A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Sommer. L'Eté. Aestas.
J. Reynolds pinx.t. J.S. Negges sc. et ex.
[n.d., c.1740.]
A scarce mezzotint. Plate: 355 x 255mm (14 x 10"), with very large margins. Creasing.
A portrait of the allegorical figure of Summer, copy of an English print, shown standing behind several bales of corn and a scythe.
[Ref: 46678] £320.00
J. Reynolds pinx.t. J.S. Negges sc. et ex.
[n.d., c.1740.]
A scarce mezzotint. Plate: 355 x 255mm (14 x 10"), with very large margins. Creasing.
A portrait of the allegorical figure of Summer, copy of an English print, shown standing behind several bales of corn and a scythe.
[Ref: 46678] £320.00
Summer. Now swarms the village o'er the jovial mead; / The rustic youth, brown with meridian toil, / Healthful, and strong; full as the summer rose, / Blown by prevailing suns, the blooming maid, / Half-naked, swelling on the sight, and all / Her kindled graces burning o'er her cheek. / Vide Thomson's Seasons.
London, Published as the Act directs May 12th, 1785, by R. Sayer & J. Bennett Map, Chart & Printsellers, No. 53 Fleet Street.
Fine coloured mezzotint with very large margins. 355 x 250mm (13¾ x 9¾").
A rustic scene of a well-dressed young couple watching harvesters, themselves being watched by an elderly woman in the trees. It illustrates one of the 'Seasons' written by the Scottish poet James Thomson (1700-48), who is best known for the lyrics of 'Rule Britannia'.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 33986] £380.00
London, Published as the Act directs May 12th, 1785, by R. Sayer & J. Bennett Map, Chart & Printsellers, No. 53 Fleet Street.
Fine coloured mezzotint with very large margins. 355 x 250mm (13¾ x 9¾").
A rustic scene of a well-dressed young couple watching harvesters, themselves being watched by an elderly woman in the trees. It illustrates one of the 'Seasons' written by the Scottish poet James Thomson (1700-48), who is best known for the lyrics of 'Rule Britannia'.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 33986] £380.00
Pomona.
Angelica Kauffman del.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs April 15 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple. 370 x 320mm (14½ x 12½"), with large margins.
Three women under a tree: one plays a tamborine as another picks apples, placing them in the third's apron. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons, representing Summer. The other plates are: 'Flora' (Spring), 'Ceres' (Autumn) and 'Winter'.
See 57537 for Spring & 57538 for Winter. See 45010 in Sanguine. De Vesme: 715
[Ref: 57536] £320.00 (£384.00 incl.VAT) view all images for this item
Angelica Kauffman del.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs April 15 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple. 370 x 320mm (14½ x 12½"), with large margins.
Three women under a tree: one plays a tamborine as another picks apples, placing them in the third's apron. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons, representing Summer. The other plates are: 'Flora' (Spring), 'Ceres' (Autumn) and 'Winter'.
See 57537 for Spring & 57538 for Winter. See 45010 in Sanguine. De Vesme: 715
[Ref: 57536] £320.00 (£384.00 incl.VAT) view all images for this item
![[Summer]](jpegs/45071.jpg)
[Summer] L'Eté
[after Charles Eisen, c.1770]
Fine engraving, proof before artists name & publication line, sheet 215 x 140mm (8½ x 5½"). Trimmed to platemark; glued to album sheet at corners.
A young woman bathing, assisted by putti. From a set of prints representing the four seasons after designs by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45071] £240.00 (£288.00 incl.VAT)
[after Charles Eisen, c.1770]
Fine engraving, proof before artists name & publication line, sheet 215 x 140mm (8½ x 5½"). Trimmed to platemark; glued to album sheet at corners.
A young woman bathing, assisted by putti. From a set of prints representing the four seasons after designs by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45071] £240.00 (£288.00 incl.VAT)
Winter.
Designed & Engraved by J. Peirson.
London, Published by J. Le Petit, 22 Suffolk Street, Middlesex Hospital, 1st Sepr 1797.
Stipple, printed in colours. 190 x 230mm (7½ x 9"). Narrow bottom margin, slight scuffing at printed border top left. Small margins on 3 sides.
Children by the side of a pond. A fine example of colour printing, from a set of Four Seasons.
[Ref: 67875] £180.00 (£216.00 incl.VAT)
Designed & Engraved by J. Peirson.
London, Published by J. Le Petit, 22 Suffolk Street, Middlesex Hospital, 1st Sepr 1797.
Stipple, printed in colours. 190 x 230mm (7½ x 9"). Narrow bottom margin, slight scuffing at printed border top left. Small margins on 3 sides.
Children by the side of a pond. A fine example of colour printing, from a set of Four Seasons.
[Ref: 67875] £180.00 (£216.00 incl.VAT)
L’Esté. AEstas. Le Sacrifice en l’honneur de Ceres. Peint dans la Gallerie de Son Altesse Royale Monsieur a St. Cloud. Sacrificium Deae Cereri. La Tabula depicta in Peristylio Seren. Principis Ducis Aurelix in Palatio S.ti Clodovaei.
Peint par P.M. grand excuyer j.er. Peintre du Roy.
Se vend a Paris chez N. de Poilly rue S.te Iacques a la belle Image C.P.R. [n.d. c.1696, but later.]
Engraving with small margins. Plate 270 x 362mm. 10¾ x 14¼". Slight crease in centre
Summer: sacrifice to Ceres, with young women carrying a statue of the goddess and standing next to a tripod, at the bottom of which a man is sacrificing a pig. From a set of four plates reproducing the compositions designed by Mignard for the decoration of the chateau of Saint-Cloud, c.1677/80.
[Ref: 26572] £160.00 (£192.00 incl.VAT)
Peint par P.M. grand excuyer j.er. Peintre du Roy.
Se vend a Paris chez N. de Poilly rue S.te Iacques a la belle Image C.P.R. [n.d. c.1696, but later.]
Engraving with small margins. Plate 270 x 362mm. 10¾ x 14¼". Slight crease in centre
Summer: sacrifice to Ceres, with young women carrying a statue of the goddess and standing next to a tripod, at the bottom of which a man is sacrificing a pig. From a set of four plates reproducing the compositions designed by Mignard for the decoration of the chateau of Saint-Cloud, c.1677/80.
[Ref: 26572] £160.00 (£192.00 incl.VAT)
Summer. View Thomson's Seasons.
C.R. Ryley & G. Robertson pinx.t. James Fittler, Direx.t.
Published as the Act directs April, 12, 1800 by J. Fittler N.º 62 Upper Charlotte St.r London, and may be had of R. Cribb, N.º 288, Holborn.
