A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Shepherdess]](jpegs/55995.jpg)
[Shepherdess] [As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Some creasing in margins. Scored lines visible across the plate visible on the print, even on the unlettered state, suggest that a cancelled plate was re-used.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left.
Chaloner Smith 417.aI.
[Ref: 55995] £360.00
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Some creasing in margins. Scored lines visible across the plate visible on the print, even on the unlettered state, suggest that a cancelled plate was re-used.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left.
Chaloner Smith 417.aI.
[Ref: 55995] £360.00
![[Shepherdess and Cattle.]](jpegs/37662.jpg)
[Shepherdess and Cattle.]
Printed & Sold by Thos. Bakewell next the Horn Tavern, Fleet Street [n.d., c.1737-42]
Mezzotint, platemark 175 x 125mm (7 x 5"). Thread margins; small nick inside platemark lower left.
[Ref: 37662] £75.00 (£90.00 incl.VAT)
Printed & Sold by Thos. Bakewell next the Horn Tavern, Fleet Street [n.d., c.1737-42]
Mezzotint, platemark 175 x 125mm (7 x 5"). Thread margins; small nick inside platemark lower left.
[Ref: 37662] £75.00 (£90.00 incl.VAT)
![Shepherdess. [in pencil.]](jpegs/7568.jpg)
Shepherdess. [in pencil.]
Westall. Eng.d J. Grozier [in pencil.]
[n.d., c.1790.]
Mezzotint, Grozer's own unfinished proof, with his pencil writing. 380 x 280mm.
The sitter is noted as 'Miss Smith of Westminster'. A fine mezzotint from the collection of Fritz Reiss, who assembled 'a rich collection of mezzotints, one of the finest of its kind' (Lugt). Pencil annotations in the margin (possibly Reiss's) state 'Grozer's own proof with his writing'.
Ex: Collection of Fritz Reiss (L.2178). Daniell catalogue 1914.
[Ref: 7568] £480.00
Westall. Eng.d J. Grozier [in pencil.]
[n.d., c.1790.]
Mezzotint, Grozer's own unfinished proof, with his pencil writing. 380 x 280mm.
The sitter is noted as 'Miss Smith of Westminster'. A fine mezzotint from the collection of Fritz Reiss, who assembled 'a rich collection of mezzotints, one of the finest of its kind' (Lugt). Pencil annotations in the margin (possibly Reiss's) state 'Grozer's own proof with his writing'.
Ex: Collection of Fritz Reiss (L.2178). Daniell catalogue 1914.
[Ref: 7568] £480.00
Scotch Shepherdess.
[n.d., c.1820.]
Rare aquatint with very fine colour. Sheet 265 x 190mm (10½ x 7½"). Trimmed within plate, losing publication line?
A pretty shepherdess, barefoot, carrying a child on her back, lookin up at the clouds.
[Ref: 57575] £190.00 (£228.00 incl.VAT)
[n.d., c.1820.]
Rare aquatint with very fine colour. Sheet 265 x 190mm (10½ x 7½"). Trimmed within plate, losing publication line?
A pretty shepherdess, barefoot, carrying a child on her back, lookin up at the clouds.
[Ref: 57575] £190.00 (£228.00 incl.VAT)
![[Chloe in the County.]](jpegs/36823.jpg)
[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, I. Ryal & R. Withy in Fleet Street. [n.d., c.1730.]
Mezzotint. Platemark: 355 x 255mm (14 x 9¾"). Trimmed to plate at lower edge. Light staining in corners where previously mounted.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii.
[Ref: 36823] £230.00 (£276.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, I. Ryal & R. Withy in Fleet Street. [n.d., c.1730.]
Mezzotint. Platemark: 355 x 255mm (14 x 9¾"). Trimmed to plate at lower edge. Light staining in corners where previously mounted.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii.
[Ref: 36823] £230.00 (£276.00 incl.VAT)
![[Chloe in the County.]](jpegs/67000.jpg)
[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii.
[Ref: 67000] £280.00 (£336.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii.
[Ref: 67000] £280.00 (£336.00 incl.VAT)
Chloe in the County. From Courts retired to braeth the Vernal Air, / Rural Amusements now engage the Fair...
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street [n.d., c.1760].
Mezzotint, 18th entury watermark. 355 x 255mm (14 x 9¾"), with very large margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67242] £340.00
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street [n.d., c.1760].
Mezzotint, 18th entury watermark. 355 x 255mm (14 x 9¾"), with very large margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67242] £340.00
![[Chloe in the County.]](jpegs/67243.jpg)
[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Collector's stamp 'E.M.H.' on reverse.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii. Ex: collections of Mrs. E.M. Hamilton & The Hon. Christopher Lennox-Boyd.
[Ref: 67243] £280.00 (£336.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Collector's stamp 'E.M.H.' on reverse.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii. Ex: collections of Mrs. E.M. Hamilton & The Hon. Christopher Lennox-Boyd.
[Ref: 67243] £280.00 (£336.00 incl.VAT)
![[Chloe in the County.]](jpegs/67244.jpg)
[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, J. Ryal & R. Withy in Fleet Street. Prince 2s [n.d., c.1755].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67244] £280.00 (£336.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, J. Ryal & R. Withy in Fleet Street. Prince 2s [n.d., c.1755].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67244] £280.00 (£336.00 incl.VAT)
Chloe in the County. From Courts retired to braeth the Vernal Air, / Rural Amusements now engage the Fair...
Hen.y Pickering pinx.t. John Faber fecit.
[Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.] [n.d., c.1760.]
Mezzotint. Sheet 345 x 255mm (13½ x 9¾"). Trimmed to image on three sides, losing publication line at bottom, crease.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67245] £180.00 (£216.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
[Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.] [n.d., c.1760.]
Mezzotint. Sheet 345 x 255mm (13½ x 9¾"). Trimmed to image on three sides, losing publication line at bottom, crease.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67245] £180.00 (£216.00 incl.VAT)
![[Lady as Shepherdess.]](jpegs/3833.jpg)
[Lady as Shepherdess.]
[Lely pinx?]
[n.d., c.1690.]
Mezzotint, proof before letters. 350 x 250mm.
Possibly Lady Mary Grey.
CS: Engraver not Ascertained 130.
[Ref: 3833] £240.00 (£288.00 incl.VAT)
[Lely pinx?]
[n.d., c.1690.]
Mezzotint, proof before letters. 350 x 250mm.
Possibly Lady Mary Grey.
CS: Engraver not Ascertained 130.
