A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Caught at Last. Serve Him Right. The punishment awarded by the ladies, to the artist who made those impertinent drawings about Crinoline!
London: Published March 17th, 1859, by Read & Co., 10, Johnson's Court, Fleet Street.
Hand coloured lithograph. Sheet size: 280 x 375mm (11 x 14¾"). Scarce. Glued to backing sheet.
A satire depicting a man trapped under a large Crinoline by five women, each taunting him. Crinoline was a stiff fabric which first appeared around 1830, but by 1850 the term had come to mean a stiffened petticoat or rigid skirt-shaped structure of steel, designed to support the skirts of a woman’s dress in the required shape. The crinoline was the subject of much ridicule and satire, particularly in Punch magazine. Dress reformers did not like it either — they seized upon the cage aspect of the crinoline and claimed that it effectively imprisoned women.
[Ref: 32414] £260.00 (£312.00 incl.VAT)
London: Published March 17th, 1859, by Read & Co., 10, Johnson's Court, Fleet Street.
Hand coloured lithograph. Sheet size: 280 x 375mm (11 x 14¾"). Scarce. Glued to backing sheet.
A satire depicting a man trapped under a large Crinoline by five women, each taunting him. Crinoline was a stiff fabric which first appeared around 1830, but by 1850 the term had come to mean a stiffened petticoat or rigid skirt-shaped structure of steel, designed to support the skirts of a woman’s dress in the required shape. The crinoline was the subject of much ridicule and satire, particularly in Punch magazine. Dress reformers did not like it either — they seized upon the cage aspect of the crinoline and claimed that it effectively imprisoned women.
[Ref: 32414] £260.00 (£312.00 incl.VAT)
![[Michael Servetus] Omnia quum portenta voces hominemque deumque Infundi Serves moninus opprobium.](jpegs/57768.jpg)
[Michael Servetus] Omnia quum portenta voces hominemque deumque Infundi Serves moninus opprobium.
[London: John Saywell, 1655.]
Engraving. 110 x 80mm (4¼ x 3¼"), set in text.
An oval bust portrait of Michael Servetus (Miguel Serveto, c.1510-53), Spanish theologian, physician and humanist, who published the first European description of pulmonary circulation. He also edited the text for the 1535 Waldseemuller/Fries edition of Ptolemy's 'Geographia'. In 1553 Calvin had Servtus burned at the stake, along with his books: one of the charges was his 'Geographia' text contradicted the description of the Holy Land in the Book of Exodus as a 'land flowing with milk and honey'. However Servetus had just copied the passage from earlier editions. From ''Apocalypsis, or, The revelation of certain notorious advancers of heresie wherein their visions and private revelations by dreams, are discovered to be most incredible blasphemies, and enthusiastical dotages : together with an account of their lives, actions and ends : whereunto are added the effigies of seventeen (who excelled the rest in rashness, impudence and lying) : done in copper plates faithfully and impartially translated out of the Latine by J.D.''.
Wellcome: 2707 - not in.
[Ref: 57768] £160.00 (£192.00 incl.VAT)
[London: John Saywell, 1655.]
Engraving. 110 x 80mm (4¼ x 3¼"), set in text.
An oval bust portrait of Michael Servetus (Miguel Serveto, c.1510-53), Spanish theologian, physician and humanist, who published the first European description of pulmonary circulation. He also edited the text for the 1535 Waldseemuller/Fries edition of Ptolemy's 'Geographia'. In 1553 Calvin had Servtus burned at the stake, along with his books: one of the charges was his 'Geographia' text contradicted the description of the Holy Land in the Book of Exodus as a 'land flowing with milk and honey'. However Servetus had just copied the passage from earlier editions. From ''Apocalypsis, or, The revelation of certain notorious advancers of heresie wherein their visions and private revelations by dreams, are discovered to be most incredible blasphemies, and enthusiastical dotages : together with an account of their lives, actions and ends : whereunto are added the effigies of seventeen (who excelled the rest in rashness, impudence and lying) : done in copper plates faithfully and impartially translated out of the Latine by J.D.''.
Wellcome: 2707 - not in.
[Ref: 57768] £160.00 (£192.00 incl.VAT)
Presage of the future greatness of Servius Tullus. Pressage de la grandeur future de Servius Tullus.
Dessiné par Boizot. Gravé par B. Roger, dirigé par Copia.
Se vend à Paris à la Manufacture de Papiers peints, chez Arthur et Comp.e sur la Boulevard. [n.d. c.1800.]
Fine colour-printed stipple with large margins. 425 x 520mm (16¾ x 20½").
A scene from rhe life of Servius Tullius, the legendary sixth king of Rome, who reigned 578-535 BC. Born to a slave of King Tarquin's household, he became the king's protegé after several members of the royal household witnessed a nimbus of fire about his head while he slept, a sign of divine favour (as seen in this print). He married Tarquin's daughter and was made heir. A popular and reforming king, he reigned for 44 years until he was murdered by his treacherous daughter Tullia and son-in-law Tarquinius Superbus, who became the last king of Rome. Tarquinius Superbus's overthrow in 509 BC was the beginning of the Roman Republic, which was a popular subject for art in the early years of the French Republic. This print was engraved by Bathelémy Roger 'under the supervision of' Jacques Louis Copia, after Antoine Boizot.
Ex: Oettingen-Wallerstein collection.
[Ref: 28436] £360.00
Dessiné par Boizot. Gravé par B. Roger, dirigé par Copia.
Se vend à Paris à la Manufacture de Papiers peints, chez Arthur et Comp.e sur la Boulevard. [n.d. c.1800.]
Fine colour-printed stipple with large margins. 425 x 520mm (16¾ x 20½").
A scene from rhe life of Servius Tullius, the legendary sixth king of Rome, who reigned 578-535 BC. Born to a slave of King Tarquin's household, he became the king's protegé after several members of the royal household witnessed a nimbus of fire about his head while he slept, a sign of divine favour (as seen in this print). He married Tarquin's daughter and was made heir. A popular and reforming king, he reigned for 44 years until he was murdered by his treacherous daughter Tullia and son-in-law Tarquinius Superbus, who became the last king of Rome. Tarquinius Superbus's overthrow in 509 BC was the beginning of the Roman Republic, which was a popular subject for art in the early years of the French Republic. This print was engraved by Bathelémy Roger 'under the supervision of' Jacques Louis Copia, after Antoine Boizot.
Ex: Oettingen-Wallerstein collection.
[Ref: 28436] £360.00
Interior of the Sessions House, Old Bailey.
Published by J. & J. Cundee, Albion Press, London 1813.
Rare stipple. Sheet: 130 x 185mm (5 x 7¼''). Trimmed.
A view inside the court room in the Old Bailey, London showing a trial.
[Ref: 49951] £120.00 (£144.00 incl.VAT)
Published by J. & J. Cundee, Albion Press, London 1813.
Rare stipple. Sheet: 130 x 185mm (5 x 7¼''). Trimmed.
A view inside the court room in the Old Bailey, London showing a trial.
[Ref: 49951] £120.00 (£144.00 incl.VAT)
![The New Sessions-House in the Old Bailey / The New Goal [sic] of Newgate.](jpegs/46570.jpg)
The New Sessions-House in the Old Bailey / The New Goal [sic] of Newgate.
