A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Henricus Sacheverell S.T.P.
A. Russell pinx: Geo: Vertue Sculp: 1714.
Fine engraving. 375 x 267mm (14¾ x 10½"). Trimmed close the plate along lower edge.
Henry Sacheverell (1674-1724) was an English High Church clergyman and politician. He came to fame when preacher at St Saviour's, Southwark. His famous sermons on the church in danger from the neglect of the Whig ministry to keep guard over its interests were preached, the one at Derby on 15 August 1709, the other at St Paul's Cathedral on 5 November 1709. They were immediately reprinted, the latter being dedicated to the lord mayor and the former to the author's kinsman, George Sacheverell who was high sheriff of Derbyshire that year, and, as the passions of the whole British population were at this period keenly exercised between the rival factions of Whig and Tory; Sacheverell's arguments on behalf of the church which supplied the Tories with most of their support made him their idol.
NPG: D31484.
[Ref: 19089] £180.00 (£216.00 incl.VAT)
A. Russell pinx: Geo: Vertue Sculp: 1714.
Fine engraving. 375 x 267mm (14¾ x 10½"). Trimmed close the plate along lower edge.
Henry Sacheverell (1674-1724) was an English High Church clergyman and politician. He came to fame when preacher at St Saviour's, Southwark. His famous sermons on the church in danger from the neglect of the Whig ministry to keep guard over its interests were preached, the one at Derby on 15 August 1709, the other at St Paul's Cathedral on 5 November 1709. They were immediately reprinted, the latter being dedicated to the lord mayor and the former to the author's kinsman, George Sacheverell who was high sheriff of Derbyshire that year, and, as the passions of the whole British population were at this period keenly exercised between the rival factions of Whig and Tory; Sacheverell's arguments on behalf of the church which supplied the Tories with most of their support made him their idol.
NPG: D31484.
[Ref: 19089] £180.00 (£216.00 incl.VAT)
![[Lucy Sacheverell] Lady Lucasta Schrevell.](jpegs/67436.jpg)
[Lucy Sacheverell] Lady Lucasta Schrevell.
P. Lilly [Sir Peter Lely] Inv. Paris. W. Faithorne sculp.
[n.d., c.1660.]
Engraving. 135 x 85mm (5¼ x 3¼"). Slight stains at corner.
A full-length seated portrait of Lucy Sacheverell, believed to be the inspiration for 'To Lucasta, Going to the Warres' (1649) by poet Richard Lovelace (1617-57).
BM P,3.348. Fagan p.58
[Ref: 67436] £160.00 (£192.00 incl.VAT)
P. Lilly [Sir Peter Lely] Inv. Paris. W. Faithorne sculp.
[n.d., c.1660.]
Engraving. 135 x 85mm (5¼ x 3¼"). Slight stains at corner.
A full-length seated portrait of Lucy Sacheverell, believed to be the inspiration for 'To Lucasta, Going to the Warres' (1649) by poet Richard Lovelace (1617-57).
BM P,3.348. Fagan p.58
[Ref: 67436] £160.00 (£192.00 incl.VAT)
Sack, Cloth and Ashes. A Sketch from Life, taken while the Friar was Stealing a Nap. 192
Finucane delin.t.
Published 7th. August 1797, by Laurie & Whittle, 53 Fleet Street. London.
Hand-coloured engraving, 250 x 200mm (9¾ x 8"), with large margins.
A satirical portrait of a large friar, fast asleep, holding a mug in one hand and a pipe in the other, quite content, far from the debased figure of a man the title 'Sack, Cloth and Ashes' would suggest.
Not in BM.
[Ref: 66872] £260.00 (£312.00 incl.VAT)
Finucane delin.t.
Published 7th. August 1797, by Laurie & Whittle, 53 Fleet Street. London.
Hand-coloured engraving, 250 x 200mm (9¾ x 8"), with large margins.
A satirical portrait of a large friar, fast asleep, holding a mug in one hand and a pipe in the other, quite content, far from the debased figure of a man the title 'Sack, Cloth and Ashes' would suggest.
Not in BM.
[Ref: 66872] £260.00 (£312.00 incl.VAT)
![[John Frederick Sackville, 3rd Duke of Dorset. & Miss G.]](jpegs/67337.jpg)
[John Frederick Sackville, 3rd Duke of Dorset. & Miss G.] Miss G_ The Noble Cricketer.
Published as the Act directs by A.Hamilton, Jun.r near St.John's Gate, Nov.r, 1, 1776.
Stipple engraving. Sheet 175 x 105mm (6¾ x 4¼"). Trimmed.
Portraits of John Frederick Sackville, 3rd Duke of Dorset (1745 - 1799), British courtier and diplomat and Miss G. Dorset is remembered for his love of cricket. He was a good player and an important patron, but his interest was sharpened by gambling, cricket being a major attraction for gamblers throughout the 18th century.
BM 5355.
[Ref: 67337] £160.00 (£192.00 incl.VAT)
Published as the Act directs by A.Hamilton, Jun.r near St.John's Gate, Nov.r, 1, 1776.
Stipple engraving. Sheet 175 x 105mm (6¾ x 4¼"). Trimmed.
Portraits of John Frederick Sackville, 3rd Duke of Dorset (1745 - 1799), British courtier and diplomat and Miss G. Dorset is remembered for his love of cricket. He was a good player and an important patron, but his interest was sharpened by gambling, cricket being a major attraction for gamblers throughout the 18th century.
BM 5355.
[Ref: 67337] £160.00 (£192.00 incl.VAT)
The Right Hon:ble Charles Earle of Dorset & Middlesex, Baron Buckhurst, Lord Chamberlain of the Houshold, One of the Lords of their Maj:ties most Hon:ble Privy Councill, Lord Lieutenant of the County of Sussex and Knight of the most Noble Order of the Garter. &et.
G. Kneller Eques Pinxit.
I. Smith fecit et excudit. [n.d. c.1694]
Fine mezzotint, 18th century watermark; 345 x 245mm (13½ x 9¾"), with very large margins.
Portrait of Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1643-1706), shown half-length within an oval, wearing a wig, lace cravat, robes, and the Order of the Garter chain with the George. Sackville was a prominent English courtier, poet, and politician, celebrated for his wit and his patronage of the arts during the reigns of Charles II and William III. A member of the Merry Gang, which was a group of aristocrats associated with the court of Charles II of England during the Stuart Restoration of 1660. He assisted in the flight of Princess Anne (later Queen Anne) from London to Nottingham during the Revolution of 1688 to support the Williamite cause. He was rewarded with the position of Lord Chamberlain of the Household from 1689 to 1697 under King William III and Queen Mary II. He was also admired for his literary talents, particularly his ballad "To all you Ladies now at Land."
CS 82 II of II. Ex: Collection of the Hon. Christopher Lennox-Boyd & J.B.
[Ref: 68756] £280.00 (£336.00 incl.VAT)
G. Kneller Eques Pinxit.
I. Smith fecit et excudit. [n.d. c.1694]
Fine mezzotint, 18th century watermark; 345 x 245mm (13½ x 9¾"), with very large margins.
