A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[A Siberian (?) village, with a Cyrillic title.]](jpegs/57477.jpg)
[A Siberian (?) village, with a Cyrillic title.]
M.G.C. 1844.
Lithograph. Printed area 310 x 405mm (12¼ x 16"), with wide margins. Repaired tears, one just entering image at top.
A winter scene in a station, with horse-drawn sledges, with figures including a Tartar.
[Ref: 57477] £260.00 (£312.00 incl.VAT)
M.G.C. 1844.
Lithograph. Printed area 310 x 405mm (12¼ x 16"), with wide margins. Repaired tears, one just entering image at top.
A winter scene in a station, with horse-drawn sledges, with figures including a Tartar.
[Ref: 57477] £260.00 (£312.00 incl.VAT)
Toboleski The chief City of Siberia. The Great rocky Waterfall call'd Skamanskoy. Vol. II. pa. 921.
[n.d., c.1748.]
Engraving. Sheet: 405 x 245mm (16 x 9¾''). Trimmed on left.
A view of Tobolsk in Russia situated at the confluence of the Irtysh and Tobol rivers and a large waterfall.
[Ref: 48405] £80.00 (£96.00 incl.VAT)
[n.d., c.1748.]
Engraving. Sheet: 405 x 245mm (16 x 9¾''). Trimmed on left.
A view of Tobolsk in Russia situated at the confluence of the Irtysh and Tobol rivers and a large waterfall.
[Ref: 48405] £80.00 (£96.00 incl.VAT)
Le Chien de Siberie. Tom. V. Pl. XXX. Pag. 300.
De Seve del. L. Legrand sculp.
[n.d., c.1755.]
Enrgaving. Plate: 210 x 160mm (8¼ x 6¼"). Small margins.
A portrait of a Siberian Husky.
[Ref: 47728] £65.00 (£78.00 incl.VAT)
De Seve del. L. Legrand sculp.
[n.d., c.1755.]
Enrgaving. Plate: 210 x 160mm (8¼ x 6¼"). Small margins.
A portrait of a Siberian Husky.
[Ref: 47728] £65.00 (£78.00 incl.VAT)
Pal.
H. Goffey signed in pencil.
[n.d. 1940.]
Etching. 195 x 275mm. Minor creasing in the margins.
A Siberian Husky. Harry Goffey (1871-1951).
[Ref: 2750] £140.00 (£168.00 incl.VAT)
H. Goffey signed in pencil.
[n.d. 1940.]
Etching. 195 x 275mm. Minor creasing in the margins.
A Siberian Husky. Harry Goffey (1871-1951).
[Ref: 2750] £140.00 (£168.00 incl.VAT)
Skeleton of the Siberian Mammouth. Skeleton of the South American Mammouth.
[n.d., c.1820.]
Engraving. Sheet: 210 x 130mm (8¼ x 5'').
Two diagrams of skeletons on plinths of mammouths. The first fully document specimen of a mammouth was found in 1728 by a Siberian hunter and recovered by Michael Friedrich Adams.
[Ref: 49585] £75.00 (£90.00 incl.VAT)
[n.d., c.1820.]
Engraving. Sheet: 210 x 130mm (8¼ x 5'').
Two diagrams of skeletons on plinths of mammouths. The first fully document specimen of a mammouth was found in 1728 by a Siberian hunter and recovered by Michael Friedrich Adams.
[Ref: 49585] £75.00 (£90.00 incl.VAT)
Sibilla. From a Picture in the Collection of his Imperial Majesty at Vienna.
[Unidentified artist, c.1790s.]
Stipple and etching, image 230 x 185mm. 9 x 7¼". Trimmed to image and title.
The Persian Sibyl reading a book in her turban; the Sibyl was the prophetic priestess presiding over the Apollonian Oracle. The word Sibyl comes (via Latin) from the ancient Greek word sibylla, meaning prophetess. There were many Sibyls in the ancient world, but the Persian Sibyl is said to have foretold the exploits of Alexander of Macedon.
See Ref: 52414 for non trimmed version.
[Ref: 13963] £130.00 (£156.00 incl.VAT)
[Unidentified artist, c.1790s.]
Stipple and etching, image 230 x 185mm. 9 x 7¼". Trimmed to image and title.
The Persian Sibyl reading a book in her turban; the Sibyl was the prophetic priestess presiding over the Apollonian Oracle. The word Sibyl comes (via Latin) from the ancient Greek word sibylla, meaning prophetess. There were many Sibyls in the ancient world, but the Persian Sibyl is said to have foretold the exploits of Alexander of Macedon.
See Ref: 52414 for non trimmed version.
[Ref: 13963] £130.00 (£156.00 incl.VAT)
Sibilla. From a Picture in the Collection of his Imperial Majesty at Vienna.
Guido Reni pinxt. M. Benedetti Sculp.
Pubd. 1st. June 1796 by M. Benedetti No.8, Queen Charlotte Row New Road.
Stipple and etching. Plate 272 x 208mm (10¾ x 8¼"). Small margins.
A woman dressed in a loose gown and cloak around her right arm, her hair loose under a striped turban with a jewel at the centre of her forehead, sitting with her cheek against her right hand, the elbow resting on a cushion, reading a book propped open on her knee, with a curtain behind. The Persian Sibyl reading a book in her turban; the Sibyl was the prophetic priestess presiding over the Apollonian Oracle. The word Sibyl comes (via Latin) from the ancient Greek word sibylla, meaning prophetess. There were many Sibyls in the ancient world, but the Persian Sibyl is said to have foretold the exploits of Alexander of Macedon.
See Ref: 13963 for trimmed to image and title.
[Ref: 52414] £240.00 (£288.00 incl.VAT)
Guido Reni pinxt. M. Benedetti Sculp.
Pubd. 1st. June 1796 by M. Benedetti No.8, Queen Charlotte Row New Road.
Stipple and etching. Plate 272 x 208mm (10¾ x 8¼"). Small margins.
A woman dressed in a loose gown and cloak around her right arm, her hair loose under a striped turban with a jewel at the centre of her forehead, sitting with her cheek against her right hand, the elbow resting on a cushion, reading a book propped open on her knee, with a curtain behind. The Persian Sibyl reading a book in her turban; the Sibyl was the prophetic priestess presiding over the Apollonian Oracle. The word Sibyl comes (via Latin) from the ancient Greek word sibylla, meaning prophetess. There were many Sibyls in the ancient world, but the Persian Sibyl is said to have foretold the exploits of Alexander of Macedon.
See Ref: 13963 for trimmed to image and title.
[Ref: 52414] £240.00 (£288.00 incl.VAT)
Sibilla Delfica. A.S.A. Anna Contessa, Pincipessa Couper nata Gore.