Etching with engraving. 360 x 450mm (14¼ x 17¾"), very large margins. Surface scraping outside platemark.
A fine impression of this rustic scene, with figures gathered beneath a huge tree, with men shearing sheep to the left.
See BM 1872,0608.125 for a later state, published by Molteno in 1803.
[Ref: 64065] £480.00
C.R. Ryley & G. Robertson pinx.t. James Fittler, Direx.t.
Published as the Act directs April, 12, 1800 by J. Fittler N.º 62 Upper Charlotte St.r London, and may be had of R. Cribb, N.º 288, Holborn.
Etching with engraving. 360 x 450mm (14¼ x 17¾"), very large margins. Surface scraping outside platemark.
A fine impression of this rustic scene, with figures gathered beneath a huge tree, with men shearing sheep to the left.
See BM 1872,0608.125 for a later state, published by Molteno in 1803.
[Ref: 64065] £480.00
Pomona.
Angelica Kauffman del.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs April 15 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple, printed in sanguine. 370 x 320mm (14½ x 12½"), with large margins. Repaired tear in margin. Slight foxing.
A plate representing Summer, with three women under a tree. One plays a tamborine as another picks apples, placing them in the third's apron. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons, representing Summer. The other plates are: 'Flora' (Spring), 'Ceres' (Autumn) and 'Winter'.
[Ref: 45010] £280.00 (£336.00 incl.VAT)
Angelica Kauffman del.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs April 15 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple, printed in sanguine. 370 x 320mm (14½ x 12½"), with large margins. Repaired tear in margin. Slight foxing.
A plate representing Summer, with three women under a tree. One plays a tamborine as another picks apples, placing them in the third's apron. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons, representing Summer. The other plates are: 'Flora' (Spring), 'Ceres' (Autumn) and 'Winter'.
[Ref: 45010] £280.00 (£336.00 incl.VAT)
![Summer [ms]](jpegs/34857.jpg)
Summer [ms]
[after Edward Francis Burney]
[Pub. Jan 1 1812 by R. Ackermann at his Repository of Arts 101 Strand London]
Stipple, sheet 145 x 250mm (5¾ x 9¾"). Trimmed, losing text.
Summer, represented by a nymph on a carriage, drawn through the clouds by a lion ridden by another cherub. After Edward Francis Burney, from a series of seasons of the year.
[Ref: 34857] £95.00 (£114.00 incl.VAT)
[after Edward Francis Burney]
[Pub. Jan 1 1812 by R. Ackermann at his Repository of Arts 101 Strand London]
Stipple, sheet 145 x 250mm (5¾ x 9¾"). Trimmed, losing text.
Summer, represented by a nymph on a carriage, drawn through the clouds by a lion ridden by another cherub. After Edward Francis Burney, from a series of seasons of the year.
[Ref: 34857] £95.00 (£114.00 incl.VAT)
Winter Wenn mhedt fangt es an / zu Schneien und zu wehen [...]
Joh. Gottfr. Haidt, del. J.M. Stiedlin [?] sc. [in reverse lower right]
Joh. George Hertel, excud. A.V. 3
Etching, very large margins, sheet 300 x 200mm (12 x 8"). Foxing around edges
Rococo stitle page representing winter, with iceskaters and classical architecture. From a set of the four seasons by Johann Gottfried Haid (1714-76), better known for his work as a mezzotinter (he spent time working in London, and later set up an academy for mezzotinters in Vienna).
[Ref: 33171] £190.00 (£228.00 incl.VAT)
Joh. Gottfr. Haidt, del. J.M. Stiedlin [?] sc. [in reverse lower right]
Joh. George Hertel, excud. A.V. 3
Etching, very large margins, sheet 300 x 200mm (12 x 8"). Foxing around edges
Rococo stitle page representing winter, with iceskaters and classical architecture. From a set of the four seasons by Johann Gottfried Haid (1714-76), better known for his work as a mezzotinter (he spent time working in London, and later set up an academy for mezzotinters in Vienna).
[Ref: 33171] £190.00 (£228.00 incl.VAT)
Winter. Bless my heart hon cold it is. Ah mon Dieu qu'il fair froidé.
Painted by R. Westall. Engraved by P. Bonato.
[n.d., c.1790.]
Rare engraving. 275 x 200mm (10¾ x 8"). Creases to sheet.
A portrait, half-length, of a young woman, looking three-quarter to the right. She is wearing an elaborate bonnet with a ribbon at the top and has her hands concealed in a large muff in front of her chest. An Italian copy of a stipple by Bartolozzi after Wheatley (see ref: 8897).
[Ref: 35095] £220.00 (£264.00 incl.VAT)
Painted by R. Westall. Engraved by P. Bonato.
[n.d., c.1790.]
Rare engraving. 275 x 200mm (10¾ x 8"). Creases to sheet.
A portrait, half-length, of a young woman, looking three-quarter to the right. She is wearing an elaborate bonnet with a ribbon at the top and has her hands concealed in a large muff in front of her chest. An Italian copy of a stipple by Bartolozzi after Wheatley (see ref: 8897).
[Ref: 35095] £220.00 (£264.00 incl.VAT)
L'Hyver.
Bassan pinx.
AParis chez Chiquet rue S.Jacques au Grand S. Henry. [n.d., c.1700.]
Engraving. 125 x 290mm (5 x 11½"). Small margins. Slight very small pinholes top centre. Surface soiled.
A winter landscape with a man chopping wood, two figures unloading a donkey carrying a bundle of firewood in the centre, figures cooking a meal on a fire outside a rustic house, a man butchering a pig and a woman spinning wool. A later version of one of Jacapo Bassano's Four Seasons, originally engraved by Jan Sadeler c.1580.
[Ref: 44356] £90.00 (£108.00 incl.VAT)
Bassan pinx.
AParis chez Chiquet rue S.Jacques au Grand S. Henry. [n.d., c.1700.]
Engraving. 125 x 290mm (5 x 11½"). Small margins. Slight very small pinholes top centre. Surface soiled.
A winter landscape with a man chopping wood, two figures unloading a donkey carrying a bundle of firewood in the centre, figures cooking a meal on a fire outside a rustic house, a man butchering a pig and a woman spinning wool. A later version of one of Jacapo Bassano's Four Seasons, originally engraved by Jan Sadeler c.1580.
[Ref: 44356] £90.00 (£108.00 incl.VAT)
Inverno. Hiver.
Dessiné par Hamilton. Direge par Suntach.
[n.d., c.1790.]