[Ref: 3833] £240.00 (£288.00 incl.VAT)
![Grisalda. [&] The Shepherdess of the Alps.](jpegs/39240.jpg)
Grisalda. [&] The Shepherdess of the Alps. From the Original Picture in the Collection of George Bowles Esq, to whom this Plate is Dedicated by his most Obedient Humble Servant, W.Dickinson.
Painted by Angelica Kauffman. Engraved by F.Bartolozzi.
London, Publish'd Feb.y 20th 1785 by W.Dickinson, Engraver & Printseller, No.158 Bond Street.
Pair of stipples, printed in sepia, scratch-letter proofs. Each 440 x 330mm (17¼ x 13"). Large margins on the Shepherdess; Small margins on Grisalda. Slight repaired hole on right in Grisalda.
A pair of scenes from 'The Shepherdess of the Alps', a play by Charles Dibdin, 1780, based on 'Patient Griselda', one of the stories in Boccaccio's Decameron. In 'Grisalda' (later with the full title 'Gualtherus and Grisalda') Gualtiero, King of Sicily, meets the poor shepherdess, Griselda, who he had married years before but had forced to exile. The story has also been made into an opera by Alessandro Scarlatti (1721) and Antonio Vivaldi (1735).
[Ref: 39240] £490.00 view all images for this item
Painted by Angelica Kauffman. Engraved by F.Bartolozzi.
London, Publish'd Feb.y 20th 1785 by W.Dickinson, Engraver & Printseller, No.158 Bond Street.
Pair of stipples, printed in sepia, scratch-letter proofs. Each 440 x 330mm (17¼ x 13"). Large margins on the Shepherdess; Small margins on Grisalda. Slight repaired hole on right in Grisalda.
A pair of scenes from 'The Shepherdess of the Alps', a play by Charles Dibdin, 1780, based on 'Patient Griselda', one of the stories in Boccaccio's Decameron. In 'Grisalda' (later with the full title 'Gualtherus and Grisalda') Gualtiero, King of Sicily, meets the poor shepherdess, Griselda, who he had married years before but had forced to exile. The story has also been made into an opera by Alessandro Scarlatti (1721) and Antonio Vivaldi (1735).
[Ref: 39240] £490.00 view all images for this item
Al Sig. G. Guillon Le Thiere Pittore celeberrimo e Direttore della Imperiale e Reale Accademia di Francia in Roma. Dal Quadro originale presso il S. Cav. Gio. Gherardo De Rossi. Pietro Parboni D. D. D.
Gasparo Pussino dipinse. Niccola de Antoni impresse. Pietro Parboni disegno e incise.
[Rome, n.d. c.1807-1832]
Etching with engraving. 465 x 610mm (18¼ x 24"), with wide margins. Mint.
A rustic scene of two shepherds quiding their sheep and cattle through a wood. After Gaspard Dughet (1615-1675), a student of Poussin. Dughet's successful career as a landscape artist saw him become one of the best known painters in Rome, alonside Poussin and Claude Lorrain.
From the Berkeley Collection, Spetchley Park.
[Ref: 55091] £350.00
Gasparo Pussino dipinse. Niccola de Antoni impresse. Pietro Parboni disegno e incise.
[Rome, n.d. c.1807-1832]
Etching with engraving. 465 x 610mm (18¼ x 24"), with wide margins. Mint.
A rustic scene of two shepherds quiding their sheep and cattle through a wood. After Gaspard Dughet (1615-1675), a student of Poussin. Dughet's successful career as a landscape artist saw him become one of the best known painters in Rome, alonside Poussin and Claude Lorrain.
From the Berkeley Collection, Spetchley Park.
[Ref: 55091] £350.00
![[Shepherd and shepherdess sitting by a fountain.]](jpegs/32163.jpg)
[Shepherd and shepherdess sitting by a fountain.]
W.Vincent fec.
[n.d., c.1680.]
Rare mezzotint. Borders bit messy. 180 x 150mm (7 x 6") Trimmed to plate, mounted on album paper.
A shepherd and shepherdess sitting by a dolphin fountain, the man playing a pipe.
CS 15. BM 1868,1114.495.
[Ref: 32163] £220.00 (£264.00 incl.VAT)
W.Vincent fec.
[n.d., c.1680.]
Rare mezzotint. Borders bit messy. 180 x 150mm (7 x 6") Trimmed to plate, mounted on album paper.
A shepherd and shepherdess sitting by a dolphin fountain, the man playing a pipe.
CS 15. BM 1868,1114.495.
[Ref: 32163] £220.00 (£264.00 incl.VAT)
Shepherds in Arcadia.
G.B. Cipriani Inv.t. Kirk Sculpsit.
Published March 25th 1789 by John & Josiah Boydell No.90 Cheapside London.
Stipple. Plate: 275 x 365mm (11 x 14½''). Thread margins.
A classical scene showing a group of shepherds and women coming across a large tomb.
[Ref: 48091] £190.00 (£228.00 incl.VAT)
G.B. Cipriani Inv.t. Kirk Sculpsit.
Published March 25th 1789 by John & Josiah Boydell No.90 Cheapside London.
Stipple. Plate: 275 x 365mm (11 x 14½''). Thread margins.
A classical scene showing a group of shepherds and women coming across a large tomb.
[Ref: 48091] £190.00 (£228.00 incl.VAT)
![[Shepherds in a landscape]](jpegs/46761.jpg)
[Shepherds in a landscape]
H. Voogd pinx. et inc. Romae [c.1800]
Etching, platemark 280 x 385mm (11 x 15"), with very large margins.
Etching by Hendrik Voogd (1768-1839), Amsterdam-born painter and printmaker active in Rome from 1788 onwards.
[Ref: 46761] £260.00 (£312.00 incl.VAT)
H. Voogd pinx. et inc. Romae [c.1800]
Etching, platemark 280 x 385mm (11 x 15"), with very large margins.
Etching by Hendrik Voogd (1768-1839), Amsterdam-born painter and printmaker active in Rome from 1788 onwards.
[Ref: 46761] £260.00 (£312.00 incl.VAT)
The Shepherds Offering. From the Original Picture Painted by Pietro da Cortona, in the Collection of John Barnard Esqr. Size of the Picture 1F. 8½I by 2F. 5I in height. Vol. II. No.29.
Pietro da Cortona Pinxt. Joan: Baptista de Cipriani del: Carlo Fauccij Sculpt.
Published by J. Boydell Engraver in Cheapside London 1768.
Engraving, paper watermarked. Plate 489 x 342mm (19¼ x 13½"). Very large margins.
Shepherds offering a lamb to the Virgin Mary and the Christ child; an angel hovers overhead.
Ex Collection Duke of Westminster.
[Ref: 38252] £260.00 (£312.00 incl.VAT)
Pietro da Cortona Pinxt. Joan: Baptista de Cipriani del: Carlo Fauccij Sculpt.