Portrait of Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1643-1706), shown half-length within an oval, wearing a wig, lace cravat, robes, and the Order of the Garter chain with the George. Sackville was a prominent English courtier, poet, and politician, celebrated for his wit and his patronage of the arts during the reigns of Charles II and William III. A member of the Merry Gang, which was a group of aristocrats associated with the court of Charles II of England during the Stuart Restoration of 1660. He assisted in the flight of Princess Anne (later Queen Anne) from London to Nottingham during the Revolution of 1688 to support the Williamite cause. He was rewarded with the position of Lord Chamberlain of the Household from 1689 to 1697 under King William III and Queen Mary II. He was also admired for his literary talents, particularly his ballad "To all you Ladies now at Land."
CS 82 II of II. Ex: Collection of the Hon. Christopher Lennox-Boyd & J.B.
[Ref: 68756] £280.00 (£336.00 incl.VAT)
The Right Hon:ble Charles Earle of Dorset & Middlesex, Baron Buckhurst, Lord Chamberlain of the Houshold, One of the Lords of their Maj:ties most Hon:ble Privy Councill, Lord Lieutenant of the County of Sussex and Knight of the most Noble Order of the Garter. &et.
G. Kneller Eques Pinxit.
I. Smith fecit et excudit. [n.d. c.1694]
Mezzotint, 345 x 245mm (13½ x 9¾"), Collector's stamp 'E.M.H.' on reverse. Small margins repaired.
Portrait of Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1643-1706), shown half-length within an oval, wearing a wig, lace cravat, robes, and the Order of the Garter chain with the George. Sackville was a prominent English courtier, poet, and politician, celebrated for his wit and his patronage of the arts during the reigns of Charles II and William III. A member of the Merry Gang, which was a group of aristocrats associated with the court of Charles II of England during the Stuart Restoration of 1660. He assisted in the flight of Princess Anne (later Queen Anne) from London to Nottingham during the Revolution of 1688 to support the Williamite cause. He was rewarded with the position of Lord Chamberlain of the Household from 1689 to 1697 under King William III and Queen Mary II. He was also admired for his literary talents, particularly his ballad "To all you Ladies now at Land."
CS 81 II of II. Ex: collection of Mrs. E.M. Hamilton.
[Ref: 68830] £190.00 (£228.00 incl.VAT)
G. Kneller Eques Pinxit.
I. Smith fecit et excudit. [n.d. c.1694]
Mezzotint, 345 x 245mm (13½ x 9¾"), Collector's stamp 'E.M.H.' on reverse. Small margins repaired.
Portrait of Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1643-1706), shown half-length within an oval, wearing a wig, lace cravat, robes, and the Order of the Garter chain with the George. Sackville was a prominent English courtier, poet, and politician, celebrated for his wit and his patronage of the arts during the reigns of Charles II and William III. A member of the Merry Gang, which was a group of aristocrats associated with the court of Charles II of England during the Stuart Restoration of 1660. He assisted in the flight of Princess Anne (later Queen Anne) from London to Nottingham during the Revolution of 1688 to support the Williamite cause. He was rewarded with the position of Lord Chamberlain of the Household from 1689 to 1697 under King William III and Queen Mary II. He was also admired for his literary talents, particularly his ballad "To all you Ladies now at Land."
CS 81 II of II. Ex: collection of Mrs. E.M. Hamilton.
[Ref: 68830] £190.00 (£228.00 incl.VAT)
![[George Sackville] Head Quarters Brookes's, 18th July 1785. You are to attack the Enemy's Propositions at six o'clock this evening.](jpegs/54571.jpg)
[George Sackville] Head Quarters Brookes's, 18th July 1785. You are to attack the Enemy's Propositions at six o'clock this evening.
J.S. f [James Sayers].
Published by Tho.s Cornell 22nd July 1785.
Etching. 250 x 155mm (9¾ x 6"). Narrow margins.
Lord George Sackville declaiming, hand on his breast, waving a scroll inscribed 'Telum imbelle' (symbolizing his unsoldierly conduct at Minden, when he refused to obey orders). Behind and below him (right) are the grinning heads of Lord Stormont and Lord Derby, saying "Hear Hear Hear". Sackville made a surprise visit to the House of Lords to oppose the Irish Propositions. He died later that year.
BM 6802A
[Ref: 54571] £120.00 (£144.00 incl.VAT)
J.S. f [James Sayers].
Published by Tho.s Cornell 22nd July 1785.
Etching. 250 x 155mm (9¾ x 6"). Narrow margins.
Lord George Sackville declaiming, hand on his breast, waving a scroll inscribed 'Telum imbelle' (symbolizing his unsoldierly conduct at Minden, when he refused to obey orders). Behind and below him (right) are the grinning heads of Lord Stormont and Lord Derby, saying "Hear Hear Hear". Sackville made a surprise visit to the House of Lords to oppose the Irish Propositions. He died later that year.
BM 6802A
[Ref: 54571] £120.00 (£144.00 incl.VAT)
![[The Right Honble Lord George Sackville, Lieutenant General of His Majesty's Forces, Lieutt General of the Ordnance.]](jpegs/52497.jpg)
[The Right Honble Lord George Sackville, Lieutenant General of His Majesty's Forces, Lieutt General of the Ordnance.]
[Sir J Reynolds. McArdell.]
[n.d. c.1759.]
Very fine mezzotint, proof before letters. 400 x 275mm (15¾ x 10¾"). Trimmed at bottom. Thread margins on 3 sides.
Portrait after Reynolds (Mannings 1565); standing three-quarter length to right beside horse, eyes to front, wearing fur-trimmed overcoat, sash and his hair powdered, sword in his left hand; proof before letters. George Sackville Germain, 1st Viscount Sackville (1716-1785); third son of Lionel Cranfield Sackville, 1st Duke of Dorset; George I was his godfather; entered the army and served at Dettingen and Fontenoy; Commander of the British Forces, under Prince Ferdinand of Brunswick, in 1758 where his behaviour at the battle of Minden resulted in a scandal and his dismissal from the army; Secretary of State for the Colonies, 1775-1782. Fought in America.
CS: 161. Goodwin: 73. Hamilton: 9.62.
[Ref: 52497] £360.00
[Sir J Reynolds. McArdell.]
[n.d. c.1759.]
Very fine mezzotint, proof before letters. 400 x 275mm (15¾ x 10¾"). Trimmed at bottom. Thread margins on 3 sides.
Portrait after Reynolds (Mannings 1565); standing three-quarter length to right beside horse, eyes to front, wearing fur-trimmed overcoat, sash and his hair powdered, sword in his left hand; proof before letters. George Sackville Germain, 1st Viscount Sackville (1716-1785); third son of Lionel Cranfield Sackville, 1st Duke of Dorset; George I was his godfather; entered the army and served at Dettingen and Fontenoy; Commander of the British Forces, under Prince Ferdinand of Brunswick, in 1758 where his behaviour at the battle of Minden resulted in a scandal and his dismissal from the army; Secretary of State for the Colonies, 1775-1782. Fought in America.
CS: 161. Goodwin: 73. Hamilton: 9.62.
[Ref: 52497] £360.00
![[Lionel Cranfield Sackville Duke of Dorset.]](jpegs/36465.jpg)
[Lionel Cranfield Sackville Duke of Dorset.]
[Engraved by George Vertue after Sir Godfrey Kneller.]
[London: Vertue, c.1740.]
Etching and engraving, unfinished proof before letters. 430 x 295mm (17 x 11½"), with large margins. Printseller's ink stamp on reverse.
