers. In the 19th century, boats delivered fish to this small inlet of the Thames and business was conducted on the quayside. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46882] £260.00 (£312.00 incl.VAT)
The London Fish Market At Billingsgate. Erected By The Corporation Of The City Of London.
Chromolithographed By C.F. Kell, 8 Castle St. Holborn, E.C [n.d., 1877].
Chromolithograph trimmed to image and laid on publisher's card as issued, image 295 x 650mm. 11¾ x 25½". Card trimmed/damaged. Missing some of the text below image.
View of Billingsgate market from the river. In 1849, the famous London fish market was moved off the streets into its own riverside building, which was demolished c. 1873 and replaced by this arcaded market hall. It was designed by City architect Sir Horace Jones and built by John Mowlem & Co. in 1875. This building, known as Old Billingsgate Market, is now used as a corporate events venue.
Guildhall Library Record: 21750.
[Ref: 8814] £450.00
Chromolithographed By C.F. Kell, 8 Castle St. Holborn, E.C [n.d., 1877].
Chromolithograph trimmed to image and laid on publisher's card as issued, image 295 x 650mm. 11¾ x 25½". Card trimmed/damaged. Missing some of the text below image.
View of Billingsgate market from the river. In 1849, the famous London fish market was moved off the streets into its own riverside building, which was demolished c. 1873 and replaced by this arcaded market hall. It was designed by City architect Sir Horace Jones and built by John Mowlem & Co. in 1875. This building, known as Old Billingsgate Market, is now used as a corporate events venue.
Guildhall Library Record: 21750.
[Ref: 8814] £450.00
Billingsgate Market 1851.
G. Hawkins Lith. J.B. Bunning Archt. J. King Litho. College Hill.
[n.d. c.1851].
Coloured lithograph. Sheet 381 x 554mm. 15 x 21¾". Staining in the sky to the left-hand side.
In 1849, the old riverside fish market in the City of London ward of Billingsgate was moved off the streets and into this building, which was later demolished c.1873 and replaced by an arcaded market hall in 1875, now known as Old Billingsgate Market and used as a corporate events venue.
[Ref: 16263] £320.00
G. Hawkins Lith. J.B. Bunning Archt. J. King Litho. College Hill.
[n.d. c.1851].
Coloured lithograph. Sheet 381 x 554mm. 15 x 21¾". Staining in the sky to the left-hand side.
In 1849, the old riverside fish market in the City of London ward of Billingsgate was moved off the streets and into this building, which was later demolished c.1873 and replaced by an arcaded market hall in 1875, now known as Old Billingsgate Market and used as a corporate events venue.
[Ref: 16263] £320.00
![[William Henry Cavendish Cavendish-Bentinck & Elizabeth Billington] The Bulstrode Siren.](jpegs/42447.jpg)
[William Henry Cavendish Cavendish-Bentinck & Elizabeth Billington] The Bulstrode Siren. Blest as th'immortal Gods is he / The youth who fondly sists by thee, / And sees and hears thee all the while / Softly Sing and sweetly smile.
J. Gillray del.t. 1803.
London, Published by John Miller, Bridge Street & W. Blackwood, Edinburgh. [n.d., c.1820.]
Coloured engraving. 285 x 215mm (11¼ x 8½").
Caricature of William Henry Cavendish Cavendish-Bentinck (1738-1809), 3rd Duke of Portland and Elizabeth Billington (1768-1818), a famed opera singer whom he paid to sing for him at his estate at Bulstode. A copy of Gilray's original caricature, as published by Humphrey.
BM: 10168.
[Ref: 42447] £110.00 (£132.00 incl.VAT)
J. Gillray del.t. 1803.
London, Published by John Miller, Bridge Street & W. Blackwood, Edinburgh. [n.d., c.1820.]
Coloured engraving. 285 x 215mm (11¼ x 8½").
Caricature of William Henry Cavendish Cavendish-Bentinck (1738-1809), 3rd Duke of Portland and Elizabeth Billington (1768-1818), a famed opera singer whom he paid to sing for him at his estate at Bulstode. A copy of Gilray's original caricature, as published by Humphrey.
BM: 10168.
[Ref: 42447] £110.00 (£132.00 incl.VAT)
M.rs. Billington in the character of S.t. Cecilia, Engraved by M.r. Cardon from the original Picture by Sir Joshua Reynolds.
Published by John Bull, Southampton Street, Strand, May 1.st. 1812.
Stipple. Sheet: 135 x 210mm (5¼ x 8¼"). Trimmed within plate.
Half portrait of Elizabeth Billington (1765-1818), a British opera singer. After a painting by Johsua Reynolds on which Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.'
[Ref: 35524] £45.00 (£54.00 incl.VAT)
Published by John Bull, Southampton Street, Strand, May 1.st. 1812.
Stipple. Sheet: 135 x 210mm (5¼ x 8¼"). Trimmed within plate.
Half portrait of Elizabeth Billington (1765-1818), a British opera singer. After a painting by Johsua Reynolds on which Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.'
[Ref: 35524] £45.00 (£54.00 incl.VAT)
![[Elizabeth Billington.] Clara _ a Bavura.](jpegs/58380.jpg)
[Elizabeth Billington.] Clara _ a Bavura.
[Charles Williams.]
[Pub.d Jan.y 4th 1802 by S.W. Fores, 50 Piccadilly.
Coloured etching, 18th century watermark. 355 x 240mm (14 x 9½"). Wax stains in top corners of margins. Bit messy.
A full-length caricature portrait of Elizabeth Billington (1768-1818) as Clara in Sheridan's opera 'The Duenna', her second leading part.
BM Satires 9914.
[Ref: 58380] £260.00 (£312.00 incl.VAT)
[Charles Williams.]
[Pub.d Jan.y 4th 1802 by S.W. Fores, 50 Piccadilly.
Coloured etching, 18th century watermark. 355 x 240mm (14 x 9½"). Wax stains in top corners of margins. Bit messy.