Published by J. Boydell Engraver in Cheapside London 1768.
Engraving, paper watermarked. Plate 489 x 342mm (19¼ x 13½"). Very large margins.
Shepherds offering a lamb to the Virgin Mary and the Christ child; an angel hovers overhead.
Ex Collection Duke of Westminster.
[Ref: 38252] £260.00 (£312.00 incl.VAT)
![Jack Shepher[d].](jpegs/68903.jpg)
Jack Shepher[d]. A, the Hole he made in the Chimney when he got loose.
Drawn from the Life.
[n.d., c.1720.] [Printed for and Sold by T.Bowles Print Seller next the Chapter House in St. Pauls Ch. Yard. & I: Bowles Print Seller over-against Stocks Mart.]
Scarce etching. Sheet 245 x 160mm (9¾ x 6¼"). Very damaged, cut and backed onto album paper with folds and creases.
Portrait depicting Jack Sheppard (1702-24), seated on a chair in prison cell at Newgate, with hands and feet in chains, shackled to the floor. nicknamed "Honest Jack", "Gentleman Jack" or "Jack the Lad" (the origin of the phrase). Sheppard was arrested and imprisoned five times in 1724, but escaped four times from prison, making him notorious, though popular with the poorer classes. Ultimately, he was caught, convicted, and hanged at Tyburn, ending his brief criminal career after less than two years.
[Ref: 68903] £130.00 (£156.00 incl.VAT)
Drawn from the Life.
[n.d., c.1720.] [Printed for and Sold by T.Bowles Print Seller next the Chapter House in St. Pauls Ch. Yard. & I: Bowles Print Seller over-against Stocks Mart.]
Scarce etching. Sheet 245 x 160mm (9¾ x 6¼"). Very damaged, cut and backed onto album paper with folds and creases.
Portrait depicting Jack Sheppard (1702-24), seated on a chair in prison cell at Newgate, with hands and feet in chains, shackled to the floor. nicknamed "Honest Jack", "Gentleman Jack" or "Jack the Lad" (the origin of the phrase). Sheppard was arrested and imprisoned five times in 1724, but escaped four times from prison, making him notorious, though popular with the poorer classes. Ultimately, he was caught, convicted, and hanged at Tyburn, ending his brief criminal career after less than two years.
[Ref: 68903] £130.00 (£156.00 incl.VAT)
A View of Sheperton.~
J. Boydell Del. & Sculp.
Published according to Act of Parliament by J. Boydell Engraver, 1752. Price 1s. ~ & Sold by him at the Unicorn the Corner of Queen Street, Cheapside No.3.
Engraving 425 x 265mm (16¾ x 10½").
View of Sheperton from across the Thames, with various ferries.
[Ref: 855] £320.00
J. Boydell Del. & Sculp.
Published according to Act of Parliament by J. Boydell Engraver, 1752. Price 1s. ~ & Sold by him at the Unicorn the Corner of Queen Street, Cheapside No.3.
Engraving 425 x 265mm (16¾ x 10½").
View of Sheperton from across the Thames, with various ferries.
[Ref: 855] £320.00
A View of Sheperton. No.3
John Boydell del et sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1752. - & Sold by him at the Unicorn the Corner of Queen Elizabeth street Cheapside.
Very fine hand coloured engraving. Plate 260 x 430mm (10¼ x 17"), with large margins on three sides. Small margin on left.
A view of Shepperton on the River Thames from Boydell's series of plates "Collection of One Hundred Views in England and Wales," published in 1770.
[Ref: 56290] £320.00
John Boydell del et sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1752. - & Sold by him at the Unicorn the Corner of Queen Elizabeth street Cheapside.
Very fine hand coloured engraving. Plate 260 x 430mm (10¼ x 17"), with large margins on three sides. Small margin on left.
A view of Shepperton on the River Thames from Boydell's series of plates "Collection of One Hundred Views in England and Wales," published in 1770.
[Ref: 56290] £320.00
A View of Sheperton. No.3.
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver. 1752. Price 1s._& Sold by him at the Unicorn the Corner of Queen Street Cheapside.
Engraving, paper watermarked with very large margins. Plate 260 x 420mm (10¼ x 16½").
A view along the River Thames at Shepperton; smal ferries and other vessels seen on the river; five horses seen on the foreground pulling a merchant vessel to shore. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.3.
[Ref: 29296] £300.00
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver. 1752. Price 1s._& Sold by him at the Unicorn the Corner of Queen Street Cheapside.
Engraving, paper watermarked with very large margins. Plate 260 x 420mm (10¼ x 16½").
A view along the River Thames at Shepperton; smal ferries and other vessels seen on the river; five horses seen on the foreground pulling a merchant vessel to shore. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.3.
[Ref: 29296] £300.00
Shepperton.
Seymour Haden.
1864.
Etching. Plate 140 x 120mm (5½ x 4¾").
A view of Shepperton, in Surrey, England. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 30360] £140.00 (£168.00 incl.VAT)
Seymour Haden.
1864.
Etching. Plate 140 x 120mm (5½ x 4¾").
A view of Shepperton, in Surrey, England. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 30360] £140.00 (£168.00 incl.VAT)
![[BOOKPLATE] Ex. Libri Carolus Guliemuss Sherborn.](jpegs/12331.jpg)
[BOOKPLATE] Ex. Libri Carolus Guliemuss Sherborn.
[C.W. Sherborn monogram on scroll lower right.]
Ano. Dni. M.D.CCC.LXXVIII. [1878.]
Engraved ex-libris bookplate of Charles William Sherborn (1831 - 1912), engraver, by his own hand. 120 x 80mm, 4¾ x 3¼". A fine impression in near mint condition.
The intricately engraved design, showcasing the engraver's talents, features heraldic elements, a unicorn, a butterfly, a naked woman and child, and a skeleton; all are surrounded by dense foliage. Sherborn's finest achievement is a series of over 350 bookplates which he designed and engraved chiefly between 1881 and 1912. They are mostly of the armorial type, but some are pictorial and a few are portraits. His mastery of fine engraving technique was unrivalled among the working engravers of his time, and came into its own in reproducing these formal and intricate designs. He was a regular exhibitor at the Royal Academy and was elected a foundation member of the Society of Painter-Etchers in 1884.
[Ref: 12331] £75.00 (£90.00 incl.VAT)
[C.W. Sherborn monogram on scroll lower right.]
Ano. Dni. M.D.CCC.LXXVIII. [1878.]
Engraved ex-libris bookplate of Charles William Sherborn (1831 - 1912), engraver, by his own hand. 120 x 80mm, 4¾ x 3¼". A fine impression in near mint condition.