Lionel Cranfield Sackville (1688-1765), 1st Duke of Dorset, Lord Lieutenant of Ireland 1731-7 and 1751-5. He informed George I of his accession to the throne and carried the sceptre at his coronation; at the coronation of George II he was Lord High Steward and carried St Edward's Crown. The finished plate has an extra border around the image, also filling the inscription area, in the centre of which is a coat-of-arms.
See BM: 1849,1031.19 for proof before letters but with engraved borders. Alexander 825. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 36465] £280.00 (£336.00 incl.VAT)
[Engraved by George Vertue after Sir Godfrey Kneller.]
[London: Vertue, c.1740.]
Etching and engraving, unfinished proof before letters. 430 x 295mm (17 x 11½"), with large margins. Printseller's ink stamp on reverse.
Lionel Cranfield Sackville (1688-1765), 1st Duke of Dorset, Lord Lieutenant of Ireland 1731-7 and 1751-5. He informed George I of his accession to the throne and carried the sceptre at his coronation; at the coronation of George II he was Lord High Steward and carried St Edward's Crown. The finished plate has an extra border around the image, also filling the inscription area, in the centre of which is a coat-of-arms.
See BM: 1849,1031.19 for proof before letters but with engraved borders. Alexander 825. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 36465] £280.00 (£336.00 incl.VAT)
The Rt. Hon.ble the Countess of Dorsett.
G.Kneller Bart Pinxt. I.Faber Fecit.
[n.d., c.1723] London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street & In King at the Globe in Poultrey.
Mezzotint on 18th century watermarked paper; Collector's mark Queen Victoria 350 x 245mm (13¾ x 9¾"). Small margins. Some small white marks on right side of image.
Portrait of Mary Sackville, Countess of Dorset (born Lady Mary Compton; 1669 - 1691), 17th century aristocrat, being a courtier at the royal court of Queen Mary II. She was Lady of the Bedchamber to the Queen. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64946] £260.00 (£312.00 incl.VAT)
G.Kneller Bart Pinxt. I.Faber Fecit.
[n.d., c.1723] London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street & In King at the Globe in Poultrey.
Mezzotint on 18th century watermarked paper; Collector's mark Queen Victoria 350 x 245mm (13¾ x 9¾"). Small margins. Some small white marks on right side of image.
Portrait of Mary Sackville, Countess of Dorset (born Lady Mary Compton; 1669 - 1691), 17th century aristocrat, being a courtier at the royal court of Queen Mary II. She was Lady of the Bedchamber to the Queen. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64946] £260.00 (£312.00 incl.VAT)
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Royal Assent to the Bill for the Repeal of the Sacramental Test. May 9th 1828. Commemoration Dinner at the Freemason's Hall, Wednesday June 18th 1828, his Royal Highness the Duke of Sussex in the Chair, W.m Smith Esq.r M.P. Deputy Chairman.
[1828]
Engraving with letterpress, signed at bottom Rob Winter No 53. Sheet 440 x 300mm (17¼ x 11¾"). Laid on album paper, glue stains and browning.
A dinner celebrating the repeal of the requirement that governmental officials take communion in the Church of England, a step towards the Catholic Relief Act of 1829.
[Ref: 54938] £280.00 (£336.00 incl.VAT)
[1828]
Engraving with letterpress, signed at bottom Rob Winter No 53. Sheet 440 x 300mm (17¼ x 11¾"). Laid on album paper, glue stains and browning.
A dinner celebrating the repeal of the requirement that governmental officials take communion in the Church of England, a step towards the Catholic Relief Act of 1829.
[Ref: 54938] £280.00 (£336.00 incl.VAT)
![[Seven Sacraments.] Baptismus [&] Eucharistia [&] Poenitentia [&] Confirmatio [&] Extrema Unctio [&] Ordo [&] Matrimonium.](jpegs/59594.jpg)
[Seven Sacraments.] Baptismus [&] Eucharistia [&] Poenitentia [&] Confirmatio [&] Extrema Unctio [&] Ordo [&] Matrimonium.
Thomas Scheffler delin. Cum Priv. S.C.M.
I. A. Pfeffel S.C.M. Chalcogr. excud. A. V. [n.d. c.1730.]
Set of seven rare mezzotints, plate 735 x 530mm (29 x 21"). Creased, nicks, stains and tears to margins. Rolled.
Very rare complete set. Seven rococo mezzotints, each representing a sacrament of the Catholic Church., after the German painter Christoph Thomas Scheffler (1699-1756).
[Ref: 59594] £1,350.00 view all images for this item
Thomas Scheffler delin. Cum Priv. S.C.M.
I. A. Pfeffel S.C.M. Chalcogr. excud. A. V. [n.d. c.1730.]
Set of seven rare mezzotints, plate 735 x 530mm (29 x 21"). Creased, nicks, stains and tears to margins. Rolled.
Very rare complete set. Seven rococo mezzotints, each representing a sacrament of the Catholic Church., after the German painter Christoph Thomas Scheffler (1699-1756).
[Ref: 59594] £1,350.00 view all images for this item
Inscriptiones a Marquardo Guido Collectae. Sacrum Musis. Lucius Lycilius Deo. Penino Optimo Maximo Donum Dedit.
F. Ottens inv. et delin. A. van Buysen fecit.
Engraving. Plate: 335 x 230mm (13¼ x 9'') very large margins.
An allegorical scene classical figures including wisdom and architecture with the ancient ruins behind.
[Ref: 49322] £130.00 (£156.00 incl.VAT)
F. Ottens inv. et delin. A. van Buysen fecit.
Engraving. Plate: 335 x 230mm (13¼ x 9'') very large margins.
An allegorical scene classical figures including wisdom and architecture with the ancient ruins behind.
[Ref: 49322] £130.00 (£156.00 incl.VAT)
![[Human Sacrifice] America. Chap. V.](jpegs/56211.jpg)
[Human Sacrifice] America. Chap. V.
[London: John Ogilby, 1670.]
Engraving. 130 x 170mm (5 x 6¾"). Trimmed from a sheet of text.
A man lying on a slab, being bled. Behind two warriors fight. From 'America Being the Latest and Most Accurate Description of the New World'.
[Ref: 56211] £160.00 (£192.00 incl.VAT)
[London: John Ogilby, 1670.]
Engraving. 130 x 170mm (5 x 6¾"). Trimmed from a sheet of text.
A man lying on a slab, being bled. Behind two warriors fight. From 'America Being the Latest and Most Accurate Description of the New World'.
[Ref: 56211] £160.00 (£192.00 incl.VAT)
![[Four putti sacrificing a goat]](jpegs/43134.jpg)
[Four putti sacrificing a goat]
[Francesco Bartolozzi with/or a student, c.1780]
Etching and stipple printed in brown on embossed paper, platemark 195 x 230mm (7¾ x 9"). Trimmed to platemark top edge; glued to backing sheet; slight foxing.
Print from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of the work of Francesco Bartolozzi (1725-1815). In the catalogue, Calabi and de Vesme suggest the print was probably executed by one of Bartolozzi's many students, but with Bartolozzi's assistance.
Calabi & de Vesme 2367
[Ref: 43134] £180.00 (£216.00 incl.VAT)
[Francesco Bartolozzi with/or a student, c.1780]
Etching and stipple printed in brown on embossed paper, platemark 195 x 230mm (7¾ x 9"). Trimmed to platemark top edge; glued to backing sheet; slight foxing.