A full-length caricature portrait of Elizabeth Billington (1768-1818) as Clara in Sheridan's opera 'The Duenna', her second leading part.
BM Satires 9914.
[Ref: 58380] £260.00 (£312.00 incl.VAT)
M.rs Billington as S.t Cecilia. Proof.
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 225 x 165mm (8¾ x 6½"), with large margins.
Full length portrait of Elizabeth Billington (1765-1818), a British opera singer. On seeing the painting Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.' She was caricatured by James Gillray after the 3rd Duke of Portland paid her to sing for him at his estate at Bulstode. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59580] £95.00 (£114.00 incl.VAT)
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 225 x 165mm (8¾ x 6½"), with large margins.
Full length portrait of Elizabeth Billington (1765-1818), a British opera singer. On seeing the painting Hayden is reported to have stated, 'You have made her listening to the angels; you should have made the angels listening to her.' She was caricatured by James Gillray after the 3rd Duke of Portland paid her to sing for him at his estate at Bulstode. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59580] £95.00 (£114.00 incl.VAT)
![[William Henry Cavendish Cavendish-Bentinck & Elizabeth Billington] The Bulstrode Siren.](jpegs/68224.jpg)
[William Henry Cavendish Cavendish-Bentinck & Elizabeth Billington] The Bulstrode Siren. "Blest as th'immortal Gods is he The youth who fondly sists by thee, And sees and hears thee all the while Softly Sing and sweetly smile.
J. Gillray inv. & f.t.
Pub.d April 14.th 1803 by H. Humphrey, 27 St.James's Street.~
Fine coloured engraving. 355 x 255mm (14 x 10"). Narrow margins.
Caricature of the Duke of Portland and Elizabeth Billington (1768-1818), a famed opera singer who appeared at Covent Garden & Drury Lane Theatre, as well as Naples, Florence, Milan & Venice. William Henry Cavendish Cavendish-Bentinck, 3rd Duke of Portland (1738-1809), after whom the Portland Vase was named, paid her to sing for him at his estate at Bulstode.
BM Satires 10168.
[Ref: 68224] £490.00
J. Gillray inv. & f.t.
Pub.d April 14.th 1803 by H. Humphrey, 27 St.James's Street.~
Fine coloured engraving. 355 x 255mm (14 x 10"). Narrow margins.
Caricature of the Duke of Portland and Elizabeth Billington (1768-1818), a famed opera singer who appeared at Covent Garden & Drury Lane Theatre, as well as Naples, Florence, Milan & Venice. William Henry Cavendish Cavendish-Bentinck, 3rd Duke of Portland (1738-1809), after whom the Portland Vase was named, paid her to sing for him at his estate at Bulstode.
BM Satires 10168.
[Ref: 68224] £490.00
Billy the Gamekeeper.
Design'd from Life by R. Frankland Esq.r. Engrav'd by J.s Gillray.
Publish'd April 23d 1810 by H. Humphrey, 27 St James's Street, London.
Etching with hand colour. Sheet 320 x 245mm (12½ x 9½"). Trimmed to printed border on three sides, into plate at bottom. Bit messy.
A man dressed as a coachman, holding a long-lashed coach-whip. According to Grego, he was first a gamekeeper of the Earl of Aylesford, then his coachman.
BM Satires 11592.
[Ref: 61761] £260.00 (£312.00 incl.VAT)
Design'd from Life by R. Frankland Esq.r. Engrav'd by J.s Gillray.
Publish'd April 23d 1810 by H. Humphrey, 27 St James's Street, London.
Etching with hand colour. Sheet 320 x 245mm (12½ x 9½"). Trimmed to printed border on three sides, into plate at bottom. Bit messy.
A man dressed as a coachman, holding a long-lashed coach-whip. According to Grego, he was first a gamekeeper of the Earl of Aylesford, then his coachman.
BM Satires 11592.
[Ref: 61761] £260.00 (£312.00 incl.VAT)
Billy-Button, Master-of-the-Ceremonies, To an Eighteen Penny Rout & Assembly.
Pubd. by MDarly accord. to Act Dec.r 1.st 1771 (39 Strand)
Etching with large margins. Sheet 209 x 303mm. 8¼ x 12".
A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword. Billy Button is a character in Foote's play of 'The Maid of Bath', first played 26 June 1771, the part being taken by Weston. From 'Macaronies, Characters, Caricatures &c', an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates..
BM Satires: 4988.
[Ref: 27982] £140.00 (£168.00 incl.VAT)
Pubd. by MDarly accord. to Act Dec.r 1.st 1771 (39 Strand)
Etching with large margins. Sheet 209 x 303mm. 8¼ x 12".
A man standing (whole length) in profile to right. He appears to be bowing, his right hand is held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword. Billy Button is a character in Foote's play of 'The Maid of Bath', first played 26 June 1771, the part being taken by Weston. From 'Macaronies, Characters, Caricatures &c', an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates..
BM Satires: 4988.
[Ref: 27982] £140.00 (£168.00 incl.VAT)
Billy-Button, Master Of The Ceremonies, To an Eighteen Penny Rout & Assembly.
Pubd. by MDarly accorg. to Act Decr. 1st 1771 (39 Strand).
Etching. 160 x 105mm (6¼ x 4").
A man who seems to be bowing, his right hand held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword. Billy Button is a character in Samuel Foote's play of 'The Maid of Bath', first played 26 June 1771, the part being taken by the actor Thomas Weston (1737 - 1777). From 'Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.2' upper left and '3' upper right.
BM Satires: 4988.
[Ref: 14179] £140.00 (£168.00 incl.VAT)
Pubd. by MDarly accorg. to Act Decr. 1st 1771 (39 Strand).
Etching. 160 x 105mm (6¼ x 4").