The intricately engraved design, showcasing the engraver's talents, features heraldic elements, a unicorn, a butterfly, a naked woman and child, and a skeleton; all are surrounded by dense foliage. Sherborn's finest achievement is a series of over 350 bookplates which he designed and engraved chiefly between 1881 and 1912. They are mostly of the armorial type, but some are pictorial and a few are portraits. His mastery of fine engraving technique was unrivalled among the working engravers of his time, and came into its own in reproducing these formal and intricate designs. He was a regular exhibitor at the Royal Academy and was elected a foundation member of the Society of Painter-Etchers in 1884.
[Ref: 12331] £75.00 (£90.00 incl.VAT)
![[Sherborne. The Great Court. Break.]](jpegs/67206.jpg)
[Sherborne. The Great Court. Break.]
F.P. Barraud. William J Allingham [pencil signatures].
London, Published Oct.r 1.st 1890 by Mess.rs Dickinson & Foster Publishers to The Queen, 114, New Bond Street, W. Copyright Registered.
Etching, proof before title, signed in pencil by artist and engraver. 430 x 570mm (17 x 22½"). Some surface rubbing in bottom margin.
A view of the exterior of Sherborne School, Dorset, with pupils wearing boaters.
[Ref: 67206] £280.00 (£336.00 incl.VAT)
F.P. Barraud. William J Allingham [pencil signatures].
London, Published Oct.r 1.st 1890 by Mess.rs Dickinson & Foster Publishers to The Queen, 114, New Bond Street, W. Copyright Registered.
Etching, proof before title, signed in pencil by artist and engraver. 430 x 570mm (17 x 22½"). Some surface rubbing in bottom margin.
A view of the exterior of Sherborne School, Dorset, with pupils wearing boaters.
[Ref: 67206] £280.00 (£336.00 incl.VAT)
North View of Sherborne Castle, the Seat of G.D.W. Digby, Esq.r To whom this plate is respectfully dedicated.
Philip Brannon del. et sculp.
[n.d. c.1830.]
Engraving. Plate 241 x 360mm (9½ x 14¼"). Some toning.
Sherborne Castle, the 16th century Tudor mansion in Dorset. Edward, 6th Lord Digby (1730-1757) inherited the lodge in 1752, and Henry, 7th Lord, Earl Digby, laid out the present gardens, including the 1753 lake designed by Lancelot Brown.
[Ref: 34735] £45.00 (£54.00 incl.VAT)
Philip Brannon del. et sculp.
[n.d. c.1830.]
Engraving. Plate 241 x 360mm (9½ x 14¼"). Some toning.
Sherborne Castle, the 16th century Tudor mansion in Dorset. Edward, 6th Lord Digby (1730-1757) inherited the lodge in 1752, and Henry, 7th Lord, Earl Digby, laid out the present gardens, including the 1753 lake designed by Lancelot Brown.
[Ref: 34735] £45.00 (£54.00 incl.VAT)
![[Sherborne___"The Inner Court"__from the Bell Building.]](jpegs/22081.jpg)
[Sherborne___"The Inner Court"__from the Bell Building.]
[Pencil signatures:] F.P. Barraud. William J Allingham. [Etched in the image:] F.P. Barraud.
London, Published October 1.st 1890 by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title, signed in pencil. Printseller's Association stamp, remarque in the title area. Plate 437 x 571mm. 17¼ x 22½". Remarque faded.
Two gardeners in the Inner Court at Sherborne School. Tbe school was refounded by Edward VI in 1550 following the Dissolution of the Monasteries, as King Edward's School. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. Rem.AP. 60.
[Ref: 22081] £220.00 (£264.00 incl.VAT)
[Pencil signatures:] F.P. Barraud. William J Allingham. [Etched in the image:] F.P. Barraud.
London, Published October 1.st 1890 by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title, signed in pencil. Printseller's Association stamp, remarque in the title area. Plate 437 x 571mm. 17¼ x 22½". Remarque faded.
Two gardeners in the Inner Court at Sherborne School. Tbe school was refounded by Edward VI in 1550 following the Dissolution of the Monasteries, as King Edward's School. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. Rem.AP. 60.
[Ref: 22081] £220.00 (£264.00 incl.VAT)
![[Sherborne.___"The Library".]](jpegs/22031.jpg)
[Sherborne.___"The Library".]
[Pencil signatures:] F.P. Barraud. EW. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title limited to 100, signed in pencil. Printsellers Association stamp. Plate 578 x 425mm. 22¾ x 16¾".
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. AP. 100.
[Ref: 22031] £230.00 (£276.00 incl.VAT)
[Pencil signatures:] F.P. Barraud. EW. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title limited to 100, signed in pencil. Printsellers Association stamp. Plate 578 x 425mm. 22¾ x 16¾".
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. AP. 100.
[Ref: 22031] £230.00 (£276.00 incl.VAT)
Sherborne.___"The Library".
Painted by F.P. Barraud. Etched by E.W. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. 580 x 425mm. 22¾ x 16¾". Some overall toning, slight creasing in lower left corner of margin.
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
[Ref: 23949] £130.00 (£156.00 incl.VAT)
Painted by F.P. Barraud. Etched by E.W. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. 580 x 425mm. 22¾ x 16¾". Some overall toning, slight creasing in lower left corner of margin.
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
[Ref: 23949] £130.00 (£156.00 incl.VAT)
![[Sherbourne School] Scholæ Shirborn:s. Festum Seculare. Anno Salvtus. 1850.](jpegs/64417.jpg)
[Sherbourne School] Scholæ Shirborn:s. Festum Seculare. Anno Salvtus. 1850.
[1850.]
Engraved invitation on card. 90 x 140mm (9½ x 8¼").
An invitation to an event at Sherborne School, Dorset.
[Ref: 64417] £75.00 (£90.00 incl.VAT)
[1850.]
Engraved invitation on card. 90 x 140mm (9½ x 8¼").
An invitation to an event at Sherborne School, Dorset.
[Ref: 64417] £75.00 (£90.00 incl.VAT)
Sherburn Hospital.
J. Lambert del: 1774. JBailey Sculp:
Copper engraving. 102 x127mm. 4 x 5". Cut.
Sherburn is a medieval hospital located in a hamlet to the south-east of Durham. Founded in 1181 by Hugh de Puiset. It survived the Dissolution of the Monasteries and the associated closures of many hospitals and a new constitution was introduced by Act of Parliament in 1585 for the establishment of "The Master and Brethren of Christ's Hospital in Sherbourne near Durham".
[Ref: 15407] £65.00 (£78.00 incl.VAT)
J. Lambert del: 1774. JBailey Sculp:
Copper engraving. 102 x127mm. 4 x 5". Cut.