Pietro Benvenuti dip: Pietro Trasmondi incise.
Gli Editori in segno della piu alta stima D.D.D. [n.d. c.1824.]
Engraving. Plate 456 x 318mm. 18 x 12½".
Accompanied by descriptive text in Italian. After a work by the neo-classical painter Pietro Benvenuti (1769-1844). The sibyl, virgins with prophetic virtues inspired usually by Apollo, derives from Greek mythology.
[Ref: 22187] £220.00 (£264.00 incl.VAT)
Pietro Benvenuti dip: Pietro Trasmondi incise.
Gli Editori in segno della piu alta stima D.D.D. [n.d. c.1824.]
Engraving. Plate 456 x 318mm. 18 x 12½".
Accompanied by descriptive text in Italian. After a work by the neo-classical painter Pietro Benvenuti (1769-1844). The sibyl, virgins with prophetic virtues inspired usually by Apollo, derives from Greek mythology.
[Ref: 22187] £220.00 (£264.00 incl.VAT)
London Fashions for 1844, Published and Sold by G. Walker, 33 St James's Street.
Drawn by C. Sibley, 6 Russell Place, Fitzroy Sq.r.
A large coloured aquatint. Image size 600 x 690mm (23½ x 27¼"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 32-47. The upper scene is probably in St James's Park, the lower scene in a drawing room, also illustratring a mantle clock and a harp.
[Ref: 55181] £750.00
Drawn by C. Sibley, 6 Russell Place, Fitzroy Sq.r.
A large coloured aquatint. Image size 600 x 690mm (23½ x 27¼"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 32-47. The upper scene is probably in St James's Park, the lower scene in a drawing room, also illustratring a mantle clock and a harp.
[Ref: 55181] £750.00
London Fashions for the Winter of 1840, Published and Sold by G. Walker, 33 St James's Street.
C. Sibley excud.t.
A large coloured aquatint. Image size 580 x 660mm (22¾ x 26"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 75-89. The upper scene is a drawing room, the lower scene is a park with an architectural feature.
[Ref: 55182] £750.00
C. Sibley excud.t.
A large coloured aquatint. Image size 580 x 660mm (22¾ x 26"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 75-89. The upper scene is a drawing room, the lower scene is a park with an architectural feature.
[Ref: 55182] £750.00
London Fashions for the Summer of 1843, Published and Sold by G. Walker, 33 St James's Street.
Drawn & Etched by C. Sibley, 34 Percy St, Beford Square.
A large coloured aquatint. Image size 600 x 650mm (23½ x 25½"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 1-15. The upper scene is a salon, the lower scene a park.
[Ref: 55183] £750.00
Drawn & Etched by C. Sibley, 34 Percy St, Beford Square.
A large coloured aquatint. Image size 600 x 650mm (23½ x 25½"). Framed. Unexamined out of frame.
Two scenes illustrating the fashions for men, women and children, numbered 1-15. The upper scene is a salon, the lower scene a park.
[Ref: 55183] £750.00
National Liveries.
[by Charles Sibley?]
Published by G. Walker, Author of ''The Art of Cutting'', 20 Southampton Street, Bloomsbury Square, London. (Entered at Stationer's Hall.) [n.d, c.1840.]
A large coloured aquatint. Image size 690 x 520mm (27 x 20½"). Framed. Unexamined out of frame.
Illustrations of 25 men in three rows, depicting their livery uniforms.
See Ref: 57418 & 37822
[Ref: 55184] £750.00
[by Charles Sibley?]
Published by G. Walker, Author of ''The Art of Cutting'', 20 Southampton Street, Bloomsbury Square, London. (Entered at Stationer's Hall.) [n.d, c.1840.]
A large coloured aquatint. Image size 690 x 520mm (27 x 20½"). Framed. Unexamined out of frame.
Illustrations of 25 men in three rows, depicting their livery uniforms.
See Ref: 57418 & 37822
[Ref: 55184] £750.00
Sibylla Phrygia in Agro Trojano Celebrata. A Sua Altezza la Sig.a Principessa Donna Caterina di Savoja Carignano, Contestabilessa Colonna Amante delle Belle Arti. Pietro Paolo Montagnani D.D.D. Tabula Romae Abservata in Aedibus Columnensibus.
Guercino pinx. Joan. Petrini sculp. Phil. Salari delin.
[n.d. c.1780.]
Engraving. 375 x 260mm (14¾ x 10¼").
The Phrygian Sibyl was the priestess presiding over an Apollonian oracle at Phrygia, a historical kingdom in the west central part of the Anatolian highlands.
[Ref: 19224] £180.00 (£216.00 incl.VAT)
Guercino pinx. Joan. Petrini sculp. Phil. Salari delin.
[n.d. c.1780.]
Engraving. 375 x 260mm (14¾ x 10¼").
The Phrygian Sibyl was the priestess presiding over an Apollonian oracle at Phrygia, a historical kingdom in the west central part of the Anatolian highlands.
[Ref: 19224] £180.00 (£216.00 incl.VAT)
Quadro di Giuseppe Maria Crespi d.o lo Spagnuolo. Alto Palmi 5. once 5. Largo Palmi 4 once q: XXVI.
Gio. Elia Morghen del. P: Ant Pazi Sc.
[n.d., c.1759.]
Engraving. Platemark:: 390 x 300mm (15¼ x 11¾"). Very large margins. Top right corner of sheet missing.
A Sibyl, believed to possess prophetic powers. After Giuseppe Maria Crespi (1665 - 1747), nicknamed Lo Spagnuolo (The Spaniard).
[Ref: 38437] £160.00 (£192.00 incl.VAT)
Gio. Elia Morghen del. P: Ant Pazi Sc.
[n.d., c.1759.]
Engraving. Platemark:: 390 x 300mm (15¼ x 11¾"). Very large margins. Top right corner of sheet missing.
A Sibyl, believed to possess prophetic powers. After Giuseppe Maria Crespi (1665 - 1747), nicknamed Lo Spagnuolo (The Spaniard).
[Ref: 38437] £160.00 (£192.00 incl.VAT)
![The Sibyl by Domenichino of the Casa Ratta at Bologna now in the possession of Sir James Carnegie of Southesk. 1827 [early ms in lower margin]](jpegs/40472.jpg)
The Sibyl by Domenichino of the Casa Ratta at Bologna now in the possession of Sir James Carnegie of Southesk. 1827 [early ms in lower margin]
Rare engraving, a fine proof before letters. 345 x 240mm (13½ x 9½"), with wide margins.
