[Virginie de Sainte-Aldegonde.] Le Premier Ami. The First Friend.
Peint par F. Winterhalter. Gravé par Alph.se Martinet.
London _ Published Feb.y 1844, by the Anaglyphic Company, 25 Berniers St, Oxf.d St. Paris _ Publié par Goupil & Vibert., Boulevart Montmartre 15, & rue de Lanery 7.
Rare photogravure. 440 x 490mm (17¼ x 19¼"), with large margins. Surface soiling, manuscript within plate mark, outside image area.
A portrait of the five-year old Virginie de Sainte-Aldegonde (1834-1900, the future Duchesse de Rochechouart-Mortemart) in a garden overlooking the sea, leaning on a huge hound, probably a Neapolitan mastiff. The original painting is Winterhalter Catalogue, no 162.
[Ref: 47432] £360.00
[Battle of the Saintes] To Lord Rodney Adm.l of the White, Lord Hood, Sir Francis Samuel Drake, Bar.t Rear Adnls of the Blue, Sir Edmund Affleck Bar.t Commodore, The several Captains and Officers, This Representation of the glorious, brilliant and decisive Victory, obtained by His Majesty's Fleet under their Command, over the French Fleet, commanded by the Admiral Count de Grasse, on the 12th April 1782, for which they received the thanks of both Houses of Parliament. Is with all due Respect inscribed by their most obedient Servant, Richard Paton.
Painted by Rich.d Paton. Engraved by James Fittler.
John Boydell excudit 1783. Publish'd May 1st. 1783. by John Boydell, Engraver, in Cheapside, London.
Coloured engraving. 505 x 680mmm (20 x 26¾"). Repaired tear entering plate at top, repairs in margins, slight mount burn, a few spots. Some brown staining.
A view of the climax of the four-day Battle of the Saintes, with Rodney breaking the French line (the first time it was used as a tactic), capturing four ships of the line and destroying another. This victory over the French at the culmination of the American Revolutionary War was important as it saved the British colonies in the West Indies and gave Britain a better position at the peace negotiations. Parker 88 E
[Ref: 57474] £750.00
The Saintly Hun A Book of German Virtues.
by W. Heath Robinson.
Duckworth & Co. [n.d., c.1917.]
Book. Soft covers, pp48. Black and white illustrations. 210 x 330mm (8¼ x 13"). Paper tone, tears in pages and covers worn.
A comic book satirising the German nation during the First World War.
[Ref: 44672] £60.00
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The Saints or Patrick _ George _ Andrew and David!
Drawn by M.E. Esq.r [Egerton]. Engraved by Theodore Lane.
London Pub.d by Pyall & Hunt, 18 Tavistock Street. Covent Garden. [n.d., c.1825.]
Aquatint with fine hand colour. Sheet 345 x 250mm (13½ x 9¾"). Trimmed. Slight stain bottom left.
The patron saints of Ireland, England, Scotland and Wales as drunken men, with shamrock, rose, thistle and leek in their buttonholes. BM Satires 14994. Hickman: p. 86
[Ref: 58273] £280.00
(£336.00 incl.VAT)
The Saints or Patrick _ George _ Andrew and David!
Drawn by M.E. Esq.r [Egerton]. Engraved by Theodore Lane.
London Pub.d by Pyall & Hunt, 18 Tavistock Street. Covent Garden. [n.d., c.1825.]
Aquatint with fine hand colour. Sheet 345 x 250mm (13½ x 9¾"). Trimmed, tear though title area, stains in margins, laid on album paper.
The patron saints of Ireland, England, Scotland and Wales as drunken men, with shamrock, rose, thistle and leek in their buttonholes. BM Satires 14994. Hickman: p. 86
[Ref: 44276] £140.00
(£168.00 incl.VAT)
[Sixteen Portraits of Saints.]
B.T.A.
[n.d., c.1630.]
16 woodcuts. Sheet: 85 x 70cm (3½ x 2¾''). Trimmed and laid on album sheet.