A man who seems to be bowing, his right hand held out, his left fingers touch his breast. His profile is grotesque, with a bulbous nose and double chin. His hair is in a club. He wears a laced coat and waistcoat, frilled shirt-sleeves, low buckled shoes, and a sword. Billy Button is a character in Samuel Foote's play of 'The Maid of Bath', first played 26 June 1771, the part being taken by the actor Thomas Weston (1737 - 1777). From 'Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.2' upper left and '3' upper right.
BM Satires: 4988.
[Ref: 14179] £140.00 (£168.00 incl.VAT)
James Bindley Esq.A.M.F.S.A. Aetat Suae.48.
Engraved by W.Say, from an Original Drawing.
London, Published June 1.1819, for the Revd.T.F.Dibdin's Typographical Antiquities, by Messrs.Longman,Hurst,Rees & Co.
Mezzotint. 314 x 233mm.
James Bindley (1737-1818), Commissioner of stamps; book collector.
[Ref: 5372] £70.00 (£84.00 incl.VAT)
Engraved by W.Say, from an Original Drawing.
London, Published June 1.1819, for the Revd.T.F.Dibdin's Typographical Antiquities, by Messrs.Longman,Hurst,Rees & Co.
Mezzotint. 314 x 233mm.
James Bindley (1737-1818), Commissioner of stamps; book collector.
[Ref: 5372] £70.00 (£84.00 incl.VAT)
James Bindley, Esq.r M.A. FSA. one of His Majestys Commissioners of Stamps.
J. Basire sculp.
[n.d. c.1810.]
Etching and engraving. 210 x 140mm. 8¼ x 5½".
James Bindley (1737-1818) was one of His Majesty's Commissioners of Stamps and a book collector.
Ex Collection: R. Hobson of Hove.
[Ref: 25317] £60.00 (£72.00 incl.VAT)
J. Basire sculp.
[n.d. c.1810.]
Etching and engraving. 210 x 140mm. 8¼ x 5½".
James Bindley (1737-1818) was one of His Majesty's Commissioners of Stamps and a book collector.
Ex Collection: R. Hobson of Hove.
[Ref: 25317] £60.00 (£72.00 incl.VAT)
Here Pope Sung. The above was carved on Popes Beech Tree at Binfield, Berks, by another celebrated Poet Lord Lyttelton when on a Visit at Bill Hill, the seat of the late General Gower.
Wm. DelaMotte fec. 1830. [etched in image.] William DelaMotte delt. et fecit.
Etching with faint hand colour. 330 x 250mm (13 x 9¾"). Slightly foxed.
A broad tree trunk with one single curling branch in a field in Binfield, Berkshire, with scattered trees and a shepherd leaning on his staff to left, his sheep grazing nearby. A tribute to Alexander Pope has been carved into the tree by George Lyttelton, 1st Baron Lyttelton of Frankley (1709 - 1773). Lyttelton was secretary to Frederick Prince of Wales, and author of many poetical and historical works.
[Ref: 11490] £130.00 (£156.00 incl.VAT)
Wm. DelaMotte fec. 1830. [etched in image.] William DelaMotte delt. et fecit.
Etching with faint hand colour. 330 x 250mm (13 x 9¾"). Slightly foxed.
A broad tree trunk with one single curling branch in a field in Binfield, Berkshire, with scattered trees and a shepherd leaning on his staff to left, his sheep grazing nearby. A tribute to Alexander Pope has been carved into the tree by George Lyttelton, 1st Baron Lyttelton of Frankley (1709 - 1773). Lyttelton was secretary to Frederick Prince of Wales, and author of many poetical and historical works.
[Ref: 11490] £130.00 (£156.00 incl.VAT)
Here Pope Sung. The above was carved on Popes Beech Tree at Binfield, Berks, by another celebrated Poet Lord Lyttelton when on a Visit at Bill Hill, the seat of the late General Gower.
Wm. DelaMotte fec. 1830. [etched in image.] William DelaMotte delt. et fecit.
Scarce etching. 330 x 250mm (13 x 9¾"), with 'D' blindstamp. Trimmed to plate.
A broad tree trunk with one single curling branch in a field in Binfield, Berkshire, with scattered trees and a shepherd leaning on his staff to left, his sheep grazing nearby. George Lyttelton (1709-73), 1st Baron Lyttelton of Frankley, was secretary to Frederick Prince of Wales, and author of many poetical and historical works.
[Ref: 59688] £280.00 (£336.00 incl.VAT)
Wm. DelaMotte fec. 1830. [etched in image.] William DelaMotte delt. et fecit.
Scarce etching. 330 x 250mm (13 x 9¾"), with 'D' blindstamp. Trimmed to plate.
A broad tree trunk with one single curling branch in a field in Binfield, Berkshire, with scattered trees and a shepherd leaning on his staff to left, his sheep grazing nearby. George Lyttelton (1709-73), 1st Baron Lyttelton of Frankley, was secretary to Frederick Prince of Wales, and author of many poetical and historical works.
[Ref: 59688] £280.00 (£336.00 incl.VAT)
The Town of Bingen.
Schutz del.t. T. Sutherland sculp.t.
London, Pub.d Octo.r 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
Coloured aquatint. 250 x 295mm (10 x 11¾"). Faint mount burn in margins.
A view of Bingen am Rhein in Rhineland-Palatinate, with the Basilica of St. Martin on the right. From 'A Picturesque tour along the Rhine from Mentz to Cologne' by Baron Johann Issac von Gerning.
Abbey 217: 'important book', also published in German and Spanish.
[Ref: 48135] £140.00 (£168.00 incl.VAT)
Schutz del.t. T. Sutherland sculp.t.
London, Pub.d Octo.r 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
Coloured aquatint. 250 x 295mm (10 x 11¾"). Faint mount burn in margins.
A view of Bingen am Rhein in Rhineland-Palatinate, with the Basilica of St. Martin on the right. From 'A Picturesque tour along the Rhine from Mentz to Cologne' by Baron Johann Issac von Gerning.
Abbey 217: 'important book', also published in German and Spanish.