A seated woman, wearing a turban, holding a book and scroll. One of several engravings made after 'The Cumaean Sibyl' (1616-17) by Domenico Zampieri (1581-1641, known as Domenichino), now in the Galleria Borghese, Rome.
[Ref: 40472] £260.00 (£312.00 incl.VAT)
Rare engraving, a fine proof before letters. 345 x 240mm (13½ x 9½"), with wide margins.
A seated woman, wearing a turban, holding a book and scroll. One of several engravings made after 'The Cumaean Sibyl' (1616-17) by Domenico Zampieri (1581-1641, known as Domenichino), now in the Galleria Borghese, Rome.
[Ref: 40472] £260.00 (£312.00 incl.VAT)
Sibyllae Quatuor a Raphaele Sancio Urbinate Romae in Ecclesia S. Mariae Pacis Depictae. Cumana Persica Phygia Tiburtina.
Sal. Cardelli Alexandri I pensionaris sculp.
[n.d., c.1770.]
Engraving. 355 x 665mm (14 x 26¼"), with very large margins. Stains and creasing in margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace, showing the four sybylls.
From the Berkeley Collection, Spetchley Park.
[Ref: 54978] £260.00 (£312.00 incl.VAT)
Sal. Cardelli Alexandri I pensionaris sculp.
[n.d., c.1770.]
Engraving. 355 x 665mm (14 x 26¼"), with very large margins. Stains and creasing in margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace, showing the four sybylls.
From the Berkeley Collection, Spetchley Park.
[Ref: 54978] £260.00 (£312.00 incl.VAT)
![[Twelve portraits of Sibyls.]](jpegs/53768.jpg)
[Twelve portraits of Sibyls.]
[by Romeyn de Hooghe.]
[Amsterdam: Hendrik Boom & the widow of Dirk Boom, 1688.]
Album, 18th century boards, with twelve engravings laid in, each trimmed to printed border, sheet c. 170 x 120mm (6¾ x 4¾"). Binding rubbed.
All twelve portraits of the Sibyls from 'Dissertationes de Sibyllis, earumque oraculis' by Gervais Gallé (latinised as Servatius Gallaeus), a Walloon preacher. The Sibyls depicted are: Persica, Libyssa, Delphica, Cumaea, Erythraea, Samia, Cumana, Hellespontica, Phrygia, Tiburtina, Europaea and Eagyptia.
[Ref: 53768] £600.00 view all images for this item
[by Romeyn de Hooghe.]
[Amsterdam: Hendrik Boom & the widow of Dirk Boom, 1688.]
Album, 18th century boards, with twelve engravings laid in, each trimmed to printed border, sheet c. 170 x 120mm (6¾ x 4¾"). Binding rubbed.
All twelve portraits of the Sibyls from 'Dissertationes de Sibyllis, earumque oraculis' by Gervais Gallé (latinised as Servatius Gallaeus), a Walloon preacher. The Sibyls depicted are: Persica, Libyssa, Delphica, Cumaea, Erythraea, Samia, Cumana, Hellespontica, Phrygia, Tiburtina, Europaea and Eagyptia.
[Ref: 53768] £600.00 view all images for this item
![[The Twelve Sibyls] Beschryvinghe ende heerel?cke afbeeldinghe der twaelf Sibyllen.](jpegs/60886.jpg)
[The Twelve Sibyls] Beschryvinghe ende heerel?cke afbeeldinghe der twaelf Sibyllen.
[C. V. Sichem]
CSV excudit [Amsterdam, 1608.]
Letterpress title with engraved vignette, and eleven plates of Sybyls by Christopher van Sichem numbered engraved plates. Each plate 230 x 140mm (9 x 5¼"). Some staining. Loss at top on Sibylla Aegiptia.
Portraits of the prophetesses of Ancient Greece, with verse underneath.
[Ref: 60886] £880.00 view all images for this item
[C. V. Sichem]
CSV excudit [Amsterdam, 1608.]
Letterpress title with engraved vignette, and eleven plates of Sybyls by Christopher van Sichem numbered engraved plates. Each plate 230 x 140mm (9 x 5¼"). Some staining. Loss at top on Sibylla Aegiptia.
Portraits of the prophetesses of Ancient Greece, with verse underneath.
[Ref: 60886] £880.00 view all images for this item
![[Garden and Monastery of the Capuchins near Syracuse.]](jpegs/22171.jpg)
[Garden and Monastery of the Capuchins near Syracuse.]
[C. Willyams. J.C. Stadler.]
[London: J. White, c.1801.]
Sepia aquatint, proof before letters, on 'J Whatman' watermarked paper, with large margins, 185 x 245mm. 7¼ x 9¾". Annotated 'face - 35 page' in ink by hand to upper right margin.
Monks and travellers in the sunken gardens of a monastery in Sicily; the building overlooking a rocky cliff in the background. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 10.
[Ref: 22171] £120.00 (£144.00 incl.VAT)
[C. Willyams. J.C. Stadler.]
[London: J. White, c.1801.]
Sepia aquatint, proof before letters, on 'J Whatman' watermarked paper, with large margins, 185 x 245mm. 7¼ x 9¾". Annotated 'face - 35 page' in ink by hand to upper right margin.
Monks and travellers in the sunken gardens of a monastery in Sicily; the building overlooking a rocky cliff in the background. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 10.
[Ref: 22171] £120.00 (£144.00 incl.VAT)
Curious Cemetry under the Capuchin Monastery, near Syracuse.
Cooper Willyams delt. I.C. Stadler sculpt.
London: Pub. by I. White, Fleet Street, 1801.
Hand-coloured aquatint, 180 x 245mm. 7 x 9¾". Large margins.
After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 11.
[Ref: 22167] £95.00 (£114.00 incl.VAT)
Cooper Willyams delt. I.C. Stadler sculpt.
London: Pub. by I. White, Fleet Street, 1801.
Hand-coloured aquatint, 180 x 245mm. 7 x 9¾". Large margins.
After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 11.
[Ref: 22167] £95.00 (£114.00 incl.VAT)
Felouque Sicilienne tirée à terre. 20.
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 147 x 204mm. 5¾ x 8".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Sicilian felucca on the shore after the tide has gone out. A residence can be seen the background at the foot of the mountain. Out at sea are two sailing vessels.
[Ref: 16768] £65.00 (£78.00 incl.VAT)
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 147 x 204mm. 5¾ x 8".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Sicilian felucca on the shore after the tide has gone out. A residence can be seen the background at the foot of the mountain. Out at sea are two sailing vessels.
[Ref: 16768] £65.00 (£78.00 incl.VAT)
A View of the Pseudodipteral Temple or Basilica, taken from the South East. Vue du Temple Pseudodiptere ou de la Basilique, prise du cote du Sud Est.
