Grosvenor Prints

[Irish Setter & Black Cocker Spaniel.]
G.Vernon Stokes.
Coloured drypoint etching, 38 of 75, signed by the artist. 240 x 285mm.
[Ref: 5736] £280.00 (£336.00 incl.VAT)

[Irish Setter with Dead Woodcock & Springer Spaniel].
G.Vernon Stokes.
Coloured drypoint etching, 72 of 75, signed by the artist. 210 x 280mm.
[Ref: 5741] £330.00

Macédoines No.12. Setter & Grouse
E.d. Travies.
Paris Ledot ainé Edit.r. rue de Rivoli 174. London Gambart et c. 25 Berners St, Oxford St. [n.d., c.1840].
Coloured lithograph, printed area 220 x 270mm.
A setter stalking a partridge. The oval image is within a very ornate lithographed border.
[Ref: 6179] £120.00 (£144.00 incl.VAT)

Setter.
Painted by A. Cooper R.A. Drawn on Stone by Thos. Fairland.
London. Published Jany. 1st 1836 by B.B.King Monument Yard. Printed by Graf & Soret.
Lithograph. 205 x 275mm.
[Ref: 1379] £190.00 (£228.00 incl.VAT)

[Setters on a moor.]
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 250 x 300mm (10 x 11¾"). Edition: 29/75. Framed. Unexamined out of frame.
Two Setters in a moor. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59746] £280.00 (£336.00 incl.VAT)

[Irish Setters.]
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 235 x 285mm (9¼ x 11¼"). Edition: 27/75. Framed. Unexamined out of frame.
A pair of Irish Setters. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59747] £280.00 (£336.00 incl.VAT)

Setter & Grouse.
Richard Ansdell. H.T. Ryall.
London. Published May 1, 1855, by Lloyd Brothers & Co., Ludgate Hill.
Mixed method engraving. 370 x 270mm (14½ x 10¼").
A setter retrieving a dead grouse.
[Ref: 429] £260.00 (£312.00 incl.VAT)

[Setters and Pointers] Ready. [&] Steady.
G. Muss-Arnolt.
Published by Oscar Rudolph, New York. London, Richard C. Hall u. Co. 72 Dean Str. W. - Printed in Berlin. [n.d., c.1900.]
Pair of colour-printed photogravures on chin collé, rare. Each 450 x 550mm (17¾ x 21¾"). Laid on board.
Scenes of setter and pointer pairs in the field. Gustav Muss-Arnolt (1858-1927), German-born animal painter who emigrated to America c.1890, becoming a director of the American Kennel Club, licensed to judge all breeds in dog shows.
[Ref: 47810] £440.00 view all images for this item

[Irish Setter] L'oiseau [pencil].
Paul Wood [pencil.]
© Paris Etching Society NY U.S.A. [n.d., c.1935.]
Aquatint and etching, printed in colours, titled and signed in pencil by the artist. 225 x 170mm (9 x 6¾"). Ink stamp 'Made in France' on verso.
An Irish Setter watching a pheasant take flight, by Paul Wood (1897-1964). Wood, who studied art at both the Springfield School of Fine Arts in Massachussetts and at the Art Students League in New York, specialised in watercolours and etchings of dogs.
[Ref: 46172] £65.00 (£78.00 incl.VAT)

Boy and Setters.
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint, printed on chine collé. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in the Scottish highlands in which a young boy sits watched over by his dogs.
[Ref: 47454] £220.00 (£264.00 incl.VAT)

[Setters.]
London, Publsihed April 1. 1817 by S. & J. Fuller 34 Rathbone Place.
Soft-ground etching. Plate: 255 x 350mm (10 x 13¾"), with large margins.
A scene showing three setters fishing out birds.
[Ref: 47471] £95.00 (£114.00 incl.VAT)

