A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Sheep Shearing a View in Surry.
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
Soft-Woolled Sheep of Wales. Ewe, of the soft-woolled breed, from the slaty mountains of South Wales. _ Old Radnor Ewe and Lamb.
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland.
Published April, 1840 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 340 x 260mm, 13¼ x 10¼".
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy.
[Ref: 23351] £230.00 (£276.00 incl.VAT)
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland.
Published April, 1840 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 340 x 260mm, 13¼ x 10¼".
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy.
[Ref: 23351] £230.00 (£276.00 incl.VAT)
The South Down Breed. Ewe and Lamb, bred by Thomas Ellison, Esq.r, Beddington, from a Ewe bred by the late Mr Ellman, of Glynde. Professor Low's Illustrations of the Breeds of the Domestic Animals.
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland, 45, St John's Square.
Published June, 1841 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 260 x 310mm, 10¼ x 10¼". Faint mount-burn around image.
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy, here even noting the breeder. The Southdown breed was originally bred by John Ellman of Glynde, near Lewes, East Sussex about 200 years ago.
[Ref: 23353] £220.00 (£264.00 incl.VAT)
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland, 45, St John's Square.
Published June, 1841 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 260 x 310mm, 10¼ x 10¼". Faint mount-burn around image.
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy, here even noting the breeder. The Southdown breed was originally bred by John Ellman of Glynde, near Lewes, East Sussex about 200 years ago.
[Ref: 23353] £220.00 (£264.00 incl.VAT)
Sheep Washing. Engraved from the original Picture in the Collection of Sir Thomas Baring Bart. To whom this print is by permission, Most respectfully dedicated by his obliged Servants, E.& W. Finden.
Painted by Sir David Wilkie R.A. Engraved by Finden. Printed by McQueen.
London, Published 1847, by J. Hogarth, 5. Haymarket.
Engraving. Plate 362 x 508mm. 14¼ x 20".
Men leading sheep into a mill-pond and then letting them make their way back into a pen on the bank to right, the thatched water-mill to left, a cart and horse in the yard behind the pens, in front of a coppice and a young boy with a dog and a few sheep, standing on the near bank to right under a small group of trees, leaning on his stick and looking across the water.
Ex Norman Blackburn Collection.
[Ref: 18774] £160.00 (£192.00 incl.VAT)
Painted by Sir David Wilkie R.A. Engraved by Finden. Printed by McQueen.
London, Published 1847, by J. Hogarth, 5. Haymarket.
Engraving. Plate 362 x 508mm. 14¼ x 20".
Men leading sheep into a mill-pond and then letting them make their way back into a pen on the bank to right, the thatched water-mill to left, a cart and horse in the yard behind the pens, in front of a coppice and a young boy with a dog and a few sheep, standing on the near bank to right under a small group of trees, leaning on his stick and looking across the water.
Ex Norman Blackburn Collection.
[Ref: 18774] £160.00 (£192.00 incl.VAT)
Lavage des moutns au moyen de l'appareil de Bigg, en usage sur la ferme de Meudon, appartenant à J. A. P. M.gr. Le Prince Napoléon.
O. de Penne Pinx.t. Imp. Zanote, rue des Boulangers, 13 Paris.
Journal d'Agriculture pratique publié sous la directions de M.r. Barral.
Chromolithograph. Sheet: 260 x 195mm (10¼ x 7¾").
A view in a French farmyard in which the farmhands use a new machine for cleaning sheep by dipping the sheep, held in a cage, into a tub of water.
[Ref: 40330] £60.00 (£72.00 incl.VAT)
O. de Penne Pinx.t. Imp. Zanote, rue des Boulangers, 13 Paris.
Journal d'Agriculture pratique publié sous la directions de M.r. Barral.
Chromolithograph. Sheet: 260 x 195mm (10¼ x 7¾").
A view in a French farmyard in which the farmhands use a new machine for cleaning sheep by dipping the sheep, held in a cage, into a tub of water.
[Ref: 40330] £60.00 (£72.00 incl.VAT)
Breed of the Wicklow Mountains. Ewe, 3 Years old, from the higher range of the heathy mountains. Ram, 3 Years old, from the Vale of Glenmalure.
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland.
Published April 1840 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 340 x 260mm, 13¼ x 10¼". Faint mount-burn around image.
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy.
[Ref: 23355] £160.00 (£192.00 incl.VAT)
Drawn by Mr Nicholson, R.S.A. from a Painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland.
Published April 1840 by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Hand-coloured lithograph. Printed area 340 x 260mm, 13¼ x 10¼". Faint mount-burn around image.
From 'The Breeds of the Domestic Animals of the British Islands' by Professor David Low (1786-1859), professor of agriculture at the University of Edinburgh. Unlike most C19th animal portraits, which accentuate the 'useable portions of the beast' to glorify the breeder, Low's purpose was educational and so he insisted on accuracy.
[Ref: 23355] £160.00 (£192.00 incl.VAT)
Old Dog Tray. No.83.
Pub. by A. Park, 41, Leonard St. London. [n.d. c.1860.]
Hand-coloured lithograph. 285 x 368mm. 11¼ x 14½".
A dog by a stream with a shepherd's staff in his mouth.
[Ref: 20647] £120.00 (£144.00 incl.VAT)
Pub. by A. Park, 41, Leonard St. London. [n.d. c.1860.]
Hand-coloured lithograph. 285 x 368mm. 11¼ x 14½".
A dog by a stream with a shepherd's staff in his mouth.
[Ref: 20647] £120.00 (£144.00 incl.VAT)
![[Sheepdog and sheep in a landscape; shepherd in background. Numbered 'No.5' lower left.]](jpegs/18533.jpg)
[Sheepdog and sheep in a landscape; shepherd in background. Numbered 'No.5' lower left.]
J. Parin. [Signed by artist in plate.] Lith. de Villain.
Paris, Bance et Schroth, 5 rue de Mail. [n.d., c.1840.]
Sepia tinted lithograph heightened in white, sheet 340 x 460mm. 13½ x 18".
With publisher's blindstamp. From a series.
Ex Collection Norman Blackburn.
[Ref: 18533] £130.00 (£156.00 incl.VAT)
J. Parin. [Signed by artist in plate.] Lith. de Villain.
Paris, Bance et Schroth, 5 rue de Mail. [n.d., c.1840.]
Sepia tinted lithograph heightened in white, sheet 340 x 460mm. 13½ x 18".
With publisher's blindstamp. From a series.
Ex Collection Norman Blackburn.
[Ref: 18533] £130.00 (£156.00 incl.VAT)
Chiens de Berger. Pl. 15.
à paris chez A. Bis et F. Dubreuil, imp. édit. rue Git-le-Coeur, 11.
Lithograph. Sheet: 310 x 450mm (12 x 17¾"), with large margins Staining in bottom left margin.
A scene with three sheepdogs, two standing and one lying down by a stone wall.
[Ref: 47717] £60.00 (£72.00 incl.VAT)
à paris chez A. Bis et F. Dubreuil, imp. édit. rue Git-le-Coeur, 11.