T. Major sculp.
Publish'd Jan. 1768.
Etching. 370 x 270mm (14½ x 10½").
From a series of views of ancient classical ruins, this view probably in Selinunte (Selinus), a Greek archaeological site situated on the south coast of Sicily. Numbered 'Tab: XIX'. By Thomas Major (1720 - 1799).
[Ref: 26965] £220.00 (£264.00 incl.VAT)
T. Major sculp.
Publish'd Jan. 1768.
Etching. 370 x 270mm (14½ x 10½").
From a series of views of ancient classical ruins, this view probably in Selinunte (Selinus), a Greek archaeological site situated on the south coast of Sicily. Numbered 'Tab: XIX'. By Thomas Major (1720 - 1799).
[Ref: 26965] £220.00 (£264.00 incl.VAT)
![De overgaave van het Eyland Sicilien in de Middellandse Zee, door den Spaanse Generaal de Marquis de Leede [...] [parallel text in Latin]](jpegs/59287.jpg)
De overgaave van het Eyland Sicilien in de Middellandse Zee, door den Spaanse Generaal de Marquis de Leede [...] [parallel text in Latin]
Pet:Schenk Exc: Amst: C.Pr. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, slightly stained on bottom left corner.
A scene showing the formal handover of power over Sicily from Spain to Austria on May 1720. The handover was a consequence of The War of the Quadruple Alliance (1718–1720) and the Treaty of The Hague (February 1720), in which Spain agreed to renounce the claims to their former Italian possessions.
[Ref: 59287] £85.00 (£102.00 incl.VAT)
Pet:Schenk Exc: Amst: C.Pr. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, slightly stained on bottom left corner.
A scene showing the formal handover of power over Sicily from Spain to Austria on May 1720. The handover was a consequence of The War of the Quadruple Alliance (1718–1720) and the Treaty of The Hague (February 1720), in which Spain agreed to renounce the claims to their former Italian possessions.
[Ref: 59287] £85.00 (£102.00 incl.VAT)
![Sicile. [A set of twelve views in Sicily].](jpegs/33353.jpg)
Sicile. [A set of twelve views in Sicily]. Palerme. Vue de la Porte newe et de l'anien Palais des Emirs. + Palermo. Veduta della Porta nuova e del Palazzo degli Emiri. [/] Palerme. Place du Sénat. + Plaermo. Piazza Senatoria. [/] Palerme. Place des Quatre Coins. + Palermo. Piazza de Quattro Cantoni. [/] Palerme. Entreé du jardin Botanique + Palermo. Ingresso del giardino Botanico. [/] Palerme. Place Royale. + Palermo. Piazza Reale. [/] Montreale. Intérier de la Cathédrale + Interno del Duomo. [/] Montreale. Bas rote droit de la Cathédrale. + La navata a diritta del Duomo. [/] Palerme. Eglise Royal de Ste. Marie la neuve. + Palermo. Chiesa Reale di Santa Maria la neuiva. [/] Palerme. Chapelle du Palais Royal. + Palermo. Capilla del Palazzo reale. [/] Palerme. Eglise des Jésuites. + Chiesa dei Jesuit. [/] Palerme. Eglise du Monastérre de St. Simon + Chiesa del Monastero Sto. Simone. [/] Palerme. Zisa + Palermo. La Zisa.
Desineé d'apés narure par Ph. Benoist. [Various engravers].
Imp. par Lemercier a Paris. Paris_Bulla éditeur, 18 rue Tiquetonne et (Mon. Aumont) Francois Delane succ. rue JJ. Rousseau, 10. [n.d., c.1850].
A set of twelve lithographs. Unbound. Sheet size: 290 x 380mm (11½ x 15") each.
A set of tweleve fine, highly detailed views in Sicily, Itlay. The set includes five exterior views, including; Quattro Canti, officially known as Piazza Vigliena, a Baroque square in Palermo, with the near-identical facades of the buildings surrounding a large number of people, including two carrying a sedan chair in the foreground; the entance to the 'Orto Botanico di Palermo', or Palermo Botanical Garden, founded in 1779, when the 'Accademia dei Regi Studi' created the chair of 'Botany and medicinal properties'; and a view of the Piazza Senatoria, more commonly known as Piazza Pretoria or, the Piazza of Shame. It is said that this name was given to the piazza as a respresentation of the corrupt government, as in 1573, to make way for the monumental fountain in the centre, several homes were demolished by the Senate. The seven internal views are of various churches and cathedrals, including: two of the Cathedral of Monreale, one of the greatest extant examples of Norman architecture in the world; the Church of Santa Maria; and the highly ornate Church of the Gesu.
[Ref: 33353] £750.00 view all images for this item
Desineé d'apés narure par Ph. Benoist. [Various engravers].
Imp. par Lemercier a Paris. Paris_Bulla éditeur, 18 rue Tiquetonne et (Mon. Aumont) Francois Delane succ. rue JJ. Rousseau, 10. [n.d., c.1850].
A set of twelve lithographs. Unbound. Sheet size: 290 x 380mm (11½ x 15") each.
A set of tweleve fine, highly detailed views in Sicily, Itlay. The set includes five exterior views, including; Quattro Canti, officially known as Piazza Vigliena, a Baroque square in Palermo, with the near-identical facades of the buildings surrounding a large number of people, including two carrying a sedan chair in the foreground; the entance to the 'Orto Botanico di Palermo', or Palermo Botanical Garden, founded in 1779, when the 'Accademia dei Regi Studi' created the chair of 'Botany and medicinal properties'; and a view of the Piazza Senatoria, more commonly known as Piazza Pretoria or, the Piazza of Shame. It is said that this name was given to the piazza as a respresentation of the corrupt government, as in 1573, to make way for the monumental fountain in the centre, several homes were demolished by the Senate. The seven internal views are of various churches and cathedrals, including: two of the Cathedral of Monreale, one of the greatest extant examples of Norman architecture in the world; the Church of Santa Maria; and the highly ornate Church of the Gesu.
[Ref: 33353] £750.00 view all images for this item
Tunny Fishery with Cape Passero. Straits of Messina
M.A.T.W. [Mary Anne Theresa Whitby] 1822. Litho. Newlands 1830
Rare lithograph. Printed area 150 x 180mm (6 x 7"), with large margins. Foxing.
Tuna fishing in the Strait of Messina, which separates mainland Italy from Sicily. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd.
[Ref: 35700] £160.00 (£192.00 incl.VAT)
M.A.T.W. [Mary Anne Theresa Whitby] 1822. Litho. Newlands 1830
Rare lithograph. Printed area 150 x 180mm (6 x 7"), with large margins. Foxing.