Rare engraving. 270 x 290mm (10½ x 11½"), with very large margins.
An winter scene, with rustic figures chopping and collecting wood for a fire, with a verse in Italian and French. From a set of four.
[Ref: 45372] £220.00 (£264.00 incl.VAT)
Dessiné par Hamilton. Direge par Suntach.
[n.d., c.1790.]
Rare engraving. 270 x 290mm (10½ x 11½"), with very large margins.
An winter scene, with rustic figures chopping and collecting wood for a fire, with a verse in Italian and French. From a set of four.
[Ref: 45372] £220.00 (£264.00 incl.VAT)
![[Winter - a woman carrying twigs.]](jpegs/37968.jpg)
[Winter - a woman carrying twigs.]
HW Bunbury Esq.r del.t. J. Baldrey Sculp.t.
London Publish'd Apr.l 27th 1789 by W. Dickinson Bond Street
Stipple printed in brown ink, sheet 380 x 280mm (15 x 11"). Trimmed to platemark; creased.
Stipple after Henry Bunbury (1750-1811), amateur artist who enjoyed a successful career as a designer for printsellers. Tim Clayton writes: 'Prints by Bunbury and his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it.' He designed many prints of rural life such as this, which always remained attactive and picturesque.
see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 37968] £140.00 (£168.00 incl.VAT)
HW Bunbury Esq.r del.t. J. Baldrey Sculp.t.
London Publish'd Apr.l 27th 1789 by W. Dickinson Bond Street
Stipple printed in brown ink, sheet 380 x 280mm (15 x 11"). Trimmed to platemark; creased.
Stipple after Henry Bunbury (1750-1811), amateur artist who enjoyed a successful career as a designer for printsellers. Tim Clayton writes: 'Prints by Bunbury and his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it.' He designed many prints of rural life such as this, which always remained attactive and picturesque.
see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 37968] £140.00 (£168.00 incl.VAT)
L'Hyver. Gravé d'Aprés le Tableau original Peint en ovale par Watteau, Chez Mr Crozat, haut de 4 pieds 5 pouces, sur 3 pieds 9 Pounces de large.
Watteau pinx. J.Audran Sculp.
A Paris avec privilege du Roi. [n.d., c.1730.]
Fine copper engraving. 450 x 330mm, 17¾ x 13". Repaired tear entering image at top.
An allegorical scene of winter, engraved by Benoit Audran after Jean-Antoine Watteau. A man sits warming his hands at a camp fire, with cherubs etc. blowing behind him.
[Ref: 23890] £320.00
Watteau pinx. J.Audran Sculp.
A Paris avec privilege du Roi. [n.d., c.1730.]
Fine copper engraving. 450 x 330mm, 17¾ x 13". Repaired tear entering image at top.
An allegorical scene of winter, engraved by Benoit Audran after Jean-Antoine Watteau. A man sits warming his hands at a camp fire, with cherubs etc. blowing behind him.
[Ref: 23890] £320.00
![Inverno. [Winter.]](jpegs/23257.jpg)
Inverno. [Winter.]
[Anon., Dutch/German, n.d., c.1680-1720.]
Rare and scarce etching, image 295 x 240mm. 11½ x 9½". Margins crudely trimmed; several fold creases and pin holes, damaged
Reverse copy of the Amstel engravings after Joachim von Sandrart. A cook in a stone-vaulted kitchen with dead game and holding a freshly-prepared pie. Meat roasting over a fire over an oven, and drinkers and a musician in background to left. Three inset signs of the zodiac to upper part of image. Presumably from a set of allegories of the four seasons.
[Ref: 23257] £160.00 (£192.00 incl.VAT)
[Anon., Dutch/German, n.d., c.1680-1720.]
Rare and scarce etching, image 295 x 240mm. 11½ x 9½". Margins crudely trimmed; several fold creases and pin holes, damaged
Reverse copy of the Amstel engravings after Joachim von Sandrart. A cook in a stone-vaulted kitchen with dead game and holding a freshly-prepared pie. Meat roasting over a fire over an oven, and drinkers and a musician in background to left. Three inset signs of the zodiac to upper part of image. Presumably from a set of allegories of the four seasons.
[Ref: 23257] £160.00 (£192.00 incl.VAT)
Winter.
Designed & Engraved by J. Peirson.
London, Published by J. Le Petit, 22 Suffolk Street, Middlesex Hospital, 1st Sepr 1797.
Stipple, printed in colours. 190 x 230mm (7½ x 9").
Children ice skating on a pond. A fine example of colour printing, from a set of Four Seasons.
[Ref: 67874] £230.00 (£276.00 incl.VAT)
Designed & Engraved by J. Peirson.
London, Published by J. Le Petit, 22 Suffolk Street, Middlesex Hospital, 1st Sepr 1797.
Stipple, printed in colours. 190 x 230mm (7½ x 9").
Children ice skating on a pond. A fine example of colour printing, from a set of Four Seasons.
[Ref: 67874] £230.00 (£276.00 incl.VAT)
Winter. L'Hiver. Hiems.
J. Reynolds pinx.t. J.S. Negges sc. et ex.
[n.d., c.1740.]
A scarce mezzotint. Plate: 355 x 255mm (14 x 10"), with very large margins. Creasing.
A portrait of the allegorical figure of Winter, copy of an English print, shown holding a large muff.
[Ref: 46679] £320.00
J. Reynolds pinx.t. J.S. Negges sc. et ex.
[n.d., c.1740.]
A scarce mezzotint. Plate: 355 x 255mm (14 x 10"), with very large margins. Creasing.
A portrait of the allegorical figure of Winter, copy of an English print, shown holding a large muff.
[Ref: 46679] £320.00
![The Angry Farmer. Le Fermier en Colere. [&] Boys Skating. Garcons Patinant.](jpegs/29060.jpg)
The Angry Farmer. Le Fermier en Colere. [&] Boys Skating. Garcons Patinant.
Painted by G. Morland. Publish'd by A. Suntach.
Publish'd Mars 15.th 1793 by Antoine Suntach.
Pair of stipple engraving, rare, small margins. Plate 361 x 420mm (14¼ x 16½"). Repaired surface damage and repaired holes outside image 'Boys Skating'.
Two from a series on 'The Seasons': a farmer raising a stick ready to beat his son, his daughter tries to stop him by holding on, another kneels begging him, and another boy stands on the other side of the stile; and a family at the side of a frozen lake, the boys tying on their skates. Published by Antoine Suntach, one of numerous Parisian publishers who supplied copies of English stipples in response to continental 'anglomania'.