Setters.
[n.d., c.1850.]
Lithograph, rare. Printed area: 235 x 300mm (9¼ x 12"). Creases and tears in large margins.
A portrait of two setters.
[Ref: 47481] £180.00 (£216.00 incl.VAT)

[''A High Scent'' - two setters.]
Maud Earl [pencil signature].
Published by the Berlin Photographic Company, Berlin, London & New York. Copyright 1906.
Colour photogravure. Printed area 355 x 535mm (14 x 21"), very large margins. Abrasions over pencil signature.
Two setters in long grass, sampling the air. Maud Earl was a British-born American painter best known for her accurate paintings of dog breeds. Her warm, descriptive portraits of dogs, executed in a sketchy yet realistic style, were popular among royals such as Queen Victoria of England and Queen Alexandra of Denmark. Born in 1864 in London, United Kingdom, Earl’s father George, her uncle, and her half-brother were all animal portraitist.
[Ref: 63322] £360.00

[Two Setters and a Pointer].
Arthur A Davis 93 [etched in plate]. Walter Cox [signed in pencil].
[n.d. c.1895.]
Mixed method engraving on india paper. 690 x 480mm.
[Ref: 1410] £420.00

Setters.
Painted by G. Morland. Engraved by W.m Ward, Engraved to H.R.H. the Duke of York.
London, Published June 15.th 1806 by James Linnell 2 Streatham Street, Charlotte Street, Bloomsbury. Proof.
Coloured mezzotint. Plate 380 x 439mm. 15 x 17¼".
Three English Setter dogs sniffing out scent along woodland path. Scene in a wood; three setters on the scent of game. One pauses, smelling; another follows, head lowered; a third, slightly at back, behind broken rail, waits. Stream in foreground, reeds, low-growing bushes.
CS: undescribed. Frankau: 256, ii/ii.
[Ref: 24019] £280.00 (£336.00 incl.VAT)

Setters.
H. Alken del.t. I.Clark sculp.t.
London, Published by T.McLean, Jan.y. 1.1820.
Coloured aquatint. Paper watermarked: Whatman 1824. Plate 280 x 381mm. 11 x 15". Marking around the image.
Three setters running in the rolling hills of the British countryside.
[Ref: 63] £260.00 (£312.00 incl.VAT)

[Setters.]
Maud Earl.
Copyright 1906 by Photographische Gesellschaft. Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Photogravure on chine collé, printed in colours, signed by the artist in pencil. 420 x 590mm (16½ x 23¼"), with large margins.
Two Setters in long grass.
[Ref: 56247] £420.00

Ruggiero Settimo. Presidente del Comitato Generale di Sicilia. Palermo Gennaro. 1848.
P. Priolo.
Palermo Lit. Minneci via Toledo No. 230.
Lithograph. Sheet: 485 x 315mm (19 x 12½"), with large margins. Damage in left edge.
A seated portrait of Italian politician, diplomat and patriotic activist from Sicily Ruggero Settimo (1778-1863). Settimo was a protagonist during the Sicilian revolution of independence in 1848 and then in 1860 he became President of the Senate in the newly formed Kingdom of Italy.
From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46456] £220.00 (£264.00 incl.VAT)

The Setting Dog and Partridges. Le Chien Couchant et La Perdrix.
J. Seymour invent. T. Burford del. fecit.
Published according to Act of Parliament, October, 1758.
Mezzotint. Plate 255 x 356mm. 10 x 14".
Not in Siltzer.
[Ref: 15083] £420.00

The Settling Family attacked by Savages.
Painted by H.Singleton. Engraved by G.Keating.
[Publication line excised, Published 10th. of August 1799, by G. Keating, 18 Warwick Street, Golden Square.]
Mezzotint, printed in very bright colours. Sheet 645 x 510mm. Trimmed within plate at bottom.
Pair to 'The Settling Family Secure and Happy', engraved by J.Murphy.
BM: 1877,0811.878 Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5547] £950.00