Tuna fishing in the Strait of Messina, which separates mainland Italy from Sicily. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd.
[Ref: 35700] £160.00 (£192.00 incl.VAT)
Mount Etna and the Cyclops - taken from the Sea.
[Captain Peter William Hamilton, R.N., 1812-1868.]
[n.d., c.1834.]
Pencil sketch. Image 165 x 250mm (6½ x 9¾").
As a young master's mate Hamilton served in the Mediterranean on board HMS Malabar, visiting Italy, Malta, Greece, Turkey and the Levant in 1834-5. He later served in the Royal Navy during the First Opium War (1839-42), seeing action at Hong Kong which he also recorded in his sketch album.
From a sketchbook compiled by Hamilton.
[Ref: 12740] £150.00 (£180.00 incl.VAT)
[Captain Peter William Hamilton, R.N., 1812-1868.]
[n.d., c.1834.]
Pencil sketch. Image 165 x 250mm (6½ x 9¾").
As a young master's mate Hamilton served in the Mediterranean on board HMS Malabar, visiting Italy, Malta, Greece, Turkey and the Levant in 1834-5. He later served in the Royal Navy during the First Opium War (1839-42), seeing action at Hong Kong which he also recorded in his sketch album.
From a sketchbook compiled by Hamilton.
[Ref: 12740] £150.00 (£180.00 incl.VAT)
View of the Pseudodipteral Temple at Paestum.
Engraved by T. Medland.
London: Novr. 1. 1806, Published by Longman, Hurst, Rees, & Orme, Paternoster Row.
Aquatint and etching in sepia, image 325 x 490mm. 12¾ x 19¼". Trimmed to image at top. Tatty extremities.
The Temple of Hera, built around 550 BC by Greek colonists, is the oldest surviving temple in Paestum. Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of southern Italy. Plate 12 to Chapter 6 of William Wilkins's (1778 - 1839) 'The Antiquities of Magna Graecia', Cambridge, 1807. Magna Graecia (Latin for "Greater Greece") is the name of the area in Southern Italy and Sicily that was colonised by Greek settlers in the eighth century BCE. Wilkins was an architect and one of the leading figures in the English Greek Revival of the early 1800s. On his tour of the classical antiquities of the Mediterranean he was accompanied by the Italian landscape painter Agostino Aglio, who had been commissioned by Wilkins as draughtsman on the expedition. Aglio supplied the drawings for the monument illustrations in Wilkins' folio volume. In 1837 Wilkins became Professor of Architecture at the Royal Academy in succession to Sir John Soane.
Abbey Travel: 128, 61.
[Ref: 9579] £180.00 (£216.00 incl.VAT)
Engraved by T. Medland.
London: Novr. 1. 1806, Published by Longman, Hurst, Rees, & Orme, Paternoster Row.
Aquatint and etching in sepia, image 325 x 490mm. 12¾ x 19¼". Trimmed to image at top. Tatty extremities.
The Temple of Hera, built around 550 BC by Greek colonists, is the oldest surviving temple in Paestum. Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of southern Italy. Plate 12 to Chapter 6 of William Wilkins's (1778 - 1839) 'The Antiquities of Magna Graecia', Cambridge, 1807. Magna Graecia (Latin for "Greater Greece") is the name of the area in Southern Italy and Sicily that was colonised by Greek settlers in the eighth century BCE. Wilkins was an architect and one of the leading figures in the English Greek Revival of the early 1800s. On his tour of the classical antiquities of the Mediterranean he was accompanied by the Italian landscape painter Agostino Aglio, who had been commissioned by Wilkins as draughtsman on the expedition. Aglio supplied the drawings for the monument illustrations in Wilkins' folio volume. In 1837 Wilkins became Professor of Architecture at the Royal Academy in succession to Sir John Soane.
Abbey Travel: 128, 61.
[Ref: 9579] £180.00 (£216.00 incl.VAT)
Straits of Messina.
[Edward Morrison de Courcy Short]
[1887]
Pencil sketch, 115 x 200mm. 4½ x 8".
A view of the strait of Messina (Strittu di Missina), the body of water between Sicily and mainland Italy. From an album of 'sketches made on a trip round the world'. By Edward Morrison de Courcy Short, b.1857, who attended Charterhouse School, Surrey (1870-6). He passed the Ceylon Civil Service exam in 1878, and in 1905 became Chairman of the Municipal Council and Mayor of Colombo, retiring in 1910.
List of Carthusians, 1800-1879, by W.D. Parrish
[Ref: 11205] £60.00 (£72.00 incl.VAT)
[Edward Morrison de Courcy Short]
[1887]
Pencil sketch, 115 x 200mm. 4½ x 8".
A view of the strait of Messina (Strittu di Missina), the body of water between Sicily and mainland Italy. From an album of 'sketches made on a trip round the world'. By Edward Morrison de Courcy Short, b.1857, who attended Charterhouse School, Surrey (1870-6). He passed the Ceylon Civil Service exam in 1878, and in 1905 became Chairman of the Municipal Council and Mayor of Colombo, retiring in 1910.
List of Carthusians, 1800-1879, by W.D. Parrish
[Ref: 11205] £60.00 (£72.00 incl.VAT)
![[10 topographical gouaches of Sicily.]](jpegs/60250.jpg)
[10 topographical gouaches of Sicily.]
T:o R:o.
[n.d., c.1820.]
Ten fine gouaches on card, titled in old ink mss. on reverse. Each sheet c. 110 x 140mm (4¼ x 5½". Seven cards with some oxidation of colour; seven cards with remains of album paper partially over titles.
Ten finely-executed gouache views of Sicily: three of Palermo, three of temples in Agrigento (here called by the Sicilian name Girgenti), Catania (with Etna smoking in the background), Syracuse, Messina and the Doric temple of Segesta.
[Ref: 60250] £1,900.00 view all images for this item
T:o R:o.
[n.d., c.1820.]
Ten fine gouaches on card, titled in old ink mss. on reverse. Each sheet c. 110 x 140mm (4¼ x 5½". Seven cards with some oxidation of colour; seven cards with remains of album paper partially over titles.
Ten finely-executed gouache views of Sicily: three of Palermo, three of temples in Agrigento (here called by the Sicilian name Girgenti), Catania (with Etna smoking in the background), Syracuse, Messina and the Doric temple of Segesta.
[Ref: 60250] £1,900.00 view all images for this item
Vue du Tombeau de Theron à Agrigente.
[Peint par Villeneuve, d'après l'esquisse de Cassas. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins. Uncut.