Sixteen portraits of saints including the apostles, St. Mary and Christ. A woodcut cut by the monogrammist BTA, probably cut for a Carmelite order in Venice in the first half of the 17th century.
[Ref: 49651] £1,600.00
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Saith Satoore. Sadek Beg.
Drawn on Stone from the Life by Richard Lane.
[London. Pub.d by R. Dickinson 144 New Bond Street Dec. 1824. Printed by C. Hullmandel]
Lithograph on india. Sheet 255 x 190mm (10 x 7½").
Saith Satoor (d.1842). The son of an Armenian merchant, Satoor was educated in Bombay and travelled as interpreter to the British artist Robert Ker Porter in the Middle East from 1818-19. Lithograph from life by Richard Lane (1800-72), lithographer and sculptor, and one of the most accomplished practitioners of the new medium of lithography. Satoor was also portrayed by Sir George Hayter (1831 portrait in the Victoria & Albert Museum, London).
[Ref: 53536] £160.00
(£192.00 incl.VAT)
De Stadt Saccai. The Citty Saccai.
[London, John Ogilby, c.1670.]
Engraving. 260 x 340mm, 10½ x 13½". Repaired tear, creased as normal.
Sakai in Japan, an illustration from Johan Nieuhof's account of his travels in the East with the Dutch East India Company, 1665-7. This example comes from John Ogilby's edition of Montanus's 'Atlas Japanensis' with the English words added to the title and key. A later edition was published 1698.
[Ref: 18785] £220.00
(£264.00 incl.VAT)
Costumes des habitans de la Baie de Langle.
Dessine par Duche-de Vancy. Gravé par Cathelin. L. Aubert scripsit.
[Paris: L'Imprimerie de la Republique, An V, 1797.]
Engraving. 390 x 560mm, 15½ x 22".
La Perouse's officers among the inhabitants of 'Langle Bay', which was named after La Perouse's second-in-command, Paul Antoine Fleuriot de Langle, who was killed on Samoa, December 1787. The site is probably Tomari Bay, Sakhalin. In 1785 Jean-Francois de Galaup, comte de La Pérouse (1741-88) was sent by the French to continue Cook's exploration work in the Pacific, in the ships 'Astrolabe' & 'Boussole'. After three years, during which time he visited Chile, California, Alaska, Kamchatka, the Philippines, Japan and Hawaii, he travelled to Australia. Outside Botany Bay he met up with Captain Arthur Phillip's First Fleet, after which he set sail and was never seen again, despite an extensive rescue mission. Fortunately La Pérouse took every oportunity to send his work back to France: one crew member disembarked here at Petropavlovsk and spent a year crossing Russia back to France; later journals, charts and letters he left with the British at Botany Bay. Thus his discoveries were not lost with him, but published posthumously in this work, 'Voyage de la Perouse autour du monde..'. Ex Collection Norman Blackburn.
[Ref: 18691] £520.00
Niskani, Aoucantouri et Erougantoi, habitans de la Baie de Langle. Orotchis, habitans de la Baie de Castries.
Dessiné par Duche de Vancy. Gravé par Simonet. L. Aubert scripsit.
[Paris: Imprimerie de la Republique, 1797.]
Engraving. 565 x 410mm (22¼ x 16"). Tear in edge, well outside image area. Small margins.
Two round group portraits: above are inhabitants of the Tomari Bay, Sakhalin; below are the inhabitants of De Castries Bay, on the mainland coast of the Gulf of Tartary. They were drawn by Gaspard Duchè de Vancy (1756-1788), the official artist of the La Perouse expedition, who disappeared with the rest of the crews of the Astrolabe and Boussole in 1788.
[Ref: 40543] £140.00
(£168.00 incl.VAT)
Fine Prints of the Year. An Annual Review of Contemporary Etching and Engraving. Volume One. Containing reproductions of etchings, etc., issued or made during the year ending October, 1923.
Edited by Malcolm C. Salaman. Hon. Fellow, Royal Society of Painter-Etchers and Engravers.