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[Adrian von Seumenicht] Hadrianus, a Minsicht, Germanus, Com: Pal: Phil: Et Med: D: P.L. Caes: Nec Non Diver: S.R. Prin. Consil Et Arch:
D. Diricksen Hamburg sculpt [in image]
[n.d., c.1685.]
Rare engraving, sheet 175 x 130mm (7 x 5"). Trimmed and glued to album sheet.
Adrien von Seumenicht (1588-1638), alchemist best known for his work 'Aureum Saeculum Redivivum' (The Golden Age Restored). In an oval frame surrounded by alchemical and mathematical instruments, two of which supported by angels, with six lines of Latin text by Jonas Angelus in cartouche below. Probably a frontispiece to a volume of his works.
Wellcome Library no. 7128i; for another portrait of Seumenicht see ref. 13322.
[Ref: 39754] £160.00 (£192.00 incl.VAT)

Panorama van de Vestingwerken van Sebastopol. De Malakoftoren, de Forten Redan, & Mamelon en de Belegeringswerken der Geailleerden.
C.C.A. Last. Steend. v. P. Blommers te 's Hage.
Uitgegeven bij A. Jager, water 110, Amsterdam. [n.d., c.1855.]
Tinted lithograph, large margins. Printed area 460 x 640mm, 18 x 25¼". Some spotting.
A bird's-eye view of the Seige of Sevastopol, taken from the Allied lines to the south of the port, with the British flag bottom left and French bottom right. The main features of the Russian defences are clearly depicted, including the Redan, the Malakoff redoubt and the Mamelon, a fortified hillock, as are the Allied trenches and their sharpshooters. On the reverse of the sheet is the publisher's advert for prints relating to the Crimean War and and other general topography.
[Ref: 26313] £340.00

The Bombardment of Sebastopol.
From a drawing by Mr E.W. Brooker HMS Spitfire. _ E. Walker lith. Day & Son Lith.rs to the Queen.
Published March 1st 1855 by Paul & Dominic Colnaghi & Co, 13 & 14 Pall Mall East, _ Publishers to Her Majesty.
Fine coloured tinted lithograph, chine collé, with highlights added by hand. Sheet 370 x 625mm (14½ x 24½"). Laid on backing sheet. Slight crease in sky.
A view of the naval bombardment of Sevastopol, 17th October, 1854, with the ships and their commanders listed under the scene. Edward Wolfe Brooker (1828-1870) was Master on HMS Spitfire under Captain Thomas Spratt, surveying in the Mediterranean when the Crimean War broke out. He earned a commission by placing buoys to mark channels at the entrance to the Dnieper River while under enemy fire. At the end of the war he returned to surveying, both in the Mediterrean and around Tasmania. He was given the command of HMS Sylvia and joined Keppel during the opening of the trade ports of Osaka and Kobe in 1869. Taking ill in Japan he died there in 1870.
[Ref: 54064] £390.00

[Assault on the Redan.]
[n.d., c.1855.]
Hand coloured lithograph, 1st state, image 295 x 800mm. 11½ x 31½". On two sheets, trimmed to image and laid on card folded at centre.
A gloriously dramatic battle scene. Sir Charles Ash Windham (1810 - 1870) was selected to lead the storming party of the 2nd division at the assault on the Redan (Russian fortress) at the Siege of Sevastopol during the Crimean War, on 8th Sept. 1855. Although the assault failed, the gallantry of Windham's conduct earned the warm commendation of General James Simpson, who had succeeded Lord Raglan in the command of the army in the Crimea. Extraordinary enthusiasm was aroused when the descriptions of the assault, written by the special correspondents of the ‘Times’ and other papers, were published in England, and Windham became, in a moment, the best known and most popular man in his native country.
[Ref: 9318] £130.00 (£156.00 incl.VAT)