Dodd delin. J.no Lodge Sculp.
[n.d., c.1770.]
Engraving, sheet 205 x 120mm (8 x 4¾"). Small wormhole upper right. Small margins.
The Sessions House (place for holding regular court proceedings) at the Old Bailey, and Newgate prison in London. Engraving published in the 'Tyburn Chronicle'.
[Ref: 46570] £50.00 (£60.00 incl.VAT)
Dodd delin. J.no Lodge Sculp.
[n.d., c.1770.]
Engraving, sheet 205 x 120mm (8 x 4¾"). Small wormhole upper right. Small margins.
The Sessions House (place for holding regular court proceedings) at the Old Bailey, and Newgate prison in London. Engraving published in the 'Tyburn Chronicle'.
[Ref: 46570] £50.00 (£60.00 incl.VAT)
Sestos in Europa.
[n.d., c.1688.]
Coloured engraving. 295 x 355mm (11½ x 14"). Ink pagination top left. Very large margins.
A view of the fortress of Sestos, on the European bank of the Hellespont. From Olfert Dapper's 'Naukeurige Beschryving der Eilanden inde Archipel der Miidlantsche Zee'.
[Ref: 39159] £130.00 (£156.00 incl.VAT)
[n.d., c.1688.]
Coloured engraving. 295 x 355mm (11½ x 14"). Ink pagination top left. Very large margins.
A view of the fortress of Sestos, on the European bank of the Hellespont. From Olfert Dapper's 'Naukeurige Beschryving der Eilanden inde Archipel der Miidlantsche Zee'.
[Ref: 39159] £130.00 (£156.00 incl.VAT)
![[Set design] Scena D'Invenzione e Disegno del Cavalier Bibiena rappresentante Cortili Diversi Reali.](jpegs/57362.jpg)
[Set design] Scena D'Invenzione e Disegno del Cavalier Bibiena rappresentante Cortili Diversi Reali.
J.G. Bibiena inven: et delin: A.O. [Ambroglio Orio] sculp.
[n.d., c.1740.]
Engraving. 355 x 500 (14 x 19¾"), with large margins. Spotting in margins.
A set design for a 'Royal Court', with colonades and archways. Giuseppe Galli Bibiena (1696-1757) of Palma was 'First Theatrical Engineer' at the Viennese court of Holy Roman Emperor Charles VI and his daughter Maria Theresa from 1723-47, organising festivities including the Maria's wedding, and designing sets for theatrics. In 1753 he moved to the court of Frederick the Great in Berlin.
[Ref: 57362] £320.00
J.G. Bibiena inven: et delin: A.O. [Ambroglio Orio] sculp.
[n.d., c.1740.]
Engraving. 355 x 500 (14 x 19¾"), with large margins. Spotting in margins.
A set design for a 'Royal Court', with colonades and archways. Giuseppe Galli Bibiena (1696-1757) of Palma was 'First Theatrical Engineer' at the Viennese court of Holy Roman Emperor Charles VI and his daughter Maria Theresa from 1723-47, organising festivities including the Maria's wedding, and designing sets for theatrics. In 1753 he moved to the court of Frederick the Great in Berlin.
[Ref: 57362] £320.00
![[Set design] Scena D'Invenzione e Disegno del Cavalier Bibiena rappresentante Sala Reale.](jpegs/62140.jpg)
[Set design] Scena D'Invenzione e Disegno del Cavalier Bibiena rappresentante Sala Reale.
J.G. Bibiena inven: et delin: A.O. [Ambroglio Orio] sculp.
[n.d., c.1740.]
Engraving. 355 x 500 (14 x 19¾"), very large margins. Central fold as normal. Foxing in margin.
A set design for an immense Baroque 'Royal Hall', with colonades and archways. Giuseppe Galli Bibiena (1696-1757) of Palma was 'First Theatrical Engineer' at the Viennese court of Holy Roman Emperor Charles VI and his daughter Maria Theresa from 1723-47, organising festivities including the Maria's wedding, and designing sets for theatrics. In 1753 he moved to the court of Frederick the Great in Berlin.
Ex: Collection of Edward Croft Murray
[Ref: 62140] £420.00
J.G. Bibiena inven: et delin: A.O. [Ambroglio Orio] sculp.
[n.d., c.1740.]
Engraving. 355 x 500 (14 x 19¾"), very large margins. Central fold as normal. Foxing in margin.
A set design for an immense Baroque 'Royal Hall', with colonades and archways. Giuseppe Galli Bibiena (1696-1757) of Palma was 'First Theatrical Engineer' at the Viennese court of Holy Roman Emperor Charles VI and his daughter Maria Theresa from 1723-47, organising festivities including the Maria's wedding, and designing sets for theatrics. In 1753 he moved to the court of Frederick the Great in Berlin.
Ex: Collection of Edward Croft Murray
[Ref: 62140] £420.00
![Ruins of Balbec. [&] The Remains of the Great Temple in Palmira seen from the West. [&] Ruins of Ancient Rome. [&] Ruins of Athens. [&] Ruins of Balbec. [&] The Ancient City of Palmira as it now appears.](jpegs/21750.jpg)
Ruins of Balbec. [&] The Remains of the Great Temple in Palmira seen from the West. [&] Ruins of Ancient Rome. [&] Ruins of Athens. [&] Ruins of Balbec. [&] The Ancient City of Palmira as it now appears.
Printed for Robt. Sayer Map & Printseller at the Golden Buck in Fleetstreet [n.d., c.1760s].
Set of six early copper engravings, coloured by hand, each laid on separate card and marbled paper for effect, in near-contemporary presentation by or for collector 'E J Myles'. Each view inscribed to verso with his name (probably signature) in ink by early hand, and numbered 1-6. Each image approx. 160 x 260mm, 6¼ x 10¼". Margins of prints overlaid and invisible; card backed with coarse bluish rag paper.
An attractive set of views of ruins of classical civilisations, including the temples at Palmyra, in the Syrian desert, and at Baalbek (Baalbec) in Lebanon. A selection from a larger series of prospects, reduced copies by Robert Sayer of larger engravings; plates numbered non-sequentially upper right (Palmira is '8'). The principal features of each composition captioned below the image, 'Palmira' with key.
[Ref: 21750] £680.00 view all images for this item
Printed for Robt. Sayer Map & Printseller at the Golden Buck in Fleetstreet [n.d., c.1760s].
Set of six early copper engravings, coloured by hand, each laid on separate card and marbled paper for effect, in near-contemporary presentation by or for collector 'E J Myles'. Each view inscribed to verso with his name (probably signature) in ink by early hand, and numbered 1-6. Each image approx. 160 x 260mm, 6¼ x 10¼". Margins of prints overlaid and invisible; card backed with coarse bluish rag paper.
An attractive set of views of ruins of classical civilisations, including the temples at Palmyra, in the Syrian desert, and at Baalbek (Baalbec) in Lebanon. A selection from a larger series of prospects, reduced copies by Robert Sayer of larger engravings; plates numbered non-sequentially upper right (Palmira is '8'). The principal features of each composition captioned below the image, 'Palmira' with key.
[Ref: 21750] £680.00 view all images for this item
![[Le Port de Cette en Languedoc, Vue du côte de la Mer derriere la jettee isolee...]](jpegs/53997.jpg)
[Le Port de Cette en Languedoc, Vue du côte de la Mer derriere la jettee isolee...]