London: Halton & Truscott Smith, Limited. 1924.
Book: 4to (289 x 222mm). Cloth binding with gilt title stamped onto spine and front cover. pp. v-viii + 208. Profusely illustrated with b/w and colour images. Binding worn and scratched. Some sporadic spotting.
An illustrated catalogue of the finest prints of 1923.
[Ref: 10456] £120.00
Fine Prints of the Year. An Annual Review of Contemporary Etching and Engraving. Volume Seven. Containing reproductions of Etchings and Engravings issued or made during the year ending October, 1929.
Edited by Malcolm C. Salaman. Hon. Fellow, Royal Society of Painter-Etchers and Engravers. American Section by Helen Fagg.
London: Halton & Truscott Smith, Ltd. New York: Minton, Balch & Company.
Book: 4to (281 x 220mm). 20 pages of narrative. 100 plates. 24 pages for 'Directory of Etchers and Engravers'. Cloth binding with gilt title stamped onto spine and front cover. Top edge gilt. Binding worn and torn slightly. Slightly dirty covers.
An illustrated catalogue of the finest prints of 1929.
[Ref: 10455] £120.00
Femme de Salamanque. Espagne. Costes. Etrangers.
d’après J.G. de S. Sauveur 1798. Hipte. Pauquet
Pauquet freres, editeurs. Impe. Fosset, Fbg. St. Jacques, 19. 11me. Liv. No.22. Bureaux des modes et costumes historiques Rue d'Enfer, 119 et Rue Richelieu, 78.
Hand-coloured engraving and stipple. 292 x 222mm. 11½ x 8¾".
A woman of Salamanca, from ''Costumes de Différent Pays'' by Jacques Grasset de Saint-Sauveur (1757-1810).
[Ref: 15655] £70.00
(£84.00 incl.VAT)
The Great Salcey Oak in Northamptonshire. Circumference on the ground 46 feet, 10 inches, at one yard high 39 feet, 10 inches. Estimated age 1500.
[n.d., c.1850.]
Pencil sketch. Sheet 175 x 200mm (7 x 8").
A gnarled old oak, with much of its trunk hollowed out. The remains can still be seen in Salcey Forest, near Hartnell, Northamptonshire.
[Ref: 34958] £120.00
(£144.00 incl.VAT)
Salcombe Harbour.
Nathaniel Sparks [signed in pencil.]
[n.d. c.1920.]
Etching with pencil signature. Plate 197 x 367mm. 7¾ x 14½".
A view of Salcombe Harbour, Devon. Nathaniel Sparks, R.E. (1880-1956).
[Ref: 27732] £140.00
(£168.00 incl.VAT)
Salcombe House, _Revd. Mr. Cockburn.
H. Haseler del. D. Havell sculp.
[Sidmouth: J. Wallis, 1816-17.]
Sepia aquatint, sheet 140 x 200mm. 5½ x 8". Trimmed to image on three sides; trace of diagonal crease.
A Devon residence in a landscape; two women, one with parasol, walking by a river with a weir in foreground. From H. Haseler's 'Sidmouth Scenery, or views of the principal cottages and residences ... at that ... watering place.' Abbey 307, 20. See BL 10352.d.2.
[Ref: 21979] £65.00
(£78.00 incl.VAT)
Salee, een vermaerde Koopstadt...
Pet Schenk.
Amst: C.P. [1702.]
Fine engraving, 215 x 265mm. 8½ x 10½".
A maritime battle, one ship in flames, in front of Salé (from the Berber word asla, meaning "rock"), the twin city to Rabat, capital of Morocco. It was a self-governing Republic with international trading influence, situated on the mouth of the Bou Regreg river on the Atlantic coast. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world. Hollstein, vol XV, nos.1306-1405.