T. Clayton, 'The English Print', pp.274-5.
[Ref: 29060] £450.00 view all images for this item
Painted by G. Morland. Publish'd by A. Suntach.
Publish'd Mars 15.th 1793 by Antoine Suntach.
Pair of stipple engraving, rare, small margins. Plate 361 x 420mm (14¼ x 16½"). Repaired surface damage and repaired holes outside image 'Boys Skating'.
Two from a series on 'The Seasons': a farmer raising a stick ready to beat his son, his daughter tries to stop him by holding on, another kneels begging him, and another boy stands on the other side of the stile; and a family at the side of a frozen lake, the boys tying on their skates. Published by Antoine Suntach, one of numerous Parisian publishers who supplied copies of English stipples in response to continental 'anglomania'.
T. Clayton, 'The English Print', pp.274-5.
[Ref: 29060] £450.00 view all images for this item
Winter. Bless my heart how cold it is. Ah mon Dieu qu'ill fait froid!
Painted by F. Wheatley. Engrav'd by F. Bartolozzi R.A. Engraver to his Majesty.
Pub.d Feb.y 1. 1789 by T. Simpson St. Pauls Church Yard.
Stipple. 240 x 180mm (9½ x 7"). Small hole in the top left-hand corner of the margin.
Half-length young woman, looking three-quarter to right, wearing a hat; her hands concealed in a large muff in front of her chest. The example in the Paul Mellon collection (Yale Center for British Art B1977.14.14541) is described as being a portrait of Clara Maria Wheatley (c.1767-1838), wife of the artist. After Wheatley's death in 1801 she worked for Samuel Curtis, publisher of the 'Botanical Magazine', painting watercolours of flowers for that publication and his 'Monograph on the Genus Camellia' (1819) and his 'The Beauties of Flora'.
[Ref: 8897] £220.00 (£264.00 incl.VAT)
Painted by F. Wheatley. Engrav'd by F. Bartolozzi R.A. Engraver to his Majesty.
Pub.d Feb.y 1. 1789 by T. Simpson St. Pauls Church Yard.
Stipple. 240 x 180mm (9½ x 7"). Small hole in the top left-hand corner of the margin.
Half-length young woman, looking three-quarter to right, wearing a hat; her hands concealed in a large muff in front of her chest. The example in the Paul Mellon collection (Yale Center for British Art B1977.14.14541) is described as being a portrait of Clara Maria Wheatley (c.1767-1838), wife of the artist. After Wheatley's death in 1801 she worked for Samuel Curtis, publisher of the 'Botanical Magazine', painting watercolours of flowers for that publication and his 'Monograph on the Genus Camellia' (1819) and his 'The Beauties of Flora'.
[Ref: 8897] £220.00 (£264.00 incl.VAT)
L'Hyver.
Pierre Aveline del. Sculp. Cum privilegio Regis.
a Paris chez Charpentier rue St Jacques au Coq.
Engraving., 18th century watermark 340 x 245mm (13¼ x 9¾"), large margins.
An allegorical scene of winter, with three naked cherubs, one winged, warming themselves at a campfire.
[Ref: 54055] £240.00 (£288.00 incl.VAT)
Pierre Aveline del. Sculp. Cum privilegio Regis.
a Paris chez Charpentier rue St Jacques au Coq.
Engraving., 18th century watermark 340 x 245mm (13¼ x 9¾"), large margins.
An allegorical scene of winter, with three naked cherubs, one winged, warming themselves at a campfire.
[Ref: 54055] £240.00 (£288.00 incl.VAT)
![[Winter.]](jpegs/47255.jpg)
[Winter.] Delightful is the ripen'd year. [/] Que la maturité est agréable.
[Francis Wheatley. Francesco Bartolozzi.]
[Thomas Simpson.][1789.]
Rare stipple, proof before all letters. Plate: 240 x 180mm (9½ x 7"). Small margins.
An allegorical portrait of the figure of Winter shown dressed in a large fur muff.
De Vesme 720.
[Ref: 47255] £260.00 (£312.00 incl.VAT)
[Francis Wheatley. Francesco Bartolozzi.]
[Thomas Simpson.][1789.]
Rare stipple, proof before all letters. Plate: 240 x 180mm (9½ x 7"). Small margins.
An allegorical portrait of the figure of Winter shown dressed in a large fur muff.
De Vesme 720.
[Ref: 47255] £260.00 (£312.00 incl.VAT)
Winter. When Winter holds his solitary way...
[Engraved by Francesco Bartolozzi after Filippo Lauri?]
London, Publish'd Jan.y 1. 1800 by Anth.y Molteno Printseller to her Royal Highness the Dutchess of York, No 29 Pall Mall.
Stipple, printed in colours and hand finished. Sheet 295 x 230mm (11½ x 9"). Trimmed to plate, laid on card, some surface wear.
Three putti around a brazier. A fine & rare colour print.
[Ref: 45216] £260.00 (£312.00 incl.VAT)
[Engraved by Francesco Bartolozzi after Filippo Lauri?]
London, Publish'd Jan.y 1. 1800 by Anth.y Molteno Printseller to her Royal Highness the Dutchess of York, No 29 Pall Mall.
Stipple, printed in colours and hand finished. Sheet 295 x 230mm (11½ x 9"). Trimmed to plate, laid on card, some surface wear.
Three putti around a brazier. A fine & rare colour print.
[Ref: 45216] £260.00 (£312.00 incl.VAT)
Winter.
Angelica Kauffman delin.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs July 1 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple. 370 x 320mm (14½ x 12½"), with large margins. Repaired tear in margins top left.
Women and children gather around a hearth. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons. The other plates are: 'Flora' (Spring), 'Pomona' (Summer), 'Ceres' (Autumn) and 'Winter'.
See 57537 for Spring & 57536 for Summer. De Vesme: 716
[Ref: 57538] £320.00 (£384.00 incl.VAT)
Angelica Kauffman delin.t. F. Bartolozzi sculp.t.
Publish'd as the Act directs July 1 1782 by A. Torre No 44 Market Lane, London. A Paris Chez L Torre Porte St Antoine. A.P.D.R.
Stipple. 370 x 320mm (14½ x 12½"), with large margins. Repaired tear in margins top left.
Women and children gather around a hearth. Underneath are four lines of verse James Thomson's 'The Seasons'. From a set of Four Seasons. The other plates are: 'Flora' (Spring), 'Pomona' (Summer), 'Ceres' (Autumn) and 'Winter'.
See 57537 for Spring & 57536 for Summer. De Vesme: 716
[Ref: 57538] £320.00 (£384.00 incl.VAT)
L'Hiver.
Mauchard pinx.t.