[Ref: 48135] £140.00 (£168.00 incl.VAT)
The Honourable Miss Bingham.
Painted by Sir Joshua Reynolds. Engraved by Pietro Bonato.
[n.d., c.1786.]
Engraving. Platemark: 300 x 200mm (11¾ x 8").
A portrait of Lady Anne Bingham (1767 - 1840) after Sir Joshua Reynolds. Half-length sitting to the left, head turned to face front, wearing a large straw hat and her hair over her shoulders. Anne Bingham, was the daughter of Charles Bingham, 1st Earl of Lucan. When he became the Earl her title became Lady Anne Bingham. Her sister, Lady Lavinia Bingham, married the 2nd Earl of Spencer. The original painting by Joshua Reynolds is still owned by the Spencer family.
[Ref: 35071] £180.00 (£216.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by Pietro Bonato.
[n.d., c.1786.]
Engraving. Platemark: 300 x 200mm (11¾ x 8").
A portrait of Lady Anne Bingham (1767 - 1840) after Sir Joshua Reynolds. Half-length sitting to the left, head turned to face front, wearing a large straw hat and her hair over her shoulders. Anne Bingham, was the daughter of Charles Bingham, 1st Earl of Lucan. When he became the Earl her title became Lady Anne Bingham. Her sister, Lady Lavinia Bingham, married the 2nd Earl of Spencer. The original painting by Joshua Reynolds is still owned by the Spencer family.
[Ref: 35071] £180.00 (£216.00 incl.VAT)
![[George Charles Bingham, 3th Earl of Lucan.]](jpegs/44434.jpg)
[George Charles Bingham, 3th Earl of Lucan.]
Engraved by D.J. Pound from a Photograph by John Watkins, Parliament Street.
[n.d., c.1860.]
Steel engraving on india, proof before title. 400 x 285mm (15¾ x 11¼"). Spot in background.
George Charles Bingham (1800-88), 3rd Earl of Lucan, one of the three men blamed for the Charge of the Light Brigade.
[Ref: 44434] £65.00 (£78.00 incl.VAT)
Engraved by D.J. Pound from a Photograph by John Watkins, Parliament Street.
[n.d., c.1860.]
Steel engraving on india, proof before title. 400 x 285mm (15¾ x 11¼"). Spot in background.
George Charles Bingham (1800-88), 3rd Earl of Lucan, one of the three men blamed for the Charge of the Light Brigade.
[Ref: 44434] £65.00 (£78.00 incl.VAT)
Lady Bingham.
Angelica Kauffman pinx.t. James Watson fecit.
Printed and Publish'd according to Act of Parliament 1st April 1776, by James Bretherton, No 134 New Bond Street.
Mezzotint. 500 x 380mm (19¾ x 15"). Small repaired tear top left & very few repaired wormholes, small margins.
Full-length portrait of painter of miniatures Margaret Bingham (née Smith, c.1740-1814), seated, leafing through a print portfolio on a table. The daughter of Sir James Smith, she married Charles Bingham (1735-1799), 1st Earl of Lucan in 1760. This portrait was first published by James Watson in 1775.
CS: 10. Goodwin: 101. Alexander: 22. See 27752 for a proof.
[Ref: 43487] £480.00
Angelica Kauffman pinx.t. James Watson fecit.
Printed and Publish'd according to Act of Parliament 1st April 1776, by James Bretherton, No 134 New Bond Street.
Mezzotint. 500 x 380mm (19¾ x 15"). Small repaired tear top left & very few repaired wormholes, small margins.
Full-length portrait of painter of miniatures Margaret Bingham (née Smith, c.1740-1814), seated, leafing through a print portfolio on a table. The daughter of Sir James Smith, she married Charles Bingham (1735-1799), 1st Earl of Lucan in 1760. This portrait was first published by James Watson in 1775.
CS: 10. Goodwin: 101. Alexander: 22. See 27752 for a proof.
[Ref: 43487] £480.00
Het Eiland Mars of Poelo-Penjingat, Reede van Riouw. L’Ile Mars ou Poelo-Penjingat, Rade de Riouw. Bintang-Eilanden. Iles Bintang. PL.XLVI.
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour and large margins. Image area 210 x 299 (8¼ x 11¾").
A view of the roadstead of Riau on the island of Mars or Poelo-Penjingat, Bintan Islands, Indonesia. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28465] £320.00
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour and large margins. Image area 210 x 299 (8¼ x 11¾").
A view of the roadstead of Riau on the island of Mars or Poelo-Penjingat, Bintan Islands, Indonesia. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28465] £320.00
De Christen Kerk te Riouw. Église Chrétienne a Riouw. Bintang-Eilanden. Iles Bintang. PL.XLVII.
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 209 x 300 (8¼ x 11¾"). Foxing in the margin area.
A view of Riouw in the Riau achipelago of Indonesia; a church with goats in the foreground, and their shepherd sat in the shade. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28464] £130.00 (£156.00 incl.VAT)
C.W.M. van de Velde. P. Lauters.
Uitgegeven by, Frans Buffa en Zonen te Amsterdam. [n.d. c.1846.]
Lithograph with hand colour. Image area 209 x 300 (8¼ x 11¾"). Foxing in the margin area.
A view of Riouw in the Riau achipelago of Indonesia; a church with goats in the foreground, and their shepherd sat in the shade. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist. From "Gezigten uit Neèrlands Indië, naar de natuur geteekend en beschreven".
[Ref: 28464] £130.00 (£156.00 incl.VAT)
![[Biondina.]](jpegs/64898.jpg)
[Biondina.]
[Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.]
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint, signed by artist & engraver. 425 x 315mm (16¾ x 12½") large margins. Printsellers Association blindstamp 'JUF'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Whitman: 206 state i of iii signed. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64898] £320.00
[Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.]
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint, signed by artist & engraver. 425 x 315mm (16¾ x 12½") large margins. Printsellers Association blindstamp 'JUF'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Whitman: 206 state i of iii signed. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64898] £320.00
Biondina.
Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint. 440 x 330mm (17¼ x 13"), with large margins. Printsellers Association blindstamp 'CJU'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64900] £320.00
Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint. 440 x 330mm (17¼ x 13"), with large margins. Printsellers Association blindstamp 'CJU'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64900] £320.00
J.n B.te Biot (Physicien, Mathématicien et Astronomie,) Membre de l’Académie des Sciences, du Bureau des Longitudes et associé de la société royale de Londres, de celle d’Edimbourg, des Académies de St. Pétersbourg, Stockholm, Turin, Munich, Lucques, Berlin, Naples &.a Né à Paris le 21 Avril 1774.
Dessiné d’après Nature en 1824, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 215 x 145mm (8½ x 5¾"). Very slight spotting. Cut to plate.
Jean-Baptiste Biot (1774-1862) the French physicist, astronomer, and mathematician who established the reality of meteorites, made an early balloon flight, and studied the polarisation of light.
W: 306-2.
[Ref: 29586] £90.00 (£108.00 incl.VAT)
Dessiné d’après Nature en 1824, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 215 x 145mm (8½ x 5¾"). Very slight spotting. Cut to plate.
Jean-Baptiste Biot (1774-1862) the French physicist, astronomer, and mathematician who established the reality of meteorites, made an early balloon flight, and studied the polarisation of light.
W: 306-2.
[Ref: 29586] £90.00 (£108.00 incl.VAT)
John Birch Esqr. late Surgeon Extraordinary to his Royal Highness the Prince Regent, and one of the Surgeons of St. Thomas's Hospital.
Painted by T. Phillips, Esqr. Engraved by J. Lewis.
[London, c.1815.]
Stipple with etching, sheet 435 x 280mm (17 x 11"). Trimmed to platemark; some soiling and spotting.
A rare portrait. of John Birch (1745? - 1815), surgeon to St. Thomas's Hospital, after Thomas Phillips (1770 - 1845).
Wellcome: 307. Not in BM, NPG.
[Ref: 12789] £160.00 (£192.00 incl.VAT)
Painted by T. Phillips, Esqr. Engraved by J. Lewis.
[London, c.1815.]
Stipple with etching, sheet 435 x 280mm (17 x 11"). Trimmed to platemark; some soiling and spotting.
A rare portrait. of John Birch (1745? - 1815), surgeon to St. Thomas's Hospital, after Thomas Phillips (1770 - 1845).
Wellcome: 307. Not in BM, NPG.
[Ref: 12789] £160.00 (£192.00 incl.VAT)
Le Petit Oiseleur.
H. Vernet 1. Mai 1819 Paris. Lith de G: Engelmann.
Rare lithograph. In pencil under this print is a portrait of Bachu Thornhill the son of ..... Printed area: 250 x 300mm (9¾ x 11¾"), with very large margins. Uncut.
An exterior scene showing a young bird catcher, the young catcher looks over his right shoulder while holding a small bird.
Provenance: Edge Hill, Cheshire
[Ref: 46733] £320.00
H. Vernet 1. Mai 1819 Paris. Lith de G: Engelmann.
Rare lithograph. In pencil under this print is a portrait of Bachu Thornhill the son of ..... Printed area: 250 x 300mm (9¾ x 11¾"), with very large margins. Uncut.
An exterior scene showing a young bird catcher, the young catcher looks over his right shoulder while holding a small bird.
Provenance: Edge Hill, Cheshire
[Ref: 46733] £320.00
![The Bird Catcher. L'Oiseleur. [&] The Kite Compleated. Le Cerfvolant Acheve.](jpegs/43447.jpg)
The Bird Catcher. L'Oiseleur. [&] The Kite Compleated. Le Cerfvolant Acheve.
Painted by J. Barney. Engraved by T. Gaugain.
London. Published April 28th 1800 by S. Morgan, No 22 Margaret Street, Cavendish Square, & J. Barney, Maize Hill, Greenwich.
Pair of colour-printed stipples. Each c. 365 x 390mm (14¼ x 19¼"). Creasing in margins; the extra 'a' of 'Compleated' crossed out with old ink. Small margins. Slight creasing
Fine decorative images showing two boys playing: the first sets a trap for a bird with seeds and blocks of wood; the second finishes a kite with a sun emblem.
[Ref: 43447] £650.00 view all images for this item
Painted by J. Barney. Engraved by T. Gaugain.
London. Published April 28th 1800 by S. Morgan, No 22 Margaret Street, Cavendish Square, & J. Barney, Maize Hill, Greenwich.
Pair of colour-printed stipples. Each c. 365 x 390mm (14¼ x 19¼"). Creasing in margins; the extra 'a' of 'Compleated' crossed out with old ink. Small margins. Slight creasing
Fine decorative images showing two boys playing: the first sets a trap for a bird with seeds and blocks of wood; the second finishes a kite with a sun emblem.
[Ref: 43447] £650.00 view all images for this item
The Bird Catchers.
Etched by Sophia Elliott from a Painting by J. Bristow.
[n.d., c.1860.]
Scarce etching on chine collé by an amateur lady etcher, 330 x 435mm (13 x 17"). Chine collé lifting at edges. Slight lifting of india paper on left & bottom.
Two small children with a cage and two terriers.
[Ref: 58253] £180.00 (£216.00 incl.VAT)
Etched by Sophia Elliott from a Painting by J. Bristow.
[n.d., c.1860.]
Scarce etching on chine collé by an amateur lady etcher, 330 x 435mm (13 x 17"). Chine collé lifting at edges. Slight lifting of india paper on left & bottom.
Two small children with a cage and two terriers.
[Ref: 58253] £180.00 (£216.00 incl.VAT)
The Young Bird Catchers. From the Original Picture of the same size, Painted by Netscher. In the Collection of Peter Delmé Esq.r. Vol II No. 32.