[Ref: 9755] £180.00
(£216.00 incl.VAT)
Lady Sale and her Daughter's First Interview with General Sale After Their Captivity. From an Authentic Sketch by an Officer Taken at the Time Representing the Joyful Meeting of the Heroic Lady Sale Mrs Sturt Her Daughter and the Other Cabul Prisoner s with General Sale and His Brigade at Takhan Near Cabul 20th Sept Attended by Saleh Mahommed Khan and Other Faithful Afghans.
Drawn on Stone by Richard Eran Sly 40 Upper Seymour St Euston Sq.re.
Published by Blackwood & Page 154 Strand May 27th 1843. Printed by W. Kohler.
Rare lithograph. Sheet: 220 x 285mm (8¾ x 11¼''). Repaired tear.
A historical scene showing the release of women including Florentia Sale and her daughter Alexandrina Sturt after nine months capture. General Robert Sale was commander of the British forces at Jalalabad during the 1st Afghan War. In 1842 Afghan commander Akbar Khan captured a group of British women, children and soldiers after the massacre of Khurd Karbul Pass. As well as Mrs Sale's daughter her son-in-law Lt. John Sturt was captured; however he had been wounded and died in captivity.
[Ref: 49941] £140.00
(£168.00 incl.VAT)
Lady Sale.
[Engraved by William James Ward after Sir Thomas Lawrence.]
[n.d., c.1830.]
Mezzotint. 305 x 240mm (12 x 9½"), with large margins.
A half-length portrait of Lady Florentia Sale (née Wynch, 1790-1853), wearing a turban. She travelled the world with her husband, Major-General Sir Robert Henry Sale (1782–1845), and was famously taken prisoner while the British Army retreated from Kabul in 1842, during the First Anglo-Afghan War. She published her diary as 'A Journal of the Disasters in Afghanistan, 1841-42'. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68192] £160.00
(£192.00 incl.VAT)
[Sir Robert Sale.]
Painted by Henry Moseley Engraved by T.L. Atkinson
London, Published Nov. 1. 1845, by Henry Graves & Comp., 6. Pall Mall.
Mezzotint, 540 x 410mm. 21¼ x 16". Staining top right, foxing around platemark.
Sir Robert Sale (1782-1845), army officer. In the First Burmese War (1824-26) he led the 13th Regiment, and in one action he killed the enemy's leader in single combat. During the First Anglo-Afghan War (1839-42) he was second-in-command of the army of occupation in Kabul, and Lady Sale's diary of the period was published as a 'Journal of the Disasters in Afghanistan' in 1843. In 1845 be became quartermaster-general to Sir Hugh Gough's army, but died the same year of wounds received at the battle of Mudki in the Punjab.
[Ref: 12135] £320.00
[Sir Robert Sale.]
Painted by Henry Moseley. J.H.Lynch Lith.
Day & Son, Lithrs. to the Queen. London Published April 17th. 1850 by Henry Squire & Compy. (Late Colnaghi & Puckle) Printsellers & Publishers to Her Majesty & the Royal Family 23 Cockspur Street.
Lithograph. Sheet 635 x 477mm. 25 x 18¾". Tears and creasing to the margins. Scuffing and marking to the image.
Sir Robert Henry Sale (1782-1845), Colonel. IN 1795, he started his career by entering the 36th foot regiment, and went to India in 1798, as a lieutenant of the 12th foot. His regiment formed part of Baird's brigade of Harris's army operating against Toppoo Sahib. Hes was also present at Malavalli and Seringapatam, serving under Colonel Arthur Wellesley. He progressed rapidly through the ranks receiving honorary titles and a knighthood. The city of Sale, Victoira, Australia was named after Sir Robert Sale in 1851.
[Ref: 14416] £230.00
(£276.00 incl.VAT)
William Sale [facsimile signature.]
W.W. Ouless pinx.t P. Rajon del. [pencil signature:] Walter W. Ouless.
Published March 1.st 1876 (for the proprietors) by Tho. Agnew & Sons, London. Manchester & Liverpool.
Etching, signed in pencil by artist. Plate 419 x 330mm Crease top right.