Se vend à Augsbourg chez J.J. Haid et fils.
Rare mezzotint. 390 x 270mm (15¼ x 10½") very large margins. Printer's creases on right edge of plate, backed with archival tissue.
A half-length portrait of a woman wearing a fur-lined coat, with a hood and muff. Winter, one of a set of four portraits representing the Four Seasons.
[Ref: 60945] £280.00 (£336.00 incl.VAT)
Mauchard pinx.t.
Se vend à Augsbourg chez J.J. Haid et fils.
Rare mezzotint. 390 x 270mm (15¼ x 10½") very large margins. Printer's creases on right edge of plate, backed with archival tissue.
A half-length portrait of a woman wearing a fur-lined coat, with a hood and muff. Winter, one of a set of four portraits representing the Four Seasons.
[Ref: 60945] £280.00 (£336.00 incl.VAT)
Winter. Pleasure is fled - save where the Ball or play, / Or Opera, invite the Young and Gay; / Now Blustering Winds & rude inclement Skies / The Tippett, Muff, and Cardinal defies.
R. Pyle Pinx.t. Ja.s Watson fecit.
Printed for Carington Bowles, next the Chapter House in St Paul's Church Yard London. [n.d., c.1765.]
Mezzotint. 355 x 255mm (13¾ x 10"). Trimmed just within plate at bottom, thread margins elsewhere. Slight creasing.
A three-quarter length portrait of a fashionably-dressed young woman in a winter landscape, arms folded in an ermine-trimmed cloak (tippet). From a set of Seasons by Robert Pyle, which was also engraved by Richard Houston, Charles Corbett (pseudonym used by both Richard Purcell and Houston) & Georg & Johann Rugendas.
[Ref: 53387] £220.00 (£264.00 incl.VAT)
R. Pyle Pinx.t. Ja.s Watson fecit.
Printed for Carington Bowles, next the Chapter House in St Paul's Church Yard London. [n.d., c.1765.]
Mezzotint. 355 x 255mm (13¾ x 10"). Trimmed just within plate at bottom, thread margins elsewhere. Slight creasing.
A three-quarter length portrait of a fashionably-dressed young woman in a winter landscape, arms folded in an ermine-trimmed cloak (tippet). From a set of Seasons by Robert Pyle, which was also engraved by Richard Houston, Charles Corbett (pseudonym used by both Richard Purcell and Houston) & Georg & Johann Rugendas.
[Ref: 53387] £220.00 (£264.00 incl.VAT)
![[An officer seated on a bench by a folly.]](jpegs/53931.jpg)
[An officer seated on a bench by a folly.]
J. Collet inv.t et del. R. Pranker sculp.
London, Printed for Rob.t Sayer No 53, Fleet Street, as the Act directs 15 Dec.r 1770.
Etching with engraving. 195 x 140mm (7¾ x 5½"), with large margins.
From the collection 'Designs by Jn.o Collett, Both Serious and Comic, Engraved on 36 Plates'.
[Ref: 53931] £85.00 (£102.00 incl.VAT)
J. Collet inv.t et del. R. Pranker sculp.
London, Printed for Rob.t Sayer No 53, Fleet Street, as the Act directs 15 Dec.r 1770.
Etching with engraving. 195 x 140mm (7¾ x 5½"), with large margins.
From the collection 'Designs by Jn.o Collett, Both Serious and Comic, Engraved on 36 Plates'.
[Ref: 53931] £85.00 (£102.00 incl.VAT)
![[Unidentified sitting woman] [16]](jpegs/32587.jpg)
[Unidentified sitting woman] [16]
T.W. 1753
Etching with small margins, platemark 195 x 140mm (7¾ x 5½").
Etching by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced.
Ex: collection of the Late Hon. C. Lennox-Boyd
[Ref: 32587] £160.00 (£192.00 incl.VAT)
T.W. 1753
Etching with small margins, platemark 195 x 140mm (7¾ x 5½").
Etching by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced.
Ex: collection of the Late Hon. C. Lennox-Boyd
[Ref: 32587] £160.00 (£192.00 incl.VAT)
Veue du Chateau de Seaux prise du haut de l'Allee de la Diane. A View of the Palace of Seaux from the Top of Diana's Walk.
J. Tinney sculp.
London, Printed & Sold by Rob.t Sayer, Print & Map-seller, at the Golden Buck in Fleet Street. [n.d., c.1760.]
Hand coloured etching, 215 x 455mm. 8½ x 18". Fine early colour; good margins.
A prospect of the formal gardens and chateau at the Parc De Sceaux, Paris; figures with dogs to foreground. The château depicted here, demolished during the Revolution, was built by Jean-Baptiste Colbert, the minister of finance to Louis XIV, and purchased by Louis' illegitimate son, the duke of Maine in 1699. His duchesse held court in a glittering salon at Sceaux in the first decades of the eighteenth century. The present château, rebuilt 1856-62 in a Louis XIII style, is now a museum. From a series of copies of prints of French royal palaces by Jacques Rigaud (1681 - 1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'.
[Ref: 17602] £180.00 (£216.00 incl.VAT)
J. Tinney sculp.
London, Printed & Sold by Rob.t Sayer, Print & Map-seller, at the Golden Buck in Fleet Street. [n.d., c.1760.]
Hand coloured etching, 215 x 455mm. 8½ x 18". Fine early colour; good margins.
A prospect of the formal gardens and chateau at the Parc De Sceaux, Paris; figures with dogs to foreground. The château depicted here, demolished during the Revolution, was built by Jean-Baptiste Colbert, the minister of finance to Louis XIV, and purchased by Louis' illegitimate son, the duke of Maine in 1699. His duchesse held court in a glittering salon at Sceaux in the first decades of the eighteenth century. The present château, rebuilt 1856-62 in a Louis XIII style, is now a museum. From a series of copies of prints of French royal palaces by Jacques Rigaud (1681 - 1754), in his 'Recueil choisi des plus belles vues des palais, châteaux et maisons royales de Paris et des environs'.
[Ref: 17602] £180.00 (£216.00 incl.VAT)
S. Sebastianus Martyr. Virtus futile nomenm Ni decus adfuerit patiendo.
Pet: Schenck fec. cum Privil. Amstelod.
[n.d., c.1700.][Bit later]
Mezzotint. 245 x 180mm (9¾ x 7"), with large margins. Bit grey.
Two women attend the body of Saint Sebastian, one removing an arrow from his thigh. A suit of armour lies on the ground.
[Ref: 60166] £130.00 (£156.00 incl.VAT)
Pet: Schenck fec. cum Privil. Amstelod.