Lithograph. Sheet: 310 x 450mm (12 x 17¾"), with large margins Staining in bottom left margin.
A scene with three sheepdogs, two standing and one lying down by a stone wall.
[Ref: 47717] £60.00 (£72.00 incl.VAT)
Hirtenhund. Chein de berger. Nyàjel.
[n.d., c.1835.]
Lithograph. Sheet: 240 x 395mm (9½ x 15½"), with large margins
A portrait of a large sheep dog standing next to a pen of sheep. Title in three languages.
[Ref: 47718] £60.00 (£72.00 incl.VAT)
[n.d., c.1835.]
Lithograph. Sheet: 240 x 395mm (9½ x 15½"), with large margins
A portrait of a large sheep dog standing next to a pen of sheep. Title in three languages.
[Ref: 47718] £60.00 (£72.00 incl.VAT)
Chien de Berger (Anglais) Auct. Race domestique.
Millot.
A. T. de Rochbrune. Iconographie de Règne animal. [n.d., c.1850.]
Chromolithograph. Sheet: 120 x 180mm (4¾ x 7").
A portrait of an English Sheepdog. Description in French printed on verso.
[Ref: 47720] £35.00 (£42.00 incl.VAT)
Millot.
A. T. de Rochbrune. Iconographie de Règne animal. [n.d., c.1850.]
Chromolithograph. Sheet: 120 x 180mm (4¾ x 7").
A portrait of an English Sheepdog. Description in French printed on verso.
[Ref: 47720] £35.00 (£42.00 incl.VAT)
Le Chien de Berger Ecossais (Colley). Pl. 8. 4ème Année. L'Acclimation Illustrée Journal spécial des éléveurs, 116, rue Verte, Bruxelles.
[n.d., c. 1860.]
Chromolithograph. Sheet: 220 x 295mm (8¾ x 11¾"). Central vertical crease as normal, tear in crease at top.
A portrait of a Scotch Collie from a Belgium husbandry magazine.
[Ref: 47721] £60.00 (£72.00 incl.VAT)
[n.d., c. 1860.]
Chromolithograph. Sheet: 220 x 295mm (8¾ x 11¾"). Central vertical crease as normal, tear in crease at top.
A portrait of a Scotch Collie from a Belgium husbandry magazine.
[Ref: 47721] £60.00 (£72.00 incl.VAT)
The Revd. Richard Sheepshanks, M.A. F.R.S. F.R.A.S. &c. Yours very truly R. Sheepshanks [facsimile signature.]
L. Stocks A.R.A. Sct.
[n.d. c.1855.]
Line engraving. 250 x 174mm. Some spotting.
Richard Sheepshanks (1794-1855), astronomer. Educated at Richmond school and Trinity College, Cambridge. He was called to the bar in 1825, took orders in the church of England in 1828, but practised neither profession, inheriting enough money to follow instead his scientific vocation. He joined the Astronomical Society 1825 and became secretary in 1829. In 1831 he was appointed a commissioner for revising borough boundaries under the Reform Act.
DNB: A.M.C. 1897. Institute of Astronomy Library: PE/50. Not in Wellcome.
[Ref: 12543] £95.00 (£114.00 incl.VAT)
L. Stocks A.R.A. Sct.
[n.d. c.1855.]
Line engraving. 250 x 174mm. Some spotting.
Richard Sheepshanks (1794-1855), astronomer. Educated at Richmond school and Trinity College, Cambridge. He was called to the bar in 1825, took orders in the church of England in 1828, but practised neither profession, inheriting enough money to follow instead his scientific vocation. He joined the Astronomical Society 1825 and became secretary in 1829. In 1831 he was appointed a commissioner for revising borough boundaries under the Reform Act.
DNB: A.M.C. 1897. Institute of Astronomy Library: PE/50. Not in Wellcome.
[Ref: 12543] £95.00 (£114.00 incl.VAT)
![[Sheerness Dockyard.]](jpegs/9085.jpg)
[Sheerness Dockyard.]
R. Paton pinxt. 1778. C Canot aqua fortis. W. Watts sculp.
London Published 1 March 1803 by B. B. Evans in the Poultry.
Etching and engraving, scratched letter proof before title, 510 x 690mm. 20 x 27¼". Laid on card; two vertical creases through centre.
Sheerness, beside the mouth of the River Medway on the northwest corner of the Isle of Sheppey in north Kent. Sheerness began as a fort built in the 16th century to protect the River Medway from naval invasion. In 1665, plans were first laid by the Navy Board for a Royal Navy dockyard where warships might be provisioned and repaired, a site favored by Samuel Pepys, then Clerk of the Acts of the navy, for shipbuilding over Chatham. After the raid on the Medway in 1667, the older fortification was strengthened; in 1669 the Royal Navy dockyard was established, where warships were stocked and repaired until its closure in 1960. An impressive scene after Richard Paton (1717 - 1791), painter of marine subjects. With an etched crest below image.
[Ref: 9085] £480.00
R. Paton pinxt. 1778. C Canot aqua fortis. W. Watts sculp.
London Published 1 March 1803 by B. B. Evans in the Poultry.
Etching and engraving, scratched letter proof before title, 510 x 690mm. 20 x 27¼". Laid on card; two vertical creases through centre.
Sheerness, beside the mouth of the River Medway on the northwest corner of the Isle of Sheppey in north Kent. Sheerness began as a fort built in the 16th century to protect the River Medway from naval invasion. In 1665, plans were first laid by the Navy Board for a Royal Navy dockyard where warships might be provisioned and repaired, a site favored by Samuel Pepys, then Clerk of the Acts of the navy, for shipbuilding over Chatham. After the raid on the Medway in 1667, the older fortification was strengthened; in 1669 the Royal Navy dockyard was established, where warships were stocked and repaired until its closure in 1960. An impressive scene after Richard Paton (1717 - 1791), painter of marine subjects. With an etched crest below image.
[Ref: 9085] £480.00
A Geometrical Plan, & West Elevation Of His Majesty's Dock-Yard, and Garrison at Sheerness, with the Ordanance , Warfe, &. C. To the Honourable Lewis Monson Watson Knight of the Shire for the County of Kent, and Auditor of the Imprest, This plate is humbly inscribed by his most Obedient Servt. Thos. Milton.
Thos. Milton Surv:etdelin: Shipping by T.Cleveley P.C.Canot Sculpt.
Publsih'd according to Act of Parliament Thos. Milton. 14 April 1755.
Engraving 495 x 660mm. Trimmed to plate, centre fold, minor nicks and scratches
Explanation and Key to plan and elevation left and right. Sheerness was the focus of an attack by the Dutch navy in June 1667, when 72 hostile ships during the Raid on the Medway compelled the little 'sandspit fort', to surrender and landed a force which for a short while occupied the town. Impressed by the civil behaviour of the Dutch marines - they paid for their dinner - the town reinvited the Dutch Marine Corps for the third centennial of the raid. Pepys at Gravesend remarked in his diary 'we do plainly at this time hear the guns play' and in fear departed to Brampton in Huntingdonshire. Sheerness was also the site of a Royal Dockyard which, although not as large as those at Chatham and Deptford was still of some importance in Tudor and Stuart England. During the Victorian age a warship was built which still exists - HMS Gannet (an 'Osprey' class Sloop) which was launched on 31 August 1878.