The tomb of Theron of Acragas (died 473 BC), a Greek tyrant in Sicily from 488 BC who, according to Polyaenus, came to power by using public funds meant for a temple building project to hire a personal bodyguard. The monument still stands in Agrigento. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44536] £190.00 (£228.00 incl.VAT)
[Peint par Villeneuve, d'après l'esquisse de Cassas. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins. Uncut.
The tomb of Theron of Acragas (died 473 BC), a Greek tyrant in Sicily from 488 BC who, according to Polyaenus, came to power by using public funds meant for a temple building project to hire a personal bodyguard. The monument still stands in Agrigento. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44536] £190.00 (£228.00 incl.VAT)
![[Sicily and Malta.]](jpegs/39351.jpg)
[Sicily and Malta.]
Published 4th June 1800 by I. Stockdale Piccadilly.
Engraving. Sheet size: 545 x 740mm (21½ x 29"). Folded as published. Large margins.
The last plate from 'A general map of the Empire of Germany, Holland, the Netherlands, Switzerland, the Grisons, Italy, Sicily, Corsica, and Sardinia', published by John Stockdale, 1800. The popular map contained 25 sheets including 2 index maps of maps covering the Empire of Germany. This section depicts Sicily and Malta.
[Ref: 39351] £280.00
Published 4th June 1800 by I. Stockdale Piccadilly.
Engraving. Sheet size: 545 x 740mm (21½ x 29"). Folded as published. Large margins.
The last plate from 'A general map of the Empire of Germany, Holland, the Netherlands, Switzerland, the Grisons, Italy, Sicily, Corsica, and Sardinia', published by John Stockdale, 1800. The popular map contained 25 sheets including 2 index maps of maps covering the Empire of Germany. This section depicts Sicily and Malta.
[Ref: 39351] £280.00
Monreale Sicily.
Mrs. Oates. Lit. W. Wenzel litog. [c.1839.]
Rare lithograph on india, printed area 210 x 265mm (8 x 10½"). Very large margins.
Monreale (Murriali in Sicilian), a town in the province of Palermo on the island of Sicily. The town, dominated by its cathedral, is in the distance, with ruins in the foreground as in the tradition of Italian views by artists such as Richard Wilson. Lithograph after Harriette Oates (née Rhodes), who made a series of views in Sicily and Southern Italy around 1839.
[Ref: 37111] £120.00 (£144.00 incl.VAT)
Mrs. Oates. Lit. W. Wenzel litog. [c.1839.]
Rare lithograph on india, printed area 210 x 265mm (8 x 10½"). Very large margins.
Monreale (Murriali in Sicilian), a town in the province of Palermo on the island of Sicily. The town, dominated by its cathedral, is in the distance, with ruins in the foreground as in the tradition of Italian views by artists such as Richard Wilson. Lithograph after Harriette Oates (née Rhodes), who made a series of views in Sicily and Southern Italy around 1839.
[Ref: 37111] £120.00 (£144.00 incl.VAT)
Church of Saint Rosalia On the summit of Monte Pellegrino near Palermo
Harriette Oates. F Wenzel. Lith. A. Ledoux [n.d., c.1839]
Rare lithograph, printed area 220 x 270mm (8½ x 10½"). Very large margins.
The Santuario di Santa Rosalia, Palermo, Sicily. In 1624 the remains of St Rosalia, the patron saint of Sicily, were found in a cave on Mount Pellegrino, where she had died in 1166. The church was built on the same site. Lithograph after Harriette Oates (née Rhodes).
[Ref: 37109] £95.00 (£114.00 incl.VAT)
Harriette Oates. F Wenzel. Lith. A. Ledoux [n.d., c.1839]
Rare lithograph, printed area 220 x 270mm (8½ x 10½"). Very large margins.
The Santuario di Santa Rosalia, Palermo, Sicily. In 1624 the remains of St Rosalia, the patron saint of Sicily, were found in a cave on Mount Pellegrino, where she had died in 1166. The church was built on the same site. Lithograph after Harriette Oates (née Rhodes).
[Ref: 37109] £95.00 (£114.00 incl.VAT)
Vue de la Chapelle de S.te Rosalie.
[Peint par Ronmy, d'après l'esquisse de Michalon. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins. Uncut.
A chapel dedicated to Saint Rosalie of Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44537] £150.00 (£180.00 incl.VAT)
[Peint par Ronmy, d'après l'esquisse de Michalon. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins. Uncut.
A chapel dedicated to Saint Rosalie of Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44537] £150.00 (£180.00 incl.VAT)
Cloitre du Couvent de S.ta Maria di Jesus a Palerme.
[Peint par Renoux, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Paul le Grand.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins, uncut.
The convent of Santa Maria di Gesù, Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44538] £150.00 (£180.00 incl.VAT)
[Peint par Renoux, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Paul le Grand.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large margins, uncut.
The convent of Santa Maria di Gesù, Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44538] £150.00 (£180.00 incl.VAT)
Vue du Cloitre des Capucins, à Palerme.
[Peint par Lesaint, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Fr. Hegui.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large maring; uncut.
The Capuchin monastery of Palermo, famous for its catacombs filled with mummys. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44540] £150.00 (£180.00 incl.VAT)
[Peint par Lesaint, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Fr. Hegui.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾"), very large maring; uncut.
The Capuchin monastery of Palermo, famous for its catacombs filled with mummys. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44540] £150.00 (£180.00 incl.VAT)
Vue de la Chapelle et de la Grotte de Sainte Rosalie, à Palerme.
[Peint par Renou, d'après l'esquisse de Michelon. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 425 x 355mm (16¾ x 14"), very large margins, uncut.
The grotto beneath the chapel dedicated to Saint Rosalie of Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44541] £130.00 (£156.00 incl.VAT)
[Peint par Renou, d'après l'esquisse de Michelon. Gravé par Thales Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 425 x 355mm (16¾ x 14"), very large margins, uncut.
The grotto beneath the chapel dedicated to Saint Rosalie of Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44541] £130.00 (£156.00 incl.VAT)
Vue de Couvent de St Martin près Palerme.
[Dessiné par Mr le C.te de Forbin. Gravé par Thales Fielding. Imprimé par Sauniée.]
[Paris: Imprimerie de P. Didot, 1822.]
Aquatint on buff chine collé. 320 x 430mm (12½ x 17") very large margins.
A view of the convent of St Martin by Louis, Comte de Forbin for Achille Étienne Gigault de la Salle's 'Voyage Pittoresque en Sicile, 1822-6. Forbin (1779-1841), a painter and antiquarian, succeded Vivant-Denon (head of Bonaparte's 'Savants') as curator of the Musée du Louvre after the restoration of the Bourbon Monarchy.