Netscher Pinxit. W.m Walker Sculpsit.
Publish'd by J. Boydell, Engraver in Cheapside, London, 1768.
Engraving. Platemark: 280 x 220mm (11 x 8¾"). Very large margins.
Two boys in a cave, one of them holding a small bird, with his feathered cap lying in front of him. Within stone trompe l'oel border. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38256] £160.00 (£192.00 incl.VAT)
Netscher Pinxit. W.m Walker Sculpsit.
Publish'd by J. Boydell, Engraver in Cheapside, London, 1768.
Engraving. Platemark: 280 x 220mm (11 x 8¾"). Very large margins.
Two boys in a cave, one of them holding a small bird, with his feathered cap lying in front of him. Within stone trompe l'oel border. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38256] £160.00 (£192.00 incl.VAT)
Children Delighted with the Bird Organ.
Publish'd June 12th 1792 by Robert Sayer & Co Fleet Street, London
Stipple, platemark 190 x 160mm (7½ x 6¼"). Thread margins.
Two children watch a man operating a bird organ or 'orgue de Barberie', a small mechanical organ operated by turning a handle. They were a common sight on English streets in Georgian England.
[Ref: 40672] £95.00 (£114.00 incl.VAT)
Publish'd June 12th 1792 by Robert Sayer & Co Fleet Street, London
Stipple, platemark 190 x 160mm (7½ x 6¼"). Thread margins.
Two children watch a man operating a bird organ or 'orgue de Barberie', a small mechanical organ operated by turning a handle. They were a common sight on English streets in Georgian England.
[Ref: 40672] £95.00 (£114.00 incl.VAT)
Bird's Eye Views of Society. No. VII. The Picture Sale.
[Richard Doyle.] Dalziel. [George & Edward Dalziel.]
[London: Smith Elder, 1864.]
Wood engraving. 222 x 330mm. 8¾ x 13". Two folds, as normal, small nicks and tears, small creases.
Inside the Royal Academy; men standing in the centre of a picture-lined room surrounding an auctioneer mid-auction. Women and children in the near two corners buying small trinkets. After Richard Doyle (1824-83) an illustrator of the Victorian era, famous mot only for his satirical works such as 'Birds' Eye Views of Society', but also for his books for children, especially his 'In Fairyland, a series of Pictures from the Elf World', 1870.
See Ref: 26885
[Ref: 26886] £120.00 (£144.00 incl.VAT)
[Richard Doyle.] Dalziel. [George & Edward Dalziel.]
[London: Smith Elder, 1864.]
Wood engraving. 222 x 330mm. 8¾ x 13". Two folds, as normal, small nicks and tears, small creases.
Inside the Royal Academy; men standing in the centre of a picture-lined room surrounding an auctioneer mid-auction. Women and children in the near two corners buying small trinkets. After Richard Doyle (1824-83) an illustrator of the Victorian era, famous mot only for his satirical works such as 'Birds' Eye Views of Society', but also for his books for children, especially his 'In Fairyland, a series of Pictures from the Elf World', 1870.
See Ref: 26885
[Ref: 26886] £120.00 (£144.00 incl.VAT)
Bird's Eye Views of Society. No. XI. Belgravia out of Doors.
[Richard Doyle.] Dalziel. [George & Edward Dalziel.]
[London: Smith Elder, 1864.]
Wood engraving. 222 x 336mm. 8¾ x 13¼". Two folds, as normal, small nicks and tears.
A view of Belgrave Square, London will horses and carriage, children and women playing in the park, various other characters with dogs and smaller ponies for children seen lower left. After Richard Doyle (1824-83) an illustrator of the Victorian era, famous mot only for his satirical works such as 'Birds' Eye Views of Society', but also for his books for children, especially his 'In Fairyland, a series of Pictures from the Elf World', 1870.
[Ref: 26885] £70.00 (£84.00 incl.VAT)
[Richard Doyle.] Dalziel. [George & Edward Dalziel.]
[London: Smith Elder, 1864.]
Wood engraving. 222 x 336mm. 8¾ x 13¼". Two folds, as normal, small nicks and tears.
A view of Belgrave Square, London will horses and carriage, children and women playing in the park, various other characters with dogs and smaller ponies for children seen lower left. After Richard Doyle (1824-83) an illustrator of the Victorian era, famous mot only for his satirical works such as 'Birds' Eye Views of Society', but also for his books for children, especially his 'In Fairyland, a series of Pictures from the Elf World', 1870.
[Ref: 26885] £70.00 (£84.00 incl.VAT)
Mr. John Bird.
Drawn from Life on Stone by P. Ronan.
Lithograph. 164 x 111mm.
Astronomer.
W: 309
[Ref: 5074] £180.00 (£216.00 incl.VAT)
Drawn from Life on Stone by P. Ronan.
Lithograph. 164 x 111mm.
Astronomer.
W: 309
[Ref: 5074] £180.00 (£216.00 incl.VAT)
Eight Curious prints of Fowl and Fish.
P. And. Rÿsbrack Pinx. G: Vander Gucht Sculpt.
Published by John Boydell Engraver in Cheapside London. [n.d., c.1765.]
Extremely scarce complete set of eight engravings, including one proof impression. Plates: 570 x 420mm (22½ x 16½").
Eight plates after Pieter Andreas Rysbrack's (1685-1748) series of four paintings showing fish and four paintings showing fowl. The fish are depicted lying haphazardly on tables next to baskets as if ready for preparation or on the market stall while the birds are all shown in landscape settings as if freshly shot, ready to be collected. Each bird is numbered and named in a key below the image. John Boydell reissued the plates in 1760s which had previously been published in 1735 by Richard Hylton.
[Ref: 41786] £6,500.00 view all images for this item
P. And. Rÿsbrack Pinx. G: Vander Gucht Sculpt.
Published by John Boydell Engraver in Cheapside London. [n.d., c.1765.]