[Peint par J. Vernet de l'Academie Royal de Peinteur et Sculpture., C. N. Cochin filius et J. Ph. Le Bas. 1762.]
[n.d., c.1767]
Etching with engraving, a very rare progress proof before letters, 18th century watermark. 535 x 735mm (21 x 29"), with very large margins. Repaired surface abrasions in sky.
A view of Sète from the sea, with boats struggling with rough weather. On the left is the lighthouse of Môle Saint-Louis. A xebec flies the Maltese flag. Plate 8 of the series 'Les Ports de France' after Joseph Vernet (1714 - 1789), a painter famous for his maritime scenes. The details of the ships on the horizon have yet to be completed. The original oil is in the 'Musée national de la Marine', a part of the Louvre until 1971.
[Ref: 53997] £950.00
[Peint par J. Vernet de l'Academie Royal de Peinteur et Sculpture., C. N. Cochin filius et J. Ph. Le Bas. 1762.]
[n.d., c.1767]
Etching with engraving, a very rare progress proof before letters, 18th century watermark. 535 x 735mm (21 x 29"), with very large margins. Repaired surface abrasions in sky.
A view of Sète from the sea, with boats struggling with rough weather. On the left is the lighthouse of Môle Saint-Louis. A xebec flies the Maltese flag. Plate 8 of the series 'Les Ports de France' after Joseph Vernet (1714 - 1789), a painter famous for his maritime scenes. The details of the ships on the horizon have yet to be completed. The original oil is in the 'Musée national de la Marine', a part of the Louvre until 1971.
[Ref: 53997] £950.00
![[Irish Setter & Black Cocker Spaniel.]](jpegs/5736.jpg)
[Irish Setter & Black Cocker Spaniel.]
G.Vernon Stokes.
Coloured drypoint etching, 38 of 75, signed by the artist. 240 x 285mm.
[Ref: 5736] £280.00 (£336.00 incl.VAT)
G.Vernon Stokes.
Coloured drypoint etching, 38 of 75, signed by the artist. 240 x 285mm.
[Ref: 5736] £280.00 (£336.00 incl.VAT)
![[Irish Setter with Dead Woodcock & Springer Spaniel].](jpegs/5741.jpg)
[Irish Setter with Dead Woodcock & Springer Spaniel].
G.Vernon Stokes.
Coloured drypoint etching, 72 of 75, signed by the artist. 210 x 280mm.
[Ref: 5741] £330.00
G.Vernon Stokes.
Coloured drypoint etching, 72 of 75, signed by the artist. 210 x 280mm.
[Ref: 5741] £330.00
Macédoines No.12. Setter & Grouse
E.d. Travies.
Paris Ledot ainé Edit.r. rue de Rivoli 174. London Gambart et c. 25 Berners St, Oxford St. [n.d., c.1840].
Coloured lithograph, printed area 220 x 270mm.
A setter stalking a partridge. The oval image is within a very ornate lithographed border.
[Ref: 6179] £120.00 (£144.00 incl.VAT)
E.d. Travies.
Paris Ledot ainé Edit.r. rue de Rivoli 174. London Gambart et c. 25 Berners St, Oxford St. [n.d., c.1840].
Coloured lithograph, printed area 220 x 270mm.
A setter stalking a partridge. The oval image is within a very ornate lithographed border.
[Ref: 6179] £120.00 (£144.00 incl.VAT)
Setter.
Painted by A. Cooper R.A. Drawn on Stone by Thos. Fairland.
London. Published Jany. 1st 1836 by B.B.King Monument Yard. Printed by Graf & Soret.
Lithograph. 205 x 275mm.
[Ref: 1379] £190.00 (£228.00 incl.VAT)
Painted by A. Cooper R.A. Drawn on Stone by Thos. Fairland.
London. Published Jany. 1st 1836 by B.B.King Monument Yard. Printed by Graf & Soret.
Lithograph. 205 x 275mm.
[Ref: 1379] £190.00 (£228.00 incl.VAT)
![[Setters on a moor.]](jpegs/59746.jpg)
[Setters on a moor.]
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 250 x 300mm (10 x 11¾"). Edition: 29/75. Framed. Unexamined out of frame.
Two Setters in a moor. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59746] £280.00 (£336.00 incl.VAT)
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 250 x 300mm (10 x 11¾"). Edition: 29/75. Framed. Unexamined out of frame.
Two Setters in a moor. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59746] £280.00 (£336.00 incl.VAT)
![[Irish Setters.]](jpegs/59747.jpg)
[Irish Setters.]
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 235 x 285mm (9¼ x 11¼"). Edition: 27/75. Framed. Unexamined out of frame.
A pair of Irish Setters. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59747] £280.00 (£336.00 incl.VAT)
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 235 x 285mm (9¼ x 11¼"). Edition: 27/75. Framed. Unexamined out of frame.
A pair of Irish Setters. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59747] £280.00 (£336.00 incl.VAT)
Setter & Grouse.
Richard Ansdell. H.T. Ryall.
London. Published May 1, 1855, by Lloyd Brothers & Co., Ludgate Hill.
Mixed method engraving. 370 x 270mm (14½ x 10¼").
A setter retrieving a dead grouse.
[Ref: 429] £260.00 (£312.00 incl.VAT)
Richard Ansdell. H.T. Ryall.
London. Published May 1, 1855, by Lloyd Brothers & Co., Ludgate Hill.
Mixed method engraving. 370 x 270mm (14½ x 10¼").
A setter retrieving a dead grouse.
[Ref: 429] £260.00 (£312.00 incl.VAT)
![[Setters and Pointers] Ready. [&] Steady.](jpegs/47810.jpg)
[Setters and Pointers] Ready. [&] Steady.
G. Muss-Arnolt.
Published by Oscar Rudolph, New York. London, Richard C. Hall u. Co. 72 Dean Str. W. - Printed in Berlin. [n.d., c.1900.]
Pair of colour-printed photogravures on chin collé, rare. Each 450 x 550mm (17¾ x 21¾"). Laid on board.
Scenes of setter and pointer pairs in the field. Gustav Muss-Arnolt (1858-1927), German-born animal painter who emigrated to America c.1890, becoming a director of the American Kennel Club, licensed to judge all breeds in dog shows.
[Ref: 47810] £440.00 view all images for this item
G. Muss-Arnolt.
Published by Oscar Rudolph, New York. London, Richard C. Hall u. Co. 72 Dean Str. W. - Printed in Berlin. [n.d., c.1900.]
Pair of colour-printed photogravures on chin collé, rare. Each 450 x 550mm (17¾ x 21¾"). Laid on board.
Scenes of setter and pointer pairs in the field. Gustav Muss-Arnolt (1858-1927), German-born animal painter who emigrated to America c.1890, becoming a director of the American Kennel Club, licensed to judge all breeds in dog shows.
[Ref: 47810] £440.00 view all images for this item
![[Irish Setter] L'oiseau [pencil].](jpegs/46172.jpg)
[Irish Setter] L'oiseau [pencil].
Paul Wood [pencil.]
© Paris Etching Society NY U.S.A. [n.d., c.1935.]
Aquatint and etching, printed in colours, titled and signed in pencil by the artist. 225 x 170mm (9 x 6¾"). Ink stamp 'Made in France' on verso.