[n.d., c.1700.][Bit later]
Mezzotint. 245 x 180mm (9¾ x 7"), with large margins. Bit grey.
Two women attend the body of Saint Sebastian, one removing an arrow from his thigh. A suit of armour lies on the ground.
[Ref: 60166] £130.00 (£156.00 incl.VAT)
Sebastianus de Eerste, Konig van Portugael en Algarbe, etc.
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom left corner damaged, laid on album paper.
A half-length portrait in oval of Sebastian I (1554-78), king of Portugal. He died in battle, aged 24, leading a crusade against Morocco and his body never found.
[Ref: 66737] £60.00 (£72.00 incl.VAT)
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom left corner damaged, laid on album paper.
A half-length portrait in oval of Sebastian I (1554-78), king of Portugal. He died in battle, aged 24, leading a crusade against Morocco and his body never found.
[Ref: 66737] £60.00 (£72.00 incl.VAT)
Sailors' Encampment Before Sebastopol. The Agamemnon Babbies. No.4. ''The way these fellows (the Agamemnon Babbies, Trafalgar Lambs &c) have got up the ships guns...
Fine hand-coloured lithograph. Sheet: 240 x 350mm (9½ x 13¾''). Staining and very slight tears.
A scene showing sailors from the HMS Agamemnon dragging the guns in front of a tent during the Crimean War.
[Ref: 51039] £140.00 (£168.00 incl.VAT)
Fine hand-coloured lithograph. Sheet: 240 x 350mm (9½ x 13¾''). Staining and very slight tears.
A scene showing sailors from the HMS Agamemnon dragging the guns in front of a tent during the Crimean War.
[Ref: 51039] £140.00 (£168.00 incl.VAT)
A Christmas Dinner on the Heights Before Sebastopol. Plate XXX.
W. Simpson, del.t _ J.A.Vinter, lith. Day & Son, lith.rs to the Queen. Paris_Goupil & Cle. Déposé. Leipzig_Otto Weigel. Colnagni's Authentic Series.
Published May 22nd. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East. _Publishers to Her Majesty.
Lithograph. Sheet 295 x 380mm (11½ x 15"). Tear in title taped.
William Simpson's record of a dinner for officers of the Grenadier Guards at the Crimea, published in his ''Seat of War in the East''. From the left: Captain Sir Charles Russell, Baronet (winner of a VC); Captain Charles Turner; Captain Alexander Viscount Balgonie (died in the fighting); Captain Frederick Bathurst; Captain Edwyn Sherard Burnaby; Lieut-Colonel Charles Lindsay); Colonel Frederick William Hamilton; Lieut-Colonel Prince Edward of Saxe Weimar; Captain George Higginson (later Major General commanding the Brigade of Guards & centenarian); Lieut. Robert William Hamilton; Captain Henry William Verschoyle; and Captain Sir James Fergusson (later Governor of South Australia, New Zealand and Bombay),
Simpson's original watercolour is in the British Museum (1935,0306.4)
[Ref: 57338] £140.00 (£168.00 incl.VAT)
W. Simpson, del.t _ J.A.Vinter, lith. Day & Son, lith.rs to the Queen. Paris_Goupil & Cle. Déposé. Leipzig_Otto Weigel. Colnagni's Authentic Series.
Published May 22nd. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East. _Publishers to Her Majesty.
Lithograph. Sheet 295 x 380mm (11½ x 15"). Tear in title taped.
William Simpson's record of a dinner for officers of the Grenadier Guards at the Crimea, published in his ''Seat of War in the East''. From the left: Captain Sir Charles Russell, Baronet (winner of a VC); Captain Charles Turner; Captain Alexander Viscount Balgonie (died in the fighting); Captain Frederick Bathurst; Captain Edwyn Sherard Burnaby; Lieut-Colonel Charles Lindsay); Colonel Frederick William Hamilton; Lieut-Colonel Prince Edward of Saxe Weimar; Captain George Higginson (later Major General commanding the Brigade of Guards & centenarian); Lieut. Robert William Hamilton; Captain Henry William Verschoyle; and Captain Sir James Fergusson (later Governor of South Australia, New Zealand and Bombay),
Simpson's original watercolour is in the British Museum (1935,0306.4)
[Ref: 57338] £140.00 (£168.00 incl.VAT)
Sir John Sebright Bar.t M.P.
Drawn on Stone by Weld Taylor. Printed by Graf and Soret.
[n.d., c.1830.]
Lithograph. Sheet 365 x 285mm (14¼ x 11¼"). Toning and creasing at top. Bit messy.
A half-length portrait of politician and agricultural innovator Sir John Saunders Sebright (1767-1846), 7th Baronet. In his 1809 pamphlet 'The Art of Improving the Breeds of Domestic Animals', he wrote 'the weak and the unhealthy do not live to propagate their infirmities'. This made an impression on Charles Darwin, who cited Sebright in both 'On the Origin of Species' and 'The Descent of Man'.
[Ref: 65840] £260.00 (£312.00 incl.VAT)
Drawn on Stone by Weld Taylor. Printed by Graf and Soret.
[n.d., c.1830.]
Lithograph. Sheet 365 x 285mm (14¼ x 11¼"). Toning and creasing at top. Bit messy.
A half-length portrait of politician and agricultural innovator Sir John Saunders Sebright (1767-1846), 7th Baronet. In his 1809 pamphlet 'The Art of Improving the Breeds of Domestic Animals', he wrote 'the weak and the unhealthy do not live to propagate their infirmities'. This made an impression on Charles Darwin, who cited Sebright in both 'On the Origin of Species' and 'The Descent of Man'.
[Ref: 65840] £260.00 (£312.00 incl.VAT)
The Hunters Annual_No. 3 Plate 1.st. This Print of W. Sebright Huntsman, to the Milton Hounds, is dedicated to The Right Hon.ble the Earl of Fitzwilliam by his Lordship's most obedient humble Serv.t. R. B. Davis.
Painted by R. B. Davis. Drawn on Stone by J. W. Giles Bedford S.t Euston Square. J. Graf, Printer to Her Majesty.
London, Aug.st 1.st 1839 by R. B. Davis, No. 10, Wilton St. Grosvenor Place and Mess.rs A. H. Bailey & Co. No.83 Cornhill.
Proof lithograph on chine collé. Sheet: 425 x 475mm (16¾ x 18¾"). Pencil annotation crossing out 'W' and adding 'J' in title.
A mounted portrait of W. Sebright shown with his hounds.
[Ref: 47868] £360.00
Painted by R. B. Davis. Drawn on Stone by J. W. Giles Bedford S.t Euston Square. J. Graf, Printer to Her Majesty.