An old man sat in a chair facing view with a large beard; a map on the wall. 'The Tablet' of 27th June 1874 reports on the Royal Academy Exhibition: 'Mr. Ouless produces three works, the principal being a superbly painted head of Mr. William Sale. The flesh tones are admirable, and the feeling of the entire works forms a strong contrast to the number of painted shadows on the walls'.
[Ref: 31222] £130.00
(£156.00 incl.VAT)
Schach Selim, Supremus Mogol.
[Pieter van der Aa.]
[n.d., c.1710.]
Very fine engraving. Platemark: 285 x 170mm (11¼ x 6¾"). Very large margins.
Nur-ud-din Mohammad Salim (1569-1627), known by his imperial name Jahangir (conqueror of the world), was the fourth Mughal Emperor who ruled from 1605 until his death in 1627. He is considered to be one of the greatest Indian Emperors and the fourth of the Grand Mughals. Plate 80 from the scarce series of historical portraits, 'Principum et illustrium quorundam virorum. Qui in Europa alibique terrarum, qua fama, qua eruditione celebres fuerunt, verae imagines', published Pieter van der Aa (1659 - 1733) c.1710.
[Ref: 39267] £240.00
(£288.00 incl.VAT)
[Salisbury] The Town House of the City of New Sarum 15 Nov. 1780. Built in the year 1579.
S. Green Fecit.
Published by S., Green I , Aug 1782.
Rare etching with mezzotint ground. 230 x 170mm (9 x 6¾"), very large margins. Central creasing.
A large Elizabethan half-timbered house; square, with two bays on each side below apex roofs, a small turret set on a short square base, and a colonnaded walkway at ground level. A companion plate shows the building on fire.
[Ref: 55988] £320.00
Salesbury / Sarisburia
[Pieter Van der Aa after Johannes Kip, 1707]
Rare engraving, platemark 130 x 165mm (5 x 6½"). Very large margins; unfolded state; Collector's stamp of Robert Johannes Meyer verso.
Early map of Salisbury, in Wiltshire, showing the cathedral and cutaway view of the town house. Plate from James Beverell's Les Delices de la Grande Bretagne et de L'Irlande. Formerly in the collection of Robert Johannes Meyer (1882-1976), Hamburg lawyer and print collector. L.4536
[Ref: 38544] £70.00
(£84.00 incl.VAT)
[First Anglo-Burmese War] The Conflagration of Dalla, on the Rangoon River.
Drawn by J. Moore. Engraved by G. Hunt.
Published Jan. 2, 1826, by Thos. Clay, 18, Ludgate Hill, & Kingsbury & Co. Leadenhall Str.t London.
Hand coloured aquatint. 330 x 420mm (13 x 16½"), watermarked 'J Whatman Turkey Mill'.
Steam and sailing ships and their crews observing the city on fire in the distance. Plate17 of Series 1 of 'Views taken at or near Rangoon, and Combined operations in the Birman Empire', by Lieutenant Joseph Moore, published in two series 1825-26. The First Anglo-Burmese War (5 March 1824 - 24 February 1826). Abbey Travel 404; Hickman p.230, illus p. 241.
[Ref: 63042] £320.00
Promenade Pittoresque. Un chasseur engagé dans un précipice de la valleé de Sallanches échappe au danger d'y périr. No.24.
Bacler d'Albe ft. Lith de G. Engelmann.
[Paris, 1820-22.]
Lithograph. 368 x 274mm(14½ x 10¾").
Sallanches, near Chamonix, is a commune in the Haute-Savoie in the Rhone-Alps region of south-eastern France. From 'Souvenirs pittoresques du Général Bacler d'Albe', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 15510] £120.00
(£144.00 incl.VAT)
Salmon. Scene in the Highlands of Scotland.
[n.d., c.1820.]
Engraving. 140 x 210mm (5½ x 8¼"). Stitch holes in bottom margin, tear in right edge.
A fish on a bank, mountian behind.
[Ref: 56610] £50.00
(£60.00 incl.VAT)
Salmon Fishing.