Siege of Sevastopol From The New 32 Pounder Battery Above The Left Attack Picquet House. "The Sketch I send you shews the creek which divides the two principal portions of the town of Sevastopol...[etc.]" Extract from Captn. Biddulph's letter enclosing the sketch__Dated Sevastopol, October 23rd.
M.A. Biddulph, Captn. R.A. Del. Octr. 22nd. 1854._E. Walker, Lith. Day & Son, Lithrs. to the Queen.
Published Novr. 17th. 1854 by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East._Publishers to Her Majesty_ And E. Stanford, 6, Charing Cross. Goupil & Co. Paris Depose.
Coloured lithograph, sheet 435 x 575mm. 17 x 22½". Repaired tear lower right.
Distant view from a gun battery of Sevastopol, during the seige of the port town on the Black Sea coast in the Crimean War. From a sketch from life by Sir Michael Anthony Shrapnel Biddulph (1823 - 1904), general and colonel commandant royal artillery, who served in the trenches during the siege of Sevastopol as assistant engineer, and was present at the repulse of the Russian sortie on 26 October 1854, and in the three bombardments. Captioned above image.
[Ref: 10029] £280.00 (£336.00 incl.VAT)

[The Seige Of Sebastopol]
George Baxter
1855.
Baxter method Printed in colour, Engraving. 103 x 152mm. 4 x 6". Original board lost laid on backing.
Seige of Sevastopol (1854-1855) was a major battle during the Crimean War. The allied troops of Britain, France and the Ottoman Empire, fought to overpower the importann city and port of Sevastopol, home of the Tsar's Black Sea Fleet, which threatened the Mediterranean. The allied troops defeated the Russian fleets.
Victoria University: Baxter Starr Collection: No.199.
[Ref: 16402] £65.00 (£78.00 incl.VAT)

Sections referring to a Plan of the Russian Lines in front of Sevastopol. Dock Yard Creek; Redan; Crenelled Wall, Battery & Redoubt.
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, tear through title.
Cross-sections of the Russian defences of Redan showing what any attacking troops had to cross before reaching the defenders. It was these defences that the British attacked on 8th September, 1855: even after a month of bombardment they were repelled. However the French broke through at Malakoff, leading to the capture of the city.
[Ref: 10823] £60.00

Sections referring to a Plan of the Russian Lines in front of Sevastopol. Malakhoff; Flag-Staff or Bastion du Mat.
Lithographed at the Ordnance Map Office, Southampton.
Lithograph. 980 x 640mm, 38½ x 25¼". Paper toned, a few tears.
Cross-sections of the Russian defences of Malakoff and the Bastion du Mat, showing what any attacking troops had to cross before reaching the defenders. It was these defences that the French attacked on 8th September, 1855 after a month of bombardment; they were repelled at the Bastion du Mat, but broke through at Malakoff, leading to the capture of the city.
[Ref: 10820] £60.00

Plan of Sevastopol.
Engraved at the Ordnance Map Office, Southampton under the direction of Capt.n Cameron, R.E. L.t Colonel James R.E., F.R.C., M.R.I.A., &c., Superintendent.
Engraving, UNFINISHED PROOF, signed in pencil by the Superindentent. 680 x 970mm, 26¾ x 38¼".
A plan of the defences of the city, lacking any detail other than the walls. A pencil note by L.t Col. James explains: "The engraving of this plan will be proceeded with as soon as we receive accurate plans of the works, of the attack and of the town. Signed Henry James, R.E. 11 March 1856". James later became director of Topographical Dept. of the War Office. The map was eventually published in the 'Report on the Siege of Sebastapol', 1857.
[Ref: 10813] £230.00