An Irish Setter watching a pheasant take flight, by Paul Wood (1897-1964). Wood, who studied art at both the Springfield School of Fine Arts in Massachussetts and at the Art Students League in New York, specialised in watercolours and etchings of dogs.
[Ref: 46172] £65.00 (£78.00 incl.VAT)
Paul Wood [pencil.]
© Paris Etching Society NY U.S.A. [n.d., c.1935.]
Aquatint and etching, printed in colours, titled and signed in pencil by the artist. 225 x 170mm (9 x 6¾"). Ink stamp 'Made in France' on verso.
An Irish Setter watching a pheasant take flight, by Paul Wood (1897-1964). Wood, who studied art at both the Springfield School of Fine Arts in Massachussetts and at the Art Students League in New York, specialised in watercolours and etchings of dogs.
[Ref: 46172] £65.00 (£78.00 incl.VAT)
Boy and Setters.
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint, printed on chine collé. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in the Scottish highlands in which a young boy sits watched over by his dogs.
[Ref: 47454] £220.00 (£264.00 incl.VAT)
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint, printed on chine collé. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in the Scottish highlands in which a young boy sits watched over by his dogs.
[Ref: 47454] £220.00 (£264.00 incl.VAT)
![[Setters.]](jpegs/47471.jpg)
[Setters.]
London, Publsihed April 1. 1817 by S. & J. Fuller 34 Rathbone Place.
Soft-ground etching. Plate: 255 x 350mm (10 x 13¾"), with large margins.
A scene showing three setters fishing out birds.
[Ref: 47471] £95.00 (£114.00 incl.VAT)
London, Publsihed April 1. 1817 by S. & J. Fuller 34 Rathbone Place.
Soft-ground etching. Plate: 255 x 350mm (10 x 13¾"), with large margins.
A scene showing three setters fishing out birds.
[Ref: 47471] £95.00 (£114.00 incl.VAT)
Setters.
[n.d., c.1850.]
Lithograph, rare. Printed area: 235 x 300mm (9¼ x 12"). Creases and tears in large margins.
A portrait of two setters.
[Ref: 47481] £180.00 (£216.00 incl.VAT)
[n.d., c.1850.]
Lithograph, rare. Printed area: 235 x 300mm (9¼ x 12"). Creases and tears in large margins.
A portrait of two setters.
[Ref: 47481] £180.00 (£216.00 incl.VAT)
![[''A High Scent'' - two setters.]](jpegs/63322.jpg)
[''A High Scent'' - two setters.]
Maud Earl [pencil signature].
Published by the Berlin Photographic Company, Berlin, London & New York. Copyright 1906.
Colour photogravure. Printed area 355 x 535mm (14 x 21"), very large margins. Abrasions over pencil signature.
Two setters in long grass, sampling the air. Maud Earl was a British-born American painter best known for her accurate paintings of dog breeds. Her warm, descriptive portraits of dogs, executed in a sketchy yet realistic style, were popular among royals such as Queen Victoria of England and Queen Alexandra of Denmark. Born in 1864 in London, United Kingdom, Earl’s father George, her uncle, and her half-brother were all animal portraitist.
[Ref: 63322] £360.00
Maud Earl [pencil signature].
Published by the Berlin Photographic Company, Berlin, London & New York. Copyright 1906.
Colour photogravure. Printed area 355 x 535mm (14 x 21"), very large margins. Abrasions over pencil signature.
Two setters in long grass, sampling the air. Maud Earl was a British-born American painter best known for her accurate paintings of dog breeds. Her warm, descriptive portraits of dogs, executed in a sketchy yet realistic style, were popular among royals such as Queen Victoria of England and Queen Alexandra of Denmark. Born in 1864 in London, United Kingdom, Earl’s father George, her uncle, and her half-brother were all animal portraitist.
[Ref: 63322] £360.00
![[Two Setters and a Pointer].](jpegs/1410.jpg)
[Two Setters and a Pointer].
Arthur A Davis 93 [etched in plate]. Walter Cox [signed in pencil].
[n.d. c.1895.]
Mixed method engraving on india paper. 690 x 480mm.
[Ref: 1410] £420.00
Arthur A Davis 93 [etched in plate]. Walter Cox [signed in pencil].
[n.d. c.1895.]
Mixed method engraving on india paper. 690 x 480mm.
[Ref: 1410] £420.00
Setters.
Painted by G. Morland. Engraved by W.m Ward, Engraved to H.R.H. the Duke of York.
London, Published June 15.th 1806 by James Linnell 2 Streatham Street, Charlotte Street, Bloomsbury. Proof.
Coloured mezzotint. Plate 380 x 439mm. 15 x 17¼".
Three English Setter dogs sniffing out scent along woodland path. Scene in a wood; three setters on the scent of game. One pauses, smelling; another follows, head lowered; a third, slightly at back, behind broken rail, waits. Stream in foreground, reeds, low-growing bushes.
CS: undescribed. Frankau: 256, ii/ii.
[Ref: 24019] £280.00 (£336.00 incl.VAT)
Painted by G. Morland. Engraved by W.m Ward, Engraved to H.R.H. the Duke of York.
London, Published June 15.th 1806 by James Linnell 2 Streatham Street, Charlotte Street, Bloomsbury. Proof.
Coloured mezzotint. Plate 380 x 439mm. 15 x 17¼".
Three English Setter dogs sniffing out scent along woodland path. Scene in a wood; three setters on the scent of game. One pauses, smelling; another follows, head lowered; a third, slightly at back, behind broken rail, waits. Stream in foreground, reeds, low-growing bushes.
CS: undescribed. Frankau: 256, ii/ii.
[Ref: 24019] £280.00 (£336.00 incl.VAT)
Setters.
H. Alken del.t. I.Clark sculp.t.
London, Published by T.McLean, Jan.y. 1.1820.
Coloured aquatint. Paper watermarked: Whatman 1824. Plate 280 x 381mm. 11 x 15". Marking around the image.
Three setters running in the rolling hills of the British countryside.
[Ref: 63] £260.00 (£312.00 incl.VAT)
H. Alken del.t. I.Clark sculp.t.
London, Published by T.McLean, Jan.y. 1.1820.
Coloured aquatint. Paper watermarked: Whatman 1824. Plate 280 x 381mm. 11 x 15". Marking around the image.
Three setters running in the rolling hills of the British countryside.
[Ref: 63] £260.00 (£312.00 incl.VAT)
![[Setters.]](jpegs/56247.jpg)
[Setters.]
Maud Earl.
Copyright 1906 by Photographische Gesellschaft. Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Photogravure on chine collé, printed in colours, signed by the artist in pencil. 420 x 590mm (16½ x 23¼"), with large margins.
Two Setters in long grass.
[Ref: 56247] £420.00
Maud Earl.
Copyright 1906 by Photographische Gesellschaft. Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Photogravure on chine collé, printed in colours, signed by the artist in pencil. 420 x 590mm (16½ x 23¼"), with large margins.
Two Setters in long grass.
[Ref: 56247] £420.00
Ruggiero Settimo. Presidente del Comitato Generale di Sicilia. Palermo Gennaro. 1848.
P. Priolo.
Palermo Lit. Minneci via Toledo No. 230.
Lithograph. Sheet: 485 x 315mm (19 x 12½"), with large margins. Damage in left edge.