Print from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of the work of Francesco Bartolozzi (1725-1815). In the catalogue, Calabi and de Vesme suggest the print was probably executed by one of Bartolozzi's many students, but with Bartolozzi's assistance.
Calabi & de Vesme 2367
[Ref: 43134] £180.00 (£216.00 incl.VAT)
![[Sacrifice of Baby.]](jpegs/24228.jpg)
[Sacrifice of Baby.]
To face Page 99. of the unive[se display'd].
[Printed by R. Goadby. 1777.]
Engraving. 101 x 152mm. 4 x 6". Cut.
The first is a sacrifice that the Floridians make to the Sun of their first born. The second is an offering of a hart to the Sun.
[Ref: 24228] £45.00 (£54.00 incl.VAT)
To face Page 99. of the unive[se display'd].
[Printed by R. Goadby. 1777.]
Engraving. 101 x 152mm. 4 x 6". Cut.
The first is a sacrifice that the Floridians make to the Sun of their first born. The second is an offering of a hart to the Sun.
[Ref: 24228] £45.00 (£54.00 incl.VAT)
![[Abraham offering up his son Isaac] [37, 18, 36]](jpegs/32600.jpg)
[Abraham offering up his son Isaac] [37, 18, 36]
T. Worlidge 1753.
Etching, sheet 190 x 155mm (7½ x 6"). Trimmed inside platemark.
Abraham leads Isaac to his sacrifice, pointing to the heavens as he guides his son. Scene from Genesis (22:7). Posthumous impression of an etching by Thomas Worlidge (1700-66). After Worlidge's death, his prints were republished by his widow who added additional numbers to the plates to correspond with the numbers in the catalogue of Worlidge's prints which she produced. The 'English Rembrandt', Worlidge (1700-66) was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W36; D2. See BM 1925,0511.185. Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32600] £140.00 (£168.00 incl.VAT)
T. Worlidge 1753.
Etching, sheet 190 x 155mm (7½ x 6"). Trimmed inside platemark.
Abraham leads Isaac to his sacrifice, pointing to the heavens as he guides his son. Scene from Genesis (22:7). Posthumous impression of an etching by Thomas Worlidge (1700-66). After Worlidge's death, his prints were republished by his widow who added additional numbers to the plates to correspond with the numbers in the catalogue of Worlidge's prints which she produced. The 'English Rembrandt', Worlidge (1700-66) was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W36; D2. See BM 1925,0511.185. Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32600] £140.00 (£168.00 incl.VAT)
![[Sacrifice à Esculape (Sacrifice to Asclepius).]](jpegs/27048.jpg)
[Sacrifice à Esculape (Sacrifice to Asclepius).]
Gustave Popelin [in image.] Moutet Cholé sct.
[French, n.d., c.1882.]
Etching on thin india paper, 320 x 210mm. 12½ x 8¼". A little soiled; crease though upper left corner; glued to backing sheet at corners.
Classical genre in the vein of Lawrence Alma-Tadema: a young boy sacrificing a rooster on a tall, ornate altar; seascape beyond. A variant of this plate was published in the periodical 'L'Art' 1881/82. Asclepius is the ancient Greco-Roman god of medicine and healing. After Gustave Léon Antoine Marie Popelin (French, 1859 - 1936).
[Ref: 27048] £95.00 (£114.00 incl.VAT)
Gustave Popelin [in image.] Moutet Cholé sct.
[French, n.d., c.1882.]
Etching on thin india paper, 320 x 210mm. 12½ x 8¼". A little soiled; crease though upper left corner; glued to backing sheet at corners.
Classical genre in the vein of Lawrence Alma-Tadema: a young boy sacrificing a rooster on a tall, ornate altar; seascape beyond. A variant of this plate was published in the periodical 'L'Art' 1881/82. Asclepius is the ancient Greco-Roman god of medicine and healing. After Gustave Léon Antoine Marie Popelin (French, 1859 - 1936).
[Ref: 27048] £95.00 (£114.00 incl.VAT)
The Sacrifice to Love.
London, Publish'd July 2, 1787 by C. Taylor, No 10 near Castle Street, Holborn.
Stipple with large margins, printed in brown. 175 x 120mm, 7 x 4¾".
A classical scene, with a woman presentign a garland of flowers to a winged Cupid, who is seated on the smoke from a brazier. It was published in 'The Cabinet of Genius: containing frontispieces and characters adapted to the most popular poems', a colection of 95 stipples engraved by Charles Taylor and John Ogborne mostly after designs by Samuel Shelley and Robert Smirke.
[Ref: 24688] £65.00 (£78.00 incl.VAT)
London, Publish'd July 2, 1787 by C. Taylor, No 10 near Castle Street, Holborn.
Stipple with large margins, printed in brown. 175 x 120mm, 7 x 4¾".
A classical scene, with a woman presentign a garland of flowers to a winged Cupid, who is seated on the smoke from a brazier. It was published in 'The Cabinet of Genius: containing frontispieces and characters adapted to the most popular poems', a colection of 95 stipples engraved by Charles Taylor and John Ogborne mostly after designs by Samuel Shelley and Robert Smirke.
[Ref: 24688] £65.00 (£78.00 incl.VAT)
Sacro Concilio Generale di Trento. Incomunicato sotto il Pontificato di Paolo III Regnando l'Imperatore Carlo V. L'Anno 1545 terminato l'Anno 1564 Intervenero 7 Cardinali, 4 Arcivescovi, 7 Prelati, 227 Vescovi, 12 Generali di tutte le Re: ligioni, 12 Dottori e Teolejhi, 8 Ambasciatori di Principi.~
A: Schiavonette Sc:
Trento presso Giuseppe Anton Marietti Librajo. [n.d. c.1780.]
Engraving with accompaniment slip detailing sitters in ink. 185 x 228mm. 7¼ x 9".
Pope Paul III begain the Counil of Trent as a commission of cardinals given the task to devise various institutional reforms to resolve disputes, for example, the issue of corruption of bishops and priests and other financial abuse.
[Ref: 15481] £45.00 (£54.00 incl.VAT) view all images for this item
A: Schiavonette Sc:
Trento presso Giuseppe Anton Marietti Librajo. [n.d. c.1780.]
Engraving with accompaniment slip detailing sitters in ink. 185 x 228mm. 7¼ x 9".
Pope Paul III begain the Counil of Trent as a commission of cardinals given the task to devise various institutional reforms to resolve disputes, for example, the issue of corruption of bishops and priests and other financial abuse.
[Ref: 15481] £45.00 (£54.00 incl.VAT) view all images for this item
Joan a Sacrobosco, Angli.
[n.d., c.1600.]
Woodcut. Sheet 95 x 65mm (3¾ x 2½"). Trimmed and laid on album paper.
A supposed portrait of Johannes de Sacrobosco (c.1195-c.1256), a monk and astronomer who was a teacher at the University of Paris. His short astronomy textbook, 'Tractatus de Sphaera', in which he criticised the Julian Calendar, was influential. He is said to have been born in Britain and educated at Oxford; there is no evidence of either, but Robertus Anglicus, writing in 1271 (about 15 years after Sacrobosco's death) wrote he was born in England.
W1536 - not in.