Sherburn is a medieval hospital located in a hamlet to the south-east of Durham. Founded in 1181 by Hugh de Puiset. It survived the Dissolution of the Monasteries and the associated closures of many hospitals and a new constitution was introduced by Act of Parliament in 1585 for the establishment of "The Master and Brethren of Christ's Hospital in Sherbourne near Durham".
[Ref: 15407] £65.00 (£78.00 incl.VAT)
![C.K. Sheridan [facsimile signature.]](jpegs/21871.jpg)
C.K. Sheridan [facsimile signature.]
d'Orsay fecit 17 July 1844 [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond St. C. Graf, Lith. to Her Majesty.
Lithograph with colour added by hand, india paper, india 215 x 165mm. 8½ x 6½".
Portrait of Charles Kinnaird Sheridan (d.1847), British attaché at Paris. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.84.
[Ref: 21871] £70.00 (£84.00 incl.VAT)
d'Orsay fecit 17 July 1844 [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond St. C. Graf, Lith. to Her Majesty.
Lithograph with colour added by hand, india paper, india 215 x 165mm. 8½ x 6½".
Portrait of Charles Kinnaird Sheridan (d.1847), British attaché at Paris. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.84.
[Ref: 21871] £70.00 (£84.00 incl.VAT)
![[Mrs. Elizabeth Sheridan] St. Caecilia.](jpegs/7041.jpg)
[Mrs. Elizabeth Sheridan] St. Caecilia.
Painted by Sir Joshua Reynolds. Engraved by Thos. Watson.
London, Published July 20th. 1779 for Watson & Dickinson No. 158 New Bond Street.
Stipple engraving. 295 x 385mm. Trimmed to plate.
Elizabeth Sheridan, shown here in the guise of the patron saint of music, was a beautiful and talented singer. She was also the wife of the playwright and politician, Richard Brinsley Sheridan. After their marriage Sheridan prevented her from singing in public, even in Joshua Reynolds's house. [Tate]
Goodwin 37, i of iii.. Hamilton i of iii.
[Ref: 7041] £350.00
Painted by Sir Joshua Reynolds. Engraved by Thos. Watson.
London, Published July 20th. 1779 for Watson & Dickinson No. 158 New Bond Street.
Stipple engraving. 295 x 385mm. Trimmed to plate.
Elizabeth Sheridan, shown here in the guise of the patron saint of music, was a beautiful and talented singer. She was also the wife of the playwright and politician, Richard Brinsley Sheridan. After their marriage Sheridan prevented her from singing in public, even in Joshua Reynolds's house. [Tate]
Goodwin 37, i of iii.. Hamilton i of iii.
[Ref: 7041] £350.00
![[Mrs. Sheridan as Saint Cecilia]](jpegs/45438.jpg)
[Mrs. Sheridan as Saint Cecilia]
[After Sir Joshua Reynolds]
[? Published April 3, 1794, by Anthy Molteno...]
Stipple engraving, proof before letters; platemark 345 x 260mm (13½ x 10¼").
Elizabeth Ann Sheridan (née Linley, 1754-92), singer and writer, after the painting by Sir Joshua Reynolds depicting her as the patron saint of music, St Cecilia (1775, Waddesdon Manor). The painting was engraved in stipple by Thomas Watson in 1779, but this is a different plate, possibly corresponding with the plate Goodwin refers to in his cataloguing for the third state of Watson's print.
See Goodwin p.131; for Watson's engraving see ref. 7041.
[Ref: 45438] £280.00 (£336.00 incl.VAT)
[After Sir Joshua Reynolds]
[? Published April 3, 1794, by Anthy Molteno...]
Stipple engraving, proof before letters; platemark 345 x 260mm (13½ x 10¼").
Elizabeth Ann Sheridan (née Linley, 1754-92), singer and writer, after the painting by Sir Joshua Reynolds depicting her as the patron saint of music, St Cecilia (1775, Waddesdon Manor). The painting was engraved in stipple by Thomas Watson in 1779, but this is a different plate, possibly corresponding with the plate Goodwin refers to in his cataloguing for the third state of Watson's print.
See Goodwin p.131; for Watson's engraving see ref. 7041.
[Ref: 45438] £280.00 (£336.00 incl.VAT)
![[Mrs Elizabeth Sheridan] St. Cecilia.](jpegs/59578.jpg)
[Mrs Elizabeth Sheridan] St. Cecilia. Proof.
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 230 x 165mm (9 x 6½"), with large margins.
Singer and writer Elizabeth Ann Sheridan (née Linley, 1754-92), painted as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath married the playwright Richard Brinsley Sheridan after eloping with him, in 1773. She was famous for her soprano voice, so the pose was obviously suitable. Sheridan, having ordered the picture, found he could not afford to pay for it. It was exhibited at the Royal Academy in 1775. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59578] £90.00 (£108.00 incl.VAT)
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[n.d., c.1820.]
Proof mezzotint. 230 x 165mm (9 x 6½"), with large margins.
Singer and writer Elizabeth Ann Sheridan (née Linley, 1754-92), painted as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath married the playwright Richard Brinsley Sheridan after eloping with him, in 1773. She was famous for her soprano voice, so the pose was obviously suitable. Sheridan, having ordered the picture, found he could not afford to pay for it. It was exhibited at the Royal Academy in 1775. From "Engravings from the Works of Sir Joshua Reynolds', a four-volume set (later nine) with over 350 small mezzotints.
See Whitman Appendix; state ii of iv.
[Ref: 59578] £90.00 (£108.00 incl.VAT)
![[Elizabeth Sheridan] S.t Caecilia.](jpegs/64952.jpg)
[Elizabeth Sheridan] S.t Caecilia.
Painted by Sir Joshua Reynolds. Engrav'd by W Dickinson.
London Publish'd May 21st. 1776. by W. Dickinson, Henrietta Street, Covent Garden, & Tho.s Watson No. 142, New Bond Street.
Mezzotint. 500 x 350mm (19¾ x 13¾"), with large margins.
A very fine image of singer and writer Elizabeth Ann Sheridan (née Linley, 1754 - 1792) as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath eloped with the playwright Richard Brinsley Sheridan, marrying him in 1773. Sheridan ordered the picture but could not afford to pay for it. It was exhibited at the Royal Academy in 1775.
Hamilton p.131, ii of iii. CS: 74, ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64952] £450.00
Painted by Sir Joshua Reynolds. Engrav'd by W Dickinson.
London Publish'd May 21st. 1776. by W. Dickinson, Henrietta Street, Covent Garden, & Tho.s Watson No. 142, New Bond Street.