A seated portrait of Italian politician, diplomat and patriotic activist from Sicily Ruggero Settimo (1778-1863). Settimo was a protagonist during the Sicilian revolution of independence in 1848 and then in 1860 he became President of the Senate in the newly formed Kingdom of Italy.
From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46456] £220.00 (£264.00 incl.VAT)
P. Priolo.
Palermo Lit. Minneci via Toledo No. 230.
Lithograph. Sheet: 485 x 315mm (19 x 12½"), with large margins. Damage in left edge.
A seated portrait of Italian politician, diplomat and patriotic activist from Sicily Ruggero Settimo (1778-1863). Settimo was a protagonist during the Sicilian revolution of independence in 1848 and then in 1860 he became President of the Senate in the newly formed Kingdom of Italy.
From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46456] £220.00 (£264.00 incl.VAT)
The Setting Dog and Partridges. Le Chien Couchant et La Perdrix.
J. Seymour invent. T. Burford del. fecit.
Published according to Act of Parliament, October, 1758.
Mezzotint. Plate 255 x 356mm. 10 x 14".
Not in Siltzer.
[Ref: 15083] £420.00
J. Seymour invent. T. Burford del. fecit.
Published according to Act of Parliament, October, 1758.
Mezzotint. Plate 255 x 356mm. 10 x 14".
Not in Siltzer.
[Ref: 15083] £420.00
The Settling Family attacked by Savages.
Painted by H.Singleton. Engraved by G.Keating.
[Publication line excised, Published 10th. of August 1799, by G. Keating, 18 Warwick Street, Golden Square.]
Mezzotint, printed in very bright colours. Sheet 645 x 510mm. Trimmed within plate at bottom.
Pair to 'The Settling Family Secure and Happy', engraved by J.Murphy.
BM: 1877,0811.878 Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5547] £950.00
Painted by H.Singleton. Engraved by G.Keating.
[Publication line excised, Published 10th. of August 1799, by G. Keating, 18 Warwick Street, Golden Square.]
Mezzotint, printed in very bright colours. Sheet 645 x 510mm. Trimmed within plate at bottom.
Pair to 'The Settling Family Secure and Happy', engraved by J.Murphy.
BM: 1877,0811.878 Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5547] £950.00
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![[Adrian von Seumenicht]](jpegs/39754.jpg)
[Adrian von Seumenicht] Hadrianus, a Minsicht, Germanus, Com: Pal: Phil: Et Med: D: P.L. Caes: Nec Non Diver: S.R. Prin. Consil Et Arch:
D. Diricksen Hamburg sculpt [in image]
[n.d., c.1685.]
Rare engraving, sheet 175 x 130mm (7 x 5"). Trimmed and glued to album sheet.
Adrien von Seumenicht (1588-1638), alchemist best known for his work 'Aureum Saeculum Redivivum' (The Golden Age Restored). In an oval frame surrounded by alchemical and mathematical instruments, two of which supported by angels, with six lines of Latin text by Jonas Angelus in cartouche below. Probably a frontispiece to a volume of his works.
Wellcome Library no. 7128i; for another portrait of Seumenicht see ref. 13322.
[Ref: 39754] £160.00 (£192.00 incl.VAT)
D. Diricksen Hamburg sculpt [in image]
[n.d., c.1685.]
Rare engraving, sheet 175 x 130mm (7 x 5"). Trimmed and glued to album sheet.
Adrien von Seumenicht (1588-1638), alchemist best known for his work 'Aureum Saeculum Redivivum' (The Golden Age Restored). In an oval frame surrounded by alchemical and mathematical instruments, two of which supported by angels, with six lines of Latin text by Jonas Angelus in cartouche below. Probably a frontispiece to a volume of his works.
Wellcome Library no. 7128i; for another portrait of Seumenicht see ref. 13322.
[Ref: 39754] £160.00 (£192.00 incl.VAT)
Panorama van de Vestingwerken van Sebastopol. De Malakoftoren, de Forten Redan, & Mamelon en de Belegeringswerken der Geailleerden.
C.C.A. Last. Steend. v. P. Blommers te 's Hage.
Uitgegeven bij A. Jager, water 110, Amsterdam. [n.d., c.1855.]
Tinted lithograph, large margins. Printed area 460 x 640mm, 18 x 25¼". Some spotting.
A bird's-eye view of the Seige of Sevastopol, taken from the Allied lines to the south of the port, with the British flag bottom left and French bottom right. The main features of the Russian defences are clearly depicted, including the Redan, the Malakoff redoubt and the Mamelon, a fortified hillock, as are the Allied trenches and their sharpshooters. On the reverse of the sheet is the publisher's advert for prints relating to the Crimean War and and other general topography.
[Ref: 26313] £340.00
C.C.A. Last. Steend. v. P. Blommers te 's Hage.
Uitgegeven bij A. Jager, water 110, Amsterdam. [n.d., c.1855.]
Tinted lithograph, large margins. Printed area 460 x 640mm, 18 x 25¼". Some spotting.
A bird's-eye view of the Seige of Sevastopol, taken from the Allied lines to the south of the port, with the British flag bottom left and French bottom right. The main features of the Russian defences are clearly depicted, including the Redan, the Malakoff redoubt and the Mamelon, a fortified hillock, as are the Allied trenches and their sharpshooters. On the reverse of the sheet is the publisher's advert for prints relating to the Crimean War and and other general topography.
[Ref: 26313] £340.00
The Bombardment of Sebastopol.
From a drawing by Mr E.W. Brooker HMS Spitfire. _ E. Walker lith. Day & Son Lith.rs to the Queen.
Published March 1st 1855 by Paul & Dominic Colnaghi & Co, 13 & 14 Pall Mall East, _ Publishers to Her Majesty.
Fine coloured tinted lithograph, chine collé, with highlights added by hand. Sheet 370 x 625mm (14½ x 24½"). Laid on backing sheet. Slight crease in sky.
A view of the naval bombardment of Sevastopol, 17th October, 1854, with the ships and their commanders listed under the scene. Edward Wolfe Brooker (1828-1870) was Master on HMS Spitfire under Captain Thomas Spratt, surveying in the Mediterranean when the Crimean War broke out. He earned a commission by placing buoys to mark channels at the entrance to the Dnieper River while under enemy fire. At the end of the war he returned to surveying, both in the Mediterrean and around Tasmania. He was given the command of HMS Sylvia and joined Keppel during the opening of the trade ports of Osaka and Kobe in 1869. Taking ill in Japan he died there in 1870.
[Ref: 54064] £390.00
From a drawing by Mr E.W. Brooker HMS Spitfire. _ E. Walker lith. Day & Son Lith.rs to the Queen.
Published March 1st 1855 by Paul & Dominic Colnaghi & Co, 13 & 14 Pall Mall East, _ Publishers to Her Majesty.
Fine coloured tinted lithograph, chine collé, with highlights added by hand. Sheet 370 x 625mm (14½ x 24½"). Laid on backing sheet. Slight crease in sky.