[Ref: 53177] £75.00 (£90.00 incl.VAT)
[n.d., c.1600.]
Woodcut. Sheet 95 x 65mm (3¾ x 2½"). Trimmed and laid on album paper.
A supposed portrait of Johannes de Sacrobosco (c.1195-c.1256), a monk and astronomer who was a teacher at the University of Paris. His short astronomy textbook, 'Tractatus de Sphaera', in which he criticised the Julian Calendar, was influential. He is said to have been born in Britain and educated at Oxford; there is no evidence of either, but Robertus Anglicus, writing in 1271 (about 15 years after Sacrobosco's death) wrote he was born in England.
W1536 - not in.
[Ref: 53177] £75.00 (£90.00 incl.VAT)
The Sad Story. By Angels caught, all-hallow'd as they flow, Are tears we shed for sorrows not our own; And bosoms heaving for anothers woe, Waft their own incense to the heavenly throne. EW.
Design'd by H. W. Bunbury Esq.r.
London Pub.d July 29. 1782 by J. R. Smith N.o 83 Oxford Street.
Stipple printed in sanguine, sheet 280 x 190mm (11 x 7½"). Trimmed within plate. Foxed.
Second state before publication line altered. A woman reads from a book to three children and a dog; the children, two standing and one seated, listen with sullen expressions.
Frankau 303.
[Ref: 67374] £140.00 (£168.00 incl.VAT)
Design'd by H. W. Bunbury Esq.r.
London Pub.d July 29. 1782 by J. R. Smith N.o 83 Oxford Street.
Stipple printed in sanguine, sheet 280 x 190mm (11 x 7½"). Trimmed within plate. Foxed.
Second state before publication line altered. A woman reads from a book to three children and a dog; the children, two standing and one seated, listen with sullen expressions.
Frankau 303.
[Ref: 67374] £140.00 (£168.00 incl.VAT)
A Woman Sadne.
Susana Jones inv.t.
[n.d., c.1790.]
Stipple, printed in sepia. 120 x 90mm (5¾ x 3½"), with large margins.
A woman in a wide-brimmed hat looking skyward. As we have been unable to trace this print it is likely to have been an amateur production.
[Ref: 58219] £95.00 (£114.00 incl.VAT)
Susana Jones inv.t.
[n.d., c.1790.]
Stipple, printed in sepia. 120 x 90mm (5¾ x 3½"), with large margins.
A woman in a wide-brimmed hat looking skyward. As we have been unable to trace this print it is likely to have been an amateur production.
[Ref: 58219] £95.00 (£114.00 incl.VAT)
![[Saddler] Sellier. Sattler.](jpegs/36606.jpg)
[Saddler] Sellier. Sattler.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
The interior of a saddler's, although through the door two men are working on a coach.
[Ref: 36606] £120.00 (£144.00 incl.VAT)
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
The interior of a saddler's, although through the door two men are working on a coach.
[Ref: 36606] £120.00 (£144.00 incl.VAT)
Burrey, Saddler & Harness Maker. Christchurch. London Whips Bits & Spurs.
[n.d., c.1820.]
Engraving. Sheet 85 x 65mm (3¼ x 2½"). Trimmed on right.
With illustrations of hunting.
[Ref: 52341] £75.00 (£90.00 incl.VAT)
[n.d., c.1820.]
Engraving. Sheet 85 x 65mm (3¼ x 2½"). Trimmed on right.
With illustrations of hunting.
[Ref: 52341] £75.00 (£90.00 incl.VAT)
![[SADDLER] George Palliser, Saddler and Harness Manufacturer, 8, Finsbury Place, London,](jpegs/16857.jpg)
[SADDLER] George Palliser, Saddler and Harness Manufacturer, 8, Finsbury Place, London, Begs most respectfully to announce to the Nobility and Gentry...he has been induced to open a Branch Establishment for their accommodation, at No.153, Piccadilly. Opposite the Gloucester Coffee House.
W. Spiers, Printer, 399, Oxford Street. ['1832' in pencil to upper right.]
Promotional handbill/flyer, letterpress broadside, sheet 225 x 125mm. 9 x 5". Some staining; generally good and a strong printing.
An interesting and well-preserved advertisement for an upmarket London supplier of equestrian goods.
[Ref: 16857] £60.00 (£72.00 incl.VAT)
W. Spiers, Printer, 399, Oxford Street. ['1832' in pencil to upper right.]
Promotional handbill/flyer, letterpress broadside, sheet 225 x 125mm. 9 x 5". Some staining; generally good and a strong printing.
An interesting and well-preserved advertisement for an upmarket London supplier of equestrian goods.
[Ref: 16857] £60.00 (£72.00 incl.VAT)
Williams. Saddler, Collar, Harness & Whip Maker, High Street, Wandsworth. Horses Neatly Fitted. Engraving neatly Executed.
[Wandsworth, c. 1830]
Engraved trade card, on card, 84 x 62mm. The upper half a fine vignette of the coat of arms of The Worshipful Company of Saddlers. Ink stains.
Rare.
[Ref: 7519] £75.00 (£90.00 incl.VAT)
[Wandsworth, c. 1830]
Engraved trade card, on card, 84 x 62mm. The upper half a fine vignette of the coat of arms of The Worshipful Company of Saddlers. Ink stains.
Rare.
[Ref: 7519] £75.00 (£90.00 incl.VAT)
Aegidius Sadeler. Un de premiers engraveurs de toute le monde….ou il mourut. L'an 1629. '107' annotated in ink.
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Water staininng in top margin, outside plate.
Egidius (or Gillis) Sadeler the younger [1570 - 1623] engraver, draughtsman and painter. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4220] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Water staininng in top margin, outside plate.
Egidius (or Gillis) Sadeler the younger [1570 - 1623] engraver, draughtsman and painter. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4220] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler. Un de premiers engraveurs de toute le monde. il est ne en Anvers l'an 1570 [...]
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 165 x 115mm. Glued to backing sheet. Small margins.
Aegidius Sadeler II (?1570-1629), engraver, draughtsman and painter. Part of an important family of engravers, publishers and printsellers in Antwerp, Aegidius moved to Munich as a young man and also visited Rome. In around 1597 he arrived in Prague, working as an imperial engraver at the courts of Rudolf II, Matthias and Ferdinand II. Aegidius was admired for the psychological insight of his engravings, which earned him the sobriquet of the 'Phoenix of Engraving'. Engraving after a self-portrait, from the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 41463] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 165 x 115mm. Glued to backing sheet. Small margins.
Aegidius Sadeler II (?1570-1629), engraver, draughtsman and painter. Part of an important family of engravers, publishers and printsellers in Antwerp, Aegidius moved to Munich as a young man and also visited Rome. In around 1597 he arrived in Prague, working as an imperial engraver at the courts of Rudolf II, Matthias and Ferdinand II. Aegidius was admired for the psychological insight of his engravings, which earned him the sobriquet of the 'Phoenix of Engraving'. Engraving after a self-portrait, from the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 41463] £70.00 (£84.00 incl.VAT)
Iean Sadeler. Tres excellent engraveur, natif de Brusselles….il mourut de la chaude fiebre l'an 1600.