Mezzotint. 500 x 350mm (19¾ x 13¾"), with large margins.
A very fine image of singer and writer Elizabeth Ann Sheridan (née Linley, 1754 - 1792) as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath eloped with the playwright Richard Brinsley Sheridan, marrying him in 1773. Sheridan ordered the picture but could not afford to pay for it. It was exhibited at the Royal Academy in 1775.
Hamilton p.131, ii of iii. CS: 74, ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64952] £450.00
![[Elizabeth Sheridan] S.t Caecilia.](jpegs/64954.jpg)
[Elizabeth Sheridan] S.t Caecilia.
Painted by Sir Joshua Reynolds. Engrav'd by W Dickinson.
London Publish'd May 21st. 1776. by W. Dickinson, Henrietta Street, Covent Garden, & Tho.s Watson No. 142, New Bond Street.
Mezzotint. 490 x 350mm (19¼ x 13¾"). Trimmed into plate at bottom.
A very fine image of singer and writer Elizabeth Ann Sheridan (née Linley, 1754 - 1792) as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath eloped with the playwright Richard Brinsley Sheridan, marrying him in 1773. Sheridan ordered the picture but could not afford to pay for it. It was exhibited at the Royal Academy in 1775.
Hamilton p.131, ii of iii. CS: 74, ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64954] £450.00
Painted by Sir Joshua Reynolds. Engrav'd by W Dickinson.
London Publish'd May 21st. 1776. by W. Dickinson, Henrietta Street, Covent Garden, & Tho.s Watson No. 142, New Bond Street.
Mezzotint. 490 x 350mm (19¼ x 13¾"). Trimmed into plate at bottom.
A very fine image of singer and writer Elizabeth Ann Sheridan (née Linley, 1754 - 1792) as Saint Cecilia, patron saint of musicians and of Church music. She plays the organ seated on a low stool, two angelic children singing behind; from upper left, cloud with shafts of light. Miss Linley of Bath eloped with the playwright Richard Brinsley Sheridan, marrying him in 1773. Sheridan ordered the picture but could not afford to pay for it. It was exhibited at the Royal Academy in 1775.
Hamilton p.131, ii of iii. CS: 74, ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64954] £450.00
![[Elizabeth Ann Sheridan] S.t Cecilia.](jpegs/7189.jpg)
[Elizabeth Ann Sheridan] S.t Cecilia.
[By James Gillray.]
Pub.d April 24th 1782, by H.Humphrey, New Bond Street.
Etching on Whatman paper watermarked 1813. 225 x 165mm.
A burlesque of Reynolds's painting of Mrs. Elizabeth Ann Sheridan as 'St. Cecilia'. She sits at the organ in profile to the right, on a low stool, her face ht by rays which descend through clouds. The place of the two angels in Reynolds's picture is taken by two squalling cats, who sit on the player's left, a book of music propped up in front of them.
[Ref: 7189] £140.00 (£168.00 incl.VAT)
[By James Gillray.]
Pub.d April 24th 1782, by H.Humphrey, New Bond Street.
Etching on Whatman paper watermarked 1813. 225 x 165mm.
A burlesque of Reynolds's painting of Mrs. Elizabeth Ann Sheridan as 'St. Cecilia'. She sits at the organ in profile to the right, on a low stool, her face ht by rays which descend through clouds. The place of the two angels in Reynolds's picture is taken by two squalling cats, who sit on the player's left, a book of music propped up in front of them.
[Ref: 7189] £140.00 (£168.00 incl.VAT)
M.rs Sheridan.
[n.d., c.1770.]
Rare engraving. Plate: 115 x 100mm (4½ x 4''). Tipped into album sheet. Small margins.
A portrait of actress and singer Elizabeth Anne Sheridan (1754-1792). She was also the wife of the playwright and politician, Richard Brinsley Sheridan. After their marriage Sheridan prevented her from singing in public, even in Sir Joshua Reynolds's house.
Not in Harvard.
[Ref: 49357] £130.00 (£156.00 incl.VAT)
[n.d., c.1770.]
Rare engraving. Plate: 115 x 100mm (4½ x 4''). Tipped into album sheet. Small margins.
A portrait of actress and singer Elizabeth Anne Sheridan (1754-1792). She was also the wife of the playwright and politician, Richard Brinsley Sheridan. After their marriage Sheridan prevented her from singing in public, even in Sir Joshua Reynolds's house.
Not in Harvard.
[Ref: 49357] £130.00 (£156.00 incl.VAT)
M.rs Sheridan & Son.
Painted by J. Hoppner R.A. Engraved by T. Nugent.
London Publlish'd April 2, 1800, by T. Nugent No 21, Charles Street, Middlesex Hospital.
Stipple. 665 x 415mm (26¼ x 16¼"). Title are bit messy. Small margins.
Hester Jane Ogle (1776-1817), daughter of the Dean of Winchester and second wife of Richard Brinsley Sheridan. Their son was Charles Brinsley Sheridan (1796-1843)
[Ref: 45396] £290.00 (£348.00 incl.VAT)
Painted by J. Hoppner R.A. Engraved by T. Nugent.
London Publlish'd April 2, 1800, by T. Nugent No 21, Charles Street, Middlesex Hospital.
Stipple. 665 x 415mm (26¼ x 16¼"). Title are bit messy. Small margins.
Hester Jane Ogle (1776-1817), daughter of the Dean of Winchester and second wife of Richard Brinsley Sheridan. Their son was Charles Brinsley Sheridan (1796-1843)
[Ref: 45396] £290.00 (£348.00 incl.VAT)
![[Frank Sheridan.]](jpegs/22526.jpg)
[Frank Sheridan.]
[R.J. Lane after Edwin Landseer]
London. Published by J. Mitchell, Royal Library, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph printed on india paper, printed area approx 270 x 180mm (10½ x 7"). Small hole in hair, occasional foxing.
Frank Sheridan, younger brother of Lady Dufferin, and an aide-de-camp of Count d'Orsay (1801-52), an artist, printmaker and gentleman of fashion. After Edwin Landseer (1802-73).
O'Donoghue: 1
[Ref: 22526] £65.00 (£78.00 incl.VAT)
[R.J. Lane after Edwin Landseer]
London. Published by J. Mitchell, Royal Library, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph printed on india paper, printed area approx 270 x 180mm (10½ x 7"). Small hole in hair, occasional foxing.
Frank Sheridan, younger brother of Lady Dufferin, and an aide-de-camp of Count d'Orsay (1801-52), an artist, printmaker and gentleman of fashion. After Edwin Landseer (1802-73).