H. Alken del.t. I. Clark sculp.t.
London, Published by T. McLean, Jan.y 1. 1820.
Aquatint with fine hand-colour, J. Whatman 1820 watermark. Plate: 280 x 375mm (11 x 14¾"), with large margins. Very slight stain in title area, & slight offsetting.
A fishing scene showing three men fishing salmon with the long rods, one man has a salmon in his basket. From 'The National Sports of Great Britain' by Henry Alken.
[Ref: 46282] £350.00
[Salmon on the Line] A Thirty-Pounder [in pencil].
Norman Wilkinson [signed in pencil].
[n.d. c. 1920s.]
Etching with drypoint with artist's signature in pencil; limited edition 100; 225 x 300mm (9 x 12"), with very large margins. Faint foxing.
Etching of a Salmon fish pulled from the water by a fishing line. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56126] £320.00
[Spring on the Spey.]
Norman Wilkinson [Pencil signature.]
[n.d., c.1930.]
Drypoint etching. 230 x 305mm.
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 6613] £480.00
[The Salmon Leap.]
[After] Douglas Adams 1892 [etched in images]. Douglas Adams [signed in pencil]. With Printseller's Association blindstamp.
[n.d. 1893.]
Rare photogravure printed on chine colle, with artist's signature, artist's proof 225. 590 x 430mm (23¼ x 17"). Large margins.
A man watches a salmon fish leaping upstream from a rock on the bank, his fishing rod discarded behind him.
[Ref: 56193] £490.00
[Below the Falls.]
Norman Wilkinson [etched in plate and signed in pencil].
[n.d. c. 1920s.]
Etching with drypoint with artist's signature. 225 x 300mm (9 x 12") very large margins.
Etching of a salmon fish leaping out of the pool. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56131] £280.00
(£336.00 incl.VAT)
[A Salmon River.] N.o 35 [in pencil].
D. T. Robertson [signed in pencil].
[n.d. c.1920s.]
Etching with drypoint and artist's signature. 190 x 325mm (7½ x 12½").
A salmon fish leaping upstream.
[Ref: 56137] £250.00
(£300.00 incl.VAT)
Salmon Trout.
J. Scott Jun.r sc.t.
Published by Sherwood & Co, April 1 1827.
Engraving. 140 x 205mm (5½ x 8"). Trimmed to plate at top, stitch holes within plate at bottom.
Probably published in the 'Sporting Magazine'.
[Ref: 55329] £60.00
(£72.00 incl.VAT)
To the Inhabitants of the Hundred of East and West Flegg, this Portrait of Rev.d B.W. Salmon, Engraved at their request, in token of their respect for his Character, & their Gratitude for his exertions as a Magistrate, is inscribed by their Humble Serv.t W.C. Edwards.
Painted by T. Phillips. Engraved by W.C. Edwards.
[n.d. c.1820.]
Line engraving on india with large margins. 355 x 305mm (14 x 12"). Edges soiled.
Benjamin Wymberley Salmon (1742-1821), the East India Company chaplain at Fort St George (Madras) 1769-1774. In 1781 he became Rector of Caistor in the diocese of Norwich; in 1805 he was appointed Domestic Chaplain to H.R.H. the Prince of Wales (afterwards George IV). He died at Caistor in 1821, aged 78.
[Ref: 34381] £120.00
(£144.00 incl.VAT)
[To the Inhabitants of the Hundred of East and West Flegg, this Portrait of Rev.d B.W. Salmon, Engraved at their request, in token of their respect for his Character, & their Gratitude for his exertions as a Magistrate, is inscribed by their Humble Serv.t W.C. Edwards.]
Painted by T. Phillips. Engraved by W.C. Edwards.
[n.d. c.1820.]
Line engraving on india, proof before title, very large margins. 355 x 305mm (14 x 12"). Edges soiled. Uncut.
Benjamin Wymberley Salmon (1742-1821), the East India Company chaplain at Fort St George (Madras) 1769-1774. In 1781 he became Rector of Caistor in the diocese of Norwich; in 1805 he was appointed Domestic Chaplain to H.R.H. the Prince of Wales (afterwards George IV). He died at Caistor in 1821, aged 78.