Coenr. Waumans sculp. Io. Meyssens exc.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Jan (or Johan) Sadeler [1550 - 1600], draughtsman, engraver and publisher, and brother of Raphael. He began work as a steel-chiseller or damascener but moved to Antwerp, where he was admitted to the Guild of St Luke in 1572 as a copperplate engraver. It was probably in Antwerp also that he met Marten de Vos, with whom he and his brothers collaborated for many years. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4222] £70.00 (£84.00 incl.VAT)
Coenr. Waumans sculp. Io. Meyssens exc.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Jan (or Johan) Sadeler [1550 - 1600], draughtsman, engraver and publisher, and brother of Raphael. He began work as a steel-chiseller or damascener but moved to Antwerp, where he was admitted to the Guild of St Luke in 1572 as a copperplate engraver. It was probably in Antwerp also that he met Marten de Vos, with whom he and his brothers collaborated for many years. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4222] £70.00 (£84.00 incl.VAT)
Raphael Sadeler. Excellent engraveur natif de Brusselles….il a ete pour quelques temps peintre. '104' annotated in ink.
Coenr. Waumans sculp. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Painter and engraver [c.1555 - c.1632], brother of Jan Sadeler. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4221] £70.00 (£84.00 incl.VAT)
Coenr. Waumans sculp. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Painter and engraver [c.1555 - c.1632], brother of Jan Sadeler. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4221] £70.00 (£84.00 incl.VAT)
A Pegged-Down Fishing Match.
Painted by W. Dendy Sadler, Photogravure, Goupil & Co.i
London. April 1885. Published by I.P. Mendoza, St. James's Gallery, King Street, St. James's. New York, Fishel, Adler & Schwartz. Entered according to Act of Congress in the year 1885 by Fishel, Adler & Schwartz in the Office of the Librarian of Congress at Washington.
A rare photogravure, platemark 650 x 870mm (25½ x 34¼"). Outside of frame 960 x 1180mm (37¾ x 46½"). Some spotting towards top; unexamined out of original frame.
Fishing scene, inspired by the idea of a London Angling Society outing to the River Lea, the Sussex Ouse or the Thames, and the fishing of a friendly competition amongst the members. Sadler's painting of 1884 (now in the Beaverbrook Gallery in Fredericton, New Brunswick, Canada) has been described as his greatest angling scene, which 'shows contemporary fishing in a thoroughly naturalistic and unsentimental way'.
David Beazley, 'Images of Angling', p.180 PSA: Vol.I. A.P. 125.
[Ref: 23151] £520.00
Painted by W. Dendy Sadler, Photogravure, Goupil & Co.i
London. April 1885. Published by I.P. Mendoza, St. James's Gallery, King Street, St. James's. New York, Fishel, Adler & Schwartz. Entered according to Act of Congress in the year 1885 by Fishel, Adler & Schwartz in the Office of the Librarian of Congress at Washington.
A rare photogravure, platemark 650 x 870mm (25½ x 34¼"). Outside of frame 960 x 1180mm (37¾ x 46½"). Some spotting towards top; unexamined out of original frame.
Fishing scene, inspired by the idea of a London Angling Society outing to the River Lea, the Sussex Ouse or the Thames, and the fishing of a friendly competition amongst the members. Sadler's painting of 1884 (now in the Beaverbrook Gallery in Fredericton, New Brunswick, Canada) has been described as his greatest angling scene, which 'shows contemporary fishing in a thoroughly naturalistic and unsentimental way'.
David Beazley, 'Images of Angling', p.180 PSA: Vol.I. A.P. 125.
[Ref: 23151] £520.00
Aquatic Theatre, Sadler's Wells.
Published Augt. 23, 1813, [bit later] by Jas. Whittle & Richd. H. Laurie, 53, Fleet Street, London.
Etching and engraving, 300 x 445mm (11¾ x 17½").
View of Sadler's Wells Theatre, showing a horse-drawn carriage and figures fishing along the river in the foreground. Sadler's Wells Theatre on Rosebery Avenue, Clerkenwell. Many famous actors appeared at the theatre, including Edmund Kean, and popular comedians such as Joseph Grimaldi (1778 - 1837), originator of the painted clown. A tank under the stage could be flooded with water from the New River. This 'Aquatic Theatre' was used to stage extravagant naval melodramas, such as 'The Siege of Gibraltar'.
[Ref: 56116] £280.00 (£336.00 incl.VAT)
Published Augt. 23, 1813, [bit later] by Jas. Whittle & Richd. H. Laurie, 53, Fleet Street, London.
Etching and engraving, 300 x 445mm (11¾ x 17½").
View of Sadler's Wells Theatre, showing a horse-drawn carriage and figures fishing along the river in the foreground. Sadler's Wells Theatre on Rosebery Avenue, Clerkenwell. Many famous actors appeared at the theatre, including Edmund Kean, and popular comedians such as Joseph Grimaldi (1778 - 1837), originator of the painted clown. A tank under the stage could be flooded with water from the New River. This 'Aquatic Theatre' was used to stage extravagant naval melodramas, such as 'The Siege of Gibraltar'.
[Ref: 56116] £280.00 (£336.00 incl.VAT)
Sadler's Wells Theatre 1720
[Anon., c.1780]
Rare etching, laid on album sheet; platemark 105 x 160mm (4 x 6¼"), with large margins.
The original Sadler's Wells Theatre in Islington, north London. It was built by Richard Sadler in 1683 as a music house close to a newly-discovered mineral spring with the intention of rivalling similar establishments at Epsom and Tunbridge Wells. The various entertainments in the theatre's early days included jugglers, dancing dogs, and even a singing duck!
[Ref: 42086] £130.00 (£156.00 incl.VAT)
[Anon., c.1780]
Rare etching, laid on album sheet; platemark 105 x 160mm (4 x 6¼"), with large margins.
The original Sadler's Wells Theatre in Islington, north London. It was built by Richard Sadler in 1683 as a music house close to a newly-discovered mineral spring with the intention of rivalling similar establishments at Epsom and Tunbridge Wells. The various entertainments in the theatre's early days included jugglers, dancing dogs, and even a singing duck!
[Ref: 42086] £130.00 (£156.00 incl.VAT)
The Ascent of Mr Sadler and Capt.n Paget from Hackney, 12th Augs.t 1811. From a Drawing taken on the Spot.
Publish'd Aug.t 19th by I.Murray Princess Street Soho & 326 Oxford Street.
Etching. Sheet 305 x 190mm (12 x 7½"). Trimmed within plate. Minor surface dirt, handling creases, numbered in brown ink outside the image.
Showing James Sadler's (1753 – 1828) balloon flight to mark the birthday of George, Prince of Wales (later George IV) on 12th August 1811. He took off from the gardens of the Mermaid Tavern in Hackney, along with Captain Paget of the Royal Navy (presumably Vice-Admiral Sir Charles Paget (1778–1839)), who was a paying passenger, and landed near Tilbury Fort 73 minutes later. Apparently published a week after the event.
Illustrated: Turnor, Hatton, Astra Castra. Experiments and Adventures in the Atmopshere, Chapman and Hall, 1865, illus. p. 262. From the Collection of Christopher Hatton Turnor 1840-1914 Author of "A
[Ref: 58178] £260.00 (£312.00 incl.VAT)
Publish'd Aug.t 19th by I.Murray Princess Street Soho & 326 Oxford Street.
Etching. Sheet 305 x 190mm (12 x 7½"). Trimmed within plate. Minor surface dirt, handling creases, numbered in brown ink outside the image.