[Ref: 4258] £650.00
Thos. Milton Surv:etdelin: Shipping by T.Cleveley P.C.Canot Sculpt.
Publsih'd according to Act of Parliament Thos. Milton. 14 April 1755.
Engraving 495 x 660mm. Trimmed to plate, centre fold, minor nicks and scratches
Explanation and Key to plan and elevation left and right. Sheerness was the focus of an attack by the Dutch navy in June 1667, when 72 hostile ships during the Raid on the Medway compelled the little 'sandspit fort', to surrender and landed a force which for a short while occupied the town. Impressed by the civil behaviour of the Dutch marines - they paid for their dinner - the town reinvited the Dutch Marine Corps for the third centennial of the raid. Pepys at Gravesend remarked in his diary 'we do plainly at this time hear the guns play' and in fear departed to Brampton in Huntingdonshire. Sheerness was also the site of a Royal Dockyard which, although not as large as those at Chatham and Deptford was still of some importance in Tudor and Stuart England. During the Victorian age a warship was built which still exists - HMS Gannet (an 'Osprey' class Sloop) which was launched on 31 August 1878.
[Ref: 4258] £650.00
The North-West Prospect of Sheerness, in the County of Kent.
Sam.l and Nath.l Buck delin. et Sculp.t.
Publish'd according to Act of Parliament. March 26th 1739 Carden Co. No 1 Middle Temple London.
Engraving. Plate: 310 x 790mm (12¼ x 31"). Central fold as normal, slight offsetting in title and trimmed to plate on top edge
A view of the port at Sheerness, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 43063] £480.00
Sam.l and Nath.l Buck delin. et Sculp.t.
Publish'd according to Act of Parliament. March 26th 1739 Carden Co. No 1 Middle Temple London.
Engraving. Plate: 310 x 790mm (12¼ x 31"). Central fold as normal, slight offsetting in title and trimmed to plate on top edge
A view of the port at Sheerness, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 43063] £480.00
A View of Sheerness. Vue de Sheerness. 9.
F. Swaine Delin. Parr Sc.
London Printed for and Sold by C. Dicey & Co. in Aldermary Church Yard. [n.d. c.1760.]
Engraving with large margins, paper watermarked. Plate 171 x 274mm (6¾ x 10¾").
A view of Sheerness from the sea with boats in the foreground.
See RMG: PAD0997. Collage: k1250006.
[Ref: 30891] £120.00 (£144.00 incl.VAT)
F. Swaine Delin. Parr Sc.
London Printed for and Sold by C. Dicey & Co. in Aldermary Church Yard. [n.d. c.1760.]
Engraving with large margins, paper watermarked. Plate 171 x 274mm (6¾ x 10¾").
A view of Sheerness from the sea with boats in the foreground.
See RMG: PAD0997. Collage: k1250006.
[Ref: 30891] £120.00 (£144.00 incl.VAT)
Plan of Sheffield, Engraved for the History & Directory of Yorkshire.
Alfred Smith Land Surveyor, Little Preston, near Leeds.
Published by Edward Baines, Leeds, 1822.
Engraved map. Printed area 310 x 260mm (12¼ x 10¼"), watermarked 1822. Trimmed close to printed border lower left by binder, creases and spotting.
Detailed plan of Sheffield, with a vignette view of the General Infirmary.
[Ref: 56098] £160.00
Alfred Smith Land Surveyor, Little Preston, near Leeds.
Published by Edward Baines, Leeds, 1822.
Engraved map. Printed area 310 x 260mm (12¼ x 10¼"), watermarked 1822. Trimmed close to printed border lower left by binder, creases and spotting.
Detailed plan of Sheffield, with a vignette view of the General Infirmary.
[Ref: 56098] £160.00
Sheffield, from the Reservoir Crooks Moor. To His Grace the Duke of Norfolk, &c. &c. &c. By Permission This Place is most respectfully Dedicated by his Grace's obliged and Obedient Servant, T.C. Hofland.
Painted by T.C. Holfland. Engraved by F.C. Lewis. Printed by McQueen. Proof.
London, Published by T.C. Hofland, 25, Newman Street, 1826.
Scarce & fine aquatint, proof on chine collé. 365 x 500mmm (14¼ x 19¾"), with large margins. A little surface wear.
A view of Sheffield from the Crookesmoor Reservoir, now the Crookes Valley Park.
[Ref: 60803] £480.00
Painted by T.C. Holfland. Engraved by F.C. Lewis. Printed by McQueen. Proof.
London, Published by T.C. Hofland, 25, Newman Street, 1826.
Scarce & fine aquatint, proof on chine collé. 365 x 500mmm (14¼ x 19¾"), with large margins. A little surface wear.
A view of Sheffield from the Crookesmoor Reservoir, now the Crookes Valley Park.
[Ref: 60803] £480.00
![[Sheffield.]](jpegs/24387.jpg)
[Sheffield.]
[n.d., c.1860.]
Chromolithograph. Visible image 360 x 540mm, 14 x 21¼". Mounted over image, laid on board, some damage.
A fine colour lithograph of Sheffield from a quarry to the north of the city.
[Ref: 24387] £220.00 (£264.00 incl.VAT)
[n.d., c.1860.]
Chromolithograph. Visible image 360 x 540mm, 14 x 21¼". Mounted over image, laid on board, some damage.
A fine colour lithograph of Sheffield from a quarry to the north of the city.
[Ref: 24387] £220.00 (£264.00 incl.VAT)
Fire Works. Chevalier Southby, Principal Artist to the Royal Gardens, Vauxhall, London, King's Patent and Minor Theatres respectfully announces to the Public of Sheffield and its Vicinity, that he proposed exhibiting Two Discharges of Fiew Works, upon the Cricket Ground at Hyde Park, on Wednesday, July 25, 1827 [...]
H.A. Bacon, Printer, Sheffield.
[1827].
Scarce letterpress handbill. Sheet 510 x 195mm (20 x 7¾"). Tears, staining, laid on card.
A hand bill for a fireworks display in Sheffield, with an Order of Firing. Pyrotechnist J. Southby (d.1865), a self-created ‘Chevalier’, created the firework display for the coronation of Queen Victoria in Hyde Park in 1838.
[Ref: 57187] £260.00 (£312.00 incl.VAT)
H.A. Bacon, Printer, Sheffield.
[1827].
Scarce letterpress handbill. Sheet 510 x 195mm (20 x 7¾"). Tears, staining, laid on card.
A hand bill for a fireworks display in Sheffield, with an Order of Firing. Pyrotechnist J. Southby (d.1865), a self-created ‘Chevalier’, created the firework display for the coronation of Queen Victoria in Hyde Park in 1838.
[Ref: 57187] £260.00 (£312.00 incl.VAT)
![[Sheffield Cuttler] Plate 39.](jpegs/54264.jpg)
[Sheffield Cuttler] Plate 39.