Extremely scarce complete set of eight engravings, including one proof impression. Plates: 570 x 420mm (22½ x 16½").
Eight plates after Pieter Andreas Rysbrack's (1685-1748) series of four paintings showing fish and four paintings showing fowl. The fish are depicted lying haphazardly on tables next to baskets as if ready for preparation or on the market stall while the birds are all shown in landscape settings as if freshly shot, ready to be collected. Each bird is numbered and named in a key below the image. John Boydell reissued the plates in 1760s which had previously been published in 1735 by Richard Hylton.
[Ref: 41786] £6,500.00 view all images for this item
Boy and Birds Nest. From the Original Picture Painted by Amoroso in the Collection of his Grace the Duke of Devonshire. Vol II No. 35.
Amoroso pinx.t. W.m Walker Sculp.t.
Published Jan.y 1.st 1769, by J. Boydell, Engraver in Cheapside, London.
Engraving. Platemark: 400 x 295mm (15¾ x 11½"). Very large margins.
A humbly dressed boy sitting in a garden, feeding cherries to birds in a nest in his arm, with two other figures feeding swans in a pond in the background to the right, with an urn on a pedestal behind them. A coat-of-arms with stag charges is below within the title area, flanked by cherubs and stags, with the motto: "Cavendo Tutus'. After Amorosi's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38249] £240.00 (£288.00 incl.VAT)
Amoroso pinx.t. W.m Walker Sculp.t.
Published Jan.y 1.st 1769, by J. Boydell, Engraver in Cheapside, London.
Engraving. Platemark: 400 x 295mm (15¾ x 11½"). Very large margins.
A humbly dressed boy sitting in a garden, feeding cherries to birds in a nest in his arm, with two other figures feeding swans in a pond in the background to the right, with an urn on a pedestal behind them. A coat-of-arms with stag charges is below within the title area, flanked by cherubs and stags, with the motto: "Cavendo Tutus'. After Amorosi's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38249] £240.00 (£288.00 incl.VAT)
![[Pair of red Birds of Paradise.]](jpegs/51308.jpg)
[Pair of red Birds of Paradise.]
[n.d., c.1860.]
Coloured lithograph. Border 400 x 280mm (15¾ x 11"), on backing sheet.
A pair of birds of paradise with long tails in a landscape.
[Ref: 51308] £280.00 (£336.00 incl.VAT)
[n.d., c.1860.]
Coloured lithograph. Border 400 x 280mm (15¾ x 11"), on backing sheet.
A pair of birds of paradise with long tails in a landscape.
[Ref: 51308] £280.00 (£336.00 incl.VAT)
![[Birds of Paradise in a Jungle.]](jpegs/51067.jpg)
[Birds of Paradise in a Jungle.]
[n.d., c.1840.]
Watercolour. Sheet: 175 x 230mm (7 x 9''). Staining.
A scene in a jungle showing two birds with fine plumage.
[Ref: 51067] £130.00 (£156.00 incl.VAT)
[n.d., c.1840.]
Watercolour. Sheet: 175 x 230mm (7 x 9''). Staining.
A scene in a jungle showing two birds with fine plumage.
[Ref: 51067] £130.00 (£156.00 incl.VAT)
George Birkbeck, Esq.r M.D. President of the London Mechanics Institution & of the Medical & Chirurgical Society of London; &c.
Engraved by Henry Adlard.
Knight and Lacey, London February 16, 1828.
Stipple. Sheet: 220 x 130mm (8¾ x 5"). Trimmed within plate.
A view of the physician and pioneer of adult education George Birkbeck (1776-1841), he founded the Birkbeck University of London and was head of the Chemical Society.
[Ref: 45980] £45.00 (£54.00 incl.VAT)
Engraved by Henry Adlard.
Knight and Lacey, London February 16, 1828.
Stipple. Sheet: 220 x 130mm (8¾ x 5"). Trimmed within plate.
A view of the physician and pioneer of adult education George Birkbeck (1776-1841), he founded the Birkbeck University of London and was head of the Chemical Society.
[Ref: 45980] £45.00 (£54.00 incl.VAT)
The South West Prospect of Birmingham, in the County of Warwick.
S. & N. Buck delin. et sculp.t 1731.
Engraving. Plate: 305 x 800mm (12 x 31½"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Birmingham, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46949] £480.00
S. & N. Buck delin. et sculp.t 1731.
Engraving. Plate: 305 x 800mm (12 x 31½"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Birmingham, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46949] £480.00
The East Prospect of Birmingham, in the County of Warwick.
Sam.l & Nath.l Buck delin. et sculp. According to Act of Parliam.t May 26th 1753. Garden Court No 1. Middle Temple London [but published by Robert Sayer c.1774].
Coloured engraving. 315 x 820mm (12½ x 32¼").
A detailed prospect of Birmingham, with a 17-point key below. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', as re-issued by Robert Sayer, with a plate number top right.
[Ref: 48186] £450.00
Sam.l & Nath.l Buck delin. et sculp. According to Act of Parliam.t May 26th 1753. Garden Court No 1. Middle Temple London [but published by Robert Sayer c.1774].
Coloured engraving. 315 x 820mm (12½ x 32¼").
A detailed prospect of Birmingham, with a 17-point key below. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', as re-issued by Robert Sayer, with a plate number top right.
[Ref: 48186] £450.00
The Plan of Birmingham Survey'd in the Year 1731. To the Honourable Edw.d Digby & Will.m Peyto Esq:rs Members of Parliament for the County of Warwick, this Plate is humbly Dedicated by their most obed.t humble Serv:t W. Westley.
Copied from the Original Engraving and Published by Thomas Underwood, Castle St. High St. Birmingham [n.d., c.1860].
Engraved map. Printed area 400 x 490mm (15¾ x 19¼"), with large margins. Repaired tears.