[Ref: 34382] £80.00
(£96.00 incl.VAT)
David Stewart Salmon, aged 105. The legal Father of two Indian Princes of the Wabee Tribe in America. A resident of Cable Street, Liverpool. [After serving his King and Country upwards, of sixty years six months and five days of which time was spent without ever leaving his Majesty's Service, is now allowed 2s. 6d. per week from the Parish of Liverpool. He is the last survivor of the Crew of the Centurion when commanded by Commodore Anson, with whom he sail'd round the World.
[Published Aug.t 15th. 1807, by I. Troughton, Liverpool.]
Stipple. Excised scrap, very scarce; 140 x 80mm (5½ x 3¼"), part of the title pasted underneath. Trimmed around portrait, laid on album paper in corners.
Corry's 'History of Liverpool', 1810, describes him as a native of Virginia who served in the Royal Navy for sixty years, leaving at the end of the War of Independence. The Lancaster Gazette of 23 September 1809 states he died on the 14th September, aged 106.
[Ref: 53374] £320.00
[William Salmon] Guilielmus Salmon Medicinae Professor. Aetatis Suae. 27. Anno. 1675. You see his form and years, but if you would View his just Soule, (which envy can't behold) In to his work; ye following tractate looke the lively picture of his minde ye booke.
W Sherwin ad vita Sculp.t.
[n.d. c.1675.]
Engraving. Sheet 140 x 90mm (5½ x 3½"). Cut.
William Salmon (1644-1713), an empiric doctor and self-proclaimed "Professor of Physick", author of medical texts, often referred to as the 'King of the Quacks'. Ex Collection: R. Hobson of Hove. W: 2588-1.
[Ref: 25227] £120.00
(£144.00 incl.VAT)
Guiliemus Salmon Medicinæ Professor Ætatis Suæ 26 Anno. 1670. You see his form and years; but if you would views his just Soule...
W. Sherwin ad vitam sculpt.
[1670.]
Engraving. Sheet: 140 x 85mm (5½ x 3½''). Trimmed.
A portrait of medical practitioner William Salmon (1644-1713), frontispiece to 'Synopsis Medciniæ' (1671) and 'Polygraphice, or, The Arts of Drawing, Engraving...' (1673). W 2588-1.
[Ref: 49101] £140.00
(£168.00 incl.VAT)
[William Salmon.] Guilielmus Salmon Medicinæ Professor. Ætatis Suæ 36 annº 1681.
[n.d., c.1690.]
Engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders.
Portrait of William Salmon (1644 - 1713), English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick". W2588-2.
[Ref: 68029] £90.00
(£108.00 incl.VAT)
[William Salmon.] Guilielmus Salmon, M.D.
R.White delin et sculp.
1700.
Engraving. Sheet 145 x 90mm (5¾ x 3½"). Trimmed and backed onto album paper at borders
Portrait of William Salmon (1644 - 1713), English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick". W2588-5.
[Ref: 68031] £75.00
(£90.00 incl.VAT)
[Salome with the head of John the Baptist.] And his Head was brought in a Charger and given to ye Damsel & She brought it to her Mother. Matt.w Chap XIV. Ver. XI. Done from the Painting in his Maj.ties Royal Pallace at Kensington and Dedicated to Henry Lowman Esq.r Housekeeper of the said Pallace by his Oblidged Serv.t John Faber.
Carlo Dulci pinx Aº 1664. J. Faber Fecit 1728.
Mezzotint. Sheet 355 x 250mm (14 x 9¾") Trimmed to plate, slight loss in top corners.
Salome, dressed in fine Stuart-era clothes, stands holding a platter with the haloed head of John the Baptist. The original painting, by Florentine painter Carlo Dolci (1616-86) still hangs in the King's Drawing Room, Kensington Palace. CS p.460, mentioned. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67367] £220.00
(£264.00 incl.VAT)
[View of the Incantada or Propylaea of the Hippodrome, Salonica.]