Geo. Walker Del.t. Engraved by R. Havell.
Publish'd by Robinson & Son, Leeds, June 1. 1814.
Hand coloured aquatint. 290 x 380mm (11½ x 15"), watermarked 'J Whatman 1811'.
Four men standing at benches, hammering cutlery into shape. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54264] £140.00 (£168.00 incl.VAT)
Geo. Walker Del.t. Engraved by R. Havell.
Publish'd by Robinson & Son, Leeds, June 1. 1814.
Hand coloured aquatint. 290 x 380mm (11½ x 15"), watermarked 'J Whatman 1811'.
Four men standing at benches, hammering cutlery into shape. From George Walker’s 'The costume of Yorkshire' published in 1814, containing forty-one coloured aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire.
[Ref: 54264] £140.00 (£168.00 incl.VAT)
John Sheffield Earle of Mulgrave Ld Chamberlain of his Ma.ties Household Gentleman of his Bedchamber, Collonell of the Holland Regiment Gouvernour of Hull - Lord Lieutenant for the East Rideing of Yorkshire, Vice Admiral of Yorkshire, Northumberland and Bishoprick of Durham; Knight of the Most Noble Order of the Garter, and One of his Ma.ties most Hon.ble Privy Council. Created Marquess of Normandy 1694. Duke & MArquess of Buckingham-Shire 1703. Dyed Feb 24, 1721.
G. Kneller Eques pinx. J. Smith Fecit et excud. [c.1721]
Mezzotint. Sheet 335 x 245mm (13¼ x 9½"). Trimmed into image on three sides; laid on album sheet at edges.
A half-length portrait in oval of John Sheffield (1647-1721), first duke of Buckingham and Normandy, and third earl of Mulgrave, wearing long black wig, lace cravat, chain and George, and robes of office, holding a wand. Sheffield was stripped of his offices by Charles II after he suggested marriage to the duke of York's daughter Anne (later queen). The accession of James II brought him back into royal favour, and he was by the king's side until he fled London in 1688. Although he soon switched allegiance to William and Mary, he joined other Tory peers in refusing to sign a 1696 agreement to support William III as their "rightful and lawful king" against Jacobite attempts, again losing his offices. He became a favourite of Queen Anne, who gave his the title Duke of Buckingham and Normanby the year after her accession.
CS 186, iv of v.
[Ref: 68601] £240.00 (£288.00 incl.VAT)
G. Kneller Eques pinx. J. Smith Fecit et excud. [c.1721]
Mezzotint. Sheet 335 x 245mm (13¼ x 9½"). Trimmed into image on three sides; laid on album sheet at edges.
A half-length portrait in oval of John Sheffield (1647-1721), first duke of Buckingham and Normandy, and third earl of Mulgrave, wearing long black wig, lace cravat, chain and George, and robes of office, holding a wand. Sheffield was stripped of his offices by Charles II after he suggested marriage to the duke of York's daughter Anne (later queen). The accession of James II brought him back into royal favour, and he was by the king's side until he fled London in 1688. Although he soon switched allegiance to William and Mary, he joined other Tory peers in refusing to sign a 1696 agreement to support William III as their "rightful and lawful king" against Jacobite attempts, again losing his offices. He became a favourite of Queen Anne, who gave his the title Duke of Buckingham and Normanby the year after her accession.
CS 186, iv of v.
[Ref: 68601] £240.00 (£288.00 incl.VAT)
John Earle of Mulgrave, Lord Chamberlain of his Ma.ties Household, L.d, Lieuten.t for the East Riding of Yorkshire,Northumberand, and Bishoprick of Durham, Knight of the most noble Order of the Garter, and One of his Ma.ties most hono.ble Privy Council.
G. Kneller pinx: I. Beckett fe: et ex:
Mezzotint. 350 x 250mm, 13¾ x 10". Mounted on album paper. Unidentified collector's mark on verso.
John Sheffield (1648 - 1721), 1st Duke of Buckingham and Normanby, when Earl of Mulgrave.
CS 76, state ii of v. See NPG 1779 for Kneller's original oil.
[Ref: 11795] £170.00 (£204.00 incl.VAT)
G. Kneller pinx: I. Beckett fe: et ex:
Mezzotint. 350 x 250mm, 13¾ x 10". Mounted on album paper. Unidentified collector's mark on verso.
John Sheffield (1648 - 1721), 1st Duke of Buckingham and Normanby, when Earl of Mulgrave.
CS 76, state ii of v. See NPG 1779 for Kneller's original oil.
[Ref: 11795] £170.00 (£204.00 incl.VAT)
![An Entertainment of a Supper given by a Sheck [sic] of the Arabs, to Lord Charlemount & the Party on that Voyage; the Guests are distinguished by striped Turbans.](jpegs/21959.jpg)
An Entertainment of a Supper given by a Sheck [sic] of the Arabs, to Lord Charlemount & the Party on that Voyage; the Guests are distinguished by striped Turbans.
R. Dalton delt. et fect.
[London, n.d., c.1780s.]
Engraving on laid paper, 325 x 435mm. 12¾ x 17".
A dinner provided for his European guests by an Arab sheikh (sheik). Title in English and French; numbered 'Pl XVIII' lower right. From a series of prints depicting the customs, manners, costume etc. of Turkey and Egypt, drawn and engraved by Richard Dalton (1715? - 1791). Dalton, who was trained as an artist, went to Rome to pursue his studies, and in 1749 travelled with Roger Kynaston and John Frederick to Naples and Sicily, where they joined a party consisting of James Caulfeild, Earl of Charlemont, Francis Pierpoint Burton, and others. From thence Dalton accompanied Lord Charlemont on his tour to Constantinople/Istanbul, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III. He was subsequently appointed keeper of the pictures and antiquary to his majesty. He was one of the original members of the Incorporated Society of Artists in 1765, and became their treasurer. He was elected a fellow of the Society of Antiquaries in 1767. 'Antiquities and Views in Greece and Egypt, with the Manners and Customs of the Inhabitants, from Drawings made on the Spot.' was published in London in 1791 and is all three of Dalton's Tours in one volume.
[Ref: 21959] £290.00 (£348.00 incl.VAT)
R. Dalton delt. et fect.
[London, n.d., c.1780s.]
Engraving on laid paper, 325 x 435mm. 12¾ x 17".
A dinner provided for his European guests by an Arab sheikh (sheik). Title in English and French; numbered 'Pl XVIII' lower right. From a series of prints depicting the customs, manners, costume etc. of Turkey and Egypt, drawn and engraved by Richard Dalton (1715? - 1791). Dalton, who was trained as an artist, went to Rome to pursue his studies, and in 1749 travelled with Roger Kynaston and John Frederick to Naples and Sicily, where they joined a party consisting of James Caulfeild, Earl of Charlemont, Francis Pierpoint Burton, and others. From thence Dalton accompanied Lord Charlemont on his tour to Constantinople/Istanbul, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III. He was subsequently appointed keeper of the pictures and antiquary to his majesty. He was one of the original members of the Incorporated Society of Artists in 1765, and became their treasurer. He was elected a fellow of the Society of Antiquaries in 1767. 'Antiquities and Views in Greece and Egypt, with the Manners and Customs of the Inhabitants, from Drawings made on the Spot.' was published in London in 1791 and is all three of Dalton's Tours in one volume.