A Victorian facsimiles of one the first detailed printed map of Birmingham, originally published the year that Samuel and Nathaniel Buck issued their prospect of the city. It names the streets and shows important buildings in perspective. The Corn Market next to St. Martin’s Church is now the Bull Ring. Underneath are statistics for the city: in 1700 it contained 30 streets, 100 courts and alleys, 2,504 houses and 15032 inhabitants; by 1730 there were 25 additional streets, 50 courts and alleys, 1252 houses and 8254 inhabitants, representing a doubling in size. William Westley, a local surveyor, owned land in the city's south-easst, commemorated with ‘Westley’s Row’.
[Ref: 59156] £280.00
Copied from the Original Engraving and Published by Thomas Underwood, Castle St. High St. Birmingham [n.d., c.1860].
Engraved map. Printed area 400 x 490mm (15¾ x 19¼"), with large margins. Repaired tears.
A Victorian facsimiles of one the first detailed printed map of Birmingham, originally published the year that Samuel and Nathaniel Buck issued their prospect of the city. It names the streets and shows important buildings in perspective. The Corn Market next to St. Martin’s Church is now the Bull Ring. Underneath are statistics for the city: in 1700 it contained 30 streets, 100 courts and alleys, 2,504 houses and 15032 inhabitants; by 1730 there were 25 additional streets, 50 courts and alleys, 1252 houses and 8254 inhabitants, representing a doubling in size. William Westley, a local surveyor, owned land in the city's south-easst, commemorated with ‘Westley’s Row’.
[Ref: 59156] £280.00
Town of Birmingham.
John Kempson, Surveyor & Land Agent, Birmingham.
[Birmingham, c.1827.]
Engraved map. 420 x 300mm (16½ x 11¾"), watermarked 'J Whatman 1827'. Ink stain causing paper loss lower right, splits in folds.
A town plan of Birmingham with a table of Hackney-Coach Fares.
[Ref: 56097] £230.00
John Kempson, Surveyor & Land Agent, Birmingham.
[Birmingham, c.1827.]
Engraved map. 420 x 300mm (16½ x 11¾"), watermarked 'J Whatman 1827'. Ink stain causing paper loss lower right, splits in folds.
A town plan of Birmingham with a table of Hackney-Coach Fares.
[Ref: 56097] £230.00
![[Playbill.] Theatre Royal, Birmingham.](jpegs/65946.jpg)
[Playbill.] Theatre Royal, Birmingham. Last night but three of Mr.Blanchard, Mr.Simpson and his Wonderful Dog. On Monday, August 6, 1827, His Majesty's Servants will perform the admired Play of the Mountaineers [...]
Letterpress, sheet 325 x 215mm (12¾ x 8½"). Trimmed, some creasing.
Playbill for the Theatre Royal, Birmingham for the showing of 'Mountaineers' and 'Woofman and His Dog; or The Castle of Roscella'.
Ricky Jay Collection.
[Ref: 65946] £160.00 (£192.00 incl.VAT)
Letterpress, sheet 325 x 215mm (12¾ x 8½"). Trimmed, some creasing.
Playbill for the Theatre Royal, Birmingham for the showing of 'Mountaineers' and 'Woofman and His Dog; or The Castle of Roscella'.
Ricky Jay Collection.
[Ref: 65946] £160.00 (£192.00 incl.VAT)
Views in Birmingham and its Vicinity, comprising Birmingham, from the London Railway, St. Philip's Church, King Edward's Grammar School, The Society of Arts and Town Hall, The Market Hall, High-Street and St. Martin's Church, Edgbaston Church, Handsworth Church.
Drawn and Lithographed by Charles Radclyffe.
Birmingham: Knott, Hawker, and Coburn [n.d., c.1845].
Book, oblong folio (330 x 415mm, 13 x 16¼") in original printed limp grey boards, vignette of Nelson's Monument to upper cover. Additional pictorial title page (from same stone), title and dedication leaf, followed by eight lithographic plates in sepia, complete as list. Description of views to rear of volume. Very scarce as complete book. Covers soiled and stained, bumped at extremities; some staining and foxing throughout.
A fine selection of views by Charles Walter Radclyffe (1817 - 1903).
Abbey Scenery 49.
[Ref: 22517] £690.00 view all images for this item
Drawn and Lithographed by Charles Radclyffe.
Birmingham: Knott, Hawker, and Coburn [n.d., c.1845].
Book, oblong folio (330 x 415mm, 13 x 16¼") in original printed limp grey boards, vignette of Nelson's Monument to upper cover. Additional pictorial title page (from same stone), title and dedication leaf, followed by eight lithographic plates in sepia, complete as list. Description of views to rear of volume. Very scarce as complete book. Covers soiled and stained, bumped at extremities; some staining and foxing throughout.
A fine selection of views by Charles Walter Radclyffe (1817 - 1903).
Abbey Scenery 49.
[Ref: 22517] £690.00 view all images for this item
General Hospital, Birmingham.
Drawn & Engraved by T. Radclyffe.
Published by W. Emans Birmingham. [n.d. c.1830.]
Engraving. Plate 141 x 222mm. 5½ x 8¾".
The Birmingham General Hospital with the two side-wings as added in 1790. From 'A New and Compendious History of the County of Warwick, from the earliest period to the present time comprising views of the principal towns, buildings, modern improvements, seats of the nobility and gentry, ecclesiastical edifices, &c.' by William Smith, published, Birmingham 1830.
[Ref: 21894] £45.00 (£54.00 incl.VAT)
Drawn & Engraved by T. Radclyffe.
Published by W. Emans Birmingham. [n.d. c.1830.]
Engraving. Plate 141 x 222mm. 5½ x 8¾".
The Birmingham General Hospital with the two side-wings as added in 1790. From 'A New and Compendious History of the County of Warwick, from the earliest period to the present time comprising views of the principal towns, buildings, modern improvements, seats of the nobility and gentry, ecclesiastical edifices, &c.' by William Smith, published, Birmingham 1830.
[Ref: 21894] £45.00 (£54.00 incl.VAT)