Showing James Sadler's (1753 – 1828) balloon flight to mark the birthday of George, Prince of Wales (later George IV) on 12th August 1811. He took off from the gardens of the Mermaid Tavern in Hackney, along with Captain Paget of the Royal Navy (presumably Vice-Admiral Sir Charles Paget (1778–1839)), who was a paying passenger, and landed near Tilbury Fort 73 minutes later. Apparently published a week after the event.
Illustrated: Turnor, Hatton, Astra Castra. Experiments and Adventures in the Atmopshere, Chapman and Hall, 1865, illus. p. 262. From the Collection of Christopher Hatton Turnor 1840-1914 Author of "A
[Ref: 58178] £260.00 (£312.00 incl.VAT)
The Cries of Westminster by William Heath. Newcastle Salmon- delicate Salmon- Ah this is a first rate man- (Prodigious).
Pub Oct 28 1829 by T. Mclean 26 Haymarket sole Publisher of WH etchings.
Hand-coloured etching. Sheet: 365 x 255mm (14¼ x 10"). Trimmed with some marking below right foot.
A satirical portrait of Michael Thomas Sadler (1780-1835) on his return to Newark as the nominee of the Duke of Newcastle.
BM Satire 15891.
[Ref: 43636] £230.00 (£276.00 incl.VAT)
Pub Oct 28 1829 by T. Mclean 26 Haymarket sole Publisher of WH etchings.
Hand-coloured etching. Sheet: 365 x 255mm (14¼ x 10"). Trimmed with some marking below right foot.
A satirical portrait of Michael Thomas Sadler (1780-1835) on his return to Newark as the nominee of the Duke of Newcastle.
BM Satire 15891.
[Ref: 43636] £230.00 (£276.00 incl.VAT)
The Charms of Dishabille, or New Tunbridge Wells at Islington.
For the Flute. The Words by Mr. Lockman, Written in 1733. To ye Tune of ye Black Joke. G. Bickham junr. Sculp.
[n.d., c.1745.]
Engraved musical score lettered with lyrics, three verses of lyrics below, etched illustration above, plate 320 x 200mm (12¾ x 7¾"), with margins. Glued to backing sheet on borders at edges. Fold. Some light foxing.
An ode to sartorial variety at the pleasure gardens at Sadler's Wells (sometimes called 'New Tunbridge Wells') in Islington, London. The author of the lyrics remarks upon the array of fashions sported by a socially mixed clientele. During the 18th century the initial exclusiveness of Sadler's Wells declined along with the quality of the clientele, who were described as 'vermin trained up to the gallows' by a contemporary, while, by 1711, Sadler's Wells was characterized as 'a nursery of debauchery'. By George Bickham the Younger (c. 1706 - 1771), printmaker and publisher, and son of George Bickham the Elder. From a book of sheet music. Plate inscribed '42' upper right.
[Ref: 62004] £130.00 (£156.00 incl.VAT)
For the Flute. The Words by Mr. Lockman, Written in 1733. To ye Tune of ye Black Joke. G. Bickham junr. Sculp.
[n.d., c.1745.]
Engraved musical score lettered with lyrics, three verses of lyrics below, etched illustration above, plate 320 x 200mm (12¾ x 7¾"), with margins. Glued to backing sheet on borders at edges. Fold. Some light foxing.
An ode to sartorial variety at the pleasure gardens at Sadler's Wells (sometimes called 'New Tunbridge Wells') in Islington, London. The author of the lyrics remarks upon the array of fashions sported by a socially mixed clientele. During the 18th century the initial exclusiveness of Sadler's Wells declined along with the quality of the clientele, who were described as 'vermin trained up to the gallows' by a contemporary, while, by 1711, Sadler's Wells was characterized as 'a nursery of debauchery'. By George Bickham the Younger (c. 1706 - 1771), printmaker and publisher, and son of George Bickham the Elder. From a book of sheet music. Plate inscribed '42' upper right.
[Ref: 62004] £130.00 (£156.00 incl.VAT)
![[Six original sketches for the Sados Restaurant and Winter Gardens, Brighton.]](jpegs/62306.jpg)
[Six original sketches for the Sados Restaurant and Winter Gardens, Brighton.]
G. Mareshal. Artist. 35 Liverpool R.d Kingston Hill, Kingston on Thames.
[c.1930.]
Six watercolours. Sheets c.260 x 305mm (10¼ x 12") First sheet soiled, with tear.
Six interior design sketches. The three with pencil titles are: 'Front of Bar in Lounge 1st Floor Sado's Restaurant, Brighton', with a fantastical Chinoiserie pheasant; 'Proposed scenery for Walls Sado's Winter Gardens, Brighton', with a southern Italianate terrace; and 'Decorative Scheme for Bathing Pool'. The others are a view of a river from under an Arabesque colonade; another Chinoiserie pheasant on a wall; and a room with a fireplace and two large window-like paintings.
[Ref: 62306] £290.00 (£348.00 incl.VAT) view all images for this item
G. Mareshal. Artist. 35 Liverpool R.d Kingston Hill, Kingston on Thames.
[c.1930.]
Six watercolours. Sheets c.260 x 305mm (10¼ x 12") First sheet soiled, with tear.
Six interior design sketches. The three with pencil titles are: 'Front of Bar in Lounge 1st Floor Sado's Restaurant, Brighton', with a fantastical Chinoiserie pheasant; 'Proposed scenery for Walls Sado's Winter Gardens, Brighton', with a southern Italianate terrace; and 'Decorative Scheme for Bathing Pool'. The others are a view of a river from under an Arabesque colonade; another Chinoiserie pheasant on a wall; and a room with a fireplace and two large window-like paintings.
[Ref: 62306] £290.00 (£348.00 incl.VAT) view all images for this item
![[La Peinture.]](jpegs/14541.jpg)
[La Peinture.]
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin engrossed in painting a rustic Dutchman on this canvas.
[Ref: 14541] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin engrossed in painting a rustic Dutchman on this canvas.
[Ref: 14541] £140.00 (£168.00 incl.VAT)
![[La Foise.]](jpegs/14542.jpg)
[La Foise.]
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin imitating the great writers of past with a laurel head-piece of Roman times, and papers around him, cigarettes in the ashtray and publications on the wall.
[Ref: 14542] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin imitating the great writers of past with a laurel head-piece of Roman times, and papers around him, cigarettes in the ashtray and publications on the wall.
[Ref: 14542] £140.00 (£168.00 incl.VAT)
![[L'Automne.]](jpegs/14543.jpg)
[L'Automne.]
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 232 x 151mm. 9 x 6". Some scuffing to the image.
A harlequin imitating Dionysis with a head-reef of grapes, leaning against a barrel with a basket of grapes over one arm, a bottle of wine in his hand, and grapes flowing out his pocket.
[Ref: 14543] £130.00 (£156.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 232 x 151mm. 9 x 6". Some scuffing to the image.
A harlequin imitating Dionysis with a head-reef of grapes, leaning against a barrel with a basket of grapes over one arm, a bottle of wine in his hand, and grapes flowing out his pocket.
[Ref: 14543] £130.00 (£156.00 incl.VAT)
![[La Sculpture.]](jpegs/14544.jpg)
[La Sculpture.]
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 232 x 151mm. 9 x 6".