[Ref: 21959] £290.00 (£348.00 incl.VAT)
Mosaic Found at Shellal, South Palestine on 23rd. April, 1917. The above is a reproduction of the floor or an Ancient Christian Church founded in the year 561 A.D. It was discovered by the Anzac Mounted Division after it having been greatly damaged by a Turkish Trench being dug through it. The design is allegorical and represents vine branches encircling various animals and birds. The inscription, which is broken, runs somewhat as follows:- "He provided diligently for the building of this Church here......He who was most saintly of us and the most beloved--God George. Founded in the year 622 after......(Gaza)." Roman Gaza dates from about the year 61 B.C., so that the date os the Church would be about 561 A.D.
Reproduced by the Survey of Egypt. 1917. (196).
A colour print, rare. 666 x 487mm. 26¼ x 19¼". Foxing and creasing where rolled.
A print depicting fragments of a mosaic found at Shellal, South Palestine.
In the State Library of New South Wales.
[Ref: 25055] £95.00 (£114.00 incl.VAT)
Reproduced by the Survey of Egypt. 1917. (196).
A colour print, rare. 666 x 487mm. 26¼ x 19¼". Foxing and creasing where rolled.
A print depicting fragments of a mosaic found at Shellal, South Palestine.
In the State Library of New South Wales.
[Ref: 25055] £95.00 (£114.00 incl.VAT)
Percy Bysshe Shelley.
Miss Curran Del.t. C.W. Sharpe Sculp.t.
Published March 1st 1860 by J. Hogarth, Haymarket, London.
Stipple and engraving on steel. 385 x 325mm (15¼ x 12¾"), with large margins.
A portrait of Shelley after the oil by Amelia Curran (d.1847), once in the possession of Mary Shelley and now in the National Portrait Gallery. It was painted in Rome in 1819 when Curran was an art student, three years before his death. His widow begged Curran for the portrait, one of the few done in his lifetime, although it was not much liked by his friends.
See NPG: 1234 for the oil.
[Ref: 59135] £260.00 (£312.00 incl.VAT)
Miss Curran Del.t. C.W. Sharpe Sculp.t.
Published March 1st 1860 by J. Hogarth, Haymarket, London.
Stipple and engraving on steel. 385 x 325mm (15¼ x 12¾"), with large margins.
A portrait of Shelley after the oil by Amelia Curran (d.1847), once in the possession of Mary Shelley and now in the National Portrait Gallery. It was painted in Rome in 1819 when Curran was an art student, three years before his death. His widow begged Curran for the portrait, one of the few done in his lifetime, although it was not much liked by his friends.
See NPG: 1234 for the oil.
[Ref: 59135] £260.00 (£312.00 incl.VAT)
![Percy B Shelley. [facsimile signature.]](jpegs/19463.jpg)
Percy B Shelley. [facsimile signature.] (From an original picture in the possession of Mrs. Shelley.)
Engraved by W. Finden.
London Published 1836, by J. Murray: & Sold by C. Tilt, 86, Fleet Street.
Steel engraving. 222 x 152mm (8¾ x 6").
Percy Bysshe Shelley (1792 - 1822), poet and novelist. Shelley was sent down from Oxford in 1811 for professing his atheism. Believing in individual liberty and the perfection of humanity, he was an uncompromising idealist throughout his short life. Queen Mab (1813), promoting radical social change, was Shelley's first major poem. Later forced to flee his creditors, he and his wife Mary Shelley escaped to Italy in 1818. It was there that he produced some of his best work, including Ode to the West Wind (1819) and Adonais, a pastoral elegy inspired by Keats's death in 1821. Returning from visiting Byron and Leigh Hunt in Pisa, he was drowned in a storm at sea. After the portrait in oil in the National Portrait Gallery by Amelia Curran (d.1847). It was painted in Rome by the art student. Though begged from her by Mary Shelley after her husband's death, it was not much liked by his friends.
NPG: 1234.
[Ref: 19463] £45.00 (£54.00 incl.VAT)
Engraved by W. Finden.
London Published 1836, by J. Murray: & Sold by C. Tilt, 86, Fleet Street.
Steel engraving. 222 x 152mm (8¾ x 6").
Percy Bysshe Shelley (1792 - 1822), poet and novelist. Shelley was sent down from Oxford in 1811 for professing his atheism. Believing in individual liberty and the perfection of humanity, he was an uncompromising idealist throughout his short life. Queen Mab (1813), promoting radical social change, was Shelley's first major poem. Later forced to flee his creditors, he and his wife Mary Shelley escaped to Italy in 1818. It was there that he produced some of his best work, including Ode to the West Wind (1819) and Adonais, a pastoral elegy inspired by Keats's death in 1821. Returning from visiting Byron and Leigh Hunt in Pisa, he was drowned in a storm at sea. After the portrait in oil in the National Portrait Gallery by Amelia Curran (d.1847). It was painted in Rome by the art student. Though begged from her by Mary Shelley after her husband's death, it was not much liked by his friends.
NPG: 1234.
[Ref: 19463] £45.00 (£54.00 incl.VAT)
It was lucky I got shelter at all. __
[Monogram of William Heath - 'Paul Pry', a man holding an umbrella.]
Pub by T McLean 26 Haymarket where Political and other Caricatures are daily Pub.
Hand coloured etching, 375 x 260mm. 14¾ x 10¼". A very fine and scarce impression in good colour.
A (rather dim) traveller and his dog 'shelter' from angry skies, lightning and lashing rain beside a pathetic stump of a tree that has lost most of its branches (to lightning); Stonehenge on the horizon beyond, and a crow or raven on the tree above looking down. Irish interest. By William Heath (1794/5 - 1840), ex-Captain of Dragoons, illustrator of colour-plate books, and prolific caricaturist. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole, that became a tag used for any very inquisitive person) with the emblem of a small man holding a walking stick in a lower corner of his plates. This figure was soon copied by other caricaturists (eg Sharpshooter), and so from 1828 Heath began to sign his plates with his full name. He published regularly with Thomas McLean.
[Ref: 16153] £320.00
[Monogram of William Heath - 'Paul Pry', a man holding an umbrella.]
Pub by T McLean 26 Haymarket where Political and other Caricatures are daily Pub.
Hand coloured etching, 375 x 260mm. 14¾ x 10¼". A very fine and scarce impression in good colour.
A (rather dim) traveller and his dog 'shelter' from angry skies, lightning and lashing rain beside a pathetic stump of a tree that has lost most of its branches (to lightning); Stonehenge on the horizon beyond, and a crow or raven on the tree above looking down. Irish interest. By William Heath (1794/5 - 1840), ex-Captain of Dragoons, illustrator of colour-plate books, and prolific caricaturist. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole, that became a tag used for any very inquisitive person) with the emblem of a small man holding a walking stick in a lower corner of his plates. This figure was soon copied by other caricaturists (eg Sharpshooter), and so from 1828 Heath began to sign his plates with his full name. He published regularly with Thomas McLean.