A view of the naval bombardment of Sevastopol, 17th October, 1854, with the ships and their commanders listed under the scene. Edward Wolfe Brooker (1828-1870) was Master on HMS Spitfire under Captain Thomas Spratt, surveying in the Mediterranean when the Crimean War broke out. He earned a commission by placing buoys to mark channels at the entrance to the Dnieper River while under enemy fire. At the end of the war he returned to surveying, both in the Mediterrean and around Tasmania. He was given the command of HMS Sylvia and joined Keppel during the opening of the trade ports of Osaka and Kobe in 1869. Taking ill in Japan he died there in 1870.
[Ref: 54064] £390.00
![[Assault on the Redan.]](jpegs/9318.jpg)
[Assault on the Redan.]
[n.d., c.1855.]
Hand coloured lithograph, 1st state, image 295 x 800mm. 11½ x 31½". On two sheets, trimmed to image and laid on card folded at centre.
A gloriously dramatic battle scene. Sir Charles Ash Windham (1810 - 1870) was selected to lead the storming party of the 2nd division at the assault on the Redan (Russian fortress) at the Siege of Sevastopol during the Crimean War, on 8th Sept. 1855. Although the assault failed, the gallantry of Windham's conduct earned the warm commendation of General James Simpson, who had succeeded Lord Raglan in the command of the army in the Crimea. Extraordinary enthusiasm was aroused when the descriptions of the assault, written by the special correspondents of the ‘Times’ and other papers, were published in England, and Windham became, in a moment, the best known and most popular man in his native country.
[Ref: 9318] £130.00 (£156.00 incl.VAT)
[n.d., c.1855.]
Hand coloured lithograph, 1st state, image 295 x 800mm. 11½ x 31½". On two sheets, trimmed to image and laid on card folded at centre.
A gloriously dramatic battle scene. Sir Charles Ash Windham (1810 - 1870) was selected to lead the storming party of the 2nd division at the assault on the Redan (Russian fortress) at the Siege of Sevastopol during the Crimean War, on 8th Sept. 1855. Although the assault failed, the gallantry of Windham's conduct earned the warm commendation of General James Simpson, who had succeeded Lord Raglan in the command of the army in the Crimea. Extraordinary enthusiasm was aroused when the descriptions of the assault, written by the special correspondents of the ‘Times’ and other papers, were published in England, and Windham became, in a moment, the best known and most popular man in his native country.
[Ref: 9318] £130.00 (£156.00 incl.VAT)
Siege of Sevastopol From The New 32 Pounder Battery Above The Left Attack Picquet House. "The Sketch I send you shews the creek which divides the two principal portions of the town of Sevastopol...[etc.]" Extract from Captn. Biddulph's letter enclosing the sketch__Dated Sevastopol, October 23rd.
M.A. Biddulph, Captn. R.A. Del. Octr. 22nd. 1854._E. Walker, Lith. Day & Son, Lithrs. to the Queen.
Published Novr. 17th. 1854 by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East._Publishers to Her Majesty_ And E. Stanford, 6, Charing Cross. Goupil & Co. Paris Depose.
Coloured lithograph, sheet 435 x 575mm. 17 x 22½". Repaired tear lower right.
Distant view from a gun battery of Sevastopol, during the seige of the port town on the Black Sea coast in the Crimean War. From a sketch from life by Sir Michael Anthony Shrapnel Biddulph (1823 - 1904), general and colonel commandant royal artillery, who served in the trenches during the siege of Sevastopol as assistant engineer, and was present at the repulse of the Russian sortie on 26 October 1854, and in the three bombardments. Captioned above image.
[Ref: 10029] £280.00 (£336.00 incl.VAT)
M.A. Biddulph, Captn. R.A. Del. Octr. 22nd. 1854._E. Walker, Lith. Day & Son, Lithrs. to the Queen.
Published Novr. 17th. 1854 by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East._Publishers to Her Majesty_ And E. Stanford, 6, Charing Cross. Goupil & Co. Paris Depose.
Coloured lithograph, sheet 435 x 575mm. 17 x 22½". Repaired tear lower right.
Distant view from a gun battery of Sevastopol, during the seige of the port town on the Black Sea coast in the Crimean War. From a sketch from life by Sir Michael Anthony Shrapnel Biddulph (1823 - 1904), general and colonel commandant royal artillery, who served in the trenches during the siege of Sevastopol as assistant engineer, and was present at the repulse of the Russian sortie on 26 October 1854, and in the three bombardments. Captioned above image.
[Ref: 10029] £280.00 (£336.00 incl.VAT)
![[The Seige Of Sebastopol]](jpegs/16402.jpg)
[The Seige Of Sebastopol]
George Baxter
1855.
Baxter method Printed in colour, Engraving. 103 x 152mm. 4 x 6". Original board lost laid on backing.
Seige of Sevastopol (1854-1855) was a major battle during the Crimean War. The allied troops of Britain, France and the Ottoman Empire, fought to overpower the importann city and port of Sevastopol, home of the Tsar's Black Sea Fleet, which threatened the Mediterranean. The allied troops defeated the Russian fleets.
Victoria University: Baxter Starr Collection: No.199.
[Ref: 16402] £65.00 (£78.00 incl.VAT)
George Baxter
1855.
Baxter method Printed in colour, Engraving. 103 x 152mm. 4 x 6". Original board lost laid on backing.
Seige of Sevastopol (1854-1855) was a major battle during the Crimean War. The allied troops of Britain, France and the Ottoman Empire, fought to overpower the importann city and port of Sevastopol, home of the Tsar's Black Sea Fleet, which threatened the Mediterranean. The allied troops defeated the Russian fleets.
Victoria University: Baxter Starr Collection: No.199.
[Ref: 16402] £65.00 (£78.00 incl.VAT)
Sections referring to a Plan of the Russian Lines in front of Sevastopol. Dock Yard Creek; Redan; Crenelled Wall, Battery & Redoubt.
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, tear through title.
Cross-sections of the Russian defences of Redan showing what any attacking troops had to cross before reaching the defenders. It was these defences that the British attacked on 8th September, 1855: even after a month of bombardment they were repelled. However the French broke through at Malakoff, leading to the capture of the city.
[Ref: 10823] £60.00
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, tear through title.
Cross-sections of the Russian defences of Redan showing what any attacking troops had to cross before reaching the defenders. It was these defences that the British attacked on 8th September, 1855: even after a month of bombardment they were repelled. However the French broke through at Malakoff, leading to the capture of the city.
[Ref: 10823] £60.00
Sections referring to a Plan of the Russian Lines in front of Sevastopol. Malakhoff; Flag-Staff or Bastion du Mat.
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, a few tears.
Cross-sections of the Russian defences of Malakoff and the Bastion du Mat, showing what any attacking troops had to cross before reaching the defenders. It was these defences that the French attacked on 8th September, 1855 after a month of bombardment; they were repelled at the Bastion du Mat, but broke through at Malakoff, leading to the capture of the city.
[Ref: 10820] £60.00
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, a few tears.
Cross-sections of the Russian defences of Malakoff and the Bastion du Mat, showing what any attacking troops had to cross before reaching the defenders. It was these defences that the French attacked on 8th September, 1855 after a month of bombardment; they were repelled at the Bastion du Mat, but broke through at Malakoff, leading to the capture of the city.
[Ref: 10820] £60.00
Plan of Sevastopol.
Engraved at the Ordnance Map Office, Southampton under the direction of Capt.n Cameron, R.E. L.t Colonel James R.E., F.R.C., M.R.I.A., &c., Superintendent.