Plan of Sevastopol and of the Attacks and Positions of the Allied Armies in 1854-5.
Surveyed & Drawn by Capt.n Cooke, Lieut.s Brine, Fisher, Elphinstone, Cumberland, Anderson, James, Scratchley, Donnelly & Baynes, of the Royal Engineers...
Lithographed at the Ordnance Map Office, Southampton, in 1857, under the direction of Capt.n Cameron, R.E.
7 lithographic maps (of eight) with hand colour. Each map 610 x 920mm, 24 x 36¼". A few small tears, some soiling to edges of two maps.
A monumental plan of the Siege of Sevastopol during the Crimean War, compiled by the Royal Engineers on a scale of six inches to a miles, published in the official report of the siege. The port itself fits into Sheet 3, with the defences of both sides coloured to demarque each army, green for the Russians, blue for the French and red for the British. The other sheets show the sprawling encampments of the Allies, with the British headquarters at Tractir Farm and the 'English Race Course' nearby, and the defensive arrays protecting the outer perimeters. Sheet six shows the Plain of Balaklava, site of the battle and famous 'Charge of the Light Brigade' on the 25th October 1854. The missing sheet is number eight, bottom right, showing the coast around the port of Balaklava.
[Ref: 10812] £550.00 view all images for this item

[Sketched prospect of Sevastopol.]
Published June 10 1854, by Paul and Dominic Colnagi & Co., 13 & 14 Pall Mall East, Publisher's to her Majesty.
Lithograph. 270 x 560mm, 10½ x 22".
Sketched prospect of Sevastopol during the Allied siege, the Crimean War
[Ref: 22874] £35.00 (£42.00 incl.VAT)

The Keyplate to the Grand Picture of the Allied Generals and their Staff Officers Before Sebastopol. Painted by T. Barker Esq. K.L.H. from Photographs and Sketches taken in the Crimea expressly for this picture by Roger Fenton Esq. for Mess.rs Tho.s Agnew & Sons, of Manchester, and Mr John Garle Browne of Leicester.
Published May 18th, 1859 by Mess.rs Tho.s Agnew & Sons, Manchester, and Mr John Garle Browne, Leicester, The owners of the Picture.
Etched keyplate, scarce. 470 x 645mm (18½ x 25½"), laid on board for hanging under the original print. A little wear at the top in the title.
The keyplate with an index of 97 people and places on a hillside overlooking Sevastapol. Thomas Jones Barker (1815-82) based his painting on photographs by Roger Fenton (1819-69), whose 'The Valley of the Shadow of Death', showing a road littered with spent cannon balls, is regarded as the first iconic photograph of war. Fenton was commissioned to photograph the Crimean War by the publishers of this print, Thomas Agnew & Sons.
[Ref: 51398] £160.00 (£192.00 incl.VAT)

Seven We Together Make, /~ Count Us and Don't Mistake. / Welcome Brother, view us well, / And which you must resemble tell: / Our looks Relationship betray, / So you may either Grin or Bray.
[n.d., c.1785.]
Coloured woodblock, rare. Sheet 160 x 245mm (6¼ x 9¾"). Trimmed within plate, laid on album paper.
Three grinning monkeys, dressed in clothes with feathered hats, each astride a mule. The viewer is the seventh person in the title.
[Ref: 32957] £120.00 (£144.00 incl.VAT)

[The Seven Bishops.] [Lettered beneath each oval portrait] 'Francis Ld Bpp. of Ely.', 'Will. Ld. Bpp. of St. Asaph.', 'Tho. Ld Bpp. of Bath & Wells.', 'Will.m Ld. Arch Bpp. of Canterbury his Grace.', 'Iohn Ld. Bpp. of Chichester.', 'Ionathan Ld. Bpp. of Bristoll.', 'Thomas Ld. Bpp. of Peterborow.'
[Engraved c.1688, but printed later.]
Mezzotint. 190 x 140mm (7½ x 5½"), with wide margins.
The Seven Bishops, were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
CS: 6 (page 1648).
[Ref: 30911] £180.00 (£216.00 incl.VAT)