[Ref: 16153] £320.00
Will.m Shenston Esq.r From an Original Picture in the possession of W.G. Waldron.
Clamp sculp.t
[n.d. c.1795.]
Stipple, laid on album sheet. 177 x 128mm (7 x 5"). Cut, some slight spotting.
William Shenstone (1714-1763), a seldom read poet from the Midlands. His first poems were published whilst he studied at Oxford, although he left without completing his degree. He retired at the farming estate of Leasowes and continued to write poetry in a pastoral vein. Shenstone coined the term 'landscape gardener', and created one of the earliest and most influential landscape gardens, his ferme ormee. He diverted streams to create waterfalls, and stage-managed the landscape to create views that unfolded from carefully chosen vantage points.
NPG: D19347.
[Ref: 34618] £45.00 (£54.00 incl.VAT)
Clamp sculp.t
[n.d. c.1795.]
Stipple, laid on album sheet. 177 x 128mm (7 x 5"). Cut, some slight spotting.
William Shenstone (1714-1763), a seldom read poet from the Midlands. His first poems were published whilst he studied at Oxford, although he left without completing his degree. He retired at the farming estate of Leasowes and continued to write poetry in a pastoral vein. Shenstone coined the term 'landscape gardener', and created one of the earliest and most influential landscape gardens, his ferme ormee. He diverted streams to create waterfalls, and stage-managed the landscape to create views that unfolded from carefully chosen vantage points.
NPG: D19347.
[Ref: 34618] £45.00 (£54.00 incl.VAT)
![[Dmitry Dmitrievich Shepelev] [Cyrillic title] Lieutenant General Schepeleff.](jpegs/59652.jpg)
[Dmitry Dmitrievich Shepelev] [Cyrillic title] Lieutenant General Schepeleff.
Painted by order of the Emperor M. Alexander 1st by G. Dawe Esqr. Member of the Roy.l Ac.dy London, that of St. Petersburg &c: &c. Engraved by Hy Dawe London.
[Russian publisher in Cyrillic] & Messrs. Colnaghi & Co. London, Sep.t 1828.
Rare mezzotint. 340 x 250mm (13½ x 9¾"), with large margins Surface dirt, creasing.
Dmitry Dmitrievich Shepelev (1771-1841). Born into a noble family he enlisted as a sergeant in the Russian Life Guards in 1782. He served in Poland (1794), Persia (1796), Switzerland (1799, under Rimsky-Korsakov) and the Battle of Austerlitz (1805). In 1813 he led an advance guard of Wittgenstein's Corps that captured Koenigsberg. In 1815 he became commander of the 2nd Hussar Division, but had to retire due to ill-health the following year. George Dawe (1781 - 1829) spent from 1819 to 1828 in St Petersburg, invited by Tsar Alexander to paint the portraits of the superior officers who had fought in the Napoleonic Wars. Over 300 of these are in the Hermitage Museum.
[Ref: 59652] £140.00 (£168.00 incl.VAT)
Painted by order of the Emperor M. Alexander 1st by G. Dawe Esqr. Member of the Roy.l Ac.dy London, that of St. Petersburg &c: &c. Engraved by Hy Dawe London.
[Russian publisher in Cyrillic] & Messrs. Colnaghi & Co. London, Sep.t 1828.
Rare mezzotint. 340 x 250mm (13½ x 9¾"), with large margins Surface dirt, creasing.
Dmitry Dmitrievich Shepelev (1771-1841). Born into a noble family he enlisted as a sergeant in the Russian Life Guards in 1782. He served in Poland (1794), Persia (1796), Switzerland (1799, under Rimsky-Korsakov) and the Battle of Austerlitz (1805). In 1813 he led an advance guard of Wittgenstein's Corps that captured Koenigsberg. In 1815 he became commander of the 2nd Hussar Division, but had to retire due to ill-health the following year. George Dawe (1781 - 1829) spent from 1819 to 1828 in St Petersburg, invited by Tsar Alexander to paint the portraits of the superior officers who had fought in the Napoleonic Wars. Over 300 of these are in the Hermitage Museum.
[Ref: 59652] £140.00 (£168.00 incl.VAT)
Le Berger Recompensé. Dedié à Madame La Marechale Duchesse de Duras, Dame d'honneur de Mesdames de France. Par son tres humble et tres obeissant Serviteurt Gaillard.
F. Boucher Pixit. R. Gaillard Sculp.
APAris chés l'Auteur rue St Jacques au dessus des Jacobins, entre un Perruquier et une Lingere [n.d., c.1770].
Fine etching with engraving. 500 x 380mm (20 x 15"), with large margins. Uncut.
A shepherd, lying on the ground playing bagpipes, is given a garland by a peasant girl with a basket of produce. Francois Boucher (1703-70), found favour with the mistress of Louis XV, Madame du Pompadour, soon becoming the 'premier peintre' to the king, in which role he rejuvenated the 'pastoral tradition' in French art.
[Ref: 57885] £260.00 (£312.00 incl.VAT)
F. Boucher Pixit. R. Gaillard Sculp.
APAris chés l'Auteur rue St Jacques au dessus des Jacobins, entre un Perruquier et une Lingere [n.d., c.1770].
Fine etching with engraving. 500 x 380mm (20 x 15"), with large margins. Uncut.
A shepherd, lying on the ground playing bagpipes, is given a garland by a peasant girl with a basket of produce. Francois Boucher (1703-70), found favour with the mistress of Louis XV, Madame du Pompadour, soon becoming the 'premier peintre' to the king, in which role he rejuvenated the 'pastoral tradition' in French art.
[Ref: 57885] £260.00 (£312.00 incl.VAT)
![[Italian Shepherds.]](jpegs/47729.jpg)
[Italian Shepherds.]
C.C. In.t et f. Roma 1850.
Etching, scarce. Sheet: 185 x 250mm (7¼ x 9¾"). Trimmed.
A countryside scene showing Italian farmers looking after sheep by a large hut .
[Ref: 47729] £75.00 (£90.00 incl.VAT)
C.C. In.t et f. Roma 1850.
Etching, scarce. Sheet: 185 x 250mm (7¼ x 9¾"). Trimmed.
A countryside scene showing Italian farmers looking after sheep by a large hut .
[Ref: 47729] £75.00 (£90.00 incl.VAT)
The Shepherd.
T. Worlidge Del.t. J. Spilsbury fec.
Publish'd Dec. 29 1774 by W. Ryland London.
Stipple, printed in sanguine. Plate: 150 x 110mm (6 x 4¼'') very large margins.
A portrait of a shepherd after Thomas Worlidge.
[Ref: 48179] £140.00 (£168.00 incl.VAT)
T. Worlidge Del.t. J. Spilsbury fec.
Publish'd Dec. 29 1774 by W. Ryland London.