Engraving, UNFINISHED PROOF, signed in pencil by the Superindentent. 680 x 970mm, 26¾ x 38¼".
A plan of the defences of the city, lacking any detail other than the walls. A pencil note by L.t Col. James explains: "The engraving of this plan will be proceeded with as soon as we receive accurate plans of the works, of the attack and of the town. Signed Henry James, R.E. 11 March 1856". James later became director of Topographical Dept. of the War Office. The map was eventually published in the 'Report on the Siege of Sebastapol', 1857.
[Ref: 10813] £230.00
Engraved at the Ordnance Map Office, Southampton under the direction of Capt.n Cameron, R.E. L.t Colonel James R.E., F.R.C., M.R.I.A., &c., Superintendent.
Engraving, UNFINISHED PROOF, signed in pencil by the Superindentent. 680 x 970mm, 26¾ x 38¼".
A plan of the defences of the city, lacking any detail other than the walls. A pencil note by L.t Col. James explains: "The engraving of this plan will be proceeded with as soon as we receive accurate plans of the works, of the attack and of the town. Signed Henry James, R.E. 11 March 1856". James later became director of Topographical Dept. of the War Office. The map was eventually published in the 'Report on the Siege of Sebastapol', 1857.
[Ref: 10813] £230.00
Plan of Sevastopol and of the Attacks and Positions of the Allied Armies in 1854-5.
Surveyed & Drawn by Capt.n Cooke, Lieut.s Brine, Fisher, Elphinstone, Cumberland, Anderson, James, Scratchley, Donnelly & Baynes, of the Royal Engineers...
Lithographed at the Ordnance Map Office, Southampton, in 1857, under the direction of Capt.n Cameron, R.E.
7 lithographic maps (of eight) with hand colour. Each map 610 x 920mm, 24 x 36¼". A few small tears, some soiling to edges of two maps.
A monumental plan of the Siege of Sevastopol during the Crimean War, compiled by the Royal Engineers on a scale of six inches to a miles, published in the official report of the siege. The port itself fits into Sheet 3, with the defences of both sides coloured to demarque each army, green for the Russians, blue for the French and red for the British. The other sheets show the sprawling encampments of the Allies, with the British headquarters at Tractir Farm and the 'English Race Course' nearby, and the defensive arrays protecting the outer perimeters. Sheet six shows the Plain of Balaklava, site of the battle and famous 'Charge of the Light Brigade' on the 25th October 1854. The missing sheet is number eight, bottom right, showing the coast around the port of Balaklava.
[Ref: 10812] £550.00 view all images for this item
Surveyed & Drawn by Capt.n Cooke, Lieut.s Brine, Fisher, Elphinstone, Cumberland, Anderson, James, Scratchley, Donnelly & Baynes, of the Royal Engineers...
Lithographed at the Ordnance Map Office, Southampton, in 1857, under the direction of Capt.n Cameron, R.E.
7 lithographic maps (of eight) with hand colour. Each map 610 x 920mm, 24 x 36¼". A few small tears, some soiling to edges of two maps.
A monumental plan of the Siege of Sevastopol during the Crimean War, compiled by the Royal Engineers on a scale of six inches to a miles, published in the official report of the siege. The port itself fits into Sheet 3, with the defences of both sides coloured to demarque each army, green for the Russians, blue for the French and red for the British. The other sheets show the sprawling encampments of the Allies, with the British headquarters at Tractir Farm and the 'English Race Course' nearby, and the defensive arrays protecting the outer perimeters. Sheet six shows the Plain of Balaklava, site of the battle and famous 'Charge of the Light Brigade' on the 25th October 1854. The missing sheet is number eight, bottom right, showing the coast around the port of Balaklava.
[Ref: 10812] £550.00 view all images for this item
![[Sketched prospect of Sevastopol.]](jpegs/22874.jpg)
[Sketched prospect of Sevastopol.]
Published June 10 1854, by Paul and Dominic Colnagi & Co., 13 & 14 Pall Mall East, Publisher's to her Majesty.
Lithograph. 270 x 560mm, 10½ x 22".
Sketched prospect of Sevastopol during the Allied siege, the Crimean War
[Ref: 22874] £35.00 (£42.00 incl.VAT)
Published June 10 1854, by Paul and Dominic Colnagi & Co., 13 & 14 Pall Mall East, Publisher's to her Majesty.
Lithograph. 270 x 560mm, 10½ x 22".
Sketched prospect of Sevastopol during the Allied siege, the Crimean War
[Ref: 22874] £35.00 (£42.00 incl.VAT)
The Keyplate to the Grand Picture of the Allied Generals and their Staff Officers Before Sebastopol. Painted by T. Barker Esq. K.L.H. from Photographs and Sketches taken in the Crimea expressly for this picture by Roger Fenton Esq. for Mess.rs Tho.s Agnew & Sons, of Manchester, and Mr John Garle Browne of Leicester.
Published May 18th, 1859 by Mess.rs Tho.s Agnew & Sons, Manchester, and Mr John Garle Browne, Leicester, The owners of the Picture.
Etched keyplate, scarce. 470 x 645mm (18½ x 25½"), laid on board for hanging under the original print. A little wear at the top in the title.
The keyplate with an index of 97 people and places on a hillside overlooking Sevastapol. Thomas Jones Barker (1815-82) based his painting on photographs by Roger Fenton (1819-69), whose 'The Valley of the Shadow of Death', showing a road littered with spent cannon balls, is regarded as the first iconic photograph of war. Fenton was commissioned to photograph the Crimean War by the publishers of this print, Thomas Agnew & Sons.
[Ref: 51398] £160.00 (£192.00 incl.VAT)
Published May 18th, 1859 by Mess.rs Tho.s Agnew & Sons, Manchester, and Mr John Garle Browne, Leicester, The owners of the Picture.
Etched keyplate, scarce. 470 x 645mm (18½ x 25½"), laid on board for hanging under the original print. A little wear at the top in the title.
The keyplate with an index of 97 people and places on a hillside overlooking Sevastapol. Thomas Jones Barker (1815-82) based his painting on photographs by Roger Fenton (1819-69), whose 'The Valley of the Shadow of Death', showing a road littered with spent cannon balls, is regarded as the first iconic photograph of war. Fenton was commissioned to photograph the Crimean War by the publishers of this print, Thomas Agnew & Sons.
[Ref: 51398] £160.00 (£192.00 incl.VAT)
Seven We Together Make, /~ Count Us and Don't Mistake. / Welcome Brother, view us well, / And which you must resemble tell: / Our looks Relationship betray, / So you may either Grin or Bray.
[n.d., c.1785.]
Coloured woodblock, rare. Sheet 160 x 245mm (6¼ x 9¾"). Trimmed within plate, laid on album paper.
Three grinning monkeys, dressed in clothes with feathered hats, each astride a mule. The viewer is the seventh person in the title.
[Ref: 32957] £120.00 (£144.00 incl.VAT)
[n.d., c.1785.]
Coloured woodblock, rare. Sheet 160 x 245mm (6¼ x 9¾"). Trimmed within plate, laid on album paper.
Three grinning monkeys, dressed in clothes with feathered hats, each astride a mule. The viewer is the seventh person in the title.