The Seven Bishops. Who for their adherence to the Protestant Religion, and the Laws of their Country exprest in a Petition to James the 2d [...]
M. van der Gucht sculp:
Printed and Sold by John Bowles at the Black Horse in Cornhill [c.1730]
Rare engraving, sheet 530 x 415mm (21 x 16¼"). Crease through centre; trimmed to platemark; glued to backing sheet, tear on right centre.
The Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence (they were acquitted): Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. One of several similar versions of the same image, demonstrating its popularity both in Britain and on the continent.
[Ref: 45258] £450.00

Les Sept Evesques d'Angleterre qui furent mis dans la Tour par la Roy Jacques II. le 8/18 de Juni 1688. Tom. I. p276.
[n.d. c.1688.]
Engraving. 146 x 89mm. 5¾ x 3½". Printers crease at top.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the glorious Revolution. The were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68894] £60.00 (£72.00 incl.VAT)

Les Sept Evesques d'Angleterre qui furent mis dans la Tour par la Roy Jacques II. le 8/18 de Juni 1688. Tom. I. p276.
[n.d. c.1688.]
Engraving, sheet 145 x 80mm (5¾ x 3¼".) Staining.
The Seven Bishops, wearing bands and episcopal robes; above, mitre and medals depicting the Tower of London and the scales of justice. Illustration to an unidentified book. Their release helped the Glorious Revolution. They were imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence, however they were not found guilty. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury.
[Ref: 68895] £130.00 (£156.00 incl.VAT)

[The seven bishops imprisoned in the Tower of London by James II in June 1688] De Seven Bischoppen naar den Tour gevangen gebragt den 8/18 vry gelaaten den 15/25 Juny 1688.
Apud Carolum Allard Cum Privi: Ord: Holl: et Westfri: [c.1700]
Rare etching, sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border.
View on the Thames with London Bridge (incorrectly) on right, showing the Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. The bishops were acquitted, to James II's disappointment but to universal rejoicing amongst his subjects. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For portraits of the Seven Bishops see refs: 68895 & 68894.
[Ref: 68900] £320.00

[The Seven Bishops.]
[R: White Sculp]
[Printed for Tho: Basset, and Tho: Fox.] [1689.]
Rare engraving. Sheet 260 x 155mm (10¼ x 6"). Trimmed to image, losing all text.
Medallion portraits of seven bishops of the Church of England who were imprisoned in the Tower of London by James II in 1688 for seditious libel over their opposition to the second Declaration of Indulgence. The plate was published as the frontspiece to the 'Account of the Trial'. The bishops were: William Sancroft, Archibishop of Canterbury; Thomas Ken, Bishop of Bath & Wells; John Lake, Bishop of Chichester; William Lloyd, Bishop of St Asaph; Jonathan Trelawny, Bishop of Bristol; Francis Turner, Bishop of Ely; and Thomas White, Bishop of Peterborough. The seven were found not guilty, which was a factor in the success of the Glorious Revolution. However five of the seven became non-jurors, refusing to swear allegiance to William & Mary, losing their offices.
[Ref: 69022] £260.00 (£312.00 incl.VAT)

The Cruel Death of the seven Brethren. II. Maccabees Chap.7.Ver.3. Then the king being in a rage, commanded pans and caldrons to be made hot.
B. Picart del. R.t Pranker Sculp.
[n.d. c.1800.]
Engraving. Plate 280 x 178mm (11 x 7"). Sheet trimmed.
Seven brethren with their mother were taken and tormented with scourges and whips. Their tongues were cut out and then they were brought alive to the fire where they were fried to death.
[Ref: 34693] £65.00 (£78.00 incl.VAT)

[Seven Deadly Sins.] N 6. L'Orgueil. [&] N 7. L'Avarice. [&] N 8. Luxure. [&] N 9. L'Envie. [&] N 10. Le Gormandise. [&] N 11. L'Ire. [&] N 12 la Paresse.
Huquier ex.
AParis chez Huquier rue des Mathurins à côté de celle de Sorbonne. C.P.R. [n.d., c.1760.]
Set of seven rare etchings. 165 x 115mm (6½ x 4½"), large margins.
Seven rococo designs, each representing a deadly sin, engraved and published by Gabriel Huquier (1695-1772).
[Ref: 58929] £700.00 view all images for this item