Stipple, printed in sanguine. Plate: 150 x 110mm (6 x 4¼'') very large margins.
A portrait of a shepherd after Thomas Worlidge.
[Ref: 48179] £140.00 (£168.00 incl.VAT)
![[The Shepherd]](jpegs/61181.jpg)
[The Shepherd] 26
Henry J Townsend.
H J Townsend 1850 [within plate]
Etching on chine collé, plate 120 x 115mm (4¾ x 4½"), with very large margins. Some light foxing in margins.
A shepherd sits within a rocky landscape, staring into space as he tending his flock. Plate 26 from The Etching Club's 'Etchings for the Art-Union of London by the Etching Club.' Henry Townsend (1810-1890) was one of the founding members of the Etching Club and a painter of fairy pictures and historical subjects.
[Ref: 61181] £50.00 (£60.00 incl.VAT)
Henry J Townsend.
H J Townsend 1850 [within plate]
Etching on chine collé, plate 120 x 115mm (4¾ x 4½"), with very large margins. Some light foxing in margins.
A shepherd sits within a rocky landscape, staring into space as he tending his flock. Plate 26 from The Etching Club's 'Etchings for the Art-Union of London by the Etching Club.' Henry Townsend (1810-1890) was one of the founding members of the Etching Club and a painter of fairy pictures and historical subjects.
[Ref: 61181] £50.00 (£60.00 incl.VAT)
![[A shepherd in the campagna.]](jpegs/32552.jpg)
[A shepherd in the campagna.]
[Anon, c.1750]
Etching with large margins, 18th century watermark paper; platemark 160 x 205mm (6¼ x 8"). Few slight stains.
A shepherd resting in the Italian countryside.
[Ref: 32552] £80.00 (£96.00 incl.VAT)
[Anon, c.1750]
Etching with large margins, 18th century watermark paper; platemark 160 x 205mm (6¼ x 8"). Few slight stains.
A shepherd resting in the Italian countryside.
[Ref: 32552] £80.00 (£96.00 incl.VAT)
The Good Shepherd. From the Original in the possession of T. Lister Parker Esq.r
J. Northcote pinx. S.W. Reynolds sculp.t
[c.1810]
Mezzotint with large margins, platemark 570 x 395mm (22½ x 15½"). Fine early impression; crease upper left; glue stain lower right.
The infant Christ as the Good Shepherd, after a painting by James Northcote (1746-1831), painter and author, in the collection of his patron Thomas Lister Parker of Brownsholme. Engraved by Samuel William Reynolds, this print is not in the standard reference book on Reynolds' work.
Ex Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman.
[Ref: 36503] £420.00
J. Northcote pinx. S.W. Reynolds sculp.t
[c.1810]
Mezzotint with large margins, platemark 570 x 395mm (22½ x 15½"). Fine early impression; crease upper left; glue stain lower right.
The infant Christ as the Good Shepherd, after a painting by James Northcote (1746-1831), painter and author, in the collection of his patron Thomas Lister Parker of Brownsholme. Engraved by Samuel William Reynolds, this print is not in the standard reference book on Reynolds' work.
Ex Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman.
[Ref: 36503] £420.00
![[Scottish shepherd]](jpegs/47980.jpg)
[Scottish shepherd] Berger ecossais.
H.ce Vernet del. [...] Belliard fec.
Imp. Lith. de Delpech [c.1820]
Lithograph, printed area 260 x 175mm (10¼ x 6¾"), with large margins. Foxing to margins. Uncut.
Genre scene after a design by Horace Vernet (1789-1863), painter who was part of a distinguished family of artists including his father Carle and grandfather Joseph.
[Ref: 47980] £95.00 (£114.00 incl.VAT)
H.ce Vernet del. [...] Belliard fec.
Imp. Lith. de Delpech [c.1820]
Lithograph, printed area 260 x 175mm (10¼ x 6¾"), with large margins. Foxing to margins. Uncut.
Genre scene after a design by Horace Vernet (1789-1863), painter who was part of a distinguished family of artists including his father Carle and grandfather Joseph.
[Ref: 47980] £95.00 (£114.00 incl.VAT)
Shepherd & Jackdaw!! Dedicated (without permission) to the Vicar of Childwell!
Published by the Society for the suppression of Vice!!! [c.1830]
Etching, platemark 215 x 175mm (8½ x 7"). Later restrike.
Educational satire with a shepherd sitting with his snuff (a paper beside him reads 'Chronicle: School Question' while sheep in the field below complain 'Toad! Bully! Drudge! Infidel!'
[Ref: 41076] £130.00 (£156.00 incl.VAT)
Published by the Society for the suppression of Vice!!! [c.1830]
Etching, platemark 215 x 175mm (8½ x 7"). Later restrike.
Educational satire with a shepherd sitting with his snuff (a paper beside him reads 'Chronicle: School Question' while sheep in the field below complain 'Toad! Bully! Drudge! Infidel!'
[Ref: 41076] £130.00 (£156.00 incl.VAT)
![[Shepherd and Dog.]](jpegs/20046.jpg)
[Shepherd and Dog.]
Imp.e Aug Delâtre Rue de la Beaberie 6 Paris.
Ferncon 1850.
Etching. Plate 190 x 235mm. 7½ x 9¼".
A shepherd seated on a grassy verge, his dog lying next to him.
[Ref: 20046] £95.00 (£114.00 incl.VAT)
Imp.e Aug Delâtre Rue de la Beaberie 6 Paris.
Ferncon 1850.
Etching. Plate 190 x 235mm. 7½ x 9¼".
A shepherd seated on a grassy verge, his dog lying next to him.
[Ref: 20046] £95.00 (£114.00 incl.VAT)
The Shepherd Boy. Sir William Jones when a youth.
Painted by S.r Joshua Reynolds. Agar sculp.
[n.d., c.1830.]
Stipple with hand colour. 300 x 250mm (11¾ x 9¾"). Trimmed to plate right and bottom.
[Ref: 57624] £190.00 (£228.00 incl.VAT)
Painted by S.r Joshua Reynolds. Agar sculp.
[n.d., c.1830.]
Stipple with hand colour. 300 x 250mm (11¾ x 9¾"). Trimmed to plate right and bottom.
[Ref: 57624] £190.00 (£228.00 incl.VAT)
A Shepherd Boy.
James Ward R.A.Pinx.t et Del.t. Printed by P. Simoneau.
London Published May 1st 182[5?] No 6 Newman S. & R. Ackermann Strand.
Rare lithograph. Sheet 250 x 300mm (9¾ x 11¾"). Trimmed to the image on three sides, publication line weakly inked.
A young shepherd boy, leaning against a gnarled tree. James Ward, an artist famed for his mezzotint animal scenes, also experimented with making his own lithographs.
[Ref: 51475] £240.00 (£288.00 incl.VAT)
James Ward R.A.Pinx.t et Del.t. Printed by P. Simoneau.
London Published May 1st 182[5?] No 6 Newman S. & R. Ackermann Strand.
Rare lithograph. Sheet 250 x 300mm (9¾ x 11¾"). Trimmed to the image on three sides, publication line weakly inked.