Abbey Travel 262 (source of the attributions).
[Ref: 60926] £260.00 (£312.00 incl.VAT)
[Dessiné par Mr le C.te de Forbin. Gravé par Thales Fielding. Imprimé par Sauniée.]
[Paris: Imprimerie de P. Didot, 1822.]
Aquatint on buff chine collé. 320 x 430mm (12½ x 17") very large margins.
A view of the convent of St Martin by Louis, Comte de Forbin for Achille Étienne Gigault de la Salle's 'Voyage Pittoresque en Sicile, 1822-6. Forbin (1779-1841), a painter and antiquarian, succeded Vivant-Denon (head of Bonaparte's 'Savants') as curator of the Musée du Louvre after the restoration of the Bourbon Monarchy.
Abbey Travel 262 (source of the attributions).
[Ref: 60926] £260.00 (£312.00 incl.VAT)
![[Rethymnon] Retimo in Candia.](jpegs/64430.jpg)
[Rethymnon] Retimo in Candia.
[n.d., c.1670.]
Etching. 175 x 275mm (7 x 10¾"), with large margins. Fold.
A view of Rethymnon in Crete, with ships in the harbour. A copy of one of the ten plates in 'Insula di Candia del Mare Mediteranea', etched by Lucas Vorsterman II, published by Jan Peeters c.1664.
[Ref: 64430] £240.00 (£288.00 incl.VAT)
[n.d., c.1670.]
Etching. 175 x 275mm (7 x 10¾"), with large margins. Fold.
A view of Rethymnon in Crete, with ships in the harbour. A copy of one of the ten plates in 'Insula di Candia del Mare Mediteranea', etched by Lucas Vorsterman II, published by Jan Peeters c.1664.
[Ref: 64430] £240.00 (£288.00 incl.VAT)
La Romagnola Sicilia.
Mrs. Oates [possibly lit. Wenzel, c.1839]
Rare lithograph on india, printed area 220 x 265mm (8½ x 10½"). Very large margins.
View in Sicily, after Harriette Oates (née Rhodes), who made a series of views in Sicily and Southern Italy around 1839.
[Ref: 37113] £120.00 (£144.00 incl.VAT)
Mrs. Oates [possibly lit. Wenzel, c.1839]
Rare lithograph on india, printed area 220 x 265mm (8½ x 10½"). Very large margins.
View in Sicily, after Harriette Oates (née Rhodes), who made a series of views in Sicily and Southern Italy around 1839.
[Ref: 37113] £120.00 (£144.00 incl.VAT)
Relte des Tempels des Jupiters zu Selinus. Restes du Temple de Jupiter a Selinus. Pl 6.
Nach der Natur und auf Stein gezeichnet von F. Gaertner.
Gedruckt und verlegt im Zellerischen Kunst. Magazin zu Munchen [n.d. c.1819].
Scarce lithograph. Sheet 570 x 690mm (22½ x 27¼"). Tears in edges, mount burn.
Pirates assaulting Grand Tourists among the ancient ruins at Selinus, Sicily. It is plate 6 of 'Ansichten der am meisten erhaltenen Monumente Siziliens' by Friedrich von Gartner (1792-1847), of which it is thought that only 300 copies were printed. Gartner, an architect from Munich, spent several years in Rome and Naples and visited Sicily in 1816. In London afterwards he met Charles Joseph Hullmandel, who stoked Gartner's interest in lithography, then in its infancy.
[Ref: 51972] £650.00
Nach der Natur und auf Stein gezeichnet von F. Gaertner.
Gedruckt und verlegt im Zellerischen Kunst. Magazin zu Munchen [n.d. c.1819].
Scarce lithograph. Sheet 570 x 690mm (22½ x 27¼"). Tears in edges, mount burn.
Pirates assaulting Grand Tourists among the ancient ruins at Selinus, Sicily. It is plate 6 of 'Ansichten der am meisten erhaltenen Monumente Siziliens' by Friedrich von Gartner (1792-1847), of which it is thought that only 300 copies were printed. Gartner, an architect from Munich, spent several years in Rome and Naples and visited Sicily in 1816. In London afterwards he met Charles Joseph Hullmandel, who stoked Gartner's interest in lithography, then in its infancy.
[Ref: 51972] £650.00
![[Cave di Cusa.] Vue des Carrieres de Campo Bello.](jpegs/44539.jpg)
[Cave di Cusa.] Vue des Carrieres de Campo Bello.
[Peint par Moritz, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Th. Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾") very large margins; uncut.
The Cave di Cusa ('Quarry of Accusation' in Italian) a stone quarry near Campobello di Mazara, first worked during the first half of the 6th century BC but abandoned in 409 BC when the city was captured by the Carthaginians. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44539] £190.00 (£228.00 incl.VAT)
[Peint par Moritz, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Th. Fielding.]
[Paris: P. Didot, 1822.]
Aquatint on india. 355 x 425mm (14 x 16¾") very large margins; uncut.
The Cave di Cusa ('Quarry of Accusation' in Italian) a stone quarry near Campobello di Mazara, first worked during the first half of the 6th century BC but abandoned in 409 BC when the city was captured by the Carthaginians. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example.
Abbey: Travel 262, 'Impressions on India paper were also available'.
[Ref: 44539] £190.00 (£228.00 incl.VAT)
Sicre Gully Pass, between Bengal and Bahar. Pl. 32, Vol IV.
[Probably etched by either George Hunt or Thomas Sutherland after Charles Ramus Forrest.]
[London: Rudolph Ackermann, n.d., 1823.]
Coloured aquatint. Sheet 150 x 250mm (6 x 10"), on Whatman Turkill Mill paper. Slight ink offset.
A temple on a hill, with an elephant with a mahout in the foreground. This example comes from Ackermann's Repository of Arts, published a year before the same plate was used as a tailpiece in Forrest's 'Picturesque Tour along the Ganges and Jumna'. The image also appeared on a John Hall Pottery Pearlware sauce boat.
See Abbey Travel 441 for Forrest's book.
[Ref: 52327] £90.00 (£108.00 incl.VAT)
[Probably etched by either George Hunt or Thomas Sutherland after Charles Ramus Forrest.]
[London: Rudolph Ackermann, n.d., 1823.]
Coloured aquatint. Sheet 150 x 250mm (6 x 10"), on Whatman Turkill Mill paper. Slight ink offset.
A temple on a hill, with an elephant with a mahout in the foreground. This example comes from Ackermann's Repository of Arts, published a year before the same plate was used as a tailpiece in Forrest's 'Picturesque Tour along the Ganges and Jumna'. The image also appeared on a John Hall Pottery Pearlware sauce boat.