[Nuño Salido, tutor of the Seven Infantes of Lara, sees evil omens for them in this war] Resueltos los siete Infantes, caminan a la placa de armas [...] [parallel text in latin]
[Antonio Tempesta after Otto van Veen, 1612]
Etching, sheet 185 x 205mm (7¼ x 8"). Creased; plate number scratched out (in circle lower centre); later impression. Two stains in title.
Nuño Salido (on the right) warns the Seven Infantes against going to war. Athena, Greek goddess of warfare on the right. Plate twenty from a set of forty depicting the legend of the Infantes of Lara, who lived in the tenth century, and which relates how these seven brothers were betrayed by their uncle and slain by the Moors but were afterwards avenged by their half-brother, the Bastard Mudarra, son of the Lord of Lara and a Moorish lady.
[Ref: 32545] £60.00 (£72.00 incl.VAT)

[VII Petitiones Orationis Dominicae Correspondentes Ad VII Sacramenta, plates 1 to 6, of 7.] Prima Petitio. [&] Secunda Petitio. [&] Tertia Petitio. [&] Quarta Petitio. [&] Quinta Petitio. [&] Sexta Petitio.
[after Matthaus Greuter]
[n.d., c.1598.]
Six scarce engravings (of seven). Each 330 x 220mm (13 x 8¾"), some watermarked. taining at top, small margins.
Six of the seven plates of the series 'The Seven Petitions of the The Lord's Prayer and the Seven Sacraments'. Each plate illustrates an angel with scenes representing: (1) Baptism; (2) Confirmation; (3) Holy Orders; (4) Euchrist; (5) Penance; & (6) Marriage. The missing plate is (7) Extreme Unction.
[Ref: 66177] £2,300.00 view all images for this item

Seven Sisters Beachy Head [in pencil to left.]
Frank Harding [pencil signature.]
[n.d. c.1930.]
Etching signed in pencil with large margins Plate 115 x 298mm (4½ x 11¾"). Paper tone.
A view of Beachy Head, the chalk headland immediately east of the Seven Sisters in East Sussex.
Ex Collection: Hon. Christopher Lennox-Boyd.
[Ref: 29642] £240.00 (£288.00 incl.VAT)

A Perspective View of Entering the Breach of the Moro Castle by Storm, the 30.th July 1762, between the Hours of 1 and 2 in the Afternoon._ 11.
P. Osbridge del. J. Smith sculp.
London printed for Rob.t Sayer, Print & Mapseller No. 53 Fleet Street. [n.d., c.1768].
Hand coloured engraving. Platemark: 172 x 275mm (6¾ x 10¾"). Fine hand colouring.
A reduced engraving of Plate 11 of 'Scenographia Americana', or, 'A Collection of Views of North America and the West Indies [. . .] From Drawings Taken on the Spot, by Several Officers of the British Army and Navy', a twenty-eight print series of North American landscapes from Quebec to Guadeloupe, first published in London in 1768. This plate depicts a British fleet approaching the fortification of Moro Castle, Cuba.
[Ref: 32505] £260.00 (£312.00 incl.VAT)