O'Donoghue: 1
[Ref: 22526] £65.00 (£78.00 incl.VAT)
The Motor Car. Words by Richard Morton, Adapted to the Meolody of ''Funiculi Funicula'' by L. Denza. Sung with Great Success by John F. Sheridan.
Ricordi's Copyright 1897.
Pamphlet; pp. (8), cover with chromolithographic portrait. 350 x 255mm (13¾ x 10"). Cover detatched, some soiling.
The words and music of a comic song about an attempt to drive a motor car from Camberwell to Brighton, ending with the car exploding. The cover depicts John Francis Sheridan (1843-1908), an Irish-American comic actor, dressed as a Chinaman, carrying a pole with two scenes from the song. He ended his career in Australia, dying in a hotel in Newcastle. Very rare & early Motor Car item, Brighton interest.
[Ref: 58854] £490.00
Ricordi's Copyright 1897.
Pamphlet; pp. (8), cover with chromolithographic portrait. 350 x 255mm (13¾ x 10"). Cover detatched, some soiling.
The words and music of a comic song about an attempt to drive a motor car from Camberwell to Brighton, ending with the car exploding. The cover depicts John Francis Sheridan (1843-1908), an Irish-American comic actor, dressed as a Chinaman, carrying a pole with two scenes from the song. He ended his career in Australia, dying in a hotel in Newcastle. Very rare & early Motor Car item, Brighton interest.
[Ref: 58854] £490.00
![[Lydia Sheridan & Fraancis Newman] No. XXVI. The Female Deserter. No. XXVII. The Chemical Lover.](jpegs/38593.jpg)
[Lydia Sheridan & Fraancis Newman] No. XXVI. The Female Deserter. No. XXVII. The Chemical Lover.
London, Published by A. Hamilton Jun.r. Fleet Street, 1 Oct, 1790.
Engraving. Plate: 170 x 110mm (6¾ x 4¼"). Small margins. Cut at top.
Two portrait busts set in ovals. On the right a portrait of a Francis Newman and on the left Mrs Lydia Sheriden. Major Henry Sheriden on returning from his post in America found that his wife Lydia had run away with Newman to Chelsea. From 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of nobility.
BM Satire 7706.
[Ref: 38593] £50.00 (£60.00 incl.VAT)
London, Published by A. Hamilton Jun.r. Fleet Street, 1 Oct, 1790.
Engraving. Plate: 170 x 110mm (6¾ x 4¼"). Small margins. Cut at top.
Two portrait busts set in ovals. On the right a portrait of a Francis Newman and on the left Mrs Lydia Sheriden. Major Henry Sheriden on returning from his post in America found that his wife Lydia had run away with Newman to Chelsea. From 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of nobility.
BM Satire 7706.
[Ref: 38593] £50.00 (£60.00 incl.VAT)
Richard Brinsley Sheridan.
Painted by Sir Joshua Reynolds. Engravd by Jn.º Hall, Engraver to his Majesty, 1791. Printed by G.W. Richards.
London. Publish'd as the Act directs, April 30.th 1791, by Jn.º Hall, N.º Berwick Street. Sold by W Dickinson, Bond Street, T. Maklin, Poets Gallery & Fleet Street, & B.B. Evans in the Poultry, &c.
Engraving with etching, 18th century watermark; 520 x 380mm (20½ x 15"), very large margins.
A three-quarter portrait of Irish politician, playright and theatre-owner Richard Brinsley Sheridan (1751-1816), standing, according to Manning, 'at the table of the House of Commons, speaking on the subject of the Regency Bill'. Originally published by Hall, this fourth state was publisahed by a consortium.
See Manning 1612. Hamilton p.64.
[Ref: 63174] £450.00
Painted by Sir Joshua Reynolds. Engravd by Jn.º Hall, Engraver to his Majesty, 1791. Printed by G.W. Richards.
London. Publish'd as the Act directs, April 30.th 1791, by Jn.º Hall, N.º Berwick Street. Sold by W Dickinson, Bond Street, T. Maklin, Poets Gallery & Fleet Street, & B.B. Evans in the Poultry, &c.
Engraving with etching, 18th century watermark; 520 x 380mm (20½ x 15"), very large margins.
A three-quarter portrait of Irish politician, playright and theatre-owner Richard Brinsley Sheridan (1751-1816), standing, according to Manning, 'at the table of the House of Commons, speaking on the subject of the Regency Bill'. Originally published by Hall, this fourth state was publisahed by a consortium.
See Manning 1612. Hamilton p.64.
[Ref: 63174] £450.00
![[Richard Brinsley Sheridan.]](jpegs/57842.jpg)
[Richard Brinsley Sheridan.]
H. Blackburn Hart [pencil signature].
Published 1924 by The Museum Galleries, 53, Shorts Gardens, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 295 x 230mm (11½ x 9"), very large margins, with a letterpress biography.
A half length portrait in an oval of Irish politician, playright and theater-owner Richard Brinsley Sheridan (1751-1816), painted by John Russell in 1788 and now in the National Portrait Gallery.
See NPG 651 for the original pastel.
[Ref: 57842] £80.00 (£96.00 incl.VAT)
H. Blackburn Hart [pencil signature].
Published 1924 by The Museum Galleries, 53, Shorts Gardens, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 295 x 230mm (11½ x 9"), very large margins, with a letterpress biography.
A half length portrait in an oval of Irish politician, playright and theater-owner Richard Brinsley Sheridan (1751-1816), painted by John Russell in 1788 and now in the National Portrait Gallery.
See NPG 651 for the original pastel.
[Ref: 57842] £80.00 (£96.00 incl.VAT)
William Sheridan D.D. Lord Bishope of Kilmor and Ardagh.
W. Sheridan sc.
[n.d., 1704.]
Engraving. Sheet 140 x 80mm (5½ x 3¼"). Mounted on album paper at corners.
A half-length portrait in oval of William Sheridan (c.1635-1711), After serving as chaplain to James Butler, 1st Duke of Ormonde, he was consecrated Bishop of Kilmore in 1682 but was deprived of his see for refusing to take an oath of allegiance to William and Mary following the 1688 Glorious Revolution. The frontispiece to his 'Sermons', 1704.]
National Library of Ireland EP SHER-WI (2) I. Sharpe 641, i of ii.
[Ref: 68963] £65.00 (£78.00 incl.VAT)
W. Sheridan sc.
[n.d., 1704.]
Engraving. Sheet 140 x 80mm (5½ x 3¼"). Mounted on album paper at corners.
A half-length portrait in oval of William Sheridan (c.1635-1711), After serving as chaplain to James Butler, 1st Duke of Ormonde, he was consecrated Bishop of Kilmore in 1682 but was deprived of his see for refusing to take an oath of allegiance to William and Mary following the 1688 Glorious Revolution. The frontispiece to his 'Sermons', 1704.]