London, Aug.st 1.st 1839 by R. B. Davis, No. 10, Wilton St. Grosvenor Place and Mess.rs A. H. Bailey & Co. No.83 Cornhill.
Proof lithograph on chine collé. Sheet: 425 x 475mm (16¾ x 18¾"). Pencil annotation crossing out 'W' and adding 'J' in title.
A mounted portrait of W. Sebright shown with his hounds.
[Ref: 47868] £360.00
The "Mealy's" off duty. Brighton, 1874. Military Caricatures 2.
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Very rare coloured lithograph. Sheet size: 500 x 375mm (19¾ x 14¾"). Some creasing.
Plate 2 from 'Seccombe's Military Caricatures'. c.1875. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 2.
[Ref: 55393] £190.00 (£228.00 incl.VAT)
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Very rare coloured lithograph. Sheet size: 500 x 375mm (19¾ x 14¾"). Some creasing.
Plate 2 from 'Seccombe's Military Caricatures'. c.1875. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 2.
[Ref: 55393] £190.00 (£228.00 incl.VAT)
The "Mealy's" off duty. Brighton, 1874. Military Caricatures 2.
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 2 from 'Seccombe's Military Caricatures'. c.1875. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 2.
[Ref: 39057] £140.00 (£168.00 incl.VAT)
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 2 from 'Seccombe's Military Caricatures'. c.1875. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 2.
[Ref: 39057] £140.00 (£168.00 incl.VAT)
Hopelessly clubbed. Military Caricatures 3.
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 3 from 'Seccombe's Military Caricatures'. c.1875. A perplexed figure stands in the centre, with a crowd of infantry behind to the left, and an outraged Officer to the right. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 3.
[Ref: 39058] £160.00 (£192.00 incl.VAT)
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 3 from 'Seccombe's Military Caricatures'. c.1875. A perplexed figure stands in the centre, with a crowd of infantry behind to the left, and an outraged Officer to the right. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 3.
[Ref: 39058] £160.00 (£192.00 incl.VAT)
The festive Infantry Major. Military Caricatures 1.
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 1 from 'Seccombe's Military Caricatures'. c.1875. A rotund Infantry Major smiles as he takes the floor to dance at a festive ball. Other well dressed figures are seen in the background. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 1.
[Ref: 39061] £190.00 (£228.00 incl.VAT)
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 1 from 'Seccombe's Military Caricatures'. c.1875. A rotund Infantry Major smiles as he takes the floor to dance at a festive ball. Other well dressed figures are seen in the background. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 1.
[Ref: 39061] £190.00 (£228.00 incl.VAT)
Peacocking. Military Caricatures 5.
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 5 from 'Seccombe's Military Caricatures'. c.1875. A Military Artillery Officer in full uniform, wearing a jacket, belt, a pouch around his shoulder, dress spurs and boots, a dress hat with chin scales and a peaked feather at the front, clutching his sword and hanky. A group of women in Ball gowns in watch the officer from behind. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 5.
[Ref: 39062] £160.00 (£192.00 incl.VAT)
T.S. Seccombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 5 from 'Seccombe's Military Caricatures'. c.1875. A Military Artillery Officer in full uniform, wearing a jacket, belt, a pouch around his shoulder, dress spurs and boots, a dress hat with chin scales and a peaked feather at the front, clutching his sword and hanky. A group of women in Ball gowns in watch the officer from behind. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 5.
[Ref: 39062] £160.00 (£192.00 incl.VAT)
Howev-a-r am I to get ov-a-r? Military Caricatures 6.
T.S. Seacombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 6 from 'Seccombe's Military Caricatures'. c.1875. An extremely tall Infantry Officer looks down at a puddle through his monicle, contemplating how to cross it. A well dressed woman watches him from the background, smiling. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 6.
[Ref: 39063] £160.00 (£192.00 incl.VAT)
T.S. Seacombe Capt.n RA.
[n.d., c.1875.]
Coloured lithograph. Sheet size: 450 x 325mm (17¾ x 12¾"). Very rare.
Plate 6 from 'Seccombe's Military Caricatures'. c.1875. An extremely tall Infantry Officer looks down at a puddle through his monicle, contemplating how to cross it. A well dressed woman watches him from the background, smiling. Major Thomas Strong Seccombe (1840 - 1913) became a member of the Ipswich Art Club in 1875, the same year that he was promoted Major.
Ogilby. 816: 6.
[Ref: 39063] £160.00 (£192.00 incl.VAT)
Fredericus Henrius S.R.J. Comes de Seckendorf. etc. etc. S.C.M. Supremus Campi Mareschallus.
Joh. El. Ridinger inv. fec. et exc. AV. [n.d., c.1750.]
Rare engraving. Plate: 335 x 250mm (13¼ x 9¾''). Small margins.
An equestrian portrait of Friedrich Heinrich Reichsgraf von Seckendorff (1673-1763), a German military commander for the Austrian army during the Wars of Austrian Succession and the Seven Years War.
[Ref: 50852] £260.00 (£312.00 incl.VAT)
Joh. El. Ridinger inv. fec. et exc. AV. [n.d., c.1750.]
Rare engraving. Plate: 335 x 250mm (13¼ x 9¾''). Small margins.
An equestrian portrait of Friedrich Heinrich Reichsgraf von Seckendorff (1673-1763), a German military commander for the Austrian army during the Wars of Austrian Succession and the Seven Years War.
[Ref: 50852] £260.00 (£312.00 incl.VAT)
Ch.les De Secondat Bon. De Montesquieu. Presidt. a Mortier au Parlemt. de Bourdeaux.
d'Apres sa Statue Sculptee par M. Clodion, pour le Roi.
A Paris chez Duflos rue St.Victor. A.P.D.R. [n.d. c.1780]
Engraving with fine hand colour. 170 x 280mm (6¾ x 11"). Small margins.
The baron de Montesquieu, social commentator and political thinker. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 40157] £130.00 (£156.00 incl.VAT)
d'Apres sa Statue Sculptee par M. Clodion, pour le Roi.
A Paris chez Duflos rue St.Victor. A.P.D.R. [n.d. c.1780]
Engraving with fine hand colour. 170 x 280mm (6¾ x 11"). Small margins.
The baron de Montesquieu, social commentator and political thinker. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 40157] £130.00 (£156.00 incl.VAT)
Le Secret. R.1.
Huquier ex.
A Paris chez Huquier rue des Mathurins près celle de Sorbonne. C.P.R. [n.d. c.1760.]