See Abbey Travel 441 for Forrest's book.
[Ref: 52327] £90.00 (£108.00 incl.VAT)
Rev. Joseph Sidden's Postscript to a publication entitled, “The Church of Peace and Truth.” Discource delivered in the Town Hall, Guildford, on 14th August, and 9th of October, before the Guildford Protestant Association, and others. The Mayor, Joseph Haydon, Esq. in the Chair. By the Rev. Joseph Sidden, Catholic Pastor.
London: Published by T. Jones, 63 Paternoster Row; and sold by the Booksellers in Guildford,- Price Six-Pence.
Letterpress pamphlet. 8vo, pp. iv. Creased.
Notes about a lecture about Catholicism to a Protestant association.
[Ref: 52007] £60.00 (£72.00 incl.VAT)
London: Published by T. Jones, 63 Paternoster Row; and sold by the Booksellers in Guildford,- Price Six-Pence.
Letterpress pamphlet. 8vo, pp. iv. Creased.
Notes about a lecture about Catholicism to a Protestant association.
[Ref: 52007] £60.00 (£72.00 incl.VAT)
M.rs Siddons. Grecian Daughter, Act the 5th Scene the Ist.
Painted & Engraved by J.K.Sherwin
Inscribed to the Gentlemen of the Bar. by J.K. Sherwin, No 28 St James's Street, and J. Bell, British Library, Strand, Dec.r 15th 1782.
Fine and rare stipple with engraving. Sheet 270 x 220mm (10¾ x 8¾"). Trimmed within plate.
A portrait of actress Sarah Siddons (1755-1831) as Euphrasia in Arthur Murphy's 'The Grecian Daughter'.
O'Donoghue 58.
[Ref: 54652] £260.00 (£312.00 incl.VAT)
Painted & Engraved by J.K.Sherwin
Inscribed to the Gentlemen of the Bar. by J.K. Sherwin, No 28 St James's Street, and J. Bell, British Library, Strand, Dec.r 15th 1782.
Fine and rare stipple with engraving. Sheet 270 x 220mm (10¾ x 8¾"). Trimmed within plate.
A portrait of actress Sarah Siddons (1755-1831) as Euphrasia in Arthur Murphy's 'The Grecian Daughter'.
O'Donoghue 58.
[Ref: 54652] £260.00 (£312.00 incl.VAT)
![[Portrait of Mrs Siddons.]](jpegs/49995.jpg)
[Portrait of Mrs Siddons.]
Malcolm Osbourne (pencil signature] [after Thomas Gainsborough].
[Art Journal of London, n.d., c.1911.]
Etching, proof signed by the etcher. 270 x 200mm (10½ x 8"). Laid on board.
A copy of the famous portrait of Welsh actress Sarah Siddons (1755-1831). Etched by Osbourne for the journal of the Art Union, but this is an early signed proof.
Salaman 22.
[Ref: 49995] £140.00 (£168.00 incl.VAT)
Malcolm Osbourne (pencil signature] [after Thomas Gainsborough].
[Art Journal of London, n.d., c.1911.]
Etching, proof signed by the etcher. 270 x 200mm (10½ x 8"). Laid on board.
A copy of the famous portrait of Welsh actress Sarah Siddons (1755-1831). Etched by Osbourne for the journal of the Art Union, but this is an early signed proof.
Salaman 22.
[Ref: 49995] £140.00 (£168.00 incl.VAT)
![[Mrs. Siddons.] Hold! - Pizarro - hear me! - if not always Justly, at least act always Greatly.](jpegs/11533.jpg)
[Mrs. Siddons.] Hold! - Pizarro - hear me! - if not always Justly, at least act always Greatly.
Drawn Etch'd & Pubd. by Dighton, Charg. Cross. Dec. 14th. 1799.
Hand-coloured etching, 220 x 175mm. 8¾ x 7".
The actress Sarah Siddons (1755 - 1831) as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm Richard Brinsley Sheridan (1751 - 1816), dramatist and politician, adapted August Friedrich Kotzebue's comedy 'Die Sonnenjungfrau and Die Spanier in Peru' as 'Pizarro' to critical acclaim and popular success in 1799 (and became known by satirists as 'Doctor Pizarro'). By Robert Dighton (1752 - 1814).
BM Satires: 9437.
[Ref: 11533] £95.00 (£114.00 incl.VAT)
Drawn Etch'd & Pubd. by Dighton, Charg. Cross. Dec. 14th. 1799.
Hand-coloured etching, 220 x 175mm. 8¾ x 7".
The actress Sarah Siddons (1755 - 1831) as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm Richard Brinsley Sheridan (1751 - 1816), dramatist and politician, adapted August Friedrich Kotzebue's comedy 'Die Sonnenjungfrau and Die Spanier in Peru' as 'Pizarro' to critical acclaim and popular success in 1799 (and became known by satirists as 'Doctor Pizarro'). By Robert Dighton (1752 - 1814).
BM Satires: 9437.
[Ref: 11533] £95.00 (£114.00 incl.VAT)
![M.rs Siddons [letters intersperced with SH-AK-SP-E-A-R-E]](jpegs/62410.jpg)
M.rs Siddons [letters intersperced with SH-AK-SP-E-A-R-E] From a Miniature in Enamel in the Publishers Possession, taken by the late H. Hone Esq.r Miniature Painter to His Majesty shortly after M.rs S's Debut. Proof.
H. Hone Esq.r Del.t advivum. G.F. Phillips Sculp.t.
Published by A. Beugo 38, Maiden Lane, Covent Garden, Sept.r 28th 1825.
Stipple, proof impression printed in sepia. Sheet 245 x 180mm (9½ x 7"). Trimmed within plate, mounted in album paper at edges.
Bust portrait in oval of Sarah Siddons (1755-1831)
[Ref: 62410] £260.00 (£312.00 incl.VAT)
H. Hone Esq.r Del.t advivum. G.F. Phillips Sculp.t.
Published by A. Beugo 38, Maiden Lane, Covent Garden, Sept.r 28th 1825.
Stipple, proof impression printed in sepia. Sheet 245 x 180mm (9½ x 7"). Trimmed within plate, mounted in album paper at edges.
Bust portrait in oval of Sarah Siddons (1755-1831)
[Ref: 62410] £260.00 (£312.00 incl.VAT)
![[A side head]](jpegs/32879.jpg)
[A side head]
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32879] £90.00 (£108.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32879] £90.00 (£108.00 incl.VAT)
![[A side head]](jpegs/32878.jpg)
[A side head]
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; lightly foxed; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32878] £30.00 (£36.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; lightly foxed; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32878] £30.00 (£36.00 incl.VAT)