A View of Roseau in the Island of Dominique, with the Attack made by Lord Rollo, & Sr. James Douglas in 1760. 10.
Arch. Campbell del. J. Smith sculp.
London printed for Rob.t Sayer, Print & Mapseller No. 53 Fleet Street. [n.d., c.1768].
Hand coloured engraving, very small margins. Platemark: 172 x 275mm (6¾ x 10¾"). Fine hand colouring.
A reduced engraving from plate 10 of 'Scenographia Americana', or, 'A Collection of Views of North America and the West Indies [. . .] From Drawings Taken on the Spot, by Several Officers of the British Army and Navy', a twenty-eight print series of North American landscapes from Quebec to Guadeloupe, first published in London in 1768. The French island of Dominique (Dominica) in the Caribbean was captured by a British amphibious force on 6 June 1761 during the Seven Years War (1756-1763). Lord Andrew Rollo commanded the land forces, which included the 22nd and the 94th Regiments of Foot, and Commodore Sir James Douglas led the Royal Navy squadron. France formally ceded possession of the island as part of the Treaty of Paris in 1763.
[Ref: 32506] £260.00 (£312.00 incl.VAT)

An exact Representation of the Attack made by the British Fleet, under the Command of Adm.l Keppel the 8th of April, 1761, at Port Andre, on the Island of Belle Isle. 9.
R. Short del. J. Smith sculp.
London printed for Rob.t Sayer, Print & Mapseller No. 53 Fleet Street. [n.d., c.1768].
Hand coloured engraving, very small margins. Platemark: 172 x 275mm (6¾ x 10¾"). Fine hand colouring.
A scene depicting the attack of Belle Isle off the Brittany Coast in 1761, during the Seven Years War. After an initial British attack was repulsed, a second landing was made, and after a six-week siege the island's main citadel at Le Palais was stormed, consolidating British control of the island.
[Ref: 32507] £240.00 (£288.00 incl.VAT)

The Engagement between two of his Majesty's Ships Flamborough Cap.t Kennedy, and Boddeford Cap.t Skinner, of 20 Guns & 160 Men each, & two French Frigates La Malicieure of 36 Guns, and L'Omphale of 32 Guns & 300 Men each, on ye 4th, of Apr. 1760 near the Rock of Lisbon.
J. Hood del. J. Smith sculp.
London printed for Rob.t Sayer, Print & Mapseller No. 53 Fleet Street. [n.d., c.1768].
Hand coloured engraving. Platemark: 172 x 275mm (6¾ x 10¾"). Fine hand colouring.
A scene depicting the action which took place at the Rock of Lisbon during the Seven Years' War, between two Britsh ships, the Flamborough and Biddeford, and two French frigates, La Malicieure and L'Omphale.
[Ref: 32526] £280.00 (£336.00 incl.VAT)

A View of Roseau in the Island of Dominique, with the Attack made by Lord Rollo, & S.r James Douglas in 1760. 10.
Arch. Campbell delin.
Printed for Carington Bowles, Map & Printseller, N.o 69 in S.t Pauls Church Yard, London [n.d., c.1770].
Engraving, 18th century watermark. Sheet 165 x 260mm (6½ x 10¼"). Trimmed within plate, affecting plate number.
A scene of the British amphibious assault on the french colony of Roseau on 6 June 1761 (not 1760 as the title) under Lord Andrew Rollo commander of the land forces, and Commodore Sir James Douglas of the Royal Navy, during the Seven Years War (1756-63). France formally ceded possession of the island as part of the Treaty of Paris in 1763. An engraving reduced from plate 10 of 'Scenographia Americana', or, 'A Collection of Views of North America and the West Indies [. . .] From Drawings Taken on the Spot, by Several Officers of the British Army and Navy', a twenty-eight print series of North American landscapes from Quebec to Guadeloupe, first published in London in 1768.
[Ref: 62929] £260.00 (£312.00 incl.VAT)

72. The Egotist. When two silly Dogs Fight, in comes Pug & Steals the Bone.
to be had at the Acorn, facing Hungerford, Strand. [London: Edwards & Darley, c.1760.]
Engraving. 80 x 110mm (3 x 4¼") large margins. Worm hole in right margin.
While England and France fence, Holland eats and drinks as much as he likes. A satire on the Seven Years' War. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions.
BM Satires 3464.
[Ref: 53496] £65.00 (£78.00 incl.VAT)

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