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 500mm, 14 x 19¾". Trimmed to plate at top, with large margins on 3 sides..
A view of the prophylaea (gateway) of the Hippodrome, Thessaloniki, with a private house built through it, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713-88) and Revett (1720-1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'. Stuart's gouache of the building is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/3.
[Ref: 26793] £290.00
(£348.00 incl.VAT)
Salozskaia Près Arkangel Côte De La Mer Blanche.
Dessine par Brissot. Grave par Formster.
Paris; Imp. Chardon Jne. & fils, r. Racine; 3. [n.d., c.1840.]
Engraving, sheet 180 x 280mm. 7 x 11". Sheet trimmed, close to top of image.
A fishing village near Arkhangelsk (Archangel), on the White Sea coast in the far north of European Russia; includes fishing boats, figures in traditional costume and log-built dwellings.
[Ref: 17905] £95.00
(£114.00 incl.VAT)
[For the Benefit of Mr Salpietro.]
[F. Bartolozzi inv: et sculp. 1773]
Very fine stipple with etching, proof before letters, printed in brown. 140 x 180mm (5½ x 7"), with very large margins.
Three putti on clouds decorated with laurel branches, holding music scores. The design was first used as a billhead for the benefit of the Italian violinist Giovanni Salpietro, who came to London with his wife (a singer) c.1779. He was portrayed in 'A Sunday Concert at Dr Burney's', engraved by Bretherton after C.L. Smith. Later it was used as the trade card of William Humphrey, brother of Hannah Humphrey, James Gillray's publisher and partner. De Vesme 1939, state i of iv.
[Ref: 53404] £520.00
[Set of Six.] The descent into the salt-mines of Dürnberg. Entrance to the mine. [&] Sliding-party in the under-part. [&] Passage over the brine-lake in the inner-part of the mountain. [&] Sliding-party in the upper-part. [&] Getting out of the mine (on a wooden horse).
Gez. v. Hanns Brunner.
Eigenthum des Jos. Hinterstoisser am Dürnberge (Vorbehalt jeder Art Nachdruck).
Set of six engravings printed on india paper. Plates: 145 x 125mm (5¾ x 5"), with very large margins. Light foxing.
A series of six plates illustrating various processed of salt-mining in the Durrnberg mines near Salzburg in Austria.
[Ref: 44626] £230.00
(£276.00 incl.VAT)
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View of the Patent Sa[l]t works & Rock Salt Mine,
Print[ed] by C. Hullmandel.
Scarce lithograph, sheet 245 x 460mm (9¾ x 18"). Trimmed losing secondary title. Abrasions losing some letters in text. Laid down on archival paper.
A man with a dog points directions to a man on a horse and a shepherd looks after his flock against the backdrop of smoking chimneys of the Salt Works.
[Ref: 57089] £240.00
(£288.00 incl.VAT)
Sir Titus Salt, Bart.
Engraved by W. Holl, from a Photograph by Appleton & Co., Bradford.
[n.d., c.1870.]
Steel engraving. Printed area 200 x 115mm (8 x 4½").
Sir Titus Salt (1803-76), textile manufacturer, politician & philanthropist. Based in Bradford, Salt set up a wool business with his father and by 1850 owned five mills. He set up the model village Saltaire for his workforce which was considered a remarkable experiment in industrial and social relations. It is estimated that over 100,000 people lined the streets for his funeral.
[Ref: 43390] £60.00
(£72.00 incl.VAT)
Titus Salt [facsimile signature]
[Anon, c.1870]
Chromolithograph, sheet 275 x 205mm (10¾ x 8").
Sir Titus Salt (1803-76), textile manufacturer and politician. Based in Bradford, Salt set up a wool business with his father, and by 1850 owned five mills. He set up the model village Saltaire for his workforce which was considered a remarkable experiment in industrial and social relations.
[Ref: 43386] £65.00
(£78.00 incl.VAT)