Fine and rare etching, pt 18th century watermark. 160 x 110mm (6¼ x 4¼"), with large margins. Slightly foxed.
A rococo design, engraved and published by Gabriel Huquier (1695-1772), representing secrecy, with a sphinx and a pair of keys.
[Ref: 59342] £160.00 (£192.00 incl.VAT)
Huquier ex.
A Paris chez Huquier rue des Mathurins près celle de Sorbonne. C.P.R. [n.d. c.1760.]
Fine and rare etching, pt 18th century watermark. 160 x 110mm (6¼ x 4¼"), with large margins. Slightly foxed.
A rococo design, engraved and published by Gabriel Huquier (1695-1772), representing secrecy, with a sphinx and a pair of keys.
[Ref: 59342] £160.00 (£192.00 incl.VAT)
The Secret.
Drawn & Engraved by H. Beckwith.
London, Published by Rogerson & Tuxford, 246 Strand, 1854.
Engraving. Sheet: 155 x 240mm (6 x 9½").
A view of the yacht "The Secret" at sea with a ship and steam ship behind. An illustration from the 'Sporting Magazine'.
[Ref: 45916] £60.00 (£72.00 incl.VAT)
Drawn & Engraved by H. Beckwith.
London, Published by Rogerson & Tuxford, 246 Strand, 1854.
Engraving. Sheet: 155 x 240mm (6 x 9½").
A view of the yacht "The Secret" at sea with a ship and steam ship behind. An illustration from the 'Sporting Magazine'.
[Ref: 45916] £60.00 (£72.00 incl.VAT)
![[A Secret Letter.]](jpegs/41530.jpg)
[A Secret Letter.]
Etching by T. Orde, Esq. afterwards 1st Lord Bolton. [In manuscript below plate.]
[n.d., c1770.]
Rare etching. Plate: 185 x 125mm (7¼ x 5"). Paper tone, small margins.
An exterior scene in which a woman, walking arm in arm with an older man, is handed a letter by a young man walking behind her. Another man peeps out from behind a bush. An etching by Thomas Orde Powlett (1746-1807) who was an amateur caricaturist whilst at Cambridge.
[Ref: 41530] £180.00 (£216.00 incl.VAT)
Etching by T. Orde, Esq. afterwards 1st Lord Bolton. [In manuscript below plate.]
[n.d., c1770.]
Rare etching. Plate: 185 x 125mm (7¼ x 5"). Paper tone, small margins.
An exterior scene in which a woman, walking arm in arm with an older man, is handed a letter by a young man walking behind her. Another man peeps out from behind a bush. An etching by Thomas Orde Powlett (1746-1807) who was an amateur caricaturist whilst at Cambridge.
[Ref: 41530] £180.00 (£216.00 incl.VAT)
The Secret.
Drawn & Engraved by H. Beckwith.
London, Published by Rogerson & Tuxford, 246, Strand, 1854.
Steel engraving, sheet 150 x 220mm. 6 x 8¾". Trimmed to plate. Slightly soiled.
A yacht at sea, coastline and other shipping in background. By Henry Beckwith (1830 fl. - 1900 after).
[Ref: 13510] £75.00 (£90.00 incl.VAT)
Drawn & Engraved by H. Beckwith.
London, Published by Rogerson & Tuxford, 246, Strand, 1854.
Steel engraving, sheet 150 x 220mm. 6 x 8¾". Trimmed to plate. Slightly soiled.
A yacht at sea, coastline and other shipping in background. By Henry Beckwith (1830 fl. - 1900 after).
[Ref: 13510] £75.00 (£90.00 incl.VAT)
![[Details of the various sections of the brain.]](jpegs/15542.jpg)
[Details of the various sections of the brain.]
Hopkins lithog.
[n.d. c.1860.]
Two very rare lithographs on one sheet. Sheet 403 x 260mm. 16 x 10¼". Stained.
Top section: a mans head from the side, the front and the back; divded into sections, marked numerically from I to XXXIII. Bottom: specific feeling, thouht allocated to that specific section. I. Organ of Amativeness - Physical Love. II. Organ of Philoprogenitiveness. Love of Offspring. III. Organ of Inhabitiveness_attachment to particular places…XXXI. Organ of Causality power of tracing the relation of cause and effect. XXXII. Organ of Wit. XXXIII. Organ of Imitation, mimickry.
[Ref: 15542] £180.00 (£216.00 incl.VAT)
Hopkins lithog.
[n.d. c.1860.]
Two very rare lithographs on one sheet. Sheet 403 x 260mm. 16 x 10¼". Stained.
Top section: a mans head from the side, the front and the back; divded into sections, marked numerically from I to XXXIII. Bottom: specific feeling, thouht allocated to that specific section. I. Organ of Amativeness - Physical Love. II. Organ of Philoprogenitiveness. Love of Offspring. III. Organ of Inhabitiveness_attachment to particular places…XXXI. Organ of Causality power of tracing the relation of cause and effect. XXXII. Organ of Wit. XXXIII. Organ of Imitation, mimickry.
[Ref: 15542] £180.00 (£216.00 incl.VAT)
![[Sedan chair and horse fall into water]](jpegs/44224.jpg)
[Sedan chair and horse fall into water]
[Anon., c.1800]
Etching, unique & rare; sheet 340 x 290mm (13½ x 11½"). Trimmed; tears to edges; glued to backing sheet; another impression of same plate verso of same plate.
[Ref: 44224] £260.00 (£312.00 incl.VAT)
[Anon., c.1800]
Etching, unique & rare; sheet 340 x 290mm (13½ x 11½"). Trimmed; tears to edges; glued to backing sheet; another impression of same plate verso of same plate.
[Ref: 44224] £260.00 (£312.00 incl.VAT)
The Chairmen's Terror. Here, Chair, cries Baron Paunch with Venison cram'd / Ay call away cries Paddy, and be damnd."
Rowlandson 1792.
Published July 18th 1792 by T. Rowlandson, No 52, Strand.
Rare coloured etching. 230 x 305mm (9 x 12"). Trimmed within plate on three sides, small tears. Ink spot centre.
Sedan chair porters recoil when hailed by an obese naval officer outside St James's Palace.
Not in BM
[Ref: 58348] £260.00 (£312.00 incl.VAT)
Rowlandson 1792.
Published July 18th 1792 by T. Rowlandson, No 52, Strand.
Rare coloured etching. 230 x 305mm (9 x 12"). Trimmed within plate on three sides, small tears. Ink spot centre.
Sedan chair porters recoil when hailed by an obese naval officer outside St James's Palace.
Not in BM
[Ref: 58348] £260.00 (£312.00 incl.VAT)