A Harlequin creating his masterpiece out of stone. Other statues sit on shelves on the wall. A palette sticks out his left pocket. A laurel reef leans up against the stool that he sits on.
[Ref: 14544] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 232 x 151mm. 9 x 6".
A Harlequin creating his masterpiece out of stone. Other statues sit on shelves on the wall. A palette sticks out his left pocket. A laurel reef leans up against the stool that he sits on.
[Ref: 14544] £140.00 (£168.00 incl.VAT)
M.rs Sage. [The first English Female Aerial Traveller, who ascended with Mr. Biggin, in Mr. Lunardi's Balloon, from St. George's Fields June 29th 1785; at 25 Minutes after one oClock, and descended a few Miles beyond Harrow in Middlesex, at three oClock, after traversing upwards of Thirty Miles on the Atmosphere.]
Tburke fecit. S. Shelley del.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 130 x 140mm (5 x 5½"). Trimmed.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, riding in Vincenzo Lunardi's balloon.
See ref: 50053 for another version.
[Ref: 56977] £180.00 (£216.00 incl.VAT)
Tburke fecit. S. Shelley del.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 130 x 140mm (5 x 5½"). Trimmed.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, riding in Vincenzo Lunardi's balloon.
See ref: 50053 for another version.
[Ref: 56977] £180.00 (£216.00 incl.VAT)
M.rs Sage. The first English Female Aerial Traveller, who ascended with Mr. Biggin, in Mr. Lunardi's Balloon, from St. George's Fields June 29th 1785; at 25 Minutes after one oClock, and descended a few Miles beyond Harrow in Middlesex, at three oClock, after traversing upwards of Thirty Miles on the Atmosphere.
Tburke fecit.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 185 x 135mm (7¼ x 5¼''). Trimmed and marked. Bit messy.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, flying in Vincenzo Lunardi's balloon. By the artist Samuel Shelly.
[Ref: 50053] £280.00 (£336.00 incl.VAT)
Tburke fecit.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 185 x 135mm (7¼ x 5¼''). Trimmed and marked. Bit messy.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, flying in Vincenzo Lunardi's balloon. By the artist Samuel Shelly.
[Ref: 50053] £280.00 (£336.00 incl.VAT)
November, Chiron as Sagittarius teaching Achilles the use of the Bow.
['Burney delt.' & 'J. Agar sculpt' faded.]
Pub. Jany. 2. 1809 by R. Ackermann, as his Repository of Arts, No. 101, Strand, London [but c.1815].
Hand-coloured stipple and etching, reissue on Whatman paper, partly printed in colour. 195 x 260mm, 7¾ x 10¼". Some staining and soiling; two creases in plate. Uncut.
Chiron as Sagittarius, standing at right on his hind legs, holding a bow, with the infant Achilles kneeling on his back, pulling the arrow; Artemis standing with her left foot on a small chariot pulled by Chiron, with head turned back in profile to left, holding a bow in her left hand after firing an arrow. Chiron was the centaur tutor to Achilles, Asclepius and Hercules. No trace of price upper right. After Edward Francis Burney (1760 - 1848), from a series of allegories of the months.
[Ref: 22588] £230.00 (£276.00 incl.VAT)
['Burney delt.' & 'J. Agar sculpt' faded.]
Pub. Jany. 2. 1809 by R. Ackermann, as his Repository of Arts, No. 101, Strand, London [but c.1815].
Hand-coloured stipple and etching, reissue on Whatman paper, partly printed in colour. 195 x 260mm, 7¾ x 10¼". Some staining and soiling; two creases in plate. Uncut.
Chiron as Sagittarius, standing at right on his hind legs, holding a bow, with the infant Achilles kneeling on his back, pulling the arrow; Artemis standing with her left foot on a small chariot pulled by Chiron, with head turned back in profile to left, holding a bow in her left hand after firing an arrow. Chiron was the centaur tutor to Achilles, Asclepius and Hercules. No trace of price upper right. After Edward Francis Burney (1760 - 1848), from a series of allegories of the months.
[Ref: 22588] £230.00 (£276.00 incl.VAT)
November. Chiron as Sagittarius teaching Achilles the use of the Bow.
Burney del.t. J. Agar sculp.t.
Pub. Jan.y 1809 by R.Ackermann, at his Repository of Arts, No 101, Strand, London.
Stipple. Sheet 200 x 260mm, 8 x 10¼", watermarked "J.Whatman 1808". Trimmed within plate, left corners torn.
An allegorical image of the zodiac sign Sagittarius. The infant Achilles being taught archery by the centaur Chiron. Behind them the goddess Artemis also fires a bow.
[Ref: 14141] £75.00 (£90.00 incl.VAT)
Burney del.t. J. Agar sculp.t.
Pub. Jan.y 1809 by R.Ackermann, at his Repository of Arts, No 101, Strand, London.
Stipple. Sheet 200 x 260mm, 8 x 10¼", watermarked "J.Whatman 1808". Trimmed within plate, left corners torn.
An allegorical image of the zodiac sign Sagittarius. The infant Achilles being taught archery by the centaur Chiron. Behind them the goddess Artemis also fires a bow.
[Ref: 14141] £75.00 (£90.00 incl.VAT)
Per Mathisön Sahra. A Mountain Laplander on Qualöen or Whale Island.
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 255 x 184mm. 10 x 7¼". Crease.
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Scott Polar Research Institute: 56/18/12.
[Ref: 15137] £120.00 (£144.00 incl.VAT)
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 255 x 184mm. 10 x 7¼". Crease.
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Scott Polar Research Institute: 56/18/12.
[Ref: 15137] £120.00 (£144.00 incl.VAT)
Said Pacha Beglierbey de Roumely Ambassadeur extraordinaire de sa Haut.se vers Sa Majesté tres Chretienne. Puisse son nom vivant chez nos derniers Neveux...Etre egalement cher a deux Peuples heureux.
Presenté par son Excellence par son tres humble Serviteur Petit.
a Paris chez Petit rue S. Jacques a la Couronne d'Epines. 1742.
Engraving. Plate 151 x 106mm (6 x 4¼"). Rare.
Ottoman ambassador to France.
[Ref: 29820] £95.00 (£114.00 incl.VAT)
Presenté par son Excellence par son tres humble Serviteur Petit.
a Paris chez Petit rue S. Jacques a la Couronne d'Epines. 1742.
Engraving. Plate 151 x 106mm (6 x 4¼"). Rare.
Ottoman ambassador to France.
[Ref: 29820] £95.00 (£114.00 incl.VAT)
![[Sail boats in coastal waters.]](jpegs/13966.jpg)
[Sail boats in coastal waters.]
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Drypoint etching. 175 x 280, 7 x 11".
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 13966] £260.00 (£312.00 incl.VAT)
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Drypoint etching. 175 x 280, 7 x 11".
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 13966] £260.00 (£312.00 incl.VAT)
![[Sail-Boat.]](jpegs/48107.jpg)
[Sail-Boat.]
[n.d., c.1960.]
Signed watercolour. Sheet: 140 x 90mm (5½ x 3½''). Mounted on card.
[Ref: 48107] £120.00 (£144.00 incl.VAT)
[n.d., c.1960.]
Signed watercolour. Sheet: 140 x 90mm (5½ x 3½''). Mounted on card.
[Ref: 48107] £120.00 (£144.00 incl.VAT)