[Ref: 32957] £120.00 (£144.00 incl.VAT)
![[The Seven Bishops.]](jpegs/30911.jpg)
[The Seven Bishops.] [Lettered beneath each oval portrait] 'Francis Ld Bpp. of Ely.', 'Will. Ld. Bpp. of St. Asaph.', 'Tho. Ld Bpp. of Bath & Wells.', 'Will.m Ld. Arch Bpp. of Canterbury his Grace.', 'Iohn Ld. Bpp. of Chichester.', 'Ionathan Ld. Bpp. of Bristoll.', 'Thomas Ld. Bpp. of Peterborow.'
[n.d. c.1688.] bit later.
Mezzotint, very large margins. Plate 190 x 140mm (7½ x 5½").
The Seven Bishops, were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
CS: 6 (page 1648).
[Ref: 30911] £180.00 (£216.00 incl.VAT)
[n.d. c.1688.] bit later.
Mezzotint, very large margins. Plate 190 x 140mm (7½ x 5½").
The Seven Bishops, were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
CS: 6 (page 1648).
[Ref: 30911] £180.00 (£216.00 incl.VAT)
![The Seven Bishops. Who for their adherence to the Protestant Religion, and the Laws of their Country exprest in a Petition to James the 2d [...]](jpegs/45258.jpg)
The Seven Bishops. Who for their adherence to the Protestant Religion, and the Laws of their Country exprest in a Petition to James the 2d [...]
M. van der Gucht sculp:
Printed and Sold by John Bowles at the Black Horse in Cornhill [c.1730]
Rare engraving, sheet 530 x 415mm (21 x 16¼"). Crease through centre; trimmed to platemark; glued to backing sheet, tear on right centre.
The Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence (they were acquitted): Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. One of several similar versions of the same image, demonstrating its popularity both in Britain and on the continent.
[Ref: 45258] £450.00
M. van der Gucht sculp:
Printed and Sold by John Bowles at the Black Horse in Cornhill [c.1730]
Rare engraving, sheet 530 x 415mm (21 x 16¼"). Crease through centre; trimmed to platemark; glued to backing sheet, tear on right centre.
The Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence (they were acquitted): Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. One of several similar versions of the same image, demonstrating its popularity both in Britain and on the continent.
[Ref: 45258] £450.00
Les Sept Evesques d'Angleterre qui furent mis dans la Tour par la Roy Jacques II. le 8/18 de Juni 1688. Tom. I. p276.
[n.d. c.1688.]
Engraving. 146 x 89mm. 5¾ x 3½". Printers crease at top.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the glorious Revolution. The were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68894] £60.00 (£72.00 incl.VAT)
[n.d. c.1688.]
Engraving. 146 x 89mm. 5¾ x 3½". Printers crease at top.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the glorious Revolution. The were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68894] £60.00 (£72.00 incl.VAT)
Les Sept Evesques d'Angleterre qui furent mis dans la Tour par la Roy Jacques II. le 8/18 de Juni 1688. Tom. I. p276.
[n.d. c.1688.]
Engraving, sheet 145 x 80mm (5¾ x 3¼".) Staining.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the Glorious Revolution. They were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68895] £130.00 (£156.00 incl.VAT)
[n.d. c.1688.]
Engraving, sheet 145 x 80mm (5¾ x 3¼".) Staining.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the Glorious Revolution. They were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68895] £130.00 (£156.00 incl.VAT)
![[The seven bishops imprisoned in the Tower of London by James II in June 1688]](jpegs/68900.jpg)
[The seven bishops imprisoned in the Tower of London by James II in June 1688] De Seven Bischoppen naar den Tour gevangen gebragt den 8/18 vry gelaaten den 15/25 Juny 1688.
Apud Carolum Allard Cum Privi: Ord: Holl: et Westfri: [c.1700]
Rare etching, sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border.
View on the Thames with London Bridge (incorrectly) on right, showing the Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. The bishops were acquitted, to James II's disappointment but to universal rejoicing amongst his subjects. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For portraits of the Seven Bishops see refs: 68895 & 68894.
[Ref: 68900] £320.00
Apud Carolum Allard Cum Privi: Ord: Holl: et Westfri: [c.1700]
Rare etching, sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border.
View on the Thames with London Bridge (incorrectly) on right, showing the Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. The bishops were acquitted, to James II's disappointment but to universal rejoicing amongst his subjects. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For portraits of the Seven Bishops see refs: 68895 & 68894.
[Ref: 68900] £320.00
![[The Seven Bishops.]](jpegs/69022.jpg)
[The Seven Bishops.]
[R: White Sculp]
[Printed for Tho: Basset, and Tho: Fox.] [1689.]
Rare engraving. Sheet 260 x 155mm (10¼ x 6"). Trimmed to image, losing all text.
Medallion portraits of seven bishops of the Church of England who were imprisoned in the Tower of London by James II in 1688 for seditious libel over their opposition to the second Declaration of Indulgence. The plate was published as the frontspiece to the 'Account of the Trial'. The bishops were: William Sancroft, Archibishop of Canterbury; Thomas Ken, Bishop of Bath & Wells; John Lake, Bishop of Chichester; William Lloyd, Bishop of St Asaph; Jonathan Trelawny, Bishop of Bristol; Francis Turner, Bishop of Ely; and Thomas White, Bishop of Peterborough. The seven were found not guilty, which was a factor in the success of the Glorious Revolution. However five of the seven became non-jurors, refusing to swear allegiance to William & Mary, losing their offices.
[Ref: 69022] £260.00 (£312.00 incl.VAT)
[R: White Sculp]
[Printed for Tho: Basset, and Tho: Fox.] [1689.]
Rare engraving. Sheet 260 x 155mm (10¼ x 6"). Trimmed to image, losing all text.
Medallion portraits of seven bishops of the Church of England who were imprisoned in the Tower of London by James II in 1688 for seditious libel over their opposition to the second Declaration of Indulgence. The plate was published as the frontspiece to the 'Account of the Trial'. The bishops were: William Sancroft, Archibishop of Canterbury; Thomas Ken, Bishop of Bath & Wells; John Lake, Bishop of Chichester; William Lloyd, Bishop of St Asaph; Jonathan Trelawny, Bishop of Bristol; Francis Turner, Bishop of Ely; and Thomas White, Bishop of Peterborough. The seven were found not guilty, which was a factor in the success of the Glorious Revolution. However five of the seven became non-jurors, refusing to swear allegiance to William & Mary, losing their offices.
[Ref: 69022] £260.00 (£312.00 incl.VAT)
The Cruel Death of the seven Brethren. II. Maccabees Chap.7.Ver.3. Then the king being in a rage, commanded pans and caldrons to be made hot.
B. Picart del. R.t Pranker Sculp.
[n.d. c.1800.]
Engraving. Plate 280 x 178mm (11 x 7"). Sheet trimmed.
Seven brethren with their mother were taken and tormented with scourges and whips. Their tongues were cut out and then they were brought alive to the fire where they were fried to death.
[Ref: 34693] £65.00 (£78.00 incl.VAT)
B. Picart del. R.t Pranker Sculp.
[n.d. c.1800.]
Engraving. Plate 280 x 178mm (11 x 7"). Sheet trimmed.
Seven brethren with their mother were taken and tormented with scourges and whips. Their tongues were cut out and then they were brought alive to the fire where they were fried to death.
[Ref: 34693] £65.00 (£78.00 incl.VAT)