A young shepherd boy, leaning against a gnarled tree. James Ward, an artist famed for his mezzotint animal scenes, also experimented with making his own lithographs.
[Ref: 51475] £240.00 (£288.00 incl.VAT)
The Calabrian Shepherd Boy.
published by Cha.s Tilt, 86 Fleet Street. A. Ducôtés Lithog.y 70. St. Martins Lane. [n.d., c.1835.]
Lithograph, scarce. Sheet: 190 x 205mm (7½ x 8¼").
A portrait of a young Italian boy sitting in the countryside sitting next to his dog.
[Ref: 47730] £70.00 (£84.00 incl.VAT)
published by Cha.s Tilt, 86 Fleet Street. A. Ducôtés Lithog.y 70. St. Martins Lane. [n.d., c.1835.]
Lithograph, scarce. Sheet: 190 x 205mm (7½ x 8¼").
A portrait of a young Italian boy sitting in the countryside sitting next to his dog.
[Ref: 47730] £70.00 (£84.00 incl.VAT)
![[Shepherd and goats by a stream]](jpegs/40664.jpg)
[Shepherd and goats by a stream] From an original Drawing by Claude Lorrain in the Collection of James Harris Esq.r
J. Tobin sc. 1772
Etching. 240 x 265mm (9½ x 10½"), with wide margins. Fold through centre.
Landscape after Claude Lorrain by the little-known etcher J. Tobin (1770s, fl.). As Joseph Strutt writes of him in his biographical dictionary of engravers: 'he was a native of England, and etched several small plates of landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other painters'. Probably from a volume of Tobin's etchings, and after a drawing by Claude in the collection of the philosopher and musical patron James Harris (1709-80).
[Ref: 40664] £95.00 (£114.00 incl.VAT)
J. Tobin sc. 1772
Etching. 240 x 265mm (9½ x 10½"), with wide margins. Fold through centre.
Landscape after Claude Lorrain by the little-known etcher J. Tobin (1770s, fl.). As Joseph Strutt writes of him in his biographical dictionary of engravers: 'he was a native of England, and etched several small plates of landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other painters'. Probably from a volume of Tobin's etchings, and after a drawing by Claude in the collection of the philosopher and musical patron James Harris (1709-80).
[Ref: 40664] £95.00 (£114.00 incl.VAT)
Shepherds Dog.
Designed, Engraved & Published by Will.m Daniell, No.9 Cleveland Street, Fitzroy Square, London, April 10. 1809.
Aquatint. Plate: 185 x 250mm (7¼ x 9¾"), with very large margins.
A scene showing a sheepdog standing watch over a large flock of sheep while a shepherd watches while sitting on a throne. Behind them is a stone monument similar to Stonehenge. From 'Interesting Selection from Animated Nature'.
[Ref: 47726] £85.00 (£102.00 incl.VAT)
Designed, Engraved & Published by Will.m Daniell, No.9 Cleveland Street, Fitzroy Square, London, April 10. 1809.
Aquatint. Plate: 185 x 250mm (7¼ x 9¾"), with very large margins.
A scene showing a sheepdog standing watch over a large flock of sheep while a shepherd watches while sitting on a throne. Behind them is a stone monument similar to Stonehenge. From 'Interesting Selection from Animated Nature'.
[Ref: 47726] £85.00 (£102.00 incl.VAT)
The Shepherd's Dog. Plate. 19.
Painted by W. Barraud. Drawn on Stone & Printed by Fairland.
London, Published by Cha.s Tilt, Fleet Street. [n.d. c.1840.]
Lithograph. 254 x 316mm. 10 x 12½".
A sheepdog sat in a field with landscape behind., Plate 19 upper right.
[Ref: 23959] £160.00 (£192.00 incl.VAT)
Painted by W. Barraud. Drawn on Stone & Printed by Fairland.
London, Published by Cha.s Tilt, Fleet Street. [n.d. c.1840.]
Lithograph. 254 x 316mm. 10 x 12½".
A sheepdog sat in a field with landscape behind., Plate 19 upper right.
[Ref: 23959] £160.00 (£192.00 incl.VAT)
Gay's Shepherd's Week. Thursday or the Spell.
Design'd & Engrav'd by J. Peirson.
Pub.d Feb.y 1 1798 by J Le Petit No. 22 Suffolk Street Midd.x Hospital.
Stipple. 240 x 180mm (9½ x 7"), very large margins. Some foxing.
Hobnelia, a young woman, uses the garter of Lubberkin, a shepherd asleep beneath a tree, to cast a love spell. 'Shepherd's Week' was a series of six pastorals by John Gay, published 1714.
[Ref: 59461] £160.00 (£192.00 incl.VAT)
Design'd & Engrav'd by J. Peirson.
Pub.d Feb.y 1 1798 by J Le Petit No. 22 Suffolk Street Midd.x Hospital.
Stipple. 240 x 180mm (9½ x 7"), very large margins. Some foxing.
Hobnelia, a young woman, uses the garter of Lubberkin, a shepherd asleep beneath a tree, to cast a love spell. 'Shepherd's Week' was a series of six pastorals by John Gay, published 1714.
[Ref: 59461] £160.00 (£192.00 incl.VAT)
![[Shepherdess]](jpegs/60984.jpg)
[Shepherdess] [As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Framed mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Frame 485 x 365mm (19 x 14¼"). Small tear on right near bottom.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Chaloner Smith 417 I of II. Sharpe: Not in.
[Ref: 60984] £280.00 (£336.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Framed mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Frame 485 x 365mm (19 x 14¼"). Small tear on right near bottom.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Chaloner Smith 417 I of II. Sharpe: Not in.
[Ref: 60984] £280.00 (£336.00 incl.VAT)
Shepherdess. As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense.
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.
Mezzotint, plate 355 x 250mm (14 x 9¾") Trimmed and pasted to backing sheet.
Three-quarter length, seated portrait of a young lady. She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Ex collection of the Hon. Christopher Lennox-Boyd.Chaloner Smith 417a, ii of ii.
[Ref: 66999] £180.00 (£216.00 incl.VAT)
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.
Mezzotint, plate 355 x 250mm (14 x 9¾") Trimmed and pasted to backing sheet.
Three-quarter length, seated portrait of a young lady. She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Ex collection of the Hon. Christopher Lennox-Boyd.Chaloner Smith 417a, ii of ii.
[Ref: 66999] £180.00 (£216.00 incl.VAT)
Shepherdess. As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense.
Hen.y Pickering Pinx.t [...] John Faber Fecit [c.1740]
Mezzotint, fine, sheet 350 x 250mm (13¾ x 9¾"). Trimmed;
One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
CS 417; for the pendant see ref.36823.
[Ref: 47651] £240.00 (£288.00 incl.VAT)
Hen.y Pickering Pinx.t [...] John Faber Fecit [c.1740]
Mezzotint, fine, sheet 350 x 250mm (13¾ x 9¾"). Trimmed;
One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
CS 417; for the pendant see ref.36823.
[Ref: 47651] £240.00 (£288.00 incl.VAT)