National Library of Ireland EP SHER-WI (2) I. Sharpe 641, i of ii.
[Ref: 68963] £65.00 (£78.00 incl.VAT)
William Sheridan D.D. Lord Bishope of Kilmor and Ardagh.
W. Sheridan sc.
[n.d., 1704.]
Engraving. Sheet 140 x 80mm (5½ x 3¼"). Mounted on album paper at top. Trimmed to image.
A half-length portrait in oval of William Sheridan (c.1635-1711), After serving as chaplain to James Butler, 1st Duke of Ormonde, he was consecrated Bishop of Kilmore in 1682 but was deprived of his see for refusing to take an oath of allegiance to William and Mary following the 1688 Glorious Revolution. The frontispiece to his 'Sermons', 1704.]
National Library of Ireland EP SHER-WI (2) I. Sharpe 641, i of ii.
[Ref: 68964] £65.00 (£78.00 incl.VAT)
W. Sheridan sc.
[n.d., 1704.]
Engraving. Sheet 140 x 80mm (5½ x 3¼"). Mounted on album paper at top. Trimmed to image.
A half-length portrait in oval of William Sheridan (c.1635-1711), After serving as chaplain to James Butler, 1st Duke of Ormonde, he was consecrated Bishop of Kilmore in 1682 but was deprived of his see for refusing to take an oath of allegiance to William and Mary following the 1688 Glorious Revolution. The frontispiece to his 'Sermons', 1704.]
National Library of Ireland EP SHER-WI (2) I. Sharpe 641, i of ii.
[Ref: 68964] £65.00 (£78.00 incl.VAT)
John Kinnersley Hooper, Esquire, Alderman, and Jeremiah Pilcher, Esquire, Sheriffs Elect for London and Middlesex request the honor of [Samuel Dendy Esq,rs] Company on Friday the 30th September, 1842, at their Inauguration Dinner, Vintner's Hall, at half past five o'Clock precisely...
Engraving on porcelain card. Sheet 140 x 180mm (5½ x 7"). Some wear.
Hooper (1791-1854) was Lord Mayor of London 1847-8.
[Ref: 48821] £85.00 (£102.00 incl.VAT)
Engraving on porcelain card. Sheet 140 x 180mm (5½ x 7"). Some wear.
Hooper (1791-1854) was Lord Mayor of London 1847-8.
[Ref: 48821] £85.00 (£102.00 incl.VAT)
Antonius Sherleyns Anglus Eques Auratus. Magni Sophi Persarum Legatus inuicitissimo Caesari Ceterisque Principibus Christianis: huiusce Amicitie et Auctor et ductor Ex Ore, Ad Os.
S. Cae. M.tis Sculptor AEgidius Sadeler. D.D:
cum privil. S. Cae. M.tis. [n.d. c.1620.]
Engraving. Plate 196 x 132mm. 7¾ x 5¼". Trimmed.
Anthony Shirley (1565-1635) was an English traveller, whose imprisonment in 1603 by King James I was an important event because it caused the British House of Commons to assert one of its privileges, freedom of its members from arrest, in a document known as 'The Form of Apology and Satisfaction'. Published in 1613 Travels in Persia.
Ex Collection: Norman Blackburn. NPG: D26058.
[Ref: 24083] £130.00 (£156.00 incl.VAT)
S. Cae. M.tis Sculptor AEgidius Sadeler. D.D:
cum privil. S. Cae. M.tis. [n.d. c.1620.]
Engraving. Plate 196 x 132mm. 7¾ x 5¼". Trimmed.
Anthony Shirley (1565-1635) was an English traveller, whose imprisonment in 1603 by King James I was an important event because it caused the British House of Commons to assert one of its privileges, freedom of its members from arrest, in a document known as 'The Form of Apology and Satisfaction'. Published in 1613 Travels in Persia.
Ex Collection: Norman Blackburn. NPG: D26058.
[Ref: 24083] £130.00 (£156.00 incl.VAT)
John Keyse Sherwin, late Historical Engraver to his Majesty and to his Royal Highness the Prince of Wales.
J.K. Sherwin Delt. Sculpt.
London, Pub. May 30. 1794, by P. Brown, No.4, Crown Street.
Stipple, sheet 235 x 175mm. 9¼ x 7". Trimmed to plate and tipped into album page.
Self portrait of John Keyse Sherwin (1751? - 1790), English engraver and history-painter. After training with Bartolozzi he was entered as a student of the Royal Academy, and gained a silver medal, and in 1772 a gold medal for his painting of "Coriolanus taking Leave of his Family." From 1774 till 178o he was an exhibitor of chalk drawings and of engravings in the Royal Academy . Establishing himself in St James's Street as a painter, designer and engraver, he speedily attained popularity and began to mix in fashionable society . William B Scott collector's stamp to verso.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10844] £130.00 (£156.00 incl.VAT)
J.K. Sherwin Delt. Sculpt.
London, Pub. May 30. 1794, by P. Brown, No.4, Crown Street.
Stipple, sheet 235 x 175mm. 9¼ x 7". Trimmed to plate and tipped into album page.
Self portrait of John Keyse Sherwin (1751? - 1790), English engraver and history-painter. After training with Bartolozzi he was entered as a student of the Royal Academy, and gained a silver medal, and in 1772 a gold medal for his painting of "Coriolanus taking Leave of his Family." From 1774 till 178o he was an exhibitor of chalk drawings and of engravings in the Royal Academy . Establishing himself in St James's Street as a painter, designer and engraver, he speedily attained popularity and began to mix in fashionable society . William B Scott collector's stamp to verso.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10844] £130.00 (£156.00 incl.VAT)
View of Shevagunga from the road to Seringapatam.
Home del.t. Byrne sculp.t.
Published as the Act directs by R.Bowyer, Historic Gallery, Pall Mall, London, S.W.Sharp, Madrass, Feb.y. 1794.
Etching. Sheet 210 x 165mm (8¼ x 6½"). Trimmed into plate. Crease in upper right corner.
View of Shevagunga, a hill fortress in Karnataka, India.
[Ref: 66332] £80.00 (£96.00 incl.VAT)
Home del.t. Byrne sculp.t.
Published as the Act directs by R.Bowyer, Historic Gallery, Pall Mall, London, S.W.Sharp, Madrass, Feb.y. 1794.
Etching. Sheet 210 x 165mm (8¼ x 6½"). Trimmed into plate. Crease in upper right corner.
View of Shevagunga, a hill fortress in Karnataka, India.
[Ref: 66332] £80.00 (£96.00 incl.VAT)